Perfect Partners: How to hook up your M-Vave FM-1 to Circuit Tracks

video upload by Guinan

You can find part 2 further below.

You can find the M-VAVE FM-1 on Amazon. See dealers on the right for Circuit Tracks.

"I bought an M-VAVE FM-1 to add to my Circuit Tracks.

I love Yamaha DX sounds (checkout my previous MiniDEXED build and songs to see how much) and I think they work well with the Circuit Tracks. Building an equivalent MiniDEXED (like this one) now has ballooned to over $100USD* so at around $60 or so this is a much cheaper and interesting option.

Better screen
Bluetooth MIDI
Rubber keyboard
Easier interface
NO DIY

The numerous daily new firmwares adding new features and the very tempting price on the FM-1 was too much to resist so - here we are.

CLICK FOR MORE »

Celestine for iPad: My real‑time granular device is now an AUv3

video upload by ijo audio

ijo audio also brought us Polycrush 16 - 8-bit synthesizer for Ableton Live

"Celestine is a real-time granular AUv3 audio effect for the iPad. It's always listening and always spitting out grains. If you've been following my channel for some time, you'll know that Celestine started out as a Max4Live device... my most successful one to date. Many people have asked for it to be ported to other platforms and this marks the beginning of that journey. I've spent the last few months on this. I've also got future plans to release Celestine as a VST3/AU for other desktop DAW users.

Just like the original, this iPad version aims for the immediacy of a pedal and the depth of a granular instrument. There are eight granular modes: classic Grain clouds, Mosaic’s harmonic tiles, Glide’s tape‑like swoops, Reverie’s reverse washes, Bloom’s halos, Tide’s pulsing waves, Stars’ sequenced sparkles and Orbit’s swirling stereo motion. Everything stays tempo‑locked when you want it to in Sync mode, the (now touch-based) visualizer lets you perform playhead and pitch gestures on the fly, and the grain panel offers control over density, size, spray, jitter, reverse probability and more.

To shape the final output, Celestine includes a 'Magic panel' of various multi-FX to sweeten things, a lush reverb and a Dirt section with wavefolding and a bitcrusher. Use Celestine as an insert effect and set the dry/wet to taste or put it fully wet on a send to let fragments of your entire session bloom into shimmering clouds. I’ve found it shines on vocals, guitars, synths and pianos, but percussion can turn into glittering glitches and rhythmic sparkles too. I've also added undo/redo, a full preset system and a constrained randomizer to jump to new ideas quickly.

As I mentioned, I’m planning future releases for VST3/AU on desktop, so this is just the beginning of Celestine’s journey. For now, I hope you enjoy sculpting sounds on the couch, in the bathtub or wherever you like to use your iPad. :)

Celestine for iPadOS has an introductory price of $5.99 USD for the first two weeks and then will jump up to $9.99.

Celestine on the App Store

Also, I've recently started up a Discord server and while it's still small, I'd love for you to join and come say hi. I love the community that has built around my work and if we can find new ways to connect, it would be great. Join it here: / discord

#Celestine #AUv3 #iPadMusic #GranularSynthesis #Ambient #SoundDesign #MusicProduction #iOSMusic #AudioEffects #iosmusicproduction"

BlueARP DM + Roland SH-101 via GV/Gate, Nord Drum, Roland S-1

video upload by graywolf2004ru

"The whole thing was programmed on BlueARP DM in about 1 hour, and 2 more hours to rehearse and record the video. This was a good test for the BlueARP DM.

Sorry for the shaky video ) This is my 1t time using head-mount cam and now I know when filming like this you need to keep your head steady and look around mostly with eye movements."

FoMni-1 - Omnichord firmware for FM-1

video upload by Charles Vestal

"charlesvestal.github.io/fm1-omnichord/"

That makes at least five alternate firmwares for M-VAVE's FM-1: Sloop, Groove, Felucca, BaudGirl, and now OMNI. If you know of any others, feel free to leave a comment.

Update, make that six with XOX.

You can find the M-VAVE FM-1 on Amazon.

wozLOL Launches Foxwizard, the Smallest Complete USB MIDI Adapter Ever Made

Press release follows:

wozLOL Launches Foxwizard, the Smallest Complete USB MIDI Adapter Ever Made, Hand-Built in Las Vegas for $25

Pocket-size multitool routes and remaps MIDI with no computer, speaks USB-C, TRS Type A, TRS Type B, TS, and classic 5-pin DIN, and ships in custom colorways.

