The Performance Page on the disting NT now includes Knob Recorders, so you can instantly record parameter gestures and have them play back in a loop, adding motion to your patches.
2. disting NT - Texture Synthesizer (aka Clouds)
"The disting NT now includes the classic 'Clouds' by Émilie Gillet."
3. disting NT - Spectrum Analyzer
The Spectrum Analyzer is a simple utility, added in disting NT firmware v1.14.
4. disting NT - Spectral Vocoder
The new Spectral Vocoder on the disting NT is an alternative to the existing, analogue-inspired, Vocoder algorithm. It uses an FFT-based technique to offer way more frequency bands for the analysis and resynthesis.
5. disting NT - Spectral Vocoder (slight return)
Some more examples of the Spectral Vocoder in action.
00:00 Speech modulating a chordal pad.
00:55 Drum loops and other samples as the modulator.
7. disting NT - Knob Recorder controlling another module
This video demonstrates a technique for using the disting NT's Knob Recorder to generate a CV to control another module, eliminating the need for a dedicated knob recorder module.
"The Fieldtone Weaver is a two-second sampler with a single knob, no undo, and no going back. Now it's in eurorack.
Weaver captures two seconds of audio - via the built-in microphone or audio input - and instantly randomises it into evolving loops, rhythms, and textures. Every turn of the knob generates a completely new variation. Nothing saves, nothing recalls. It's the ultimate happy accidents machine.
The modular version adds individual level control for three loop elements, trigger outputs that double as a random rhythm generator, a pitch switch, clock sync, and CV control - which works differently to what you might expect. I go into detail on all of this.
🔗 LINKS
Fieldtone Instruments: https://fieldtone.uk
Soundgas interview with Hugh Jones: • The Gas Club, Episode 1 - Hugh Jones, Fiel... [below]
⏱️ TIMESTAMPS
0:00 - Intro
01:56 - Panel walkthrough
15:27 - Synth patch
16:25 - Weaving my voice!
17:04 - Granular textures, duet with Bunker Archaeology
18:21 - While my guitar gently weaves
20:42 - Claps and finger clicks on the contact mic
22:30 - CV controlled synth washes
23:06 - Pacifica weaves
24:36 - FInal thoughts and a closing Plaits patch.
"Welcome to our new series, The Gas Club. Where we meet people who make things - be that music, recording devices, or instruments.
In the first episode Tony meets Hugh Jones of Fieldtone Instruments at the Soundgas HQ to explore the history of Fieldtone's celebration creations. They take a deep dive into Hugh's journey from musician/engineer to designer/builder of the Box of Uncertainty, The Weaver one knob handheld sampler and brand new Weaver Module plus a sneak peak at what to expect next from Fieldtone in 2026.
Tony and Hugh discuss the joy of sonic adventure and gear designed to produce happy accidents and the experiences of bringing new creations to the world."
A few pics and details on Weaver Eurorack:
Weaver Modular from Fieldtone is a Eurorack format version of the highly in demand Weaver handheld sampler that featured in music tech tastemaker Andrew Huang’s year round up as his Favourite Desktop FX module of 2024. The modular edition builds on the functionality of the original by adding a variety of additional control.
The Weaver is no ordinary audio sampler, it is a meditation on impermanence and chance. With a single, enigmatic knob, it embraces randomness as an artistic principle, reconfiguring two-second sound bites into hypnotic loops and evolving textures. There is no undo button, no way back once a sound is captured; the Weaver insists that you move forward, shaping the unpredictable into rhythm or texture with nothing more than a twist of the wrist or control voltage change.
New functionality on the device includes separate level controls of different elements of the loop, as well as 3 x trigger outputs which turns the device into a random rhythm generator for which you don't even need to be using the sampling capabilities. You can trigger the Recording start via CV, allowing you to keep replacing the sample whilst the loop continuously plays - something that works beautifully with acoustic sound sources such as guitar or voice, as well as electronics. A switch has also been added to select between Random or Root note sympathetic pitch playback.
