PlantsSystem-FiveGenerativeVideo

video upload by plantssystem

"Here is a digest video of five generative sound pieces I made for the Raspberry Pi Pico 2 (RP2350). Each one is a self-contained instrument: switch it on and it plays by itself, with a small screen showing what is happening and a joystick and four buttons to steer it on most pieces.

Hardware: Raspberry Pi Pico 2 (RP2350) with a Waveshare Pico-Audio board for stereo audio out and a Waveshare Pico-LCD-1.3 (240x240 display, joystick, A/B/X/Y buttons). All sound is generated on the Pico 2 itself; there are no external synths or samplers. The firmware is written in Arduino (arduino-pico core).

The pieces in the video:

AMBIENTWS: Switch it on and just listen. An endless ambient piece that breathes in Japanese scales (hirajoshi, miyako-bushi, Ryukyu) and Maj7 progressions, layering a granular voice, a physical-model voice and a pulse/rhythm voice, and pausing now and then to catch its breath. It can follow USB MIDI clock.

AZIMUTH: Clicks, sine pings and noise bursts tick like a glitching heartbeat, with a kick, bass and arpeggios racing across the stereo field. Patterns repeat bar by bar and renew every four bars, or can be frozen in place.

GIBSON: A recorded voice keeps talking until it shatters, stutters, reverses and bit-crushes for a few seconds, then calmly picks up where it left off.

LAWRENCE: In an empty room a grand piano quietly composes. Each melody is heard once, and a new piece is born at every start.

PROPHETIQUE: A 5-voice polyphonic generative sequencer built from a single Prophet-5 note. Four tracks play the phrases of an original song, and as you change how many notes are dropped, the playback direction and how pitches are chosen, the song unravels, rearranges itself and drifts away from the original.

The source code is not public. The pieces are shared only as firmware with a few artists for their own work and live use.

Credits:
GIBSON voice: from "William Gibson on Technology" by Jeff Lacy ( • William Gibson on technology ), used under CC BY 3.0 (https://creativecommons.org/licenses/.... The audio was cut into phrases and is glitched in real time.
LAWRENCE piano: Salamander Grand Piano V3 by Alexander Holm, CC BY 3.0. Samples were converted to 8-bit and a subset of pitches is used."

Dr.Øne: a 4-voice drone machine by DenverSynthLabs

video upload by manmade madman

"Dr.Øne is a fun to play drone machine with 4 independent voices that can rotate, or instantly transpose, to get you someplace fresh and exciting. Instantly, you're taken somewhere new and musical, gently, or even abruptly. It's half concrete, half metal, all luscious tones.

Or, you can just play it.

The voices barely interact, but feed through an all-new spring reverb algorithm and delay, which then feed a micro-cassette that you can freeze, rewind, and half-speed all at the push of a button. You'll find millions of sounds driving into the effects. This will quickly be a center for inspiration, as you discover new paths to strange sounds and chords.

Or, you can just play it.

You can map this to your favorite hardware controller (like a Novation Launch Control XL) and sit back and make chords out of sounds, progressions out of tones. Tying it to hardware is revealing. Suddenly it becomes an instrument that doesn't exist. Don't think for a second that you can save this game and resume, because you cannot. Just like life, there is no going back, only forward.

Or, you can just play it.

Throb button gives you spikes of the voices at their shape-- from sine to pulse and everywhere in between-- that you can use to bounce off the walls, or climb them, if that's your thing.

Melt your past. Forge your future. Make something new without boundaries. Or, you can just play it.

Available now: https://store.denversynth.com/drone.html"

DenverSynthLabs’ easiest synth to lose hours to.

Half of Dr.Øne is concrete. Musique concrète began when people cut, slowed, reversed and looped recorded sound until it stopped being a recording and became an instrument. Dr.Øne is the other half: four voices that hold a chord forever, then rotate or instantly transpose to take you somewhere fresh. Play it by hand, with a hardware controller or the mouse, and don’t be surprised when it’s three hours later.

