From the depths of the sonic seas a new monster rears its head: Leviasynth®.
Leviasynth® is a 16-voice, 8-oscillator algorithmic synthesizer with analog filters.
From the beginning ASM has strived to create synthesizers that challenge the status quo.
Leviasynth® continues this tradition, elevating both studio and stage with a solid steel chassis, enhanced Polytouch® polyphonic aftertouch pads, and an all-new hybrid digital / analog synthesis engine. Leviasynth is an unflinching masterpiece of sonic potential. The 8 oscillators, 13 envelopes, 5 LFOs, 18 digital filter modes, and 4-pole analog low pass filters inspire creativity and live performances.
Flexibility abounds, with two layers of synthesis that can be stacked or split, the ability to pair voices into binaural stereo mode with independent modulation of carrier and modulator signals, as well as various voice allocation modes..."
"Chapters .................. 00:00 Introduction 00:49 Organ Section with Vibrato controls 01:47 String Machine Section 02:16 Brass Section w Filter Controls 02:47 Musical Interlude 04:51 Left Hand Chords 05:57 Left and Right hand 07:12 Musical Interlude 2 08:31 Outro
CRUMAR CORDATRON (1974) Castelfidardo
This is an accordion string machine with organ section, a brass synth section with filter controls, trigger-able analog drum sounds and chord and piano presets on a Stradella button board. Crumar made a few different models of this type of instrument but this is the very first. Unicorn rarity is the order of the day regarding the control key- and button board - the serial number 3 of allegedly 10 units ever put in production.
Crumar had just started producing keyboards after mainly producing accordions, and around this time they launched the three COMPAC models that definitely inspired the sections of the Cordatron: Compac Strings, Compac Brass and Compac Piano.
Most of the CRUMAR CORDATRON specifications are in the video as text already so please watch the video and read the text - but a quick roundup would look like this :
The instrument consists of mainly two separate units connected by a huge, hardwired 3-piece connector : the main sound generator unit with power supply, audio outputs, tuning and volume pedal, as well as the control unit - basically a butterflied accordion with a Stradella button board for the left hand and a regular keyboard for the right hand.
All the sounds are analog and are generated by the very first generation of divide down technology - no eproms or other intruders of vulgar modernity is on hand. The sound generator weighs 23 kilos and is literally crammed with sandwiched layers of massive circuit boards of transistors and capacitors.
If you're into rare Italian synths and drum machines you can subscribe to our channel and please check out our other videos of rare gems, but you might also enjoy the V.A.I. website : a photo book and encyclopedia Italian Vintage Synths and Drum Machines: https://www.vintageaudioinstitute.com/"
"Happy New Year my friends! 🎹🔊
May 2026 bring you endless jams, wild synth waves, and machines that push the limits of what's possible. Thanks for jamming with me—here's to more electronic adventures ahead!
For this first jam of 2026, after having used the Arturia Minifreak as only instrument in my 2 last videos, I wanted to try it with a couple of other instruments.
In this jam, only the DRUMS (TR-6S) have been sequenced, I'm playing the BASS (Minifreak) and CHORDS (J-6) in real-time 😉
The jam starts with me triggering some CHORDS on the J-6 and adding the cool new granular effect (Grainmod) from the Eventide H90 pedal.
I then fade in the DRUMS and finally play the BASS in real-time.
I'm using the AUTO FILL feature of the TR-6S so that there's a break at the end of each 8-measure.
** Hardware used **
// 🥁 DRUMS:
Roland TR-6S (Digital Rhythm Performer)
// 🎸 BASS:
Arturia Minifreak (polyphonic hybrid keyboard with dual digital sound engines and analog filters)
// 🎹 PADS:
Roland J-6 (Chord sequencer with the tones of the renowned JUNO-60 synth)"
"Discover the gritty soul of classic wavetable synthesis in this in-depth review and sound demo of the Waldorf Protein. Drawing direct lineage from the legendary PPG and *Waldorf Microwave*, the Protein combines authentic 8-bit, 128-sample wavetables with a modern, streamlined workflow — delivering that unmistakable lo-fi digital bite without the complexity of vintage machines.
