Taking our MIDI gear offgrid: Stolperbeats and Digitone

video upload by Making Sound Machines

"Finished a chilled weekend with a nice Sunday evening jam! Stolperbeats is heard here MIDI sequencing Elektron's Digitone 4 voice FM synth, a secret Making Sound Machines Eurorack prototype called Percussive Maintenance as well as Fred's Lab's cheeky little paraphonic voice called Zekit. If you haven't already, go check out the DIY workshops at Superbooth 2022 - where you can actually build a Zekit yourself!

Stolperbeats, roughly translating to 'beats tripping over themselves', is a drum trigger sequencer designed to create shuffled beats influenced by artists like Flying Lotus, Hiatus Kaiyote and J Dilla. We've always been fascinated by taking our beats offgrid to give them more fluidity and life. This module allows you to easily dial in and seamlessly switch between all the shuffle, feeling and groove we would, in the past, painstakingly nudge together in a DAW.

Stolperbeats' timing is set to Clave, a special mode where the accents in a 3:3:2 rhythm are fixed "on time" and the rest of the notes shuffle around that. The idea came when we chopped up some Modeselektor beats and started to add swing to them.

The Elektron Digitone acts as a sound module here, receiving Stolperbeats' triggers as MIDI notes - channel, pitch, velocity and note length can be adjusted per track to map to any MIDI capable drum machine or synth. The MIDI is split using the incredibly handy Meeblip cubit to target an extra bass voice on Fred's Lab Zekit. Of course, you can still patch the triggers into Eurorack at the same time, so we whipped out our Percussive Maintenance drum voice to add a kick and some hihats.

While Digitone's internal sequencer is not running in this sketch, Stolperbeats still sends a MIDI clock signal so the tempo synchronizes across the two machines. Enrica uses the built-in keys to live-transpose one of the tracks and play a shuffled melody on top of the sketch. We're very excited about Elektron 's new Syntakt by the way, that looks like a perfect match for Stolperbeats."

free PO-33 kit: 80s drums (works for PO 133 as well)

video upload by CNTR RNDM

"I'm an 80s kid…and, dude, in my opinion, - even if I sound like an old fart now - there was no better time to be a kid than the 80s (and the 90s, maybe). I mean, dude, I spent my Saturdays lying on the floor of our living room making mixtapes. My parents had this huuuuuuge record collection and I would spend hours on end going through these records…Joy Division, The Cure, The Smiths, Prince, all that good stuff, you know. I mean, how cool is that? And I remember being all hyped up because my parents let me watch Wrestlemania 5…dude, Hulk Hogan vs Randy Savage…can it get any better? And I sat there wearing both my Hulkamania shirt and my WW(F|E) Championship belt waving this silly foam finger in my dad's face like there was no tomorrow. Those were the days, my friend! Nintendo released the NES, Michael Jackson's Thriller came out, endless summer nights, countless barbecues…dude, seriously, how awesome were the 80s?

To honour this amazing decade, I made this PO-33 80s drum kit consisting of 15 one shot drum hits and 3 drum loops. I really just sampled a bunch of my old drum machines and layered the samples in Ableton to…well just because😂

You can download the FREE backup file here: https://cntrlldrndmnss.gumroad.com/l/...

While we're at it, why don’t you grab my free drums sample pack as well: https://cntrlldrndmnss.gumroad.com/l/...

Feel free to check my other packs on gumroad as well: https://cntrlldrndmnss.gumroad.com

All my samples and kits are copyright free - you can use them in your own productions, videos, whatever. The main thing is: have fun with this kit (or any of my other kits or packs)!!! If you make a cool track with one of my kits or sample packs, let me know!

If you want to know more about how to transfer data to your PO-33, please check this amazing data transfer tutorial by @Ollie Loops :"

PO-33 KO! How to Data Transfer!

video upload by Ollie Loops

"In this chapter of our series on the Teenage Engineering PO-33 KO!, we take a look at one of the more interesting features of the KO, the ability to data transfer to and from the unit. The KO has a feature where connecting a stereo 1/8" to 1/8" cable between the unit and an audio recorder allows you to download all of the samples and patterns in the unit. This allows you to swap samples and patterns without loosing your work. You then have a back up of your work. You can also transfer files directly between two KOs. Note: this also applies to the other Pocket Operators in the Metal Series, the PO-32 and PO-35.

Here is a direct link to the WAV file:

https://drive.google.com/file/d/1Zeiv...

It is super important to get the right audio format when you record the data transfer. It must be a stereo 16 bit 44100 hz file format or better. The recording will likely fail if you deviant from this format."

Offgrid Shuffle in Eurorack: LoFi Hiphop with Stolperbeats

video upload by Making Sound Machines

"Here's a modular lofi hiphop patch that came out so leftfield it was too fun not to share! It's built around #Stolperbeats and Befaco's fantastic Percall Quad Drum VCA, with Stolperbeats sequencing the shuffled gates and a wooden baseboard amplified and routed through our #TausenddB and #Multiplikand patched as a texture control.

Stolperbeats, 'beats tripping over themselves' in German, is our upcoming drum trigger sequencer designed to create shuffled beats influenced by artists like Flying Lotus, Hiatus Kaiyote and J Dilla. We really love those beats and used to reconstruct them for our tracks in the DAW, so we ended up digging deep into the techniques how real-life drummers like Questlove from The Roots or Perrin Moss from Hiatus Kaiyote play these shuffles.

This patch is almost a little hack as it uses Stolperbeats' clock outputs as a musical signal. Subdiv outputs the swung clock or a related set of tuplet subdivisions, perfect for syncing up cartesian sequencers like Make Noise Rene that advance one step per clock tick. Sync plays a straight unswung metronome ranging from once every four bars to 24 ppq, great for keeping a Delay or LFO in time.

Here, Stolperbeats' clock signals are patched to trigger Percall's VCA envelopes, shaping the sounds picked up from the board with piezo contact mics, and creating groove from the offset flams of the shuffled and straight clocks. Enrica is performing the drum rolls by changing the subdivisions on the fly. It's all held together by the lovely blips from Winterbloom 's Juno-inspired DCO Castor & Pollux on kick and a Patching Panda Hatz patch on snare duty.

We'll be showcasing this setup tonight at Muelheim Modular's lovely synth shop in Köln Mülheim. It's part of Mülheimer Nacht 2022 so if you're in Cologne, swing by and say hi! You will be able to try out the patches and modules hands-on. If you want to build our synth #DIY kits, we're hosting a workshop at Superbooth in Berlin, 13.05.2022, 17:00. If you are unable to make it to Berlin, kits are available at Muelheim Modular and Exploding Shed (EU), Thonk (UK) and dsp.coffee (US), or visit our website and mail us directly."