CLICK FOR MORE »

The M-VAVE FM-1 Firmware for Dark Ambient – GR!MM #mvave

video upload by GR!MM // Deathdream

You can find the M-VAVE FM-1 on Amazon.

Additional demos below.

"GR!MM is a free, open-source custom firmware for the M-VAVE FM-1. It turns the little FM synth into a dark ambient instrument with four tracks, your own samples, tape and grain effects, chords and a sequencer. Everything is saved automatically.

Easy install:
▶ https://thefirmwarehub.com/ (choose the FM-1, then GR!MM)

▶ Try it in your browser (no FM-1 needed): https://grimmbient.github.io/grimm/
▶ Online editor (sounds, samples, backups): https://grimmbient.github.io/grimm/ed...
▶ Download & source: https://github.com/GRiMMBIENT/grimm/r...
▶ Cheat sheet: https://thefirmwarehub.com/cs/grimm/
▶ Controls sheet: https://shorturl.at/jqUt8

CLICK FOR MORE »

Arturia Introduces the MiniFreak 49

Check with dealers on the right on pricing and availability.

Playlist:

1. MiniFreak 49 | Explore the unconventional | ARTURIA
2. MiniFreak 49 | Playthrough | ARTURIA
3. MiniFreak 49 | Overview | ARTURIA
4. Arturia MINIFREAK 49 is an Absolute BEAST! Sound Demo |No Talking| ⁨@ArturiaOfficial⁩ - Davide Puxeddu and Arturia
5. Arturia MiniFreak 49 - More Control - SonicLAB Presentation - sonicstate
6. MiniFreak 49 vs MiniFreak // There’s nothing mini about it // Review & tutorial - loopop
7. I Called the MiniFreak Synth of the Year in 2023. It Just Grew Up. - Vulture Culture
8. Arturia MINIFREAK 49 — An Almost Perfect Synthesizer - BoBeats
9. The not so Minifreak // Arturia Minifreak 49 - Starsky Carr
10. Arturia MINIFREAK 49 | MUSIC DEMO (No Talking) | Spontaneous SYNTH Patches played by Jalvac 🎹🔥 - FutureMusic.es
11. Arturia MiniFreak 49 Review: Still a Game Changer? - Sineway
12. The New Minifreak 49 Goes Hard! Exploring What Makes it Special - The Midlife Synthesist

Press release follows:

49 full-size semi-weighted keys, expanded panel controls, and a pressure-sensitive XYZ touch matrix bring a new physical dimension to the Freak architecture, while Audio-rate Filter FM and Voice Panning extend its sonic reach - making shaping a patch and playing it feel like the same act.

_Explore the unconventional

Two digital engines. Analog Filters and VCAs per voice. A restless appetite for experimentation. MiniFreak 49 puts the familiar and the unruly within reach, from rich polyphonic textures to fractured rhythms and abrasive harmonics. Play a chord, reach for a control, press into the matrix. Playing a patch is only the beginning.

_Touch, press, transform

The new XYZ touch matrix brings performance, modulation, and navigation onto one surface.

Assign modulation with direct, color-coded feedback, swipe through presets, or watch reactive visualizers follow your playing.

Switch to Freak Control and put the sound under your fingers.

Push a Macro further, tighten the Gate, or use Spice to introduce variation.

Bipolar and vector layouts let you move between contrasting settings and blend across four corners, with pressure adding a third dimension of expression.

_That's not all

Room to play

49 full-size semi-weighted keys with velocity and mono aftertouch give chords, melodic lines, and two-handed performances room to breathe. Aluminum pitch and modulation wheels keep expression under your left hand.

Push every sound further

Audio-rate Filter FM from either engine adds harmonics, grit, and vocal-like textures. Dedicated Type, Wave, Timbre, and Shape controls, plus three selection shortcuts per oscillator, make sound shaping more immediate.

Six voices in stereo

Voice Panning spreads individual voices across the stereo field, adding width to chords and spatial movement to sequences.

