Play the "Drift Box" with moogerfooger & jomox999 from yamadub on Vimeo.
"hello!
this movie i play the "drift box" reon's synthesizer with analog electronic instruments.
i love analog synthesizer :D "
Sunday, June 26, 2011
Play the "Drift Box" with moogerfooger & jomox999
"hello!
this movie i play the "drift box" reon's synthesizer with analog electronic instruments.
i love analog synthesizer :D "
Moogyness-SynthesizerPlanet
YouTube Uploaded by SynthesizerPlanet on Jun 26, 2011
"Again on this my new channel i upload this video,with right hand i play the MiniMoog synthesizer first minutes,after that i play the JX10 for leadsound!"
Summer is arrived
YouTube Uploaded by skoulaman on Jun 26, 2011
"An uptempo synthmusic. Again de Doepfer Dark Time sequencer with a 16 step sequence triggering the Moog LP (with the punch of the moogerfooger CP 251) and the Waldorf micro Q. The piano is a combination of the Roland E15 and the Kurzweil micro piano with the accent to the E15. Strings from the Roland Juno 106 and the Korg Lamda. Solo synth also from the 106. Some e-piano from the Yamaha DX 27. A lot of echo's amd reverb.
The title had to do the nice wether today after a rather cold and wet period.
greetings Skoulaman"
ACIDIFICATION.mp4
YouTube Uploaded by HOX808 on Jun 26, 2011
"JOMOX M_BRANE, JOMOX X-BASE 09 DR WALKER, JOMOX T- RESONATOR, TB 303, Dark Energy, Machinedrum, TR 808,
AKAI S900 , AKAI S 2800i, MFB STEP 64, METASONIX R 52 TUBEFILTER,
METASONIX D 1000,
MOOGERFOOGER MIDI MURF, MOOGERFOOGER ANALOG DELAY, MARSHALL EH-1 ECHOHEAD,
FUTURERETRO FR 777, FUTURERETRO ORB , ELEKTRON SID STATION, SHERMAN FILTERBANK 1, MOOG, ACID,
CURRENT IMPACT, HOX 808, ACIDIFICATION"
Muse's Bliss Arpeggio played on Korg iMS20 iPad App by Josue Palma
YouTube Uploaded by josuepalma on Jun 26, 2011
"I spend a couple of hours creating this, i really want to use it with a band.
I've wrote this in several arpeggiators, even on my gt8 guitar processor, but this is one of my favorites"
KORG iMS-20 - KORG INC.
iPads on eBay
Logan String machine converted to 120V
YouTube Uploaded by sounddoctorin on Jun 26, 2011
"Bob Weigel of http://www.sounddoctorin.com demonstrates a logan string machine owned by Parker Reilley in NY where I worked on a bunch of his gear he'll be selling in the coming days possibly."
"Vintage 74" by TSF
YouTube Uploaded by TheSynthFreq on Jun 26, 2011
"Jazz session with Jupiter-8, (split patch Bass/Xylo) and Motif-6: Vintage 74 Rhodes and Korg Emx preset drum pattern.
This song came about when searching for a random pattern on the drum machine that was completely different and out of the ordinary.
Synths used: Jupiter-8: Bass/Xylo split Motif-6: Rhodes Vintage 74
Please enjoy! :)
:) TSF"
TIL SALG - min roland jx3p
YouTube Uploaded by prinsenafprinsesseg on Jun 26, 2011
'Hvis ikke du har noget bedre at bruge dine sommerpenge på, så køb min Roland JX3P... eller min Sequential Circuits Prophet-600 eller min Jomox M-Resonator eller mit Dave Smith Mono Evolver Keyboard!"
Chronicle of a Summer of Invention
Chronicle of a Summer of Invention from KiNo on Vimeo.
"Sonic wizard Jeff Blenkinsopp and guitarist Alan McSeveney have been collaborating on the software/hardware system that is going to create the sound of Kino Live for the upcoming psychedelic experience."
micron, random, noise
micron, random, noise from 11hzRobot on Vimeo.
"I made a couple of patches that cause the micron to freeze up every time, to much modulation I think. After it freezes everything stops working; keyboard, knobs, buttons...except the volume knob, but the sound continues to play and evolve randoml. All sounds are from the micron, recorded with ableton live, post processing was limited to normalizing the stereo wav file and converting it to mp3.