Features:
Single-knob audio sampler focussed on randomness and exploration
Capture sound via built-in microphone or input jack
Fixed two-second sample time
No undo function, every knob movement generates a new loop
External sync via Clock input
Stereo output on separate L&R sockets with rich spatial movement
Separate level controls for 3 different elements of the loop
3 x gate outputs for triggering other sources
Toggle to switch between Texture and Rhythm modes
Toggle to switch between Root or Random pitch
Gate/trigger input to control Recording start
Gate/trigger input to control Weaver knob
Can be used as random rhythm generator without needing to use the sampler
"Sorry, we had some issues with free shipping not being applied to orders on our webstore over the weekend. We also had a local postal system outage at the end of last week 🙄
But we’re up-to-date with orders today and free shipping is now automatically applied at checkout. Thanks to everyone for the amazing response!!!
Save 30% on PlayFader
Ends 31st January
Plus free worldwide shipping! Guaranteed!
"Watch him first add some random fills with the Random Fun FX. Then he gets really i to it with the Roll Fun Fx to mash up the beat beyond recognition 😎
Is PlayFader the best jungle breaks mash-up sequencer? OK, big claim, and we’re not that bigheaded, but we definitely think PlayFader is one of the most expressive and versatile sequencers out there.
Don’t program your music… play it!
Patch notes: Playfader controls the first channel of Digitakt in slice mode, with the Think break loaded. Moving the fader enables us to play different slices of the break, and the second channel plays a chord stab sample (but PF can also play lush chords over MIDI). We add a sprinkle of Random Fun FX at the end of each bar to create some dynamic fills, then we switch to the Roll Fun FX and catch little loops at each press of Play, setting and changing the time division on the fly to mash up the beat pattern and bring the heat 🔥
He’s also using our unique Window Latch function to free up more fingers for playing. With Window Latch you don’t need to keep hold any button combos down along the top row. It’s a powerful performance feature!
PlayFader includes 7 FUN FX modes which allow you to take your patterns to extreme new places and back again at the push of a button… the FUN button!
About this Pack
This updated sample pack is composed entirely with Serge Modular Synthesizers — systems known not for emulating instruments, but for redefining how sound is shaped.
Included are raw noise textures, slowly morphing drones, and intricate one-shots captured through extensive patching with Random*Source Eurorack modules and classic Paperface 50 series panels.
Each sound reflects the chaotic elegance of analog voltages in motion. You’ll hear modulations that escape grid-bound sequencing, and timbral behaviors that emerge from complex feedback, slewing, and intermodulation — the kind of detail digital systems rarely capture convincingly.
Why Serge Matters
Serge Modular was designed in the 1970s by Serge Tcherepnin. It was created as an open-ended tool for sonic experimentation. Influenced by cybernetics and avant-garde composition, this system rejects musical hierarchies and embraces uncertainty.
In Serge, control voltages and audio signals are treated as equals. The circuits invite exploration through feedback, cross-modulation, and unpredictable interactions. Every patch is a process of discovery rather than reproduction.
This makes Serge a powerful choice for artists seeking sounds that are not pre-shaped or confined by rules. The textures you will find in this pack are unstable, alive, and deeply human.
"Gyro is a real-time loop instrument plugin (VST/AU) for creating personalized melodic loops as you play. Powered by a multi-layer hybrid engine, generative patterns & chords, and rich FX chains."
Gyro 1.1 Free Update - User Samples, MIDI Out & More - 10K Audio
video upload by 10K Audio
"Out now: Gyro 1.1 by 10K Audio
https://10k.audio/gyro
What’s new in Gyro 1.1:
• User Samples (Pro) — Load your own samples into one or more layers.
• MIDI Out — Route each sequencer lane to its own MIDI channel to drive other instruments.
• Pattern + Chord Locks — Lock your Pattern and/or Chord while browsing main presets.
This is a free update for all users.
00:00 Intro
00:14 User Samples
01:33 MIDI Out
02:53 Chord & Pattern Locks
"A complete walkthrough of Chompi and its recently released Tape 2.0 firmware, providing an in-depth demo and tutorial on all its features. Following the structure of Chompi's manual, it’s organized like a video game that gradually builds up your understanding of Chompi, starting at level 0 and going to level 8 (plus a bonus level). If you already have a Chompi, you can use this video as a reference guide/video manual. If you don't have one, you can use it to learn about this chromatic sampler from Chase Bliss and Chompi Club.
