Auction to be held at Musician's Hall of Fame & Museum, Nashville, on November 19
An incredible collection of more than 450 artifacts from the life and career of Florian Schneider, co-founder of the pioneer electronic band Kraftwerk."
Pics and videos featuring some of the gear below, and his Lederhosen for good measure (thanks greg!).
Update: the post has been fully updated with all the synth related gear. This may just well be the longest post to be featured on the site. I wanted to capture all the pics for all of the details including notes, scuffs, and of course serial numbers. It's an interesting look into what he used, the condition he keped his gear, in some cases, how he actually used his gear. Note the phonetics on the keys of the Casio CZ-101 and DX-100. Note the Midi Switch Box with a built-in speaker? What's that about? Note the camouflage key strap on the Korg RK-100 Remote Keyboard. Did he pick it out himself or did the keytar just come with it? Note the repeat midi controllers and the MIDI saxaphones. Wind was his primary instrument. You'll find a ton of the acoustic gear he used in the other listings. This is a fascinating insight into both what and how he used his gear.
Side note: there is no affiliate compensation for this post. The note at the top automatically shows for all posts with the Auction label.
Rack Mount Sennheiser VSM-201 Vocoder
Starting Bid
$5,000
Estimate
$20,000 - $40,000 USD
A late 1970s Sennheiser VSM 201 Vocoder with no serial number from the personal studio and collection of Florian Schneider of Kraftwerk (see images). While it’s said that only a few dozen of these Vocoders were produced, a few examples made it into the hands of forward-thinking musical artists including Herbie Hancock, Daft Punk, and of course, Kraftwerk, who used a VSM-201 like this on their albums Man Machine (1978) and Computerworld (1981). The VSM-201 has an intelligible sound that has not yet been bested by modern gear. Includes power cable. This VSM-201 has been removed from its wooden enclosure (which bears the serial number plate) and modified with a metal rack mount casing, presumably for live use. Requires 240v, IEC power cable not included.
Dimensions: 19 x 9 x 9 inches
Category: Kraftwerk, Equipment
Provenance: PROVENANCE From the Estate of Florian Schneider
Q1. What is FM synthesis? A1. The cheesy sounds of mid-80s pop music A2. A technique enabling sound designers to tap into the underlying mathematical structures of the Universe Q2. Can both of these be true?
Australia’s pioneering electronic music collective Clan Analogue explore these important questions with their dazzling new release - Sublime Wavelengths: The Cosmic Bliss of FM Synthesis. This compilation takes listeners on a journey through the shimmering tones, intricate modulations, and futuristic landscapes of FM synthesis. Sublime Wavelengths is a celebration of the iconic synthesis method of frequency modulation which revolutionised sound design in the 1980s and defined an era of electronic music.
The artists on Sublime Wavelengths explore FM synthesis in all its manifestations. Jacek Tuschewski and Darrow explore the transcendant qualities of frequency modulation with their expansive contributions, while KOshowKO and Boris Divjak each embrace driving rhythmic and melodic possibilities with their cosmic melding of digital precision and human expression. Meanwhile experimental harpist Kris Keogh pushes sonic transformation to the limit with a mutated strain of crushed and squished FM processing while Sussiguala creates an unrelenting rhythmic structure pulsing with dubbed-out sine wave modulation. The technology employed from the artists’ studios ranges from the classic 1980s Yamaha DX7 synthesizer, heard on contributions from Infinity Deck and BluNjin, to the newest hardware, VST synths and coding environments, such as those used by Acidalius and Marcus Newman. Sublime Wavelengths doesn’t neglect the party vibe of 80s-flavoured pop, with celebratory grooving contributions from Swinging Tasty Bag and Just the Tip-pet. The compilation culminates with the high energy sounds of Mr Rachele before dissipating into hypnotic closing tracks by Intermodd and Cylan.
The album reflects the collective spirit of experimentation that Clan Analogue has nurtured since the early ‘90s, while embracing the retro-futurist charm and crystalline complexity that FM synthesis offers. Whether you’re a synth enthusiast, an electronic music aficionado, or simply a listener ready for a sonic adventure, Sublime Wavelengths invites you to tune into a higher frequency.