LAS VEGAS, October 4, 2026: wozLOL today announced the Foxwizard Mini MIDI Multitool, a hand-built boutique MIDI adapter and router it calls the smallest complete USB MIDI adapter you can buy. Starting at $25, the Foxwizard remaps MIDI with no computer connected, connects nearly every flavor of MIDI port in the modern studio, and comes in multiple hip colorways with custom colors available. The first production batch is ready to ship now.

CLICK FOR MORE »

New M-VAVE FM-1 Custom Firmware: Felucca - Multitimbral Sequencer

video upload by

In addition to the Baud Girl custom firmware, M-VAVE's FM-1 now has a multitimbral sequencer firmware update, Felucca.

"This video is not about microdexed but the very interesting FM1 from mWave with custom firmware from Felucca. Using only the provided sounds/samples with little tweaking.

https://hugelton.github.io/Felucca/we..."

Mvave FM-1 | Felucca Firmware - Multi Sequencer, 9 Engines, Scale Mode - First Look

video upload by Stanley Gurvich

"The floodgates had opened, First look at the brand new Felucca firmware by Leo Kuroshita (@kurogedelic)"

M-Vave FM-1 Felucca Firmware Jam Session

video upload by 2403R / Case Woo

"There are enough FM-1 videos blowing up now so no introduction is needed. I am just messing on the Felucca firmware for the first time after sequencing 4 tracks and I don't know what I am doing. I have tried Baud Girl's but I was drawn to this one more. Still need to figure out and remember the functions. Install at your own risk."

You can find the M-VAVE FM-1 on Amazon.

FREEDOM by Davide Micheli

video upload by Davide Micheli

You can find an English translation of the following video description further below.

"Freedom è un brano di musica elettronica prodotto da Davide Micheli utilizzando sintetizzatori elettronici tra cui alcuni Italiani moderni come il 'GRPA4', ma anche vintage anni 80 come 'Elka Twin61' e 'CRB Diamond 910 Gold M'. Altri sintetizzatori utilizzati sono il 'Moog Voyager XL', il 'Waldrof Quantum', e per ultimo 'Oberheim OB-X8'. La Drum Machine è una Drum degli anni 80 molto famosa ai sui tempi la 'Dynacord P20' 8-Bit Drum Machine.

CLICK FOR MORE »

The Absolute Sequencer Powerhouse. Introducing Behringer BCR32

video upload by Behringer

"The Behringer BCR32 is much more than a MIDI controller with 32 rotary encoders. Join Bartek as he runs us through its powerful hands on sequencing features and shows how the built in Zaquencer can create melodies chords basslines and drums with multiple synthesizers. We really like how immediate the BCR32 feels and how easily it can become the brain of a MIDI or modular synthesizer setup. Let us know what you think about the BCR32 and share your ideas feature requests or bugs at ideas.behringer.com. Check out our other Behringer demos and synthesizer videos to see more gear in action."



USB/MIDI Controller/Sequencer with 32 Multi-Purpose Encoders and Polyphonic 32-Step / 4-Track Zaquencer

BCR32 — THE ZAQUENCER SEQUENCER, NOW WITH 32 KNOBS UNDER YOUR FINGERTIPS

Hardware controllers either give you knobs OR a sequencer. The BCR32 gives you both, in one of the most powerful USB/MIDI control surfaces ever built at this price. Thirty-two multi-purpose encoders. Twenty programmable buttons. A 32-step, 4-track sequencer powered by the legendary ZAQ Audio Zaquencer — the firmware that turned the original BCR2000 into a cult favourite among electronic music producers worldwide.

Every panel element is freely assignable, manually or through an intuitive learn mode. Eight of the 32 encoders are dual-mode with push function. Buttons can act as note on/off, control change, program change, MMC commands or system-exclusive triggers — meaning you can map this thing to literally anything your studio throws at it. Trigger audio clips, drive MIDI instruments, ride DAW automation, or build the entire performance from scratch.

