Sequential Prophet-10 WAV file Sample Pack for any Hardware Software Sampler Rik Marston

video upload by Rik Marston Official

"Here is a quick video demo of the Ahnyxian Sound Design
"Prophet-10 .WAV file Sample Pack" in action!
These are a few of the Prophet-10 .WAV files converted to
Multisamples on the Yamaha MODX M6 using very lite stock Reverb.
No EQ or compression added.
6 samples per Multisample, up to 30 seconds for each .WAV!
These Sequential Prophet-10 .WAV files will work on ANY Hardware
or Software sampler, workstation, groovebox, drum machine, synthesizer
you name it. If it can read .WAV files, these samples will work for you!
Where, Rik?
Ahnyxian Sound Design store on Etsy!
Check it out! So many other titles to choose from!
All sample packs are just $16.99! Buy 3 GET ONE FREE!
Safe, same day digital downloads!
https://www.etsy.com/shop/AhnyxianSou..."

Freqport - FT1-EMU Plugin | SUPERBOOTH 26

video upload by Bonedo Synthesizers



"For the first time in history, FreqTube FT1 lets you combine the awe-inspiring tone of real tube saturation with the convenience of digital connectivity in an easy to use, portable solution that will take your productions to the next level.

While analog processors are highly coveted, they often require elaborate setups that complicate your workflow, making it hard to strike while your creative iron is hot. FreqTube solves this problem by giving you full control over its four true-analog vacuum tubes via a simple USB connection. You’ll never again have to choose between convenience and quality.

The FT1 delivers real analog drive and color with all the convenience of a VST. Saturation, heat, drive, harmonics, distortion… whatever you want to call it, the FreqTube FT1 adds true-analog valve tone and color to your digital productions via just a simple USB connection.

Process any sound you like via the FreqTube’s four vacuum tubes and eight multimode hardware filters and – control it all via the, included, proprietary VST interface.

Hook up the FreqTube to your computer and load the control VST into your DAW, and you’ve got instant, recallable, low latency command over a broad palette of analog tones from subtle to savage… all with the ease-of-use you would expect from a digital plugin!

Because FT1 uses two sets of two tubes, you get two gain stages with full attenuation per channel for the ultimate in tone shaping. You can even process two stereo signals simultaneously, or up to four mono signals.

The FreqTube gives you hands-on control via its eight control knobs and bright, responsive color display. Of course, you can also use the included VST to control (and automate) all knob parameters. Once you have a sound you like, store it as a pre-set for instant recall.

FreqTube FT1 is not a pedestrian distortion box. It’s a color box with a broad palette of tonal options suitable for creative musicians, demanding engineers, and world-class producers."

CLICK FOR MORE »

BEAT GEMS - the new book on drum machines...

video upload by Bjooks

"Soon to launch on Kickstarter: https://www.kickstarter.com/projects/...

BEAT GEMS is a premium hardcover book from Bjooks that explores this remarkable history through rare and iconic machines, vivid photography, artist stories, technical insight, and the people who turned boxes of circuits into culture. The book explores more than six decades of electronic music history through the drum machines that changed the way music is made, recorded, and performed.

An inspiring and visually rich book for anyone interested in music technology, design, rhythm, and recording culture, this comprehensive work follows the evolution of drum machines from early experiments and preset rhythm companions to programmable icons, studio powerhouses, genre-defining classics, and the hardware revival of recent decades. The project structure already maps that story across eight major stages – from invention and standardization to creative misuse, programmability, studio control, genre definition, and rebirth.

The book presents comprehensive research, writing, editing, photography, and visual development by author Oli Freke and editor Kim Bjørn.

CLICK FOR MORE »

Bastl Introduces Kalimba - Physical Modelling & FM Kalimba Synth

video uploads by Bastl

Playlist:
1. Bastl Kalimba: An Expressive Instrument for Intuitive Electronic Music Exploration
2. Bastl Kalimba - Demo Overview
3. Bastl Kalimba is such a fever dream - HAINBACH
4. WTF did they make? Bastl Kalimba! - ANDREW HUANG


Press release follows:

Bastl Instruments are very proud to announce the release of their new instrument - Bastl Kalimba, a unique desktop instrument that combines microphones, touch sensors, and an accelerometer, with a user interface inspired by the traditional kalimba and its main interaction element: the tines.