I did some more takes with better stereo spread on the micron patches. I also added a touch of reverb, these sound much better. Check out the "Freeze Mode (noise)" player here:
11hzrobot.muxtape.com/"
Octave kitten - Playing / Demonstrating with the VCO
YouTube Uploaded by clackbeetle on Jun 22, 2011
"For Sale here http://bit.ly/kmuTTU
Just finished repairing the kitten , very impressed with the synths modulation layout and nice fat complex VCO that can do 1 and 2 octaves sub-oscillator. I really like the mixer style waveform layout. Compared to the Arp Odyssey I like the way that the modulation controls are rotary knobs so it looks much simpler! shame they only released 2 synths (excluding that weird Voyetra one). Clacktronics.co.uk"
Drumfire DF-500 DRUM SYNTH with Original Box
via this auction"The Drumfire DF-500 is a 5 channel drum synth module. The 5 channels are identical, with their own Trigger-In and Audio Out sockets. Each channel is a mini analogue synth drum module, capable of producing a wide range of electronic drum sounds, and since every parameter is defined by a knob, it's highly tweakable. The 5 drum channels also have their own level and pan pots, and the signals are mixed to a pair of stereo outputs with Left/Right volume control. Each channel has 9 controls (8 knobs & 1 switch): -SENSITIVITY controls pickup/trigger in sensitivity -OSCILLATOR DECAY controls decay time of the synth oscillator -NOISE DECAY controls decay time of the noise sound -SWEEP alters oscillator frequency -PITCH changes oscillator pitch -BALANCE controls balance between oscillator/noise -VOLUME output volume to mixer -PAN L/R balance control, also allow dual output on L/R jacks"
IMPROVISOR - New Generative Music Software for Percussa AudioCubes
via Percussa where you'll find full details.
"IMPROVISOR is an application that makes it easy to create complex melodies and rhythms, all while staying in tempo, rhythm and in key (if you want), and without having to be a music theory genius.
It’s a generative music software application that takes advantage of the unique capabilities of the AudioCubes, our easy to use smart musical blocks."
Befaco BF-20 vs Korg MS-20
YouTube Uploaded by jorditalleda on Jun 25, 2011
"Two weeks ago, at our workshop in Barcelona, we started assembling the first units of our latest module: a very faithful replica of the legendary LP/HP filter of the MS 20.
The most demanding part of the design was reproducing the Korg 35, a dedicated IC found at the heart of the original filter. To be able to clone the filter, we first had to clone the IC! It consists of a mini PCB, so small we had to use SMD components for the first time (the people that attended our workshop had a blast! )
The clone of the chip is 100% compatible with the original filter, so it can be used as a part for repairing real MS-20′s!"
Via Befaco:
"Our friend Jordi made a video of these two analog titans challenging each other, face to face… he does get the Befaco modular, although with a very different architecture from the MS-20, to reproduce some of its most characteristic sounds quite faithfully.
Here’s what Jordi told us about the patch:
-BF-20 volume almost at maximum (the horizontal pot’s level line pointing to the right);
-HPF up, LPF down;
-From the Envelope Generator I sent an env. to two attenuators. They then go to the CV control inputs of the LPF and HPF. This way I can simulate the function of the MS-20 that allows you to adjust the amount of ADSR that affects each of the filters;
-I used a separate envelope for the VCA, and gave it more Decay than the filters;
-I used a VCO + sub-oscilator, to get a good squarewave;
-The other VCO went directly to the filter input, summing a sawtooth to the squarewave. This way I can get the two VCO’s to sound a bit detubned, as is often the case with the MS-20. If I use only one VCO, the result isn’t as fat as the MS-20."
And a video from Nov 20, 2010:
BEFACO - Taller de construcción de sintes Modulares.
Uploaded by jorditalleda on Nov 20, 2010
"Puesta en marcha de sintetizadores Modulares Befaco realizados en los talleres organizados por Befaco.
Noviembre 2010.
www.befaco.org."
Roland SH-5 & TR-808
YouTube Uploaded by DeathByDinSync on Jun 25, 2011
"My pal Kirk (on the SH-5) and I making improv noise with some electronic machines. Eventide Pitchfactor on the SH-5 here and there.