Table of contents:
0:00 - Intro / Preview
1:24 - Level 00: Hardware 1. Summarize Chompi in one sentence 2. Identify the external parts 3. Connect cables 4. Power up
"Love what @aqeelaadamsound and @blankfor.ms crafted with their awesome #outgrowth app ❤️❤️❤️ Here i‘m using it as a granular instrument hosted in #musikraken to use camera-tracked hand gestures to move through various waveforms. Left-right movement is mapped to sample/playback start while hand openness is mapped to grain window size. Going out of frame and back in triggers a new waveform using Outgrowth‘s round-robin playback feature. So much fun and yet so much more to explore there…"
Outgrowth is a sample-based instrument built collaboratively by Aqeel Aadam Sound and BlankFor.ms. Designed with creativity, flexibility, and performance in mind, Outgrowth provides unique, multifaceted ways to reimagine audio with your mouse or keyboard.
Outgrowth features five unique engines for processing samples:
Stem: A basic one-shot style player that repitches the sample
Retain: A granular stretching engine that sustains the sample indefinitely
Reflect: A looping algorithm that loops the sample at a consistent rate across all pitches
Radiate: An additive resynthesizer that maps each harmonic of the sample to a sine wave oscillator
Delve: A wavetable synthesizer in which the sample becomes the basis for a completely unique wavetable
Outgrowth also features five standout audio effects for shaping your sounds further:
Subvert: A unique shaper that flattens or inverts the sample’s volume
Submerge: A singular effect for adding dimensional realism to sample repitching
Strike: A dynamic control for adding an acoustic-like response to sample playback and performance
Ripple: A one-knob tape emulation handcrafted by BlankFor.ms that can be subtle, deconstructive, and anywhere in between
Smear: A pre-ADSR reverb for congealing notes and blurring boundaries between pitch and texture
And further still, Outgrowth offers a robust modulation matrix for generative or performative control over all parameters. Control every single parameter within Outgrowth via LFOs, unique random sources, velocity, note pitch, aftertouch, MPE control, and more.
Finally, Outgrowth offers a robust preset system, including more than 50 bespoke presets and over 100 samples by BlankFor.ms. Explore ethereal ambient pads, haunted lofi keys, shimmering tape-infused plucks, gnarled percussive textures, and more."
OUTGROWTH TAPE | OUTGROWTH LYRA8
video uploads by Aqeel Aadam
"Roland R-70 (Sample Pack) https://akihikomatsumoto.sellfy.store...
R-70 Sample Pack: Precision in Every Hit
Discover the sound architecture that defined an era. The Roland R-70 delivers a collection of PCM-based drum tones with a distinctive metallic hardness, ideal for producers seeking clarity and impact in every beat. Its sonic character has influenced the evolution of modern Footwork and JUKE, shaping rhythms that are both intricate and physical.
Scientific Sound Design
This pack explores the mechanical precision of 1990s Roland technology. Each sample is captured to preserve the unique transient response of the original R-70, allowing kicks, snares, and hi-hats to cut through dense arrangements without losing texture. Engineers and producers will recognize the meticulous attention to harmonic content and spectral balance, qualities that made the R-70 a staple in electronic rhythm production.
Content Overview
R-70 808Kit 59 samples
Chicago Kit 23 Samples (New!!2025/10/18)
209 Factory Drum Kit samples
82 Footwork 160 BPM Drum Loops
268 Oneshots
82 Loops
The pack is designed for those who demand both authenticity and flexibility. Every sample can be layered, manipulated, or sequenced to create precise rhythmic structures, from the complex syncopation of Footwork to classic 808-inspired patterns."
Mint in Box. Unit was signed by Meng Qi himself on the back panel (see pictures). V1 has been Discontinued.
Wingie is the little sibling of the Wing Pinger. The portable resonator synthesizer can be supplied with power and new firmwares via USB connection. The built-in microphone and two headphone outputs invite you to experiment outside the studio. Comes with USB cable, and stickers In Box (will ship inside a second slightly larger box).
Description
Wingie is a handheld stereo resonator with built-in microphones that also doubles as a development board. Its dual onboard microphones allow you to interact and enrich vocals as well as the sonic environment around you. If you sing to it, Wingie responds with marvelously complex harmonies. Or play it as a percussive instrument and create acoustic feedback with your speakers. Wingie is small enough you can simply take it along with you and resonate with the world. However you decide to use it, Wingie can deliver a lush stereo image by just locating the sweet spots. It’s all right there in your hands.
Wingie is equipped with a stereo line input to work with the rest of your arsenal. Plus dual headphone outputs for sharing or creating feedback loops. Whatever equipment you have now, Wingie can give you a whole new way of hearing it.