MiniFreak 49

Three FX slots, each with a dedicated access button and 13 algorithms, cover everything from chorus and reverb to distortion and vocoder processing.

The Freak architecture

Two digital engines offer 30+ oscillator modes, with algorithms from Arturia, Mutable Instruments and Noise Engineering. Blend their sounds or use Engine 2 to process Engine 1, then shape each voice through its own resonant analog filter.

Shape every step

A 64-step sequencer and four modulation lanes keep notes and timbres in motion. Long-press a step to adjust its length and velocity on the touch matrix. Add arpeggiator ratchets and repeats, or introduce fresh variations with Spice & Dice.

Your Freak in the DAW

Included MiniFreak V brings the hardware’s sound and architecture into your DAW, with preset management and bidirectional control. The MiniFreak 49-compatible version is exclusive to registered MiniFreak 49 hardware owners.

CLICK FOR MORE »

Korg MS2000R Lives Again! | All 10 Demo Songs (No Talking)

video upload by Autodafe

"The Korg MS2000 and MS2000R are classic virtual-analog synthesizers from the early 2000s, known for their distinctive digital character, hands-on controls, vocoder and motion sequencing. The MS2000R is the rack version of the keyboard model.

This open-source project emulates the original hardware at a low level, running the original H8S/2350 firmware and DSP56362 code rather than recreating the synth engine from scratch. It includes a standalone application with the full front panel, plus VST3 and Audio Unit plugin versions.

In this video I’m using the standalone version and playing all 10 factory demo songs in sequence.

No talking — just the demos.

00:00 - Demo Song 1
00:48 - Demo Song 2
02:56 - Demo Song 3
04:30 - Demo Song 4
06:19 - Demo Song 5
07:33 - Demo Song 6
08:57 - Demo Song 7
09:39 - Demo Song 8
11:14 - Demo Song 9
12:32 - Demo Song 10

GitHub:
https://github.com/Tuth/ms2000r-emu"

CLICK FOR MORE »

M-VAVE FM-1: Hades & SEM-Inspired Sounds | Felucca Custom

video upload by BonszaiMusic

You can find the M-Vave SMK on Amazon.

"Hear the M-VAVE FM-1 running custom Oberheim SEM and Dreadbox Hades-inspired sound engines via my private Felucca-Bonszai firmware. Pure synth demo — no talking, just direct tweaking and raw sounds controlled via OXI E16.

TIMESTAMPS:
00:00 - Intro & Overview
00:10 - Oberheim SEM Engine Demo
01:40 - Dreadbox Hades Engine Demo

FEATURED SOUND ENGINES
• SEM — Oberheim SEM-inspired virtual analog engine with two oscillators, continuous LP–Notch–HP filter morphing, bandpass mode, Vintage control, and 8 presets.
• Hades — Dreadbox Hades-inspired bass engine with 2 sub-octaves, 3-pole filter, Drive/BODY saturation, and 8 presets.
Both engines feature full MIDI Learn and parameter automation (custom digital models inspired by the original hardware).

CLICK FOR MORE »

Radiophonic Modular Performance

video upload by Starsky Carr

"Sometimes we talk too much... so this is a live performance using 'only' the AJH Synth RadioPhonic*, with Erica Synths *Bullfrog Drums*, the *Bullfrog mixer*, all sequenced by the *OXI ONE Mk2

No talking, I promise!! just the track, the sound of the hardware and an on-screen explanation of whats going on.

All synth sounds come from the RadioPhonic, with Bullfrog Drums providing the percussion. The effects are from the Bullfrog Mixer - simply a lovely sounding reverb and a delay.