We believe that this combination of features and physical interface leads to intuitive creativity and easy musical expression.

Just play it, you already know it.

CLICK FOR MORE »

Native Instruments Introduces Komplete 26

video upload by Native Instruments

"Get everything you need to take your music from first idea to finished master, including instruments, effects, and sounds trusted by the pros. Komplete 26 gives you synths, sampled instruments, drums, sound design tools, and studio effects – all in one complete music production bundle.

Whether you're composing, producing, or designing sound, Komplete gives you the tools to follow your ideas wherever they lead."

Press release follows:


Berlin, May 05, 2026 – Native Instruments today released Komplete 26 — everything a music producer needs to take a first idea to a finished, release-ready track. With over 190 premium instruments, professional mixing tools from iZotope and Brainworx, and more than 180,000 sounds, it's the most definitive music production collection NI has ever made.

Trusted by the producers behind the records you know Komplete is used by millions of producers, composers, and musicians every month — from bedroom studios to Grammy-winning sessions. It's the instrument collection behind some of the most iconic tracks you know, and the ones you're about to make.

"I use Komplete in every single session. It lets me stay focused on the music instead of the tools, and whether I'm writing or tweaking, it's a fast way for me to transform my idea to something that feels finished." — Butch Vig (Nirvana, Smashing Pumpkins, Sonic Youth)

“Komplete has been part of my production journey since day one. I know I can open it and get exactly what I need, every time.” — Nick Hook (Run The Jewels, Hudson Mohawke)

"Komplete is a must-have for me in my studio. As someone who is always blending genres and pushing the edges of sound design, the versatility of Komplete allows me to have an entire sonic world at my fingertips at all times." — Malibu Babie (Megan Thee Stallion, Shania Twain, Sia)

New additions: sounds for every style and stage Newly added is the legendary semi-modular synth, Absynth 6, known for its evolving, otherworldly tones. Also included are Noire and Claire – sampled from rare grand pianos – and the ethereal vocal soundscapes of Moments: Vocal Clouds.

CLICK FOR MORE »

Introducing Osmose CE

video uploads by Expressive E

Playlist:

1. Introducing Osmose CE — Trailer
2. Osmose CE - The New Generation Of MIDI Controllers
3. Osmose CE — Overview
4. Osmose CE — DAW Control with Ableton Live
5. Osmose CE — DAW Control with Cubase
6. Osmose CE — DAW Control with Logic Pro

Osmose CE // A MIDI Keyboard That Feels Alive // Review & Tutorial

video upload by loopop

Press release follows:

CLICK FOR MORE »

Super Mario Bros. Theme — Reimagined on Vintage Synths

video upload by Anthony Marinelli Music

"In this 90-second performance, Anthony Marinelli recreates the legendary melody (originally composed by Koji Kondo) using his collection of rare vintage analog synthesizers in a one-of-a-kind orchestration. No computers, no plugins, just pure hardware (with a touch of bit-crushing) and hands-on performance.

Watch as layers of classic synths bring new life to one of the most recognizable themes in video game history, with quick cuts showcasing the instruments behind the sound.

🎹 100% vintage synths
🎮 Music only, no talking
⏱️ 1 minute 30 seconds of pure analog nostalgia
If you love retro games, classic sound design, or analog gear, this one’s for you!"\

🎛️ Think Like a Synth Learn the exact method I've used for decades on hit records & films
👉 https://anthonymarinellimusic.com/pro..."

Introducing Plinky 12 Blocks, Chords and Toadstep

video upload by Making Sound Machines

Additional videos below.

"We are super excited to introduce 3 new instruments today! Plinky 12 is a family of expressive polyphonic touch synthesizers. The three instruments are built around a shared synth engine. Designed by mmalex, it evokes the unmistakable melancholic sounds of the original Plinky. https://plinky12.com

Each instrument is designed in collaboration with a different synth maker, lending each panel a distinct playability and unique character.

Plinky 12 Chords is a harmonic inspiration machine. It lets you improvise melodies and chords, with expressive control over voicings, progressions, and immediate musical play. Created by Making Sound Machines, Chords is the panel for finding beautiful harmonic movement quickly.

