Showing posts sorted by date for query The Sound of Machines. Sort by relevance Show all posts
Showing posts sorted by date for query The Sound of Machines. Sort by relevance Show all posts
Thursday, September 18, 2025
BE A BETTER MODULATOR // Understanding Eurorack Modulation with the Thonk TRIPLE MOD
video upload by DivKid
"In this video we’ll break down how common types of modulation for sound synthesis work, how to make the most of them creatively and musically. We’ll do so while demoing the new Triple Mod DIY module from Thonk. Whether it’s creating multi-phonic layered patches needed multiple envelopes, understanding how a Turing Machine works and performing with it, understanding and making Sample & Hold melodic, creating chain reactions with EOC ‘end of cycle’ triggers … there’s lots in this video applicable to LOTS of other modules."
Wednesday, September 17, 2025
Oberheim DMX 8-Voice Drum Machine
Note: Auction links are affiliate links for which the site may be compensated.
via this Reverb listing
"The Oberheim DMX is a classic digital drum machine introduced in 1981 by Oberheim Electronics. It became one of the most iconic drum machines of the early 1980s, particularly influential in hip-hop, electro, and pop music
🔧 Key Features:
12-bit digital samples: The DMX used actual sampled drum sounds stored in EPROM chips, giving it a realistic, punchy character that distinguished it from analog drum machines like the Roland TR-808.
Sounds: It included individual samples for kick, snare, hi-hats, toms, cymbals, claps, cowbell, etc. The samples could be swapped out using different EPROMs.
8-voice polyphony: You could play up to 8 drum sounds at once.
Individual outputs: Each drum sound had its own output jack, allowing for separate processing and mixing.
Swing and quantization: The DMX had adjustable swing, making its grooves feel more human.
Tight MIDI sync and clocking: It could sync with other gear via MIDI (on later models), DIN sync, or analog clock pulses.
Sequencing: Patterns and songs could be programmed in step or real-time mode, with memory for multiple patterns and songs.
🎧 Sound Character:
Punchy and dry, with a distinctive ’80s sheen.
The snare and clap are especially famous—used heavily in early rap and electro.
It had a more realistic, “studio drummer” feel than analog machines, making it ideal for producers aiming for a more polished sound
This unit has a toggle and button on top and button which we are not sure of the function. Never used it."
via this Reverb listing

🔧 Key Features:
12-bit digital samples: The DMX used actual sampled drum sounds stored in EPROM chips, giving it a realistic, punchy character that distinguished it from analog drum machines like the Roland TR-808.
Sounds: It included individual samples for kick, snare, hi-hats, toms, cymbals, claps, cowbell, etc. The samples could be swapped out using different EPROMs.
8-voice polyphony: You could play up to 8 drum sounds at once.
Individual outputs: Each drum sound had its own output jack, allowing for separate processing and mixing.
Swing and quantization: The DMX had adjustable swing, making its grooves feel more human.
Tight MIDI sync and clocking: It could sync with other gear via MIDI (on later models), DIN sync, or analog clock pulses.
Sequencing: Patterns and songs could be programmed in step or real-time mode, with memory for multiple patterns and songs.
🎧 Sound Character:
Punchy and dry, with a distinctive ’80s sheen.
The snare and clap are especially famous—used heavily in early rap and electro.
It had a more realistic, “studio drummer” feel than analog machines, making it ideal for producers aiming for a more polished sound
This unit has a toggle and button on top and button which we are not sure of the function. Never used it."
Tuesday, September 16, 2025
1988 Elka OMB 3 Synthesizer Drum Bass Rhythm Italo Disco Machine Orchestra Made In Italy
Note: Auction links are affiliate links for which the site may be compensated.
video upload by keyboard resource
Walk thorugh the preset sounds followed by rhythm demos at 3:22.
via this Reverb listing
"According to the manual, the OMB 3 is a sound module version of the ELKA C92 and X35 dual-manual organ/synthesizer/drum machines. You can program four rhythm patterns, four "orchestra (solo)" tones (envelope timbre, envelope level & wave), chord sequences (including tempo and sound registrations). There is a way to set it up to receive different data (chord, treble, bass, transpose, pitch) on separate MIDI channels."
video upload by keyboard resource
Walk thorugh the preset sounds followed by rhythm demos at 3:22.
via this Reverb listing
"According to the manual, the OMB 3 is a sound module version of the ELKA C92 and X35 dual-manual organ/synthesizer/drum machines. You can program four rhythm patterns, four "orchestra (solo)" tones (envelope timbre, envelope level & wave), chord sequences (including tempo and sound registrations). There is a way to set it up to receive different data (chord, treble, bass, transpose, pitch) on separate MIDI channels."
Elektron Analog Rytm Max Analog Kit & Div Beat 12 maxpat
video upload by Akihiko Matsumoto
"Sequencer: DivBeat12.maxpat: https://akihikomatsumoto.sellfy.store...
Elektron Analog Rytm Max Analog Kit: https://akihikomatsumoto.sellfy.store...
