Ambient Generative Music | Ableton Air & Roland JP-8080

video upload by Akihiko Matsumoto

"Generative Sequencer: Ableton Air https://akihikomatsumoto.sellfy.store...

Inspired by Timeless Techniques
"Air" draws its inspiration from Brian Eno's Music for Airports and the concept of overlapping tape loops. This Ableton Max for Live plugin translates these ideas into a modern generative sequencer, enabling you to explore infinite musical possibilities without repetitive programming.
Effortless Note Generation
Forget the constraints of the piano roll. 'Air' generates notes autonomously, creating endless variations of melodies, rhythms, and harmonies. Your music becomes a living, breathing entity that evolves over time, making each moment unique.
Perfect for Experimental and Ambient Music
Whether you're crafting immersive ambient soundscapes, exploring experimental electronica, or composing intricate minimal music, "Air" provides the tools to elevate your creativity. Its generative approach ensures that no two performances are ever the same, offering a fresh perspective with every playback.
Features Designed for Limitless Inspiration
Evolving Sequences: Generate infinitely unique patterns that never repeat.
Customizable Settings: Fine-tune parameters to align with your artistic vision.
Seamless Integration: Designed for Ableton Live users who value creativity and experimentation.
Create Music That Breathes
'Air' is more than a plugin—it's a partner in creation, designed for musicians who embrace unpredictability and seek to push boundaries. Unleash the power of generative composition and let your music take flight."

Clatters Machines Introduces SONORA Spectral Mixing Output Module

Video Manual upload by Clatters Machines

Chapters:

0:00 Meet Sonora
0:09 What's Sonora?
1:15 Headphones on!
1:30 12 pre-panned inputs summing mixer
1:59 Dive into stereophony possibilities
4:18 Pro Line outputs
4:28 Headphones output and loudness indicators
4:35 LED meter and soft clipping limiter circuit
4:53 Why Sonora?
5:15 Ciao!

"Sonora is a 6HP, skiff friendly, spectral mixing output module designed to be the ultimate sound stage of your eurorack setup.
A place where all your mixes meet and find a stereophonic solution for your final track thanks to its twelve fixed panning inputs that allow you to give each track its own space and importance in the stereo field. While being a 12 inputs summing mixer, Sonora also features a LED meter, a soft clipping limiter circuit at the output stage, a headphone output section with loudness indicators and 3.5mm pro line output jacks.

Features:

12 pre-panned audio inputs:
2 hard left inputs;
2 hard right inputs;
2 mid left inputs;
2 mid right inputs;
1 low left input;
1 low right input;
2 mono inputs;
3.5mm stereo headphones socket (300mW headphone amp @200Ω impedance) with dedicated volume control and stereo LEDs loudness indicators;
3.5mm pro line outputs jacks (+4dBu);
master volume control;
stereo LEDs meter with 0dB reference indicator;
soft clipping limiter circuit;"


Update: press release follows:

"Clatters Machines announces availability of Sonora spectral mixing output module as ultimate sound stage for Eurorack setups

SAN BENEDETTO DEL TRONTO, ITALY: small town lovers of music and electronic instruments Clatters Machines is proud to announce availability of its Sonora spectral mixing output module — aimed at acting as the ultimate sound stage for Eurorack setups by being marketed as a place where all of a user’s mixes meet to find a stereophonic solution for the final track, thanks to 12 fixed panning inputs that allow each track to breathe in its own space while also determining its importance in the stereo field — as of May 23…

Translated to generally meaning sound (in English), sonora is actually an Italian feminine adjective that stands for loud, resonant, ringing, and sonic — depending on the context in which it is used; however, in the context of Sonora being aimed at acting as the ultimate sound stage for Eurorack setups as Clatters Machines’ latest module, who better, then, to introduce it than company Co-founder, engineer, designer Michelangelo Nasso. “A compact, final sound stage module was an obvious — and needed — choice for us,” he begins, before briefly detailing how it came into being: “As musicians, we’ve always struggled with headphone/output/mixing modules. Most modules in this field take up way too much space inside a case — space that we’d prefer to fill with other effects, sound sources, and utilities. And although some other output
modules are super-small, which is nice, they usually lack features, so we tried to solve this problem with what we think is the
perfect combination of what’s already out there.”