In this video, I explore how the Protein’s 8-voice / 4-part multitimbral engine lets a single patch handle basslines, arpeggios, leads and textures simultaneously. You’ll hear how the stepped wavetable movement, classic aliasing artefacts and digital filters create tones that newer, smoother wavetable synths simply can’t replicate.
I also break down:
• How classic PPG-style wavetables actually work
• Why 8-bit waves sound so alive and musical
• Digital filters, drive modes & modulation
• Multitimbral layering for complete tracks
• Why this isn’t a Microwave clone — but something new
Whether you’re into *90s trance, industrial, ambient, IDM, synthwave, techno, or just love characterful digital hardware*, the Waldorf Protein offers a uniquely inspiring take on modern wavetable synthesis."
"Hi! The team from KIVIAK Instruments sent me the WoFi right before the Christmas.
And since then, there hasn't been a day that I haven't played the WoFi!
I’m not mastering it at it’s very best, yet! - but this sampler has a HUGE POTENTIAL!
From the very first day I sampled my voice, my kids' singing, my synths, ambiental noises and anything you can think of!
Diving into the samples with the Waveform Viewer, using the Touch Stripe or the Texturer’s buttons, to create new interesting sounds and modulate them with the LFO, to obtain either an industrial, harsh sounds or a sound with vintage lo-fi vibe.
Here’s a sample from my Sequential PRO 3, using it to create a Berlin School sequence on my own style with a vintage vibe, and playing over it - by using the SOLO function - a plucky/organ lead, both the sequence and the lead using the same sample.
I’m passing through the sampling MACHINES and the Playback Modes and tweaking some functions.
I added some delay and reverb, and during the playing (made in post processing) I’m bypassing them for a raw sound."
More to come, next days!
Questions?! Please ask!
❤️AE
0:00 Allez-y!
0:30 Playback Modes
0:50 Machines
1:30 Ext. Delay & Reverb
1:40 SOLO function
3:15 Texturer
4:40 RAW
5:40 Back to ext. effects
6:30 Messing with the Playback Modes and the Machines
8:20 À Bientôt!"
"The Roland MKS-100 from 1986. The Module version of the S-10 with a few minor differences, among them the Midi Mono mode. Sampling time and memory is the same on the S-10, MKS-100 and S-220 (the third and last sampling module in this early series)
Four memory slots (ABCD) with a total sampling time of 4,4 seconds at 30Khz. (8,8 sec @ 15Khz).
The S-10, MKS-100 and S-220 all used the Quick Disk (QD) system to load and save sounds.
Check out my Roland S-10, MKS-100,S-220 sample library here:
• Roland S-10 Sample Pack | Download now! [video below]
Big thanks to Anders Enger Jensen for lending me the MKS-100 for this video.
Some references say the MKS-100 is from 1987, but Roland made these in 1986 through to the end of the 80s."
Roland S-10 Sample Pack | Download now!
video upload by Espen Kraft
"A brand new sample pack for the Roland S-10, MKS-100 and S-220.
51 different samples taken from my vintage collection of synths and drum machines.
These are QD image files so you have to have a QD floppy emulator installed in your S-10 to use these.
Price is $15USD or €15Euros if you prefer that currency. Send me an email if you're interested. I only sell these through email. You'll find my email in the "about" here on my channel.
All the sounds heard in the demo video are coming from this pack. External reverb is on some of the samples in the video.
I think the Roland 12-bit S-samplers from the 80s has a special sound to them. If you have a S-10/MKS-100/S-220 and you just want some new cool sounds for it then this pack might be for you. These sounds can not be found anywhere else. They're all made by me one way or the other."