Sound as Circuit: The Material Signature of Elektron Analog Rytm
https://akihikomatsumoto.sellfy.store...
In the world of modern drum synthesis, few machines have achieved the level of circuit-specific identity that the Elektron Analog Rytm embodies. It is not a sampler. It is not just an analog drum synth. It is a dynamic system where non-linear saturation, voltage interaction, and microcontroller precision combine to produce results that feel tactile.
This sample pack was created to capture those behaviors directly at the source.
Every sound has been recorded without digital post-processing, in order to preserve the natural transients, filtering irregularities, and dynamic headroom behavior unique to the machine.
What’s Inside
Factory Kit
576 carefully recorded one-shot samples, preserving full-range dynamics and analog irregularities.
Jungle Kit
12 punchy and layered hits ideal for complex rhythmic programming.
Dope Analog Kit
12 Analog synthesized drum kit for modern bass music.
Industrial Kit
24 Analog synthesized Industrial Techno / Noise drum kit. (New!!2025/9/1)
MD Kit
12 Digital synthesized drum kit from Machinedrum. (New!!2025/9/15)
Max Analog Kit
12 Analog synthesized drum kit. (New!!2025/9/15)"
Sunday, September 14, 2025
AMS RMX16 + ELKA SYNTHEX / LEXICON SUPER PRIMETIME 97 + OBERHEIM STRETCH DX DEMO
video upload by Synth Tailor Electronics
"Here's a demo video of some gear that left the shop for Ronnie Vannucci (Drummer of the Killers) !
We tried to pick the coolest synthesizers and drum machines to play with the AMS RMX16 and the LEXICON SUPER PRIMETIME MODEL 97, both units sound incredible with just about everything you use with these effects.
00:00-01:09 INTRO/AMS RMX16 + Elka Synthex
01:10-02:39 AMS RMX 16 ELKA Synthex #2 Demo
02:40-03:44 AMS RMX16 Elka Synthex #3 Demo
03:45-05:00 AMS RMX16 Delay/Echo Preset
05:01-10:57 Lexicon Super Primetime 97 + Oberheim Stretch DX
10:58-13:20 AMS RMX16 + Oberheim Stretch DX
13:21-13:49 AMS RMX 16 ROOMS Preset
13:50-14:13 AMS RMX16 REVERSE Preset
14:14-15:13 AMS RMX16 ECHO/DELAY Preset
15:14-15:53 AMS RMX 16 FREEZE Preset
In the middle of the video is a quick instructional section that is Cole talking about how to use both the RMX16 and the Super Primetime 97 functions.
If you have an AMS or Lexicon that needs repaired or restored, please reach out through our website contact form to send it in for repair!
Website contact form: www.synthtailorelectronics.com/contact"
Wednesday, September 10, 2025
Elektron Officially Introduces Tonverk
video upload by Elektron
You might remember Tonverk mentioned in previous posts here.
"We are delighted to introduce Tonverk. A machine primed for adventure. An instrument to propel you towards extraordinary music-making and boundless sound exploration. It is packed with 16 varied tracks full of polyphony, multisampled instruments, auto sampling, never-ending routing possibilities, a mass of FX options to play with (including plenty of newcomers), deep modulation, an extended 256-step sequencer, and lots more fun features to get stuck into. All in one special box."
Check with dealers on the right for availability.
Tuesday, September 09, 2025
Roger Linn: The King of Drum Machines
video upload by Jack Pearson
"This is the story of Roger Linn, a guitarist from Los Angeles whose innovative sample based drum machines changed the sound of music forever.
Special thanks to Roger himself for featuring my video in the September Linnstrument newsletter (https://myemail.constantcontact.com/L...) and on his website (https://www.rogerlinndesign.com).
I first learned about Roger a few years ago while making a film called “The History of Sampling in Music” [below]. While I didn’t know anything about Roger at the time, I was astounded to learn that he had created both the LinnDrum and the MPC, which shaped the punchy robotic drums of 80s pop music and the grungy experimental grooves of 90s hip-hop respectively. I did a quick bit of research about him for my video, but didn’t really dig much deeper than that… However, a few months ago I decided to rewatch my old project, which reignited my interest in Roger’s story and gave me the idea for this video.
Like my previous project, I’d initially planned to write a script and do a voice-over, but after discovering the assortment of recorded interviews that Roger has already appeared in, I realised that I could just chop them up and have Roger tell his own story. I thought 'hey that sounds pretty cool, how hard could it be?'
Well, let’s just say I’m probably never going to do something like this again. I did enjoy making this and I am proud of it, but if I had just done a voice-over not only would it have been easier to make, but I also could’ve included a lot information without it feeling incredibly clunky. The initial cut was about 26 minutes, but I cut out loads of stuff for the sake of pacing and trying to stick to narrative beats. Roger is a fascinating guy with a lot of great anecdotes though, so if you enjoyed this video then I highly recommend you seek out some of the podcasts/interviews he’s done over the years.