Plinky 12 Toadstep is a 4-track step sequencer built for super funky riffs, experimental self-generative melodies, and good ol' Acid. Created by Toadstool Tech, the designer behind the Ectocore Eurorack module, Toadstep is fun, immediate and easy to jam with!

Plinky 12 Blocks is an open panel built for experimentation, with monome-grid compatibility, Plinky style touch synthesis, and a browser-based coding environment just a click away. While it comes with a fully playable design out of the gate, creator mmalex invites you to build your own adventure with this panel. If you can imagine it, you can make it!

In this video, Enrica and Roland from Making Sound Machines explore the three new Plinky 12 instruments: Blocks, Chords and Toadstep from left to right.

The track builds on a repeating loop created with the built-in sequencer on Plinky 12 Toadstep. The short sequence uses rhythmic step repeats, track step length and animated synth parameters to create an ostinato that keeps sonically evolving over the length of the track.

As the piece continues, Roland plays a progression of harmonies from the rainbow chord palette on Plinky 12 Chords, before launching a sequence that reharmonizes the loop heard from Toadstep. Enrica joins in playing sparkling arpeggios with her fingertips on Plinky 12 Blocks, the surface with the sunset colour-fade print.

As the track progresses, Roland plays a melodic line on Chords, then Enrica takes over with a melody on blocks. The Plinky 12 polyphonic play surface reads both play position and pressure of the touch. It enables bends and glides on the horizontal axis, while allowing for discrete arps in the vertical direction.

They end the piece with a tempo transition showcasing the septuplet feature on the internal sequencer."

CLICK FOR MORE »

WMD Cosmic Debris - Crossfade Mode

video upload by WMDevices

"Instantly change Time and Spray settings with no artifacts, just a smooth crossfade for subtle transitions to a new sound in your delay or reverb.

WMD designs electronic hardware for musicians longing for a balance of precision and exploration. Our quality control is the absolute finest, with service to match."

FREE SYNTH: NILS' KAWAI K1v (Kawai K1 Emulator) - No talking demo

video upload by ADL-MusicLab

"Hello everyone!

Here's to you my "No talking demo" of this FREE emulation of the Kawai K1 synthesizer developed by Nils Schneider, which brings back to life this iconic synthesizer!

The Kawai K1 is a famous japanese classic from 1988 and it was a massive success with both the critics and the public. The company managed to reportedly shift around 50,000 of them. There also was a rackmount version (K1r) and a tabletop option (K1m).

The key to its popularity was certainly down to its sound, which combined single-cycle additive waves with PCM samples. There was another reason though: in the late 80's this D-50-style sample synthesis was out of reach of most musicians, but then the Kawai K1 came along and it was much cheaper than the Roland D-50!

Now you can have it in your DAW with this amazing FREE software emulation!

CLICK FOR MORE »

Ocean Swift Introduces Sound Creator Suite - tools for sound-design and instrument development

The Ultimate Sound Designer & Developer Toolkit: Sound Creator Suite Walkthrough | Ocean Swift video upload by Ocean Swift / Faxi Nadu

https://oceanswift.net/product/sound-creator-suite/

"Welcome to a complete walkthrough of the Ocean Swift - Sound Creator Suite. In this video, we take a high-level tour of the entire application, showing you not just what the tools do, but how they work in concert to provide a centralized host environment for virtual instrument developers, sample pack creators, and sound designers.

Whether you are automating hardware sampling, building custom UI components, or formatting vast preset libraries, this suite handles the heavy lifting so you can focus on the creative process.

What we cover in this walkthrough:
Global Settings & The Log Viewer: A look at the suite's foundation, including audio/MIDI routing, Kontakt developer integration , and the built-in, thread-safe Log Viewer capable of maintaining a 10,000-line history.
Audio Batch Processing & Sampling: How to recursively process thousands of audio files , mathematically align loops using MIR technology , and automate external hardware sampling via MIDI and threshold detection.
The Wavetable Ecosystem: A brief look at building wavetables from scratch with the Creator, extracting them from audio files, and converting formats across various software synthesizers.
MIDI & OSC Routing: Bridging the gap between your hardware, digital audio workstations, and modular environments like TouchDesigner.
UI Generation & NKS Workflow: From rendering 3D knobs into sprite sheets to batch-injecting metadata into Native Instruments NKS presets and standard audio samples."

