"Get everything you need to take your music from first idea to finished master, including instruments, effects, and sounds trusted by the pros. Komplete 26 gives you synths, sampled instruments, drums, sound design tools, and studio effects – all in one complete music production bundle.
Whether you're composing, producing, or designing sound, Komplete gives you the tools to follow your ideas wherever they lead."
Press release follows:
Berlin, May 05, 2026 – Native Instruments today released Komplete 26 — everything a music producer needs to take a first idea to a finished, release-ready track. With over 190 premium instruments, professional mixing tools from iZotope and Brainworx, and more than 180,000 sounds, it's the most definitive music production collection NI has ever made.
Trusted by the producers behind the records you know
Komplete is used by millions of producers, composers, and musicians every month — from bedroom studios to Grammy-winning sessions. It's the instrument collection behind some of the most iconic tracks you know, and the ones you're about to make.
"I use Komplete in every single session. It lets me stay focused on the music instead of the tools, and whether I'm writing or tweaking, it's a fast way for me to transform my idea to something that feels finished." — Butch Vig (Nirvana, Smashing Pumpkins, Sonic Youth)
“Komplete has been part of my production journey since day one. I know I can open it and get exactly what I need, every time.” — Nick Hook (Run The Jewels, Hudson Mohawke)
"Komplete is a must-have for me in my studio. As someone who is always blending genres and pushing the edges of sound design, the versatility of Komplete allows me to have an entire sonic world at my fingertips at all times." — Malibu Babie (Megan Thee Stallion, Shania Twain, Sia)
New additions: sounds for every style and stage
Newly added is the legendary semi-modular synth, Absynth 6, known for its evolving, otherworldly tones. Also included are Noire and Claire – sampled from rare grand pianos – and the ethereal vocal soundscapes of Moments: Vocal Clouds.
"Meet the Buchla Ziggy - a new instrument formed around the famous Buchla “complex oscillator.” With a new, “unpatched” instrument experience, Ziggy offers quick, gestural means of assigning modulation and composing music. Ziggy incorporates many of the Buchla innovations that have long been taken for granted: digital control over the analog audio, additive synthesis, unique and musical interactions, and the focus on making an “instrument” rather than a “synthesizer.”
All sounds in the video were made with the Ziggy!
Learn more and preorder yours now at Buchla.com, a Buchla dealer, or Kickstarter!"
The Buchla Ziggy is a new instrument formed around the famous Buchla “complex oscillator.” With a new, “unpatched” instrument experience, Ziggy offers quick, gestural means of assigning modulation and composing music. Ziggy incorporates many of the Buchla innovations that have long been taken for granted: digital control over the analog audio, additive synthesis, unique and musical interactions, and the focus on making an “instrument” rather than a “synthesizer.”
Ziggy modernizes and simplifies a familiar Buchla tradition: composing music in a style of synthesis often associated with the western coast of America. Like any musical instrument, it can be played on its own, crafting sequences and sounds from its unique arrangement of controls. It pairs very nicely with a portable keyboard like the Buchla LEM218, but It also plays with a large range of third-party devices and DAWs through MIDI, USB, and 1v/octave CV.
There are a number of unique ways to shape your sounds internally and externally. The Cycler is an original modulation source that acts like the combination of a clock, envelope generator, LFO and random generator. With it, you can modulate pitch and timbre and/or trigger the gate envelopes. Other modulation sources include an “extra” slow LFO and external MIDI control. Rather than using cumbersome patchcords, modulation is assigned with switch selection and dialed in with the encoder or its own associated sliders.The modulation oscillator acts as the primary modulation source at low frequency or audio rates to modulate the Complex Oscillator with AM or FM modulation, and is often blended as a second sound source. The Envelope for the Low Pass Gate (a combination amplifier/filter) can be shaped by selecting common envelopes and manipulated in time and amount, rather than attack, decay, sustain, release.
