OP-XY: A year on. It's 100% my favourite box ever by far. Trip-Hop Live Jam

video upload by Dan Chippendale

"So I looked at the calendar and low and behold, I got my OP-XY exactly a year ago (my first video was posted a few days later on the 28th Aug 25. This thing gets me. I get it. I don't know which way round but I'm now making music that matches my vision. I seem to be able to squeeze sounds out of it that I love and I grow to love it more and more each time. Thank you ‪@teenageengineering‬ for making such an incredible device and I look forward to the future of the OP-XY platform!

Hope you enjoy

Gear used:

Music:
Teenage Engineering OP-XY
Teenage Engineering Sidekick
Novation Launch Control 3

Video:
Fujifilm X-E5
Motu M2 Audio interface
Mac Studio with Logic Pro X"

Echon6 Samples and a FREE Auto Sample Tool for Decent Sampler

video upload by Starsky Carr

"Point a MIDI cable at your synth, walk away, and come back to a finished Decent Sampler instrument. I've built a tool that does exactly that — and it's completely free.

The Morphor Echon6 has been on my bench for weeks now and it still sounds fabulous — that lovely organic feel I keep going on about. The whole point of this channel is to give you the experience of playing the synth yourself, so I wanted to go one better: give you the actual presets to play.

So I started auto-sampling the Echon6 on the 1010music Bento… and then remembered why sampling is such a pain. It's not the recording. It's everything after: trimming, levelling, converting, hand-building the mapping. So I spent a weekend making a tool that does the whole lot, start to finish, and now it's yours.

Runs in your browser, works on Mac and PC, comes with a full manual. You might need to install Python if your machine hasn't got it (most have). It's not a polished app with a pretty icon — you click a command file — but it works, believe me.

Honest warning: I'm not a programmer. My digital assistant did the heavy lifting. I can't offer any support on this whatsoever, because the answer will be "I haven't got a clue." It should work. Have fun with it — and do tell me what you end up sampling with it, I'd love to know.

🎹 ECHON6 SAMPLES

There's a FREE 2-preset Echon6 Decent Sampler pack to get you started, and a full 20-preset library for anyone who wants the lot — 800MB of detailed multisamples, no effects, just the raw beauty of the thing.

🎵 And stay to the end — two finished tracks from the Echon6 sessions, because the music is why we're all doing this in the first place."

FREE Auto Sampler tool → https://www.starskycarr.com/patches/p/autosampler


FREE Echon6 Decent Sampler pack (2 presets) → https://www.starskycarr.com/patches/p...

Echon6 Decent Sampler library (20 presets) → https://starsky-shop.fourthwall.com/p...

Saul Stokes: Saltar's Point Album Preview (Live Video Sculpture Performance)

video upload by Saul Stokes

"First, a very special thank you to Justin and the team at Resident Electronic Monthly (San Francisco) for capturing this performance. I truly appreciate this team of amazing musicians and artists. This video is an excerpt from my next solo album, which, unfortunately, I don't have a title for yet. I have been writing the music to a video I made up in Steilacoom, Washington, so I have opted to title this Saltar's Point for now. I'm hoping to wrap it up this year. I feel like this album will be quite a jump for me. I don't quite know what I could reference it to. Perhaps a minuscule nod to Enya, or Ray Lynch's Celestial Soda Pop. I am in contact with a local musician/engineer about possibly doing a Dolby Atmos release for this as well as a possible physical release. If you'd like to stay close and hear more about this as I work on completing this album, connect with me on Instagram.

I have been doing more and more video work using the program Touchdesigner. I'm still a novice, but it's incredibly fun to create 'digital things' that in some way feel organic and alive. Thanks again to Resident Monthly. If you're into electronic music and live in the Bay Area, come down to a future performance. They happen on the last Thursday of each Month.