Build Kontakt Instruments Faster: WYSIWYG UI Editor & Prefabs | Ocean Swift Sound Creator Suite

video upload by Ocean Swift / Faxi Nadu

"In this in-depth walkthrough, we dive into the Kontakt Performance View tool, a powerful standalone WYSIWYG editing environment within the Ocean Swift Sound Creator Suite. If you build instruments for Native Instruments Kontakt, this tool bridges the gap between technical JSON editing and intuitive visual design.We cover the entire workflow, from initial setup to complex UI layout, showing you how to design without writing a single line of layout code. What you will learn in this video:Integration & Setup: How to use the suite's settings to launch Kontakt as an isolated child process. Automated NKS Creation: Watch the tool automatically generate the strict NKS folder hierarchy and silently execute a Lua script to create your base .nki and .nkr container files. Live WYSIWYG Editing: Explore the hardware-accelerated preview canvas that provides a near 1:1 visual representation of your UI.Drag & Drop Design: See how to physically drag controls across the canvas , use grab handles for free-resizing , and utilize the alignment menu to perfectly center, top, or bottom-align multiple UI elements instantly.
Advanced Tree & Property Inspector: Learn how to manage the exact structural hierarchy of your UI. We show you how to use Alt+Click to instantly select a Panel and all nested child controls , and how to edit multiple parameters safely using the dynamic property inspector.
Instant UI Prefabs: Discover how to recursively scan your resources folder to drop complex, pre-configured .nckc UI elements directly into your project in seconds.

Grab it here: https://oceanswift.net/product/sound-..."

Press release follows:

"Sound Creator Suite is an all-in-one desktop environment for advanced sound-design and virtual instrument development workflows. Serving as a robust, centralized host, this suite equips producers and developers with an unparalleled arsenal of specialized Ocean Swift tools and utilities.

Learn more and grab it here for €60 instead of €100, 40% off until May 7 2026: https://oceanswift.net/product/sound-creator-suite/

Generate studio-grade UI components - from photo realistic brushed-metal knobs to glowing LED rings with the GUI Knob Maker, and export complex animations as perfectly stitched sprite sheets in seconds. Seamlessly pair this with the Kontakt Performance View tool, an advanced WYSIWYG editing environment that lets you construct complex Kontakt interfaces using a visual, drag-and-drop real-time workflow, entirely eliminating the need to write tedious layout code.

Process audio in bulk, utilize MIR algorithms to surgically align loops, automate your hardware sampling workflows, and generate algorithmic MIDI patterns. Whether you are building and converting custom wavetables, batch-injecting metadata with the NKS preset and sample taggers, monitoring OSC packets, or accessing instant music-calculation tools, the Sound Creator Suite brings an entire development ecosystem into one powerful interface.

Featuring
30+ sound design and instrument development tools
Growing toolkit with an exciting future roadmap – more tools, more assets!
Design, Build, Record, Process, Edit, Manipulate, Monitor
Automate processes and speed up workflows
Innovative, unique, performant and user minded approach"

DYSTOPIA 4 for Arturia MiniFreak | One Shot Dark Improvisation

video upload by ULTIMATE X SOUNDS | Premium Synth Presets

"When you sit down with a synth at 1 PM and don't finish until deep into the night... it means you've become a hostage. You've been completely consumed by its world. I'm glad I managed to pull you into my world too. This video was recorded in one continuous shot... no edits. It’s just another proof that when the sound is right, it speaks for itself." – MR X

⚙️ What's inside DYSTOPIA Vol.4:
• 45 experimental, out-of-the-box presets
• Full compatibility: Arturia MiniFreak (Hardware) & MiniFreak V (Software - Update 4.0)
• Focus on dynamics, depth, and a dark sonic character

🔗 Check the details and download the presets here:
👉 https://www.ultimatexsounds.com/dysto...

Technical note: All audio material is a 100% improvisation recorded straight from the Arturia MiniFreak synthesizer. Master compressor was applied."