Think 12 pre-panned audio inputs — including two hard-left inputs, two hard-right inputs, two mid-left inputs, two mid-right inputs, one low-left input, one low-right input, and two mono inputs. “So Sonora has 12 pre-panned audio inputs, which is great if you’re composing with multiple sound sources,” says Michelangelo Nasso, continuing: “We came up with the idea of additionally assigning a fixed panning space to each input, so the possibility of creating a perfectly stereo balanced final track is pretty straightforward.”

Further features abound, as Michelangelo Nasso notes: “Once we created what is basically a spectral 12-input summing mixer, we decided to go all in and added all the features we think are a must for an end-of-chain module, such as a 3.5mm stereo HEADPHONES socket, with dedicated volume control and stereo LED loudness indicators; 3.5mm pro LINE outputs; stereo LED meter, with a 0dB reference indicator; and a soft clipping limiter circuit, which we believe is always handy, both to protect your gear and spice things up!”

And as if that is not an exciting enough prospect in itself, all those features fit neatly into a 6HP-wide module with an anodised brush aluminium front panel that is available in either black or silver, so standing out from the sound of the crowd with what is surely the ultimate sound stage for a Eurorack setup also applies to what a Sonora purchaser prefers that proposition to look like.

Sonora is available worldwide — with a choice of silver- or black-coloured aluminium front panels — from Clatters Machines’ growing global network of retailers (https://clattersmachines.com/retailers-3/) or directly via its online Store (https://clattersmachines.com/shop/) for €245.00 EUR (plus VAT). For more in-depth information, please visit the dedicated Sonora webpage here: https://clattersmachines.com/prodotto/sonora/"

Check dealers on the right for availability.

A human composing livestream: Ambient Cinematic with Steampipe!

video upload by Quincas Moreira Music

"Writing a song a week for my independent music library: Site forthcoming: HumanMusic.org!"

Touch 2 by Synthux Academy!

video upload by Quincas Moreira Music

"This is an edit (by Edgar Lopez - Thanks Edgar) of the composition livestream I did (I try to do them daily) centered around the Synhux Academy Simple Touch 2 synthesizers I was given by the brand at Superbooth 2024. It's the first in this new format where I focus certain livestreams on composing with a particular instrument and then turn that stream into a review or tutorial. Hope you like it!"

https://www.quincasmoreira.com/

Minimoog & Ableton SOLFA – A Generative MIDI Sequencer for Minimal and Experimental Music

video upload by Akihiko Matsumoto

"SOLFA – A Generative MIDI Sequencer for Minimal and Experimental Music
https://akihikomatsumoto.sellfy.store...
Inspired by Arvo Pärt, Designed for Creative Exploration
SOLFA is a generative MIDI sequencer for Ableton Max for Live, built for electronic music producers, experimental composers, ambient sound designers, and those interested in algorithmic composition. Inspired by the works of Arvo Pärt, this tool allows you to create evolving, hypnotic patterns that seamlessly blend tonal minimalism with rhythmic complexity.
Minimal Pitch, Infinite Possibilities
At the core of SOLFA is a simple seven-note sequence. These notes are randomized across octaves, generating organic melodic shifts. This structured yet fluid approach results in endlessly varying musical textures that maintain a coherent harmonic identity.
Independent Rhythmic Structures
SOLFA employs isorhythmic principles, where the pitch sequence operates independently from the rhythm pattern. This allows for intricate, evolving interactions between melody and rhythm, giving rise to unexpected yet deeply musical results.
Ideal for Generative and Experimental Music
Whether you're composing ambient soundscapes, intricate polyrhythmic pieces, or avant-garde electronic music, SOLFA provides a unique method for crafting evolving compositions with minimal input. By embracing randomness within defined constraints, it encourages exploration while maintaining musical cohesion.
Unlock New Creative Dimensions
Transform simple ideas into dynamic, evolving sequences with SOLFA. Experiment with chance, structure, and unpredictability to discover new musical possibilities. Now available for Max for Live."