The Zaquencer takes things into another dimension. Mono or polyphonic drum and note tracks, 192 stored patterns each made of 4 tracks, plus 2 independent MIDI controls per track for program change, aftertouch, pitch bend and CCs. Four CV/Gate and Sync connectors lock the BCR32 to modular rigs, drum machines and the analog world. Two assignable footswitch inputs free your hands. A multi-function OLED display, high-visibility multi-colour LED feedback and 4 virtual groups keep complex setups crystal-clear. One MIDI input, two MIDI outputs and a merge function let it double as a USB-to-MIDI interface and cascade with other control units. USB powered, Apple iPad compatible (via Camera Adapter, sold separately), class-compliant for plug-and-play operation. Pure performance power.

CLICK FOR MORE »

Avalon TB-303 VST by Denver Synth

video upload by manmade madman

"The Abstrakt Avalon was made to perfectly replicate everything in a vintage Roland TB-303, and add features like an additional mod envelope, more knobs for greater control, and excellent metal build quality. But they were rare, expensive on the secondary market, and hard to find. Some people have waited half a decade for delivery.

Until now.

Made by a complete 303 madman deep in a laboratory under strictest of top-secrecy and tightest guarded listening chambers, this digital version gives you everything you could ever want, then goes a little further with more programming modes, tweakable settings for slide/glide and resonance, Devil Fish mods, adds all the filter cartridges (even your own!) new colored skins, and the should-be-patentable EZ buttons. Also included for analog authenticity is the db-cell technology, adding pure analog noise modulation for non-repeatability where it counts; in vintage circuits. Best of all: it matches the hardware through rigorous test harnesses, and countless hours of listening. If it didn't sound authentic, it wouldn't get released.

Thank goodness, it does.

Available now: store.denversynth.com

CLICK FOR MORE »

Ober-Moog Prototype from DenverSynth

video upload by manmade madman

"The bassline from @nineinchnails The Becoming has always haunted me. Originally done on a borrowed 'OberMoog' prototype [matrix note: see prior posts here], the original synth underwent massive engineering changes, management, and versioning until it finally became the OB-Mx, which was a "better" synth, but didn't quite sound the same. I know this, because I owned an OB-Mx. Anyways, our Ober-Moog VST gets pretty close, and goes beyond. Plus, it's got 500+ presets, an EZ button for randomization, and Hand Of God for impossible automated modulation. Available now at store.denversynth.com

How close does this get?
I guess only TR can say for sure.

#nineinchnails #vst #denversynth #obermoog #obmx"

OBERMOOG

The synth that wasn't.
A 1:1 recreation of the Oberheim OB-Mx panel, voiced as the ‘Ober-Moog’ — the pre-production prototype Trent Reznor borrowed from Richard Bugg and used for the bassline of Nine Inch Nails’ The Becoming. Never officially released, barely documented, and rebuilt here from every source that exists, contested claims included.

- Full OB-Mx architecture: dual VCO per voice, MM-VCF and SEM-VCF in series or parallel, four-stage envelopes with free-run and repeat

- Voiced specifically as the Ober-Moog prototype, not a stock OB-Mx — the one unit with its own name, its own history, and no official spec sheet


- Unison/spread/detune matching the OB-Mx's card-based voice architecture, mono or up to full polyphony

- Modulation matrix covering breath, pressure, velocity, note number, wheel, and pedal across twelve assignable destinations

- Built from every documented source on the instrument, with the honest gaps left as gaps rather than guessed at EZ button gets you into a usable patch in seconds; the panel underneath goes as deep as the original hardware did

Sonicware Introduces ELZ_1 core

video upload by SONICWARE

CLICK FOR MORE »

ARP Foundation Uncovers Never Before Seen Images of Lexington, MA ARP Instruments

via The Alan R Pearlman Foundation

"Every once in a while, history hands you a surprise.

A couple of years ago, we came across three contact sheets of never-before-seen photographs from inside the Lexington, MA ARP Instruments — images (with the exception of one) that have never been published, never been digitized, and until now, never even been known to exist.

We don't yet know everything they show. What we do know is that they're a direct window into the now-legendary 1970s factory that includes images of Alan R. Pearlman, David Friend, and Phil Dodds — the team that gave us the ARP 2600, the Odyssey, the Omni, and the ProDGX. For anyone who's ever chased that ARP sound, these images are a missing piece of the story.

The Foundation has an opportunity to acquire all of the images from these contact sheets — but only with your help. Acquiring and preserving them is part of our 'Preserve the Legacy' goal in our current Back-to-School Fundraiser, alongside our effort to save a vintage ARP string ensemble."