The Crow Hill Company Introduces the THE SH*T SYNTH

The Sh*t Synth - Walkthrough video upload by CROW HILL XTRAS

Press release follows:


The Crow Hill Company turns to extensive and rare collection to turn out THE SH*T SYNTH as compendium of 48 circuit-, wave- and sample-bent instruments

EDINBURGH, UK: The Crow Hill Company is proud to turn to its own extensive and rare collection of hardware to turn out THE SH*T SYNTH — available as a compendium of 48 circuit-, wave- and sample-bent instruments inspired by some of the Edinburgh-based enterprise’s eclectic musical favourites (spanning the likes of Aphex Twin, Boards Of Canada, Joe Maus, Jon Brion, Laurie Spiegel, Radiohead, Throbbing Gristle, and Yazoo) to create something that they collectively ask: is it just shit or ‘the shit’? — as of April 7…

Whatever way anyone chooses to read into the titling of THE SH*T SYNTH as the latest entry into The Crow Hill’s ongoing ORIGINS series of sample-based virtual instrument plug-ins, one thing is for sure: it readily represents a broad selection of three categories of 16 workhorse instruments each, effectively wrapped up into a single plug-in designed to bring a cohesive approach to making music more edgy, lo-fi, retro, and — swimming against the technological tide of so-called progress — decidedly AI (Artificial Intelligence) slop-free. From pianos to strings, plucks, beeps, bass, and pads, the compendium that is THE SH*T SYNTH has been lovingly sculpted by the Edinburgh-based enterprise’s media composer and ‘samplist-in-residence’ Christian Henson to take the hassle out of making existing sounds less refined, catering to those looking for an entirely new bank of Mellotron-style sounds as well as synths that have been long forgotten — for good reason, too!

CLICK FOR MORE »

Lush sounds with the Cobalt 8 & Valhalla Supermassive

video upload by Crybo Synth Sounds

"Using Valhalla Supermassive to make 2 of my Cobalt 8 patches sound even more lush. Just switching the presets using the Modal App.

Sounds available for the Super 6, Waldorf Iridium, Hydrasynth, Novation Peak, Minilogue XD, Digitone 2, Cobalt 8, Dub Techno Stabs, pads & chords
from my hardware synths & a free Dreadbox Artemis sound pack. https://payhip.com/CryboSynthSounds"

Genki KATLA - THE VOLCANO SYNTH!! Now Available

video upload by Starsky Carr

"What happens when a synthesizer completely breaks the rules?
In this video, we explore the Genki KATLA — a truly unique polysynth inspired by Icelandic volcanoes, featuring a rotating voice architecture, hybrid signal path, and some of the most unpredictable sound design possibilities I’ve come across.

This isn’t your typical analog polysynth. Each of the five voices can run independently with different waveforms, octaves, and modulation — creating evolving textures, harmonic movement, and generative-style sounds that feel closer to modular synthesis than traditional keyboards.

🎛️ What makes the KATLA special?
• Rotating voice polyphony (round robin-style synthesis)
• Independent per-voice oscillators & tuning
• Digital oscillators + analog filter signal path
• Looping envelopes reaching audio-rate modulation
• Phase distortion, wavefolding & multiple distortion types
• Tape-style wow, flutter & pitch instability effects
• Stereo voice movement & evolving spatial modulation
• External inputs for processing other gear

From lush ambient pads to aggressive, evolving sequences — this synth can go places most instruments simply can’t. It’s not about recreating vintage sounds… it’s about discovering entirely new ones.

💸 At around €5000, this is definitely not a beginner synth — but for sound designers, and anyone looking for something truly different, it well worth a look."

Genki Katla Sound Design: Making sounds from scratch and exploring
video upload by MR TUNA Music

Chapters: 0:00 - Intro 0:16 - Init patch 0:44 - Filter sounds 1:26 - Raising 1 voice 1:43 - Creating a basic pluck sound 2:24 - Aftertouch controls 2:45 - Bring in a little reverb 2:56 - LFO to filter cutoff 3:16 - LFO to reverb mix 3:46 - Keyboard cutoff 4:00 - Osc 3 Square wave 4:23 - Sub oscillator 4:54 - KATLA parameters 5:01 - Rústir wavefolder 6:08 - Rökkur stereospreader 6:37 - Skriða envelope randomizer 7:27 - Aska random modulations 7:57 - Glóð tape stops and flutters 8:35 - Skjálfti ??? 9:14 - Kvika slow tape modulations 9:38 - dark pads 10:20 - Móða voice detuning 11:20 - Katla sounds with aftertouch 13:28 - Thanks for watching

"Hey guys! Very very excited to be presenting the Genki Katla to you all... I am truly in awe of the sound of this very unique and powerful instrument.