Exploring a Hydrasynth Patch Evolution with Dominic Au

video upload by ASM Ashun Sound Machines

"In this video, Dominic Au plays with a single patch on the Hydrasynth Explorer in one take. Everything you hear was generated by the Hydrasynth in real-time."

Update:

Making of Exploring a Hydrasynth Patch Evolution with Dominic Au

video upload by ASM Ashun Sound Machines

"Dominic Au breaks down the patch used in 'Exploring a Hydrasynth Patch Evolution'.


Patch download:
https://www.mecldata.com/download/asm...
Cheat-sheet download:
https://www.mecldata.com/download/asm...

Chapters:
00:00 Intro
01:18 Voice
02:27 Sounds Separation & Design
09:17 Mixing
11:15 Key & Chords
13:31 Mods & Macros
19:01 Perform Techniques
22:25 Outro"

INSPIRE THE MUSIC - 50 YEARS OF ROLAND HISTORY

via Bjooks

"More Than 70 Interviews with Music Makers

INSPIRE THE MUSIC gets up close and personal with world-famous artists and their relationship with Roland products, production and performing. The book shows the tools in the hands of the creators — tools that have been created by visionary product designers and engineers who’ve sought to design the future.

In this celebration of innovation and creativity, readers are introduced to a world of artists, DJs and producers through insightful stories and interviews, including: Thomas Dolby, Jimmy Jam & Terry Lewis, Ali Stone, Omar Hakim, Sister Bliss, Howard Jones, Orbital, Richie Hawtin, Peaches, Culture Club producer Steve Levine, Guy Fletcher of Dire Straits, Clive Deamer of Radiohead, Gingger Shankar, Swizz Beatz, Rachel Z, Nick Rhodes and Roger Taylor of Duran Duran, Nita Strauss, DJ Jazzy Jeff, Steve Stevens, Johnny Marr of The Smiths, Buffy Sainte-Marie, electronic music pioneer Jean-Michel Jarre, Yana Reznik, Jeff “Skunk” Baxter of the Doobie Brothers, Rance Dopson, Bonnie McIntosh, Egyptian Lover and many more.

Insights, Instruments & Innovators

Going beyond just products alone, INSPIRE THE MUSIC is a visual story of the Roland brand and the world it created, with exciting new insights on every page, including a rare glimpse into the world of the innovators who helped design the gear that made Roland what it is today.

Multiple chapters examine the evolving world in which Roland products came to be, and how their inventive and innovative approach to the art and craft of music led to machines that the world often didn’t know they needed until they had them. INSPIRE THE MUSIC tells the story of how Roland gear helped inspire entire musical genres, from 1980s New Wave to today’s EDM and hip-hop scenes.

Beyond the obvious icons — such as the Jupiter-8 that helped redefine pop music, the TR-808 and TB-303 that became the rhythmic voice of everything from rap to acid house, and the BOSS Compact Pedals that forever changed the sound of electric guitar — readers will get to know the context and history of uncommon yet influential technologies. They’ll be introduced to guitar synthesizers and electronic percussion like the V-Drums. They’ll learn how the Octapad became a mainstay of modern music in India and be introduced to the Grooveboxes that added new dimensions to beat making.

'We’re extremely excited to launch INSPIRE THE MUSIC this summer, with the blessing and enthusiastic cooperation of Roland itself,' said Kim Bjørn, founder and CEO of Bjooks. 'We’ve been privileged to gain access to the company’s vast archive of interviews and technical information, interview the quiet geniuses that design the musical future, and connect with the worldwide Roland community. Dozens of enthusiastic creators have helped put together this monument of music tech history, documenting decades of tech innovation and artistry, told by the people who used the instruments and the engineers who made them come alive.'

'Roland is thrilled to collaborate with acclaimed music tech publisher Bjooks to create a special book that honors the culture, people, and technology of Roland as we celebrate our 50th anniversary this year. It is exciting to see such a diverse group of artists share their experiences with our products,' said Gordon Raison, CEO and representative director of Roland Corporation.

INSPIRE THE MUSIC will be available through authorized resellers, and here at bjooks.com this summer."

CLICK FOR MORE »

New Module: Making Sound Machines - Stolperbeats. Shuffled Beats in Eurorack!

video upload by Making Sound Machines

"Happy Easter everyone!

What started out as a tiny little seedling of a project, our secret pattern generator, has grown into its own and hatched as a full-grown Eurorack module! Stolperbeats, roughly translating to "beats tripping over themselves", is a drum trigger sequencer designed to create shuffled beats influenced by artists like FlyingLotus, HiatusKaiyote and JDilla. We've always been fascinated by taking our beats offgrid to give them more fluidity and life. This module allows you to easily dial in and seamlessly switch between all the shuffle, feeling and groove we would, in the past, painstakingly nudge together in a DAW.

Stolperbeats is heard here triggering Eurorack drum modules, including the fantastic Prok Drum available as a DIY kit from Thonk doing the obiwankenobi dragon call, Tiptopaudio’s One playing the @beatsbykabuki STRIKE audio card through @rocket_not FenixIV phaser and an unreleased Making Sound Machines prototype called PercussiveMaintenance, played through @serge_by_random_source 's wavemultiplier and with added oomph from @tomwhitwell's MusicThing Minidrive. The performance showcases switching from a nonuplet groove to a quintuplet shuffle in the blink of an eye.

Stolperbeats features CV and MIDI control over trigger patterns for Kick, Snare, open and closed Hihat and 2x Percussion, as well as control over the depth of shuffle applied. It outputs trigger signals for use with Eurorack drum modules, and MIDI suitable for drum machines and synthesizers.