The setup:
• AJH Synth RadioPhonic — all synth sounds
• Erica Synths Bullfrog Drums — drums and percussion
• Bullfrog mixer — mixing
• OXI ONE — sequencing"

Cherry Audio Introduces Pentaphonic Synthesizer based on the Gleeman Pentaphonic

video uploads by

Playlist:

1. Cherry Audio | Introduction to Pentaphonic with Mike Martin
2. Cherry Audio | Translucent Presets for Pentaphonic Synthesizer
3. Cherry Audio | "Pentaphonic Cruise" by Steve Peglar

"Cherry Audio's Pentaphonic synthesizer revives the ultra-rare polyphonic hybrid synthesizer originally developed by Gleeman Instruments in 1981. With fewer than 70 units ever produced, this synthesizer is legendary for its rich tone, distinctive design, and pioneering sequencing capabilities. This emulation faithfully reproduces the lush sound of its digitally controlled oscillator (DCO) and analog-filter architecture while capturing the visual essence of the synthesizer "made to be seen, not just heard."

https://cherryaudio.com/products/pent... Cherry Audio has taken its capabilities to new heights with expanded polyphony, expressive performance, polyphonic and parameter sequencing, and a library of studio-quality effects. Our visual makeover offers a choice of stunning designs inspired by the various looks it sported during its brief existence."

Cherry Audio Pentaphonic: A rare synthesizer masterpiece reborn

video upload by CatSynth TV

"CatSynth presents a deep dive into the new Pentaphonic from our friends at Cherry Audio. This is a recreation of the extremely rare Gleeman Pentaphonic synthesizer, complete with its unique look featuring crystaline transparent knobs and a translucent body. The Pentaphonic was an analog polyphonic synth with a few twists, including three digital oscillators with microcontroller-generated waveforms that were fed into an analog Steiner Parker filter. We explore the emulation of these unique features as well as Cherry Audio's enhancements for modulation, effects, and motion. We also check out a few of the factory and expansion-pack presets.

00:00 Introduction
00:25 History of the Gleeman Pentaphonic
01:10 UI Overview
02:06 Oscillators
07:52 Filter
13:15 Amplifier
15:19 Voice modes
16:57 Effects
19:54 Arpeggiator
22:30 Sequencer
26:38 Factory Presets
30:03 Translucent (James Dyson) expansion pack presets
33:17 Andrew Longhurst pack presets
35:50 Conclusion"
Patreon: / catsynth | https://shop.catsynth.com | https://ko-fi.com/catsynth




Press release follows:

"Made to Be Seen, Not Just Heard." Pentaphonic resurrects one of the rarest synthesizers ever made: the 1981 Gleeman Pentaphonic.

Cherry Audio is proud to announce the release of Pentaphonic, an innovative virtual instrument that resurrects one of the rarest synthesizers ever made: the Gleeman Pentaphonic. With fewer than 70 units of the original hardware ever produced, this software version is a compelling opportunity for vintage synth enthusiasts and music producers of all genres.

CLICK FOR MORE »

New 2.0 firmware for ARTURIA's AstroLab Introduces New Sound Edit View

video uploads by Arturia

Playlist:

1. AstroLab | New 2.0 firmware | ARTURIA
2. What's New | AstroLab 2.0 Update | ARTURIA
3. AstroLab 2.0 | Playthrough | ARTURIA

"AstroLab 2.0 expands what you can shape, play and perform directly from the hardware. Explore the new Sound Edit view, with dedicated parameter pages mapped to AstroLab’s four macro knobs, alongside new sample-based instruments and 60+ stage-ready sounds spanning piano, brass, strings, bass and more."

AstroLab 2.0: It's a Proper Synth Now?

video upload by Sineway

"AstroLab 2.0 goes straight at the biggest criticism of the AstroLab: that it's just a preset player, not a proper synth. The headline feature is Sound Edit, which gives you real synth parameters like envelopes, filter and glide right from the front panel, and you don't need a computer or the V Collection license to use it. So is the AstroLab still just a keyboard full of presets, or is it starting to become something else?

Arturia gave me early access to the update, so I've had time to dig into it before release. In this video I show how Sound Edit changes from preset to preset depending on the engine underneath, revisit the AstroLab vs MiniFreak question now that both instruments have changed, and play some of the presets in a musical context.