Sublime Wavelengths is dedicated to the memory of Jacek Tuschewski who passed away prior to the release of the compilation.
released September 2, 2025
Executive Producer: Tieran Kimber Design: James Wingrove Label support: Nick Wilson Mastering: Darren Ziesing at Millennium Mastering, except track 1 mastered by Martin Koszolko Listening panel: Wade Clarke and Marcus Newman
Ocean Swift Launches “Sample Tester” - A Free, Instant Tool for Sonic Curation
and Auditioning
Ocean Swift announces the release of Sample Tester, a
compact, zero-friction instrument designed for rapid auditioning, tuning checks,
and curation of oscillator-style samples. Sample Tester is available now as a
free Kontakt Player-compatible tool, empowering producers, sound designers, and
sample library creators to streamline their workflow.
A Tool That
Speeds Up the Process
With Sample Tester, users can drag and drop a
sample file and immediately hear it played polyphonically, allowing quick
assessment of tuning, harmonic behavior, and musical context. The instrument:
Automatically
detects or permits manual setting of the root note Displays MIR-derived
metrics such as pitch, peak, RMS, and loudness at a glance Offers an engine
toggle to compare Direct-From-Disk streaming versus Time Machine Pro sample
stretching Provides one-click amplitude envelope shapes (Perc, Bell, Piano,
Lead, Pad) Supports NKS / NKS2 mappings, compatible with hardware control
surfaces Works fully in the free Kontakt Player—no full Kontakt license
required In modern production environments, sound designers and producers
often sift through large volumes of raw samples. Determining which ones will
behave musically, tune correctly, or integrate well into a kit or melodic
instrument can be time-consuming. Sample Tester accelerates that
decision-making:
Instant feedback: No waiting for heavy DAW setup Precise
metrics: MIR data gives insight beyond the ear alone Real-time auditioning:
Hear the sample in chords or context, not just as a solo note Flexible
workflow: Works for tonal, looped, oscillator-style materials These
features combine to let creators “decide faster, tune with confidence, and build
better libraries.”
Ocean Swift positions Sample Tester as a perfect
companion to its Spectral Oscillators Toolkits, but the tool is equally useful
for any user working with tonal or looped sample material.
1. themkI | An exploration of a 70s classic
2. themkI | Overview
3. themkI | Presets playthrough
Press release follows:
Thephonoloop tweaks themkI as deeply-sampled, expressive VI exploring electromechanical keyboard classic’s imperfections with colourful Version 1.1 update
KATOWICE, POLAND: Thephonoloop is proud to announce that it has tweaked themkI — already available as a deeply-sampled, expressive VI (virtual instrument) for Native Instruments’ KONTAKT PLAYER platform housed in an MPE (MIDI Polyphonic Expression) compatible engine built for discovery and experimentation, exploring the beautiful imperfections of a Seventies-vintage electromechanical keyboard classic — with a colourful Version 1.1 update introducing sharper contrast for better visibility alongside new GUI (Graphical User Interface) colour options for customising its look, as of October 7…
We are proud to present a detailed demo and tutorial of the new Trident MkIII, a recreation and evolution of the rare but powerful Korg Trident. Both the original and this version are really three synths in one: an analog subtractive synth, brass synthesizer, and a string machine. We go through all three sections individually and together, along with the new Motion features and effects. Along the way, we enjoy the instrument's lush and cinematic sound shining through.
3. MOMENTUM PACK For Cherry Audio Trident - James Dyson
MOMENTUM is a collection of 100 additional presets for Cherry Audio's Trident Mk III synthesizer. Created by James Dyson, this Preset Pack highlights the multi-timbral combination of Trident's Synth, Brass, and Strings sections. It takes full advantage of features like layers and splits, the sequencer, and dual arpeggiators, resulting in a stunning showcase of dynamic sounds and motion for the Trident Mk III.
Cherry Audio is pleased to announce the Trident Mk III synthesizer, a stunning virtual instrument that meticulously revives the sonic capabilities of the original Trident hardware synth. Priced at just $69, the Trident Mk III offers an authentic recreation of the classic synthesizer, significantly enhanced with new capabilities designed for today’s music producers.
Welcome to "Explorations Vol. 3 Soundset for Roland JD-800 by Saga Musix - https://sagamusix.de/
Also compatible with JD-990, JD-800 VST, Zenology and the JD-08!
Thank you for purchasing this sound set! With these sounds, I aim to explore all the many different faces of the JD-800, so you will find a diverse set of sounds, some more old-school, some with a more modern touch, some pads, some leads, some sound effects - it's all there and I hope you enjoy using it as much as I enjoyed creating it.