The module is not in stores quite yet but you will be able to play it at @superbooth_berlin 2022. And you might have noticed a sneaky little peak of it in a @divkidvideo already : D"

Noisebug’s 4ms Sound-on-Sound System

video upload by NOISEBUG

https://www.noisebug.net/

"Running guitar through the 4ms Sound-on-Sound System, a Noisebug Exclusive! The 4ms Sound on Sound System was designed here at Noisebug to offer a small, compact sampling system that can be used in a variety of different situation, using a variety of different instruments. The Percussion Interface (PI) and PI Expander are a pair of Eurorack modules that generate gates and envelopes from acoustic drums, samplers, drum machines, and virtually any audio source that is plugged into its input, making this system a true sampling powerhouse! Next is the Stereo Triggered Sampler, a high fidelity, two-channel stereo sample recorder and playback module. The STS can record high quality stereo files, while simultaneously playing two different stereo files. A maximum of 600 samples can be loaded from the removable/swappable microSD card, in a variety of formats up to 96kHz/32-bit/stereo WAV. All sample parameters (1V/oct pitch, sample file selection, length, and start position) are CV controllable and can be controller directly from your incoming audio's amplitude using the envelope outputs on the Percussion Interface. Just to the right of the STS is the Dual Looping Delay. A modern looping devices grew directly from hardware digital delays of the late 70s and early 80s. A looping delay, modeled on units such as the classic Lexicon PCM42, has the very long storage times associated with dedicated looping, but without triggered record and playback functions. By default, a looping delay records and plays continuously, though recording can be suspended at any time with Infinite Repeat. Sustain of delays and loops is mainly accomplished with regeneration, allowing an organic, evolving approach to sound creation as new material replaces old, more or less gradually. The 4ms Dual Looping Delay also provides advanced clock input and output facilities that allow for locking delayed and looped material with sequencers and rhythmic devices. The final stage in this system is the Listen Four Quarters, a four channel stereo mixer with 1/4" (6.35mm) TRS balanced outputs and 1/8" (3.5mm) headphones output. Two mono channels with Pan knobs and two stereo channels with dual inputs provide optimal compatibility with both stereo and mono signals. The Listen Four Quarters can be daisy-chained to other Listen modules to create a larger mixer with sub-mix outputs.

CLICK FOR MORE »

Utility Minute: This is Not Rocket Science (TiNRS) Switch & Ardabil

video upload by Making Sound Machines

"In this patch, we use This Is Not Rocket Science's Eurorack utility module Switch to send a stereo signal to three different effects - Endorphin.es' Milky Way delay, Happy Nerding FX Aid reverb, and a Touellskouarn filter. We then use Switch to switch between the characteristics of a filter."

Utility Minute: This is Not Rocket Science (TiNRS) Ardabil


"In this patch, we route a synth voice using This is Not Rocket Science's Eurorack utility module Ardabil. We’re sequencing a Befaco evenVCO with This Is Not Rocket Science's Tuesday, and using their Edgecutter as an envelope. We then add some movement, transposing the sequence with XOR Freestylo. Finally, we add vibrato using TiNRS Wobbler complex LFO."

The best AE MODULAR Sound Demo yet ... #TTNM

video upload by THE TUESDAY NIGHT MACHINES

"Seriously, this is the best AE Modular synthesizer no-talking sound demo yet!

Listen at: https://aetherwaves.bandcamp.com/
Click on each track's "info" button for liner notes and a setup picture.

All sounds are made with AE Modular systems, with only sequencing, editing/arranging and non-dominant FX allowed. So this modular synth music compilation will give anyone a great insight on how an AE Modular system can be used in an actual music making/studio context.

Check out the AE Modular forums for lots of fun discussion and information too: https://forum.aemodular.com

I love to hear from you and talk about synths and stuff, so always feel welcome to post a comment or send me an e-mail to: ➤ tuesdaynightmachines@gmail.com"

THE TUESDAY NIGHT MACHINES:
https://nightmachines.bandcamp.com
https://nightmachines.tv

New Rossum SP-1200 Officially Announced at $3,999.00

"Why did you take this approach with the SP-1200 reissue?" video upload by Rossum Electro-Music


"What are some challenges working with vintage digital technology vs vintage analog designs?" video upload by

via Rossum:

"This is a pre-order for the second lot of SP-1200 reissue units. We fully expect to be able ship the units from the second lot by the end of January 2022. Your payment method will be charged immediately. Limit 2 per customer.

The latest in the SP-12™ family, the Rossum SP-1200® is an authentic reissue of the iconic classic SP-1200 sampling percussion system. Building on the engineering of 2020’s 35th Anniversary SP-1200 Renovation, including study and analysis of many vintage units using modern technology not available during SP-1200’s original production run, the team determined that virtually all original components ought to be used in order to deliver the sound at the very highest standard of precision. E-mu Systems co-founder and original SP-12 and SP-1200 designer Dave Rossum has duplicated the original analog and digital electronics of the landmark 12-bit drum machine sampler as closely as is possible thirty-five years after its debut. Throughout the process of creating the SP-1200 reissue, Dave was delighted that with very few exceptions, authentic components exactly the same as those found in the vintage classic instrument could be used throughout and took great care to maintain the classic SP-12 and SP-1200 circuit board layouts. Inside and out, SP-1200 is faithful to the original operation and preserves the coveted, authentic sound and character of the classic vintage instrument. Through this labor of love, Dave was able to create an instrument that should sound exactly the same even to the most discerning ears.

Changes and enhancements were made where they were compatible with the original design, without compromising the classic vintage sound. Sampling memory has been expanded to the maximum capability of the original sound engine. An all-new memory card storage solution with new functions seamlessly integrated into the operating system allows musicians to conveniently save, rename, and delete files and folders, and supports importing vintage SP-1200 disk images packaged in the popular .HFE format. Also included in every box, a 3.5” “floppy” disk 💾 containing modified software for original vintage SP-1200 units adds a new Set-up Special function allowing users to transfer all sounds and sequences from an original SP-1200 to the Rossum SP-1200 reissue over a standard MIDI cable. Whether using 3.5” disks or the popular floppy drive emulator modification, users of classic SP-1200 units are able to recall and remix their work on the SP-1200 reissue.

CLICK FOR MORE »

*BEST OF 2021* // One Song One Synth // Sounds Only // Top Synth Moments 2021

video upload by Starsky Carr

"This is a mix of vintage, modern, expensive and budget synths... including the Sherman Filterbank making all the sounds on one! All synth lines are from a single synth (drum's aren't as it just makes things sound rubbish!)... there's a reason people use drum machines and samples :)"

0:00 UNO PRO (small one)
1:03 Sequential Take 5
1:48 Sherman Filterbank
2:37 Leipzig V3
3:31 Microwave XT
4:19 UDO Super 6
4:48 UNO Pro (big one)
5:46 Behringer WASP
6:42 Alpha Juno (with MPG 50 controller)
7:34 Leipzig V3 (so good it's here twice)
8:26 Waldorf M
9:21 Behringer 2600
10:19 Access Virus
10:49 Korg Polysix
11:46 Minilogue XD
12:18 Jupiter 6
12:54 Modal SkulptSE
13:30 2600 (again)
14:21 2 Blue Marvins

New Superbooth Berlin 2021 Presentation Videos

You can use the controls on the bottom left or upper right of the player to skip around.

