THE RIVER Analog Polyphonic Synthesizer & More Handmade Miniature Synths

Published on Mar 30, 2019 Ronaldo Lopes Teixeira ROLT

And more: (I believe I've posted some of these in the past - here's the full set - see the miniature label at the bottom of this post for others)



Update: the list:
MINI KORG 2 - HANDMADE MINIATURE
HANDMADE CLASSIC KEYBOARDS COLLECTION MINIATURES by Rolt
Making a Mellotron M400 Miniature
MINI MOOG MODEL D - HANDMADE MINIATURE
ARP ODYSSEY HANDMADE MINIATURE
HAMMOND B3 ORGAN HANDMADE MINIATURE
FENDER RHODES SUITCASE PIANO - HANDMADE MINIATURE
PROPHET 5 - HANDMADE MINIATURE
WURLITZER ELECTRA PIANO (BEIGE) - HANDMADE MINIATURE
HOHNER CLAVINET D6 - HANDMADE MINIATURE
MOOG LIBERATION - HANDMADE MINIATURE
Celeste - CLASSIC HANDMADE PROG KEYBOARDS

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Native Instruments announces KOMPLETE KONTROL S-Series keyboards

The Komplete instrument – introducing Komplete Kontrol S-Series keyboards

Published on Sep 2, 2014 Native Instruments

"Berlin, September 2, 2014 – Native Instruments today announced the KOMPLETE KONTROL S-Series keyboards. The keyboards represent a hallmark in the history of Native Instruments, providing advanced innovations in hardware/software integration and uniting the KOMPLETE Instrument portfolio under one purpose-built keyboard controller and software interface. KOMPLETE KONTROL S-Series keyboards are available in a choice of 25, 49 or 61 keys and come equipped with premium Fatar keybeds for a luxurious playing experience. They will be available online and at retailers worldwide October 1, 2014.

Daniel Haver, CEO of Native Instruments, comments: “In the last two decades our software instruments have shaped and defined diverse musical styles and genres. The KOMPLETE KONTROL S-Series keyboards finally bring our original vision to life, and elevate the experience of sounds to a whole new level. Only now the diversity of all KOMPLETE instruments and sounds becomes truly accessible in a single instrument, in ways that no controller or keyboard ever did before.”

The KOMPLETE KONTROL S-Series keyboards signal a new era of control for the KOMPLETE Instrument portfolio. The all-new KOMPLETE Browser™ unifies the powerful instruments in KOMPLETE, delivering tag-based access to all KOMPLETE Instrument presets from one plug-in interface. Instead of browsing by instrument, users can now search by sound, opening the breadth of the KOMPLETE Instrument range faster and easier than ever before.

Native Map™ technology automatically maps all key parameters for each KOMPLETE Instrument to the touch-sensitive controller knobs – all clearly visible on the keyboards’ Clear View™ display. Each instrument was carefully mapped by NI sound designers to arrange the most relevant parameters on pages laid out on the keyboard’s display. The need for complicated mapping is eliminated, bringing producers closer to the act of creating music and allowing them to stay in the creative flow.

A first-of-its-kind Light Guide™ shows key switches, zones, and more on multi-color LEDs positioned just above the keys. For example, key switches for KONTAKT Instruments such as ACTION STRIKES are illuminated in one color, while keys used for performance are lit with another. This puts the instrument’s layout on the keyboard at a glance without having to look at the software. The lights also provide performance feedback – scales, chords, and arpeggios light up across the keyboard as they are played.

KOMPLETE KONTROL S-Series keyboards also deliver Smart Play™ features to accelerate workflow and stimulate new ideas. Chord mode lets producers play complex chords with single keys. Chord Set mode provides ready-to-play progressions that can inspire and augment original compositions or add new flavor to remixes. The integrated scale mapping features deliver fast access to new melodic possibilities – notes of the currently selected scale light up on the Light Guide. Many widely-used musical scales can also be mapped to the white keys. ‘Wrong’ notes can be automatically re-mapped so melodies are always in tune. The arpeggiator works seamlessly with every KOMPLETE Instrument. And the eight controller knobs manage parameters such as direction, rate, rhythm, patterns, and variations.

Furthermore, two touch-sensitive Touch Kontrols™ tap into a new paradigm in software instrument control. They can mimic the behavior of pitch and mod wheels, and physical objects like springs and bouncing balls for interesting modulation curves – far beyond the capabilities of conventional mod wheels. Keyboard functionality such as key splits and Touch Kontrol behavior also function when using the keyboards as a standard MIDI controller, opening these control innovations to instruments outside the KOMPLETE universe.

KOMPLETE KONTROL S-Series keyboards were designed to integrate seamlessly with the 10th generation of NI’s acclaimed instruments and effects suites, released October 1st, 2014. Registered users of KOMPLETE 9 and KOMPLETE 9 ULTIMATE will receive a free download for the KOMPLETE KONTROL software, giving them the same functionality on KOMPLETE KONTROL S-Series keyboards as KOMPLETE 10 and KOMPLETE 10 ULTIMATE users.

KOMPLETE KONTROL S-Series keyboards are available online and in retailers October 1, 2014. Preorder is also available.

KOMPLETE KONTROL S25 is available for $499 / 499 €. KOMPLETE KONTROL S49 is available for $599 / 599 €. KOMPLETE KONTROL S61 is available for $699 / 699 €.

Additional information on the new KOMPLETE KONTROL S-Series is available at:
www.the-komplete-instrument.com"

Syntaur Productions - Replacement Parts for Your Synths

http://www.syntaur.com
"See our products for:
Akai MPC Samplers
Alesis Keyboards
ARP keyboards
Casio Keyboards
E-mu Samplers
Ensoniq Keyboards
Korg Keyboards
Kurzweil Keyboards
Moog Keyboards
Oberheim Products
Roland Keyboards
Sequential Circuits Keyboards
Yamaha Keyboards
Music Tools:
SCSI Drives & Cables
Sampling CD's (Audio)
WAV CD-ROMs
Cords & Cables
Studio/Recording Accessories
Instructional Books & Videos"

Other:
DJ Hero Crossfader Slider Repair
[ VINTAGE KEYBOARDS & OTHER GEAR ]
LIFETIME GUARANTEE on all floppy disks! "

E-MU Vintage X Pro Collection Synth and Keyboards (Volume 1, 2, and 3)

Note: Auction links are affiliate links for which the site may be compensated.
Demos for volumes 1 & 2 above. Not sure when these came out but I'm seeing reviews for it online dating back to 2010.

via this auction

"E-MU EMU Vintage X Pro Instruments Sound Library bundle (including all 3 volumes).

New and sealed In Manufacturer's original package.

A Massive 7.5GB Collection of Vintage Synths and Keyboards!

These sound library are for use with Emulator X Proteus X.

CLICK FOR MORE »

Interview with Henning Krane of Don Juan Dracula

I recently discovered Don Juan Dracula back on March 4th, this year, when their manager Shane Chisholm contacted me about doing an interview with the band. I'll be honest and say I was a little reluctant at first because this site is about "the synths and not the band," but I liked what I heard, so I asked him if it would be alright to focus on synths and run the interview with their keyboard player. I got the thumbs up, and the following is that interview. I've been listening to their album for some time now and I must say I really do like it. Catchy stuff that will get stuck in your head for days and keep the energy going. Don't miss the videos below. One of which, "Run Away With You" features a kid in the video with a custom toy keyboard. Apparently the kid in the video made it when he saw Hennings keytar and they decided they just had to let him use it in the video. Pretty cool. That said...


