"Wildwood Lightning is a handmade digital sampler, sequencer and synthesizer designed and produced by Wildwood Soundworks in Penn Valley, California. It provides the following features:
Sampler - record your own samples or use standard WAVE files.
Sequencer - compose on up to 16 channels with channel mute and solo.
Synthesizer - produce polyphonic audio with a sample based synthesizer.
Touch Pads - play notes, select chord and drum patterns and strum with touch sensitive pads.
Display - view notes and channels or navigate menus to select from numerous features.
Multiple Views - create and update your songs using piano roll, song or step views.
Multiple Menus - discover features and create or edit your song with 14 menus.
"We were delighted to welcome Music Thing Modular’s Tom Whitwell to our Glasgow showroom recently for an evening exploring his Workshop System - a compact, self-contained modular synthesiser in a portable case.
Tom is the brains behind the classic Turing Machine and a host of other brilliant DIY modules. If you’ve heard any of his regular appearances on the Why We Bleep podcast, you’ll know he’s full of fascinating ideas about the worlds of electronic music and instrument design, so this was a cracking evening for anyone even vaguely interested in synths.
Tom chatted about the design process for the Workshop System, showed some example patches and discussed its unique Computer module - which is now also available standalone - as well as answering questions from the audience.
"The Demon Box is more than an instrument. It’s a portal where DMX, MIDI, Eurorack, and built-in lighting converge, transforming hidden energy into real-time sound, light, and motion.
You’ve seen what the Demon Box can do, now it’s time to go deeper.This video shows how to unlock its full potential, bending these forces into a single living entity you can shape, route, and command."
Note the videos above are from 2025. The video below is new. You can find additional demos in previous posts. See dealers on the right for pricing and availability.
"Step into the dark, unpredictable world of the Demon Box — Eternal Research's brutal and experimental hardware synthesizer readymade for industrial techno, noise, drone, and underground electronic music. In this video, we explore the raw sonic power and chaos that make the Demon Box a unique tool for modular synth performers, sound designers, and hardware synth lovers."
Chapters:
00:00 - Intro
00:16 - Features
03:17 - Moog Messenger
04:11 - Vhikk X + Lacrima
05:19 - Four Seas + Cosmic Debris
06:45 - Nord Drum
06:58 - Warp Core + Umbra + Desmodus
Eternal Research Demon Box Summon the sounds of electromagnetic oddities with Demon Box from Eternal Research, an innovative instrument that condenses the practice of using EMF for audio and control signals in a unified device. At the top surface of the Demon Box's triangular enclosure, a literal platform for audio experimentation awaits. Here, three channels of EMF inductor pickups are arranged in a nested spiral formation, which can be used to create unique tones and control signals by interacting with any object that produces EMF near the inductors. Power tools, FM radios, eBows, tuning forks, and other personal electronics become diverse sources for synthesizing tones, controlling modular synths, and even producing MIDI signals. Turning the inaudible waves of ambient and ubiquitous electro-ephemera into creative signal sources, the Demon Box offers a deep well of musical meaning-making waiting to be discovered.
"We have been bombarded with requests for a more extensive demonstration of Budapeszt's capabilities. Apparently, the Superbooth sneak peek has piqued your interest :-) Here's 14 minutes of various Budapeszt patches with minimal external influence - simple sound sources (or no sound sources at all!), no other effects (except Samarkanda in a couple of patches; but no reverb!), rarely any external modulation.
It is not a tutorial, nor an in-depth demo, just a way of making sure you know what you're missing in your case and what to look out for :-)
And now we get back to work to finalize the module and start production!"
"Until now, audio on the MIDIPan has relied on a component which is expensive and has become increasingly difficult to obtain. Therefore I've had to develop an alternative and more sustainable way to provide the MIDIPan with audio. This video is for you if you need to know more about the new 'basic audio' option and hear how it performs.
00:00 intro
01:30 what drove me to make the new sound module?
2:31 pros of the new basic audio
3:22 compromises with the new basic audio
4:55 demo / comparison of sounds modules"
"There was the GR-1, then there was the bigger brother to extend the family, the GR-MEGA, and now there’s the GR-2.
The GR-2 is the direct successor of the GR-1. Similar size, similar price, but with a large touch screen, and many of the GR-MEGA’s abilities. As loyal readers of our mailing list, you are the first to know. We offer a limited amount of early bird units at 100 euro discount. We chose Kickstarter to reach a large audience and gauge interest, and you guys are the first the learn about it.
