In this video, we present a series of short musical sketches, each created entirely with the Adamsynths™ Warthog modular synthesizer.
🎹 These compact compositions – each under a minute – showcase the expressive potential of Warthog patches in a musical context.
Adamsynths™ Warthog – where a patch is not just a moment, but a memory you can share.
Chapters
00:00 – Monkey – Rhythmic Pulse & Synced VCOs
00:29 – Bowland – Rhythmic Pulse & Synced VCOs
01:05 – Interstellar – The Magpie Lead
01:21 – Color TV - Keep calm and enjoy the Warthog
2. Adamsynths™ Warthog – Real Time Snapshot Switching & Morphing
In this video, we showcase two key features of the Total Recall system in the
Adamsynths™ Warthog modular synthesizer: Snapshot and Snapshot Morph.
🎛️ Snapshots are switched with incredible speed in real time. Using the Mood Wheels, snapshots can be morphed into one another with refined transitions. This allows patches to continuously transform, generating new sonic textures through the movement of the control wheel.
⏱️ Chapters
00:00 – Spooky – Restless Modulation
00:31 – Lost in Matrix 1 – Groovy Break Bassline 1
01:08 – Lost in Matrix 2 – Groovy Break Bassline 2
01:46 – Jono's Organ - Celestial Drift
02:21 – Lost in Matrix 3 – Groovy Break Bassline 3
3. Adamsynths™ Warthog - Atmospheric Patches
🎧 In this video, we showcase a selection of patches from the Adamsynths™ Warthog modular synthesizer.
Expect:
🌌 Atmospheric textures
🐗 Analog basses
🔮 Modulated soundscapes
Your Awaited Companion Has Arrived: Adamsynths™ Warthog, the first analog modular synthesizer with TOTAL RECALL Now Available for Pre-Order at Early-Bird Price
"Skorpion is an 8-stage vector based wavefolder module that boasts a huge range of sounds via it's deep, yet intuitive set of controls. In this video, we cut about an hour of jamming and experimentation together into about 8 minutes of sound examples. No talking in this one, just pure sonic exploration and a demonstration of what this module can do with a simple input.
In the intro, we're running a sine wave through Skorpion and add some CV from an envelope into slope to create some rhythm. We add some drums to hear this in context with a drum beat. We then transition into a sine wave as the input signal, then some Saw (with windows) and Swarm Waveforms, experiment with a filter before the Skorpion, and end up back with some drums in different configurations.
WMD designs electronic hardware for musicians longing for a balance of precision and exploration. Our quality control is the absolute finest, with service to match."
"Crumar Spirit by Cherry Audio captures the unique sound and features of the exceptional analog monosynth from 1983, originally designed by some of the most legendary figures in the synth industry. Spirit is a gateway to sonic experimentation. It is not a polite instrument. Nor is it clean, safe, or obvious. However, twist a few knobs and it will reward you with some of the most colorful sounds you have ever heard from a virtual analog software synthesizer.
"100 additional presets for Cherry Audio's Crumar Spirit synthesizer by James Dyson that showcase its darker and more atmospheric side in nine categories. Explore more advanced modulations, integrated effects, rhythmic arpeggios, and aftertouch performance features.
"We are proud to preset the new Crumar Spirit by Cherry Audio, a meticulous software recreation of the unique, quirky and elusive Crumar Spirit analog synthesizer from the early 1980s. This is a two-part series. In Part 1 we go over most of the original-instrument features (minus the arpeggiator).
Part 2, covering the remaining features and exploring factory presets, will be released soon.
00:00 Introduction
00:34 A brief history
01:54 Overview of Crumar Spirit by Cherry Audio
02:35 Oscillators
09:59 Upper filter
12:41 Lower filter
20:02 Noise generator
23:43 Shaper Y (and Shaper Y audio path)
33:24 Mod X
41:24 Conclusion"
Crumar Spirit by Cherry Audio is a meticulously crafted virtual recreation that captures the unique and captivating features of the exceptional analog monosynth from 1983, originally designed by some of the most legendary figures in the synth industry. In collaboration with Crumar, we have reopened a time capsule to revive this Italian cult classic and thoughtfully elevated it with Cherry Audio's signature style.