Playlist:
1. Joranalogue - SUPERBOOTH21 Gesprächskonzert (lecture concert)

The Belgium Eurorack synth maker Joranalogue presented not one, but three new modules at SUPERBOOTH21: Orbit 3, Enhance 2 and Step 8.

During their Gesprächskonzert at Fuchsbau they not only talked about these new modules, but Alter Fritz also performed a live session with a Joranalogue based Eurorack system.

Driven by an unrelenting passion for analogue circuits, Joranalogue Audio Design offers an expanding series of high-quality Eurorack music synthesizer modules. They're continually introducing new approaches and techniques to the Eurorack platform, making waves in the waters of analogue synthesis. All products are designed and made in Belgium, guided by experiences in both modern hardware engineering and vintage synthesizer servicing.

This year, the Joranalogue crew finally returns to Berlin to present its latest developments. Join designer Joran van Gremberghe and artist Frits Jacobs (Alter Fritz) for a whirlwind ride through the exciting world of these black and silver modules!

2. u-he Wiretap - SUPERBOOTH21 Gesprächskonzert (lecture concert) @SUPERBOOTH21

For this Gesprächskonzert Urs Heckmann, founder of Berlin based company u-he, teamed up with Sebastian Hübert for their performance and presentation at Fuchsbau during SUPERBOOTH21. The former one-man show u-he is now a tightly knit team of employees, active associates and 3rd-party contractors – with ambitious plans.

Famous for very accurate and widely appreciated software synthesizers and effects, u-he showed their first eurorack module at a previous edition of Superbooth – the CVilisation. At SUPERBOOTH21 it was time for another announcement. They took the chance to present their latest development with a Gesprächskonzert, of which you can find the video documentation below.
The module is named Wiretap and it played a major role in creating rhythm during their performance.

Wiretap is a double gate extractor for v/oct signals. It will generate a gate when the voltage goes high, when it goes low, when it's steady, when it moves, when it's higher than the other one and when it's lower. And you can set the gate length and get additional envelope outputs.

3. Bitwig - SUPERBOOTH21 Gesprächskonzert (lecture concert)

Berlin based DAW-makers Bitwig played a Gesprächskonzert on Thursday of SUPERBOOTH21. With the idea of - Less is More - Dave Linnebank showcased Bitwig and its possibilities, concentrating on simple ideas and how to creatively make them more complex. In other words: In this performance Dave starts with some short phrases, and then uses Bitwig Studio to extend them into musical passages. These will then become performance-ready clips by adding Bitwig's Operators for some fuzzy logic, getting the computer to make compositional choices while Dave is busy playing new lines on top.

Dave Linnenbank is a musician, technologist, and teacher. Over the past 20 years, he has crafted musical tools for pop and jazz artists, Broadway musicals, and desktop electronic musicians everywhere. Dave is part of Team Bitwig in Berlin, regularly making YouTube tutorials and more.

4. Verbos Electronics Complete Systems – SUPERBOOTH21 Gesprächskonzert (lecture concert)

During his Gesprächskonzert at SUPERBOOTH21 Mark Verbos is introducing the audience to the newly designed Verbos Electronics System Configurations: Designer Configuration, Performer Configuration, Producer Configuration.

Mark Verbos explains the intended use of each configuration as well as the philosophy behind not only the module selection but also module arrangement. He also plays some examples with all three system to give a musical reference to the explanation of the ideas behind each system. This Gesprächskonzert is a great opportunity to watch and hear all three configurations right next to each other – where else would that be possible? Enjoy the video!

5. Modor DR-2 - SUPERBOOTH21 Gesprächskonzert (lecture concert)

Modor introduced its powerful DR-2 drum machine at SUPERBOOTH21 with a short explanation by Marcel from Modor Music about its most deviant possibilities. This six-channel drum machine is completely digital – a discipline that Modor shines in. The DR- drum synthesizer features a sequencer with 128 steps and a very tidy user interface.

It positively surprised many people when it was introduced, because it is unusual and brings something new to the table. Luckily the DR-2 is not a copy of a classic, but uses modern digital synthesis to create drum sounds. A drum model can be assigned to each of the six channels. You can also assign the same model to several or all channels. The models include: Three bass drum models, three snare models, three cymbal models, claps, two tom models and miscellaneous, the latter divided into three subcategories: rimshot, rattle and cowbell.

This Gesprächskonzert was a very welcome opportunity to hear this rare drum machine in action. Enjoy the video!

6. Polyend Tracker - SUPERBOOTH21 Gesprächskonzert (lecture concert)

Sobutane presents his upcoming album Future Cake using two Trackers and one Medusa durng this Gesprächskonzert at SUPERBOOTH21.

After working with the Yamaha RM1x sequencer for 13 years Sobutane discovered the Tracker by Polyend. Originally bought just for drum parts, it revealed itself to be a great live-oriented tool, making him compose music outside his trusty RM1x for the first time in his life. Although the idea of a tracker is not particularly new, the Tracker still feels fresh and inspirational to many musicians. The Tracker brought Sobutane ideas and a new approach to composing his music, so he bought a second one and a Medusa, also made by Polyend. That was the starting point for the creation of the music you hear in his Gesprächskonzert for Polyend. Enjoy!

7. Ploytec Boom Kick - SUPERBOOTH21 Gesprächskonzert (lecture concert)

This Gesprächskonzert was unusually opened with a steel-guitar performance by DobBroMan, showing the Ploytec Boom Kick (Guitar Pedal).

Ploytec always valued the opportunity of Gesprächskonzerte at Superbooth and so they took the chance to do another one in 2021 this time for a rather unusual product – a guitar pedal that generates a kick drum in sync with the tapped in tempo. Additionally it sends a MIDI clock to other gear. This is useful for simple backing of what the guitarist is playing. The addition of a bass drum completes the otherwise solo guitar and with the MIDI tempo output, other instruments can play in sync – whether these are additional drum machines or synthesizers or whatever.

And there is one special thing to note about the bass drum sound – there are no samples saved to this machine. The drum sound is generated through synthesis and it has a huge range of possible sounds, suitable for pretty much all music genres.

And if you haven’t heard the Superbooth blues yet, watch until the end!

8. LPZW & Tubbutec - SUPERBOOTH21 Gesprächskonzert (lecture concert)

Kai and Tobi (aka LPZW & Tubbutec) probably could have sold every second SUPERBOOTH21 guest a 6mod6, that's how well their first joint product was received. At Fuchsbau the Berlin based manufacturers presented the result of their collaboration: a highly modified homage to the 606.