Ableton SOLFA – A Generative MIDI Sequencer for Minimal and Experimental Music

video upload by Akihiko Matsumoto

"SOLFA – A Generative MIDI Sequencer for Minimal and Experimental Music
https://akihikomatsumoto.sellfy.store...
Inspired by Arvo Pärt, Designed for Creative Exploration
SOLFA is a generative MIDI sequencer for Ableton Max for Live, built for electronic music producers, experimental composers, ambient sound designers, and those interested in algorithmic composition. Inspired by the works of Arvo Pärt, this tool allows you to create evolving, hypnotic patterns that seamlessly blend tonal minimalism with rhythmic complexity.
Minimal Pitch, Infinite Possibilities
At the core of SOLFA is a simple seven-note sequence. These notes are randomized across octaves, generating organic melodic shifts. This structured yet fluid approach results in endlessly varying musical textures that maintain a coherent harmonic identity.
Independent Rhythmic Structures
SOLFA employs isorhythmic principles, where the pitch sequence operates independently from the rhythm pattern. This allows for intricate, evolving interactions between melody and rhythm, giving rise to unexpected yet deeply musical results.
Ideal for Generative and Experimental Music
Whether you're composing ambient soundscapes, intricate polyrhythmic pieces, or avant-garde electronic music, SOLFA provides a unique method for crafting evolving compositions with minimal input. By embracing randomness within defined constraints, it encourages exploration while maintaining musical cohesion.
Unlock New Creative Dimensions
Transform simple ideas into dynamic, evolving sequences with SOLFA. Experiment with chance, structure, and unpredictability to discover new musical possibilities. Now available for Max for Live.
ver.2.1 ... Fixed UI bug. (4/1/2025)
ver.2.0 ... Added random mode. (3/31/2025)"

Ableton Air & Ciat Lonbarde Plumbutter 2

video upload by Akihiko Matsumoto

Sequencer: Ableton Air https://akihikomatsumoto.sellfy.store...
Delay: Shoegazer Reverse Gate https://akihikomatsumoto.sellfy.store... "Ableton Air
Inspired by Timeless Techniques
'Air' draws its inspiration from Brian Eno's Music for Airports and the concept of overlapping tape loops. This Ableton Max for Live plugin translates these ideas into a modern generative sequencer, enabling you to explore infinite musical possibilities without repetitive programming.

Effortless Note Generation
Forget the constraints of the piano roll. 'Air' generates notes autonomously, creating endless variations of melodies, rhythms, and harmonies. Your music becomes a living, breathing entity that evolves over time, making each moment unique.

Perfect for Experimental and Ambient Music
Whether you're crafting immersive ambient soundscapes, exploring experimental electronica, or composing intricate minimal music, 'Air' provides the tools to elevate your creativity. Its generative approach ensures that no two performances are ever the same, offering a fresh perspective with every playback.

Features Designed for Limitless Inspiration
Evolving Sequences: Generate infinitely unique patterns that never repeat.
Customizable Settings: Fine-tune parameters to align with your artistic vision.
Seamless Integration: Designed for Ableton Live users who value creativity and experimentation.

Create Music That Breathes
'Air' is more than a plugin—it's a partner in creation, designed for musicians who embrace unpredictability and seek to push boundaries. Unleash the power of generative composition and let your music take flight."