Before you get started, here are some hints on how to use these patches:
Vintage groovebox charm reimagined for today’s electronic producers. xemptyz This sample pack is a tribute to the iconic Roland MC-303, a machine that helped define the DIY electronic sound of the late 1990s. Originally released as an all-in-one groovebox, the MC-303 offered a bold vision for accessible music-making, with digital tones that felt futuristic yet playful. Even if you have never used the original hardware, this pack brings its spirit to life through carefully curated sounds designed for modern workflows. xemptyz
Ali Modular enters Eurorack marketplace with Esu’s Trifecta available as powerful multi-effects module with Triple FX engine
WASHINGTON, DC, USA: deep joy-encouraging Eurorack module-maker Ali Modular is proud to announce availability of Esu’s Trifecta — readily representing its inaugural entry into the ever-expanding Eurorack marketplace as a powerful multi-effects module, albeit one which stands out from the sound of the crowd courtesy of an ability to run three different serial effects at the same time, thanks to the Triple FX engine driving its intuitive tools that unlock new ways to shape sound and manage the creative process — as of October 2…
As a powerful stereo multi-effects Eurorack module, Esu’s Trifecta is designed to be the ultimate tool for manipulating, shaping, and transforming sound, duly delivering creative possibilities for musicians, live performers, and sound designers alike — whether used as an all-round sound manipulator, end-of-chain effects processor, or sound design tool. Digging deeper, Esu’s Trifecta draws its essence from an orisha — orishas being divine spirits that play a key role in the Yoruba religion of West Africa and several religions of the African diaspora that derive from it — called Èṣù, the mischievous trickster and guardian of the crossroads, who works to promote balance, order, and harmony, ultimately, despite being known for bringing confusion and unpredictability. It is fair to say that this ethos is effectively embedded deeply into the module’s design. As a result, Esu’s Trifecta creates opportunities for unpredictable sonic exploration while providing the tools to mould sound into harmony and order. On the face of it, the module itself opens up limitless pathways for creativity and sound sculpting — just as Èṣù signifies infinite possibilities.
The TR-1000 is available now for $2,699.99. Check with dealers on the right for availability.
"The TR-1000’s analog engine features 16 of the most coveted circuits from the TR-808 and TR-909, faithfully recreated from the original designs with detailed engineering and carefully selected modern components. Alongside the TR-1000’s analog voices are powerful digital sounds driven by Roland’s latest advancements, including 21 circuit-bent TR-808 and TR-909 models built with Analog Circuit Behavior (ACB) technology, FM percussion, virtual analog tones, and a deep PCM library for sonic exploration and fresh textures."
Playlist:
1. Roland TR-1000 Rhythm Creator | Egyptian Lover Performance
2. Roland TR-1000 Rhythm Creator | Everything You Need to Know
User videos followed by hi-res pics and the press release:
In this video, we present a series of short musical sketches, each created entirely with the Adamsynths™ Warthog modular synthesizer.
🎹 These compact compositions – each under a minute – showcase the expressive potential of Warthog patches in a musical context.
Adamsynths™ Warthog – where a patch is not just a moment, but a memory you can share.
Chapters
00:00 – Monkey – Rhythmic Pulse & Synced VCOs
00:29 – Bowland – Rhythmic Pulse & Synced VCOs
01:05 – Interstellar – The Magpie Lead
01:21 – Color TV - Keep calm and enjoy the Warthog
2. Adamsynths™ Warthog – Real Time Snapshot Switching & Morphing
In this video, we showcase two key features of the Total Recall system in the
Adamsynths™ Warthog modular synthesizer: Snapshot and Snapshot Morph.
🎛️ Snapshots are switched with incredible speed in real time. Using the Mood Wheels, snapshots can be morphed into one another with refined transitions. This allows patches to continuously transform, generating new sonic textures through the movement of the control wheel.
⏱️ Chapters
00:00 – Spooky – Restless Modulation
00:31 – Lost in Matrix 1 – Groovy Break Bassline 1
01:08 – Lost in Matrix 2 – Groovy Break Bassline 2
01:46 – Jono's Organ - Celestial Drift
02:21 – Lost in Matrix 3 – Groovy Break Bassline 3
3. Adamsynths™ Warthog - Atmospheric Patches
🎧 In this video, we showcase a selection of patches from the Adamsynths™ Warthog modular synthesizer.