They were accompanied by an opening performance from Cem Oral a.k.a. Jammin’ Unit in which he used the new module intensively, giving a good idea about what the module sounds like in a musical context.

After the performance Kai and Tobi walked the audience through every sound engine of the module and showed their modifications of the original 606 circuits. Not only with the Gesprächskonzert, they convinced a lot of people that they created a great sounding and very versatile 606 inspired drum module.

Now the wait begins, the first batch of the 6mod6 still has to be built. Let's hope that the chip shortage does not delay the production too much.

9. Erica Synths PĒRKONS - SUPERBOOTH21 Gesprächskonzert (lecture concert)

Erica Synths team of engineers and musicians have been working hard to bring surprise us all with a new instrument that no one expected and everyone wanted. Erica Synths had their booth completely dedicated to their latest product the PĒRKONS HD-01 drum machine.

PĒRKONS features four sonically versatile hybrid voices (digital sound engine + analogue multimode filter with overdrive) and a sequencer with simultaneous control over all four percussion tracks, an internal analogue BBD FX send, parameter automation and much more. This is a modern drum machine with a serious vintage look.

For their Gesprächskonzert they brought not one, but two of these machines and finally explained it and showed what it is capable of. For everyone’s surprise, the demo started with a drone set – yes, it can also do drones. And for the final concert part of this presentation, no other than Kodek entered the stage. Sounds fun? Enjoy the video!

10. Nonlinear Labs C15 – SUPERBOOTH21 Gesprächskonzert (lecture concert)

Stephan Schmitt, the founder of Nonlinear Labs, plays some improvisations on the C15 and shows the enormous tonal possibilities of this instrument and its ability to be played very expressively – with up to four expression pedals and the two large ribbon controllers. The C15 is a puristic and distinct digital synthesizer. Its sounds are generated by elementary algorithms and feedback structures. This opens up new fields for sound design and gives musicians an expressively playable and dynamical behavior, similar to acoustic instruments. The C15 is an instrument that has to be played by hand to unfold its full potential. After the performance Stephan explains what features are new and which special features of the C15 he used.

This isn’t the first Gesprächskonzert by Nonlinear Labs, so be sure to check out the previous editions for more information about this unique instrument.

11. Haken Audio & La Voix du Luthier – SUPERBOOTH21 Gesprächskonzert (lecture concert)

Haken Audio and La Voix du Luthier have been presenting together at Superbooth for several years now, showing how well these two companies and their products fit together. This Gesprächskonzert features a Haken Continuum, the all-new Continuum Eurorack Module and the large Pyramid Resonator.
Watch Edmund Eagan passionately talk about his products and enjoy the demonstration and performance of the Continuum Fingerboard by Rob Schwimmer.

The almighty synthesis engine behind all these sounds is the Eagan Matrix, that now is also featured in the Eurorack module. This is a huge opportunity for sound designers and artists to expand their sound palette with very expressive and unique sounds.

12. UDO Audio Super 6 Desktop - SUPERBOOTH21 Gesprächskonzert (lecture concert)

UDO Audio brought the world one of the most interesting poly-synths of the recent years. Very rarely a company achieves such a success with their first ever product – but the Super 6 made it. Now UDO Audio showed the desktop version of this incredible synth. Great looks, ergonomics and the sound of the original Super 6 make this machine a very interesting option for many musicians and studios on the hunt for a capable poly-synth.

In this video George gives a little insight into the development of the company in general and his view on the past two years, since he presented the Super 6 to the world at SUPERBOOTH19.

Gotharman's Tiny LD: Chill Sample-Based Beat // #TTNM

video upload by THE TUESDAY NIGHT MACHINES

"I've been watching a lot of Accurate Beats' YouTube videos lately and listened to tons of Brock Berrigan on top of that, so I got in the mood to try out some sample-based beat making on Gotharman's Tiny LD. This was a fun test run! I'm usually more into the experimental side of the Little Deformer 3's smaller sister here, but it worked really nicely as a strange Akai MPC substitute as well.

The main sample was recorded and edited on my iPad in iMPC Pro 2 (not really a big fan of this app to be honest, but it got the job done). I then transferred the WAV file with some additional royalty free 808 drum samples to the Tiny LD with a USB stick. Since the main sample was already looping nicely, I could chop it up automatically on the Tiny LD. Then I used Chop-Keyboard mode to spread the chops over the keyboard keys and keep them all inside a single 'part'. Drums were the already mentioned 808 samples and the Bass and Synths are internal sound engines. The rest is the usual Gotharman sequencing, morphing and effects then :)
I love to hear from you and talk about synths and stuff, so always feel welcome to post a comment or send me an e-mail to: ➤ tuesdaynightmachines@gmail.com"

THE TUESDAY NIGHT MACHINES:
https://nightmachines.bandcamp.com
https://nightmachines.tv

Solder a DIY module with us at Superbooth 2021!

video upload by Making Sound Machines

"We've made you a little something, and you can build it at Superbooth 2021! A lot of friends online and offline have asked us about TausenddB, the little four channel preamp eurorack module we used to record our piezo videos with, so we've made it into a DIY Kit. And we will premiere it at Superbooth 2021 in Berlin, where you can build it with us in a workshop!

Get tickets for the workshop: https://www.superbooth.com/de/events/...

Tausend dB was originally designed as a small run of helper modules for space explorers, a public audio installation at Reading FringeFestival 2019 and in collaboration with visualists WARPED TYPE.

It was inspired by Tom Whitwell's MusicThing Microphonie and Mutable Instruments Ears, but we needed a different set of features: more channels, because we had a lot of contact mics, so we packed four channels into 6HP; mute switches, because we wanted to be able to act quickly when things get out of hand; and a secret row of expander pin headers in the back, so we could boost CV and audio from our favourite gear and devboards with jumper wires: Bastl Kastl, Korg Volca Modular, Electrosmith Daisy, Teensy and Arduino.

Jumpers in the back let you select whether you want to filter DC offset.

Check out the other awesome workshops too: Koma Elektronik, Touellskouarn, Befaco, Leaf Audio, Fase Lunare, Shakmat, AtoVproject and Jolinlab will all be there to build awesome stuff with you! Aaaaaand we might sneak peak a module at TiNRS’s booth, who will present a lot of great new modules as well ❤️ So come check them out and say hi!"

SUPERBOOTH21 in 6 Weeks - Program and Special Event Tickets

SUPERBOOTH21 is coming this September 15 through 18. See https://www.superbooth.com/ for full details on the event.