1. How many members of the band play synths?
Henning: Our songwriter Henrik uses keyboards as well as guitar when he writes songs, but while recording and live it's me who playes the keyboards.

2. When and how did you get into synths?
Henning: In 2000 I think, Henrik asked me to play keyboards in his new band. I hadn't really played keyboards before, but like a lot of kids I was forced to take piano lessons when I was growing up, so I still remembered a little. When we started out, all we had was Henriks old Casiotone MT-800 and a Casio SA-10. Those two keyboards were the basis of our first EP and live-shows for a couple of years.

3. Do you view yourself as a synthesist, keyboard player or both?
Henning: I don't really see myself as neither actually. I like to collect old keyboards, synths and gadgets that make cool sounds. And I play them in a band.

4. What synths do you use in the studio and on tour.
Henning: Live i mainly use a Yamaha SHS-10 as a MIDI-Controller for the Korg Microkorg. That way I'm able to move around more on stage. I really like the diversity of the microkorg, and the simplicity of it's interface. Being able to quickly switch between custom sounds and finished presets makes it ideal for live use, which is probably why everyone is using them these days. Though it seems everyone is using one these days.

I also still use that old Casiotone and a Yamaha kids organ once bought at a flea-market for the lead-sound of "Take Me Home". We have gradually moved away from the pure Casio-pop sound, using more real instruments as well as synthesizers and not just FM-keyboards.

In the studio we have started to use more soft-synths lately as well, mainly because it's easier, and cheaper. Unfortunately we don't have the money to buy every synth we want.

We will be recording our next album soon, and we're looking to purchase the new Korg MicroX before that. I'm also trying to get hold of a Korg MS-10 for the studio-session. Everytime I buy a new synth or keyboard we try to use it somewhere in the recordings. That way we get a variety in the sound. I try to not use the same sounds more than once... We have used quite a lot of different gear over the years. Mainly cheap kids-like stuff, I just like the sound...

5. What is your favorite synth and why?
Henning: The Casio VL-1. Just because it's so small, and still so funny sounding. And it's a calculator as well. A friend of ours actually used his on a math exam once...

6. What do you think about the role of synthesizers in music today and it's influences in the past? What would you consider to be you main influences (musicians, technologies, anyone)?
Henning: The last couple of years you have started to hear more and more bands becoming popular using synthesizers in their songs, and I like that of course.
-Vince Clarke (Depeche Mode, Yazoo -not so much Erasure) and OMD has influenced me a lot with their simple monophonic style of playing and composing.
-As well as Casio.

7. What is your dream synth and why?
Henning: I have been dreaming of getting a Moog Prodigy and a Yamaha Cs-5 for a little while. Because they are the synths mostly used on my favorite album by Depeche Mode "Speak & Spell".

8. Do you prefer a particular type of synthesis (analog, digital, modular, FM, etc) and why?
Henning: I do (of course) prefer real vintage analog stuff, because it's the "real deal". But it's very hard to get hold of here in Norway, and lately americans on ebay don't want to send their stuff to Europe anymore. I also have a love for beaten up kids' casio stuff. I still look for them at flea markets every spring.

9. BTW, I was wondering what the little keyboard in the "Run Away With You" video was?
Henning: haha !
-it's actually a danish kids toy keyboard called "elektronisk keyboard 11 -100" gaffa-taped onto a kids guitar!
-The kid in the video made it himself actually before the videoshoot after he had seen pictures of me with my keytar. So we had to let him use it...

--------------------------

And there you have it. I want to thank Shane Chisholm and Henning Krane of Don Juan Dracula for taking the time out for the interview. I also want to give a big thanks to Shane for giving out 20 free downloads of DJD's album to Matrixsynth readers (they are all gone, btw). DJD is about to break out on the international scene and I wish them all the luck. I had a great time going back and forth with them for this interview. When they get big, remember... You saw them here first!

I'll leave you with two of my favorites from the band:

Don Juan Dracula, Runaway With You


Don Juan Dracula, Take Me Home


Previous Posts on DJD

NAMM2021: Yamaha Introduces YC73 and YC88 Stage Keyboards with YC OS v1.1

The YC61 (additional posts) was introduced back in NAMM 2020. The YC73, YC88, and OS v1.1 are new. Details follow.

"YC stage keyboards feature great sound, expressive touch and modern design. YC is powered by our proprietary Virtual Circuitry Modeling (VCM) organ engine which recreates individual component behavior to reproduce classic organ character and most important - sound. It all comes with acoustic/electric pianos, and iconic FM synth sounds that Yamaha made famous.

Three keyboard actions are available for different players: YC61 features 61 semi-weighted 'waterfall' keys for organ-focused players, YC73 has 73-key weighted and balanced keys for keyboardists, and YC88 uses an 88-key weighted triple-sensor action with synthetic ebony and ivory keytops for pianists."

Some key features include:
- Exclusive Yamaha Virtual Circuit Modeling (VCM) to capture not only the sound of classic “drawbar” organs, but also their behavior down to the component level
- A distinctive rotary speaker effect
- Nine drawbars that shape the sound by controlling individual footages and essentials like percussion and vibrato/chorus enhance the tone
- The organ section also features FM synthesis, the now-famous synthesis method pioneered by Yamaha

In addition to the new YC73 and YC88, Yamaha has also introduced YC OS v1.1, the first OS update for its popular YC Series Stage Keyboards.

And the press release:

Yamaha YC73 and YC88 Stage Keyboards Put Classic Drawbar Organs and Vintage Keys in Packages for All Musicians

BUENA PARK, Calif. (January 14, 2021) — Yamaha will be showcasing the YC73 and YC88 Stage Keyboards during NAMM’s virtual Believe in Music week starting January 21, 2021. The YC73 and YC88 combine great-feeling new keyboard actions with the soulful sounds, drawbar control, and gig-ready ease of use of the YC61 (introduced in January 2020). The YC73 features 73 weighted, balanced keys and is ideal for keyboardists who divide their playing between organ, piano, electric piano, clavi, synth, and other staple keyboard sounds. The YC88 is meant for musicians who prioritize the touch and response of an acoustic piano, offering 88 weighted Natural Wood keys with triple-sensor action, synthetic ebony and ivory key tops. Both add options alongside the semi-weighted “waterfall” action of the YC61 — the key shape preferred by organ players.

The YC73 and YC88 employ exclusive Yamaha Virtual Circuit Modeling (VCM) to capture not only the sound of classic “drawbar” organs, but their behavior down to the component level. VCM also reproduces the distinctive rotary speaker effect, which most keyboardists consider inseparable from the organ itself. In other words, the YC series does not merely take a digital snapshot of the world’s most imitated organ sound — it builds that sound from the ground up. This results in unprecedented authenticity.

In true vintage fashion, nine drawbars shape the sound by controlling individual footages, and essentials like percussion and vibrato/chorus enhance the tone. The player can also customize key click, “leakage,” rotary speaker speed changes, and more. The keyboard may be split between upper and lower organ registrations. In addition to VCM modeling organ, the organ section also features FM synthesis, the now-famous synthesis method pioneered by Yamaha.