Creatively, it is easy to quickly make music and design sounds with Ziggy. Assigning modulation to different parameters is made with simple gestures of holding buttons and moving sliders. Surprise is certain, with a source of “uncertainty” available for the Cycler’s attributes. Sounds are easily saved with the simple preset system. Glowing LEDs indicate assignments and modulations. Its unique analog sounds are sure to delight and entertain. Special chaotic modulators can be accessed from the menus, driving the sounds in unusual ways. Scales and alternate tunings expand your musical universe while pitch sliders can be quantized to scales to make them melodically playable
Musically, Ziggy is versatile. With two analog oscillators, multiple modulators, a variety of tunings, envelopes, and wavefolding and shaping, there’s a variety of sounds to be made. While Buchla is often associated with the purely experimental, there’s strange strings, wonderful drums, exotic leads, plucky percussions, and deeply felt basses that can be synthesized from Ziggy.
Practically, Ziggy fits well in a small studio. The patchcord-free design, simple USB-C power, and comprehensive MIDI control makes it easy to add to your kit; its handsome, durable enclosure of oak and steel with classic Buchla style makes it belong. Configure the device through its simple menus or using a web browser and the web app.
"I'm pleased to announce that I will be performing the world premiere of my piece Gradient Noise at the International Computer Music Conference (ICMC) in Hamburg, Germany on May 11 at 9:30pm. The following video except represent the work in progress. The final piece will be 10 minutes long and contain up to four layers of instruments with independent, corresponding, video objects.
Since 2019 I have been composing animated graphic scores for ensembles and soloists. Examples include Parking Ramp Project, SYNTAX, and Rhodonea. These generative works are projected for both the performers to read and audience to experience. I write software to generate and animate the geometric forms, and establish rules on how the forms are read, whilst allowing improvisation and the emotional response of the performer to play an integral part in each piece.
Gradient Noise, written using the Processing.org language, translates values generated by the Perlin noise algorithm into independent layers of seamless loops repeating at variable intervals. These loops are visualised as geometric forms, abstract visualizations, and evolving structures. The data generated is aleatoric, but the values can be tuned to range between slowly moving gradients or rapid, angular forms. When the sound and visuals are synchronized I respond not only to the animation but also to the changes in the timbre of my instruments.
Through Gradient Noise I am rethinking the relationships between musicians and machines. By translating the properties of n-dimensional Perlin noise into a musical language, the piece presents a unified ecosystem with coordinated timbres and geometric forms. Thus generating a living environment that requires active participation and improvisation. Ultimately, the work presents a contemporary model for computer music where the performer does not simply follow a score, but negotiates a path through a responsive, multi-sensory experience.
"'Harmony of the Spheres' is a truly remarkable soundset for the Waldorf Iridium and Quantum synthesizers with 50 exclusive presets created by the well-known sound designer, film composer and sound therapist, Otto K. Schwarz. Whether you are composing ambient journeys, cinematic soundtracks, meditative music, experimental electronica or simply seeking moments of cosmic resonance, “Harmony of the Spheres” invites you to become part of this eternal harmony!
As the name suggests, this soundbank is dedicated to the ancient philosophical concept of the harmony of the spheres, also known as Musica universalis. The ancients spoke of the musical and mathematical structure of the cosmos. They believed that the movement of heavenly bodies gives rise to a perfect harmony, expressed through distances equal to the consonant musical proportions — a celestial symphony that resonates through the universe itself.
On the powerful wavetable, granular and sampling engines of the Iridium and Quantum, this philosophy comes vividly to life. Here you will find multi-layered pads that dissolve into infinite cosmic depths, evolving sequences that mirror the the cosmic cycles and events, hypnotic arpeggios that echo the orbital dance of planets and moons, cosmic leads that pierce the veil of unseen, and ethereal keys bathed in the radiant frequencies of starlight.