I planned on making all the music for this film myself, but decided it would be better to use music that relates to Roger in some way (for example, he co-wrote 'Promises' by Eric Clapton and 'Quittin’ Time' by Mary Chapin Carpenter, and first used the LM-1 Drum Computer on the Leon Russell album 'Life & Love' which featured the track 'One More Love Song'.) I salvaged one of these demo tracks for the credits, but you can listen it and a few more scrapped tracks here:
Since you’ve read this far, here’s a few bonus Roger facts that got cut out of the video:
The LM-1 was featured on the best selling album of all time - 'Thriller' by Micheal Jackson, as well as other early 80s hits like 'Maneater' by Hall & Oates, 'Valerie' by Steve Winwood, and for some reason - the original 1983 Thomas the Tank Engine theme song.
Roger hired his friend, a professional session drummer called Art Wood, to record most of the sounds on the LM-1. They set up the kit in Roger’s closet, recording each of the drums one at a time… then called it a day. Given the popularity of the songs featuring these recordings - Art Wood is technically one of most prominently featured drummers of all time.
And here's two bonus facts about this video:
The title 'The King of Drum Machines' is a quote from the father of MIDI - Dave Smith, when he spoke about Roger and the Tempest drum machine (which they built together) on a Sweetwater panel in 2015. [below]
This video was released on Roger’s 70th birthday.
I hope you enjoy it!" The History of Sampling in Music (2022)
video upload by Jack Pearson
The Inventors of Synth (Roger Linn, Dave Smith & Tom Oberheim) - Sweetwater Gearfest 2015
video upload by Sweetwater
"Join Mitch Gallagher as he moderates 'The Inventors of Synth' panel discussion at Gearfest '15. Featuring industry icons Dave Smith, Tom Oberheim, and Roger Linn discussing their thoughts on the past, present, and future of analog synthesizers and controllers.
Legendary synth designer and Grammy-winner Dave Smith was the founder of Sequential Circuits in the mid-'70s. His Prophet-5, the world's first fully programmable polyphonic synth, was the first musical instrument with an embedded microprocessor. Dave is also known as the driving force behind the development of the MIDI specification. He has continued to innovate, and recently unveiled his latest synth creation, the Sequential Prophet-6.
A pioneer of the synth and MIDI world, Tom Oberheim co-designed the Synthesizer Expansion Module (SEM), a device that allowed musicians to simultaneously combine live playing and sequenced playback - a concept that pre-dated the MIDI revolution. In 1981, he, along with Roland's Ikutaro Kakehashi and Sequential's Dave Smith, developed the MIDI spec, which changed the course of modern music. Tom recently re-released his famed Two Voice synth.
Technical Grammy award-winner Roger Linn invented the LM-1 Drum Computer (the first sample-based drum machine) in 1979. He later designed the Akai MPC60, which combined a sampling drum machine with a real-time MIDI sequencer. His guitar effects unit, AdrenaLinn, has been used on hit recordings by John Mayer and Red Hot Chili Peppers. In 2014 he released the LinnStrument, an expressive MIDI performance controller."
LABELS/MORE:
Akai,
documentaries,
DSI,
Interviews,
Linn,
Oberheim,
RogerLinn,
Sequential,
Sweetwater Gearfest
Thursday, September 04, 2025
Introducing Behringer BM-14M ANALOG DELAY
video upload by Behringer
"Adam walks us through the BM-14M ANALOG DELAY — a rebirth of one of the most sought-after pedals from a long-discontinued series.
Far beyond a standard analog delay, the BM-14M delivers deep sonic shaping capabilities with enhanced control features and expanded I/O. This is not just a delay pedal; it’s a full-on sound-sculpting machine designed for creative musicians and tone explorers alike.
*Chapters:*
00:00 Welcome BM-14M ANALOG DELAY
00:17 Story time
01:32 The BBD Chip
02:07 Features
02:37 Delay Demo
03:05 Hidden feature
03:36 LFO control
04:44 Tap in LFO rate
05:07 IO
05:44 IO Demo"
BM-14M ANALOG DELAY
The BM-14M brings a classic delay device back to life, celebrated for its unmistakable warmth and high level of control. Known for sparking creativity, this reborn design delivers rich analog tone while pushing you into uncharted territory. Its hands on approach invites you to sculpt echoes that can move from subtle depth to radical soundscapes, perfect for those who thrive on inspiration through exploration.
Deep Control and Expansive Connectivity
This isn’t just a delay pedal, it’s a laboratory for sonic experimentation. With CV and expression inputs for Feedback, Time, LFO Rate, and LFO Amount, plus MIDI In for precise parameter control, BM-14M gives you unmatched flexibility. Dedicated audio outputs like DELAY OUT let you isolate the wet signal, while the FB Insert unlocks new routing possibilities by sending and returning the delay path into other effects. The result: endless ways to push delay beyond the expected.
Easy Integration
The BM-14M is made for creators chasing texture, movement, and analog depth across any setup. Whether paired with guitars, synths, drum machines, or modular rigs, it adapts seamlessly and rewards experimentation. Wherever creativity leads, the BM-14M is your tool for shaping truly unique sonic journeys.