More music & info:
http://www.rusuden.com
http://www.goldenrodmusic.com"
DRUMAXX SOUNDS
"The Drumaxx percussion modelling instrument gives you total control over 16 physically modelled drum pads that can be routed to independent outputs for external effects processing. Great, but why should you care when the internet is awash with drum samples? In two words, expressive control. Once a drum sound is recorded, the performance and modulation options are limited to filtering, volume, or similar 1-dimensional effects. When a single drum sample is triggered in a roll, you get the familiar 'machine-gun' effect and it just sounds mechanical. Multi-sampled, multi-layered drums can overcome this limitation but need multi-megabyte or even Gigabyte! drum libraries. Even then, you are still limited to the sounds originally recorded.
Drumaxx is not based on samples or even commonly used 'synthesis'
techniques, where oscillators are mixed and the result is always 'electronic'. Drumaxx uses modelling algorithms to create bass drums, hi-hats, snares, realistic and electronic sounds too. But what about the traditional 'Achilles' heel' of synthesis, cymbals? Drumaxx creates cymbals and metallic percussion also."
DRUMAXX SOUNDS by deejayiwan X1
via Deejayiwan
Roland Jupiter 4
via this auction"The original joy stick had been broken off and a functional replacement has been added by my tech. A small whole was drilled in the front chasis where an extra knob had been added (removed during recent service/tune-up)."
OSCar synthesizer
via this auction"this is one of the very few latter models which came with built in midi, great little quirky synth with excellent filters.. this model has 12 user storage spaces for sounds/waveforms and a further 24 sound storage spaces accessible by the keyboard.
doesnt sound like much by todays standards, but u need those extra 24 when you start playing around with it,, 2 osc so get some fat sounds by slightly detuning one of the oscs ,, pwm on it is very usefull also.."
Clacktronics Wasp Drive - Synthesizer Filter in a Box
via this auction"Protect your ears!! The Wasp Drive is a unique distortion / filter / auto-wah device and the name is no coincidence; It uses the same VCF model as from the legendary EDP wasp but adding tweaks and modifications to really bring out the noise!! Built into a robust folded aluminum case, with large chunky layout , an intuitive layout, LED rate indicator and rubber feet, it is an excellent choice for live performance as well as experimentation in the studio.
Controls:
Cutoff - Adjusts the cutoff point of the filter
'Q' - This is resonance, at max it self oscillates
Response - Has Low Pass, Band Pass or High Pass option
LFO speed - speed of the cutoff modulating LFO
LFO Depth - depth at which the LFO modulates the cutoff
Gain - capable of driving the input up-to 10x
A diverse filter capable of adding grit and punch to drums, ambient sweeps, mellow wah and plain crazy noise.
Customer Quotes
"When it's fed a signal from my korg M500 or Yamaha cs01 it makes the filter sweeps sound incredibly waspy - especially with the resonance up high. I'm using it live with my band in conjunction with a Copilotfx Molecule (a tremolo pedal where the rate of modulation depends on the frequencies present at the input). The ability to drive the input is fantastic and I've found that this alone can give quite a unique sounding distortion. It sounds great with my Casio SK-8 as well, playing the 'organ' preset driven very hard into the pedal, and using the bandpass with high resonance and lfo modulation has produced some incredible rhythmic textures." - Chris le Monde of CLOUT!
To keep the price down and because it uses a standard tip negative 9v input that guitar pedals use (such as Boss, Ibanez, EHX etc ) it does not come with its own power supply. But they are available at a discounted extra cost of £6 for a UK power adapter and £10 for USA, Australia and EU power adapter.
More Images and sound samples to follow, limited run so grab one now!!!
Specs:-
Box Dimension :- 133mmx102mmx38mm
Power - 9v (approx 10ma)
Power adapter - 2.1mm DC jack tip negative
Input and Output - 1/4" Mono Audio Jacks"
See the seller's other items for more.
Update via Ben in the comments: Info and sound samples here http://clacktronics.co.uk/products/wasp-drive [embeds below for the archives]
Frontline X2 Analogue Drum synth
via this auction
"Very rare Frontline X2 Drum Synth
These units are rare and make amazing dub sounds, none other than the legendary Jah Shaka used one of these for those dub siren sound effects.