The World's First Programmable Synthesizer and its Pulitzer Prize Winning Music

video upload by ITSPmagazine

"This synthesizer is the world's first programmable music synthesizer. The first piece of electronic music to win the Pulitzer Prize was made on it.

basically a two voice synthesizer with tone generation and composing in the left hand side and processing on the right hand side, including manual binary for the, uh, ordering of the effects processes. Um, which for its time, uh, essentially like a uh, touring computer. Um, uh, was it You know, one and a half tons, seven feet tall, 14 feet wide, it's quite a behemoth, but now it's a very large paperweight.

Watch the full video:" [The above comes in at 22:41 - vintage Buchla, Serge & more follow. See this post for the red Buchla LSD module]

How Technology is Changing the Way We Make Music | A Conversation with Seth Cluett

video upload by ITSPmagazine

"Guest: Seth Cluett, Director of Columbia University’s Computer Music Center | On LinkedIn: / seth-cluett-7631065 | Columbia University Computer Music Center Bio: https://cmc.music.columbia.edu/bios/s...

Host: Sean Martin, Co-Founder at ITSPmagazine and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/

Show Notes

Music and technology have always shaped each other, and few places embody that relationship as deeply as the Computer Music Center (CMC) at Columbia University. In this episode of Music Evolves, Sean Martin sits down with Seth Cluett, Director of the Computer Music Center and Assistant Director of the Sound Art MFA program at Columbia, to explore the center’s rich history, its role in advancing music technology, and how it continues to shape the future of sound.

The Legacy and Mission of the Computer Music Center

The CMC is housed in the same 6,000-square-foot space as the original Columbia-Princeton Electronic Music Center, which dates back to 1951 and is one of the world’s oldest university-based electronic music research facilities. This was the birthplace of early electronic music, where pioneers learned to use cutting-edge technology to create new sounds. Many of those musicians went on to establish their own studios around the world, from Egypt to Japan.

The center has played a role in major milestones in music history, including the work of Wendy Carlos, a former student known for Switched-On Bach, the score for Tron, and The Shining. The first piece of electronic music to win a Pulitzer Prize was also composed here. Today, under Cluett’s leadership, the focus remains on creativity-driven technological innovation—allowing composers and artists to explore technology freely and push the boundaries of what’s possible in sound and music.

One of the center’s guiding principles is accessibility. Cluett emphasizes the importance of lowering barriers to entry for students who may not have had prior access to music technology. The goal is to make sure that anyone, regardless of background, can walk into the studio and begin working with 80% of its capabilities within the first 20 minutes.

Exploring the Labs and Studios

The episode also includes a tour of the labs and studios, showcasing some of the center’s groundbreaking equipment. One highlight is the RCA Mark II Synthesizer, the world’s first programmable music synthesizer. Built in the late 1950s, this massive machine—seven feet tall and weighing over a ton—was instrumental in shaping the sound of early electronic music. The system worked by punching holes into paper to control sound generation, similar to a player piano. While no longer in use, the CMC has collaborated with iZotope to model some of its effects digitally.

CLICK FOR MORE »