Wednesday, September 03, 2025
Can BabyAudio Tekno Rumble? 🔥 5 Things to Love + 3 I Wish It Had
video upload by Solidtrax
"Can it? Well, let’s find out in this video. I #demo one of my factory presets for @BABYAudio-official Tekno, called 'Get Tekno To Rumble.'
I also share 5 things I love about the plugin and 3 features I’d love to see in a future update.
Get #BabyAudio #Tekno here: https://babyaud.io/tekno - Intro offer available.
Get quality custom #sounds and read reviews at: https://www.solidtrax.nl"
Tekno - Baby Audio - Official Tutorial
video upload by Baby Audio


PRODUCE DRUMS WITHOUT SAMPLES
Stop browsing for the perfect sample and create your own infectious electronic drum sounds instead – with total control.
Tekno offers 18 fully synthesized drum engines, spanning kicks, snares, clap, hats, percussion and more. Craft unique drum kits full of punch and analog flavor to suit any musical genre.
Use MIDI to sequence Tekno directly. Or simply drag and drop your sounds into any DAW or folder for external sequencing.
NEXT-GENERATION DRUM SYNTHESIS
To build Tekno we teamed up with Jatin Chowdhury, one of the leading engineers in analog circuit modeling. Our goal was to create a modern spiritual successor to the legendary drum machines of the 20th century. Not an emulation, but more.
Tekno stands on the shoulders of classic drum machines but hits deeper and harder. It utilizes a combination of circuit-modeling and cutting edge DSP to deliver the punchiest synthesized drums ever put in a plugin.
DEEP TWEAKING OR FAST INSPIRATION
Click the ‘Gear’ icons next to any synth voice or FX section to unlock deep calibration and circuit-bending options.
Or hit the onboard ‘Dice’ icons to let Tekno’s smart random-algorithm generate all-new drums with every click.
You can also start from the 73 global presets and 1314 individual voice presets by leading sound designers such as Richard Devine, Mr. Bill, Virtual Riot and Yoad Nevo.
Monday, September 01, 2025
DUTCH MODULAR FEST 2025 Set for Next Weekend WORM ROTTERDAM
Highlights via https://worm.org/
WORM is delighted to welcome Dutch Modular Fest to Rotterdam! This hugely successful and forward-looking festival normally takes place in Utrecht. This will be a day full of surprises, showcasing the incredibly and enlightening world of modular synths!
Music
DMF have created a wide-ranging music programme to enjoy. Every artist is carefully selected and presents a certain genre, or aspect of modular synth music. And we are delighted to present: Julian Edwardes, Skander Jaïbi & Ines Kooli, Chebedahja, Maj Rachel, Cinematic Laboratory, and, returning to WORM, Animistic Beliefs. You can watch the gigs in WORM’s main concert space.
Tuesday, August 26, 2025
The Haunted Arcade of the DecadeBridge Triad (Drones, Noises, Glitches and Rhythms)
video upload by Oscillator Sink
"The DecadeBridge Triad is a unique little Synth module that generates drones, rhythms, noises and glitches - it sounds, to me at least, like a haunted arcade in the 80s - malfunctioning machines, wailing, whirring and bleeping. It's based on a trio of analog oscillators arranged in a fairly unique, raw and unpredictable arrangement. It works great as part of a drone or noise setup, makes for excellent sample fodder, and thanks to the neat "reset" input it can play along with drum machines and sequencers (especially paired with a little low-pass gate).
Check it out here:
https://www.etsy.com/uk/shop/DecadeBr...
Chapters:
00:00 - Intro
02:31 - The Architecture
06:08 - Sound Demo (Solo)
13:17 - Paired with a sequencer to impart rhythm.
14:58 - Adding a Low Pass Gate for more percussive sounds.
19:00 - Paring with the Neutral Labs Scrooge
22:49 - Final Thoughs"
TRIAD - Drone/Noise synth 25 minutes
video upload by DecadeBridge
Timestamps:-
00:00 Dry sound
07:59 Resetting oscillators with an external gate signal
13:58 Running the output through the microcosm


Designed by DecadeBridge
TRIAD is a 3 oscillator square wave drone/noise/glitch synth.
The 3 oscillators drive and reset each other in different ways depending upon the switch/button settings. an external trigger, gate or clock can also be used to reset 2 of the 3 oscillators.
Download the manual here.
Knob style and knob/button colour may vary depending on stock.
A connector for a 9 volt battery is included with Triad. Triad can also run off a 9V !!CENTRE POSITIVE!! WALL ADAPTOR.
Designed and built by hand in Cheshire England
To keep up to date with product demos, prototypes and competitions follow me here:- instagram.com/decadebridge"
Friday, August 22, 2025
Roland VP-330 | This Synth Made Vangelis Famous… But WHICH Version?
video upload by Andy Whitmore
"🎹 This Synth Made Vangelis Famous… But WHICH Version?