As well as dub, the X2 can produce a wide range of other sounds, from really tight and snappy 808 snare sounds to 70's disco toms.
The X2 can be triggered by almost any audio input signal, from the buttons on the front, a snare running from your software sequencer, a piezo trigger or even a microphone!There are two identical channels containing:
Manual trigger button
Sensitivity control
Oscillate decay1
Oscillator decay 2
Noise decay
Sweep
Pitch
Wave form shape
Click on/off control
Noise filter
Osc/noise balance
Master volume
Audio On Off
Pre-set or manual switch
So there is wide scope for sound design and control."
Analog Modular Synthesizer by Synthesizers.com
via this auction"Cabinet
1) QCP22 Vinyl-covered 22 space cabinet.
Internal Power Components
1) QPS1 Power Supply
1) QDH20 DC Power Harness
Modules
1) Q150 Transistor Ladder Filter (just so awesome sounding!)
1) Q130 Clipper/Rectifier
1) Q104 MIDI Interface
1) Q105 Slew Limiter
3) Q106 Oscillator1) Q107 State Variable Filter
2) Q108 Amplifier
2) Q109 Envelope Generator
1) Q110 Noise Source
1) Q112 4-Channel Mixer
1) Q124 Multiples
1) Q125 Signal Processor
1) Q137 Power Control/Interface"
Kawai K4R 16Bit Digital Synthesizer
via this auction
"FROM THE OWNER'S MANUAL
The K4 is a 61 key touch-sensitive synthesizer equipped with a DMS (Digital Multi Spectrum) tone generator capable of up to 16 notes of polyphony when set at two Sources per tone. The K4r is a 19 inch, 2U rack-mount module version.
256 high quality internal waveforms The K4/K4r has 96 CD (Digital Cyclic) waveforms composed of as many as 128 harmonics, and a total of 160 PCM waveforms, for a total of 256 waveforms. Because the K4/K4r's internal waveforms are reproduced using 16-bit quantization, noise and distortion are virtually inaudible.
DRUM Section
The K4/K4r has its own DRUM Section which can be controlled independently of SINGLE Patches or the eight Sections of a MULTI Patch. The 61 keys from C1-C6 on the keyboard may be assigned freely to produce these tones.
Internal EFFECT (K4) and mising capability (K4r)
The K4 has 16 types of internal effects, including Reverb, Delay and Overdrive, etc.. In MULTI PLAY, the depth of the effect may be set for each tone.
Realistic touch response
The K4/K4r has the feeling of an acousic piano keyboard, a feature which has made the Kawai K series so popular. In addition, Velocity, Aftertouch, Release Velocity and Keyboard Scaling features allow the expression of the most minute touch on the keyboard.
MULTI PLAY capability
Eight SINGLE tones may be reproduced by the DMS tone generator, freely combining the Layer, Velocity Switch and Split functions, enabling far more beautiful layered and split sounds than have ever been possible before.
Variable Multi-Timbral capability
In the MULTI PLAY mode, each tone may be set to a specific MIDI channel, allowing the K4/K4r to function as though it were eight MIDI tone generators (or nine with the DRUM Section). The Variable Multi-Timbral function also allows the voices of each Section to be played simultaneously.
INDIVIDUAL OUTPUT function (K4r only) The K4r is equipped not only with two stereo output jacks, but with six separate output jacks as well to allow the connection of external effects units to create high quality sound.
LINK
Eight patches from those in the unit may be selected and stored together. This function is used, for instance, when multiple tones are to be used in sequence. When arranged in the order in which they are to be called up, the operator may easily change tones from one to the next while playing.
MIDI
By connecting an external MIDI device to the MIDI jack, the K4/K4r may be used as a tone generator module with drums, or to control the external MIDI device.
Card
A card permits an increased number of tones to be placed in memory. One card can hold 64 SINGLE Patches, 64 MULTI Patches, the DRUM Section and EFFECT or OUTPUT Settings."
Casio CZ-101 Keytar with Custom Grip Ribbon Controller
via this auction "Modified with a pitch ribbon mounted on a grip so you can use it "keytar style". Pitch ribbon mirrors pitch wheel. Please check this video I made with another CZ-101, it's basically the same:" At the auction and previously posted here.