Visit us at Superbooth this weekend for a GR-2 demo, and of course you can also play around with all our other synths and effects.
For GR-MEGA owners: the GR-2 is like a little brother of the GR-MEGA. Both can run the same patches, and have largely the same abilities. The GR-2 has somewhat lower polyphony, lacks the amount of function-specific knobs and buttons, and lacks luxury interfaces like HDMI and balanced audio. The GR-2 firmware has the same “root” as the GR-MEGA’s. This means the GR-2 hitches a piggyback ride on the mature GR-MEGA for a great start.. and after a while the GR-MEGA will benefit from large amounts of sold GR-2’s: more user feedback, leading to more features, higher quality, and a large patch library.
If you want the best granular synthesizer and sound design tool out there, please support us.. and yourself. 🙂 Thank you! 🙏"
The GR-2 is a granular synth, transformative sampler, and a portable sound design tool. It's ideally suited to stand-alone use. It can drone, you can use the touchscreen to play it like a live instrument. Attach MIDI gear or computer to use it like a traditional synth.
Samples
Samples want to be heard, but also seen, touched, and transformed. That's what the GR-2 delivers. Triggers, and manipulation are immediate. There's no setup, and there's visual feedback for everything.
Easy to use
The 7" touch screen, and high contrast GUI make life easy. There are spatially associated encoders along the the edges of the display. The most important settings are always visible, and they're big.
The most important settings are available from Quick Access (QA) menu buttons at the top. Using a touch gesture you can make them full screen. Deeper menus are accessible via the menu button. And rest assured, you're never more than 1 level deep + all GUI widgets are big and high contrast.
Power
The GR-2 is compact, no more than 25x19x7 cm, but it's powerful. While the touchscreen plays a large role, the knobs and fader are essential to the tactile, immediate, and precise nature of this synth.
Transformation is key. Load or record a sample, then mangle it through one of the many engines and effects. Long field recordings, transients, tonal material, the GR-2 eats them all. Make them unrecognizable, emphasize their inherent character, or add your own accents. Make them scatter in the granular engine, add subtle stutters, let it smoothly sustain forever, or make it whistle and bubble in the spectral engine. Using the many knobs and up-front menus, this quickly becomes like a second nature.
Polyphonic, multi-timbral, multi-engine, MPE capable, a dozen high quality effects, macros, and a deep polyphonic modulation matrix with over 120 destinations and 24 sources. Of course touch X,Y are mod sources. Our granular engine is the best you'll find in any hardware synth. A claim we dare make with ease. You can leverage the power of a touch screen, and play multiple notes and chords, along with gestural modulation accross 4 timbres. You can even record and transform touch gestures for modulation."
"Get everything you need to take your music from first idea to finished master, including instruments, effects, and sounds trusted by the pros. Komplete 26 gives you synths, sampled instruments, drums, sound design tools, and studio effects – all in one complete music production bundle.
Whether you're composing, producing, or designing sound, Komplete gives you the tools to follow your ideas wherever they lead."
Press release follows:
Berlin, May 05, 2026 – Native Instruments today released Komplete 26 — everything a music producer needs to take a first idea to a finished, release-ready track. With over 190 premium instruments, professional mixing tools from iZotope and Brainworx, and more than 180,000 sounds, it's the most definitive music production collection NI has ever made.
Trusted by the producers behind the records you know
Komplete is used by millions of producers, composers, and musicians every month — from bedroom studios to Grammy-winning sessions. It's the instrument collection behind some of the most iconic tracks you know, and the ones you're about to make.
"I use Komplete in every single session. It lets me stay focused on the music instead of the tools, and whether I'm writing or tweaking, it's a fast way for me to transform my idea to something that feels finished." — Butch Vig (Nirvana, Smashing Pumpkins, Sonic Youth)
“Komplete has been part of my production journey since day one. I know I can open it and get exactly what I need, every time.” — Nick Hook (Run The Jewels, Hudson Mohawke)
"Komplete is a must-have for me in my studio. As someone who is always blending genres and pushing the edges of sound design, the versatility of Komplete allows me to have an entire sonic world at my fingertips at all times." — Malibu Babie (Megan Thee Stallion, Shania Twain, Sia)
New additions: sounds for every style and stage
Newly added is the legendary semi-modular synth, Absynth 6, known for its evolving, otherworldly tones. Also included are Noire and Claire – sampled from rare grand pianos – and the ethereal vocal soundscapes of Moments: Vocal Clouds.