Otto K. Schwarz, with over 12 years of experience and collaborations with leading manufacturers such as Access Music, Modal Electronics and Native Instruments, brings his signature blend of psychoacoustic depth, emotional intelligence and therapeutic insight to this library. Each preset is meticulously sculpted to evoke not just sound, but a sense of universal connection — a sonic meditation on the hidden music that binds all existence! Experience the Journey!"
Keep an eye on the following links for the soundset:
"This listing is for a vintage 1980's Ensoniq ESQ-1 Analog/Digital Polyphonic Synthesizer Workstation that comes with an Ensoniq Sequencer Expander Cartridge and power cord. This synthesizer is in good physical and working condition. The winning bidder will receive exactly what is pictured.
The Ensoniq ESQ-1 is a 61-key, velocity sensitive, eight-note polyphonic and multitimbral synthesizer released by Ensoniq in 1985. It was marketed as a "digital wave synthesizer" but is actually an early music workstation. Although its voice generation is typically subtrative in much the same fashion as most analog synthesizer that preceded it, its oscillators are neither voltage nor digitally controlled, but true digital oscillators, provided by a custom Ensoniq wavetable chip. The signal path includes analog resonant low-pass filters and an analog amplifier.
Her life journey has been remarkable. At the end of the fifties, she studied in Paris with musique concrète pioneers Pierre Schaeffer and Pierre Henry, whom she also assisted, notably for the premiere of L'Apocalypse de Jean. During the sixties she began composing with primitive electronics (feedback and asynchronous tape loops), but found little recognition for her research in France.
In New York in the early seventies, she found understanding and emulation, exploring emerging minimalism with James Tenney, Charlemagne Palestine, Phillip Glass, John Gibson, and Steve Reich. Her absolute allegiance to electronic sounds began during this period. Since then she has composed on the best synthesizers of the time: Buchla, Moog, Serge, and then ARP, which would become her fetish instrument. She collaborated with Robert Ashley, who sang on Les Chants de Milarepa. She has composed about two dozen works, which she has presented and continues to present at numerous prestigious venues and festivals in the United States and Europe.
In 2004, upon Kasper Toeplitz´s request, she started instrumental compositions for one or more performers, with whom she works in a close collaboration during the compositional process. This work gets quickly focused on pure acoustic sounds, in an incredibly delicate timbral way, which extends, without aesthetic rupture, her electronic work. Notably between 2004 and 2009, she completed a cycle in three parts 'Naldjorlak', for Charles Curtis on cello, Carol Robinson and Bruno Martinez on basset horns. She has now stopped her electronic work."
Emmanuel Holterbach (Translation Leslie Stuck)"
The following is a collection of some of her works:
"In Buddhism, the number 9 signifies spiritual completion, ultimate enlightenment, and the highest level of consciousness (the ninth consciousness, or Buddha nature). It represents the culmination of the path to Nirvana, the 9 virtues of the Buddha, and is often associated with auspiciousness, progress, and the 9 states of delusion (nine worlds)."
Some history on Eliane Radigue via Wikipidia:
"Radigue was born in a modest family of merchants and raised in Paris at Les Halles.[5] She later married the French-born American artist Arman with whom she lived in Nice while raising their three children, before returning to Paris in 1967. She had studied piano and was already composing before hearing a broadcast by the founder of musique concrète Pierre Schaeffer. She soon met him, and in the early '50s became his student, working periodically at the Studio d'Essai during visits to Paris. In the early 1960s, she was assistant to Pierre Henry, creating some of the sounds which appeared in his works.[6] As her own work matured, Schaeffer and Henry felt that her use of microphone feedback and long tape loops (as heard in Vice-Versa and Feedback Works 1969-1970) was moving away from their ideals, though her practice was still related to their methods.
Radigue's death was announced on February 24, 2026. Her cause of death was not stated.[7][8]
Inspired by Timeless Techniques
'Air' draws its inspiration from Brian Eno's Music for Airports and the concept of overlapping tape loops. This Ableton Max for Live plugin translates these ideas into a modern generative sequencer, enabling you to explore infinite musical possibilities without repetitive programming.