【DEMO】Waldorf micowaveXTk 30Voice
YouTube Uploaded by musictrackjp on Jul 26, 2009
"Please request any products you want http://musictrack.jp/request/ DEMO by Katsunori UJIIE
Sound Demo & microQKey Performance
musics
http://musictrack.jp/products/1000245/musics"
【DEMO:CC】ROLAND JP-8000
YouTube Uploaded by musictrackjp on Jan 4, 2010
"Please request any products you want http://musictrack.jp/request/ DEMO by Katsunori UJIIE
music
http://musictrack.jp/products/51/musics"
There's a Roland JP-8000 factory patches bank set for the Yamaha AN1X. They sound nearly identical.
Roland GAIA SH-01 Demos by musictrackjp
YouTube Uploaded by musictrackjp
Playlist:
【DEMO:CC】ROLAND GAIA SH-01 #1 What's GAIA?
【DEMO:CC】ROLAND GAIA SH-01 #2 TONE & 64 Preset sound
【DEMO:CC】 GAIA SH-01 #3 Basic Programming.
【DEMO:CC】 GAIA SH-01 #4 Advanced Programming.
【DEMO:CC】 GAIA SH-01 #5 Advanced Programming2
ROLAND GAIA #1 Programming Battle OPENING
ROLAND GAIA #2 Programming Battle Round1
ROLAND GAIA #3 Programming Battle Round2
ROLAND GAIA #4 Programming Battle Round3
A6 Creamier sound
A6 Creamier sound by CoolColJ
"I have found the Andromeda's oscillators have a tendency to lock to each other and phase cancel. A byproduct of the too accurate auto tuning perhaps, which tunes every octave on the board. So even when you detune then oscillators they still don't sound quite right.
Contrast that with old analog synths which usually have a single scaling trim pot for the whole keyboard range. And they are never tight because of that, the top and bottom of the keyboard is always out a bit, but they sound better for it.
Here is a way to get that creamier sound out of the A6 - knock the scaling out by modulating oscillator pitch with key number!
+0.02, with an offset of -0.01 does the trick
as heard here :)
Soundcloud's processing did some weird crap to the audio :/"
Update: an another tip via Steve on the A6 list:
"Another good, standard trick is to go to View Oscillator, select nzext, select red noise, and then set it to about .36 on LinFM, PWM or one of the other choices there. This uses slight randomization to modulate the oscillator and adds a little more "natural imperfection" into the sound. It'll warm up almost any patch, and gets rid of what my brain translates into, for some reason, the "straw"-like quality of the A6's sound (straw as in hay)."
"I have found the Andromeda's oscillators have a tendency to lock to each other and phase cancel. A byproduct of the too accurate auto tuning perhaps, which tunes every octave on the board. So even when you detune then oscillators they still don't sound quite right.
Contrast that with old analog synths which usually have a single scaling trim pot for the whole keyboard range. And they are never tight because of that, the top and bottom of the keyboard is always out a bit, but they sound better for it.
Here is a way to get that creamier sound out of the A6 - knock the scaling out by modulating oscillator pitch with key number!
+0.02, with an offset of -0.01 does the trick
as heard here :)
Soundcloud's processing did some weird crap to the audio :/"
Update: an another tip via Steve on the A6 list:
"Another good, standard trick is to go to View Oscillator, select nzext, select red noise, and then set it to about .36 on LinFM, PWM or one of the other choices there. This uses slight randomization to modulate the oscillator and adds a little more "natural imperfection" into the sound. It'll warm up almost any patch, and gets rid of what my brain translates into, for some reason, the "straw"-like quality of the A6's sound (straw as in hay)."
Technics WSA1 Analog & Digital Out
Technics WSA1 Analog Out by CoolColJ
"Sound of Technics WSA1 using it's analog outs
Guitar driver through a random resonator, and a sawtooth through a cone resonator (trumpet etc)
Analog out, sounds a touch warmer, and has a bit more lower mid thickness. But not quite as precise, the stereo image not as rock solid."