"At Superbooth two years ago, as I was walking the halls I felt a hand on my shoulder and a voice said “oscillator sink, let me show you my groovebox”.
Now whatever gets conjured in your mind when you hear the phrase “groovebox” is probably not the Drop from Mad Sound Factory, but after a few minutes of patching and turning knobs I had it generating extremely aggressive gabber, and naturally I was hooked and named it one of my synths of the show.
In this video we’ll get to know Drop, how it works, how it sounds, how it plays with others - including a discussion of how to get banana jacks and euroracks to talk. As the video is long (because of course it is if it’s on my channel), I’ve added chapter markers throughout, and scattered some small no-talking demos throughout, both with drop as a solo instrument, and in ensemble with other instruments.
Transparency notice: Mad Sound Factory kindly sent the Drop to me for free for the purposes of making videos about it. I get to keep the unit, but no other payment was made for making the video and MSF have been given no editorial oversight for this video.
Chapters:
00:00:00 Introduction
00:01:14 The Tone Section
00:05:50 Interlude 1
00:06:42 The Noise Section
00:14:47 Interlude 2
"WARNING : they are some higt resonance peak beward of your ears, specialy on headphone!
Disclamer: Yes i know i have burn my left hand, look bader than it is, on reality ^^
Quick demo of a miltiband resonator patch on gotharman's Tuul
in this exemple i put all the "resonator " in série but you can put them in parallèle with the help of à mixer !
Thank you for watching. My name is Meska of the statik collective . I've been making mostly 'dark and expérimental' music for more than ten years now, i'v learn so much online, now it's time for me to share my knoledge, my exploration and this channel is a place to talk about the tools, sound design and techniques to make music with.
"I recreated 'Yulquen' by Autechre as faithfully as possible, using only a Nord Lead 2X and performing everything in a single take.
My goal was to get as close as I could to the original sound and feel, while staying fully committed to one instrument and one live performance.
This wasn’t about making a perfect copy: it was about studying the details, the movement, and the character of the track, then trying to bring that language to life through synthesis alone.
While I tried to stay as faithful as possible to the original sound world, I also gave myself the freedom to bend the harmony slightly, adding a few extra notes in the bass and letting the low end speak a little more. It’s still the same DNA, but with a small twist in the shadows.
Now I’m curious to know what you think: did the changes feel natural, or did they pull the track away from the original spirit?
Drop a comment and tell me if you like the new harmonic hints in the bass, I’d love to hear your thoughts!
Gear used:
Nord Lead 2X
Valhalla Vintageverb plugin
Valhalla Delay plugin
"Five years ago, I already played with the idea of expanding the Morphagene into a shapeshifting creature. I used two Phonogenes to process the Morph's L and R outputs, inspired by a lo-fi Ciat-Lonbarde Cocoquantus. It was a fun experiment. This Xenomorph is different, a worthy V2. It's a custom 104 HP system I designed as a synth I did not know how to make:
Morphagene
Mult
MultiMod
PoliMaths
QXG x 2
X-PAN
Mimeophon
When used in a skiff, X-PAN is replaced by X-OH (output) and a mult. If you have stackables, you can even use the new GTE. The idea is to bring the stereo Morphagene OUTS together with the QXG outs, so you'll need to stack/mult one Morph out into MultiMod.
The 7U case obviously has the CV bus and - can / could - contain the regular NUSS layout AND the Xenomorph Granular NUSS system. Together they could hold two universes which makes it Multiversal (NMSS) which logically brought me to the name 'Nemesis'. We often assiciate that name with something bad, but after a bit of research it translates to 'the force that reveals your limitations'. So when we meet our Nemesis, the only thing we need to do is grab another patchcable and say 'why stop here?' bla, bla, bla.
Seriously. This is an amazing layout.
Even though MultiMod was never intended for audio, again it's my favorite way to use it, and now it's the core of this setup. It will take the L[mono[ channel of Morphagene as an input so it will create eight roughly independent tentacles. MultiMod has a NUSS header on the back, so without any cable clutter it connects to QXG's audio in and PoliMaths will do the envelopes. So I am basically replacing the MultiWAVE for Morph + Mod as the new sound engine.
I did not realize I'd be getting a genuine granular synth on steroids. A workstation."