Today we’re diving into the underrated hidden gem that is the AKAI XR10. If you’re chasing the sound of Skinny Puppy, Front Line Assembly, Ministry, Throbbing Gristle, or KMFDM, this one’s for you. I’m putting the XR10 to the test to see if it can still deliver that industrial sound. It’s a drum machine most people have forgotten about, but honestly, it should be used way more!
Chapters:
0:00 - One of the Most Overlooked Drum Machines
0:10 - First Encounter with the AKAI XR10
0:40 - Inside the XR10
3:53 - Sampling the XR10
5:47 - Bringing the XR10 Back to Life"
"A slightly dirtier HexDrums workout today, this time with the Master drive gain all the way down but at 100% for a slight definition boost. I think this is my favourite setting. Definitely makes things sound hairier without going into mangled territory.
Apologies for when my head gets in the way of the camera - will attempt to stay further back in the future. :)
Check out my sample packs on Bandcamp - loads of vintage and modern gear (leaning towards drum machines) with kits, sample chains and presets. All ethically-sourced and locally-grown here in the lab in Bristol, UK:
https://lostlvls.bandcamp.com/"
Italian-made CRB “Diamond” Cavendish Combo 30 in remarkable condition for its age. Classic combo-organ tones plus a built-in “mini-band” (bass + drums) make it a fun, self-contained writing and performance machine. Built in Ancona under CRB’s Diamond/Cavendish line.
Organ section: Flutes, Clarinets, Reeds, Strings
Presets: Piano, Spinet, Harpsichord
Effects: Sustain and Vibrato (both sound great)
Mini-band (auto-accompaniment)
Drum patterns: Waltz, March, Tango, Bossa Nova, Samba, Slow Rock, Boogie, Disco — all with variable tempo/volume; very much in the vein of early CR-series drum machines.
Bass accompaniment with automatic chords, Free 1-Finger, Memory, and chord quality switching (Major default; Minor/7th via yellow/green buttons).
External output, headphone out Expression pedal input Built-in speaker that’s quaint yet surprisingly punchy UK mains power - we can include a step-up/step-down transformer on request so you can use it in your country without modification, just ask for details."
"The ultimate modern upgrade for your vintage Korg drum machines Bring new life, flexibility, and creative range to your Korg DDD-1, DDD-5, and DRM with the Deftaudio PCM Custom Card, a fully programmable, multi-bank PCM expansion designed for musicians, sound designers, and vintage gear enthusiasts.
8 Banks of Instantly Switchable Sounds The card stores up to 8 PCM banks in non-volatile memory, each selectable via the front-mounted DIP switch panel for fast hands-on switching during sessions or performance. Each bank provides up to 8 sound slots with roughly 1.5 seconds of shared sample time, ideal for drum hits, percussive textures, stabs, and short FX.
Seamless Integration with Korg DDD-1/DDD-5 OS All sound names are properly recognized and displayed on the DDD-1/5 screen, making this user-friendly PCM upgrade available.
USB-C Programmable Load your own samples using the built-in USB-C interface. Windows companion scripts are included for fully automated import; macOS and Linux users can run them via Parallels, VirtualBox, Wine, or similar environments. Supports standard WAV files with no special requirements. Sounds are automatically trimmed, resampled, mono converted to maximize utilization of internal memory.
Visual Feedback While You Work A perimeter LED indicator provides clear visual activity cues while accessing or programming the card, it adds a vintage gear aesthetics.
Open Source & Fully Hackable Based on PicoROM open-source project, the Deftaudio PCM Custom Card is highly modifiable for developers and power users who want to customize behavior, storage layouts, or even firmware. PCM conversion scripts are highly modifiable and tweakable. Based on previous work of R-Massive and shared back with a community. Fully Github documented, DIY community is welcomed."
"Audiovisual artist / PureData expert Servando Barreiro / SRVND is playing with some of the presets he created for Elastic OSC. Additional drums and MIDI sequencing of Elastic OSC are handled by the OP-1.