Effortless Note Generation
Forget the constraints of the piano roll. 'Air' generates notes autonomously, creating endless variations of melodies, rhythms, and harmonies. Your music becomes a living, breathing entity that evolves over time, making each moment unique.
Perfect for Experimental and Ambient Music
Whether you're crafting immersive ambient soundscapes, exploring experimental electronica, or composing intricate minimal music, "Air" provides the tools to elevate your creativity. Its generative approach ensures that no two performances are ever the same, offering a fresh perspective with every playback.
Features Designed for Limitless Inspiration
Evolving Sequences: Generate infinitely unique patterns that never repeat.
Customizable Settings: Fine-tune parameters to align with your artistic vision.
Seamless Integration: Designed for Ableton Live users who value creativity and experimentation.
Create Music That Breathes
'Air' is more than a plugin—it's a partner in creation, designed for musicians who embrace unpredictability and seek to push boundaries. Unleash the power of generative composition and let your music take flight."
"There is a cave, near Rome, Italy, and in that cave they make gongs. In this video Christian unveils the latest free offering as part of our vault range. An extraordinary quartet of tuned gongs, designed and used by meditation gurus as part of gong bath setups we decided, in this "first pancake" to leather them. Much to their sonic distress."
Press release follows:
The Crow Hill Company brings beautiful set of tuned gongs to free VAULTS… VI collection as …TUNED GONGS, a downloadable drop with a difference
EDINBURGH, UK: The Crow Hill Company is proud to bring a beautiful set of tuned gongs to its free VAULTS… VI (Virtual Instrument) collection as …TUNED GONGS — germinated as a downloadable drop with a difference, effectively enabling anyone to play an extraordinary quartet of harmonised gongs designed and used by meditation gurus as part of gong bath setups in a way that was never intended by their Italian creator after being bought and sampled by composer Christian Henson, original founder of the Edinburgh-based enterprise, abiding, as always, by its Make Music, Your Music motto — as of January 8…
It is sometimes said — quite often, truth be told — that All roads lead to Rome. And although that popular proverb does not apply to The Crow Hill Company’s VAULTS - TUNED GONGS in the true sense of those words’ intended meaning, Italy’s capital city could be said to have played a passing part in the VI in question’s road to reality. Composer Christian Henson picks up the tentative thread, teasing, “There is a cave, just outside Rome, and in that cave they make gongs; we’re not sponsored by them — they don’t even know we’re making this thing. They do more than you’d expect out of a big cymbal.”
Changing tact, Christian Henson clarifies: “Ask any member of The Crow Hill team about my attention span and they will say that whilst, like most of us musos, I have the capacity for hyper-focus, I’m also easily distracted — especially when it comes to something new. We’re meant to be working on a fascinating new addition to the Origins… series, but, unfortunately, I’m easy prey for an Instagram post featuring an instrument I hadn’t heard before. Correction: I’d heard gongs before; I’ve even had the chance to play one, but none that sounded like these ones. Or rather this one. The big one. So I bought a whole tree of them! That’s what’s so fulfilling about this Crow Hill project; we get to make investments on behalf of the composing fraternity, so we all get a go.”
Get this, though. “This VAULTS… features four incredible-sounding tuned gongs that were designed, I suspect, for gong bath therapy,” theorises The Crow Hill Company’s original founder, following up with some characteristically vibrant verbiage: “Beautiful, bold fundamentals; mystical, engaging harmonics; and also a bottom end that shakes the room. I very much get the feeling that these gongs are not designed to be whacked. They really do complain when they’re abused in this way. The big one… well, she growls like a distant dragon, while the smallest protests in the shape of a scoop up an entire perfect fifth before it reluctantly settles into its fundamental. We’ve basically overlapped them and layered them to give you a quite rudimentary piano-style, chromatic instrument.”