Spirit is a gateway to sonic experimentation, whether you are after wild, unpredictable timbres or warm, analog tones. It is not a polite instrument. Nor is it clean, safe, or obvious. However, twist a few knobs and it will reward you with some of the most colorful sounds you have ever heard from a virtual analog software synthesizer.
Crumar Spirit includes over 430 sensational presets in 12 categories
Producers will find immediate inspiration in Spirit's extensive preset library, created by a talented sound design team led by veteran sound designer James Terris. And don't miss the Spectres for Spirt Preset Pack (sold separately), featuring an additional 100 additional presets by James Dyson.
A "Little Synth" Designed by Legends
Crumar S.P.A., based in Castelfidardo, Italy, was a notable player in the 1970s musical instrument industry, specializing in home organs, digital pianos, and multi-sound keyboards, and with a significant focus on the U.S. market. Sante Crucianelli, the son of the owner, became the driving force behind Crumar's design and strategies. Crumar became known for its open lab culture, frequently allowing competitors to test instruments, a rare practice for the time. Another key figure during this period was Luciano Jura, a designer, musician, and programmer. Luciano became crucial as Crumar's point of contact with synth pioneer Bob Moog, which led to a collaboration that resulted in the creation of Crumar's Spirit synthesizer.
Although many details have been lost due to the passing of key figures and the closure of Crumar, the development of the Spirit synthesizer in the U.S. is well documented. Key contributors to the project, codenamed "Little Synth," included Moog engineer Jim Scott, Moog clinician and electronic music historian Tom Rhea, and Bob Moog himself. The project likely began around 1980 or 1981, and incorporated elements from earlier projects by Scott and Moog. Rhea played an essential role in defining the Spirit's key features, such as the keyboard scanning setup, panel layout, functional architecture, and technical documentation. The Crumar Spirit went into production and was released in late 1983.
"Step into a universe of lush, immersive soundscapes with the Hotone Verbera. In this video, we explore unique presets paired with expressive IRs, showcasing how Verbera transforms a synthesizer’s tone into a cinematic journey. From deep ambient washes to rhythmic, pulsing reverbs, discover the power of convolution and algorithmic reverb in one compact pedal.
Featured Presets & IRs:
00:07 - 001 - Verbera / IR: Space VAB Sd
00:41 - 024 – Multi Universe / IR: Time Slip
01:18 - 028 – Disco Elysiumt / IR: Ping Pong Fun
02:10 - 062 - Flap Wings / IR: Rain Field
Perfect for synth players, guitarists, and sonic explorers alike."
Ever imagined your sound echoing through a sold-out stadium? Or reverberating off the metallic walls of a NASA spacecraft hangar? What if your guitar fell into a cosmic white hole… or drifted through the vaulted ceilings of a centuries-old cathedral?
Welcome to Verbera — where imagination meets reality. This is not your typical software convolution plugin. Verbera is a standalone, hardware-based convolution reverb pedal — with Instant IR loading, stunning tweakability, and boundless sonic range. Whether you’re recreating iconic spaces, vintage hardware, or crafting otherworldly reverbs never heard before, Verbera gives musicians and engineers a powerful new tool for both live and studio setups.
Step Into Iconic Spaces and Classic Gear with a Single Click Verbera ships with 120 world-class impulse responses (IRs) — captured in breathtaking detail from legendary spaces like symphony halls, European cathedrals, even aerospace facilities. You’ll also find IRs modeled after classic studio gear like spring and plate reverbs. Massive or intimate, modern or retro — Verbera brings those sonic environments directly under your feet.