You can help here: https://arpchives.org/arp-late-summer-2026-fundraiser/.

parallels // LinnStrument + Melbourne Instrument Nina

video upload by the audio dump

"Some quick technical notes since I wasn't feeling the live annotation on this one. If you notice “SWITCH 1” lighting up intermittently on the left side of the instrument, that’s showing when I’m using the sustain pedal. The switch is assignable, so that isn’t necessarily what it means in every LinnStrument setup, but for me it’ll generally be sustain unless otherwise noted.

For those unaware of the Linnstrument, it was created by Roger Linn and has 8 independent rows of notes. By default these are tuned in fourths but mine is tuned (low to high) EAEADGCF. The red lights are a custom setup and do not indicate any specific notes or scales like the stock setup; I made them to resemble the fretboard markers on a guitar. The white lights show what is being played as well as all other locations on the grid where those same pitches occur. You can customize these lights however you want to. I really can't say enough good things about the Linnstrument, so if you have any questions let me know.

The Nina is being restricted to 8 voices despite it being a 12 voice synth. This is to allow a longer release while letting the voice allocation keep things from getting too muddy. The patch is intentionally simple and you can read the details from the front panel. One thing I really like about the Nina is that the oscillator waveforms are not just on/off, so this patch is based around a morph between a triangle and a saw. All effects are internal and from the Nina.

The Nina is being controlled in MPE mode - there is not a lot of in your face MPE gestures here like extreme independent slides, but per note vibrato and occasional slides for phrasing have become practically essential to me now. I really hope more synths add MPE support over time because at least personally it is very much a "once you try it you don't want to go back" sort of thing for performance. Another important feature of MPE is being able to play unison intervals, since the exact same pitch can occur on multiple channels at once (which you can hear here a number of times).

This music came together very quickly, though I had some other ideas that didn't fit here, so most likely this will be the first in a series of 'parallels'."

Introducing Martinic PRODIGY | Moog Prodigy Plugin Featuring Advanced Circuitry Emulation

Martinic PRODIGY | Moog Prodigy Plugin | Best Preset Showcase (No Talking) ‪@MartinicCom‬

video upload by Davide Puxeddu

"Experience the analog warmth of the legendary Moog Prodigy in this no-talking preset showcase dedicated to the new Martinic Prodigy plugin.

Discover more about the Martinic Prodigy: https://www.martinic.com/prodigy

The original 1979 hardware synthesizer helped define an entire generation of electronic music. The Martinic Prodigy plugin now brings this iconic sound directly into your DAW. Developed with proprietary Advanced Circuitry Emulation technology, it faithfully recreates every nuance of the original analog circuits.

Alongside the classic sound, exclusive modern features have been added, including a built-in analog sequencer with 8 and 16-step modes, an extended Multidrive circuit, and a mono reverb inspired by the Moog 905.

Using studio monitors or high-quality headphones is recommended to capture the full frequency range."

Martinic Prodigy Unleashed | 100% Insurgent Circuits | 100% Prodigy | Demo no. 1

video upload by Solidtrax

"Insurgent Circuits - a collection of 100 patches for the ‪@MartinicCom‬ Prodigy - is available now!

For more info about Prodigy and the Insurgent Circuits collection, visit: https://www.martinic.com/prodigy

Demo Track no. 1.
Sound source: A couple of instances of Martinic Prodigy
Effects: Martinic TG100 Reverb & Martinic AXFX

Want to hear more of my sounds for the Martinic AX73 and other synths? Visit https://solidtrax.nl/shop"

The Moog Prodigy's raw, uncompromising sound helped define a generation of electronic music. But getting that authentic analog character into your productions has always meant tracking down rare, aging hardware that's becoming harder to find and harder to maintain.

The Martinic Prodigy finally brings that iconic sound to your DAW. Built with our Advanced Circuitry Emulation technology, it faithfully recreates every sweet spot of the original 1979 analog circuitry, and adds modern features like a built-in analog sequencer with eight- and sixteen-step modes, an extended Multidrive circuit, and a Moog 905 inspired mono reverb. All at a very affordable price.

CLICK FOR MORE »

OAM's Patience - A Eurorack LFO Module With a Cycle Rate That Can be Set for Decades

Folding & Unfolding Sine Waves w/ Patience and XPO video upload by Olivia Artz Modular



via Kickstarter

"Patience is an LFO that allows you to set the duration of a change in terms of seconds, minutes, hours, days, month, years, or decades.