Press release on the Program and Special Event Tickets follows:

Berlin, August 2021

SUPERBOOTH21 in 6 weeks - the program and the special event tickets

Many national and international exhibitors and their innovative synthesizers and effect devices attract thousands of music makers to FEZ-Berlin every year. Equally attractive are the numerous concerts and special events. These inclu- de many workshops that invite you to join in, the SchneidersLaden Tour and the comfortable arrival by boat shuttle from Berlin Mitte.

Stage program: This year, SUPERBOOTH21 will feature four stages. In addition to the auditorium and the seaside stage, two new venues will be added: the Finn- hütten and the Fuchsbau.

In the auditorium, there will be Gesprächskonzerte (lecture concerts) and talks - with Jean-Michel Jarre, Reinhold Heil, Atom TM and T.Raumschmiere among others. Early Wednesday evening, the Miller-Zillmer-Foundation will present it- self to invited guests in the auditorium, where it will celebrate its two-year an- niversary. This year the Miller-Zillmer-Foundation makes possible the workshop series with Gammon and his Modular Synthesizer Ensemble, as well as - in co- operation with Mute Artists Ltd. - the headlining concerts on the seaside stage every evening: Yann Tiersen, hackedepicciotto, JakoJako and Pole.

The past 18 months have left room for many artists to go into the studio and write new music. SUPERBOOTH21 is one of the first opportunities to bring the results of these processes on stage and so there are some premieres to see. Yann Tiersen (Mute, release date: August 27, 2021) presents his new album „Kerber“. Also from hackedepicciotto (Mute), st.raumen (release date:
30. August 2021) and Pole (Mute) there is something new to hear.

The seaside stage will also feature Maarten Vos, Bloody Mary, Carolina Eyck, Kitmun and Ain TheMachine X SBNH, among others. The stage at the Finnhütten will be hosted by the legendary Tresor. For the 30th anniversary of the Berlin club and label, there will be concerts every night at 8:30 p.m. by e.g. Z.I.P.P.O, Carlota and Artik.

The ever-popular Gesprächskonzerte will mainly take place at the Fuchsbau. On this new stage, SOMA Laboratory, Verbos Electronics, Haken Audio, Polyend, U-HE, Joranalogue and Bitwig, among others, will musically present their pro- ducts. In addition, you can also get involved yourself at the Fuchsbau and contri- bute to the musical background of the event at the Modular Carousel.
Workshops & DIY: The various DIY workshops will take place in the cozy ambien- ce of the DIY tent at the Fuchsbau. Workshops offered are from Befaco, Leaf Audio, Making Sound Machines, Touellskouarn and Shakmat Modular, among others. Due to the severe limitation of places, tickets for the DIY workshops should be booked early.

Other workshops include the Tapeloop Workshop on September 18 (for up to 5 participants), the Kreativ Klangsafari in cooperation with the Elbphilharmonie Hamburg, and of course Gammon‘s Modular Synthesizer Ensemble, who will once again be working on a daily performance with students and presenting it at 1:30pm.

Tickets for many workshops can already be booked online and can be found here.

Livestream & virtuelle Gesprächskonzerte (lecture concerts): Those who are unable to attend SUPERBOOTH21 in person can look forward to the daily lives- tream. Here, the highlights of the various stages will be shown in a three-hour program. This also includes the virtual Gesprächskonzerte, which offer exhibitors who cannot come to SUPERBOOTH21 the unique opportunity to present them- selves to the audience simultaneously online and on site - live on screen in the auditorium. Among other things, the Gesprächskonzerte by and with Noise Engi- neering and Animal Factory Amplification will be presented here.

Boat shuttle: The boat shuttle departs daily from the old historic harbor in Berlin Mitte in the direction of FEZ-Berlin. The landing stage can be found at Mellow- park. From here there are precise signs to find the right way to FEZ-Berlin.

Tickets for the boat shuttle are available now and are very limited. It is advisable to be quick! Here you can get the tickets.

SchneidersLaden Tour: The tour offers a behind-the-scenes look at Germa- ny‘s most important synthesizer store - SchneidersLaden. For this tour Andreas Schneider has asked one of his first employees to tell interested guests about the history of SchneidersLaden, SchneidersBuero and Superbooth – and to provide insights into the current showrooms and behind the scenes of SchneidersLaden in Berlin Kreuzberg.

What‘s left to say? Stay healthy everyone and get vaccinated so we can spend a wonderful SUPERBOOTH21 together in September!

And: Day tickets for SUPERBOOTH21 are currently still available for all time periods on superbooth.com and can be combined at will with the special event tickets for workshops, boat shuttle and the exclusive tour through Schneiders- Laden.
Tickets for DIY workshops are only valid in combination with any day ticket for SUPERBOOTH21. All special event tickets are strictly limited and can only be booked in advance of the event.
All tickets are available exclusively via pre-sale on superbooth.com - there will be no box office to ensure a contactless transaction.

Please note that access to the exhibition grounds will only be granted with a daily negative rapid test, complete approved vaccination or convalescent status.

MFB's Manfred Fricke Has Passed Away

Left: Manfred Fricke (via Amazona.de) back in the day with his first creations, the MFB-501 drum machine (right), and MFB-601 digital sequencer (left).

2nd image is Manfred Fricke with the MFB SYNTH II at SUPERBOOTH (unknown source).

We lost another legend in the synth world. Sad news in via STROMKULT: "'On June, 17th around 11am Manfred Fricke from Berlin alias MFB sadly passed away after having had a hard time with cancer for a while already. He left his wife Gloria and his son Jean-Marcel behind, we are all very sad having lost this partner, friend and father.'
HerrSchneider

Manfred Fricke was one of Berlins pioneers of analog synth and drum machine makers. He has been the weapon of choice for many (not only) starting musicians. Let’s be honest, who didn’t have one of his creations early in his or hers journey into electronic musical instruments – or at least thought about getting one – and why shouldn’t you? Manfred Fricke's machines always brought something unique to the table, they were mostly analog, affordable, in small plastic housings and just did the job. Manfred always focused on keeping his products affordable for his clients and the instruments quite often made their way to professional use later on, and the musicians often kept their first units as something almost holy, because it were these machines that paved the way into analog electronic music making.

But it would be too short-sighted to associate MFB only with budget entry-level products. Especially the drum machines Tanzbär and Tanzbär II, or the great Dominion 1 show that Manfred Fricke also built machines that met higher demands. The Tanzbär, in particular, is considered by many to be their favorite drum machine of the last few years, especially in terms of its amazing sound.

We hope that MFB will continue to exist and that it will continue to make it easier for many generations of musicians to enter the world of electronic sound production.