There’s a USB-Type C jack for power and convenient data transfer. Wingie can also run on a power bank. To make sure you always have the most up-to-date capabilities, the USB serial chip can be readily updated. Additionally you can use the chip for alternate firmware or your own development projects.
Wingie is really whatever you wish to make of it. Use it as a portable instrument. Or work with other instruments—acoustic or electronic—for aural exploration. All this in an undeniably cute little package that’s called Wingie because it sings with whatever is in the air around you."
Rob Papen announces availability of DelGrain as creative granular delay, extending effect plug-in product line with yet more out-of-the-box thinking
ECHT, THE NETHERLANDS: virtual instrument and effect plug-in developer Rob Papen Inspiration Soundware is proud to announce availability of DelGrain — duly thinking out of the box to extend its effect plug-in product line as a creative granular delay featuring fanciful routings, a distortion feature, and FILTER, while also featuring the same DISRUPT spherical slider shared by its DelSane (stereo delay demonstrating ‘Dr. Jekyll and Mr. Hyde’ behaviour) and LowSane (‘lo-fi’ sound sculpting-specialising effect) software siblings, aimed at experimental artists, mixers, and producers — as of November 28…
It is fair to say that DelGrain has a lot in common with its DelSane software sibling, the main difference obviously being that — as its name implies — it offers a delay that plays back audio in a granular or grainy way. With that in mind, then, the granular change to the audio can be placed ahead of the delay, inside the delay, or parallel to the delay. But better still, the size of the ‘grains’ can be adjusted (GRAIN SIZE) — even in a tempo-based way, the length of the ‘grains’ (GRAIN LEN) can be be tempo-based as well, while the GRAIN SEMI tune feature has a 12-semitone range, both up and down; by being tempo-based, the granular delay itself is ideally suited to rhythmic usage on drums and percussion loops.
Reveals Rob Papen himself — both in his capacity as a virtual instrument and effect plug-in developer par excellence and also as his namesake company’s Managing Director: “DelGrain can produce some sweet-sounding delays with swirly granular sound, but its real power lies in its special sounds — not only on drums and percussion, but also on vocals, for instance. Its DISRUPT sphere with the tempo-based SPRING BACK feature allows you to change DelGrain’s parameters dynamically, and there is also a tempo-based LAZY MODE…” — meaning that the movement of that DISRUPT spherical slider can be automated in different directions, allowing users to also create new types of creative modulation sounds.
Speaking of creative sounds, Rob Papen saw fit to add a FILTER featuring a high-pass and low-pass combination, a band-pass filter, and a vocal/vowel filter that can be placed after the delay/granular combination at different spots. But before the audio even enters the granular delay, an added distortion module makes the sound options even more exciting.
Evidently excited by his namesake company’s latest creation, Rob Papen takes pride in rattling off several more exciting-sounding features that floats his creative boat by adding, “There is a self-explanatory DRY/WET MIX dial and an FX MIX dial that can mix between the ‘granular delay’ and ‘tape delay’ sounds — by the way, the ‘delay’ inside DelGrain is based on a tape delay algorithm; an AUDIO FOLLOWER input is available for side-chain control, and it can also be used to control the DISRUPT sphere; there are four different modulation slots for those who want to control DelGrain via MIDI; and last, but by no means least, DelGrain comes with the BANK MANAGER and many presets — perfect as a starting point.”
Put it this way: while it is understandable that some might take the idea of another delay plug-in promising to be different to so many others already out there with a GRAIN of salt — pun intended, it would be surely seriously remiss of Rob Papen not to assure them that DelGrain definitely delivers on that well-worn claim!
DelGrain is available — as a 64-bit AAX-, AU-, VST-, and VST3-compatible virtual instrument plug-in for Mac (OS X 10.15 or higher, ARM processor compatible) and as a 64-bit VST- and VST3-compatible virtual instrument plug-in for PC (Windows 7 or higher) with 64-bit AAX compatibility available for PT 12 or higher (PC) — at an attractive price of only €35.00 EUR/$35.00 USD from authorised Rob Papen dealers worldwide or as a download directly from Rob Papen for that same price via its dedicated webpage, which also features more in-depth information, here: https://www.robpapen.com/DelGrain.html
DelGrain is included in eXplorer-10 (https://www.robpapen.com/explorer-10.html), the latest version of Rob Papen’s all-encompassing bundle, at no additional cost; existing owners only have to download the latest installer and run it to add WirePluck to their Rob Papen virtual instrument and effect plug-in collection.