Reverbs from Another Dimension Verbera isn’t just about realism — it’s about reinvention. Beyond the meticulously captured IRs, you’ll find a curated library of original Hotone-crafted IRs that stretch the limits of your imagination. Think sci-fi-inspired synth atmospheres, time-warping delay trails, shimmering textures pulled straight from a “white hole” in space. These are not your standard reverbs — they’re creative catalysts designed to inspire your next masterpiece.
Dual Reverb Engine for Deep-Dimensional Sound Design At the heart of Verbera is a dual-engine design. On one side: the IR convolution engine, capturing the nuanced reflections of real spaces and gear. On the other: XR, a finely tuned algorithmic reverb that brings surreal, hyper-dimensional ambiance to your sound. Layer them. Shape them. And with a single tap, freeze the XR reverb to create endlessly evolving textures and ambient pads.
Cutting-Edge Convolution Tech, Instant IR loading Powered by Hotone’s proprietary low-latency convolution engine, Verbera delivers studio-grade reverb tails — up to 10 seconds stereo or 20 seconds mono — without skipping a beat. Switch IRs on the fly with zero audio dropout. This is next-gen performance that blows past traditional limitations.
"Hello, everyone! Here's to you my 'NO TALKING DEMO' of the amazing Roland Boutique JD-08.
The JD-08 is the authentic recreation of the Roland JD-800 synthesizer in a modern and portable instrument.
With its retro workflow, evocative sounds, and powerful effects, the JD-800 was a favorite for top electronic music producers through the ’90s and beyond. Combining the original JD-800 waveforms with advanced modeling techniques, the JD-08 delivers the exquisite hands-on sound design of the original, along with hugely expanded polyphony, a two-part polyphonic sequencer, and other modern updates.
The JD-08 includes 64 presets from the original hardware and perfectly recreates the four-tone structure, 108 waveforms, and unique two-part multi-effects that are at the core of the JD-800’s intricate, evolving sound.
And there is so much more! The JD-08 has new patches plus 256 memory locations that let you dive deep into the huge array of controls to create new sounds for your music. And with expanded polyphony and two-part multitimbral capability, there’s even more room to stretch out your sonic ideas.
In this demo I will just let you hear what Roland have made for this little synth simply by scrolling and playing some beautiful factory presets."
"Please support my work on Patreon: / jayhosking Five song sketches featuring the EF-X3 tape delay, chorus, and reverb.
00:00 - Ambient, with Take 5 02:57 - Drums, with LXR-02 05:47 - Brooding, with SH-101 07:20 - Acid, with TT-303 09:41 - Ambient, with MS-20
Fair warning: MAS Distribution sent over the EF-X3 for me, not quite for free (I had to pay some significant customs/duty/taxes from the border) but for far less than the full retail price.
Here, I explore the Echo Fix EF-X3, a real tape delay with analog chorus and spring reverb. My favourite feature of the EF-X3 is that it has discrete outputs for each of the four tape heads plus another output for chorus/reverb, which means you can get some incredibly stereo tape delay mixes with it. Here, I usually panned two heads full left/right, and two heads 50% left/right, with the dry out and chorus output slightly panned and near centre. Ages ago, I had an Akai Headrush and I always loved having such a ludicrous amount of outputs; it's exactly the same delight here.
But I have to say, using a real tape delay is unlike any digital emulation I've tried. It's less behaved and has more texture than I had expected. And while it shouldn't matter, seeing the tape running is a thrill. It's an incredible physical presence on the table, super solid and with beautiful wood on the sides.
No one needs a real tape delay, of course, just like no one needs an analog synth and no one needs hardware. But for someone who has loved those records with long, cascading tape delays, for someone who loves the physicality of hardware, I've felt incredibly lucky to have the EF-X3 up on the table.
Thanks for listening.
Recorded to a DAW as a multi-track (dry channel, chorus/reverb channel, and channels for each of the heads) and mixed afterward. No external effects on the sound. EQ, compression, and limiting on the master.
"I created a definition file for the digital synthesizer 'PRA32-U' by ISGK Instruments for the Renoise scripting tool Guru.