The Roland VP-330 is one of the most iconic vocoders and string machines ever created — made legendary by artists like Vangelis, 10cc, and Vince Clarke. But did the MKI and MKII versions sound the same? In this video, I compare the two side by side — same settings, same riffs, totally different vibe.
From lush choir tones to robotic vocoded phrases, you’ll hear the subtle — and not-so-subtle — differences that make each model unique.
The Roland VP-330, or Vocoder Plus, is one of the unsung heroes of the late '70s to early '80s synth world, being used on hits by the likes of Queen, Phil Collins, Stevie Wonder, Vangelis, and more recently, Dua Lipa.
As the name suggests, the Vocoder Plus combined a vocoder with chorused strings and a synthetic choir sound. Its recent resurgence in popularity has seen an official Roland Boutique recreation, an unofficial Behringer clone, and software emulations try to recreate its classic tones.
The VP-330 was the last and most famous of the Roland string synthesizers, a line that started in 1975 with the release of the Roland RS-101. This early string machine keyboard utilised divide-down technology, meaning that a single oscillator could have its pitch divided down to play any note on the keyboard, allowing polyphony at a much cheaper price point than traditional polyphonic synthesizers. These kinds of synths were named paraphonic.
⚠️ While Vangelis famously used the VP-330, this video doesn’t analyze his exact recordings — it’s a deep listen into the synth itself.
🎧 Best experienced with headphones!
👇 Let me know in the comments: Which version do YOU prefer?
0:00 – Intro
00:36 Queen Radio Ga Ga
00:43 Phil Collins - In The Air Tonight
00:50 Stevie Wonder I Just Called to Say I Love You
00:58 - Vangelis Blade Runner
01:10 - How the VP-330 Works
01:52 - Roland VP-330 MKI – Vocoder Sound
01:56 - Roland VP-330 MKII – Vocoder Sound
05:30 – Roland VP-330 MKI - String Sound
05:54 - Roland VP-330 MKII - String Sound
06:17 - Roland VP-330 MKI - Choir Sound
06:42 - Roland VP-330 MKII - Choir Sound
07:07 - Outro"
Friday, August 15, 2025
Complexification of LXR-02 drums with Echolocator & the Zen
video upload by Richard DeHove
"Complexification is a perfectly cromulent word to describe 'A drum machine with two delays; since this is no mere everyday serial setup. Here we have two stereo delays in alternating parallel mode embiggening a single drum pattern. In fact 'chronocomplexification' would have been more accurate but I thought the Youtubes would punish me for being stupid.
The aim is to take a simple single pattern and create variations and interest while having fun. I think everyone knows the feeling of having a single pattern and trying to expand it into something greater. Depending on what machines you use it can start to feel like you're fighting to advance. Here it's all just knob twiddling fun.
In the video I describe the routing of the stereo outputs: One to the AB pedal which is then manually switched to either the Zen or Echolocator; and one channel direct to the DAW 'dry'. In this demo I didn't use any of this dry signal. If this were a "real" finished track I'd probably mix in some of the dry bass drum just to keep things coherant. For the video I thought it more useful to just have the two delays' sound. For a more nuanced routing setup you could change the left-right balance of various voices and use the 'dry' channel to instead go to a third pedal effect which could also be manually switched on and off. Putting a looper somewhere in the chain could also be interesting.
With all this I'm increasingly feeling that moving up to a higher tier in the drums or synth department is perhaps not as significant as investing time and attention to effects.
The video is all one take with no DAW processing - even though I was extremely tempted to EQ the Zen parts to bring out the crunch and distortion. The couple of cuts in the track are from me trying to find slice points to bring it down from 30 minutes. The samples are from a couple of 1950s sci-fi movies just for a little variation.
0:00 Routing and setup info
1:08 Dry pattern
1:25 All tweaking, no talk
Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"
Monday, August 11, 2025
Jugg Box DPM-48 1983 Manual
Note: Auction links are affiliate links for which the site may be compensated.
via this Reverb listing
"Brand New copy of the operating manual for the Jugg Box DPM-48 (also branded as Hammond DPM-48 and Sakata DPM-48). English language version, along with German language supplement. 86 pages, 6 inches by 9 inches in dimension, printed in black and white.
This book is also available from most Amazon online sites [https://amzn.to/3HsiZSw]
The DPM-48 programmable digital drum machine was first released in late-1983, and was available for sale in many countries under the brand names Nihon-Hammond, Sakata, Jugg Box, and Multivox.
Like several other drum machines that were available on the market at that time, the DPM-48 used digitally sampled sounds stored onto EPROMs. DPM stood for 'Digital Percussion Machine', and the '48' related to the 48 patterns that could be stored on the unit. Unusually, the DPM-48 used a special type of RAM cartridge for the storage of the patterns.
In mid-1984 an 'Electronic Drums' sound set of alternative EPROM chips featured on the DPM-48E model. The Electronic Set, along with Rock and Latin Percussion alternative sound sets became available for use with the DPM-48, along with a trigger interface that enabled electronic drum pads to use the Trigger Input located at the rear of the DPM-48 chassis. A MIDI-retrofit was also later made available, with the DPM-48 unit being discontinued in 1987 or so.