Raw FM textures for forward-thinking bass music producers
This pack captures the unmistakable character of Yamaha’s late 1980s 4-operator FM synths, with all their sharp digital edges and lo-fi charm intact. The TQ5, often hidden in the shadow of its more famous siblings, holds a unique place in synthesis history. It delivers angular, glassy tones that feel both futuristic and retro, with a sound design potential that quietly laid the groundwork for timbres now celebrated in modern club music.
Created for producers who care about texture, this collection offers bass and drum sounds with a distinct edge. Artifacts, aliasing, and resolution quirks are not just preserved but embraced, giving each sample a bite that generic VSTs rarely achieve."
"My devices can be purchased here:
https://distropolisgoods.com/
Prismatic Spray II should be out in a few days!
Let's take a look at some more of the new features in the Prismatic Spray II.
I have the new web serial visualization feature running on a Mac this time. I did a screen recording and comped it into this video to demonstrate the possibilities of web serial display & visualizations.
I start by showing how the DETUNE knob works and can create a "chorus" type effect between the two bytebeat engines.
I move on to the SLOW DOWN knob and show how you can slow the bytebeats down and even freeze time - allowing for wavetable-ish type control over the sound. (You can also accomplish this by creating very small loops with the looping feature).
MIDI PITCH BEND is shown with the help the Phantasmal Force micro MIDI controller.
GLIDE allows for some portamento action between notes.
The analog FILTER runs in stereo and is also MIDI controllable.
I finish up with an explanation of the PITCH SCALING feature, which can stretch bytebeat playback determined by a user-specified root note.
Check with dealers on the right for availability. Pics and additional details below.
"Fantastically fun, feature packed, powerful yet simple to use Venus Instruments have brought a tonne of flexibility to Eurorack sampling and looping with the VENO ORBIT.
There's multiple bonus patch from scratch uncut videos exclusive to / divkid supporters - head there to join the community and gain access."
INTRICATE IDM DRUMS INSPIRED BY AUTECHRE, APHEX TWIN, AND SQUAREPUSHER
Synth sounds in this video are from Elektron Digitone 2 sound pack “Drones & Depths”.
A focused collection of 82 experimental drum loops crafted specifically for Digitakt II and its new Grid/Slice workflow. All loops are 4 bars and perfectly mapped to 64 steps, ensuring flawless alignment, smooth transitions, accurate morphing, and full cross-compatibility between every loop.
Each loop is precisely warped/quantized so the Grid mode slices kicks, snares, hats, percussion and glitches with perfect accuracy — ready for resequencing, rearranging, or deep rhythmic mutation.
With a single press of Create Random Locks, you can generate infinite variations from any loop, unlocking new ideas instantly with one button.
The rhythmic approach follows the style of Aphex Twin and Squarepusher: complex beats built on a single track, suitable for IDM, glitch, experimental electronica, and experimental drum & bass.
Includes a ready-to-use project with effects, modulations, and macro controls for expressive performance. All samples are provided in 16-bit / 48 kHz stereo WAV, usable in any DAW but optimized for perfect behavior inside Digitakt II.
A precision-built rhythmic toolkit for avant garde, expressive, and unpredictable drums."
"Transfigure is your creative partner in sound. With just a few clicks, it turns any track into a living, breathing sonic landscape full of depth, motion, and emotion. Its clean, intuitive interface makes complex processes feel effortless. Whether you’re refining details or creating entirely new textures, Transfigure gives you the freedom to shape sound your way. The central XY pad allows for simultaneous parameter control and expressive automation, perfect for performative sound design and evolving texture.
Runs on macOS & Windows (AU, VST2, VST3, AAX, Standalone)"
2nd video timestamps:
00:00:00 Overview
00:09:02 The Modulators
00:32:09 The Sound Processors
01:08:58 The Effects
"The Unpredictable Logic of Sound: Inside the Make Noise Sample Pack
Every patch on a Make Noise system is a small act of discovery. It does not begin with a plan, but with curiosity. The machine invites you to think in voltages, to listen to circuits as if they were alive. Out of that dialogue between control and chance, something unmistakably organic emerges.
The Make Noise Modular Synth Sample Pack ver.7.5 was recorded entirely with the Shared System, Strega, and 0-Coast. Every waveform was shaped by hand, without presets, without automation. Each modulation, cross-feedback, and timing drift was allowed to evolve freely until it found its own balance.