All sound parameters of this synth can be controlled by MIDI Control Change (CC) messages, so the mapping was very smooth. By simply associating each parameter according to the CC number, you can intuitively create sounds in real time in Guru.
This allows you to use the PRA32-U in Renoise just like a software synth, making the fusion of trackers and hardware synths even more comfortable.
It looks like it will be useful for live performances and improvisational sound design."
"I was lucky enough to see Nils Frahm on his latest tour and this is my favourite of his compositions. Whilst listening to the track build on his stack of vintage synths and keyboards (notably a Roland Juno for the main arpeggio) it occurred to me (perhaps over-ambitiously) to have an attempt at seeing how this would sound on the Circuit Tracks.
The track may be familiar to some from the 'Ad Astra' movie soundtrack (might be the best thing about the movie?!).
• Says - Nils Frahm Scene Part 2 | Ad Astra ... [below]
This time the limit was definitely not the Circuit hardware but more my own musical ability. Without a score, (and discovering that many of the versions online seem to be semi-improvised) I was left with slowing down the track until I could identify individual notes and program them in in step time….add to that the fact that the track has enormous amounts of tape echo which he manipulates in real-time.
I came to the conclusion that at best I could try and create my own ‘version’ inspired by his original. This should be viewed as a reinterpretation and not a strict cover (and I did put a rhythm track on it too).
I’ve since found other Youtubers playing versions of these but they mainly go for very simple arpeggios and I was aiming to try and capture some of the complexity of the other ‘layers’ played.
Imagine this composition then as the simplified version Nils might create for his first Café Del Mar set armed only with a Circuit Tracks…..and after someone had removed his ability to play the piano ;)
I hope some of you like it…I loved attempting this electronica classic and hope you enjoy the end result.
Everything you hear is just the Circuit Tracks. No extra synths or effects."
"🎵 Welcome to Cheerful Electronics OPL Studio - First Contact! 🎛️ In this sound design experiment, we dive deep into the world of FM synthesis using the powerful OPL Studio, exploring retro sounds inspired by classic OPL3 chips. Whether you're a fan of chip music, vintage FM synths, or curious about pushing the limits of sound design, this video is your perfect starting point.
Get ready for rich, textured tones and quirky sonic explorations as we showcase the raw potential of OPL Studio. This first contact session covers live tweaking, patch creation, and modulation — perfect for anyone diving into retro synth workflows or looking for viral FM synthesis content.
If you're into chiptune, retro game soundtracks, or nostalgic hardware-driven music, you'll feel right at home. Watch now and get inspired to experiment with your own OPL3-based synths and plugins!"
OPL Studio is the ultimate OPL2 / OPL3 synthesizer! It gives you almost limitless control over what you can do with the OPL3 synthesizer chip.
Features of OPL Studio
OPL Studio has a long list of features. To name a bunch of them:
Integrated patch editor to edit predefined instruments and create your own Load and save instrument banks from popular formats such as *.BNK, *.SB, *.O3, ect.
Patch linking to layer up to 4 instrument patches for even more complex sounds Polyphonic sequence editor to create up to 32 drum and 32 melody sequences Quad sequencer to live play up to four sequences
Composer module that lets you create complete songs from your sequences Midi channel mixer
1. Loopy Pro 2: Polyphonic Clip Playback with MIDI
Explore one of Loopy Pro 2’s most powerful new features: polyphonic clip playback. This tutorial shows how to trigger audio clips using MIDI — either pitched, where each note plays a different pitch of the clip, or sliced, where each note plays a different part of the audio. You’ll learn how to set up MIDI routing to clips, configure playback modes, and fine-tune behavior with features like fade-out-based note decay. We’ll also cover how to use loops as polyphonic targets, letting them sustain while held, and how to add an intro section to act as a sample’s attack before the loop takes over.