Special thanks to:

Franck Martin
TanukiSpiderCat
Jah's Tin
Sycamore Willow

https://www.noisebridge.net/wiki/Resi...
Instagram: / saul_stokes_music
Spotify: https://open.spotify.com/artist/2kE0k...
Apple Music: / saul-stokes
Tidal: https://tidal.com/browse/artist/6474747
Amazon Music: https://music.amazon.com/artists/B000...
Bandcamp: https://saulstokes.bandcamp.com/

The Strangest, Most Interesting Synth He's Played This Year (Morphor Echon6)

video upload by Starsky Carr

"The Morphor Echon6 is the world's first analog modal polysynth — a genuine departure from the wall of subtractive synths flooding the market right now. In this review and demo I dig into its Karplus-Strong-based exciter and resonator, six voices you can split into six independent monosynths, and a modulation system so intuitive it doesn't need a menu. Full raw demo at the end so you can hear it completely unprocessed.

WHAT IS MODAL SYNTHESIS?
Modal synthesis uses a Karplus-Strong oscillator — an exciter (like a pluck, bow, or hammer) run through a resonator (like a string or instrument body) — to fake physical, plucked/struck sounds. First proposed by Kevin Karplus and Alexander Strong back in 1982, you'll recognise the concept from modules like Mutable Instruments Plaits, Rings and Braids, and digital oscillators in synths like the Arturia MiniFreak and Korg Minilogue XD. The Echon6 takes that same idea and builds it entirely in analog circuitry — as far as I know, the first synth to pull that off.

CHAPTERS
0:00 What's coming up
1:43 DEMO JAM #1 - glitchy ambient
5:40 What is modal synthesis? (Karplus-Strong explained)
6:53 Front panel overview
7:52 Six voice groups patch demo
9:53 DEMO JAM #2 - as an FX unit on drums
12:20 SIx voices in unison - CHORD MODE?
13:06 DEMO JAM #3 - 6 unique voices
13:48 Exciter section deep dive
21:15 BBD resonator deep dive
25:47 Modulation section deep dive
36:22 Building a musical patch from scratch
41:16 DEMO JAM #4 - A Love Story ;) IYKYK
43:15 Echon6 vs Erica Synths Steampipe
45:00 Final thoughts
45:40 Patreon & website
46:13 DEMO JAM #5 Intro raw (maybe a little reverb at the end)

MY TAKE
The Echon6 is a genuinely fresh alternative to the current glut of subtractive synths — your Jupiters, Junos, Prophets, and OB-style clones. It felt natural within minutes, the modulation is some of the cleverest I've used on any hardware synth, and the build quality is excellent. Compared to the Erica Synths Steampipe (digital modal synthesis), the Echon6 is easier to learn, while the Steampipe can get more chaotic, faster, thanks to its distortion and reverb. Both are worth a look if experimental modal synthesis is your thing — but the Echon6 gets a big thumbs up from me.

GEAR MENTIONED
Morphor Echon6 (analog modal polysynth, reviewed here)
Erica Synths Steampipe (digital modal synth, comparison)
Mutable Instruments Plaits / Rings / Braids
Arturia MiniFreak
Korg Minilogue XD

MORE PATCHES, SAMPLES & TUTORIALS
Patreon: www.patreon.com/starskycarr - patches, samples, tutorials and more
www.starskycarr.com - patches, samples, free and cheap goodies"

The Crow Hill Company Introduces ARCANE STRINGS

video upload by CROW HILL

Press release follows:



EDINBURGH, UK: readily representing its first ‘big’ release in over a year (when the temporarily out-of-circulation GLASS STRINGS was effectively re-released with a totally redesigned GUI and added features as the Edinburgh-based enterprise’s workhorse string library for a new era in more human-sounding music and scores, coinciding with rebranding itself with an aesthetic that truly realised company co-founder and composer Christian Henson’s heartfelt dream of encouraging people to make music and help them on their journey, regardless of whatever point they were at and wherever their journey began), The Crow Hill Company is proud to announce availability of ARCANE STRINGS — taking the sampling rule book and ripping it up, ultimately resulting in a string library featuring amateur players in order to achieve an arcane, primitive, dislocated, microtonal, loose, and sometimes savage sound duly designed for media composers wanting to leave a truly characterful imprint on their next drama score, or, indeed, composers who want to gain extra devilish bite out of their existing string collections — as of August 14…

CLICK FOR MORE »

SinTH2 - answers to your questions (subtitles on, please))

video upload by SinTH2

Click CC for subtitles.