Expect:
🌌 Atmospheric textures
🐗 Analog basses
🔮 Modulated soundscapes
Your Awaited Companion Has Arrived: Adamsynths™ Warthog, the first analog modular synthesizer with TOTAL RECALL Now Available for Pre-Order at Early-Bird Price
"Skorpion is an 8-stage vector based wavefolder module that boasts a huge range of sounds via it's deep, yet intuitive set of controls. In this video, we cut about an hour of jamming and experimentation together into about 8 minutes of sound examples. No talking in this one, just pure sonic exploration and a demonstration of what this module can do with a simple input.
In the intro, we're running a sine wave through Skorpion and add some CV from an envelope into slope to create some rhythm. We add some drums to hear this in context with a drum beat. We then transition into a sine wave as the input signal, then some Saw (with windows) and Swarm Waveforms, experiment with a filter before the Skorpion, and end up back with some drums in different configurations.
WMD designs electronic hardware for musicians longing for a balance of precision and exploration. Our quality control is the absolute finest, with service to match."
"Crumar Spirit by Cherry Audio captures the unique sound and features of the exceptional analog monosynth from 1983, originally designed by some of the most legendary figures in the synth industry. Spirit is a gateway to sonic experimentation. It is not a polite instrument. Nor is it clean, safe, or obvious. However, twist a few knobs and it will reward you with some of the most colorful sounds you have ever heard from a virtual analog software synthesizer.
"100 additional presets for Cherry Audio's Crumar Spirit synthesizer by James Dyson that showcase its darker and more atmospheric side in nine categories. Explore more advanced modulations, integrated effects, rhythmic arpeggios, and aftertouch performance features.
"We are proud to preset the new Crumar Spirit by Cherry Audio, a meticulous software recreation of the unique, quirky and elusive Crumar Spirit analog synthesizer from the early 1980s. This is a two-part series. In Part 1 we go over most of the original-instrument features (minus the arpeggiator).
Part 2, covering the remaining features and exploring factory presets, will be released soon.
00:00 Introduction
00:34 A brief history
01:54 Overview of Crumar Spirit by Cherry Audio
02:35 Oscillators
09:59 Upper filter
12:41 Lower filter
20:02 Noise generator
23:43 Shaper Y (and Shaper Y audio path)
33:24 Mod X
41:24 Conclusion"
Crumar Spirit by Cherry Audio is a meticulously crafted virtual recreation that captures the unique and captivating features of the exceptional analog monosynth from 1983, originally designed by some of the most legendary figures in the synth industry. In collaboration with Crumar, we have reopened a time capsule to revive this Italian cult classic and thoughtfully elevated it with Cherry Audio's signature style.
Spirit is a gateway to sonic experimentation, whether you are after wild, unpredictable timbres or warm, analog tones. It is not a polite instrument. Nor is it clean, safe, or obvious. However, twist a few knobs and it will reward you with some of the most colorful sounds you have ever heard from a virtual analog software synthesizer.
Crumar Spirit includes over 430 sensational presets in 12 categories
Producers will find immediate inspiration in Spirit's extensive preset library, created by a talented sound design team led by veteran sound designer James Terris. And don't miss the Spectres for Spirt Preset Pack (sold separately), featuring an additional 100 additional presets by James Dyson.
A "Little Synth" Designed by Legends
Crumar S.P.A., based in Castelfidardo, Italy, was a notable player in the 1970s musical instrument industry, specializing in home organs, digital pianos, and multi-sound keyboards, and with a significant focus on the U.S. market. Sante Crucianelli, the son of the owner, became the driving force behind Crumar's design and strategies. Crumar became known for its open lab culture, frequently allowing competitors to test instruments, a rare practice for the time. Another key figure during this period was Luciano Jura, a designer, musician, and programmer. Luciano became crucial as Crumar's point of contact with synth pioneer Bob Moog, which led to a collaboration that resulted in the creation of Crumar's Spirit synthesizer.
Although many details have been lost due to the passing of key figures and the closure of Crumar, the development of the Spirit synthesizer in the U.S. is well documented. Key contributors to the project, codenamed "Little Synth," included Moog engineer Jim Scott, Moog clinician and electronic music historian Tom Rhea, and Bob Moog himself. The project likely began around 1980 or 1981, and incorporated elements from earlier projects by Scott and Moog. Rhea played an essential role in defining the Spirit's key features, such as the keyboard scanning setup, panel layout, functional architecture, and technical documentation. The Crumar Spirit went into production and was released in late 1983.