2. Loopy Pro 2.0: MIDI Loops & Signal Flow Explained
Learn how to harness the power of MIDI loops in Loopy Pro 2.0. This tutorial walks you through connecting a MIDI controller — whether it’s an external keyboard or the new on-screen keyboard — to a MIDI loop for recording and looping MIDI performances. You’ll also learn how to route that loop to an AUv3 instrument or any other MIDI destination to bring your loops to life. Plus, we’ll take a look at the redesigned mixer and demystify the new signal flow system so you can take full control of your setup.
3. Loopy Pro 2: Organize Your Mixer with Collapsible Sections & Rows
Loopy Pro 2 introduces powerful new ways to keep your mixer tidy. In this tutorial, you’ll learn how to collapse entire sections — like Inputs, Outputs, or Groups — to hide them until you need them. You’ll also see how to collapse individual rows to save space and reduce visual clutter, making it easier to focus on what matters in the moment.
"Welcome to the first episode of the Loopy Pro Artist Spotlight — a new series where I sit down with musicians who use Loopy Pro to talk gear, creative process, and the magic of building music live.
In this premiere episode, I’m catching up with none other than Dub FX — looping legend, street-performer-turned-festival-headliner, and longtime Loopy Pro user. He has been pushing the limits of live vocal looping for over a decade, and we dive deep into how he’s using Loopy Pro 2.0 to run his full live show.
🍩 Loopy Pro 2.0 is out today — July 11! If you’re new here: Loopy Pro is the most powerful and flexible looper DAW around. Whether you’re on stage, in the studio, or building beats in your bedroom, it’s built for musicians who want total control.
—
🔍 In this episode, we cover: • How Ben got into live looping and built his first busking rig • The (very weird) story of how we met — and how he discovered Loopy Pro • Why he replaced his RC-505 and Akai Force with just an iPad and Loopy Pro • How he controls his vocal effects, pedals, and sequencer entirely from the APC40 • The plugins and processing chains he uses for live sound design • Touring insights: his approach to backups, reliable USB hubs, and hardware quirks • His approach to the full artist cycle — from writing and releasing, to content, clubs, and festivals • His philosophy on collaboration — and how looping opens up space for others
—
🎛️ Dub FX Loopy Pro Rig – Hardware • iPad Pro (USB-C model, running Loopy Pro) • Akai APC40 MKII (USB MIDI controller) • Line 6 Helix (multi-FX pedal & USB audio interface) • Allen & Heath Qu-Pac (16-channel digital mixer/interface with 10 outputs) • Miktek PM9 mic • Custom stand rig (drum stool + road case + velcro for compact stage setup) • Kopplen powered USB hub
"Here's the #seeed 'XIAO MIDI' #synthesizer, a $20 box based on the #SAM2695
synth-on-a-chip and the XIAO ESP32-C3 MCU. You can get it here:
https://www.seeedstudio.com/XIAO-MIDI...
Table of contents:
00:00 quick sound impression 00:12 hi 00:38
hardware overview 00:57 default firmware 01:50 creating a firmware
that actually supports MIDI (shoutout to @SimpleDIYElectroMusicProjects ) 03:12
build a 5 pin MIDI in plug 05:23 some sounds: piano 06:20 saw wave
pad 06:34 "crystal ep" 07:13 analog pad 07:27 'glass pad' 08:05
synth brass 08:23 drum kit 08:33 on NRPNs and SYSEX using
@intechstudio 's GRID controllers 09:13 NRPN explained (Filter cutoff
frequency control) 10:54 SYSEX explained (Reverb time control) 11:38
calculating the checksum 12:20 live tweaking demo 13:01 same, but
using multiple tracks 14:25 conclusion; some feedback to SEEED
Features 1: Zero-Barrier Creation, Perfect for Music Beginners
With three preset modes and plug-and-play functionality, you can dive straight into music creation—no complex setup required. Built-in speaker and four tactile buttons deliver an intuitive, self-contained experience that eliminates external dependencies. Start making music from the very first note, no prior expertise needed.