Tutorial | SOLAR 42F

video upload by ELTA music

00:00 INTRO
00:10 Description
00:45 The main thing when switching on the device
01:25 Structure
02:07 DRONE VOICES | Description
02:16 DRONE VOICES | 1,2,4,5
03:50 DRONE VOICES | Foto sensors
05:49 DRONE VOICES | Effect of lighting on SOLAR sensors
06:49 DRONE VOICES | VOLT knob and FM effect
08:25 DRONE VOICES | keyboard, gate, env and VCA
14:30 Drone voice 3, 6
19:08 Drone voice 3, 6 | White noise generator
20:25 Drone voice 3, 6 | Sample and Hold
21:03 Drone voice 3, 6 | Example of sounds
24:09 Drone voice 3, 6 | Example sounds of all Drone voices
25:11 VOLT octave VOICES VCO A and VCO B | Description
28:00 VOLT octave VOICES VCO A and VCO B | Voice connectors
28:20 VOLT octave VOICES VCO A and VCO B | FM
29:44 VOLT octave VOICES VCO A and VCO B | VCA and Envelope generator
30:59 VOLT octave VOICES VCO A and VCO B |Example sounds of VCO voices
32:59 Touch controller keyboard | Description
36:03 Touch controller keyboard | Functionality
36:39 Touch controller keyboard | Single mode
36:52 Touch controller keyboard | Twin mode
37:29 Touch controller keyboard | Split mode
38:14 Touch controller keyboard | Plate button editor
59:00 Mixing, processing, effector | Description
01:00:05 Mixing, processing, effector | Filter
01:00:58 Mixing, processing, effector | Distortion
01:01:46 Mixing, processing, effector | Effector
01:03:31 Mixing, processing, effector | Effector CV controle
01:05:45 Mixing, processing, effector | Loading Cartridges
01:09:15 CV Sources | LFOs
01:10:16 CV Sources | Joystick
01:11:49 CV Sources | 5 step sequencer
01:15:27 CV Sources | Preamp and envelope follower
01:16:35 CV Sources | Example of sounds external microphone and preamp
01:17:33 CV Sources | Contact mic
01:18:11 CV Sources | Envelope follower
01:21:28 OUTRO | Example of improvisation

"SOLAR 42f is a unique experimental electro-music instrument, an analogue microtonal ambient drone machine. It will inspire you to find a new and spontaneous approach to composing music.
The instrument is oriented for live performances, creating film soundtracks, theatre soundtracks, atmospheric sounds, microtonal and background music. The instrument was inspired by early electronic musical instruments of the 1920s and 1950s, notably Leo Theremin's «Harmonium» instrument, as well as science fiction film soundtracks."

Introducing: TINA GUO - STORM CELLO

video upload by The Crow Hill Company

Press release follows:


The Crow Hill Company kicks up storming sample instrument in close collaboration with virtuoso namesake as TINA GUO - STORM CELLO

EDINBURGH, UK: The Crow Hill Company is proud to announce availability of TINA GUO - STORM CELLO — closely collaborating with virtuoso cellist, multi-instrumentalist, vocalist, composer, and entrepreneur Tina Guo, one of the most recorded solo cellists of all time in film, TV, and game soundtracks, who teamed up with multi-talented composer and producer Steve Mazarro to create her first sample instrument supervised entirely by herself according to the needs of ‘AAA-list’ composers with whom she has worked during the last decade, before turning to the music- making community tools-maker to help them storm over the finish line with what brings to the musical masses the seriously sought-after and undeniably unique sonic capabilities of her electric cello that has graced so many iconic scores in recent times — as of January 29…

As a GRAMMY and BRIT Female Artist of the Year nominee, Tina Guo herself hardly needs much more in the way of introduction. It would perhaps be remiss not to mention recent projects (both on and off the big screen) that include Avatar: Frontiers of Pandora (2023), Call of Duty: Black Ops 6 (2024), Dragon Age: The Veilguard (2024), Dune: Part One (2021), Dune: Part Two (2024), Gran Turismo (2023), and Top Gun: Maverick (2022) — not forgetting, of course, that she co-composed ‘Wonder Woman Main Theme’ with long-time friend and collaborator Hans Zimmer. Duly dedicating his life to creating music and soundscapes using synthesisers together with orchestral sounds, the so-called godfather of orchestral sampling has over 150 big screen credits to his notable name, including a sizeable slice of the biggest blockbusters witnessed worldwide, as well as associated sellout arena tours on the grandest of scales — with none other than Tina Guo joining him onstage.

CLICK FOR MORE »

Ambient | MEGA SYNTHESIS(Y.BR2) & Ableton Air

video upload by Akihiko Matsumoto

"Ableton Air: https://akihikomatsumoto.sellfy.store...
Inspired by Timeless Techniques
'Air' draws its inspiration from Brian Eno's Music for Airports and the concept of overlapping tape loops. This Ableton Max for Live plugin translates these ideas into a modern generative sequencer, enabling you to explore infinite musical possibilities without repetitive programming.