Complementing the organ, two “Keys” sections utilize proprietary Yamaha “Advanced Wave Memory” which provides authentic acoustic and electric pianos, strings and brass, analog-style synth sounds, and much more. The Keys section features two dedicated effects processors along with configurable envelope and filter controls for real time manipulation and interaction. Like the Organ section, the Keys section also features FM synthesis for many classic sounds like DX7 electric pianos, leads, basses and more. The Keys section may also be split with the organ section across the keyboard or played from an external MIDI controller keyboard to either the Organ or Keys section.

“A staple of keyboard playing is access to classic keyboard sounds,” says Nate Tschetter, manager, Synthesizer Marketing, Yamaha Corporation of America. “Now more than ever, players want more control of those sounds to express themselves. The YC series gives them that control to easily make adjustments on the fly. And now with the introduction of YC73 and YC88, there are options to suit every player in every situation from the perfect ‘top keyboard’ in YC61 to the great ‘all around’ YC73 and finally our best stage piano action in YC88.”

Pricing and Availability

The Yamaha YC73 and YC88 Stage Keyboards will ship to retailers beginning January 21, 2021, at manufacturer’s suggested retail prices (MSRP) of $2,999 and $3,499, respectively.

To see the Yamaha YC73 and YC88 Stage Keyboards on display during Believe in Music week, January 21-24, 2021, please register online at https://attend.believeinmusic.tv

For more information about the YC78 and YC88, visit http://yamaha.io/YC

SoundTower Synth Editors

Sound Tower makes software editors for the following gear. Note the new editors. New Evolver editor pictured. via Erik.

ALESIS
QS-EditPro - Editor/Librarian for the ALESIS® QuadraSynth synthesizers. QuadraSynth QS4+, QS5+ QS6, QS6.1, QS7, QS7.1 QS8, QS8.1, QS7, QS7.2 QS8, QS8.2 and QSR.
NanoEditSynth for ALESIS® NanoSynth module.

DAVE SMITH INSTRUMENTS
Evolver SoundEditor - new Evolver, Evolver Keyboard - Mac OS X and PC
PolyEvolver SoundEditor new PolyEvolver Rack and Keyboard - Mac OSX and PC
Prophet '08 SoundEditor newProphet '08 Keyboard - Mac OSX and PC
Mopho SoundEditor Monophonic Synthesizer - Mac OSX and PC
Tetra SoundEditor new 4 Voice Analog Synthesizer - Mac OSX and PC

KORG
Triton-EditPro - TRITON RACK, PRO, PROX, STUDIO, EXTREME and LE Keyboards. MOSS Board.
TR-EditPro - Korg TR Keyboards
Karma-EditPro - KARMA Keyboards OS-2 with MOSS Board support.
N264/364EDIT - KORG N264 and N364
WS SoundEditor - Korg Wavestation Keyboard, EX, A/D and SR
01W SoundEditor - Korg 01W/R - 01W Pro and 01W/Fwd
X5DEDITOR - KORG X5D Family
X3EDITOR - KORG X3 Family
05WEDITOR - KORG 05W - X5 Family
03W Sound Editor - KORG 03R/W Family
168RCEdit - Korg 168RC SoundLink Digital Mixer

M-AUDIO
BLACK BOX SOUND EDITOR - M-AUDIO Black Box Guitar Processor.

Mac OSX and PC

MOOG MUSIC
MOOG VOYAGER EDITOR - MOOG Voyager Keyboards and Rack
MOOG LITTLE PHATY EDITOR new- MOOG Little Phatty Keyboards- Mac OSX and PC
Moogerfooger - MIDIMuRF new- M- Mac OSX and PC

ROLAND
XVEDITPRO - XV Series: XV-5080, XV-3080, XV-5050, XV-2020 and XV-88 Keyboard
XVEDITPRO-VIM- For visually impaired musicians
RS-SounEditor - Roland RS-5 and RS-9 Keyboards

ROGER LINN DESIGN
AdrenaLinn II Sound Editor - Mac OSX and PC - Editor/Librarian for Adrenalinn II - Guitar FX/AMP Modeling/Drum Box.
AdrenaLinn III Sound Editor -Mac OSX and PC - Editor/Librarian for Adrenalinn II - Guitar FX/AMP Modeling/Drum Box.

WALDORF
Q-EditPro- Q/Q-Rack and microQ models (Windows PC and MAC OS X )
uWaveEdit Microwave II ,II-XT-Kbd and MicroWavePC
MicroWaveI (Original) MicroWave I,

MIDIJOYS -Tools to control and monitor dynamic Continuous Controllers midi data on PC Midi ports. MIDIJOYS is a FREEWARE program - Don't say we don't give anything for free!
Editor for Behringer DSP1000 Virtualizer

Richard Lainhart: CEMS, Theremin, and Ondes Martenot Lecture, BEAF 2011

YouTube Uploaded by matrixsynth on Jun 1, 2011

First three parts of Richard Lainhart's lecture at the Bellingham Electronic Arts Festival on Friday, May 6, 2011, 2PM PST. These cover the CEMS (Coordinated Electronic Music Studio - see the CEMS label below for more), theremin, and ondes Martenot. The audio on these are a little on the low side so remember to turn your speakers back down after listening. You can find a full transcript for each part below in case you can't quite make things out. You can catch Richard Lainhart's lecture on the Buchla 200e and Haken Continuum, followed by a performance, in this previous post.

Transcripts for the above three videos:

CLICK FOR MORE »

Custom Sequential Circuits Prophet 10 Minus Keyboard

via this auction

"This unit, serial number 1010-0078, is the final production version of the Prophet-10 designed around two Prophet-5 Rev 3 voice boards. It has enhanced microprocessor control circuitry and software to provide 10 polyphonic voices (2 VCOs each) in four keyboard modes with responsiveness comparable to the Prophet-5. These modes allow the choice of separate polyphonic control of two 5-voice synths, combined control of a “stacked” pair of 5-voice synths, alternating notes between two 5-voice synths, or control of a single 10-voice synth. Additional features not found on the Prophet-5 include programmable 3-band equalization, two control voltage pedal inputs with assignable routing, three foot switch inputs and a 10,200 note polyphonic sequencer. It is equipped with Sequential’s MIDI interface kit and the latest firmware, Rev 6.1. Recently the unit was thoroughly tested, repaired and burned-in by Wine Country Sequential in preparation for sale.

If you are familiar with the Prophet-10, you are probably wondering what happened to the keyboards on this unit. Although the stock Prophet-10 with its twin manuals is a sight to behold, the inclusion of two keyboards makes the nearly 3-1/2 foot by 2 foot by 8 inch, 70 pound unit so cumbersome that it is difficult for one person to move it by themselves, and difficult to integrate into a small studio environment or performance setup. As well, with the advent of MIDI controllers and sequencers and availability of the Prophet-10 MIDI upgrade kit, the built-in keyboards became redundant. At least a few ardent but frustrated Prophet-10 users dreamed of a slimmer instrument without the keyboards.

While I was employed as a service technician and visiting E-Mu Systems in the late 1980s, I happened to mention this to a product design engineer there who described to me a simple solution he referred to as “The Riley Mod.” It turns out that all the structural members forward of the main control panel can easily be unbolted and removed except for the sides of the chassis frame. The keyboards, modulation wheel and sequencer modules are simply unplugged from the rest of the synthesizer, unbolted and removed. Then the sides of the chassis frame can be cut back in line with the new forward face of the enclosure created by reusing a long corner piece and sheet metal that was part of the keyboard enclosure. Likewise, the wooden end pieces are carefully cut back to match the new enclosure dimensions and refinished to match the original look. Voila!

As you can see in the photos, the end result resembles an Oberheim Xpander, but with the familiar Prophet-10 control panel and no keyboards. This reduces the depth of the instrument to 13-1/2 inches and weight to 43 pounds – a much more practical size for lifting, transporting and integrating into an electronic music studio or performance system. For example, this slim rendition of the Prophet-10 rests comfortably on an Apex column stand.

NOTE: The circuit boards contained in the synthesizer unit are unaffected by the “Riley Mod” and have not been modified in any way except for installation of the factory-supplied MIDI upgrade kit..."

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UVI© Digital Synsations - Yamaha SY77, Korg M1, Roland D50 & Ensoniq VFX

Digital Synsations | Official Trailer UVI©

Published on Apr 11, 2013

❐ Buy Digital Synsations : http://bit.ly/digital-synsations
❐ UVI Official Website : http://www.uvi.net
❐ UVI Official Blog : http://blog.uvi.net

"A brand-new massive library inspired by four 90s classic keyboards -- the Yamaha SY77, the Korg M1, the Roland D50 and the Ensoniq VFX : UVI Digital Synsations

Digital Synsations includes over 500 patches expertly programmed on a fully restored Yamaha SY77, Korg M1, Roland D50 and Ensoniq VFX‚ used by many of the greats including Depeche Mode, The Cure, Pet Shop Boys, Vangelis, Brian Eno, Toto, 808 State, Jean Michael Jarre and more.

We deeply multi-sampled these custom patches using top-shelf equipment and edited them to perfection before sending them off for professional mastering. These sonics became the foundation for our new hybrid instrument and combined with the UVI Engine give you the true character of these classic synths with all of the peculiarities and programming by products intact. Not only that but you get them in an extremely easy to use and fast to edit environment complete with all the features you expect from a modern virtual instrument.

If you're looking for a new take on the 90's sound, or just some new classic synth inspiration then look no further.

———————————————————————————

* UVI is not affiliated, endorsed or sponsored by the Yamaha Corporation, the Korg Corporation, the Roland Corporation or the Ensoniq Corp. All trademarks are held by their respective owners.

** iLok required"



"UVI introduces a massive library inspired by four 90s classic keyboards – the Yamaha SY77, the Korg M1, the Roland D50 and the Ensoniq VFX : UVI Digital Synsations

A NEW BREED

In the late 80's and early 90's the synthesizer landscape began to change. A new breed of keyboards began appearing in shops, records and on stage; matte black behemoths eschewing the familiar knob arrays for uniform clusters of discrete buttons and glowing green LCD screens. They signaled more than a shift in interaction with our musical counterparts‚ they ushered in the era of the digital synth.

To those willing to forgo the immediacy and ease-of-editing of the analog synth world these keyboards offered amazing features for the time; massive polyphony, extensive on-board sequencers and pattern memory, removable storage and digital effects. In addition to the immediate benefits of digital processing some of these keyboards also dawned innovative hybrid synthesis techniques, combining sample playback with classic methods allowing synthesists and musicians the opportunity to explore new sonic territory.

4 CLASSICS, MASSIVE PATCH LIBRARY

The possibilities with a few of these classics was more than we could bear and became the inspiration for our new project, Digital Synsations. We took 4 classic keyboards from the era and set our sound designers loose, tasking them to return with boundary-pushing sounds‚and they did. Digital Synsations includes over 500 patches expertly programmed on a fully restored Yamaha SY77, Korg M1, Roland D50 and Ensoniq VFX‚ used by many of the greats including Depeche Mode, The Cure, Pet Shop Boys, Vangelis, Brian Eno, Toto, 808 State, Jean Michael Jarre and more.

PRISTINE SOUND, DEEPLY EDITABLE

We deeply multi-sampled these custom patches using top-shelf equipment and edited them to perfection before sending them off for professional mastering. These sonics became the foundation for our new hybrid instrument and combined with the UVI Engine give you the true character of these classic synths with all of the peculiarities and programming by products intact. Not only that but you get them in an extremely easy to use and fast to edit environment complete with all the features you expect from a modern virtual instrument.

If you're looking for a new take on the 90's sound or just some new classic synth inspiration then look no further.

SYNSATIONAL INSPIRATIONS

The SY77 combines next generation FM synthesis with 16-bit sampled sounds from internal memory or stored on removable ROM cards. The AFM engine on these synths allows you to freely apply filters and envelopes to any of the sampled sounds and then roll the resulting waveforms back into the FM algorithm prior to further filtering. This novel approach, dubbed RCM hybrid synthesis, can be used to yield extremely versatile sonic results.


The M1 employs AI (Advanced Integrated) synthesis, a hybrid synthesis engine that allows the creation of sounds made up of 16-bit multisamples or harmonic tables generated from by digital analysis from sample data similar to additive synthesis. These methods can be employed in parallel for even greater sonic diversity.

The VFX used a wavetable like synthesis method similar to that of the PPG Wave. Up to 6 waves can combined and layered into a single patch which feeds an impressive array of dual multi-mode filters, three 11-stage envelopes, an LFO and a 24-bit effects processor. Advanced parameter mapping allows up to 15 sources to be used for extremely complex modulations and sound shaping.


The D50 provided a purely digital signal path allowing the combination of 8-bit PCM samples with linear arithmetic synthesis to produce single hybrid sounds or complex cross modulations between the two. Furthermore you could layer two of these sounds together into a patch for a total of 4 digital OSCs. Each OSC could be independently programmed resulting in a remarkable variety of tonal possibilities.

* UVI is not affiliated, endorsed or sponsored by the Yamaha Corporation, the Korg Corporation, the Roland Corporation or the Ensoniq Corp. All trademarks are held by their respective owners."

CLICK FOR MORE »

Roland Announces JUNO-D Synthesizer Series

video upload by RolandChannel

"The next generation of JUNO-D synthesizers is here. In this video, you’ll learn about the abundance of features that make this synthesizer the perfect partner for playing in a band and creating great-sounding content.

00:00 Intro
01:23 Intuitive Design
01:40 ZEN-Core Sound Engine
03:57 Sequencer
04:57 Sample Import
05:39 Chord Memory
05:59 Arpeggiator
07:03 Super Layers
08:39 Vocals
09:29 Connectivity

Building on a 20-year synthesizer pedigree, the versatile JUNO-D lineup offers three models featuring a pro-grade Roland sound engine and expandable sound library via Roland Cloud, all in a gig-ready design. Explore a built-in sequencer, vocal effects, and more for practicing and sketching song ideas. Then, take the stage solo or in a band with advanced performance features, pro keyboard action, and versatile connectivity for any gigging scenario. Intuitive controls and a user-friendly interface make JUNO-D the perfect entry point for piano players and new musicians ready to dive into new sounds and creative possibilities."

Roland Juno-D Synthesizer - All Playing, No Talking

video upload by Kraft Music

"Great bundle deals on Roland Juno-D:
https://kraftmusic.com/collections/ro...

Adam Berzowski jams on the Roland Juno-D8, showing a variety of sounds and features.

Juno-D is the perfect synth for gigging musicians and budding creators. This light and portable keyboard features a pro-grade Roland sound engine and an intuitive panel layout for easy operation. Play in a band or craft new songs with a massive sound library, an eight-track sequencer, and versatile connections for your gear. Perform on the move with support for USB-C mobile battery power. And stay inspired with new sounds on Roland Cloud.

Juno-D6, the most portable Juno-D model, features an expressive 61-note keyboard with synth action. Juno-D7 sports 76 synth-action keys, making it ideal for musicians who need extended range, multiple splits, and enhanced playability. The Juno-D8 88-note model features the acclaimed PHA-4 Ivory Feel keyboard with weighted hammer action, known for its exceptional response and traditional piano feel. Each Juno-D model includes the same internal features, panel layout, and connectivity. The only differences are the keyboard configuration, size, and weight.

Get more for your money with an exclusive Roland Juno-D synthesizer bundle from Kraft Music. These package deals include the accessories you'll need to get the most out of your new keyboard synth, all for one low price. If you have any questions, please contact us. Our knowledgeable Sales Advisors will be happy to assist in choosing the bundle that's right for you!"

Roland JUNO D // Review & Tutorial (JUNO D6, D7 & D8)

video upload by loopop

Press release follows:

Streamlined Keyboards with Powerful Features for Gigging Musicians and Budding Music Creators

Los Angeles, CA, September 24, 2024 — Roland announces the JUNO-D series, a new generation of synthesizer keyboards for gigging musicians and budding music creators. The JUNO-D6, JUNO-D7, and JUNO-D8 models feature light, go-everywhere designs with pro-grade sounds, easy operation, and flexible connectivity for any scenario. Each model embodies the famous JUNO-D blend of value and innovation, fusing quality Roland sound and playability with the latest creative tools for today's musicians.

JUNO-D models feature high-quality keyboards inherited from the FANTOM-0 series instruments. The 61-note JUNO-D6 and 76-note JUNO-D7 are equipped with synth-action keyboards, while JUNO-D8 offers a piano-style experience with 88 weighted-action keys and hammer action. Other than the keyboards and physical specifications, all JUNO-D models offer identical features.

Every JUNO-D is easy to transport, simple to operate, and a joy to perform with. Users can play in a band or craft new songs with a massive sound library, an eight-track sequencer, and versatile connections for all their gear. The instruments can be powered via AC or a standard USB-C mobile battery, making them ideal on-the-go solutions for stage playing, creating music content in a home studio, or performing on the street.

Built on a 20-year pedigree of streamlined stage keyboards, JUNO-D features the same ZEN-Core engine found in top-tier Roland synths. A single instrument offers a rich sonic palette for everything from cover band tunes and instrumental jams to original songs. Over 3800 sounds are ready to explore, including acoustic and electric pianos, vintage and modern synths, organs, orchestral instruments, world sounds, and more. It’s also possible to import WAV samples to recreate specific sounds on stage or spice things up with unique tones and sound effects.

Roland Cloud provides an ever-growing library of Sound Packs and Wave Expansions for further inspiration, available through membership or Lifetime Key purchases. With a free Roland Account, JUNO-D owners can access a complimentary collection of ZEN-Core Sound Packs to get started.

Players can take creative command with a generous selection of hands-on controls for real-time sound adjustment. Dedicated buttons offer direct access to 16 sound categories, while Dual, Split, and Super Layer functions are available to combine tones or assign different parts to the left and right hands. With Favorites, the user can quickly recall tailor-made sounds for every song on the setlist.

JUNO-D also provides powerful tools for developing musical ideas and playing with backing tracks. There’s an eight-track sequencer with TR-REC step input and real-time recording options, plus eight phrase pads to trigger rhythm patterns or mute tracks to shape arrangements on the fly. Arpeggiator and chord memory functions are easily accessible to generate even more creative possibilities.

JUNO-D players can add vocals to their performances using the built-in mic input and professional effects, including compression, EQ, reverb, and noise suppression. Auto pitch and vocoder effects are also available to add the modern colors heard in current pop music.

The integrated audio/MIDI USB-C interface provides class-compliant support for a driverless connection to mobile devices and computers. Users can create and perform with their favorite music production software and infuse livestreams and music videos with pristine direct sound.

Each JUNO-D model has balanced stereo audio outputs to connect with studio speakers, a stage amp, or a house PA, plus a headphone jack for quiet practice and developing musical ideas. It’s also possible to play backing tracks and songs through the JUNO-D system from a smartphone or computer via USB-C or a flash drive connected to the dedicated USB memory port.

Availability & Pricing
The Roland JUNO-D6, JUNO-D7, and JUNO-D8 are now available in the U.S. for $899.99, $1,149.99, and $1,299.99 respectively.

Yamaha reface Mobile Mini Keyboards: Get the Sounds Made Famous By Your Favorite 1980’s Band

Published on Jul 7, 2015 yamahacorporation

Updates: new Yamaha reface promo videos added above, Sonicstate, Gear4music and Keyboard Mag videos below. Tons of additional picks including the interface screen of the reface DX added below. Click each pic for the full size shot.

Yamaha reface Videos from Keyboard Magazine


Yamaha reface Sonic State First Look Videos


Yamaha reface Gear4music Demos


---------

Your Sound. Any Place, Any Time

Published on Jul 3, 2015 Yamaha Corporation of America

And the press release, full details & a ton of pics are in.

"NASHVILLE (July 9, 2015)—Yamaha today introduced the new reface Mobile Mini Keyboards, portable yet powerful sounding keyboards that descend from a distinguished pedigree.

Why should guitarists have all the fun playing outdoors or anytime inspiration strikes? Even for beginners, these boards are fun to play because there are no deep, complicated control panels to learn: turning knobs and sliding faders brings an instant change in sound and players are able to create their own tones for a fun, tactile experience.

Building on Yamaha’s 40-year heritage of creating some of the most heralded and renowned electronic keyboards in music history, reface reimagines the interface of four classic Yamaha instruments – some of which are difficult to find in the vintage market and weigh too much to carry around. The new series offers thick, booming sound, built-in speakers, 37 keys with professional-grade HQ-Mini action (derived from the flagship Motif XF professional synthesizer) and battery-powered portability for making music on the go. But more than mere travel companions, these versatile keyboards connect with external speakers, smartphones, tablets, MIDI devices and computers for use on stage and in the studio.

reface DX draws its inspiration from the iconic DX7, which debuted in 1983 and became the first commercially successful electronic keyboard used extensively by a multitude of bands throughout the decade and beyond, including Toto (“Africa”), the Doobie Brothers (“What a Fool Believes”) and the theme from “Beverly Hills Cop” (Axel F”). With the press of a button, the reface DX changes from retro-80s tones to cutting-edge modern sounds perfect for EDM. A new Multi-Touch Control interface makes it easy to customize your sound with the powerful FM (frequency modulation) synthesis engine. The instrument includes 8-note polyphony, 32 Voice Memories and a backlit display.

reface YC reimagines the YC Yamaha Combo organs, introduced in the late 1960s and used by Pink Floyd, Tangerine Dream and others. The YC offers all the expression of drawbars, rotary speaker, percussion and effects. It includes five retro organ sounds—ranging from tonewheel to transistor to the original Yamaha Combo organ—and 128-note polyphony.

reface CP redesigns the Combo Piano, launched in 1975 and ubiquitous on stages during that era. The sound enhanced the work of Keane, U2, Genesis, Billy Joel and more. The CP model features six electric piano sounds including tine, reed, clav, toy and CP80 plus direct control of six different 1970s-style effects built into its retro-chic design. It also includes a sustain pedal input with a half-damper response and 128-note polyphony.

reface CS rekindles the legacy of the CS-series Control Synthesizers, introduced in 1976 and played by Vangelis, Stevie Wonder and Michael Jackson, among others. Offering 8-note polyphony, reface CS uses virtual analog synth technology and five flexible oscillator modules to create a wide variety of complex sounds from analog to digital.

reface features a 'one to one' control scheme, meaning the panel controls perfectly match the tone generator for direct sound creation and musical inspiration.

'reface offers high-quality touch, tone, interface and superior design at an affordable price,' said Nate Tschetter, marketing manager, Music Production, Yamaha Corporation of America. 'These inspiring, horizon-expanding instruments are fun to play and let keyboard players take their music anywhere.'

The reface YC, CP, CS and DX mobile mini keyboards (MSRP: $799) will ship in September 2015.

For more information, visit http://4wrd.it/yamahasynth or http://4wrd.it/usayamaha"

Click the pics for the full size shots.

Additional detailed interface pics added below.

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Roland Introduces the FANTOM-0 - New Lineup of Synthesizer Keyboards

video upload by RolandChannel

The Roland FANTOM-0 synthesizer keyboard series will be available in the U.S. in April for the following prices:
● FANTOM-06: $1,499.99
● FANTOM-07: $1,799.99
● FANTOM-08: $1,999.99

"Discover the FANTOM-0 Series synthesizer lineup added to the FANTOM family. The three models offer the sonic power and fluid workflow of the flagship FANTOM series with a lightweight design and more affordable price. Choose from the 61-note FANTOM-06, 76-note FANTOM-07, or 88-note FANTOM-08. You’ll have everything you need to capture your creative vision and perform your pieces in one fluid instrument.

Take advantage of FANTOM-0’s powerful synth engine with instant access to ever-expanding Roland Cloud content, including Model Expansions, Sound Packs, Sample Packs, and more. And with features like hands-on knobs and sliders, color touchscreen, quick sampling features, and a clip-based sequencer, your production and performance processes will be smooth as silk. Plus, FANTOM-0 integrates with production software like Logic Pro, MainStage, and Ableton Live for a seamless setup.

Performers can easily carry FANTOM-0 instruments from the studio to the stage. Weighing significantly less than most other professional keyboards, just slide the synth into its gig bag and go wherever inspiration takes you.

In this video, learn about the impressive range of features and extraordinary sounds that make FANTOM-0 series synthesizers the creative hub of producers and performers alike.

0:00 Intro
1:37 SuperNATURAL Piano
2:39 SuperNATURAL EP
3:30 Virtual ToneWheel Organ
4:12 SuperNATURAL Strings
5:20 ZEN-Core Synthesizers
7:11 High-Resolution Filter
8:03 Step LFO
9:16 DSP Effects
9:38 Drums and Step-Sequencing
10:46 Sounds from Roland Cloud
12:37 Sample Pads
13:32 Multisamples
15:23 Scenes
16:19 Scene Chain
17:11 Pattern Sequencer
19:49 Piano Roll Editor
20:44 Song Arrangement
21:21 DAW Integration
26:14 MainStage Integration
28:01 FANTOM-0 Models"

Roland Fantom-0 Workstation Keyboard - First Look with Scott Berry
video upload by Kraft Music

"Find exclusive Roland Fantom-0 Bundles at Kraft Music:
https://www.kraftmusic.com/brands/rol..."

New Roland Fantom 08 - Quick demo by gattobus

video upload by gattobus

"Here's a quick demo using multiple parts on the new Fantom 08.
Everything's been played in real time, no overdubs.
In the second part of the video I used the internal pattern sequencer playing along with a lead sound."

And the press release:

Streamlined Instruments with Advanced Sounds and Creative Features Directly Inherited from the Flagship FANTOM Series

Los Angeles, CA, March 15, 2022 — Roland introduces the FANTOM-0 series, a new lineup of synthesizer keyboards for performers, producers, and music creators. The FANTOM-06, FANTOM-07, and FANTOM-08 models combine the sonic power and fluid workflow of the top-of-the-line FANTOM series in light, streamlined instruments that flow smoothly into every musical situation, from studio production to high-level stage performances.

Unveiled in 2019, Roland’s reimagined FANTOM series has received worldwide acclaim for its advanced sound technologies and unique creative workflow that eliminates confusing modes and technical frustration. FANTOM-0 carries on this approach, offering core FANTOM features in highly portable instruments that weigh significantly less than most top-tier professional keyboards. Users can play and produce with thousands of Roland’s best sounds and unleash their musical vision with a color touchscreen, hands-on controls, and deep computer integration derived from the flagship models.

FANTOM-0 offers unlimited sound-making possibilities with Roland’s ZEN-Core, SuperNATURAL, and Virtual ToneWheel Organ technologies, with further expansion available through Roland Cloud. Musicians can create with synthesizers and rhythm sounds that have defined entire genres, build organic compositions with pianos and other acoustic instruments, or shape sounds of the future with next-generation synthesis tools. Built for non-stop creation, FANTOM-0 lets users shape sounds and realize ideas as fast they come. Using custom creative spaces called Scenes, they can store sounds, patterns, performance layouts, song sections, and more and recall them seamlessly with no gaps or glitches. And with the free-flowing panel layout, RGB performance pads, quick sampling features, and clip-based sequencer, sessions with FANTOM-0 are inspiring, productive, and fun.

FANTOM-0 slides easily into modern production setups with a built-in 4x32 USB audio interface, and native integration with Logic Pro, MainStage, and Ableton Live provides an interactive experience with touchscreen and hardware control. It’s also possible to combine soft synths with FANTOM-0’s onboard sounds and interface with favorite MIDI hardware via the dedicated MIDI output.

FANTOM-0 instruments are easy to carry from a home studio setup to rehearsal rooms and performance stages, thanks to molded body designs that are sleek, attractive, and ultra-rugged. The 61-note FANTOM-06 and 76-note FANTOM-07 are equipped with newly developed synth-action keyboards, while the FANTOM-08 comes with 88 weighted-action keys. Other than the keyboards and physical specifications, all FANTOM-0 models offer identical features.

With Roland Cloud, players can dive deep into the historic and ever-evolving world of Roland synthesizers. Model Expansions infuse FANTOM-0 with the authentic sounds and unique characteristics of the JUPITER-8, JUNO-106, and other vintage icons. And with the growing selection of Wave Expansions, Sound Packs, Sample Packs, and more, there’s a steady stream of creative fuel for every musical journey.

Availability & Pricing

The Roland FANTOM-0 synthesizer keyboard series will be available in the U.S. in April for the following prices:

● FANTOM-06: $1,499.99
● FANTOM-07: $1,799.99
● FANTOM-08: $1,999.99

To learn more about the FANTOM-0 series, visit Roland.com."

H-Res Pics (click them to zoom in):

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Digital Keyboards Synergy Vintage Polyphonic Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Up for sale, a Digital Keyboards Synergy model polyphonic synthesizer in exceptional, near mint condition and in perfect working order. Of the estimated 700-800 Synergy keyboards originally produced, it's estimated that less than 100 are still in existence, and this example is easily one of the cleanest and most complete, with the original pedal, manual, and paperwork. This synthesizer was produced from 1982-85, and Digital Keyboards was a high-end US-based division of the Italian company Crumar. Using a high speed additive oscillator system developed by Bell Laboratories, Digital Keyboards created a sophisticated additive synthesizer known as the Crumar General Development System (GDS). While the GDS originally had a price tag of a whopping $27,500, the Synergy was a moderately stripped down version that sold for a mere $5,300 (roughly $13,000 when adjusted for inflation). A favorite of pioneering electronic music composer Wendy Carlos and a synth that has inspired a fervent following, the Synergy was state of the art in its time and is an enduring classic today.