Features 2: All-in-One MIDI + Metronome – Smarter, Smoother Workflow
XIAO MIDI synthesizer comes with a pre-set Metronome Mode, where you can press the buttons to change your BPM and toggle the drum track to effortlessly sync rhythms and control your entire beats with one single device. No need for extra devices or apps.
Features 3: Pro-Grade Performance for Advanced Players
Open-source hardware/software architecture supports deep customization and advanced sound design. With 64-note polyphony and 128-note capacity, unlock limitless sonic possibilities—craft your own signature sound engine, whether you're a beginner or an audio hacker.
Features 4: Ultra-Portable & Fully Hackable
Pocket-sized design (71mm × 49mm × 28.5mm) lets you capture inspiration anytime, anywhere. The 3D printed enclosure is fully open-source for you to remix and customize—not just an instrument, but your personal music canvas.
"OMNICYCLONE is a unique take on generative synthesizers. It's primarily focused on percussive phrases, but it can also create melodic content.
At its core lies a Yamaha OPL2 emulator that has been extensively modified to achieve things the original chips couldn't – like a fully stereo image and a complete revamp of sonic possibilities.
We've taken some of the most interesting features from WINTERMUTE, expanded the emulator further, and hybridized them with OPERA ROTAS features to birth a new generative beast that sounds surprisingly retro and modern at the same time.
"OMNICYCLONE is a unique take on generative synthesizers. It's primarily focused on percussive phrases, but it can also create melodic content.
At its core lies an OPL2 emulator that has been extensively modified to achieve things the original Yamaha chips couldn't – like a fully stereo image. Some Yamaha chips of that era only offered hard-panned stereo (just center, left, or right). OMNICYCLONE provides 256 possible stereo positions, which sounds probably awesome.
We've taken some of the most interesting features from WINTERMUTE, expanded the emulator further, and hybridized them with OPERA ROTAS features to birth a new generative beast that sounds surprisingly retro and modern at the same time.
In this new incarnation, we've added volume bars for each channel, providing a clearer visual understanding of what's happening under the hood.
The synth is controlled by 2 banks of parameters, plus a fully-featured global LFO and global parameters for controlling each of the ADSR stages. It also includes a variety of new generative strategies that are explained in the manual.
OMNICYCLONE runs on the Fluorine hardware, meaning you can flash Fluorine's other firmwares (there are 4 different ones to choose from) in addition to the OMNICYCLONE firmware. This gives you multiple synths in one piece of hardware.
There's also a new firmware that turns the Fluorine hardware into a USB MIDI Controller with 2 banks of potentiometers. This means you essentially have multiple synths plus a MIDI controller in one device
The OMNICYCLONE firmware is closed source. Existing Fluorine users can order the digital files to easily switch between their other Fluorine firmwares and the OMNICYCLONE firmware. The USB MIDI Controller firmware is also free for Fluorine users, but the OMNICYCLONE firmware has a small fee to support its development.
"I was listening to the 50th Anniversary version of the album, ‘Autobahn’ by Kraftwerk and it occurred to me to have a try at one of their tracks.
By far the most danceable of theirs is the 1983 song ‘Tour De France’ with the 2003 Francois Kevorkian mix the best fit for the Circuit Tracks treatment. It also should be noted that the band were complete cycling fanatics even hosting some of their concerts in velodromes!
With the real Tour De France just about to kick off (5th July in Lille) I couldn’t think of a more suitable track, and I want to dedicate this with love to my cycling-loving father-in-law, Bernard.
Having influenced early 80’s electro music such as Afrika Bambaataa’s ‘Planet Rock’ the influences went in the other direction for this track. Hiring the famous New York electro producer Kevorkian to do the remix made for a fantastic combination. Francois was responsible for many of the greatest New York electro productions and remixes.
(a big shout out too to anyone who's here because they love the broom scene from the movie, 'Breakdance' !)