Effortless Note Generation
Forget the constraints of the piano roll. 'Air' generates notes autonomously, creating endless variations of melodies, rhythms, and harmonies. Your music becomes a living, breathing entity that evolves over time, making each moment unique.

Perfect for Experimental and Ambient Music
Whether you're crafting immersive ambient soundscapes, exploring experimental electronica, or composing intricate minimal music, "Air" provides the tools to elevate your creativity. Its generative approach ensures that no two performances are ever the same, offering a fresh perspective with every playback.

Features Designed for Limitless Inspiration
Evolving Sequences: Generate infinitely unique patterns that never repeat.
Customizable Settings: Fine-tune parameters to align with your artistic vision.
Seamless Integration: Designed for Ableton Live users who value creativity and experimentation.

Create Music That Breathes
'Air' is more than a plugin—it's a partner in creation, designed for musicians who embrace unpredictability and seek to push boundaries. Unleash the power of generative composition and let your music take flight.

Ambient Drone Sample Pack https://akihikomatsumoto.bandcamp.com..."

Digitone 2 Mega Tutorial - for beginners

video upload by True Cuckoo

Chapters:
00:00:00 Intro
00:02:06 Hardware introduction
00:02:34 Music Examples
00:04:58 Overview Main keyboard input
00:04:45 Overview Track pages
00:06:15 Overview Blue label functions
00:06:26 Overview The knobs
00:06:42 Overview Play/ Stop/ Rec
00:07:05 Overview Select Pattern, Banks
00:08:13 Overview Song mode mention
00:08:17 Overview Arp, Transpose, Note edit
00:09:33 Overview Load, Settings, Voice control, Tempo
00:09:45 All good?
00:10:20 Selecting an empty pattern
00:10:34 The REC button
00:10:52 Keep sounds organised
00:11:25 Select a synth machine
00:12:25 Track pages, and sub pages
00:12:49 The FM Drum Machine Overview
00:13:25 Make a kick drum by exploring FM Drum
00:17:33 Make a snare drum with FM Drum and FX
00:21:05 Turn on metronome and live record
00:21:54 Live Rec quantise, to correct timing
00:22:44 Clear pattern + Undo
00:23:37 Count in/ Preroll
00:24:47 Live rec unquantised
00:25:32 Correct micro timing manually
00:26:20 Quantising afterwards
00:26:56 Load a preset
00:28:13 No means exit
00:28:19 Customise presets
00:28:34 Make pattern longer
00:29:15 Setting the tempo
00:29:32 Using quantised mishaps as opportunities
00:30:00 Let's make a bass by exploring Wavetone
00:32:11 Set the volume of a track
00:32:32 Continue exploring Wavetone
00:33:19 Explore FX
00:33:40 Explore Filter
00:34:39 Refining the bass
00:34:48 Clearing one track only
00:35:32 Modulating a hihat decay
00:37:56 Copying and Pasting sequence pages
00:38:36 Refining the timing of the modulation
00:39:15 Composing a hihat, useful page tricks
00:41:15 Parameter Locking
00:42:08 Copy Paste Parameter Locked Trigs
00:42:31 Explore Swarmer and make a chord
00:43:50 Comb filter machine
00:46:34 Refining the chord sound
00:47:13 Explore the FM tone and make a melody sound
00:54:04 Modulate a fade-in vibrato
00:54:47 Record a melody
00:55:12 Edit the Delay fx
00:55:58 Modulate the Delay send
00:57:07 Save project
00:57:25 Manage projects
00:58:54 Control All
01:02:35 The Perform mode
01:05:26 The Master compressor

CINEMATIC | SOLAR 42F

video upload by ELTA music

«Cinematic»
Idea, filming, production - Ilya Salman
Editing - Stanislav Kovalevych
Music - Venus Theory, Arseniy Tokarev
Filmed for ELTA MUSIC

"SOLAR 42f is a unique experimental electro-music instrument, an analogue microtonal ambient drone machine. It will inspire you to find a new and spontaneous approach to composing music.