The Sh*t Synth - Walkthrough video upload by CROW HILL XTRAS
Press release follows:
The Crow Hill Company turns to extensive and rare collection to turn out THE SH*T SYNTH as compendium of 48 circuit-, wave- and sample-bent instruments
EDINBURGH, UK: The Crow Hill Company is proud to turn to its own extensive and rare collection of hardware to turn out THE SH*T SYNTH — available as a compendium of 48 circuit-, wave- and sample-bent instruments inspired by some of the Edinburgh-based enterprise’s eclectic musical favourites (spanning the likes of Aphex Twin, Boards Of Canada, Joe Maus, Jon Brion, Laurie Spiegel, Radiohead, Throbbing Gristle, and Yazoo) to create something that they collectively ask: is it just shit or ‘the shit’? — as of April 7…
Whatever way anyone chooses to read into the titling of THE SH*T SYNTH as the latest entry into The Crow Hill’s ongoing ORIGINS series of sample-based virtual instrument plug-ins, one thing is for sure: it readily represents a broad selection of three categories of 16 workhorse instruments each, effectively wrapped up into a single plug-in designed to bring a cohesive approach to making music more edgy, lo-fi, retro, and — swimming against the technological tide of so-called progress — decidedly AI (Artificial Intelligence) slop-free. From pianos to strings, plucks, beeps, bass, and pads, the compendium that is THE SH*T SYNTH has been lovingly sculpted by the Edinburgh-based enterprise’s media composer and ‘samplist-in-residence’ Christian Henson to take the hassle out of making existing sounds less refined, catering to those looking for an entirely new bank of Mellotron-style sounds as well as synths that have been long forgotten — for good reason, too!
"A short update on the browser based Nord Modular Editor that I am currently working on as a fun hobby project."
Additional details via https://nordmodulareditor.com where you can try it out yourself if you own an original Nord Modular:
"Nord Modular G1 Editor
Create, edit and (soon) share your Nord Modular patches with the community.
Some quick remarks:
This is still a very early version. A lot of things don't work or don't work correctly yet. You should be able to edit patches, browse slots, add modules and cables, adjust parameters and load patches into a slot. You probably want to run this in the Chrome browser, i haven't tested others. I have only tested this with a Nord Modular Keys for now, I assume the Rack version will work the same but I don't know about the Micro. I assumed it would work the same but it appears that some people have issues getting it to connect. Parameter values are often shown as their raw 0–127 values. None of the displays work yet. When something is wrong, updates don't come through, or communication seems to be stuck: refresh the page. When using a trackpad, you probably want to use "scroll to pan" navigation. You can select this in the settings. To add a module, drag it from the toolbar on top. To delete a module or cable, select it and hit delete. The tab key in the editor will toggle rendering cables behind or in front of the modules. If you were following my personal YouTube channel for updates, please follow my other channel instead. Feedback is much appreciated, but I don't have a proper way to do that yet. This is a personal hobby project. I am not affiliated with or connected to Nord in any way. Peter van der Noord"
"I've been doing modular since 2018 and now I finally think I may have figured out what waveshaping could be. So by all means this is not some 'masterclass' where I teach you, it's learning as I go and recording it on video. The main takeaway from all this, is that waveshaping is not a module or something you'd do, it's something that happens when certain circumstances align. By definition, waveshaping is 'a non-linear transfer producing new harmonics' which kind of sums up nicely why it's so hard to put your head around it. It becomes much easier once you realize you need to listen for it, it's the result. Not the tech, process or recipe.
And how about 'folding'? As far as I know, wavefolding belongs to the waveshaping family, but instead of clipping the tops off, you'd mirror them back into the waveform. In waveshaping, 'transfer functions' are called 'shaper functions' because a 'transfer' is hijacked by systems theory and we're doing music and synthesis while leaving science in its own domain.
I'll mostly be using Serge gear in the classroom series, but you can already start shaping with a pre-amp with plenty of gain. Just push a sound to a loudness your case or ADC can't handle. Then you can figure out if it's cool to get dedicated tech for it. Hopefully you'll learn that waveshaping is not just distortion :)."
"What happens when a synthesizer completely breaks the rules? In this video, we explore the Genki KATLA — a truly unique polysynth inspired by Icelandic volcanoes, featuring a rotating voice architecture, hybrid signal path, and some of the most unpredictable sound design possibilities I’ve come across.
This isn’t your typical analog polysynth. Each of the five voices can run independently with different waveforms, octaves, and modulation — creating evolving textures, harmonic movement, and generative-style sounds that feel closer to modular synthesis than traditional keyboards.