Our thinking

Eurorack is widely considered to be an esoteric and expensive way to make music. That’s one framing. Another framing is that Eurorack is a mid-90s platform for modular electronic art that lasted. VRML came and went. RSS flourished and rescinded. Web pages don’t really use HTML anymore. But Eurorack is still. It is a time-tested and community-driven foundation for building conceptual art. For installation art. For slow art. In these contexts the modules that you already have can transform in meaning.

For instance, a clock divider may be used for tracking musical time and for building up musical rhythms. But if your clock divider has primes as an option and you trigger it once a day, the 7’s output will give you a pulse a week. Suddenly you’re patch-programming a calendar. You’re now keeping track of time on the scale of years. You’ve moved from the music of humans to the music of the seasons.

This is where Patience comes in. To help your patches operate at these time scales we made an LFO capable of making a single modulation over the course of hours, days, months, years, or even decades.

Why me
For more than twenty-five years I’ve been studying, designing, and programming systems for slow sound art. Under Pauline Oliveros I studied and practiced deep listening. I worked with Seth Cluett on glacial multi-channel performance systems. I’ve cared deeply about slow art my entire life. Patience is an expression of this and I will give it everything I have.

Why Kickstarter
If we know up front that we have guaranteed orders for Patience we can afford to dedicate the time that this idea deserves. Refining the design, circuitry, software, and assembly process. This is the only way we can foresee making the best possible version of Patience, so here we are.

CLICK FOR MORE »

The best groovebox he's ever played | Akai MPC Key 37 G2 live performance

video upload by Jay Hosking

"Please support my work on Patreon: / jayhosking
A live synthesizer performance using only the MPC Key 37 G2.

To be clear: I bought this synth with my own money, thanks to the support of my Patreon community. So while I recognize that the following praise seems effusive, it's the truth.

I got into hardware through grooveboxes. I started with the Novation Circuit and got more complex from there. The groovebox—sequencer, multiple timbres of synth, drums, samples, and effects—is my happy place. And while many devices have been good, I've never found "the one", that one groovebox that does everything you want it to do. Until now, maybe.

I've played with MPCs quite a bit over the last few years, but this newest generation, and this model in particular, is the one. It's a combination of things: a mature platform with fast loading and workflow; every conceivable sound type I want, from synths to samples to piano; a robust collection of effects, with great reverbs, delays, and ways to mess up a sound; more tracks than I'll ever need for a song; a sequencer without the limitations of 64 or 128 steps; clip launching; simple audio recording in; auto-sampling to capture your own sounds; MIDI in and out via 5-pin DIN and USB; MIDI learn with peripheral MIDI controllers that works flawlessly; USB multi-track audio recording that just works without a hitch; so much more.

CLICK FOR MORE »

Yamaha CS Series Chip Clones by Ando Pilve

This was shared by Ando Pilve on Facebook (Aug 22):

"If you know what this is, you know what these are. Coming soon!"

Note the PILVE iG00153AP and iG00156AP chips left.

Followed by (2nd board image with the the iG00158AP pictured in place from January 21):

"IG00158 waveshaper chip clones are now available on Reverb and eBay. They are drop-in replaceable into the original footprint or a DIP-16 socket."

and from March 2025:

"IG00151 VCA clones are now available on Reverb and eBay! They are drop-in replaceable and can coexist with original chips without modifications."

You can find them on Ando's Gear Shop on Reverb here, and eBay here.

You'll find additional details on each captured from the listings below.

Ando Pilve also brought us the Kijimi Stereo Output Mod as well as a few recordings featuring Black Corporation's Xerxes and Deckards Dream. Deckards Dream of course was based on the CS80.

CLICK FOR MORE »

Introducing Thorus XT

video uploads by UVI

Playlist:

1. Introducing Thorus XT - Video credits: Anthony H. | Music credits: Théo G.
2. UVI Thorus XT | Overview - Video credits: Venus Theory
3. UVI Thorus XT | Showcase - Video credits: Théo G.

"Thorus XT - Extended Chorus Designer
https://www.uvi.net/thorus-xt

Discover Thorus XT, a state-of-the-art chorus effect offering the best of both digital and analog circuit-modeled techniques with up to 8 variable, fully continuous voices, and deeply shapable extended analog controls.