This Owner's Manual is an English-language limited edition publication, including a section on the MIDI capability for the DPM-48, info on the rare alternative sound sets, and a separate section at the rear with the original German language operating instructions for the DPM-48. (86 pages in total)."
via this Reverb listing
"Brand New copy of the operating manual for the Jugg Box DPM-48 (also branded as Hammond DPM-48 and Sakata DPM-48). English language version, along with German language supplement. 86 pages, 6 inches by 9 inches in dimension, printed in black and white.
This book is also available from most Amazon online sites [https://amzn.to/3HsiZSw]
The DPM-48 programmable digital drum machine was first released in late-1983, and was available for sale in many countries under the brand names Nihon-Hammond, Sakata, Jugg Box, and Multivox.
Like several other drum machines that were available on the market at that time, the DPM-48 used digitally sampled sounds stored onto EPROMs. DPM stood for 'Digital Percussion Machine', and the '48' related to the 48 patterns that could be stored on the unit. Unusually, the DPM-48 used a special type of RAM cartridge for the storage of the patterns.
In mid-1984 an 'Electronic Drums' sound set of alternative EPROM chips featured on the DPM-48E model. The Electronic Set, along with Rock and Latin Percussion alternative sound sets became available for use with the DPM-48, along with a trigger interface that enabled electronic drum pads to use the Trigger Input located at the rear of the DPM-48 chassis. A MIDI-retrofit was also later made available, with the DPM-48 unit being discontinued in 1987 or so.
This Owner's Manual is an English-language limited edition publication, including a section on the MIDI capability for the DPM-48, info on the rare alternative sound sets, and a separate section at the rear with the original German language operating instructions for the DPM-48. (86 pages in total)."
Friday, August 08, 2025
808 Day 2025: Roland Celebrates 45 Years of Rhythm Culture
video upload by RolandChannel
"A TR-808 beat so raw it stopped gangsters in their tracks."
"Check the debut of The Rhythm Creators series, featuring @ThEgyptianLover's first meeting with the drum machine that changed everything. Animated by Vaughn Taormina."



Press release follows:
Los Angeles, CA, August 7, 2025 — Roland Corporation celebrates the 45th anniversary of its iconic TR-808 Rhythm Composer today. Since its debut in 1980, the TR-808, commonly known as “the 808,” has shaped the creation of musical genres from hip-hop to techno, trap, and beyond. Its unmistakable sound has powered decades of iconic tracks, from smash hits like Whitney Houston’s “I Wanna Dance with Somebody” and Beyoncé’s “Drunk in Love” to a sea of underground techno, electro, and hip-hop anthems. TR drum machines have laid the musical pulse for generations, fueling global rhythm culture through the hands of producers, DJs, and creative visionaries who continue to push its legacy in new directions.
To celebrate this 808 Day, Roland will unveil a series of special releases—including a limited-edition sneaker collaboration with New Balance—and global events that pay tribute to the 808’s enduring legacy and cultural impact.
Rhythm Creators
As part of the celebration, Roland is launching The Rhythm Creators, an eight-part animated video series highlighting untold stories from artists shaped by the legacy of its most iconic rhythm machines—the TR-808 and its influential successor, the TR-909. Each episode blends humor, reverence, and nostalgia, and features stylized animation by Detroit artist Vaughn Taormina and narration from the artists themselves.
Episode one premieres today with Egyptian Lover, with new installments featuring Prince Paul, Fatboy Slim, Soul II Soul’s Jazzie B, and other trailblazing artists dropping throughout August and into September.
New Balance Collaboration
Roland and iconic footwear brand New Balance have relaunched the special edition Tiago Lemos NM808 x Roland sneaker. This collaboration exemplifies the 808’s impact on music and culture, showcasing the unique intersection of skateboarding, hip-hop, and fashion.
To further celebrate this collaboration, Roland and New Balance are hosting Atlanta’s creative community for an exclusive industry mixer dedicated to the 808’s legacy in the birthplace of trap music.
The mixer will be hosted at SESSIONS Atlanta, the iconic studio run by legendary producer Tricky Stewart. Highlights will include private Roland product demonstrations, live performances by Sonny Digital and Mix Master David, as well as an appearance by the popular BackTrack podcast host Don Cannon. Guests will also check out the Tiago Lemos NM808 x Roland sneakers in person.
The Tiago Lemos NM808 x Roland sneakers will be available starting on August 8 at 10:00 a.m. EDT for $114.99 on newbalance.com.
Roland Retail Celebrations: Tokyo and London
In Tokyo, Roland is teaming up with iconic streetwear brand XLARGE for a special 808 Day launch celebration at the Roland and XLARGE stores in the fashionable Harajuku District. The event will include live techno sets from REMO-CON, Yebisu303, and Ken Plus Ichiro, as well as an exclusive first look at the limited-edition XLARGE x 808 capsule collection, available for purchase in-store. The collection includes graphic t-shirts, hoodies, and accessories that fuse
XLARGE’s signature streetwear aesthetic with Roland’s iconic 808 design language. Guests will also have the rare opportunity to see the original TR-808 machine on display as part of the evening’s festivities.