This era of Kraftwerk was notable in introducing sampling to the normally analogue instrumentation they used. For this reason, I’ve drafted in my Circuit Rhythm again in the same way as my recent version of Robert Mile’s ‘Children’. See here;
• Children/Robert Miles - (Novation Circuits... [posted here]
Everything you hear is coming from just these two machines (Circuit Tracks & Rhythm). The Tracks is programmed with the musical parts and is playing the Rhythm on two tracks. There are in addition some rhythm tracks playing on this machine to thicken out the sound. No other synths were used (apart from the sampled instruments mentioned below) and you’re hearing the straight audio direct out from the machines.
I loved the challenge of putting this together (see below for details!) I hope you enjoy it too and check in soon for more tunes.
The Sequential Take 5 desktop module brings the legendary Prophet-5 sound to your mix, featuring the analog oscillators and filter that transformed electronic music. Compact and powerful, it fits seamlessly into any studio and is easy to transport for live performances. Modern effects and a powerful modulation matrix deliver sounds to transport you.
Soundtrack exclusively by Take 5. Yes, even the drums! Composed by Peter Dyer.
"The Take 5 and Teo-5 from Sequential and Oberheim make fantastic desktop units. They feel like they were made for this form factor - no compromises, simply great sounding synths in a high quality enclosure. The keyboard versions may have felt lacking in keys (even though they have a great keybed) - just a bit too short for some. I found it was quite handy having one that could fit on my rack! But with these the only decision you have to make is which one is best for you.
Luckily I'm here to confuse you further (they both sound great)! The decision will be whether you prefer the Oberheim or Sequential style of VCO programming, the filters, and the X-Mod/FM. And these just so happen to be the bits I look at in this :)"
0:00 Whoo Hoo!!
2:36 The Hardware
4:37 Quick Overview - What Are They?
6:58 Oscillators
10:20 Sync
12:31 Filters
21:08 X-Mod/FM
Press release follows:
Take Your Music to the Next Level with the Sequential Take 5 Desktop Module
San Francisco, CA – [July 1, 2025] – Sequential, a leading innovator in synthesizer technology, today announced the release of the Take 5 Desktop Module, bringing their legendary analog sound to a more compact and accessible form-factor.
Building on the success of the Take 5 keyboard, the desktop module offers the same powerful analog oscillators and filters that capture the iconic warmth and depth of the Prophet-5, enhanced with modern modulation and digital effects. The module delivers this sought-after sound in a space-saving design, perfect for studio setups and live performances where portability and efficiency are paramount.
"Ever since we launched the Take 5 keyboard, we’ve gotten repeated requests for a desktop module version, " says CEO David Gibbons. "And more recently, it seems that modules have really shot up in popularity. So, we're very excited to offer the Take 5 sound in a format that everyone seems to want."
The Take 5 Desktop Module provides the same hands-on, knob-based experience as its keyboard counterpart, allowing for intuitive sound design and real-time parameter adjustments. Users can delve deep into sound creation with controls that are simple and direct, making it fast and easy to polish your sound.
This synth fits perfectly in smaller studio or bedroom setups, and is easy to transport for live gigs, positioning The Take 5 desktop module to bring its signature Sequential sound to a wider audience than ever before. It's an instrument designed to make life easier and streamline the journey to making music and having fun.
The Take 5 desktop module is available now, with a US MAP price of $1,399.
Note: Auction links are affiliate links for which the site may be compensated.
video uploads by Vintage Synthlab
Playlist:
1. 1974 MiniKorg 700s K2, vintage analog synthesizer for sale in Portland, Oregon - Demo 1 (Pop Songs)
This is Demo 1 (1 of 2 videos) highlighting the sound and character of the 700s / K2 synthesizer in action. This video contains 3 short pieces from 3 famous songs that were written and recorded during the 1970s using the 700s / K2 synthesizer.