The instrument is oriented for live performances, creating film soundtracks, theatre soundtracks, atmospheric sounds, microtonal and background music. The instrument was inspired by early electronic musical instruments of the 1920s and 1950s, notably Leo Theremin's «Harmonium» instrument, as well as science fiction film soundtracks."

See the ELTA label below for more. Check with dealers on the right for availability.

SEQUENTIAL OBERHEIM OB-6 ♫ 50 Bonus Sounds ► SUPER MASSIVE

video upload by Synth Cloud

🚀 SUPER MASSIVE: https://www.synthonia.com/marketplace...

🚀 OBERHEIM OB-6 SOUND BANKS: https://www.synthonia.com/marketplace...

"Super Massive Collection: 120 Sounds for Your OB-6 / Desktop

Unlock the full potential of your OB-6 synthesizer with the Super Massive Collection, a meticulously crafted sound library featuring 120 incredible patches. This pack combines the original 70 expertly designed sounds with a bonus collection of 50 additional patches, offering a wide variety of tones to inspire your creativity.

From lush, evolving pads to aggressive leads, this collection covers every musical need. Explore soundscape pads, powerful progressive leads, industrial textures, pipe simulations, and more, all crafted to take full advantage of the OB-6’s iconic analog tone. Whether you're composing cinematic soundtracks, electronic grooves, or experimental music, this library delivers unmatched versatility and inspiration.
What’s Inside?

40 Pads: Including Metallic Phaser Pad, Meditation Pad, and Massive Synth Pad.
30 Leads: From Double Octave Lead to Pure Square Lead and Honor Thy Lead.
15 Basses: Featuring Soft Bass, Watery Bass, and Filter Bass.
10 Plucks & Stabs: Including 80’s Pluck and Techno Stab.
10 Arps & FX: Add movement and texture with patches like Hardcore Arp and Hypnotherapist Pad.
15 Drones & Special Sounds: Including Post Industrial Pad and God of the Synth.

Why Choose Super Massive?

Unmatched Variety: A perfect blend of warm analog tones and cutting-edge sound design.
Versatility: Ideal for any genre, from ambient and cinematic to electronic and industrial.
Designed for the OB-6: Every patch maximizes the synthesizer’s unique capabilities.

Upgrade your sound arsenal today with the Super Massive Collection. Transform your OB-6 into a powerhouse of sonic creativity and make your music stand out!"

CLICK FOR MORE »

SOLAR 42 | SOUND DEMO 5

video upload by ELTA music

00:49 Sketch 1 «Sequenza 12»
00:49 Sketch 2 «Hopelessness»
00:49 Sketch 3 «Basilica»
00:49 Sketch 4 «Machines»
00:49 Sketch 5 «Cinematic»
00:49 Sketch 6 with Pulsar 23
00:49 Sketch 7 «Blade Runner»

"SOLAR 42f is a unique experimental electro-music instrument, an analogue microtonal ambient drone machine. It will inspire you to find a new and spontaneous approach to composing music.
The instrument is oriented for live performances, creating film soundtracks, theatre soundtracks, atmospheric sounds, microtonal and background music. It is an improved version of the older SOLAR 50 model. The instrument was inspired by early electronic musical instruments of the 1920s and 1950s, notably Leo Theremin's «Harmonium» instrument, as well as science fiction film soundtracks."

Pro Synth Network LIVE! - Episode 242, with Special Guest, Anthony Marinelli!

video upload by Pro Synth Network

"Music Technology Discussion with Kent Spong, Andrew Longhurst & Rob Puricelli and our very special guest, Anthony Marinelli!