Roland Store London is also hosting an in-store celebration today, presenting further opportunities for guests to purchase the XLARGE x 808 capsule collection in-person and online from around the world. In addition, the event includes live sets by DJ Complexion to keep guests moving for an upbeat, energized celebration.
Roland Cloud
A founding member of the Los Angeles rap scene, hip-hop legend Arabian Prince, best known for tracks like “Panic Zone” and “Situation Hot,” is coming to Roland Cloud users worldwide. The TR-808 Arabian Prince sound pack allows users to utilize his classic patterns and sequences like never before via a Roland Cloud Pro or Ultimate membership or Lifetime Key purchase.
Also, until 9/09 (September 9th), the TR-808 Software Rhythm Composer is available for only $49—an authentic option for easily accessing the classic 808 sound within DAWs."
TR-808 Software Rhythm Composer | FLASH SALE!
video upload by Roland Cloud
Thursday, August 07, 2025
Voices For Bob: Drum machine & synth pioneer Roger Linn recalls meeting Bob Moog
video upload by moogfoundation
"Roger Linn is an innovative engineer, designer, and musician best known for creating the LinnDrum, one of the first drum machines to use digital samples of real drums. His groundbreaking instruments helped define the sound of 1980s pop, hip-hop, and R&B, and he later co-developed the Akai MPC series, a cornerstone of modern beat-making. Linn continues to push boundaries with expressive instruments like the LinnStrument.
In this video, Roger shares a story about meeting Bob Moog at NAMM.
Roger Linn Design: https://www.rogerlinndesign.com
Synthesizer pioneer Bob Moog passed away on August 21, 2005. Throughout the month of August, we will share an informal remembrance video series, Voices for Bob, featuring musicians, technologists, innovators, and colleagues as they remember and reflect on Bob's indelible legacy.
Help us carry Bob's legacy forward to inspire future generations through the intersection of science, music, history, and innovation. Support our work by doing one (or all) of the following:
🌐 Visit the Bob Moog Foundation: https://www.moogfoundation.org"
Saturday, August 02, 2025
Linn LM-1 LinnDrum Computer SN 00035 Built In Roger Linn's Home
Note: Auction links are affiliate links for which the site may be compensated.
via this Reverb listing
"RARE piece of Linn Drum LM-1 history. This machine has been updated by the one and only Bruce Forat from Forat Electronics. Bruce is THE repairman for these machines and he has this one cleaned up oh so nice.
Debuting in 1980, these first LM-1 were $5,000 then! During my research, I found that Roger Linn created the first 35 of the machines in a room in his house.This gem is #00035 meaning this was the last one built by Roger before mass production!
This comes with a custom made dust cover and I'm guessing an original manual in a cool shade of Chevy Chase pool blue 80s folder! It will be shipped in a SKB 24x24 case built like a tank.
I've held onto this machine for 25 years and had Bruce tweak it along the way. Now it's time for me to purchase a vehicle so I hope someone else can love it as much as I have. I had Bruce to add the exact signature Prince clap sound as heard on the Purple Rain album. I can also give the winner Bruce's contact information as he is a tremendous resource."
Additional resources: Linn LM-1 page on Culture Wikia
Roger Linn on Sessiondays
via this Reverb listing

Debuting in 1980, these first LM-1 were $5,000 then! During my research, I found that Roger Linn created the first 35 of the machines in a room in his house.This gem is #00035 meaning this was the last one built by Roger before mass production!
This comes with a custom made dust cover and I'm guessing an original manual in a cool shade of Chevy Chase pool blue 80s folder! It will be shipped in a SKB 24x24 case built like a tank.
I've held onto this machine for 25 years and had Bruce tweak it along the way. Now it's time for me to purchase a vehicle so I hope someone else can love it as much as I have. I had Bruce to add the exact signature Prince clap sound as heard on the Purple Rain album. I can also give the winner Bruce's contact information as he is a tremendous resource."
Additional resources: Linn LM-1 page on Culture Wikia
Roger Linn on Sessiondays
Friday, July 25, 2025
Creating ambient music with Hainbach in his Berlin studio
video upload by Anthony Marinelli Music
"Join Anthony Marinelli as he visits Hainbach in his legendary Berlin studio for a one-of-a-kind musical collaboration. Surrounded by vintage synths, precision filter banks, tape machines, and Hainbach’s signature sonic oddities, the two artists step into uncharted territory to create an improvised ambient electronic piece. Watch Anthony step outside his usual musical environment and dive headfirst into Hainbach’s world of beautifully unstable textures, subtle modulations, and analog magic—all while having an unforgettable time exploring sound together."
https://www.anthonymarinellimusic.com
Saturday, July 19, 2025
Waldorf Edition 2 - Sound-Demo
video upload by WaldorfMusicChannel
"New Version 2.3.3 available in your 'myWaldorf' account. Attack now native on macOS https://waldorfmusic.com/waldorf-edit...