Transcript:

0:022 secondsGood morning. Hello everyone. Tom Horn, that is Tomasz Rożek. Greeting you from my

0:077 secondsmodest little studio. As you can see, behind me are two finished instruments. This

0:1313 secondsis the folding panel version, as you already know, the fixed panel version, and the third version, which is behind me, which is still being built. The enclosure, as you can see, is

0:2323 secondsalready finished, but this is the desktop version. I think it's a really nice one. It will be finished in about two weeks. And that's exactly what I wanted to

0:3131 secondstalk to you about, to tell you how things look at the moment, because I'm getting a lot of questions, a lot of emails and messages about when you'll be able to order

CLICK FOR MORE »

MATRIXSYNTH Turns 21

Yes, MATRIXSYNTH is now old enough to legally have a drink in the US!

Joking aside, MATRIXSYNTH in its current form started on July 20, 2005 with this post. Since then there has been only a single day without a post, which occured back on that dreadful day of August 6, 2005. I can't link to it because there isn't a post to link to. :) Sorry for the bad humor. That said, since then, I haven't missed a single day posting on the site including holidays, vacations, and two bouts of eye surgery due to a retinal tear and detachement in 2025. It was painless, but scary, and now all is good.

For those of you not in the know, MATRIXSYNTH is a one-man operation, run by your host, me, matrix. Every single post has gone up by hand - there is no automation and definitely no AI. Including this post, there have been at least 260,897 posts to date. There have actually been been more but some have been taken down due to either videos or audio dissapearing over the years, which brings me to a point: please don't remove your videos and audio demos off the web. You might think they are no longer relevant or you might even be embarrased by them as you think things have progressed and they no longer meet your standards, but they are relevant. They are part of history and will always be worth a look-back in context. Who you are today isn't defined by what you put up years ago. Trust me, I am often embarrased when I look back at some of my older posts. I'll likely be embarrased by this one. That said, please keep your old content up! It's a bit of synth history, and it's a look back at what you felt worth sharing back when you posted it. It doesn't define you today. It's like throwing away old family photographs because you are now older. That and there is always something interesting to find in older videos. A timbre from a given synth, an experience relevant in time.

That brings me to something I wanted to clarify for those that may be wondering: in general I prefer to keep myself out of posts for fear of influencing or even ruining the experience for others. I feel it is my job to present content w/o bias, and I prefer to post things as they are presented by the person or entity that created the content to begin with. Not influencing how others might or might not experience what goes up is a conscious decision. I realized over time it's akin to talking through music.

What I love about running MATRIXSYNTH is getting to share what's new to me on a daily basis. I have a policy of only posting specific content once. That means out of 260,897+ posts to date, nearly every single one is unique. It's also great to realize that there have been multiple things to actually feature every single day of the year, shared on the day itself, over the past 21 years!!! That's saying something, not about me or the site, but about the community.

The original MATRIXSYNTH actually started back in 1997. Click to see the monstrocity. That site will be 29 this year! The site was my personal portal into the world of synths. On the left were a list of sites I visited back then that would open in the right window frame when clicked on. Unfortunately that functionality is no longer supported in modern browsers; however you can right-click any link and open it in a new window. It's worth a look back at what synth sites were around back in 1997. Remember, YouTube didn't come out until December of 2005. MATRIXSYNTH in its current format, the blog, came out before YouTube. Think about that for a bit. This site has tracked the personal world of synthesis since before YouTube came out! Also, you might notice the old site came out well before The Matrix movies. The alias matrix, and hence MATRIXSYNTH, comes from my first synthesizer, the Oberheim MATRIX-6 which I purchased new in 1986 and still own to this day.

OK, this post is long enough. I want to end it by thanking the supporters of the site, the banner sponsors of the site, and most importantly, you, my readers. This might surprise some people, but I sometimes feel irrelevant, like why am I even doing this? I then remind myself I do it for the sake of doing it. I want to capture a bit of what's out there on a daily basis. I want the site to be a log (a weblog - blog) of synth history. I started back in 2005, and ever since that day I've had something to post, except for that solemn day on August 6, 2005. (P.S. I went on vacation that day and didn't think there would be internet access, let alone that I would be posting every single day after that - imagine not being able to say "I never missed a single day!" for the rest of your life because of one single day! "If it wasn't for that day!..") I think I will be doing this until the day I'm no longer here, and although I know I would be doing this regardless of whether I had an audience or not, knowing I do have an audience makes a world of difference. And thank you to all of you out there sharing your synth content. You are creating SYNTH HISTORY!!!

P.S. I want to give a special shout out to Amanda of CATSYNTH who not only is a supporting member of the site, but was kind enough to remember my anniversary and reach out to me today. Thank you!

P.P.S. It was CATSYNTH's 20th Anniversary yesterday. Happy Anniversary CATSYNTH! :)

EMS 256 Sequencer Repair Part 2 Re-Cap circuit cards and devising a plan.

video upload by Really Nice Audio

Really Nice Audio EMS 256 Sequencer posts

"What is the likelihood due you think I will get this sequencer fully functional? I am now able to see the memory fill up when using a key input. The hardest thing for me to work out was a strategy for the repair. Considering how old this unit is will I find many broken logic IC's?

It is hoping to play some music in September, let me know your thoughts below.
https://paymentportal.uwl.ac.uk/confe...

This is part of the Pete Townshend Synth Collection at the University Of West London

https://www.uwl.ac.uk/study/study-fac..."

First Look at the Stargazer (Now in Stereo) from Hungry Robot

video upload by Duskmos

"In this special Launch Day episode of Signal Colors, I'm taking a first look at the new STEREO version of the Stargazer from Hungry Robot - a spacey, etherial reverb with a unique dual control layout. Hang out with me while I try it out with the OP-1 Field and Digitakt II and let me know what you think in the comments."

What is a Plexus | feat. XAOC Samarkanda and WMD Sequential Switch Matrix

video upload by Cinematic Laboratory

"Yes, I want to make a PlexiPhon video too. It's always a joy when MakeNoise announces a new Tom Erbe collab, and always a drag to wait for it to cross the Atlantic. I have it on pre-order since I saw the first video. As far as I can tell, MakeNoise didn't explain what a 'plexus delay' is and how it differs from, let's say, a Mimeophon. At first listen they sound like very close family, maybe even too close. However, MakeNoise did a follow-up video where we could hear how the PP changes its delay line like a chameleon, depending on whatever goes into the module and I had a clear WOW moment.

But I still didn't know what a Plexus was, and since I am writing a Book that's supposed to last at least 50 years, I had to do some research. The term is mainly used in biology, describing complex junctions in our nervous system. The term is adopted by networking and represents a complex node to node network. Now it's a small step from a delay line to a delay network, and from a delay network to a reverb. The fun part about a closed plexus is that it can re-encounter elements from anywhere in the chain. Imagine taps that can select crossroads and take a long way home.

I explored the concept with XAOC Samarkanda Quad Delay, which allows me to 'patch program' any combination of four delays with four feedback paths. It's a plexus, but a very simple 'square'. I decided to use the WMD Sequential Switch Matrix so I could patch the I/O in a 4x4 grid. It still doesn't sound like much, but now a 'tap' can travel over 65.536 different routes (2 to the power of 16) which is more than enough to create a vast diffusion network.

I am aware it's a lot of patching and most of you won't be able to follow, but you can freely experiment in VCV too, and learn a LOT. And let's not forget the PlexiPhon can be on its way to the stores right now, which could downsize my experiment into one convenient little module. I can't wait to get my hands on one. But honestly, if you own a Samarkanda, experiment with it first, and only buy new stuff if you really have to. Remember this: It's not the module, it's the behavior!"

Wildwood Lightning by Wildwood Soundworks

video uploads by Wildwood Soundworks


"Wildwood Lightning is a handmade digital sampler, sequencer and synthesizer designed and produced by Wildwood Soundworks in Penn Valley, California. It provides the following features:

Sampler - record your own samples or use standard WAVE files.

Sequencer - compose on up to 16 channels with channel mute and solo.

Synthesizer - produce polyphonic audio with a sample based synthesizer.

Touch Pads - play notes, select chord and drum patterns and strum with touch sensitive pads.

Display - view notes and channels or navigate menus to select from numerous features.