Technics WSA1 Digital Out by CoolColJ
"Tags: Technics WSA1 Digital Out
Sound of Technics WSA1 using it's digital out
Guitar driver through a random resonator, and a sawtooth through a cone resonator (trumpet etc)
Digital sounds a little more precise, and less warm"
"Sound of Technics WSA1 using it's analog outs
Guitar driver through a random resonator, and a sawtooth through a cone resonator (trumpet etc)
Analog out, sounds a touch warmer, and has a bit more lower mid thickness. But not quite as precise, the stereo image not as rock solid."
Technics WSA1 Digital Out by CoolColJ
"Tags: Technics WSA1 Digital Out
Sound of Technics WSA1 using it's digital out
Guitar driver through a random resonator, and a sawtooth through a cone resonator (trumpet etc)
Digital sounds a little more precise, and less warm"
"1981"
YouTube Uploaded by TheSynthFreq on Jun 25, 2011
"New composition featuring Jupiter-8. 1981 the year of Jupiter. :)
Synths used:
Jupiter-8: synth strings, synth bass.
Motif: chorused guitar lead
Please enjoy :)"
4ms VCA Matrix demo "Hybrid 1V/oct VCA and cross modulation" patch
YouTube Uploaded by 4mspedals on Jun 25, 2011
"Patch taken from VCA Matrix manual, running 3 VCOs into inputs B,C, and D (Malekko Wiard Oscillator, Anti-Osc, and Tiptop Z3000). Output 4 is the audio output. Input A is a stepped-wave sequence created by an SCM running into a Short Bus. Envelopes come from PEGs that are clocked by the same clock as the SCM."
doepfer Dark Time Blue/White LED Version +MFB Nanozwerg
YouTube Uploaded by bpmt4k45hi on Jun 25, 2011
"doepfer Dark Time Blue/White LED Version +MFB Nanozwerg （ play in sequencer）Recorded on 11/06/26 - Captured Live on Ustream at http://www.ustream.tv/channel/b-t-live"
Vengeance Mastering Suite - Stereo Bundle - Overview by Mike Acosta
YouTube Uploaded by KeilwerthAudio on Jun 25, 2011
"Product Video for the new VST plugin by Vengeance-Sound.com: "Vengeance Mastering Suite - Stereo Bundle". This video shows a quick overview of some of the features."
Waldorf Blofeld & Nord Rack 2 test on Oscilloscope
YouTube Uploaded by theHackerOfMayhem on Jun 26, 2011
Synthesizing a Kick Drum with Surge VSTi
YouTube Uploaded by NoisyLittleBugger on Jun 26, 2011
"Synthesizing a kick drum with Surge VSTi, using the FM2 module. The principles are applicable to any decent synthesizer.
The Kick is basically a sine wave pith through a short, steep pitch envelope. Some frequency modulation (FM) is added to emphasise the attack. An LFO is applied to pitch to give a little wobble.
Using these parameters it's possible to get a wide variety of tight, punchy electronic kicks. Why waste time browsing samples? Make your own!
Sampled using FL Studio's Edison and dropped into Nerve."
Hyperspace 2011
YouTube Uploaded by synthypnosis on Jun 26, 2011
"VELVET VOYAGE - "Hyperspace 2011" - performed live by Bruno Ender Lee, June 26. 2011 on analog synths...
Synthesizers.com Studio-88 (leads & fx), Moog Little Phatty Stage II (seq.) & ARP Odyssey (bass)...with a little chorus & delay."
Strssmmnt - Mixer feedback test
YouTube Uploaded by stressmoment on Jun 26, 2011
"Strssmmnt experimenting with mixer feedback through a crap delay and a drum machine through korg monotron"
Yellow custom bent Alesis HR-16 & Monotron.
A retarded handswipe over an expensive keyboard
YouTube Uploaded by joyoussound on Jun 26, 2011
"Just wanted to share with you folks that it works.."
KORG WAVEDRUM mini
YouTube Uploaded by asakawaz on Jun 26, 2011
"WAVEDRUMがコンパクトに、そして電池駆動、スピーカー内蔵、センサークリップ搭載と、パワーアップして戻ってきました！特にセンサークリップは、遊び心満載で楽しいですね。
The compact WAVEDRUM, and battery-powered, built-in speaker, with the sensor clip and came back to power up! In particular clip sensor, the value is playful and fun."
wavedrum mini on eBay (RSS)
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