0:00 Intro
0:24 Sound Edit
3:11 AstroLab vs MiniFreak
4:29 Other Updates in 2.0
5:17 More Sound Edit Explorations
6:32 Final Thoughts"

The Usual Suspects Blue Giant – Novation Supernova II Emulation

video upload by Autodafe

"A quick NO TALKING sound demo of Blue Giant by The Usual Suspects, the new simulator of the legendary Novation Supernova II.

Blue Giant recreates the original hardware using DSP56300-series DSP emulation and the original Novation ROM. Like the Supernova II, it offers an 8-part multitimbral architecture, up to 24 voices, three oscillators per voice, multimode filters, extensive modulation, arpeggiators and the original multi-effects system.

In this video I’m simply browsing through a selection of sounds and presets — no talking, just Blue Giant in action.

More info about Blue Giant / The Usual Suspects: https://theusualsuspects.io/

The Supernova II was one of the iconic virtual-analog synths of the early 2000s, and Blue Giant finally brings its distinctive sound into the DAW."

Levitate Expansion synth from Synamodec

video upload by Synamodec

"Hi everyone, this is the Levitate Expansion synth from Synamodec.
The Synamodec Levitate Expansion is a massively upgraded version of the original standalone desktop synthesizer. While the standard Levitate primarily consisted of just three simplified blocks (Legus, Neura, and the Nxpctd delay), the Expansion turns the machine into a deep semi-modular instrument by adding the following new modules, expanded sections, and dedicated processing blocks: [1, 2, 3, 4, 5]

1. New Sound & Modulation Modules
• "Crazy" Module: An entirely new, dedicated noise/sound generator designed for extra sonic chaos, which includes its own LFO and EQ controls. [1, 2]
• 6 LFOs (Low-Frequency Oscillators): The standard edition had highly limited internal modulation. The expansion adds 6 independent LFOs distributed across the modules (e.g., inside Legus, Crazy, the VCFs, and the Phaser/Delay) to dynamically modulate parameters. [1, 2, 3]
• VCA & Dedicated Envelope Generator: A full Voltage Controlled Amplifier accompanied by a dedicated ADSR/Envelope generator and a Gate/Trigger output for syncing with external hardware. [1]

2. New Audio Processing & Effects Blocks
• Dual VCF (Voltage Controlled Filters): Two filters designed exclusively for this edition with individual level controls for external inputs, high-pass (HP) and band-pass (BP) outputs.
• Phaser / Delay: Replaces the basic delay block with an advanced Phaser/Delay unit capable of extensive CV modulation.
• Dedicated Fuzz & Distortion: Two distinct, independent analog overdrive circuits allowing you to grit up your signals separately.
• 6-Band EQ / Filter: A fixed frequency equalizer section to shape the tone of your mix.
• Master Mixer: A comprehensive mixing stage featuring physical levels and a lever to blend pure audio signals with heavily processed ones. [1, 2, 3]

3. Expanded Features on Existing Blocks
• Legus Expanded: Upgraded with an extra exterior output, an external audio input, and 2 integrated CV inputs.
• Neura Expanded: Boosted into a Triple Oscillator setup featuring an increased count of signal generators and a dedicated external output. [1, 2]

4. Eurorack Patch Points
Unlike the standalone standard unit, the Expansion adds a vast matrix of external CV inputs and outputs. This allows every module to cross-patch internally or interact seamlessly with external Eurorack gear.

If you're interested, send me a message and we can chat. It’s on sale throughout October. miguel@synamodec.com"

Nord Modular G1 emulated in Gearmulator: it finally makes sound | #1

video upload by animatek

Patreon patches, downloads, and exclusive content - / animatek
The emulated Nord Modular G1 is now playing: the original G1 OS running on a computer, using Gearmulator, and controlled from my Animatek NME editor as if it were the real synth. First test, in pre-alpha phase.

⬇️ IN THIS VIDEO ⬇️

I document the first sound from a Nord Modular G1 emulator. The original G1 operating system runs on an emulated 68331 processor and loads its programs on four emulated DSP56303s, with the same kernel that Gearmulator uses for the Nord Lead 2X. The Animatek NME editor connects via PC Port and loads patches with oscillators, a mixer, and filters onto the virtual G1. And just like with the hardware, I close the editor, the synth continues playing, and when I open it again, it retrieves the patch.