🎛️ What makes the KATLA special? • Rotating voice polyphony (round robin-style synthesis) • Independent per-voice oscillators & tuning • Digital oscillators + analog filter signal path • Looping envelopes reaching audio-rate modulation • Phase distortion, wavefolding & multiple distortion types • Tape-style wow, flutter & pitch instability effects • Stereo voice movement & evolving spatial modulation • External inputs for processing other gear
From lush ambient pads to aggressive, evolving sequences — this synth can go places most instruments simply can’t. It’s not about recreating vintage sounds… it’s about discovering entirely new ones.
💸 At around €5000, this is definitely not a beginner synth — but for sound designers, and anyone looking for something truly different, it well worth a look."
Genki Katla Sound Design: Making sounds from scratch and exploring
video upload by MR TUNA Music
Chapters: 0:00 - Intro 0:16 - Init patch 0:44 - Filter sounds 1:26 - Raising 1 voice 1:43 - Creating a basic pluck sound 2:24 - Aftertouch controls 2:45 - Bring in a little reverb 2:56 - LFO to filter cutoff 3:16 - LFO to reverb mix 3:46 - Keyboard cutoff 4:00 - Osc 3 Square wave 4:23 - Sub oscillator 4:54 - KATLA parameters 5:01 - Rústir wavefolder 6:08 - Rökkur stereospreader 6:37 - Skriða envelope randomizer 7:27 - Aska random modulations 7:57 - Glóð tape stops and flutters 8:35 - Skjálfti ??? 9:14 - Kvika slow tape modulations 9:38 - dark pads 10:20 - Móða voice detuning 11:20 - Katla sounds with aftertouch 13:28 - Thanks for watching
"Hey guys! Very very excited to be presenting the Genki Katla to you all... I am truly in awe of the sound of this very unique and powerful instrument.
I thought the best way to get to know the synth is to start from scratch so in this video we'll go full hands-on with the Genki Katla, exploring (almost) every parameter and building sounds from an initialized patch.
From some raw drone layers and gritty textures to evolving pads, rhythmic sequences, and atmospheric beds, we will see just what this instrument can do, discover new sounds, and maybe make some friends along the way 🙏
If you're into sound design, unique synths, or just love discovering new instruments, this one is for you!
HUGE thanks to Genki for letting me a part of this with them and showing off this super cool synth.
No money was paid, no agreements were made... these are my real thoughts on this very premium synthesizer and I will be sharing lots more."
Press release follows:
Genki Instruments announces availability of Katla as Voice Rotating Polyphonic Synthesizer inspired by its natural namesake
REYKJAVIK, ICELAND: having twice blown European musical minds thanks to show-stealing showcases at SUPERBOOTH25, May 8-10, Berlin, Germany and Machina Bristronica 2025, September 27-28, Bristol, UK, before adventuring across the pond for a repeat performance at Buchla & Friends 2026, January 24-25, LA, CA, USA, Reykjavik-based instrument developer Genki Instruments is proud to announce availability of the eagerly-awaited Katla as a Voice Rotating Polyphonic Synthesizer inspired by Iceland’s largest subglacial volcano as its natural namesake — readily representing the company’s first foray into analogue synthesis, albeit one that uniquely utilises a set of wildcard parameters to infuse it with organic, unpredictable behaviour as an instrument that is worthy of that legacy, excelling at generating rich, evolving, multi-layered textures, where each note stirs, swells, and erupts in its own distinct way — as of March 31…
Clearly Katla’s inspiration runs through its ‘volcanic’ veins. After all, it is framed by side panels and knobs forged from authentic Icelandic lava, giving each instrument a tangible connection to the volcanic forces that inspired it. That this synth should surely roar is a given. Genki Instruments inevitably chose, therefore, to kit Katla out with four independent distortion destinations, the most unruly of which is a stereo CMOS (Complementary Metal Oxide Semiconductor) Drive effect — a characterful saturation stage, pushing tones from warm and rounded to fractured and snarling.
"We say... A pre-owned Oberheim OB-X8 (Desktop) in very good condition. It comes with original packaging and power cable.
