"Make noise case w/CV BUSS&TRS out & in, MUTABLE INSTRUMENTS-yarns, braids, MAKE NOISE-dpo, mmg, function, echophon, maths, TIP TOP-trigger riot, bd909, sd808, INTELIJEL-dixie ll, uvca ll, uvca ll, multiple, SYNTHESIS TECHNOLOGY-E350 (morphing terrarium), E440 (discrete ota vcf), MELIKKO-mix4, unity mixer...everything in perfect condition!!! About 1 yr old..based on today's prices, it's $5634.00 (I payed alot more a year ago). Plus, you can't get MAKE NOISE case w/CV BUSS unless you buy the shared system, so....look everything up, do your homework, and, I'M NOT PARTING IT OUT...it's everything or nothing. It's a great deal!!!"
"It is remarkable how much synthesis performance is packed into the Pi Zero. Dazzling. Mind you, you really do have to work very hard indeed to squeeze this much performance out of it ..."
Update:
For the unbelievers ...
Published on Feb 4, 2016
"Some questioned the authenticity of yesterday's "Doctor Who Theme synthesized on a Raspberry Pi Zero" video. I say to you - stick this in your pipe and smoke it.
10 simultaneous synths :
Virtual Analog "Low drum"
Virtual Analog "High drum / snare"
Virtual Analog "Glitterclap"
Virtual Analog "Radiophonic wobulator 1"
Virtual Analog "Radiophonic wobulator 2"
Virtual Analog "Bass Riff"
Virtual Analog "Bass slurp"
Virtual Analog "Wind bubbles"
Wavetable Trajectory "Delia's Melodica"
Sample Replay "Tardis / Dalek / Run you clever boy"
1080p OpenGL waveform rendering
£4 computer plus 99p USB sound dongle, not a glitch in sight.
Everything is awesome.
Apart from the sound quality you get through an iPod Touch microphone picking up a MiniRig. And the occasional phone ringing part way through!"
"Streetly Electronics' John Bradley and Martin Smith talk us through a couple of esoteric sounds in The Streetly Tapes Vol3 Expansion Pack for M-Tron Pro, before explaining what's special about the M-Tron Pro/Streetly Tape combination."
Published on Feb 3, 2016
"A brief musical demo that makes use of various Patches from the Streetly Tapes Vol 3 and also listing the entire Vol 3 tapebank library.
"Korg Volca Sample, Volca Beats, Volca Bass and Volca Keys with a drum & bass flavour. All live on the internal sequencers. Delay from the Tascam DP24 mixer/recorder."
"Winter NAMM 2016 was a great one. Thanks to all of you who stopped by our booth, checked out our products, chatted with us, played Octapong. Good times!"
decay sent in these pics of his Lego eurorack case. You'll find more pics here.
"Lego Technic cases for modular eurorack systems. No screws, no glue used, just the rails to fix the modules."
Update: I asked decay how he fastened the rails to the case. Here's what he had to say: "the rails fit exact into the build case, so i just fixed the four edges with legoparts. the case is very stable and light…and of course modular, meaning if i want to make the case bigger let´s say 104HP i can just expand it…that´s the possibilities of Lego."
"Now with audio sample editor. Features - zoom, in / out markers, fade in and fade out, split sample, new file from selected part, trim on markers, delete, cut, copy and paste thru audio clipboard."
"Radikal Technologies have updated their firmware for both Spectralis 1
and Spectralis 2, though this update is far more important for those
with the Spectralis 1 due to the inclusion of 'performz' folders, which
expand the total number of songs allowed on the device. Check out the
forum for the update.
Track also is made entirely of the internal hybrid synth engine and
Joerg's Spectralis 2 Sample volume 2 (I would have linked it, but I
couldn't find it available at the moment).
"Gaz Williams takes a very in depth look at the classic Vermona DRM MKIII. Over the next quarter of an hour you will hear each voice explained and demoed in high quality."
"My second day with my friend's Buchla Music Easel. After some confusion with it on the first day, it all finally came together on this second day of exploration. One note, I didn't use the Music Easel's built-in Spring Reverb because it was really muddy sounding, so I added a touch of delay and reverb using VSTs; info provided in the video. You can hear more of my music at - https://soundcloud.com/genshi"
"Here's something fun! Our good friend Gulli Briem stopped by the studio today and brought his Hang Drum along with him. This was the actual instrument that we sampled for Omnisphere 2.
Eric started jamming with Gulli playing the Hang and Eric playing the same sounds from Omnisphere 2 with some of our Psychoacoustic Techniques applied. We rolled the cameras to capture the impromptu live jam.
Check it out and see if you can tell who is playing what!"
"This is a very rare 2-octave briefcase bass synth with a huge, phat 70's Korg bass sound!.. All knobs, switches and keys function properly and are still securely attached. Minor exterior scratches on the case as pictured...
Serial no. 780372
ac-117 v 50/60 Hz 10W
KEIO Electronic Lab., CORP.
Tokyo, Japan 1976"
"Rob Hubbard's classic Sanxion intro on SidTracker 64, remixed by Jason Page.
Jason: 'To celebrate 30 years since the original classic, I've remixed the Sanxion C64 music - using nothing but a single SID (the same hardware as the original track was written with)
.sid and .prg here: csdb.dk/release/?id=144708
This involved an initial stage of recreating the whole track in SIDTracker64 (patterns and instruments), before I could then remix it.
This is a 3 channel SID file. No samples. No outboard gear.