PPG Wave 2.2V is a virtual reincarnation of its namesake cult classic, coming to prominence with the trailblazing PPG Wave series starting back in 1982.
First resurrected in 1989 with the Waldorf Microwave, today it enjoys a new lease of life in virtual studios on Mac and PC computers. Classic wavetable synthesis is known for conjuring up the feisty analogue and digital hybrid sounds that have graced so many hit records over so many decades.
Attack is a percussion synthesizer powered by an almighty analogue synth sound generator. It transports the trademark sounds of classic Eighties analogue drum machines and the progressive electronic club beats of the Nineties onwards and upwards into truly 21st Century production environments.
As Attack computes all sounds in realtime, users can change any parameter directly.
D-Pole completes the Waldorf Edition 2 lineup as a very versatile filter plug-in with five filter types (lowpass, bandpass, high pass, notch, and resonator), SAMPLE RATE reduction, RING MOD, OVERDRIVE (ranging up to +52 dB), and stereo delay — all in wondrous Waldorf quality!"
Thursday, July 17, 2025
Pacific State/808 State - (Circuit Tracks Version)
video upload by Guinan
"This week’s track is another favourite Hacienda club track. This time from 1989 by the group 808 State (thanks again to Yves Big City @bigcitymastering for inspiring this series).
The original was actually recorded in January 1988 as a reply to the emerging Chicago House scene ‘Pacific State’ has been released in a number of guises. Sometimes just called ‘Pacific,’ others times being labelled numerically after other Roland machines eg. 707, 202. This version is a bit of an amalgamation of a few versions.
Worth noting too that Gerald Simpson ('A Guy Called Gerald') was originally one of the founding members of 808 State before leaving to start his solo career with 'Voodoo Ray'.
I was inspired to cover this after recently acquiring a copy of the Emulator II library disks (to recreate the Kraftwerk track, 'Tour De France' [posted here].
Among these disks, Disk 22 is entitled ‘Loon Garden’. Cited by many as the original source of the ‘Loon’ bird sample we all know and love, it also features a ‘shakahuchi’ sample familiar to anyone who’s ever heard ‘Sledgehammer’ by Peter Gabriel and is a historic piece of sound design. Once you’ve heard these samples you can’t help but hear them across the whole spectrum of popular music. If anyone knows who originally recorded these original samples (also in the Akai S900 library) please leave a comment?
As I started piecing this together I found this excellent video by @CaptainPikant
• Analyzing PACIFIC STATE - How to make clas... [embedded below]
which elegantly detailed the rhythm patterns used. I simplified these somewhat to fit the drum tracks into just 2 tracks to allow room for Sax and Sound Effects tracks (see below).
There is a small snatch of sampled 'sax' played on Logic sampler to fill in for the original sax solo played by Graham Massey from the band but otherwise everything was programmed and played on the Circuit Tracks. No extra synths or FX were used and the audio is recorded straight out of the stereo outs.
I hope you enjoy this track as much as I did putting it together and check back soon for more.
More details for synth nerds.
The bass patch was programmed into Synth 1 to serve as both bass and melody line. The pad sound on Synth 2 is yet another detuned sawtooth pad with chorus, but rolled off with a 24dB low pass filter to create a sound a bit more like the original Juno (said to have been sampled as a chord into a Casio FZ1 sampler).
The drum sounds are a mixture of various 909,707 and 727 Roland drum machine samples from the Reverb Drum Machines collection (normalised and filtered where required).
The Sax sound was played using the sampler instrument in Logic (and is just a preset). The 3 edited phrases were placed onto Drum pad slots and triggered using Drum 3 when required.
Another sample was a ‘bell’ patch created on the Tracks but sampled as a ‘glissando’ to double up the glissando played on the pad on Synth 2, as a break between sections of the song.
Finally Drum 4 was reserved for water and ‘Loon’ sound effects (plus additional 727 rhythm). Did you know the Loon is actually a Canadian diving aquatic bird somewhat like a duck and not at all exotic!
The tracks were as follows;
125BPM, Swing 59%
Synth 1 – bass and melody
Synth 2 – chorused pad chords
Drum 1 – 707 bass drum
Drum 2 – Hihat, Open Hat, Clap and Ride samples.
Drum 3 – Sampled sax lines (and Tracks synth 'bell' glissando sample in break)
Drum 4 – Sound effects, alternating with 727 percussion sampled bongo and muted conga sounds."
Analyzing PACIFIC STATE - How to make classic 909 Ambient House beats | Drum Patterns Explained
video upload by Captain Pikant
"Join us as we analyze and rebuild the unique rhythm of 808 State's timeless Ambient House classic layer by layer."
0:00 Introduction
0:46 Pattern 1
2:54 Loon
4:27 Pattern 2
5:26 Percussion Layer
6:22 One-Shot Patterns
6:49 End Jam
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH