"The Analog Four is the best of two worlds. The power of analog synthesis is enhanced with precise Elektron sequencing for a machine par excellence. This is an analog synthesizer for the modern age.
The Analog Four is a four voice analog synthesizer. Analog oscillators and filters ensure the most organic sounds imaginable and the Elektron step sequencer caters for the innovative sound control. With sequencer features like parameter locks and variable length per track, intricate Analog Four compositions can be created quickly and efficiently. Add the completely new and incredibly well-crafted effects to the mix and experience the next chapter in analog sounds. It just sounds right.
Not only a splendid sound making device, the Analog Four can also make other gear sing. Thanks to the CV/Gate and DIN sync outputs, legacy analog gear can be controlled in great detail. Sequencer features like arpeggiators and parameter locks will breathe new life in old equipment and make any modular synthesizer rig truly come alive.
Live performance features are aplenty. The special performance mode gives direct access to user-defined parameters and direct pattern change makes it possible to change patterns at any sequencer step. The arpeggiator can be instantly toggled on or off for swirling melody lines. Improvising when playing live has never been this easy. The Analog Four was born for the stage.
The Analog Four offers four synth voices capable of providing that inimitable analog sound. Two analog oscillators, two sub oscillators and a noise oscillator per voice give enormous room for experimentation. They are the starting point for those deep basses, piercing leads, mellow bells and haunting drones - all with a distinctly analog flavor. The power is striking.
Brilliant FX & Dual filter force
The effects section of the Analog Four has been constructed from the ground up and is a perfect match for the strong analog tones. Use chorus, delay and reverb for situating sounds in acid cathedrals, the deepest abysses and head-spinning rotating rooms or for simply adding a final, subtle, audio finish. They make things shine.
Each synth voice features two separate analog filters. The 4-pole lowpass ladder filter and 2-pole multi-mode filter are incredible tools when shaping sounds. To add more sonic crunch, the filter section also contains a fully analog overdrive circuit. The saturation can range from gentle warming to total destruction. All bases are covered.
Total Sound Control
The critically acclaimed Elektron step sequencer gives unprecedented control over synth and FX parameters. Create patterns and songs with ease and use parameter locks to lock track parameters to specific values. It is even possible to change synth patches per sequencer step; an unbeatable method when creating expressive patterns. The dedicated track, of course featuring parameter locks, sending CV/Gate signals is perfect for sequencing external analog instruments. Analog Four is in control.
Wild modulation - The internal architecture opens up for extensive modulation possibilities. Each synth voice offers two assignable LFOs and envelopes, AM cross-modulation, oscillator sync and dedicated LFOs for both pulse width modulation and vibrato. The range of potential sounds is as wide as it possibly can get.
Convenient storage
Sounds can of course be stored. Kits contain complete settings for all tracks, Sounds contain settings for the synth tracks. Save the best Kits and Sounds and create a collection of the most inspiring analog patches, ready to be recalled at all times. No tedious and time-consuming recreation of analog sounds is necessary. This machine is instant and direct.
Full connectivity
All the ports necessary to incorporate the Analog Four in a modern studio are at hand. A headphone output, two main outputs, two external inputs, two dual CV/Gate outputs, a USB port and MIDI IN/OUT/THRU ports featuring DIN sync out means the Analog Four can communicate with everything from legacy instruments and modular synthesizers to computers. It is at home everywhere.
"Live 10 introduces four bold devices, new features and improvements that keep you in the flow, and an expanded sound library. Plus, a built-in Max for Live, extended Push features and much more."
Playlist:
Ableton Live 10: What's New
Ableton Live 10: Capture
Ableton Live 10: New Device Visualisations on Push
Ableton Live 10: New MIDI Clip Editing on Push
Ableton Live 10: New Step Sequencer on Push
Ableton Live 10: Workflow Improvements
Ableton Live 10: Wavetable
Ableton Live 10: New Audio Effects
And an overview of the new Wavetable synth by AfroDJMac:
Wavetable Ableton Live 10 Tutorial and Walkthrough
Published on Nov 2, 2017 AfroDJMac USA
"Wavetable is Ableton Live 10's new wavetable synthesizer. It's incredibly powerful and deep. In this video I show you the ins and outs of how everything works, as well as Wavetable's spectacular Push 2 integration."
And a brief description on each new device via Ableton, where you can find some interactive pics with additional details:
"Create with new devices
Meet Wavetable, Echo, Drum Buss and Pedal: new devices that mean colorful new sounds are possible with Live’s instruments and effects.
Wavetable
Immediately playable, infinitely capable, Wavetable is a new synthesizer built by Ableton. Shape, stretch and morph sounds using wavetables derived from analog synths, and a range of other instruments and sounds. Start sculpting sounds right away—even without a deep knowledge of synthesis—or explore its rich palette and potential through an intuitive interface.
Echo
Echo brings together the sound of classic analog and digital hardware delays in a single device—your new go-to delay. Drive and shape sounds with its analog-modeled filters, turn up the noise and wobble for vintage imperfections, or add modulation and reverb to create diffuse soundscapes, wailing feedback and more.
Drum Buss
Drum Buss is a one-stop workstation for drums, capable of adding subtle character or bending and breaking drums to your will. Add warmth and distortion with drive and crunch, take control of dynamics with compression and transient shaping, dial in and tune boom and control bass decay with the dedicated low end section.
Pedal
With separate circuit-level models of overdrive, distortion and fuzz guitar pedals, Pedal brings the character of analog stomp boxes to Live. The effect goes all the way from subtle to reckless—it excels at warming up vocals and other instruments, driving synth sounds or completely smashing drums. And of course, it sounds great with guitars."
This post is developing. Check back for new videos and updates below.
Street price appears to be $999. See dealers on the right for availability. In via Alex Timchak.
"We are delighted to announce the release of Syntakt – the 12 track drum computer and synthesizer that fuses digital and analog synthesis together in one music megabox.
Enter this sonic metropolis and experience epic sounds from the past, while pulling others into existence from the future. Syntakt is a drum specialist, full of percussive possibilities, but its four analog and eight digital tracks can be used for melody, harmony, and bass sounds too, giving you a musical melting pot with dozens of machines at your disposal.
Affect the sound of each machine with the intuitive and playful graphics. Add analog distortion and filtering to your mix or separate tracks, using the FX block. Run wild and free with the four expressive modifiers. Access a variety of different scales via the keyboard mode. And create dynamic soundscapes with its phenomenal sequencer.
The streets of Syntakt are never-ending, the neon lights are never-dimming, its underground is fathomless. Discover worlds within worlds."
"Syntakt is a sonic metropolis of machines, fusing digital and analog synthesis together in one drum and melody megabox. A 12 track drum computer & synthesizer melting pot like Syntakt needs a majestic guide. Let the intrepid Elin Piel show you around the many features at your disposal."
Baseck Plays : Elektron Syntakt : 12 Track Analog & Digital Synthesizer / Drum Computer
"Elektron's newest device is finally here : The Syntakt ! A 12 Track Synthesizer and Drum Computer!
Let's see how far our friend Baseck can push this new machine.
Grab one NOW : https://bit.ly/3EEzgOE
"Our pal Mario from Elektron came down to the Perfect Circuit HQ and walked us through the ins and outs of their newest Synthesizer and Drum Computer : Syntakt
0:00 - Intro & overview
1:30 - Machines & Visual Language
3:27 - Beats To Melt Brains To
3:59 - Modifiers
7:40 - FX Track
11:50 - Outro Jams
"Elektron's new instrument, the Syntakt, is a powerful combination of analog drum sounds, digital synthesis, and new performance features not seen on any other Elektron product. In partnership with Elektron, watch as our host Fess breaks down these features."
"In this video I perform one of my new tracks using the Elektron Syntakt and the Octatrack MK2. All the sounds in this video are from the Syntakt, I am using the Octatrack with my performance template.
"Some patterns I’ve made with Syntakt. No processing.
Things I love: The machines! The flexibility!
It can be so many things.
8 tracks of Model cycles chord machines with deeper control, 2x LFO per track, full envelopes, dual filters, p-lockable FX track. Or half a Rytm , plus new digital drum synth and bass/lead synth machines.
Or a mix between.
All with a tasty chunk of analog Heat drive, filter, and EG, but p-lockable!
There is an inverted envelope shape in the analog fx that I use as a master compressor. The drive is lovely.
I also love using some of the analog kicks with a bandpass filter for textures. Can even get kinda of vinyl pops and clicks out of these.
Can have up to 3 simultaneous analog DVCO machines."
"The brand new Elektron Syntakt is here!
I'm doing a brief overview, followed by a SID emulation rendition of Rob Hubbard's theme music for the C64 game 'The Last V8' from 1985. Then it grows into a live jam, using all the 12 digital and analog tracks of the Syntakt, including the features such as analog distortion.
0:00 Intro
1:50 Song starts
3:57 Live jam!"
Full details:
12 Track Drum Computer & Synthesizer
Enter a sonic metropolis with Syntakt. Analog and Digital synthesis. Drum and melody. In full fusion.
All your sound crafting, sequencing, and performance needs are fulfilled, in an all-round music mega box that fits in your lap. Syntakt is a drum specialist, full of percussive possibilities, but its four analog and eight digital tracks can be used for melody, harmony, and bass sounds too. Experience epic sounds from the past, pulling others into existence from the future.
The streets of Syntakt are never-ending, the neon lights are never-dimming, its underground is fathomless. Discover worlds within worlds. Adore now. Explore forever.
Meet the machines There are 35 sound-generating machines to call on, covering a wide range of drum and melodic sounds. Some machines have been reimagined from Analog Rytm and Model:Cycles, with deeper sound control for the latter, while others are entirely new to the world.
For you to create and personalize your sound, we’ve made sure you’ve got a set of parameter controls tailor-made for each machine. They let you quickly tweak the nature of each type of sound, showing you just the relevant options. Comprehensive without being overwhelming. Let loose with analog or digital overdrive, depending on the tracks you’re playing with.
The graphics more than play their part too, with plenty of animated icons offering visual guidance and extra clarity on how each parameter affects the sound. The joys of tweaking shouldn’t only be for the ears after all.
Special effects Syntakt lets you route any of your synth tracks or external audio sources through the FX block. This gives you analog distortion and filtering, and a couple of LFOs to go to town with. Additionally, you can also call on Delay and Reverb as powerhouse send effects.
And all of the above effects can be sequenced with the FX track. Have them kick in at just the right moment. Add accents and dramatic changes to the selected tracks or external audio. Or use it as a master track for ducking and gating effects.
Modify the moment Wield a little extra trig craft using the four modifiers, offering four varied levels of expression. Configure the first two modifiers to give you the retrig or velocity behavior you desire, and use the other two to access custom intensities of other parameters. They’re ready for action regardless of which synth track you’re using.
And the best bit is that they don’t just give you that extra playability fun in the here and now, you can also capture the moment by recording to the sequencer.
The keys to the city Syntakt’s keyboard mode gives you a whole bunch of different scales to play with.
There are some familiar faces and some maybe a little less familiar for you to try out, helping you discover new places and taking things to another level.
Play across a single octave like on a piano keyboard. Or use fold, and have several octaves laid out in front of you.
Deep sound-shaping Syntakt comes full of filter and envelope goodness. All tracks have a Multimode filter to put to use allowing you to emphasize different parts of your sound, with the digital tracks also able to call on Parametric EQ and a Base-width filter – an additional filter giving you even more sonic control.
Choose from two amplitude envelope types to define the ideal contour of your sound. Try out the ADSR envelope – for your wicked synth lines – or the simpler AHD envelope – perfect for transient percussive sounds.
"The Analog Keys is a four voice flagship analog synthesizer."
"The Analog Keys is a flagship analog synthesizer. Analog synthesis, digital controls, and unprecedented playability make it an instrument for the expressive musician.
Premium analog synthesizer
The Analog Keys is a four voice polyphonic analog synthesizer, capable of generating the finest basslines, chords, leads, and sounds imaginable. The warm and deep tone represents the pinnacle of analog synthesis and the acclaimed Elektron sequencer stands ready to arrange and warp the analog sounds in real-time. Complete the experience by treating the four voices with incredibly well-crafted master effects. A new world of sounds awaits.
Performance optimized
The Analog Keys is tailor-made for the stage. The 37 semi-weighted keys of the keyboard give instant fingertip control of the analog tones. The special performance mode offers direct access to user-defined parameters, and the joystick, capable of controlling up to fifteen parameters, allows for extreme morphing of sounds. Improvising when playing live has never been this easy.
Heart of the rig
Compatibility with other instruments is well catered for. Simply press a button to transform the Analog Keys into a MIDI keyboard, ready to control external MIDI gear. Thanks to the dedicated CV sequencer and the CV/Gate and DIN sync outputs, analog instruments of both today and yesteryear can be played, sequenced, and controlled with precision. Use the multitude of control options to breathe new life in vintage and modern rigs alike."
Spotted the first video in the playlist above on discchord.com. The Playlist contains 21 videos. You can use the player controls to skip around. Descriptions for each are below. All videos feature various gear so you should be able to get an idea of some of the capabilities of each featured. You can check out Jay Hosking's music at https://jayhosking.bandcamp.com/.
Note, more will likely get added over time. The following playlist is as of this post:
1. Jam w/ Vermona PERfourMER MkII, Elektron Analog Rytm MkII, OTO Bam, Styrmon Big Sky, Fugue Machine
A live, semi-improvised performance, all on hardware, and inspired by some pretty tough news that has me sentimental.
I loved the Elektron Analog Four MkII so much that I picked up the Analog Rytm MkII. My feelings on the Rytm are mixed. On the one hand, it's missing that spontaneity and spark of units like the Arturia DrumBrute Impact and Teenage Engineering OP-Z, with no readymade performance effects, roller bar, or global randomization, and a slower workflow. On the other hand, I really like its analogue sound engines, any unused tracks can be converted into impressive analogue mono synths, it does beautiful things to samples, and like all Elektron boxes it integrates the effects into the sequencer really nicely.
As for the Vermona PERfourMER MkII, I'd been pining over it for ages, and it was fun to finally tinker with it. The Perfourmer definitely excels in the mid- and high- range, and I love how the independent voices making really interesting voices for chords.
Vermona PERfourMER MkII + OTO Bam — Three synths (left chord note, right chord note, melody)
Vermona PERfourMER MkII + Strymon Big Sky — Bass chord note synth
Elektron Analog Rytm MkII — Drums, samples, sample melody, punchy bass
Fugue Machine (iOS) — Sequencing
IK Multimedia iRig Pro Duo — MIDI out from iOS
Written and performed within a 24-hour period, and uploaded as is, with only a little sidechain compression on the Perfourmer (to emphasize the sound that the Rytm was already making), and compression/limiting on the master.
"a fully analog two-voice monophonic synth that brings a raw, naturally imperfect sound. Designed for musicians who need a simple but fat synth in live situations. hog is an experimental DIY project. all the hardware and software are open source for anyone who wants to build their own."
Playlist:
1. hog by shmøergh - fully analog synth
2. hog by shmøergh – fully analog synth – features / filter
3. hog by shmøergh – fully analog synth – features / envelope
4. hog by shmøergh – fully analog synth – features / fm
5. hog by shmøergh – fully analog synth – features / hard sync
6. hog by shmøergh – fully analog synth – features / inputs & outputs
7. hog by shmøergh – fully analog synth – features / voices
8. hog by shmøergh – fully analog synth – features / paraphony
9. hog by shmøergh – fully analog synth – features / filter am
"A fully analog two-voice monophonic synth that brings a raw, naturally imperfect sound. Designed for musicians who need a simple but fat synth in live situations.
Hog is an experimental DIY project not available for purchase but all the hardware and software are open source for anyone who wants to build their own.
Raw
100% analog signal and control path with two oscillators, a sub and noise sources and an extremely drippy diode ladder filter that keeps the low end even when resonance is fully on.
Switches over knobs
Simple & fast transition between sounds in any live situation. Custom ADSR design for quick envelope shaping.
Versatile
Two LFO’s for filter and pitch modulations. Drone, gate mode, portamento and two-voice paraphonic options. Four pre-routed cross-modulations if you really wanna go crazy.
1/1
We've built just a couple of Hogs for friends. Each synth came in a stainless-steel enclosure with one-of-a-kind interface design, guaranteed to be unique—no two are exactly the same."
"This is a 100% modular synthesizer party.
All live sets.
Cables of Love
From subtle minimal and classic Techno, House & Acid, roaring noise and gently massaging subs to laser light shows & live visual projections of sound, Cables Of Love with the Humboldthain bring together a diverse range of local, pan-European and international talent for an extravaganza of ear-pleasing and booty shaking pleasure.
2 Stagess: 1 for Techno / House / Acid Party Dancing, 1 for Experimental, lots of live acts with their various Modular and DIY Synths.
Further additions to the Line Up TBA in due time but for now, here's some of the acts and their bios can be found below:
Laser Bros (AT/CZ)
Laser Bros creates a synesthetic experience of beauty by connecting 2D-laser projections and body shaking electric sound waves generated in real time by an analog modular synthesizer. Changing the visual will modify the audible and vice versa.
Laser Bros is a collaboration of Bernhard Rasinger (a.k.a. BR Laser) and Václav Peloušek (a synthesizer inventor at Bastl Instruments).
"Live 9 comes in three editions: Intro, Standard and Suite. The editions share common features, but Standard and Suite have additional features, Instruments, Packs and Effects.
Live 9 Intro
The essentials at a great price
Some feature limitations
3 Instruments
26 Effects
700+ Sounds (4GB)
EUR 79
Live 9 Suite
The complete integrated studio
All features
9 Instruments
40 Effects
3000+ Sons (50GB)
Max for Live
EUR 599
Live 9 Standard
The full features plus extras
All features
3 Instruments
37 Effects
1100+ Sounds (11GB)
EUR 349
Ableton Push
Published on Oct 25, 2012 by AbletonInc
"See Ableton Push in action. Push is a new instrument that solves an old problem: how to make a song from scratch. With hands-on control of melody and harmony, beats, sounds, and song structure, Push puts the fundamental elements of music making at your fingertips - and it fits in a backpack alongside your laptop."
New in Live 9: Animate your sounds
Uploaded by AbletonInc on Oct 24, 2012
"Record automation into clips. Edit automation with curves. Session View automation lets you capture your performance or add movement to your loops. Use curves to make automation more musical.
Live’s unique Session View makes it easy to improvise with musical ideas. In Live 9, you can now record parameter changes directly into Session View for even more flexibility. Edit automation curves with the mouse to create smooth mix transitions or radical parameter changes in your clips.
In one click, create new Session View scenes from your Arrangement tracks, or drag and copy individual clips from Arrangement to Session. The automation comes with them, making it easier than ever to move from improvising to arranging and back.
Find sounds fast. With Live’s new browser, spend less time finding sounds and more time making music."
New in Live 9: Find your sounds faster
Uploaded by AbletonInc on Oct 24, 2012
"Live’s new browser puts all of your instruments and effects, samples, Packs and VST/Audio Units plug-ins in one easy-to-navigate view. Drag and drop folders into the browser from anywhere on your computer. Search as you type, navigate from the keyboard and sort items by various categories."
"Play new sounds. Live’s library includes new Instrument Racks and sounds to get you going fast.
Live 9 Suite comes with more than 3000 production-ready sounds that give you the full range of vintage synthesizers, drum kits and one-shot samples, acoustic instruments and loops - all powered by Live's built-in synthesizers and effects so they can be tweaked and personalized. All sounds are organized for Live 9's new browser and work seamlessly with all common hardware controllers. See the full list of Packs included with Live 9
Browse the Pack store at ableton.com to find even more amazing sounds - signature drum kits by Daniel Miller, Soniccouture, Flatpack and Puremagnetik, new tempo-synched loop collections and high-end multisampled instruments specifically designed for Ableton Live."
New in Live 9: Get your sound right
Uploaded by AbletonInc on Oct 24, 2012
"Get your sound right. The new analog-modeled Glue Compressor and redesigned studio effects help you get a better sound in less time.
Live’s new Glue Compressor, developed in collaboration with Cytomic, is modeled on a classic 80s console bus compressor, both for its great sound and also to provide musical results with a simple set of controls. Live’s studio effects - Compressor, Gate and EQ Eight - have been improved with new displays, enhanced controls and better sound, making it easier to see and hear your changes."
New in Live 9: Audio to MIDI
Uploaded by AbletonInc on Oct 24, 2012
"Reclaim the music in your samples.... Live 9’s new tools for converting audio to MIDI give you unprecedented flexibility to extract musical ideas from your samples and build upon them.
Convert your favorite drum break with the Drums-to-MIDI feature and reuse it with your own sounds. Speed up your remixing work by using Harmony-to-MIDI to get the notes and chords from the original audio stems. Or simply seed your creativity with inspiring, natural-feeling MIDI grabbed directly from the most exciting parts of your music collection.
...or sing the music in your head. Sketch out ideas quickly by singing (or beatboxing) into Live and converting your recording to MIDI.
Your voice is the new keyboard: sing, beatbox, tap a rhythm on your desk, or play any solo instrument to capture your musical ideas as they come. Then use the Melody- or Drums-to-MIDI feature to turn your recordings into MIDI clips that you can edit and reuse with any sound."
New in Live 9: Faster Editing
Uploaded by AbletonInc on Oct 24, 2012
"Edit the details. Powerful MIDI note manipulation tools and an improved editing workflow help you create new musical ideas fast.
Transform MIDI notes
New controls in the MIDI editor let you quickly invert, reverse, transpose and speed up or slow down selected MIDI notes in a single click.
Stretch MIDI notes
MIDI Note Stretch markers let you speed up, slow down - or even reverse - selected MIDI notes.
Edit automation more easily
Add or remove breakpoints with a single click. Hover the mouse near envelope segments to select and drag them without using a modifier.
Move notes on and off the grid
Beats are easier to see when editing, and editing grids are now “sticky,” allowing notes to be freely moved and resized while still snapping when close to grid lines.
Warp clip automation
Audio clip automation is warped alongside the audio itself. Envelopes in MIDI clips can be stretched using MIDI stretch markers.
Add curves to automation
Hold a modifier while dragging to create and edit curves in automation envelopes."
"Max for Live is now included in Suite. Expand and extend your musical possibilities with Max for Live.
Max for Live, based on Cycling 74's Max 6, is now included with Live 9 Suite. Get access to all of the 900+ devices built by the Max for Live community."
What is Ableton Live? Published on Oct 25, 2012 by AbletonInc
"Get acquainted with Ableton Live, software for creating, producing, and performing. Create ideas, make changes without stopping, and capture everything as you work.
"Introducing AnalogFusion, a top notch instrument boasting 2 separated Analog and Digital Synthesizer engines. You decide wether creating warm analog sounds, pure digital or layer them to create unique fat sounds. Massive features unlocking access to a new world of synthesis possibilities.
Demo by Italian Keyboardist Giuseppe Di Capua"
"Analog polyphonic synthesizer
AnalogFusion is a top notch, no compromise instrument with 2 completely separated Analog and digital synthesizer engines. You decide wether creating warm analog sounds or pure digital or layer them. Massive features unlocking access to a new world of synthesis possibilities.
Discrete analog circuitry
The polyphonic analog synthesizer engine (6 voices) was developped to provide all the features you can dream off and usually find on prestigious vintage synthesizers. Each voice is composed with 2 oscillators (3 waveforms: Saw, Pulse, Triangle) with Pwm, 3 lfos, hard sync, ring modulation, multimode filter, white and pink noise generators. The Oscillators are detunable. All the analog circuitry is made with discrete components, no FPGA or ASIC.
Analog or digital question is over, Get both!
Additionally to its pure analog synthesis section, AnalogFusion also offers a complete digital synthesis engine capable of doing Virtual Analog (2 oscillators, multimode filter, 2 enveloppes, 3 LFO), FM (6 operators with multimode filter for each voice) or wavetable synthesis. A dedicated drum section is also present with 10 instruments.
Analog/digital layer mode
A layer mode allows to stack the analog and digital synthesizers, a perfect fusion to create incredibly fat sounds!
"please use headphones: since this is recorded live, the mixing is not very good, but when you use headphones you will hear all extras like bass, wind, phasing, panning etc. In this demo you can hear the mighty analog synths: Moog minimoog ( 1973 ), Korg MS10, Yamaha CS10 and Roland SH2. More recent are the Roland U220 and Yamaha FB01 midi modules. The newbies are the Arp Odissey ( Korg ) and Arturia Microbrute. The modulars are Pittsburgh Modular and Doepfer Dark Energy along with the Dark Time. Rhythm provided by the Akai Rhythm Wolf. Everything is played live. No prerecording, post editing or mixing."
Analog Synthesizers live demo 8; feat. Pink Floyd; please use headphones for best result
"please use headphones: since this is recorded live, the mixing is not very good, but when you use headphones you will hear all extras like bass, wind, phasing, panning etc. In this demo, the solo's are played with a Minimoog ( 1973 ) and a Roland SH2. The bass partion is from the Yamaha CS10 and de ARP Odissey. Chords are played with 2 Roland JV1010 modules and a Yamaha FB01. The modulars are mainly Pittsburgh and Doepfer. Sequencers are Pittsburgh, Doepfer dark time and the Korg SQ1. Additional drum is done by the Korg monotribe and the EMW T-drum module. Finally some FX from Roland, Yamaha and Alesis. Everything is played live, no post production. I don't use midi , everything is connected trough CV, Gates and clock signals."
Analog synthesizers live demo 9; feat. Jean Michel Jarre; please use headphones for best result
"please use headphones: since this is recorded live, the mixing is not very good, but when you use headphones you will hear all extras like bass, wind, phasing, panning etc.
Details for the archives because we all know they tend to disappear over time:
"Ever since the K4815 Pattern Generator module was released to great praise in 2010
we have been planning a follow-up product that would take the Pattern Generator concept to a whole new level.
After five years of planning and exploration we are proud to present: CARBON
CARBON offers several distinct and powerful functions that will change the way you compose and perform.
FEATURES
Sequencer, performance control system and USB interface.
Ever since the K4815 Pattern Generator module was released to great praise in 2010 we have been planning a follow-up product that would take the Pattern Generator concept to a whole new level. After five years of planning and exploration we are proud to present: CARBON
CARBON offers several distinct and powerful functions that will change the way you compose and perform.
Sequencer
CARBON is primarily designed as a pattern-based sequencer. It has six tracks which can each hold 64 steps. Steps can be generated randomly, edited interactively, or recorded from a MIDI keyboard one step at a time, or in realtime while the sequencer is running. Polyphony and CC recording is supported so each step can contain chords or other performance data.
The fun begins once you've got some notes playing back on a track. Choose a region to play back, say, the first 8 steps. The track will play those same 8 steps over and over. Now move to another track and record a new sequence. This sequence can be a different length, or play back at a different speed. It can even play backwards while the other sequence plays forwards.
Remix with Patterns and Scenes!
The real power of CARBON is how variations of sequences can be made. By simply turning the PATTERN control, different steps in the sequence can be enabled and disabled. The patterns will surprise and inspire you by creating new rhythms and motifs with a simple twist of a knob. These are all based on your original sequence and can be changed at any time.
Adding in the concept of scenes lets you quickly switch between different parts of a song or different variations. Scenes can store the range of steps to play, the pattern, track mute state and a number of other parameters. Switching back and forth between scenes offers endless performance potential without ever missing a beat.
The best part of the CARBON sequencer is that all the recording and editing can be done in real-time without ever stopping the sequencer.
G-Sonique Analog Modular FX – VST / AU plug-in instrument.
Analog modular synthesizers are relatively expensive, take up quite a lot of space and creating sounds is a very lengthy process (plus it is complex and not every producer can master it).
However, their sound is unique. Compared to digital synthesizers, their sound is much more organic, expressive and punchy in the mix, even though it is often mono (unless you use some stereo parts and effect modules), it sounds 3D. Simply put, their sound is not static and cold like digital synthesizers, but constantly evolving/alive/warm - thanks to the fact that electronic components behave non-linearly and under the influence of various factors (such as heat, current) their sound modulates itself every millisecond. With digital you will probably never create such lively, organic and constantly changing sounds - such sharp, cutting filters and resonances, textures, metallic analog sounds or twisted twisted effects. The sound of modular analog synthesizers will give your songs a completely different dimension, analog color, warmth and character of something real/organic. It’s the essential tool for professional sound design and adding that sought-after vintage character to your mix.
Modular synthesizers excel mainly in the field of FX, soundscapes and experimental sounds. Producers often use them for unique tension builders and complex cinematic sound effects.
So if you don't have the space and possibilities and especially the time to spend long hours programming a single sound, don't despair. We have prepared for you a multi-octave VST / AU plug-in instrument full of banks created using analog modular synthesizers. This is your shortcut to authentic analogue synthesis, instantly available as high-quality modular samples / multi-octave multi-layer banks.
The combination of digital and modular analog is very interesting and gives tracks a completely new dimension, sound and atmosphere. Get the best of both worlds: digital workflow convenience with true analogue character.
Analog Modular FX1 is perfect for many genres from different branches of psytrance such as: darkpsy / forest psytrance, also full-on psytrance, experimental zenon style progressive psytrance, night psytrance, modern goatrance, but also hitech / hightech, psycore. However, these FX sounds can also be used in other genres, for example modern techno, which is mixing more and more with other elements. Also suitable for rave music, bolder tech house, breakbeat. Also great for experimental genres, glitch, dark ambient. Modular sounds and FX are perfect for futuristic cinematic music / video game music, thriller and horror music. The sounds can also be pre-effected, making them suitable for other genres, such as dark drum and bass, neurofunk intros/stoptimes/outros, hardcore techno, gabber, industrial techno, EBM. Use them as powerful risers, drops, and complex transitions.
Includes: Analog monster modular voices, Modular laboratory experimental bubbling experiments, Alien analog FX, Spirals, Twisters, Risers, Multidimensional resonators, Distorted screamers, Alien pipes, Analog underground pipes and tubes, Organic sweeps, High pitched howling sounds, Funky twisters, Metal FX, Acid analog rave sound FXs, analog modular textures and pads, Electrostatic pulsations, Mysterious modular atmospheres, Alchemical bubbling sounds, UFO analog patches, Extraterrestrial atmospheres, Dark atmospheric sounds, Extraterrestrial analog modular samples, Metal sounds, Nonlinear modulated twisted sounds, Short spirals and spring reverb sounds, Electron and quark sounds, Electrostatic discharges, Alien animal howling sounds and much more.
Perfect for producers looking for cinematic sound design, modular synth VST, organic analog textures, experimental plugin instruments, soundscape creation tools, psytrance sound packs, modular synth FX, atmospheric VST plugins, glitch & IDM tools, techno sound design instruments, professional sound libraries for electronic music, best vst instruments for edm, modular vst plugins for mac and windows, vst synth for ambient and cinematic music, experimental analog vst download, modular synth vst free/paid alternative.
All sounds/banks are created in a wide range of octaves, ranging from C3-C4-C5-C6-C7. This ensures maximum flexibility for your sound design needs in any DAW (e.g., FL Studio, Ableton Live, Cubase, Logic Pro, Reaper, Studio One and others).
"I am very pleased to announce that the Hex Series of Analog Synthesizers and Effects is now available for sale.
These original designs will provide a perfect analog companion to your current studio or live rig and will serve as the basis for your new analog studio.
This series of instruments has been designed to pack a powerful, flexible range of sounds into a compact unit that is perfect for musicians, producers, programmers, sound designers and live performers - from all musical genres.
Each unit is built, assembled and tested by hand - ensuring a unique, high quality analog instrument."
"Synthex gives you instant access to full-force, knob-turning analog power.
Whether you're a musician, producer, sound designer, DJ or live performer - all the best of analog fatness and warmth can now be yours.
At the heart of Synthex is a true Voltage Controlled Oscillator (VCO) that outputs Square and Triangle Waveforms - but that really is just the start.
Use the two external audio inputs to create massive Hard Sync and FM effects, control the Mix and Levels with dedicated cross-faders, reconfigure the internal signal path with the flick of a switch and lose yourself in a world of pure analog bliss.
Bored of lame, thin sounding soft synths? Tired of using your mouse to turn knobs? Need a sound that is truly your own? Synthex is your synth."
"Morphex is an extremely versatile effect unit unlike any you have heard before. This crazy device takes any two 'line level' sounds and allows you to morph between them in ways that are both beautiful and bizarre.
Transform, distort, mangle and manipulate in true analog style, turning percussion loops into monstrous walls of sound, transforming tame soft synths into lush, evolving soundscapes and warping boring vocals into breeds of alien disruptors.
Blend, bend and beyond with this wild, self-oscillating, feedback-inducing, knob twiddling little green monster.
Thought you couldn't afford a genuine analog instrument? Tired of temperamental old gear full of unobtainable parts being sold at inflated prices? Here's the solution - get some Morphex in your mix!"
"Graphex is an absolutely vital effect unit that can be as simple or as complex as you need. If you have ever wanted to do anything more with your music than just press play - then this device is for you.
This rhythmic chopping and gating effect lets you create and manipulate an infinte number of 'trance-gate' patterns, 303-style accents, drum loop edits and stutter effects - whether you're in the studio or playing live.
Graphex takes any line level audio signal and converts the dynamic information into a rhythmic pattern. From there you can mix, chop and manipulate that pattern beyond recognition - and all in real-time.
Even the most experienced sample manipulators will benefit from the hands-on, real-time benefits that this unit will provide. Stop spending your studio time being a computer programmer - and get back to making music."
Abstract Data on Ebay "All three members of the Hex Series of analog synths & effects from Abstract Data running though their paces. The only external audio sources used in this clip are a 100Hz Sine wave used as one input to Synthex and one input to Morphex and the percussion track you can hear in the background - which was also used as the rhythmic trigger input for Graphex to generate the chopping/gating effect. Synthex is fed into Morphex which is fed into Graphex - no effects or processing. Enjoy - and feel free to PM me for more info! http://www.abstractdata.biz/"
Published on Jan 24, 2013 KorgUSAVideos·321 videos
"Korg's new KingKORG modeling synthesizer delivers the sound and excitement of vintage analog synthesis, with next-generation power and flexibility that could only come from Korg. It's optimized for live performance, and its easy, knob-driven interface also makes deep sound creation a breeze. Learn more at http://www.korg.com/kingkorg.
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"“We have been using Arturia’s instruments for quite a while now, and Analog Lab is an excellent addition to our work. It is very effective — especially in combination with the original soft synths.”
- Dr. Richard, 2014 (Kruder & Dorfmeister)
GRENOBLE, FRANCE: music software and hardware company Arturia is proud to announce availability of Analog Lab 1.1 — a new and improved version of its ultimate sound collection software suite — as of January 17...
With the release of version 1.1, Arturia’s already attractive Analog Lab has just got a whole lot better with numerous new features and improvements adding value to an already valuable and desirable software synthesizer solution that boasts a huge library of over 5,000 presets by internationally-renowned sound designers. These presets are taken from all eight of Arturia’s acclaimed TAE® (True Analog Emulation) synthesis-powered Mini V, Modular V, CS-80V, ARP2600 V, Jupiter-8V, Prophet 5, Prophet VS, and Oberheim SEM V soft synths, as well as the Wurlitzer V software recreation of the classic Wurlitzer 200A electric piano, providing the immediacy of a hardware instrument with the flexibility of a software-based solution.
So what’s new and improved in Analog Lab 1.1, then? Enhanced communication with Arturia’s acclaimed KeyLab keyboard controllers for starters: presets and categories are displayed on the LCD; sound, multi, and snapshot buttons are all updatable; knobs no longer jump between values; and ghost sliders can now be shown (to indicate position of hardware controllers with pickup). Beyond that, Live map programs are accessible through MIDI program change and VST preset list; Live map management includes import, export, and delete functions; AAX plug-ins are fully integrated; random sounds can be loaded into Multi patches; and there are also new sound mode filters available: User, Favorite, and Reset.
Other notable and useful improvements include adjusted and renamed preset library levels; loading message displayed when loading presets; no notes left hanging when changing split point, transposition, or chords; full plug-ins are always enabled for editing (without having to do this in preferences); and more besides.
As always, several onscreen navigational modes make musical life aboard Analog Lab 1.1 as easy as ever. Eye candy comes courtesy of the graphic Studio mode with realistic renderings of all those classic synthesizers and keyboards already modelled so realistically by that TAE® technology. Wish you were there in that virtual studio? Well, now you can be! Better still, Sound mode allows you to speedily find the sound you want from those thousands at your fingertips, with data filtering to narrow searches, and an updated browser to rate them to your liking and arrange things as you like it. Like it? We’re sure you will! Moreover, Multi mode allows several sounds to be played simultaneously with the addition of effects, layer/split functions, and with 205 Multi patches conveniently organised by musical genre, inspiration and creativity are a given — perfect for getting the most out of those TAE® soft synths without having to delve deeper into sound design. Owners of any of Arturia’s above-mentioned Analog Classics can, of course, delve as deep as they like and are free to fully edit sounds without having to leave the user-friendly Analog Lab environment. Lastly, Live mode lets you drag and drop sounds and Multis to create a selection of presets for instant recall from connected KeyLab keyboard controllers... clever, convenient, and cutting edge.
Into the bargain, Analog Lab 1.1’s exceptionally competitive price remains right at €89.00 EUR/$89.00 USD. What’s more, it’s included for free with all three models in Arturia’s acclaimed KeyLab keyboard controller range!
Really there’s never been a better time than now to dive headlong into thousands of ready-made, tweak-able TAE® synthesis-powered sounds than with Analog Lab 1.1. Never have the historic hardware synths of your dreams sounded so good in software or been so easily accessible. A no-brainer? Absolument!
Pittsburgh Modular Crew - Behind The Scenes With Ask.Audio
Published on Sep 13, 2016 Ask.Audio
"Some Of The Pittsburgh Modular Crew drop by the Ask.Audio Academy for a Live Masterclass featuring their Lifeforms Series of analog synths. See the full MasterClass here: https://ask.audio/academy?nleloc=lect..."
"The Pittsburgh Modular Lifeforms Percussion Sequencer is a seriously featured, 4 channel eurorack beat programmer with a classic drum machine style interface. The familiar interface allows for quick mastery of all the features leaving the focus on the music. Seamlessly move around the module tweaking patterns and effects without ever stopping the beat. Easily create new patterns using the live performance or step recording modes, then add one of the powerful pattern effects to each channel to take the sequence to a new level. Eurorack drum programming has come to life.
Lifeforms Percussion Sequencer Features include:
32 Step, 4 Channel Sequencer
32 Sequence Non-Volatile Memory
6 Adjustable Pattern Effects (Shift, Glitch, Density, Morph, Swing, Add/Drop)
4 Percussion Tuned Analog Envelopes
4 High Quality Analog VCAs
Seamlessly Switch Between Play and Record Modes
Live Performance and Step Recording Modes
Internal Tap Tempo or External Clock Source
Variable Sequence Length
Channel Mute
Four Channel Programmable Drum Controller
Suggested Retail Price $349
The Pittsburgh Modular Lifeforms Percussion Sequencer is a seriously featured, 4 channel eurorack beat programmer with a classic drum machine style interface. The familiar interface allows for quick mastery of all the features leaving the focus on the music. Seamlessly move around the module tweaking patterns and effects without ever stopping the beat. Easily create new patterns using the live performance or step recording modes, then add one of the powerful pattern effects to each channel to take the sequence to a new level. Designed to integrate into any size eurorack system, simply patch 4 audio signals through the integrated high quality VCAs to create a set of unique percussion voices. Eurorack drum programming has come to life.
Anything is a Drum
Traditionally, patching up a modular drum kit was constrained by the amount of envelope and VCA modules in a system, restricting the number and complexity of percussion voices in most systems. Another option was to use dedicated drum modules that offer a limited sonic palate and few modulation options. The Lifeforms Percussion Sequencer breaks through these barriers by including a percussion tuned analog envelope and VCA on each channel. Patching anything from a basic sine wave to heavily modulated and processed noise sources through the Lifeforms Percussion Sequencer will quickly create a distinctive drum kit that takes full sonic advantage of the unique synthesis options available in any system.
Korg Volca Mix Analogue Performance Mixer | Reverb Demo Video
Published on Jan 17, 2018 Reverb
"Wondering how to flex your Korg muscles? Along with the release of its new Prologue polyphonic synthesizer, the company has announced the release of the Volca Mix, an “analogue performance mixer” that allows musicians to easily combine Volcas and other Korg instruments in live performance.
"volca mix is the long-awaited mixer for the volca series. The volca mix is a four-channel analogue performance mixer that lets you construct a live setup combining multiple volca units.
Volume faders are easy to control, plus crisp-sounding LO/HI CUT filters, and a master chain that radically transforms the sound. In addition to the sync function found on all volcas, there are also DC output connectors that can supply power for up to three volca units. Numerous functions to facilitate your on-stage volca performances have been packed into a high-quality aluminum-paneled body, reminiscent of a high-end DJ mixer.
The volca mix will unlock the maximum potential of the volca series.
An analog mixer for performance.
The volca mix is a four-channel analog mixer with an intuitive interface and plenty of connectivity. It provides two mono inputs and one stereo input, perfect for connecting three volca units. The jacks are mini-jacks, allowing you to make connections with just one stereo mini-cable from the headphone out of each volca unit. The channel volumes use vertical faders that allow precise control. The gain can be boosted to adjust the mix balance, and mute buttons are also provided. Each channel is also equipped with a LO/HI CUT filter that lets you control the low and high frequency ranges with a single knob. The pristine, natural-sounding filters that you expect from analog gear give you complete control over the character of your sound.
Output and monitor capabilities for use on stage, plus stereo speakers for maximum portability.
The output section provides RCA stereo line outputs to ensure stable connection. There’s a master volume with LED VU meter for adjusting the output level, as well as a headphone output that can be used simultaneously with the line output, providing a reliable monitoring environment on stage. Speakers are also built-in for excellent portability. The stereo speakers are placed at both sides of the front, and while compact, deliver SPL levels that are even greater than the built-in speakers on previous volca units.
Powerful effects and control.
Powerful master chain.
The volca mix is equipped with master effects powered by all-analog circuitry. In addition to an expander that broadens a mono source into a stereo sound image, there’s a dynamic range compressor that compresses the high-frequency range according to level changes of the low-frequency region, as well as a side chain effect that’s indispensable for dance music. Use these to dynamically vary the mix, adding a professional feel to live performances with the volca.
Connect an external effect unit for further variety.
The volca mix provides a stereo mini-jack send out and AUX in jack, and send level knobs for each channel. This allows you to use it with an external effect unit in a send/return connection. When used in conjunction with a unit such as the mini kaoss pad 2S, you can also enhance your live performances using standard effects such as reverb, delay, filter, and break. The AUX in jack can also be used as a stereo input channel for a fourth volca unit, an iOS app, or any other gadget, instrument, or device.
As the master of your volca live setup.
The volca mix features an analog sync out jack that can easily be connected to many pieces of KORG gear for tempo sync, and also a play button and tempo knob to control that sync signal. By using the volca mix as the sync master device of your live setup, you can easily enhance your live performance, such as simultaneously playing sequences from multiple synced units, and combining mute and volume control to create performances that use your volca units in even more ingenious ways.
DC out lets you use three volca units simultaneously.
Three VOLCA DC OUT jacks are provided, and by connecting the included DC-DC cables you can supply power for up to three volca units. Even when using multiple volca units on stage, you won’t need to bother with adapters or bring another power strip; just concentrate on your performance with a streamlined setup and breakdown.
A rich variety of included accessories.