We wish Manfred Fricke's son Jean-Marcel continued success for the future of MFB and extend our condolences to him and his family. And lets hope that Manfred will finally meet up with all the other good guys on the other side.

Rest In Peace."

MFB TANZBAR 2 pic via STROMKULT.


video upload by 7V-STUDIO

MFB's Manfred Fricke's first procuct, the Fricke MFB-501 drum machine.

Description via this video:
"This little analog beatbox was developed in 1980 1979 by Manfred Fricke. It was offered at 380 DM. As a low-cost model on the market for analog rhythm generators the small black and white "Switch Box" quickly found a lot of friends, because its configuration could be compared to its expensive far east competitors: 64 patterns and as many fill-ins switchable via micro switches, speed ​​control via potentiometer, 10 analog percussion instruments (activated by means of micro switches), combined mono/stereo outputs (jack), In & Out (5 Vss) and trigger footswitch inputs (jack) for start and fill-in
(retail price for the switch at 16 DM). An external wall power supply provides 12 volts.

Approx. 5000 units of the MFB-501 had been sold. Not so bad for a one-man company. So this drum machine is one of the top-selling devices in the history of the Berlin engineer offices M. Fricke . If you're lucky, this iconic device can still be found on the relevant internet sales platforms.

Today, maintenance of this tiny noise machine is still easily feasible, because Fricke employed only commercially available components. Therefore, 'presumedly dead 501's' can be reanimated without major problems."

MFB 601 Vintage Digital Sequencer, Teardown, Repair and partial analysis


Published on Feb 2, 2015 FPV Electronics

Note this video is FPV Electronics of course, and not Manfred Fricke.
"This device is exclusively built from 7400 and 4000 series basic logic ICs. Making it must have been so much more difficult than just programming a generic µController as we would do today."

Timeline via http://mfberlin.de/en/about-us/:

1976: MFB was founded by engineer Manfred Fricke. So far there were more than some hundred products constructed and distributed. The first developments and products were primarly video games for industrial playmachines.

1979: A lowcost drummachine was introduced in 1979. (98 DM for the self construction kit). The legendary drumcomputer MFB-501 was finished and sold. Although it was not the most prominent drumcomputer of that time it surely was one of the best selling drum units in Germany. Some shops sold ten times more MFB-501s than Roland TR-808s. More products for the musician followed, such as the Digital-Sequencer MFB-601 and the digital drum machine MFB-512. All of these featured rich products were offered at exceptional low prices.

1984: The E-Drum module series 1000 and 2000 followed with corresponding pads.

1986: A new construction period started in 1986 with product launches of the MIDI-CV converter MFB-201 and the MIDI drummer MFB-SYNTH was finished in 1997, although its development dates back to the eighties. The machine never went into production since 2001, the year of the company´s 25th anniversary because of decreased interest in analogue synthesizer technology especially in the sales channels.

From 1986 Manfred Fricke specialized in products for video applications. Alone 20 different framegrabbers for the Apple II, C-64 und IBM compatible PCs were constructed. A very high percentage of these framegrabbers were and are still in use for special industrial purposes. Custom development is still done here, so these specialized tools are not available for other customers.

1994: MFB introduced the world´s first videomixer below 1.000 DM, the MFB-901. Its successor MFB-902 was available in 1995. Another important development in the video section was the model MFB-912, a digital video memory. This 1998 product was highly acclaimed by the press.

1999: The successor MFB-915 added sound and higher picture resolution. It´s available since October 1999. Another successor is the model MFB-920 with an integrated harddrive offering better options for nonlinear cutting and post processing of the recorded material.

2001: During this year, Manfred Fricke also developed another new MIDI drum-module. MFB-KULT, includes most of the famous sounds of the older machines. Both MFB-SYNTH and MFB-KULT are availabale since December 2001. Because of constant requests for the digital sequencer MFB-601 a successor MFB-602. was introduced in May 2002.

2002: Since August 2002 there´s also a little brother of the MFB-SYNTH, the MFB-SYNTH LITE

And of course the MFB DOMINION series and the MFB SYNTH PRO.

There have been 1747 MFB posts on the site prior to this one. MFB has been a mainstay on the site and Manfred Fricke will be greatly missed.

Behringer Introduces the RD-8 MKII

video upload by Behringer

"In our constant pursuit for perfection and authenticity, we proudly introduce the new RD-8 MKII, the most authentic analog recreation ever produced.

This drum machine has been re-designed from the ground up with carefully selected components and circuitry, which have dramatically improved the sound of the voices as well as noise and phase response across both the main and individual outputs.

Most importantly, our engineers - together with our Coolaudio semiconductor sister company - successfully recreated the 40-year-old BA662 chip, which is instrumental for the authentic voices of this instrument.

We’re proud to deliver the most authentic and accurate analog drum machine recreation ever produced.

We Hear You.

List Price: $329 (in stock and immediately shipping from our factory)"

Behringer RD-8 MkII Review by Honeysmack
video upload by Honeysmack

"He is my first review of the new RD-8 MkII.

This video is not a tutorial or a detailed feature run through. As a live Acid Techno improvisor and performer for almost 30 years, I wanted to go through some features I loved and how the RD-8 MKII builds on the spirit of the TR-808 with some nice new sound enhancements and sequencer/performance features. Behringer have said they redesigned some of the key components in an effort to get an authentic 808 sound. The firmware has also been revised.

00:00 RD-8 MKII vs TR-808 sound comparison
00:35 Intro
02:00 Me with hair as a techno raver
02:37 Why Behringer are doing good things!
03:01 How does it compare to the original?
04:24 Sound enhancements overview
04:34 Bass drum
05:04 Open hihat
05:34 Hand clap
05:56 Wave designer
06:48 Dual-mode filter
08:00 Turn your bass drum into a synth
08:57 Sequencer/performance functions overview
09:49 Poly mode
11:14 Step repeat
11:33 Note repeat
12:00 Randomization
12:39 Probability
13:23 Flam
13:51 Conclusion
14:37 RD-8 MK II outro jam

All audio was recorded without any pre/post processing whatsoever, all audio is coming directly out of an old Mackie 24•8 mixer with no EQ. What you are hearing is as raw as possible, with no embellishments.

We all know the 808 sound and it’s hard to not to know it these days as this legendary drum machine has informed a variety of electronic dance music genres from Hip Hop to pop music. Owning an original TR-808 is a rarity these days, I purchased mine over 20 years ago at time before prices went crazy. These days owning vintage drum machines and synths are the fare of privileged people, like old men with ponytails collecting vintage guitars. The RD-8MkII is great riff on the original. The new additions such as filter, wave designer, tuning on the kick, clap offset and the added sequencer features make a great drum machine. I applaud Behringer for producing an affordable, like-for-like clone. This gives more people access and it can only promote more music making! Hope this video provides some insight into this new machine.