Multiple Views - create and update your songs using piano roll, song or step views.

Multiple Menus - discover features and create or edit your song with 14 menus.

CLICK FOR MORE »

Music Thing Modular: Workshop System workshop | 29 April 2026

video upload by Signal Sounds

"We were delighted to welcome Music Thing Modular’s Tom Whitwell to our Glasgow showroom recently for an evening exploring his Workshop System - a compact, self-contained modular synthesiser in a portable case.

Tom is the brains behind the classic Turing Machine and a host of other brilliant DIY modules. If you’ve heard any of his regular appearances on the Why We Bleep podcast, you’ll know he’s full of fascinating ideas about the worlds of electronic music and instrument design, so this was a cracking evening for anyone even vaguely interested in synths.

Tom chatted about the design process for the Workshop System, showed some example patches and discussed its unique Computer module - which is now also available standalone - as well as answering questions from the audience.

Buy the Workshop System here: https://www.signalsounds.com/music-th...
And find out more about Music Thing here: https://www.musicthing.co.uk/"

Meet the Demon Box: The Instrument That Channels the Unknown

video uploads by Eternal Research

"The Demon Box is more than an instrument. It’s a portal where DMX, MIDI, Eurorack, and built-in lighting converge, transforming hidden energy into real-time sound, light, and motion.

You’ve seen what the Demon Box can do, now it’s time to go deeper.This video shows how to unlock its full potential, bending these forces into a single living entity you can shape, route, and command."

Note the videos above are from 2025. The video below is new. You can find additional demos in previous posts. See dealers on the right for pricing and availability.

Behold the Unholy Power of the Demon Box

video upload by Metamyther

"Step into the dark, unpredictable world of the Demon Box — Eternal Research's brutal and experimental hardware synthesizer readymade for industrial techno, noise, drone, and underground electronic music. In this video, we explore the raw sonic power and chaos that make the Demon Box a unique tool for modular synth performers, sound designers, and hardware synth lovers."

Chapters:
00:00 - Intro
00:16 - Features
03:17 - Moog Messenger
04:11 - Vhikk X + Lacrima
05:19 - Four Seas + Cosmic Debris
06:45 - Nord Drum
06:58 - Warp Core + Umbra + Desmodus

Pic and details via Perfect Circuit

Eternal Research Demon Box
Summon the sounds of electromagnetic oddities with Demon Box from Eternal Research, an innovative instrument that condenses the practice of using EMF for audio and control signals in a unified device. At the top surface of the Demon Box's triangular enclosure, a literal platform for audio experimentation awaits. Here, three channels of EMF inductor pickups are arranged in a nested spiral formation, which can be used to create unique tones and control signals by interacting with any object that produces EMF near the inductors. Power tools, FM radios, eBows, tuning forks, and other personal electronics become diverse sources for synthesizing tones, controlling modular synths, and even producing MIDI signals. Turning the inaudible waves of ambient and ubiquitous electro-ephemera into creative signal sources, the Demon Box offers a deep well of musical meaning-making waiting to be discovered.

CLICK FOR MORE »

Budapeszt Prototype in Action!

video upload by Xaoc Devices

"We have been bombarded with requests for a more extensive demonstration of Budapeszt's capabilities. Apparently, the Superbooth sneak peek has piqued your interest :-) Here's 14 minutes of various Budapeszt patches with minimal external influence - simple sound sources (or no sound sources at all!), no other effects (except Samarkanda in a couple of patches; but no reverb!), rarely any external modulation.

It is not a tutorial, nor an in-depth demo, just a way of making sure you know what you're missing in your case and what to look out for :-)

And now we get back to work to finalize the module and start production!"

MIDIPan : Introduction of 'basic audio' option and comparison with 'fluidsynth audio' option

video upload by MIDI IN

"Until now, audio on the MIDIPan has relied on a component which is expensive and has become increasingly difficult to obtain. Therefore I've had to develop an alternative and more sustainable way to provide the MIDIPan with audio. This video is for you if you need to know more about the new 'basic audio' option and hear how it performs.

MIDIPan's home page:
https://peacockmedia.software/drum/

00:00 intro
01:30 what drove me to make the new sound module?
2:31 pros of the new basic audio
3:22 compromises with the new basic audio
4:55 demo / comparison of sounds modules"

Tasty Chips GR-2 Incoming

via Tasty Chips:

"There was the GR-1, then there was the bigger brother to extend the family, the GR-MEGA, and now there’s the GR-2.

The GR-2 is the direct successor of the GR-1. Similar size, similar price, but with a large touch screen, and many of the GR-MEGA’s abilities. As loyal readers of our mailing list, you are the first to know. We offer a limited amount of early bird units at 100 euro discount. We chose Kickstarter to reach a large audience and gauge interest, and you guys are the first the learn about it.

Visit us at Superbooth this weekend for a GR-2 demo, and of course you can also play around with all our other synths and effects.

For GR-MEGA owners: the GR-2 is like a little brother of the GR-MEGA. Both can run the same patches, and have largely the same abilities. The GR-2 has somewhat lower polyphony, lacks the amount of function-specific knobs and buttons, and lacks luxury interfaces like HDMI and balanced audio. The GR-2 firmware has the same “root” as the GR-MEGA’s. This means the GR-2 hitches a piggyback ride on the mature GR-MEGA for a great start.. and after a while the GR-MEGA will benefit from large amounts of sold GR-2’s: more user feedback, leading to more features, higher quality, and a large patch library.

If you want the best granular synthesizer and sound design tool out there, please support us.. and yourself. 🙂 Thank you! 🙏"

Additional details via Kickstarter.

The GR-2 is a granular synth, transformative sampler, and a portable sound design tool. It's ideally suited to stand-alone use. It can drone, you can use the touchscreen to play it like a live instrument. Attach MIDI gear or computer to use it like a traditional synth. Samples Samples want to be heard, but also seen, touched, and transformed. That's what the GR-2 delivers. Triggers, and manipulation are immediate. There's no setup, and there's visual feedback for everything.

Easy to use

The 7" touch screen, and high contrast GUI make life easy. There are spatially associated encoders along the the edges of the display. The most important settings are always visible, and they're big.

The most important settings are available from Quick Access (QA) menu buttons at the top. Using a touch gesture you can make them full screen. Deeper menus are accessible via the menu button. And rest assured, you're never more than 1 level deep + all GUI widgets are big and high contrast.

Power

The GR-2 is compact, no more than 25x19x7 cm, but it's powerful. While the touchscreen plays a large role, the knobs and fader are essential to the tactile, immediate, and precise nature of this synth.

Transformation is key. Load or record a sample, then mangle it through one of the many engines and effects. Long field recordings, transients, tonal material, the GR-2 eats them all. Make them unrecognizable, emphasize their inherent character, or add your own accents. Make them scatter in the granular engine, add subtle stutters, let it smoothly sustain forever, or make it whistle and bubble in the spectral engine. Using the many knobs and up-front menus, this quickly becomes like a second nature.

Polyphonic, multi-timbral, multi-engine, MPE capable, a dozen high quality effects, macros, and a deep polyphonic modulation matrix with over 120 destinations and 24 sources. Of course touch X,Y are mod sources. Our granular engine is the best you'll find in any hardware synth. A claim we dare make with ease. You can leverage the power of a touch screen, and play multiple notes and chords, along with gestural modulation accross 4 timbres. You can even record and transform touch gestures for modulation."

Native Instruments Introduces Komplete 26

video upload by Native Instruments

"Get everything you need to take your music from first idea to finished master, including instruments, effects, and sounds trusted by the pros. Komplete 26 gives you synths, sampled instruments, drums, sound design tools, and studio effects – all in one complete music production bundle.

Whether you're composing, producing, or designing sound, Komplete gives you the tools to follow your ideas wherever they lead."

Press release follows:


Berlin, May 05, 2026 – Native Instruments today released Komplete 26 — everything a music producer needs to take a first idea to a finished, release-ready track. With over 190 premium instruments, professional mixing tools from iZotope and Brainworx, and more than 180,000 sounds, it's the most definitive music production collection NI has ever made.

Trusted by the producers behind the records you know Komplete is used by millions of producers, composers, and musicians every month — from bedroom studios to Grammy-winning sessions. It's the instrument collection behind some of the most iconic tracks you know, and the ones you're about to make.

"I use Komplete in every single session. It lets me stay focused on the music instead of the tools, and whether I'm writing or tweaking, it's a fast way for me to transform my idea to something that feels finished." — Butch Vig (Nirvana, Smashing Pumpkins, Sonic Youth)

“Komplete has been part of my production journey since day one. I know I can open it and get exactly what I need, every time.” — Nick Hook (Run The Jewels, Hudson Mohawke)

"Komplete is a must-have for me in my studio. As someone who is always blending genres and pushing the edges of sound design, the versatility of Komplete allows me to have an entire sonic world at my fingertips at all times." — Malibu Babie (Megan Thee Stallion, Shania Twain, Sia)

New additions: sounds for every style and stage Newly added is the legendary semi-modular synth, Absynth 6, known for its evolving, otherworldly tones. Also included are Noire and Claire – sampled from rare grand pianos – and the ethereal vocal soundscapes of Moments: Vocal Clouds.

CLICK FOR MORE »

This Drum Machine Isn't Normal!

video upload by Oscillator Sink

"At Superbooth two years ago, as I was walking the halls I felt a hand on my shoulder and a voice said “oscillator sink, let me show you my groovebox”.

Now whatever gets conjured in your mind when you hear the phrase “groovebox” is probably not the Drop from Mad Sound Factory, but after a few minutes of patching and turning knobs I had it generating extremely aggressive gabber, and naturally I was hooked and named it one of my synths of the show.

In this video we’ll get to know Drop, how it works, how it sounds, how it plays with others - including a discussion of how to get banana jacks and euroracks to talk. As the video is long (because of course it is if it’s on my channel), I’ve added chapter markers throughout, and scattered some small no-talking demos throughout, both with drop as a solo instrument, and in ensemble with other instruments.

Transparency notice: Mad Sound Factory kindly sent the Drop to me for free for the purposes of making videos about it. I get to keep the unit, but no other payment was made for making the video and MSF have been given no editorial oversight for this video.

Chapters:
00:00:00 Introduction
00:01:14 The Tone Section
00:05:50 Interlude 1
00:06:42 The Noise Section
00:14:47 Interlude 2

CLICK FOR MORE »

Multi band resonator patch w. Gotharman's Tuul

video upload by Meska (Meska)

"WARNING : they are some higt resonance peak beward of your ears, specialy on headphone! Disclamer: Yes i know i have burn my left hand, look bader than it is, on reality ^^

Quick demo of a miltiband resonator patch on gotharman's Tuul
in this exemple i put all the "resonator " in série but you can put them in parallèle with the help of à mixer !

Thank you for watching.
My name is Meska of the statik collective . I've been making mostly 'dark and expérimental' music for more than ten years now, i'v learn so much online, now it's time for me to share my knoledge, my exploration and this channel is a place to talk about the tools, sound design and techniques to make music with.

You can stream my albums and EPs at https://statikwave.bandcamp.com/

If you'd like to support the channel​ consider buying music from bandcamp ;)
Contact/booking: meskastatik@gmail.com"

AUTECHRE - Yulquen (COVER - Nord Lead 2X)

video upload by nicola neeco

"I recreated 'Yulquen' by Autechre as faithfully as possible, using only a Nord Lead 2X and performing everything in a single take.

My goal was to get as close as I could to the original sound and feel, while staying fully committed to one instrument and one live performance.

This wasn’t about making a perfect copy: it was about studying the details, the movement, and the character of the track, then trying to bring that language to life through synthesis alone.

While I tried to stay as faithful as possible to the original sound world, I also gave myself the freedom to bend the harmony slightly, adding a few extra notes in the bass and letting the low end speak a little more. It’s still the same DNA, but with a small twist in the shadows.

Now I’m curious to know what you think: did the changes feel natural, or did they pull the track away from the original spirit?

Drop a comment and tell me if you like the new harmonic hints in the bass, I’d love to hear your thoughts!

Gear used:
Nord Lead 2X
Valhalla Vintageverb plugin
Valhalla Delay plugin

(I made these patches from scratch)"