The cosmetic condition of this Synergy is exceptional, as evidenced by the photos, with only a couple light scuffs on the plastic top and tolexed exterior. The original dual foot pedal is included, along with an IEC power cable, the manual, and other original paperwork."

CLICK FOR MORE »

Five cheap 80s keyboards...

Published on Jun 3, 2019 Alfonse

A new series by ALFONSE. You can find him on Bandcamp, Soundcloud, Twitter, and Instagram.

Playlist:

1 Five cheap 80s keyboards...

Music: "Eight" (C) Copyright 2019 Alfonse

Intro to a new series of videos using sounds from ageing home keyboards together with current production tools. All sounds you hear in the track were made using the Casio SK-1 (a sampling keyboard), Casio MT-52, Yamaha PSS-680, Yamaha PSS-580, and Amstrad CKX100. They were recorded to a DAW, where compression, EQ, reverb, and delay were added as required.

2. Casio SK-1 sampling keyboard demo - "Rapid Rhino"

All sounds you hear in the track were made using the Casio SK-1 sampler or its factory sounds and were recorded to a DAW, where compression, EQ, reverb, delay and chorus were added as required. Individual drum hits were sampled from slowed-down SK-1 rhythms, to allow fresh beats to be built, rather than using the rhythms found on the SK-1 itself. If you hear something in the track and can't quite figure out where it came from, that was probably a vocal sample. It has a great 8-bit / 9.38kHz lo-fi sound; grainy and interesting...

The aim of this series of videos is to see what you can create using sounds from ageing home keyboards together with current production tools. Personally, I'm a fan of playing a vintage keyboard like this in its original state (not circuit bent) - it's more than just a retro toy...

Music: "Rapid Rhino" (C) Copyright 2019 Alfonse

3. Yamaha Portasound PSS-680 FM keyboard demo - "Splendid Larryo"

All sounds you hear in the track were made using the PSS-680 and recorded to a DAW, where compression, EQ, reverb, delay and chorus were added as required. Individual drum hits were sampled from the drum pads and processed (the 680's kick drum is horrible, so that needed some attention for a start...), to allow fresh beats to be built, rather than using the rhythms found on the PSS-680 itself.

The aim of these videos is to see what you can create using sounds from retro classic keyboards together with current production tools. The 680 has a 2 operator FM synth on board, which can be edited via the Digital Synthesizer parameters on the front panel; there are limited editing options, but enough to get a cool range of sounds. It also has Midi In, Out and Thru, allowing for plenty of cool connectivity with controllers, computers and other hardware. It's basically identical to the PSS-780, aside from some different coloured pads and other parts, and has the same sound chips as the PSS-480 and 580, which were the next rung down in the product line.

For those who have a keyboard from that range, here are the parameters for some of the main patches:
First bass: voice 34: 0.63 1.63 2.10 3.15 4.01 5.00 6.06 7.69
Second bass: voice 74: 0.30 1.63 2.22 3.21 4.02 5.01 6.07 7.73
Main lead: voice 60: 0.26 1.47 2.16 3.25 4.04 5.02 6.06 7.73
Bridge lead: voice 91: 6.04 7.99
End lead: voice 02: 0.41 1.63 2.02 3.01 4.01 5.01 6.06 7.91 + portamento 05

Music: "Splendid Larryo" (C) Copyright 2019 Alfonse

More to come! I'll put new posts up to let you know when they come in.

Executive Roundtable: Keyboards and Virtual Instruments at NAMM

Single shot sent my way via effegee.

You should recognize a few faces including Dave Smith, Jordan Rudess, Mike Martin of Casio, Roger Linn, and Stephen Fortner of Keyboard Magazine on the far right. I recognize some of the others, but can't recall their names. If you know please comment and I'll update the post.

Update: Info and panel list via Music Starts Here:

"Where are keyboard instruments going? Is hardware in its twilight, or is it having a renaissance for live performance? Is the analog revival here to stay, or a passing fashion? What will keyboards do in the virtual world of the future? Are mobile apps and touchscreens viable for serious music production? In this panel moderated by legendary music technology thought leader Craig Anderton, top experts in keyboard and software design, product management, and media will discuss the future of the electronic musical instrument industry. Panelists include:

Craig Anderton (moderator), Executive Vice President, Gibson Brands and Editorial Director, Harmony Central.

Athan Billias, Director of Strategic Product Development, Yamaha and advisory board member, MIDI Association.

Stephen Fortner, Editor at Large, Keyboard Magazine.

Ralph Goldheim, President of U.S. Operations, Arturia.

Jimmy Landry, Head of PR and Artist Relations, Cakewalk.

Roger Linn, CEO, Roger Linn Design and inventor of the modern drum machine.

Mike Martin, General Manager of Marketing, Casio.

Jordan Rudess, Keyboardist in Dream Theater and Founder, Wizdom Music.

Dave Smith, President and Founder, Dave Smith Instruments and co-inventor of MIDI.

Topics covered will include virtual instruments, analog synths, traditional keyboards versus alternative controllers, and more. If you’re attending NAMM and into keyboards or synths, don’t miss what is sure to be one of the most thought-provoking discussions at the show.

When: Thursday, January 21, 2016, from 12:00 noon to 1:00 p.m.

Where: Room 203 A/B (“The Forum”), Anaheim Convention Center

For more info visit https://www.namm.org/nammu/exec-roundtable-keyboards-and-virtual-instruments"

Introducing the All-New M-Audio Code Series Keyboards

Published on Aug 11, 2015 M-Audio

"M-AUDIO NOW SHIPPING INNOVATIVE CODE SERIES KEYBOARDS

Three models—25-, 49- and 61-key versions—deliver professional-feel keybeds, full feature sets and surprising pricing

Cumberland, RI (August 13, 2015)— M-Audio (m-audio.com), synonymous with innovative music production technology, today announced that deliveries have begun of its highly-anticipated Code Series keyboards, a family of three full-featured models. Available in 25-, 49- and 61-key versions, the Code Series combines a remarkably smooth-feeling keyboard with a surprisingly complete feature set to create a keyboard line of unusually professional capability and unexpected value.

The Code Series builds upon M-Audio’s legacy of innovative workflow and playability. Their comprehensive controls automatically map to popular DAW’s such as Ableton Live, Apple GarageBand, Logic Pro X, Pro Tools, and Cubase, so artists can easily convert their creativity into immediate, tangible results.

The Code Series delivers top-of-the-line performance with their professional-feel keybeds, very complete feature sets and included software, yet they are priced far below what might ordinarily be expected for this level of capability.

All Code Series keyboards feature:
• Smooth-feel, semi-weighted keybed with aftertouch
• 16 velocity-sensitive pads with LED feedback
• Touch pad for X/Y axis control
• USB Bus powered for portability and ease of use
• 5 Pin MIDI Input, and Output jacks allowing you to control your favorite synths
• Assignable pitch & mod wheels, knobs, faders, buttons (with macro ASCII support), and transport control with Mackie Control and HUI modes
• Split keyboard with four assignable zones
• Expression and Sustain pedal inputs
• 6 digit LED display

In addition, a comprehensive software package is included—Ableton Live Lite, AIR Music Technology Loom and Hybrid 3—that ensures the artist has unrestricted access to the best creative tools.