Disclaimer: I was a beta-tester on the RD-8 MkII although I do not work for Behringer and they have nothing to do with the making of this video."

1975 Elka Rhapsody 610 quick demo

video by Valmont

"A simple string machine from the mid 70s, with the usual technologies of that time: a master top-octave oscillator, and frequency dividers making each key's pitch for the 61 sound generators boards.
The voices are then summed in a double chorus: one slow delay line, and one fast - both synchronized making regular phasing cycles.
Funny thing with these octave-dividers machines is that all the notes aren't perfectly "in tune". The first models had some key-pitch variations up to 10 cents from a traditionnal tempered keyboard! The rev.2 had a better pitch division, with pitch variation up to 2 cents, witch is pretty unnoticeable for common ears.

0:02 - Strings + Piano + Clavichord
0:14 - Violoncello + Strings
0:41 - Piano + Clavichord (with phaser)
1:08 - Violoncello + Strings (with phaser)"

Getting started with Fenix IV - This is Not Rocket Science

video by Making Sound Machines

"In this video, we'll take a closer look at This is Not Rocket Science's Fenix IV modular synth!

Over the course of 30 minutes, we'll guide you through all the steps you need to get started - you'll gather an understanding of the color codes and signal flow, including analyzing audio with the built-in scope. We'll take you from basic tone generation to your first patch using the onboard Generators, Envelopes, Modulators, Filters, Effects, Utility modules and the sequencer.

If you are watching this having a Fenix in front of you, this tutorial is meant to show you all you need in order to go and explore on your own. So join us and and watch us gleefully fumble through the insane bag of tricknology that is This is Not Rocket Science's Fenix IV."

Akai Professional Introduces New MPC One Retro Standalone

video by AkaiProVideo

"The most powerful standalone workflow now in the iconic retro MPC look for a truly timeless music production experience."

And the press release:

AKAI PROFESSIONAL® UNVEILS MPC ONE RETRO STANDALONE

The modern standalone MPC workflow is now available in the iconic Retro MPC colorway for a truly timeless music production experience.

Ft Lauderdale, FL USA (May 11, 2021) — Akai Professional, a leading manufacturer of music equipment for performers and producers today announced the latest addition to their standalone MPC hardware lineup, MPC One Retro. The MPC One Retro retains the modern standalone MPC workflow while revisiting the legendary MPC look that defined generations of music production and beat making.

The Look, The Legacy, The MPC

Spanning through past decades, the lore of 16 gray pads is forever etched into the productions of countless music- makers who were integral to hit songs and multi-platinum albums. Akai Professional has captured that rich history and style with the new MPC One Retro. Featuring the iconic retro-colored housing and gray pads, the MPC One Retro combines all the modern standalone features ready for new musical adventures and legacies.

Definitive Standalone Workflow

MPC One Retro features all the modern MPC functionality contemporary music producers have come to rely on including MPC plugin instruments for inspirational sounds, world-class award-winning insert effects plugins from AIR Music Tech., and a vibrant 7” Capacitive Multi-Touch Screen for a fast, responsive workflow—all encompassed in a solid Quad-core powered standalone unit. From sampling and beatmaking, to conception, creation, and finished masters, the MPC One Retro has stylishly emerged from celebrated musical decades of the past to deliver that modern production style found only on MPC standalone.

Exceptional Standalone Hardware Features

The Akai Professional MPC One Retro experience is all about hands-on creativity without the need of a computer. The brilliant 16 velocity/pressure-sensitive RGB-backlit pads are not only inviting to look at against the retro tone, but also serve as the core input for creating beats, chords, melodies, pulsing hi-hats, basslines and anything else you assign to them. 4 touch-sensitive Q-link knobs are the gateway to controlling many parameters and settings that will help define your signature sound.
And when you are looking for more ways to creatively expand, the MPC One Retro integrates into your music world with all the ports and jacks you need including USB, MIDI DIN, LINK, CV/Gate, 1/4” line-level audio input and a SD card slot to save, transfer and share your productions—the MPC One Retro is perfect for pairing with other synthesizers, drum machines, and sound generators. The brilliant 7” multi-touch onboard display brings the experience to a full range of inventive editing capabilities without the need of a mouse

All information subject to change akaipro.com

Unprecedented Standalone Software Control

As a controller, the MPC One Retro comes with MPC2—its counterpart DAW software for those who want to elevate their music productions further on Mac or PC. As a full-scale Digital Audio Workstation software platform, the included MPC2 software boasts 128-track sequencing, real-time time stretching, MIDI editing, clip launching, Ableton Link support, and other advanced features such VST plugin support with other DAWs. MPC2 software enriches the MPC One Retro standalone experience in both standalone and controller modes delivering all the creative potential you need.
Akai Professional, Senior Product Manager Dan Gill said “Akai Professional and the MPC have a long-storied history that resonates profoundly with users from all around the world. Each recalls their first MPC encounter and the role it played in their most cherished musical experiences. The MPC One Retro is our tribute to this rich history while proudly asserting our continued commitment to creating the most powerful standalone music production devices in the world. MPC One Retro truly embodies the best of the legendary products throughout the years and the ultimate modern standalone music production workflow.”

MPC One Retro Highlights
• Limited Edition retro colorway chassis and gray MPC pads
• Exclusive MPC Expansion Pack for MPC One Retro owners
• All the features of the MPC One Standalone (No Computer Required)
• Standalone music production center with 4GB onboard storage
• Fully compatible with projects, programs and sequences from previous MPC versions and legacy
hardware
• Comes loaded with loops and samples created by industry-leading sound designers
• Load up your own custom samples via SD card or USB
• 7” touchscreen allows you to edit and chop samples via gestures
• 16 velocity and pressure-sensitive pads for programming beats and playing melodies
• Includes acclaimed instruments including DrymSynth, Electric, TubeSynth, Bassline, and AIR FX mixing
and mastering processors
• USB controller input allows you to play sounds with your favorite controller keyboard
• 8 CV/Gate outputs for controlling modular synthesizers
• MIDI I/O for integrating synthesizers, drum machines, and other hardware
• Stereo line-level inputs and outputs on 1/4” TRS connections
• USB-A port for thumb drives or control surfaces

Available: May 11, 2021 Price: $899"

https://www.akaipro.com/mpconeretro

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