I thought the best way to get to know the synth is to start from scratch so in this video we'll go full hands-on with the Genki Katla, exploring (almost) every parameter and building sounds from an initialized patch.

From some raw drone layers and gritty textures to evolving pads, rhythmic sequences, and atmospheric beds, we will see just what this instrument can do, discover new sounds, and maybe make some friends along the way 🙏

If you're into sound design, unique synths, or just love discovering new instruments, this one is for you!

HUGE thanks to Genki for letting me a part of this with them and showing off this super cool synth.

No money was paid, no agreements were made... these are my real thoughts on this very premium synthesizer and I will be sharing lots more."

Press release follows:


Genki Instruments announces availability of Katla as Voice Rotating Polyphonic Synthesizer inspired by its natural namesake

REYKJAVIK, ICELAND: having twice blown European musical minds thanks to show-stealing showcases at SUPERBOOTH25, May 8-10, Berlin, Germany and Machina Bristronica 2025, September 27-28, Bristol, UK, before adventuring across the pond for a repeat performance at Buchla & Friends 2026, January 24-25, LA, CA, USA, Reykjavik-based instrument developer Genki Instruments is proud to announce availability of the eagerly-awaited Katla as a Voice Rotating Polyphonic Synthesizer inspired by Iceland’s largest subglacial volcano as its natural namesake — readily representing the company’s first foray into analogue synthesis, albeit one that uniquely utilises a set of wildcard parameters to infuse it with organic, unpredictable behaviour as an instrument that is worthy of that legacy, excelling at generating rich, evolving, multi-layered textures, where each note stirs, swells, and erupts in its own distinct way — as of March 31…

Clearly Katla’s inspiration runs through its ‘volcanic’ veins. After all, it is framed by side panels and knobs forged from authentic Icelandic lava, giving each instrument a tangible connection to the volcanic forces that inspired it. That this synth should surely roar is a given. Genki Instruments inevitably chose, therefore, to kit Katla out with four independent distortion destinations, the most unruly of which is a stereo CMOS (Complementary Metal Oxide Semiconductor) Drive effect — a characterful saturation stage, pushing tones from warm and rounded to fractured and snarling.

CLICK FOR MORE »

Waldorf Iridium / Quantum - "Harmony of the Spheres" (50 Presets)

video upload by LFOstore

"'Harmony of the Spheres' is a truly remarkable soundset for the Waldorf Iridium and Quantum synthesizers with 50 exclusive presets created by the well-known sound designer, film composer and sound therapist, Otto K. Schwarz. Whether you are composing ambient journeys, cinematic soundtracks, meditative music, experimental electronica or simply seeking moments of cosmic resonance, “Harmony of the Spheres” invites you to become part of this eternal harmony!

As the name suggests, this soundbank is dedicated to the ancient philosophical concept of the harmony of the spheres, also known as Musica universalis. The ancients spoke of the musical and mathematical structure of the cosmos. They believed that the movement of heavenly bodies gives rise to a perfect harmony, expressed through distances equal to the consonant musical proportions — a celestial symphony that resonates through the universe itself.

On the powerful wavetable, granular and sampling engines of the Iridium and Quantum, this philosophy comes vividly to life. Here you will find multi-layered pads that dissolve into infinite cosmic depths, evolving sequences that mirror the the cosmic cycles and events, hypnotic arpeggios that echo the orbital dance of planets and moons, cosmic leads that pierce the veil of unseen, and ethereal keys bathed in the radiant frequencies of starlight.

Otto K. Schwarz, with over 12 years of experience and collaborations with leading manufacturers such as Access Music, Modal Electronics and Native Instruments, brings his signature blend of psychoacoustic depth, emotional intelligence and therapeutic insight to this library. Each preset is meticulously sculpted to evoke not just sound, but a sense of universal connection — a sonic meditation on the hidden music that binds all existence! Experience the Journey!"