It is fair to say, then, that the sometimes badly behaving VAULTS - TUNED GONGS sounds somewhat different to any of its software siblings. Saying that, though, its intuitive GUI (Graphical User Interface) is comfortingly familiar to anyone who has laid eyes on any VAULTS… release, identical in (almost) all aspects — bar its distinguishing background colour change — to all of The Crow Hill Company’s current collection. “Front end-wise, we’ve got EXPRESSION on CC11,” continues Christian Henson. “On the gongs that are higher in pitch you do get a kind of rumble, so I would recommend being very cautious about the SUB BASS control — particularly when you close the LPF [Low Pass Filter], when there’s a super-wide low end, which is so difficult to achieve; getting that kind of fatness, but also having that stereo width is pretty incredible. If you’re confident with your bass response in your studio or on your headphones, then go for it, but this thing really does shake the room. Then we’ve got some DELAY. You can make it even wider with the REVERB, and, because we’re naughty, there’s a little bit of CRYSTALLIZER in there, which is just incredible. As always with the VAULTS… macros, they’re designed so that you can’t make it sound terrible — everything has a subtle musical quality to it.”
Concludes Christian Henson: “We’re doing something incredibly exciting; a new way of sampling, but also treating these gongs with utmost respect, appreciating their soft, infinitely nuanced harmonics that change on every hit. The distraction has become a serious one, taking weeks as they’re not easy to record. When something is shaking the room and all the air inside it, what do you mic? So we needed a test recording. What better way of ushering in 2026 than with a shuddering tree of room-shaking gongs? There are some lower dynamics in there, which will give you a sense of where we’re headed with this project — a useful tuned metallophone that’s difficult to place, but, really, the purpose of this VAULTS… is to gong these! For that odd time you need a gong for a cue, these are pure class. I also found turning my speakers up and playing at full velocity to be an excellent way of getting my teenagers down for breakfast; they don’t like them at all.”
VAULTS… releases from The Crow Hill Company — including …TUNED GONGS — are free for all to download and make music with for the rest of their lives from here: https://thecrowhillcompany.com/vaults/
"Ableton Air Inspired by Timeless Techniques 'Air' draws its inspiration from Brian Eno's Music for Airports and the concept of overlapping tape loops. This Ableton Max for Live plugin translates these ideas into a modern generative sequencer, enabling you to explore infinite musical possibilities without repetitive programming.
Effortless Note Generation Forget the constraints of the piano roll. "Air" generates notes autonomously, creating endless variations of melodies, rhythms, and harmonies. Your music becomes a living, breathing entity that evolves over time, making each moment unique.
Perfect for Experimental and Ambient Music Whether you're crafting immersive ambient soundscapes, exploring experimental electronica, or composing intricate minimal music, "Air" provides the tools to elevate your creativity. Its generative approach ensures that no two performances are ever the same, offering a fresh perspective with every playback.
Features Designed for Limitless Inspiration Evolving Sequences: Generate infinitely unique patterns that never repeat. Customizable Settings: Fine-tune parameters to align with your artistic vision. Seamless Integration: Designed for Ableton Live users who value creativity and experimentation.
Create Music That Breathes 'Air' is more than a plugin—it's a partner in creation, designed for musicians who embrace unpredictability and seek to push boundaries. Unleash the power of generative composition and let your music take flight."
Xiphonics picoTracker Advance Resembling a Matrix GameBoy and slightly larger than a passport, this portable music workstation is a portal to eight-track composition with muscular sequencing and a suite of instruments and effects. We're the exclusive North American dealer for the pico Tracker Advance: give it a peek and level up your downtime."
"The Xiphonics picoTracker is a portable tracker that offers a premium experience for on-the-go music creation. From the 4", 720x720 color display to the incredible tactile keys, you get sensations that will make it hard to put this device down—nor will you need to with an incredible six hours of battery life. The software and key combinations are easy to use: inside of a few minutes you'll be up and running creating some interesting textures and driving beats. Load in your own samples on the included SD card or sample directly in the device using the internal mic or 1/8" TRS line input.