This is a snapshot of the development process, bugs and all: clicks, filters that aren't working yet, unfinished clocks and sequencers, and empty banks. The emulator isn't released yet, and no ROMs are being distributed. This is episode 1 of the emulator's development diary. I'll upload a new one whenever there's a noticeable improvement.

⬇️ INDEX ⬇️

0:00 - Nord Modular G1 emulator on Gearmulator
0:44 - The engine: the G1's 4 DSPs and the first sound
1:24 - Animatek NME connected to the virtual G1: oscillator and output
2:00 - Mixer with various waveforms
2:29 - Nord Modular filters: simple ones yes, complex ones halfway
2:59 - Clocks and sequencers, not yet
3:20 - PWM, and things that cut the sound
4:24 - I turn the emulator off and on again
5:03 - Reconnecting via PC Port and empty banks
5:27 - Loading Nord Modular patches: the drone patch yes, others no
5:55 - The G1 emulator from scratch
6:38 - The two outputs and the low-pass and high-pass filters
6:55 - I close the Editor… and the emulated G1 keeps playing
7:21 - I cut the emulator: real test
7:34 - Project status

⬇️ RESOURCES AND TRAINING ⬇️

CLICK FOR MORE »

Elektron Monomachine Emulation | Factory Patterns Demo

video upload by Autodafe

Part 1 here

"What if you could run an Elektron Monomachine inside your computer? 👀

In this video I’m testing Gearmulator MM, an emulation of the legendary Elektron Monomachine developed by Joe Landers as a fork of the Gearmulator project.

No talking — just the interface, some factory patterns and the sound of the emulation in action. 🎧

⚙️ Gearmulator uses low-level hardware emulation to run the original firmware rather than simply recreating the synth behaviour.

Joe Landers’ gearmulator-md-mm fork adds support for Elektron Monomachine and Machinedrum.

CLICK FOR MORE »

Build Your Own Audio Plugins, No Code Required, With Amorph AI Driven Plugin Platform

Build Your Own Audio Plugins, No Code (Amorph v1 Beta) video upload by Artists in DSP

"Amorph is a free audio plugin. You build, play, and share your own tools inside the DAW — the sound, the knobs, and the code sit on your computer.

This is the full how-to. Install. The window. Three ways to build. Remote. Lock. Share.

A patch can be an instrument, an effect, or a MIDI processor.

Download Amorph v1 Beta:
https://artistsindsp.gumroad.com/l/am...

Getting started:
https://artistsindsp.com/get-started-..."

Modular Town : a synth hidden in a town (Amorph)

video upload by Bungle Society

"Modular Town — a synthesizer town, drawn by hand.

Modular Town is a single Amorph instrument: a hand-drawn village you scroll through, where every knob, step-sequencer and jack is mounted on a building facade wired by hand, just like real hardware. 🏭 Filter (Cutoff/Resonance) on the factoryVCO1 / VCO2 on the vending machinesDetune and Attack/Decay/Release tucked into the houses🥁 A 16-step drum machine (Drums Volume, Accent, Drive) running through its own sequencer🍜 Ramen Bass Shop, a mono bass synth with its own 16-step piano roll, playable live or sequenced. A day/night cycle you flip from a shop sign. Delay (Time/Feedback/Mix) on a canal-side wall. A full patch panel route LFO, ENV and random modulation across the whole village with real cables✨ Reverb, aged-paper texture and film grain for a sketchbook feel"

CLICK FOR MORE »

just look at the past (Yamaha YM2151 + Yamaha YMZ280B)

video upload by Vivi The Pumpkin King

Fun video featuring the Yamaha YM2151 + Yamaha YMZ280B voice chips. Interstingly, you'll find previous posts mentioning the YM2151, but not the YMZ280B. This simply implies the YM2151 is more comonly used in DIY projects.