"Please support my work on Patreon: / jayhosking Two ambient pieces composed and performed live on the ELZ_1 Play, with effects.
00:00 - Song 1 04:22 - Song 2
Sonicware sent the ELZ_1 Play over for me to explore because of its big new firmware update. To be honest, there is an overwhelming number of synth engines and effects within the ELZ_1 Play and I only briefly explored the options with any systematicity. Most of the time, I found the synth was a nice device to tweak presets or dial in a sound quickly based on a particular engine type.
A few of the synth engines are quite beautiful and unique, including some tuned noise that it is really pretty. For these explorations, I was mainly drawn to sounds I can't normally make on my other synths, like electric pianos or organs. The options to make and tweak whatever you want are there, but they require you navigating the menus to find them. That aspect works perfect well, but mostly I found the ELZ_1 Play was a great couch device where I noodle.
The biggest and best surprise was definitely the looper, which allows you to have four separate, synchonized or asynchronous loops just spinning away. The looper is an easy way to quickly find inspiration and compose something new.
For these live performances, I've also paired the ELZ_1 Play with a few effects to extend or build the ambient sketch into something a little more complete. The Walrus Qi adds some granular, delay, chorus, and reverb to the finale of the first piece, and the Meris Polymoon adds its phased delay-verb to the second. I also thought I'd try the Soma Cosmos as a different take on the looping idea for the second track.
Overall, I found the ELZ_1 Play to be a good companion for those tired days where all the music-making energy I had was on the couch. Having so many engine types meant I could explore new sounds, and having the asynchronous looper meant I was often quickly in the territory of a full piece.
Here’s a barely-used Butterfly Benjolin from Macumbista’s new “RM” series of Benjolins: a pair of Rob Hordijk’s oft-copied Benjolin synthesizers in a distinctive cigar box enclosure, made under license and with several improvements by Macumbista Instruments and Frog Leg Synthesis. The most obvious enhancement is the ring modulator now standard in Macumbista’s Benjolin designs, which greatly expands the timbral possibilities. XOR-ing signals can be a nice substitute for RM in a pitch, but it’s great to have the real thing and really dial your sounds in. Patching two ring modulators in series opens up some wild sounds. Within its deceptively simple architecture, you’ll find ample opportunity for sound design, strange loops, and a fair bit of chaos. I’ve just never had the *grá* for R2R/digital shift registers/runglers that so many of my peers have. I gave it a chance, and now I’ll let it go to someone similarly curious, or to one of those obsessives out there. If you’re curious about these, there are loads of videos about the Benjolin on YouTube that will give you a sense of what it can do. There aren’t many videos of the “Butterfly Benjolin V4,” which has the ring modulator and additional enhancements, of which this is a lovely example. Here’s the manual for Macumbista’s new “RM” line of Benjolins: https://macumbista.net/wp-content/uploads/2024/10/Benjo-cheat-sheet-1.2-mid.pdf The Butterfly is two of these in a single enclosure with shared power supply, common 0v, etc. Shipping from Berlin, Germany. It will ship with a 12v line-lump power supply in sturdy packaging."
"One Bitranger with Synapse matrix keypad, original manual and 12 DuPont pin patch cables
Excellent condition, does not include battery or PSU
The bitRanger is a patchable analog logic computer that sculpts sonic worlds ranging from data noise to melodic arpeggios. While being a handheld standalone synth, it is also right at home in the music studio. Extensive connectivity makes it so flexible that it can connect to almost anything: CV control its unique sound, sync it with drum machines and sequencers or use it as an algorithmic CV / GATE pattern generator.
Go nuts! Bit nuts!
The patchbay of the bitRanger is a place for exploration where you can simply connect outputs to inputs to see what happens. This can be done methodically or with complete experimental abandon. Go nuts! Battery Power and a built-in speaker make the bitRanger totally portable. Tweak it’s 4 knobs, 8 switches, and more than 100 patch points in the woods, on the beach, on a train, and in the studio.
Features
LFO clock oscillator for rhythmical modulation
VCO oscillator is synced to the HFO oscillator
4 modes of operation selectable by 2 switches
built-in speaker with volume control
On /Off switch
expansion connector
package includes 3 photo resistors – make your oscillators respond to light by plugging these into the Bend socket