"Step into a universe of lush, immersive soundscapes with the Hotone Verbera. In this video, we explore unique presets paired with expressive IRs, showcasing how Verbera transforms a synthesizer’s tone into a cinematic journey. From deep ambient washes to rhythmic, pulsing reverbs, discover the power of convolution and algorithmic reverb in one compact pedal.
Featured Presets & IRs:
00:07 - 001 - Verbera / IR: Space VAB Sd
00:41 - 024 – Multi Universe / IR: Time Slip
01:18 - 028 – Disco Elysiumt / IR: Ping Pong Fun
02:10 - 062 - Flap Wings / IR: Rain Field
Perfect for synth players, guitarists, and sonic explorers alike."
Ever imagined your sound echoing through a sold-out stadium? Or reverberating off the metallic walls of a NASA spacecraft hangar? What if your guitar fell into a cosmic white hole… or drifted through the vaulted ceilings of a centuries-old cathedral?
Welcome to Verbera — where imagination meets reality. This is not your typical software convolution plugin. Verbera is a standalone, hardware-based convolution reverb pedal — with Instant IR loading, stunning tweakability, and boundless sonic range. Whether you’re recreating iconic spaces, vintage hardware, or crafting otherworldly reverbs never heard before, Verbera gives musicians and engineers a powerful new tool for both live and studio setups.
Step Into Iconic Spaces and Classic Gear with a Single Click Verbera ships with 120 world-class impulse responses (IRs) — captured in breathtaking detail from legendary spaces like symphony halls, European cathedrals, even aerospace facilities. You’ll also find IRs modeled after classic studio gear like spring and plate reverbs. Massive or intimate, modern or retro — Verbera brings those sonic environments directly under your feet.
Reverbs from Another Dimension Verbera isn’t just about realism — it’s about reinvention. Beyond the meticulously captured IRs, you’ll find a curated library of original Hotone-crafted IRs that stretch the limits of your imagination. Think sci-fi-inspired synth atmospheres, time-warping delay trails, shimmering textures pulled straight from a “white hole” in space. These are not your standard reverbs — they’re creative catalysts designed to inspire your next masterpiece.
Dual Reverb Engine for Deep-Dimensional Sound Design At the heart of Verbera is a dual-engine design. On one side: the IR convolution engine, capturing the nuanced reflections of real spaces and gear. On the other: XR, a finely tuned algorithmic reverb that brings surreal, hyper-dimensional ambiance to your sound. Layer them. Shape them. And with a single tap, freeze the XR reverb to create endlessly evolving textures and ambient pads.
Cutting-Edge Convolution Tech, Instant IR loading Powered by Hotone’s proprietary low-latency convolution engine, Verbera delivers studio-grade reverb tails — up to 10 seconds stereo or 20 seconds mono — without skipping a beat. Switch IRs on the fly with zero audio dropout. This is next-gen performance that blows past traditional limitations.
"Hello, everyone! Here's to you my 'NO TALKING DEMO' of the amazing Roland Boutique JD-08.
The JD-08 is the authentic recreation of the Roland JD-800 synthesizer in a modern and portable instrument.
With its retro workflow, evocative sounds, and powerful effects, the JD-800 was a favorite for top electronic music producers through the ’90s and beyond. Combining the original JD-800 waveforms with advanced modeling techniques, the JD-08 delivers the exquisite hands-on sound design of the original, along with hugely expanded polyphony, a two-part polyphonic sequencer, and other modern updates.
The JD-08 includes 64 presets from the original hardware and perfectly recreates the four-tone structure, 108 waveforms, and unique two-part multi-effects that are at the core of the JD-800’s intricate, evolving sound.
And there is so much more! The JD-08 has new patches plus 256 memory locations that let you dive deep into the huge array of controls to create new sounds for your music. And with expanded polyphony and two-part multitimbral capability, there’s even more room to stretch out your sonic ideas.
In this demo I will just let you hear what Roland have made for this little synth simply by scrolling and playing some beautiful factory presets."
"Please support my work on Patreon: / jayhosking Five song sketches featuring the EF-X3 tape delay, chorus, and reverb.
00:00 - Ambient, with Take 5 02:57 - Drums, with LXR-02 05:47 - Brooding, with SH-101 07:20 - Acid, with TT-303 09:41 - Ambient, with MS-20
Fair warning: MAS Distribution sent over the EF-X3 for me, not quite for free (I had to pay some significant customs/duty/taxes from the border) but for far less than the full retail price.