Also included in SonicPass ➡️ https://www.uvi.net/sonicpass"

A deep, flexible, state-of-the-art digital chorus, Thorus has long been one of UVI's best-selling effects. Thorus XT offers a brand new take, driven by advanced DSP and joined by a second engine that faithfully models the analog bucket-brigade circuits that chorus was born on. Two worlds, one plugin, from brilliant shimmer to grainy vintage modulation, and everywhere in-between.

Your Sound, Your Way

Both digital and analog engines run on the same morphable 8-voice architecture and the same set of controls. Set your modulation once, switch engines, and hear the identical movement through two very different paths, keep whichever one best suits the material.

Two Engines, Unified Control

Cutting-edge DSP drives a variable chorus architecture with continuous and morphable voice control; sweeping voices results in the last voice fading in and out smoothly, with no stepping. Speed and Depth shape the modulation, Shape sets its waveform as sine or triangle, Edge dials feedback and color, and Stereo Mode places the image. Fewer voices give pronounced, identifiable modulation; more voices blur the line into a thick, immersive wash.

Digital - Clean, Precise, Transparent

The digital engine is the Thorus chorus you know and love, refined. Clean, precise, prized for its clarity, now with a continuously variable voice count. Every voice reads a single shared delay line at interpolated positions, for a crystalline, detailed sound. When clean isn't the objective, Quality becomes a band-limited sample-rate reducer delivering a downsampled, lo-fi edge that stays musical where it counts.

Analog - Warm, Colored, Alive

The analog engine is a faithful bucket-brigade chip emulation, found in classic hardware units like the Dimension D, and Juno-6. Where the digital engine is clean by design, Thorus XT’s analog engine gives you the natural imperfections of hardware: aliasing, resonance, pumping compression, hiss, per-voice variation—all fully shapable through an extended control set.

OP-XY: A year on. It's 100% my favourite box ever by far. Trip-Hop Live Jam

video upload by Dan Chippendale

"So I looked at the calendar and low and behold, I got my OP-XY exactly a year ago (my first video was posted a few days later on the 28th Aug 25. This thing gets me. I get it. I don't know which way round but I'm now making music that matches my vision. I seem to be able to squeeze sounds out of it that I love and I grow to love it more and more each time. Thank you ‪@teenageengineering‬ for making such an incredible device and I look forward to the future of the OP-XY platform!

Hope you enjoy

Gear used:

Music:
Teenage Engineering OP-XY
Teenage Engineering Sidekick
Novation Launch Control 3

Video:
Fujifilm X-E5
Motu M2 Audio interface
Mac Studio with Logic Pro X"

Echon6 Samples and a FREE Auto Sample Tool for Decent Sampler

video upload by Starsky Carr

"Point a MIDI cable at your synth, walk away, and come back to a finished Decent Sampler instrument. I've built a tool that does exactly that — and it's completely free.

The Morphor Echon6 has been on my bench for weeks now and it still sounds fabulous — that lovely organic feel I keep going on about. The whole point of this channel is to give you the experience of playing the synth yourself, so I wanted to go one better: give you the actual presets to play.

So I started auto-sampling the Echon6 on the 1010music Bento… and then remembered why sampling is such a pain. It's not the recording. It's everything after: trimming, levelling, converting, hand-building the mapping. So I spent a weekend making a tool that does the whole lot, start to finish, and now it's yours.

Runs in your browser, works on Mac and PC, comes with a full manual. You might need to install Python if your machine hasn't got it (most have). It's not a polished app with a pretty icon — you click a command file — but it works, believe me.

Honest warning: I'm not a programmer. My digital assistant did the heavy lifting. I can't offer any support on this whatsoever, because the answer will be "I haven't got a clue." It should work. Have fun with it — and do tell me what you end up sampling with it, I'd love to know.

🎹 ECHON6 SAMPLES

There's a FREE 2-preset Echon6 Decent Sampler pack to get you started, and a full 20-preset library for anyone who wants the lot — 800MB of detailed multisamples, no effects, just the raw beauty of the thing.

🎵 And stay to the end — two finished tracks from the Echon6 sessions, because the music is why we're all doing this in the first place."

FREE Auto Sampler tool → https://www.starskycarr.com/patches/p/autosampler


FREE Echon6 Decent Sampler pack (2 presets) → https://www.starskycarr.com/patches/p...

Echon6 Decent Sampler library (20 presets) → https://starsky-shop.fourthwall.com/p...