When composing, you have access to eight stereo channels with sixteen steps for chaining Phrases, which themselves have sixteen steps available to program. When programming phrases, you have access to the notes, step behavior, instrument selection, and effects. With this combination you can get lost weaving together intricate rhythms and stitching together disparate textures to construct nuanced, full-ensemble arrangements. There's also a Groove section which allows you to adjust the timing with an incredible amount of precision, allowing for a natural—or unnatural—rhythmic feel. One of the most interesting options with the picoTracker is the Table screen, which lets you create complex effect sequences that can be looped, played once, or can jump between different sections. These Tables can be triggered via an Instrument or a Phrase.
When you've finished your piece, or want to take it into another device or DAW, you can render out a Mixdown or individual stems right on the device itself. Indeed, the Xiphonics picoTracker behaves much like any other tracker, but the options presented by the interface and the physical interaction really has this lovely little friend punching above its weight.
"Discover 158 acoustic and electronic sounds of all categories, for composing in lots of music genres! Initially designed for the dualo du-touch (https://dualo.com/dualo), the soundbank is now adapted for all MPE controllers! Requires Decent Sampler 1.13.11 or above.
MPE controls: Play with X, Y and Z axes on MPE keyboards such as Exquis (or only on Z axis on Polyphonic Aftertouch keyboards) to modulate notes individually, and play with the 4 knobs to apply effects. A certain number of sounds (especially acoustic) also react to velocity.
Exquis owner? Use presets within Exquis app (Decent Sampler V.1.15.0 required) Once you purchased Dualo Legacy soundbank, open Exquis app and scan Decent Sampler plug-in as VST3, then download the Dualo Legacy soundbank from Decent Sampler store. You will then be able to load all Dualo Legacy presets from the Presets tab. Percussion presets are automatically linked to custom key layouts for Exquis keyboard.
Inspired by Timeless Techniques "Air" draws its inspiration from Brian Eno's Music for Airports and the concept of overlapping tape loops. This Ableton Max for Live plugin translates these ideas into a modern generative sequencer, enabling you to explore infinite musical possibilities without repetitive programming. Effortless Note Generation Forget the constraints of the piano roll. "Air" generates notes autonomously, creating endless variations of melodies, rhythms, and harmonies. Your music becomes a living, breathing entity that evolves over time, making each moment unique. Perfect for Experimental and Ambient Music Whether you're crafting immersive ambient soundscapes, exploring experimental electronica, or composing intricate minimal music, "Air" provides the tools to elevate your creativity. Its generative approach ensures that no two performances are ever the same, offering a fresh perspective with every playback. Features Designed for Limitless Inspiration Evolving Sequences: Generate infinitely unique patterns that never repeat. Customizable Settings: Fine-tune parameters to align with your artistic vision. Seamless Integration: Designed for Ableton Live users who value creativity and experimentation. Create Music That Breathes "Air" is more than a plugin—it's a partner in creation, designed for musicians who embrace unpredictability and seek to push boundaries. Unleash the power of generative composition and let your music take flight."
"I finally agreed to make a video showing my synthesizer studio. I'm NOT a collector, so you'll see the instruments I've used for over four decades to do my work. It's also my space for composing. In this deep dive studio tour, I walk you through every corner of my space, showing how everything’s connected for performing, recording, and creative flow.
You’ll see icons like the 'Plantasia' Moog Modular IIIc, Synclavier II, Rhodes Chroma with Expander & Enabler, Oberheim Four Voice, Elka Synthex, Roland Jupiter 8, Sequential Circuits Prophet-5, ARP 2600s, Korg MS modular synths, some classic Minimoog — plus a few modern synths I’ve added as I look to the future. Alongside the synths are vintage drum machines, string machines, and rare electric keyboards including a 1973 Fender Rhodes Suitcase and Hohner Clavinet/Pianet Duo.