Keep an eye on the following links for the soundset:

https://lfo.store/product-category/hardware-synths/waldorf-iridium/

https://lfo.store/product-category/hardware-synths/waldorf-quantum/

Cherry Audio Introduces Crumar DS-2 Software Synthesizer

video upload by Cherry Audio

Cherry Audio Crumar DS-2: Full tutorial by CatSynth TV

Patreon: / catsynth | https://shop.catsynth.com | https://ko-fi.com/catsynth

Playlist:

1. Cherry Audio's DS-2 Part 1 | DCOs, Polyphonic Engine & Factory Presets
2. Cherry Audio's Crumar DS-2 Part 2 | VCF, VCA, voice modes
3. Cherry Audio's Crumar DS-2 Part 3 | Effects, Arpeggiator, Presets

Press release follows:


Cherry Audio Launches Crumar DS-2 Synthesizer

Based on the original 1978 hardware, this value-packed emulation revives the digital control and analog soul of an often forgotten landmark in synth history.

(March 31) Cherry Audio is excited to announce the release of the Crumar DS-2 synthesizer, a virtual instrument that faithfully replicates and significantly enhances the original 1978 hardware synth that was ahead of its time. This release marks the latest collaboration with Crumar Instruments, following last year’s acclaimed Spirit synthesizer, revisiting a groundbreaking Italian synth and infusing it with Cherry Audio’s signature style.

Crumar DS-2 by Cherry Audio is available now for only $59 at cherryaudio.com and through authorized resellers, bringing its rare and legendary “vintage digital” sound to the modern production environment at an exceptionally low price.

The Crumar DS-2 was a unique synthesizer that combined a monophonic Synth engine alongside a fully paraphonic Poly section. The “DS” in its name stood for “Digital Synthesizer,” and it featured two Digitally Controlled Oscillators (DCOs) designed to prevent tuning drift. However, the resulting waveforms were completely stair-stepped, giving the instrument a gritty character and wild harmonics. Together, the two sections provided the DS-2 with a distinct sound that set it apart from both early digital synthesizers and classic analog models.

Building upon the foundation of the vintage hardware, Cherry Audio’s virtual Crumar DS-2 introduces several powerful modern enhancements to expand its creative potential. The monophonic Synth section now includes unison and multi-voice modes, providing panning and tuning options, as well as polyphonic functionality with 4, 8, or 16 voices. The Poly section supports full 32-note polyphony, and DS-2 now features a keyboard split mode in addition to the layered mode.

The Synth section now includes a stair-stepped sine waveform option, and oscillator sync has been added. A third LFO has been introduced, and LFO options now include discrete delays, sync, retrigger, reverse wave, and one-shot capabilities. The five-part LFO Mixer, previously hardwired to specific destinations, now offers six assignable destinations with 33 options each, providing unparalleled modulation flexibility.

The envelopes have been enhanced with an initial delay stage (DADSR) and velocity sensitivity, and now include looping functionality. Additionally, the Poly section now features VCA release control, making it better suited to powerful string-synth sonics. Touch control has been added with four slots and simple click-to-assign functionality, supporting both channel and polyphonic aftertouch with compatible MIDI controllers.

The VCF has been upgraded to include a 12dB 2-pole in addition to the original 24dB 4-pole option, along with polarity and key-follow adjustments. Other enhancements include an assignable bend range, a dedicated mod wheel, and a dynamic arpeggiator that can be applied to either or both sections. DS-2 also offers three customizable effects chains with 20 studio-quality effects, allowing users to arrange, save, and recall their settings. Over 300 professionally designed presets are organized into 14 categories to inspire instant creativity.

Cherry Audio is also offering the Deep Space Preset Pack for DS-2 for only $9.99. This pack includes an extra 100 presets that provide an in-depth exploration of DS-2's sophisticated modulation routing, expressive performance features, layers and splits, arpeggiator, and studio-quality effects.

Crumar DS-2 reflects Cherry Audio’s ongoing dedication to delivering high-quality sound at an unbeatable price, even in uncertain times. Priced at just $59, the DS-2 is an ideal choice for synth enthusiasts who value both exceptional tone and affordability. Furthermore, until April 13th, producers can purchase the Crumar DS-2 as part of Cherry Audio’s “Build Your Own Bundle” options. Customers can select a Pick 3 bundle for $99 (regularly $119) or a Pick 6 bundle for only $149 (regularly $169), allowing you to mix and match any of their award-winning instruments for as little as $25 per plugin.