"The Yamaha YM2151, also known as OPM (FM Operator Type-M), is an 8-channel, 4-operator sound chip used for frequency modulation (FM) synthesis in 1980s arcade games, home computers, and synthesizers."

Key Features

Voices:

Plays up to 8 simultaneous sounds or channels.

Data Formats: Supports 4-bit ADPCM, 8-bit PCM, and 16-bit PCM waveform data.

Memory: Connects to up to 16 MB of external ROM or SRAM for storing sound data.

Output: Delivers stereo output with 4-bit/16-level panning for each individual voice.P

rocessors: Links with an external digital-to-analog converter (DAC) and can connect to a Yamaha YSS225 effects processor for extra channel processing."

"The Yamaha YMZ280B, also called PCMD8, is an 8-channel PCM and ADPCM sample-based sound chip made by Yamaha Corporation in the mid-to-late 1990s.

Key FeaturesChannels and Operators:

It supports 8 simultaneous channels of 8-note polyphony with 4 operators per channel.

Sound Generation: It includes built-in noise generators, LFOs for vibrato and amplitude modulation, and timer circuits.

Companion IC: It requires an external digital-to-analog converter (typically the Yamaha YM3012) to output stereo audio.

Common Uses

Arcade Machines: Atari's Marble Madness (1984) was the first arcade game to use the YM2151 for FM synthesis, leading to widespread adoption in arcade hardware.

Home Computers: It powered the sound boards in sharp computers like the Sharp X68000 and the Yamaha CX5M music computer.

Synthesizers: Yamaha utilized the chip in early budget keyboards and sound modules like the DX21, DX27, and DX100."

Drum & Bass at Sunset 🌅 LIVE Electronic Hardware Session

video upload by imagination.project

"🌅 A new Drum & Bass live session performed at sunset by the Black Sea in Odesa, Ukraine.

Built live with Elektron Digitakt II, Digitone and Roland S-1 🎛️ — melodic DnB, deep bass, psychedelic synth textures and evolving hardware sequences.

This time I also brought Virus synth sounds into the track, adding a deeper psychedelic character to the mix. 🌀

Roland S-1 takes a special role in the transitions, creating wild evolving effects and sequences, while Digitakt II and Digitone drive the groove, bass and melodic layers.

🌊 One of the most beautiful sunsets we’ve captured for an Imagination.Project session — electronic music, psychedelic sound and the Black Sea coming together in one live performance.

Recorded on the Black Sea coast in Odesa, Ukraine. 🇺🇦"

https://imaginationproject1.bandcamp.com

Previously:

Liquid Drum & Bass LIVE 🌅 Digitakt II | Sunset Session

video upload by imagination.project

"Liquid Drum & Bass performed live by the Black Sea in Odesa, Ukraine. 🌅

A melodic sunset DnB session built around Elektron Digitakt II, with live-recorded guitar and trumpet adding an organic atmosphere to the electronic groove.

Everything comes together with melodic samples, deep bass, live sequencing and evolving effects as the sun goes down over the sea."

Liquid Drum & Bass LIVE 🌅 Sunset Digitakt II Session

video upload by imagination.project

"Sunset Drum & Bass performed live by the Black Sea in Odesa, Ukraine. 🌅

This time the session moves into a warmer African-inspired DnB vibe — melodic rhythms, percussion and electronic textures performed live on Digitakt II as the sun goes down over the sea.
No studio. No prepared stage. Just hardware, music, rocks and the Black Sea.

🎛️ Performed live by Andrii Averin

• Elektron Digitakt II
• live sequencing & performance
• Drum & Bass grooves
• percussion & melodic samples
• live effects and transitions

🌊 Recorded on the Black Sea coast in Odesa, Ukraine."

https://imaginationproject1.bandcamp.com

Elektron Outbox 8 — Information from Sweden

video upload by Elektron

"Outbox 8 adds eight outputs for configurable audio and CV, meaning you can turn your compatible Elektron machine into an octopus of connectivity. Add external effects. Separate your tracks out to a mixer or wherever. Control and sequence your modular gear or any other CV-equipped devices. And though Outbox 8 is predominantly made with your Elektron units in mind, it can do the same with a bunch more class-compliant gear too. Break out your sound and control, whatever the moment calls for."

