video upload by CROW HILL
"There is a cave, near Rome, Italy, and in that cave they make gongs. In this video Christian unveils the latest free offering as part of our vault range. An extraordinary quartet of tuned gongs, designed and used by meditation gurus as part of gong bath setups we decided, in this "first pancake" to leather them. Much to their sonic distress."
Press release follows:
The Crow Hill Company brings beautiful set of tuned gongs to free VAULTS… VI collection as …TUNED GONGS, a downloadable drop with a difference
EDINBURGH, UK: The Crow Hill Company is proud to bring a beautiful set of tuned gongs to its free VAULTS… VI (Virtual Instrument) collection as …TUNED GONGS — germinated as a downloadable drop with a difference, effectively enabling anyone to play an extraordinary quartet of harmonised gongs designed and used by meditation gurus as part of gong bath setups in a way that was never intended by their Italian creator after being bought and sampled by composer Christian Henson, original founder of the Edinburgh-based enterprise, abiding, as always, by its Make Music, Your Music motto — as of January 8…
It is sometimes said — quite often, truth be told — that All roads lead to Rome. And although that popular proverb does not apply to The Crow Hill Company’s VAULTS - TUNED GONGS in the true sense of those words’ intended meaning, Italy’s capital city could be said to have played a passing part in the VI in question’s road to reality. Composer Christian Henson picks up the tentative thread, teasing, “There is a cave, just outside Rome, and in that cave they make gongs; we’re not sponsored by them — they don’t even know we’re making this thing. They do more than you’d expect out of a big cymbal.”
Changing tact, Christian Henson clarifies: “Ask any member of The Crow Hill team about my attention span and they will say that whilst, like most of us musos, I have the capacity for hyper-focus, I’m also easily distracted — especially when it comes to something new. We’re meant to be working on a fascinating new addition to the Origins… series, but, unfortunately, I’m easy prey for an Instagram post featuring an instrument I hadn’t heard before. Correction: I’d heard gongs before; I’ve even had the chance to play one, but none that sounded like these ones. Or rather this one. The big one. So I bought a whole tree of them! That’s what’s so fulfilling about this Crow Hill project; we get to make investments on behalf of the composing fraternity, so we all get a go.”
Get this, though. “This VAULTS… features four incredible-sounding tuned gongs that were designed, I suspect, for gong bath therapy,” theorises The Crow Hill Company’s original founder, following up with some characteristically vibrant verbiage: “Beautiful, bold fundamentals; mystical, engaging harmonics; and also a bottom end that shakes the room. I very much get the feeling that these gongs are not designed to be whacked. They really do complain when they’re abused in this way. The big one… well, she growls like a distant dragon, while the smallest protests in the shape of a scoop up an entire perfect fifth before it reluctantly settles into its fundamental. We’ve basically overlapped them and layered them to give you a quite rudimentary piano-style, chromatic instrument.”
It is fair to say, then, that the sometimes badly behaving VAULTS - TUNED GONGS sounds somewhat different to any of its software siblings. Saying that, though, its intuitive GUI (Graphical User Interface) is comfortingly familiar to anyone who has laid eyes on any VAULTS… release, identical in (almost) all aspects — bar its distinguishing background colour change — to all of The Crow Hill Company’s current collection. “Front end-wise, we’ve got EXPRESSION on CC11,” continues Christian Henson. “On the gongs that are higher in pitch you do get a kind of rumble, so I would recommend being very cautious about the SUB BASS control — particularly when you close the LPF [Low Pass Filter], when there’s a super-wide low end, which is so difficult to achieve; getting that kind of fatness, but also having that stereo width is pretty incredible. If you’re confident with your bass response in your studio or on your headphones, then go for it, but this thing really does shake the room. Then we’ve got some DELAY. You can make it even wider with the REVERB, and, because we’re naughty, there’s a little bit of CRYSTALLIZER in there, which is just incredible. As always with the VAULTS… macros, they’re designed so that you can’t make it sound terrible — everything has a subtle musical quality to it.”
Concludes Christian Henson: “We’re doing something incredibly exciting; a new way of sampling, but also treating these gongs with utmost respect, appreciating their soft, infinitely nuanced harmonics that change on every hit. The distraction has become a serious one, taking weeks as they’re not easy to record. When something is shaking the room and all the air inside it, what do you mic? So we needed a test recording. What better way of ushering in 2026 than with a shuddering tree of room-shaking gongs? There are some lower dynamics in there, which will give you a sense of where we’re headed with this project — a useful tuned metallophone that’s difficult to place, but, really, the purpose of this VAULTS… is to gong these! For that odd time you need a gong for a cue, these are pure class. I also found turning my speakers up and playing at full velocity to be an excellent way of getting my teenagers down for breakfast; they don’t like them at all.”
VAULTS… releases from The Crow Hill Company — including …TUNED GONGS — are free for all to download and make music with for the rest of their lives from here: https://thecrowhillcompany.com/vaults/
For more in-depth information, please visit the dedicated VAULTS - TUNED GONGS webpage here: https://thecrowhillcompany.com/tuned-gongs/"