Here, I explore the Echo Fix EF-X3, a real tape delay with analog chorus and spring reverb. My favourite feature of the EF-X3 is that it has discrete outputs for each of the four tape heads plus another output for chorus/reverb, which means you can get some incredibly stereo tape delay mixes with it. Here, I usually panned two heads full left/right, and two heads 50% left/right, with the dry out and chorus output slightly panned and near centre. Ages ago, I had an Akai Headrush and I always loved having such a ludicrous amount of outputs; it's exactly the same delight here.
But I have to say, using a real tape delay is unlike any digital emulation I've tried. It's less behaved and has more texture than I had expected. And while it shouldn't matter, seeing the tape running is a thrill. It's an incredible physical presence on the table, super solid and with beautiful wood on the sides.
No one needs a real tape delay, of course, just like no one needs an analog synth and no one needs hardware. But for someone who has loved those records with long, cascading tape delays, for someone who loves the physicality of hardware, I've felt incredibly lucky to have the EF-X3 up on the table.
Thanks for listening.
Recorded to a DAW as a multi-track (dry channel, chorus/reverb channel, and channels for each of the heads) and mixed afterward. No external effects on the sound. EQ, compression, and limiting on the master.
"I created a definition file for the digital synthesizer 'PRA32-U' by ISGK Instruments for the Renoise scripting tool Guru.
All sound parameters of this synth can be controlled by MIDI Control Change (CC) messages, so the mapping was very smooth. By simply associating each parameter according to the CC number, you can intuitively create sounds in real time in Guru.
This allows you to use the PRA32-U in Renoise just like a software synth, making the fusion of trackers and hardware synths even more comfortable.
It looks like it will be useful for live performances and improvisational sound design."
"I was lucky enough to see Nils Frahm on his latest tour and this is my favourite of his compositions. Whilst listening to the track build on his stack of vintage synths and keyboards (notably a Roland Juno for the main arpeggio) it occurred to me (perhaps over-ambitiously) to have an attempt at seeing how this would sound on the Circuit Tracks.
The track may be familiar to some from the 'Ad Astra' movie soundtrack (might be the best thing about the movie?!).
• Says - Nils Frahm Scene Part 2 | Ad Astra ... [below]
This time the limit was definitely not the Circuit hardware but more my own musical ability. Without a score, (and discovering that many of the versions online seem to be semi-improvised) I was left with slowing down the track until I could identify individual notes and program them in in step time….add to that the fact that the track has enormous amounts of tape echo which he manipulates in real-time.
I came to the conclusion that at best I could try and create my own ‘version’ inspired by his original. This should be viewed as a reinterpretation and not a strict cover (and I did put a rhythm track on it too).
I’ve since found other Youtubers playing versions of these but they mainly go for very simple arpeggios and I was aiming to try and capture some of the complexity of the other ‘layers’ played.
Imagine this composition then as the simplified version Nils might create for his first Café Del Mar set armed only with a Circuit Tracks…..and after someone had removed his ability to play the piano ;)
I hope some of you like it…I loved attempting this electronica classic and hope you enjoy the end result.
Everything you hear is just the Circuit Tracks. No extra synths or effects."
"🎵 Welcome to Cheerful Electronics OPL Studio - First Contact! 🎛️ In this sound design experiment, we dive deep into the world of FM synthesis using the powerful OPL Studio, exploring retro sounds inspired by classic OPL3 chips. Whether you're a fan of chip music, vintage FM synths, or curious about pushing the limits of sound design, this video is your perfect starting point.
Get ready for rich, textured tones and quirky sonic explorations as we showcase the raw potential of OPL Studio. This first contact session covers live tweaking, patch creation, and modulation — perfect for anyone diving into retro synth workflows or looking for viral FM synthesis content.
If you're into chiptune, retro game soundtracks, or nostalgic hardware-driven music, you'll feel right at home. Watch now and get inspired to experiment with your own OPL3-based synths and plugins!"
OPL Studio is the ultimate OPL2 / OPL3 synthesizer! It gives you almost limitless control over what you can do with the OPL3 synthesizer chip.
Features of OPL Studio
OPL Studio has a long list of features. To name a bunch of them:
Integrated patch editor to edit predefined instruments and create your own Load and save instrument banks from popular formats such as *.BNK, *.SB, *.O3, ect.
Patch linking to layer up to 4 instrument patches for even more complex sounds Polyphonic sequence editor to create up to 32 drum and 32 melody sequences Quad sequencer to live play up to four sequences
Composer module that lets you create complete songs from your sequences Midi channel mixer