Written with SIDTracker64 on the iPad.
Thanks to Chris Abbott(that's two B's and two T's) for the assistance & permission to release this!
Hope you like it!'"
"This pretty patch sees a Mannequins Mangrove VCO modulated by a Abstrakt Data ADE32 and then filtered through a Sputnik Quad VCF/VCA (in VCF mode) with a Frequency Central X envelope acting as the VCA envelope and as modulation for the VCF. The 'plink' is a Mutable Instruments Rings being modulated from a variety of sources including the Absract Data ADE32 and 4ms PEG. It is being strummed by a SSF Propagate and the 1v/oct melody is from a Make noise Rene. The kick is from a mutable Instruments Peaks, the Snare is from a Noise Engineering Basimilus Iteratus, and the bass drop is from an EG modulated peaks in 'Fold' mode."
This one in via IMPREC. Recorded entirely on a Buchla 200. There is a chance there will be an LP pressing in the future.
"From Caterina Barbieri's debut album Vertical (Important Records/Cassauna, 8 October 2014) composed for Buchla modular synthesizer and vocals.
Vertical originates from a meditation on primary waveforms and the polyrhythmic dancing of harmonics in synthetic sounds, stylized in severe architectures of time and space, on the boundary between drone, minimalism and techno in multichannel listening environments. This minimalistic focus arises from the exploration of the stratigraphic potential of voltage-controlled synthesizers, in terms of polyrhythm and polyphony.
"Vertical is Caterina Barbieri's debut album and it was composed for vocals and Buchla 200 modular synthesizer.
Vertical takes a meditative approach to primary waveforms and the polyrhythm of harmonics, stretching the boundaries between drone, minimalism and techno in multichannel systems. This minimalistic focus arises from the polyrhythmic and stratigraphic potential of voltage-controlled sequencers.
Synthesis, drone and immersive listening are three fundamental conditions to enhance an advanced auditory art, not based on extrinsic links but solely built on the experience of the spectrum, able to develop our very limited ability of perceiving the vertical domain of music, involving us in a holistic way.
Caterina Barbieri (1990) is a composer and performer of electro-acoustic music. Mostly interested in modular synthesis, three-dimensional spatialisation and psychoacoustic aural sculpture, her music arises from a meditative approach to primary waveforms and the polyrhythm of harmonics..
She received a degree in classical guitar and electro-acoustic music at the conservatory of Bologna, Italy (plus an exchange programme at the Royal College of Music in Stockholm, Sweden) with a thesis about time, space and spectrum in vertical music. She's currently attending a bachelor in literature and she's active as audiovisual artist, acousmatic composer and guitarist. Her work has been commissioned and performed in festivals and venues of experimental music."
Melbourne Conservatorium of Music’s emeritus tonmeister Les Craythorn will join performance staff for a first ever live Synthi-100 concert experience, including a reconstruction of ground-breaking music by Percy Grainger, which has been immortalised in the beautifully carved walls of the Salon.
The Synthi-100 is best known for the ethereal sounds behind the Doctor Who theme music and was delivered to the university from London in March 1973. The Synthi-100 is one of only 30 made in the world and following recent restoration by Les Craythorn, is one of just three that have been restored to original working condition. The Synthi-100 became the centerpiece of the Conservatorium’s electronic music studio and was used to create Electronic Music, a vinyl LP released by the university in 1975, which was edited by Les Craythorn. The record includes ground-breaking work by Peter Tahourdin, Three Mobiles, featuring ocean-like wave noises, rapid-fire beeps and UFO sounds.
Presented by Melbourne Recital Centre and Melbourne Conservatorium of Music"
★ Download “Hearts" on iTunes: http://apple.co/1SpqPes
♡♡♡
Special thanks to Katzman Contemporary Gallery, Brett, Gary, Owen, Katherine Piro, Kristel Jax, all the other CHANNEL artists, Moog Audio, and the amazing Katzman Contemporary crew for creating such a unique and wonderful event!
♡♡♡
★ I'm going on tour in Portugal this month! Click for tour dates! http://claravenice.com/shows
★ Official Clara Venice Merchandise! - http://claravenice.com/shop
"Original, more minimalistic version here: https://www.youtube.com/watch?v=dUVOK...
Another recording using sounds created in Nave, which were made from mundane household objects. I like this kind of synthesis; apart from the degree of involvement and personalization it allows in the sound creation process, just making music with anything laying around that is capable of making a noise is rather satisfying. This is partly because it negates the need for expensive gadgets (excluding the iPad), but also because it reminds me of the early pioneers of electronic music, such as the BBC Radiophonic Workshop, and the way they produced other-worldly music using 'found sounds'. The only difference is that nowadays any idiot can do it, myself being a good example.
Musicians:
Piano - Wooden spoon hitting a glass bowl
Drone - Old computer fan
Recorded entirely within Nave over 2 tracks using it's built-in effects and 'Tape' recorder.
Video is of recent travels."
DreamsOfWires - watching the world go by Pt2 (Nave & iPad)
Published on Feb 2, 2016 DreamsOfWires
"Part 2 of 3. This is also two layers recorded entirely within Nave, but using Beatmaker 2's sequencer - I wanted to try to compose something note-by-note in Midi, like I did back in the early 2000's when I didn't even own a Midi keyboard, just a sequencer and some softsynths. It was slow-going back then.
The video is a continuation of the journey from Pt1; in this case some views of Newcastle and it's bridges.
All sounds created from scratch by me."