1. The Cure - A Forest
2. The Cars - Just What I Needed
3. The Normal - T.V.O.D."
1974 MiniKorg 700s K2, vintage analog synth for sale in Portland, Oregon - Demo 2 MIDI Bach BWV 565
2. 1974 MiniKorg 700s K2, vintage analog synth for sale in Portland, Oregon - Demo 2 MIDI Bach BWV 565
This is Demo 2 (2 of 2 videos) highlighting the sound and character of the 700s / K2 synthesizer in action, and showing the external control of DAW, via MIDI, into a MIDI-to-CV convertor, connected to the CV inputs on the back side of the 700s. The MIDI songs has multiple organ and harpsichord tracks. The MIDI output to the 700s is one of the main tracks for this piece, panned to the RIGHT side of the stereo field, to help discern the 700s sound. The point of this video is to show the capability of DAW control, given all the external hardware interfaces, which comes with the sale of the 700s as one package.
"All items that come with this sale: * 1974 Korg MiniKorg K2 / 700s * Kenton CV Upgrade (adds 3 CV input jacks/sockets on backside of synth) * Kenton Pro Solo Mk2 (MIDI-CV convertor) * Custom Flight Case * USB to 2-channel MIDI convertor box + long USB cable
Demo video # 1: Demo video #2:
This 1974 MiniKorg K2 / 700s works and sounds great. It has the Kenton CV upgrade, a hardshell case, and I’m throwing in a Kenton Pro Solo Mk2 MIDI-to-CV converter, a USB to 2-ch MIDI convertor, long USB cable.
Everything works great and is ready for any modern studio DAW, or adaptation to your external MIDI capable hardware!
The Kenton CV upgrade “3 socket” kit has three 3.5mm ports (easily interfaces with modular synthesis architecture!) or a MIDI-to-CV convertor (which I am including for free with this sale). The 3 inputs are: CV (pitch in), GATE (note on/off), FILT (filter control).
The synth has been with me for about 14 years. I serviced vintage synth and pro-audio gear for the last 30+ years, and this was one that I restored, upgraded, used for recording, and cared for. Every key contact works great, all adjustments have been calibrated, it stays in tune, and every feature works."
"It’s important when you start it up that you put the big knob in the middle . This is a trick if you don’t have sound. Because it’s an open chip and it’s circuit bending but we created it that it cannot get broke."
"Cherry Audio’s ODC 2800 is an exceptional three-in-one virtual instrument that pays tribute to the legendary synth pioneer Alan R. Pearlman on the momentous 100th anniversary of his birth. This powerful synthesizer plugin draws inspiration from the revolutionary Odyssey analog duophonic synthesizer, launched by ARP Instruments in 1972. ODC 2800 not only provides an authentic reproduction of the sound and appearance of all three versions of the original hardware, but also enhances the experience with expanded polyphony, an additional oscillator and LFO, extensive modulation options, and support for both velocity and polyphonic aftertouch.
ODC 2800 also features a redesigned and intuitive integrated effects suite that simplifies the sound design process and improves usability. ODC 2800 offers the ultimate sonic journey through time, connecting the past of synthesis innovation with today's essential tools for music production!"
100 additional presets for Cherry Audio's ODC 2800 synthesizer by James Dyson that showcase its more atmospheric side in nine categories. Dive deep into advanced modulations, integrated effects, rhythmic arpeggiations, and aftertouch performance features.
Film composer and keyboardist Jezz Woodroffe (Black Sabbath, Robert Plant) on Cherry Audio's new ODC 2800 synthesizer:
"As soon as I knew Mark Barton was working on this, I knew it was going to be sound perfection. What's so brilliant about this is the extra oscillator, the three fabulous lockable UIs, the fantastic effects section, and the expanded panel for it and the keys. Without a doubt, it's a real classic updated design that Alan Pearlman would be thrilled to have seen and heard."
And the press release:
Cherry Audio is thrilled to announce the release of ODC 2800 synthesizer, a dazzling three-in-one virtual instrument inspired by the groundbreaking Odyssey synthesizer and a tribute to the legendary Alan R. Pearlman on the centennial of his birth. ODC 2800 expands upon the sound and capabilities of the original hardware by merging the classic innovations of the past with the tools and features essential for modern music production.