“The new Code Series keyboards offer a professional level of performance and keybed feel, combined with an unusually comprehensive set of features and included software,” said J.C. Sutherland, Product Manager for M-Audio. “All this adds up to one of our most eagerly-awaited new product introductions ever.”

For more information, visit: m-audio.com/code

Retail pricing for the Code Series is as follows:
Code 25—$299
Code 49—$349
Code 61—$399

The Code Series is available at M-Audio dealers nationwide."

TWO WholeTone Revolution Synthesizer Keyboards (Korg EX5R)

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Under the hood, these are actually Korg N5EX synthesizers with a custom keyboard built specially for Tokyo Yusyo (probably also by Korg), with each key being velocity and channel (mono) aftertouch sensitive. Please note that the Chromatone keyboard is not at all like a matrix array or other "microtonal" type keyboard. These are actually 88 key keyboards shoehorned into the form factor for a 61 key keyboard, with each key having multiple key tops for ergonomic play. I used these as MIDI controllers, but you can just as easily tap them for the onboard GS/XG/GM soundset.

I encourage you to visit the maker's websites [here and here] and tour YouTube to understand more about the Chromatone keyboard and the MUTO method for notation and playing these keyboards if you are not already familiar with it. The onboard synthesizer engine, features (e.g., sequencer), and operation are that of the Korg N5EX, so please see the manual for that keyboard (on Korg USA's website here: [link removed by eBay]) since Tokyo Yusyo supplied no additional documentation with these keyboards.

I reiterate: these are not matrix array 'microtonal' keyboards."

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Waldorf Demos with Saga's Jim Gilmour at the Frankfurt Musikmesse in 1992

Saga - Jim Gilmour Demo - Musikmesse Frankfurt 1993 1992 Published on May 12, 2013 MadSevenFilms

"Jim Gilmour ( Saga keyboardist) in a demo at the Waldorf stand during the musikmesse in Germany.
Humble Stance, Wind Him up, Don't be late, Careful where you step, On the loose,etc ...."

Update: according the swissdoc, these videos are actually from 1992. That would make the appearance of the prototype Wave in 1992, not 1993. This post has been updated to reflect that. Note swissdoc's write-ups are from 1993 as you can see in the datestamps for the links, and I believe the production model Wave was indeed released in 1993.

Here's a blast from the past featuring a bit of Waldorf history in via swissdoc. This may very well be the only Waldorf footage from the event. Check out the non-working prototype of the Waldorf Wave in the background. 1992 was the year it made its first appearance to be released in 1993. Note the Microwave rack was released earlier in 1989. Further below you will find some notes on Musikmesse 1993 (the following year after these videos) from swissdoc, followed by a transcription of the Wave flyer. This is a fascinating look back on synth history. But first, one more video from the 1992 Musikmesse.

Update2 via swissdoc: "In addition, for those who can read and understand German, there is a big series of three articles available for download (email has to be provided) from the German Keyboards magazine. Inside Wave. Amazing level of detail plus in part three an interview with developers and users plus additional interviews with the people behind the Wave.

https://www.keyboards.de/heftarchiv/1994-10/inside-wave-1-wave-intro/
https://www.keyboards.de/heftarchiv/1994-11/inside-wave-2-tech-talk/
https://www.keyboards.de/heftarchiv/1994-12/inside-wave-3-wave-story/"

Update3: The following scans have been added to the bottom of this post:
Messe.1992.TSI.Messeinformation
Messe.1992.Preliminary.Wave.Info
Messe.1993.TSI.Show.Information
Messe.1993.Wave.Flyer

Saga - Jim Gilmour Scratching the surface - Musikmesse Frankfurt 1993 1992

Published on May 13, 2013 MadSevenFilms

"Jim Gilmour ( Saga keyboardist) in a demo at the Waldorf stand during the musikmesse in Germany.
Scratching the surface"

---

The following is a Musikmesse 1993 recap via swissdoc aka George Mueller, who attended, from way back in 1993 (you'll find a transcript of the Waldorf Wave flyer text further below). P.S. for a quick look at the gear released at the 1993 Musikmesse see here and here, both from swissdoc.

"Before I go into this Wave stuff, I'd like to tell you a little about the Frankfurt Musik Messe. Those restless gear junkies, skip the next 24 lines.

The Frankfurt International Music Fair was held for the 14th time and was attended by a record number of exhibitors: 1194 from 40 contries. So it's the leading event for the music business.

The Messe Frankfurt has 10 halls of different sizes, three of them are used by the Musik Messe. Hall 9.0 is the most interesting, it's for electronic instruments, 9.1 is for guitars and amps, 9.2 is for stage light, sound and mixers. These halls are middle in size, rows range from A to F, with booth numbers up to 90 each. Hall 8 is for acoustic instruments and publishers; it's funny, all that noise from test-playing violins, flutes and so on. This is the biggest hall, rows from A to P. The monster booth of Yamaha is in the back of this hall with all their synths, FXs and personal keyboards. So it's a long walk to Yamaha. It's a bit risky in this hall, if you enter one booth, browse thru the pages of some book, after talking to the salesman you probably lost your orientation. Hall 10.1 is reserved for grand pianos and uprights. No elctricity allowed there.

It's funny, when you change from 9.0 to 9.1, all those long haired heavy metal guys. One amp or guitar company has a Hard Rock Cafe at their booth, evertime overcrowded with guys drinking cocktails or beer.

So, here we are, the promised report on the TSI shows WAVE MUSIC DEMO and INSIDE THE WAVE.

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Novation Introduces FLKey MIDI Keyboard Designed for FL Studio

"We're excited to introduce FLkey - the first MIDI keyboards designed for music production in FL Studio, a game-changer for FL Studio producers.

With essential on-screen DAW controls at the ready on the keyboard, seamless control of FL Studio’s Step Sequencer and powerful inspirational tools, FLkey empowers you to produce your best music with no limitations, no matter your skill level.

Available in 25-key Mini and 37-key models, FLkey can fit perfectly in any studio setup. FLkey Mini helps you make big tracks in small spaces and brings essential FL Studio transport controls right to your fingertips. Need more? FLkey 37 is a production powerhouse with even greater range.

--- Discover FLkey:
https://bit.ly/FLkey_Novation"

Update:

The First FL Studio Keyboards - Novation FLkey Mini and FLkey 37 First Look
video upload by In The Mix

"In this video, I take an exclusive first look at the FLkey Mini and FLkey 37 from Novation.
These Midi keyboards are made specifically for FL Studio and integrate perfectly with the software. It's now possible to control the channel rack, mixer, transport controls and more using these keyboards. FL Studio users have wanted a keyboard like this for years and now it's finally here!

🎹 Find out more about the FLkey range: https://bit.ly/FLKEYMIDI

Both keyboards come with a 6-month trial of FL Studio Producer Edition and a whole suite of virtual instruments and effects from XLN Audio, Klevgrand, Applied Audio Systems and Spitfire Audio.

0:00 - FLkey Intro
0:55 - FLkey Range Overview
2:00 - 25 vs 37 Keys
2:30 - Drum Pads & Note Repeat
4:00 - Drum Sequencer
5:15 - Keyboard
7:15 - Included Software
8:18 - My Recommendation / Opinion"