This week we welcome back our friend, composer, conductor. programmer, sound designer and now mega YouTuber, Anthony Marinelli. Anthony has been in the business for nearly five decades, composing music for film and advertising as well as being a go-to guy for synthesis programming, including the legendary NED Synclavier, on which he became expertly proficient.

Anthony has something very special to share with us so make sure you join us from the start of the show to find out what that is!"

Spectrasonics Omnisphere 2 - Atmosphere V1

video upload by NatLife Sounds

"Buy Link: https://natlifesounds.com/product/atm...

Atmosphera V1 - Atmospheric Synth Sound Library for Omnisphere 2

Atmosphera V1 is a unique atmospheric synth sound library created for Spectrasonics Omnisphere 2. This collection includes 50 expertly crafted presets. It offers a wide variety of synthesized textures, evolving pads, rich synth sounds, and dynamic sequences. Whether you're composing cinematic music, ambient tracks, or electronic productions, this library adds depth and immersive atmosphere to your work.

Key Features:
50 High-Quality Presets: Enjoy a diverse selection of pads, synths, sequences, and basses that bring emotional depth to your compositions.
Optimized for Fast Performance: 47 out of the 50 patches are built using Omnisphere’s internal synthesis engine. This ensures fast loading times and smooth workflow.
Perfect for Multiple Genres: These sounds work great for film scoring, ambient music, and electronic genres, providing warmth, space, and texture to your tracks.

The Atmosphera V1 soundbank is ideal for anyone using Omnisphere 2. It offers lush textures and creative sound design possibilities. Transform your compositions and immerse your listeners in atmospheric sound with this essential library."

The novation summit is so fun to jam on…

video upload by Jan Tuitman

"I haven’t been recording this synth a lot, but rest assured, no week goes by without me playing at least one night on the #novationsummit , my biggest synth and also the one I love the most. When I have some serious time to invest I very often try to battle one of my grooveboxes because then it is composing time, trying to come op with a whole piece of music. But when I do not have that much time the Summit is a relieve, a happy place where you always can go and nothing will sound bad.
I maybe I can integrate the Summit more into workflows, use the super powers of the Summit more in productions, for example by sampling patches from it into groove boxes and use it over there, or by sequencing it. But I am perfectly happy with the fact that right now I am not at all doing that yet right now. Because it allows me to enjoy the Summit with my ears and with my fingers (my playing skills are very minimal but they are extending now I am having such a big keyboard in my living room). This is all very good for me learning real things about music, and putting it in every piece that I make would make the learning curve harder. So I go easy on my self. After all, music is a hobby for me."

Fisound releases "Soft Cinema Keys" Sound Bank for Arturia Pigments

video upload by Composing Music

"Fisound has released Soft Cinema Keys, a new Sound Bank for Arturia Pigments that explores the expressive potential of piano and keyboard sounds through synthesis. Taking advantage of Pigments' vast sonic potential.

The collection features 156 new Pigments presets spanning: Hybrid Keys, Evolving Keys, Percussive Keys, Melodic Sequences, Ambient Keys, Plucked Keys, and Classic Synth Keys. Built on a foundation of custom samples including soft grand piano, concert harp, harp harmonics, soft electric piano, and prepared piano effects, each preset is designed for emotional depth and cinematic expression.

Intro Price: $19.99 (Regular $24.99).

To download visit:

https://fisound.com/products/soft-cinema-keys-pigments-sound-bank"

Solar 42F synth - First impressions and composing ambient music

video upload by Jay Hosking

Solar 42F synth - Cinematic performance


"A live synthesizer jam performed entirely on the Elta Music Solar 42F.

This is the final performance I made after my first day with the Solar 42F. Really pleasing device to just have sitting on a table and exploring!

Elta Music Solar 42F - drone synth voices, melody synthesizer
Walrus Slöer - reverb
Walrus Meraki - delay"