Cherry Audio’s Crumar DS-2 synthesizer is available for macOS (10.13 or later) and Windows (7 or later) in AU, VST, VST3, AAX, and standalone formats. A free 30-day demo is available. Visit cherryaudio.com for additional product details, a deep-dive introductory video, system requirements, and an extensive collection of awe-inspiring sound demos.

Roland to Celebrate 404 Day with SP‑404MKII Update & Worldwide Events

Press release follows:

Roland Celebrates 404 Day and Global Beat Culture with Worldwide Events, Partnerships, and a Major SP‑404MKII Update

Los Angeles, CA, March 30, 2026 — Roland is celebrating 404 Day, the annual global moment honoring the creators, communities, and cultural movements shaped by the SP‑404 and its modern successor, the SP‑404MKII. For nearly two decades, the SP series has been the engine of the underground beat scene. What began as a subculture has evolved into a worldwide force through sonic experimentation and community‑driven expression.

The SP lineage has shaped scenes across Los Angeles, Tokyo, London, Berlin, Melbourne, and beyond. Producers including Dibia$e, Knxwledge, MNDSGN, and the late Ras G have expanded the sampler’s creative vocabulary, inspiring generations of beatmakers to develop their own voices through sample‑based music.

404 Day 2026 Around the World

SP-404 celebrations are building around 404 Day, with partner activations, events, and creator-led moments across the global beat scene. This year’s celebration is anchored by a cornerstone collaboration with Berklee College of Music, and a 404 Day livestream at the Roland Studio in California, alongside workshops and performances.For more information on worldwide events: https://articles.roland.com/ultimate-guide-404-day-2026

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OBERHEIM OB-X8 POLYPHONIC ANALOGUE SYNTHESISER (DESKTOP)

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Additional Signal Sounds listings

"We say...
A pre-owned Oberheim OB-X8 (Desktop) in very good condition. It comes with original packaging and power cable.

Manufacturer's description
NEW functionality now available with OB-X8 OS v2.0 featuring:

Instant binaural mode pans individual voices hard left and right for true stereo operation
Simultaneously selectable waveshapes for each oscillator extends timbral variety
New 4-Pole low pass filter type with fuller bass at high resonance
New VCO 1 and 2 level LFO modulation destinations for independent timbral mixing
Arpeggiator clock sync now has selectable note division values for expanded rhythmic control
Twice the Split and Double memory locations, including program storage directly in the new banks for 512 more stored sounds
Separate MIDI channels for lower/upper split bi-timbral operation
Poly chain for up to 32 voices with 4 connected instruments
MPE for new levels of expressiveness

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Minimal Electronica with Softball MIDI and Digitone | Extra Ball 2026-03-20 by atnr

video upload by atnr

"A minimal electronica piece where MIDI from ‪@noine-giron‬ Softball https://store.noine.net/softball.html is sent to Digitone for sound generation.

Softball by noine runs on a Mac and sends MIDI sequences to the Digitone via USB MIDI, triggering the sound.

On the Digitone, the knobs are used to shape and modify the sound of each track in real time."

Some info on Softball, Google translated:

"A macOS MIDI sequencer that is simply fun to use—featuring the playful motion of a bouncing ball. It is currently available for purchase on Payhip.

・Simple ・Highly expressive ・Fun to use
These three principles form the core of its design. While I do plan to add more features in the future, I intend to remain steadfast in upholding these three fundamental pillars.
DAWs like Ableton Live consolidate almost every conceivable function into a single package, allowing you to do just about anything; I rely on them heavily myself.
However, isn't there also a unique joy in treating individual applications on your computer as distinct modules—combining them in various ways to create something new? This very concept is why I chose to handle MIDI directly rather than developing this as a standard plugin. And, of course, sending MIDI signals out to trigger external hardware instruments is a delight in its own right!
I have intentionally designed the interface to avoid the need for precise note-by-note (Do-Re-Mi) input via a traditional piano roll. Instead, I encourage you to experiment with different keys and scales to find the perfect musical balance that feels right to you. My hope is that you will feel free to create and play sounds in a way that feels natural and accessible.
But why the bouncing ball?
Aren't you a little tired of watching static step sequencers or piano rolls scroll endlessly across the screen?
I felt that the dynamic motion of a bouncing ball had a wonderful synergy with musical rhythm and beat. Plus—let's be honest—it just looks adorable as it bounces along!"