This is Outbox 8

video upload by Elektron

ELEKTRON OUTBOX8 IS HERE!!! The Power of Extra Outputs & CV

video upload by Catenation

What Elektron Outbox 8 does, and not just for Elektron Gear // Review & tutorial

video upload by loopop

"Eight-channel audio/CV breakout box

Outbox 8 is a versatile eight-channel audio/CV breakout box and USB host/device designed to expand your connectivity, with creative possibilities to boot. It adds eight fully configurable physical outputs to a compatible connected device, letting you send audio and CV in any combination its capabilities allow. Route your sound and control wherever the moment calls for.

Send audio

Outbox 8 enables you to route individual tracks for external processing, mixing, or performance – creating a flexible bridge between your Elektron workflow and the wider world of sound and control.

MIDI to CV

CLICK FOR MORE »

KORG Polysix – Vintage 80s Analog Synthesizer Demo | Cosmic Sounds

video upload by RetroSound

"🚀 Korg Polysix + Korg KR-55B = pure vintage cosmic electronics

Take a journey into the cosmic side of early-1980s analog synthesis.
In this demo, I'm using only two classic Korg machines: the legendary Korg Polysix analog synthesizer and the Korg KR-55B rhythm machine.

No DAW. No modern plugins. Just vintage analog hardware, simple sequencing, and the unmistakable character of early-80s electronic music.

The Polysix is a classic 6-voice polyphonic analog synthesizer, featuring a VCO with sawtooth, pulse and PWM, a sub-oscillator, resonant low-pass filter, ADSR envelope, LFO, arpeggiator, chord memory and built-in analog effects.

For this demo, I pushed the Polysix into a more cosmic, atmospheric and spacey direction, while the KR-55B provides the vintage rhythm foundation.

If you love vintage synthesizers, analog sound, retro electronic music, spacey synth sounds and classic drum machines, this one is for you.

Headphones recommended — turn up the volume and enjoy the cosmic analog atmosphere."

Oberheim TEO-5, Moog Minitaur, Volca Keys Analog Cybersynth

video upload by Scott Nellé - Plague Society

"As I close in on 1000 subscribers, I hope you'll join for the journey! Like and subscribe if you're new here and you enjoy hardware synth demo tracks. This is a sort of Cybersynth track played on three analog synths at very different price points. It's sequenced in my DAW, along with drums also from the DAW because I ran out of table space! The main synth here is the Oberheim TEO-5, playing a factory preset. In the intro it's playing a pluck, a lead, and a bass note across the five voices. Lead and bass get shifted to other synths later in the track. After the first time through, I add a ping-pong delay from the Zoom MS-70CDR+.

The main rolling bass comes from the Moog Minitaur straight into the DAW. No effects on the Minitaur this time, just the raw sound.

Mid way through the track the Korg Volca Keys takes over lead duties playing a patch with a fast LFO modulating the cutoff frequency. It's running through my Keeley Caverns V2. As a goth, I needed the special glow in the dark edition with bats and spiders on it, of course."

Bastl Thyme+ Sound Demo (no talking): A digital tape machine!

video upload by Synth Codex

"In this video, I run a few different audio sources through the Thyme+ to show off its range: from subtle tape warmth and classic stereo delays to aggressive pitch modulation and rhythmic glitches. No talking, just raw audio directly from the unit.
The Bastl Thyme+ is a hardware audio processor built around a digital tape-delay engine with multiple reading heads and dedicated modulation sources named Robots that can automate almost every knob on the panel.

Chapters:
00:00 FM Synth
01:23 Glitchy Drum
02:01 Cinematic Key Synth
03:51 Electric Guitar

Gear used:
Korg Volca FM2
Critter & Guitari Organelle S2
Arturia MicroFreak
Electric Guitar

#bastlinstruments #effectpedals #delay"