The volca mix comes with AC adapter, DC-DC cables, and audio cables included. Right out of the box, you’ll be ready to put together a complete volca live setup."
"Vintage Analog Sound — Small Enough to Fit in a Backpack. Poly chain any two Prophet-6's for 12 voice polyphony!"
Update: video added above, and the official press release added further below.
Follow-up to this post. The site is now live. Details and pics captured here for the archives. Note the image to the left is in via VINCENT ASCOLI and not on the DSI page from what I can see.
"Vintage Analog Sound — Small Enough to Fit in a Backpack
The Prophet-6 desktop module is every bit as powerful and easy to use as its counterpart, the Prophet-6 Keyboard. The module has all of the same controls as the keyboard version and provides the same immediacy and easy of use — with absolutely no menu diving. As with the Prophet-6 Keyboard, all parameters are at your fingertips, with full-sized knobs and switches and a comfortable, intuitive layout.
How does it sound? Awesome — just like the keyboard, because on the inside, it’s exactly the same. The same analog signal path with discrete VCOs and VCFs. The same high-quality digital effects. The same classic sound that has been earning raves from customers and reviewers alike.
We’ve also added a poly chain feature so that any two Prophet-6s can be paired for twelve-voice polyphony!
Vintage with a Modern Twist
Both the Prophet-6 desktop module and keyboard are Dave Smith’s tribute to the poly synth that started it all—the Sequential Prophet-5. But it’s not simply a reissue of a classic. Rather, as Dave puts it, “It’s the result of our effort to build the most awesome-sounding, modern analog poly synth possible.” The Prophet-6 takes the best qualities of the original Prophet-5—true voltage-controlled oscillators, filters, and amplifiers—and adds enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. The result is pure, unadulterated analog tone with the stability and reliability of a state-of-the-art modern synth.
Classic Tone, Classic Vibe
Central to the warm, punchy sound of the Prophet-6 are its two newly-designed, discrete voltage-controlled oscillators (plus sub-oscillator) per voice. Continuously variable waveshapes provide the tonal palette with triangle, sawtooth, and variable-width pulse waves. There are two discrete filters per voice—a four-pole, resonant, low-pass inspired by the original Prophet-5 filter, and a two-pole, resonant, high-pass filter. Voltage-controlled amplifiers complete the all-analog signal path.
Dual Effects
The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus and phase shifter. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path. There’s also an independent stereo distortion effect, which is 100% analog.
Poly Mod and Poly Step Sequencing
Also present from its classic predecessor is a Poly Mod section, with enhancements. True to the original, modulation sources are filter envelope and oscillator 2 (both with bi-polar control). Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, low-pass filter cutoff, and high-pass filter cutoff. Another welcome reprise is Unison mode, which features configurable voice count (1-6 voices) and key modes. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well.
Easy to Program
The knob-per-function front panel offers instant access to virtually all Prophet-6 functions. Included are 500 permanent factory programs in 10 banks of 100 programs. In addition to these, you can create and save up to 500 user programs of your own. Toggling off the Preset button enables live panel mode, in which the sound of the Prophet-6 switches to the current settings of its knobs and switches. In this state, what you see is what you hear.
Easy to Play
All of this awe-inspiring sound is packed into a desktop module that’s small enough to fit in a backpack. It’s an ideal combination of portability and power for the project studio or the gigging musician."
And the press release:
"Legendary Designer to Ship Desktop Version of Acclaimed Analog Poly Synth in November
San Francisco, CA—October 22, 2015—Dave Smith Instruments today announced that they will begin shipping a desktop module version of their acclaimed Sequential Prophet-6 six-voice analog synthesizer at the end of November. Like the keyboard version, it features an all-analog signal path and discrete VCOs, VCAs, and filters. The knob-per-function front panel is free of menu-diving and offers immediate access to virtually all parameters.
As Dave Smith explained: “The Prophet-6 has been our most successful product launch ever. In the four months since its release, a huge number of artists have already added it to their setups.” Added Smith: “Apart from its awesome sound, we feel that a big part of its appeal is the immediacy of its user interface, so we made sure that the desktop version retained all of the same controls as the keyboard version.”
Smith continued:
'As a bonus, we’ve added a poly chain feature so that any two Prophet-6s can be paired for 12-voice polyphony. The biggest sound in modern analog poly synths just got bigger.'
Key to the vintage sound of the Prophet-6 is its two newly-designed, discrete voltage-controlled oscillators (plus sub-oscillator) and two discrete filters: a four-pole, resonant, low-pass inspired by the original Prophet-5 filter, and a two-pole, resonant, high-pass filter. Voltage-controlled amplifiers complete the all-analog signal path. Said Smith: 'The desktop module sounds every bit as good as the keyboard because, on the inside, it’s exactly the same — the same VCOs, VCFs, and VCAs and the same classic, punchy, analog poly sound that’s been earning raves from customers and reviewers.'
The module weighs approximately 13 lbs (5.9 kg) and measures 21.25” L x 7.43” W x 4.4” H (54.0 cm x 18.9 cm x 11.2 cm). 'It’s an ideal mix of portability and power,' Smith said.
The Prophet-6 desktop module will be available at the end of November with a projected MAP of $2,199.
Download high resolution photos of the Prophet-6 desktop module at http://www.davesmithinstruments.com/product-photos/
View a video of Dave Smith introducing the Prophet-6 desktop module at: https://youtu.be/2bBXcJOKxC8
The Analog Four is a four voice analog synthesizer. Analog oscillators and filters ensure the most organic sounds imaginable and the Elektron step sequencer caters for the innovative sound control. With sequencer features like parameter locks and variable length per track, intricate Analog Four compositions can be created quickly and efficiently. Add the completely new and incredibly well-crafted effects to the mix and experience the next chapter in analog sounds. It just sounds right.
Not only a splendid sound making device, the Analog Four can also make other gear sing. Thanks to the CV/Gate and DIN sync outputs, legacy analog gear can be controlled in great detail. Sequencer features like arpeggiators and parameter locks will breathe new life in old equipment and make any modular synthesizer rig truly come alive.
The Analog Four offers four synth voices capable of providing that inimitable analog sound. Two analog oscillators, two sub oscillators and a noise oscillator per voice give enormous room for experimentation. They are the starting point for those deep basses, piercing leads, mellow bells and haunting drones - all with a distinctly analog flavor. The power is striking.
Total Sound Control