We'll also explore racks of outboard gear, vocoder units, tape echoes, and a vast array of my custom guitar pedal options, efx pedal boards and studio effects racks that make this room endlessly inspiring. I'll also reveal how my entire studio is designed for instant creativity, featuring 48 channels of synth drivers and stage boxes, so any synth can be patched and recorded on the fly."
"Cameron Jones: Synclavier, singing, and a life in music (Interview)
We sit down for an in-depth conversation with Cameron Jones, co-inventor and principal software architect of the legendary Synclavier synthesizers. We talk about his early interests, his time with New England Digital and the Synclavier, and his life in and love of music.
The interview was recorded at Knobcon 2025, where Jones was a featured speaker.
To find out more about Cameron Jones and the past, present, and future of Synclavier, please visit the official website:
https://synclavier.com
00:00 Introduction
00:29 Cameron Jones introduces himself
01:11 Being in the right place at the right time
05:25 Additive synthesis, FM synthesis, and sampling
11:45 Synclavier
15:05 The symbiosis of musicians and music technology
19:09 Composing in this era of music technology
22:59 The individuality of musicians and their instruments
27:00 Cameron Jones journey in music (orchestras, singing, theater)
41:20 Conclusion
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"We play a set of improvised music on the Novation Summit and Eurorack modular synthesizer, following the creative impulse from moment to moment, connected in a flowing river of sound, with energy and note reflecting back and forth like light in a prism.
This set was played entirely in the quarter comma meantone tuning system, with 3 sharps and 2 flats."
"Now on Iteration 2 of our 12-String Iterative Music Process, let's take a look at some ways to categorize sounds when Organizing them for Morphagene or other electronic music tools! With the help of the classic book 'Composing With Tape Recorders' by Terence Dwyer.
All the project iteration Reels as well as the Iteration 3 spreadsheet can be found in this Drive folder:
"SOLFA – A Generative MIDI Sequencer for Minimal and Experimental Music https://akihikomatsumoto.sellfy.store... Inspired by Arvo Pärt, Designed for Creative Exploration SOLFA is a generative MIDI sequencer for Ableton Max for Live, built for electronic music producers, experimental composers, ambient sound designers, and those interested in algorithmic composition. Inspired by the works of Arvo Pärt, this tool allows you to create evolving, hypnotic patterns that seamlessly blend tonal minimalism with rhythmic complexity. Minimal Pitch, Infinite Possibilities At the core of SOLFA is a simple seven-note sequence. These notes are randomized across octaves, generating organic melodic shifts. This structured yet fluid approach results in endlessly varying musical textures that maintain a coherent harmonic identity. Independent Rhythmic Structures SOLFA employs isorhythmic principles, where the pitch sequence operates independently from the rhythm pattern. This allows for intricate, evolving interactions between melody and rhythm, giving rise to unexpected yet deeply musical results. Ideal for Generative and Experimental Music Whether you're composing ambient soundscapes, intricate polyrhythmic pieces, or avant-garde electronic music, SOLFA provides a unique method for crafting evolving compositions with minimal input. By embracing randomness within defined constraints, it encourages exploration while maintaining musical cohesion. Unlock New Creative Dimensions Transform simple ideas into dynamic, evolving sequences with SOLFA. Experiment with chance, structure, and unpredictability to discover new musical possibilities. Now available for Max for Live.
"ELTA MUSIC - SOLAR 42F
Erica Synths - PERKONS HD-01
Gamechanger Audio - FX pedal
SOLAR 42 is a unique experimental electro-music instrument, an analogue microtonal ambient drone machine. It will inspire you to find a new and spontaneous approach to composing music.
The instrument is oriented for live performances, creating film soundtracks, theatre soundtracks, atmospheric sounds, microtonal and background music. The instrument was inspired by early electronic musical instruments of the 1920s and 1950s, notably Leo Theremin's «Harmonium» instrument, as well as science fiction film soundtracks."