Manufacturer's description NEW functionality now available with OB-X8 OS v2.0 featuring:
Instant binaural mode pans individual voices hard left and right for true stereo operation Simultaneously selectable waveshapes for each oscillator extends timbral variety New 4-Pole low pass filter type with fuller bass at high resonance New VCO 1 and 2 level LFO modulation destinations for independent timbral mixing Arpeggiator clock sync now has selectable note division values for expanded rhythmic control Twice the Split and Double memory locations, including program storage directly in the new banks for 512 more stored sounds Separate MIDI channels for lower/upper split bi-timbral operation Poly chain for up to 32 voices with 4 connected instruments MPE for new levels of expressiveness
"I am aware my Serge series is a bit of a niche in eurorack, but I feel it shouldn't be. They may seem complicated, or maybe too simple with the minimal grid panels and the lack of leds. Maybe even eh.. underwhelming compared to the competition. Also, many Serge videos focus on the raw voltage paths, so many of them just scream, tick and growl. This video is no exception. However, if you truly want to know what modular synthesis is about to enjoy absolute voltage freedom (a challenge by itself) a Serge system can teach you a LOT about the gear you already have - even when you never get to own single Serge module. As always, I am not trying to sell you anything, I am not an influencer and I no longer care (too much) about the latest hype modules anymore unless it blows me away. This is now an educational channel. It always was. And it's my duty - and privilege - to try and show you why Serge changed the way I patch. If you don't know what you're missing, you won't miss it. And if none of this appeals to you, that's also a valuable 'lession'. Your personal experience is all that matters - and the music you love most.
I am still a beginner, with Serge you may always know nothing between your previous and next patch. But if you're looking for magic, there's a lot of magic hiding behind those modest panels."
"I've been dabbling with MIDI controllers recently (as you will have seen if you've watched my recent stuff). Nothing has really hit the mark, until now. It's been a right pain in the ass to set up (the Mac app doesn't want to let me use it to configure settings) and have had to manually enter them on the device itself. But it's actually pretty easy once you know how. The OP-XY and Artemis have presets available to upload to import to it so you just need to know what you're doing and you're off. I've wanted a small but robust controller for ages and decided to give this a go. It's not cheap but it's impeccably made. The linking of encoders is amazing. There's no way you could perform a filter sweep on 2+ tracks on the OP-XY. This makes it easy peasy. Love it. Hope you enjoy!
"We’re excited to unveil the latest generation of our most compact control surface, Launch Control 3 - available to order now. This video gives you an overview of everything our new Launch Control can do for you and your unique workflow.
Our new controller packs the most powerful features of Launch Control XL 3 into a smaller footprint and is perfect for adding an extra layer of tactile control to any studio or stage setup. Launch Control is a compact and highly portable MIDI control surface designed to integrate with all major DAWs, software synths, effects, and external hardware. Connect via USB or MIDI I/O and adjust parameters with 16 endless rotary encoders, eight assignable buttons, and a new OLED display.
Launch Control comes bundled with studio-grade software to get you started. Ableton Live Lite lets you record, launch and perform, while Cubase LE is ideal for songwriting and production projects. You also receive a selection of plugins from Klevgrand, Baby Audio and Output.
Chapters:
00:00 - Introducing the new Launch Control
00:24 - Launch Control Feature Overview
00:55 - Launch Control's DAW Integration
01:17 - Launch Control's DAW Control and Mixer Features
01:53 - Launch Control's Hardware Integration
02:08 - Launch Control's Custom Modes
02:19 - Launch Control: The DAW, Plugin, and Hardware Control Surface"
Launch Control | Everything you need to know | Livestream
"Launch Control is a compact and portable MIDI control surface designed to integrate with all major DAWs, software synths, effects, and external hardware. Connect via USB or MIDI I/O and adjust parameters with 16 endless rotary encoders, eight assignable buttons, and a crisp OLED display.
Key features
16 endless encoders
Eight assignable buttons
MIDI routing via USB and 5-pin DIN
Store up to seven Custom Modes
The Creative Control Surface
Get hands on with your DAW, plugins, and hardware from a portable-yet-powerful controller with 16 endless rotary encoders; eight assignable buttons; and a crisp OLED display for essential info. Mix and sculpt sounds right out the box, and create up to seven Custom Modes to fit your specific workflow in the studio or on stage.
16 endless encoders
Launch Control’s smooth-feeling endless rotary encoders each feature a dedicated RGB LED that indicates its relative value. Pan tracks, adjust sends, or do anything else you want via Custom Modes — all with adjustable response curves."
"I had a crappy day at work and I saw the stars in the sky for the first time this evening, in who know's how long, so I was kinda inspired by a road trip into space.
Hope you enjoy the journey 😎
Gear used:
Music:
Teenage Engineering OP-XY
Dreadbox Artemis
Video:
Fujifilm X-M5
Motu M2 Audio interface
Mac Studio with Logic Pro X"