These presets are available in the current Elastic OSC 1.2 update!
Technical hint: OP-1 is sending Midi to Elastic OSC"
Another Machines is rocking Elastic OSC with a Digitakt for drums
"High-energy techno producer Another Machines is showcasing the presets he created for Elastic OSC. Additional drums and MIDI sequencing of Elastic OSC are handled by the Elektron Digitakt.
These presets are part of the newly released 1.2 update.
Technical hint: Digitakt is sending Midi to Elastic OSC and receiving audio from the iPad - no extra sound card (for the iPad) needed - cool 😎."
"ERICA SYNTHS HEXDRUMS — TWISTING KNOBS: Raw Out-Of-Box Sound Tour 🔊⚙️🎚️
No commentary — just the machine. A fast, out-of-the-box sound tour of the Erica Synths × Hexinverter HEXDRUMS.
Listen to each of the 10 voices (two kicks, Mutant Machine, snare, clap, rimshot, open/closed hi-hats and cymbal samples) as I twist knobs and show the raw character of the engine.
Perfect for synth heads who want immediate, honest sounds straight from the unit — no effects, no processing, no talk.
Here it is, we can hardly believe it but it's finally happened!
We found a STEELPHON MAGO - well, actually we found two - this was Italys first consumer synthesizer - in a sense that it was manufactured in a factory to be sold to consumers rather than invented at home by an enthusiast or sold as an oscillator assembly kit.
Made in Turin in the modest production run of about 50 way back in 1971, this is a small but extremely powerful monophonic single oscillator synth.
This unit is currently for sale - contact us for info and price via the website linked below.
Most of the technical specifications are featured in the video already as text - but a quick introduction and recap would go something like this:
This is the predecessor to the Steelphon S900 but a single oscillator monophonic synth with a bit different sound : organic, raw and expressive. The snappy envelopes in combination with the Moog ladder filter makes it an amazing sound effect maker but it as well produces great bass lines and delicate leads.
6 footages with individual Saw or Square Wave for each footage Moog ladder filter LFO section with filter or oscillator routing ADSR controls Glide
If you're into rare Italian synths and drum machines you should check out our website which is basically an encyclopedia of them : https://www.vintageaudioinstitute.com/"
"Discover the Behringer BDS-3, the analog synth that rewrites the rules of drum machines!
With powerful sounds and full control, the BDS-3 is perfect for those looking for intense vibes, crushing bass, and unique percussion. It’s the synth you didn’t think you could have, but one that will make you fall in love with every beat.
From the raw energy of analog drums to more experimental sounds, the BDS-3 delivers everything you need to create unforgettable music, whether live or in the studio.
Watch this video for an engaging performance and see how the Behringer BDS-3 can transform your sound!"
"One of the earliest MIDI capable drum machines, the Sequential Circuits Drumtraks is punchy, unique, and will integrate effortlessly into a contemporary studio. The sound of this thing is fantastic, with 13 8-bit sample based drum sounds and a powerful pattern sequencer. This drum machine is fully tested and in great working condition. Serial No. 1103"
"A pre-owned ISLA SP2400 in very good condition. It comes with its original packaging and accessories.
Manufacturer's description
For us, the S2400 is a passion project – to recreate the sound of one of the world’s most iconic sampling drum machines, and bring it up-to-date with modern features. The result is the very best of old school and new school technology coming together.
Brad has been obsessed with drum machines for many years – owning, repairing, restoring, modifying countless makes and models (see his HR-16 mods on youtube).
Staying true to form in both sonic characteristics and design aesthetic were the main drivers in the realisation of this project, while bringing the hardware into the 21st Century and keeping the same ‘instant gratification’ and intuitiveness of its spiritual pre-predecessor at heart."
"This song, titled 'Vieni Uomo,' is inspired by the Italo disco dance music of the 1980s.
This piece was actually recorded using some analog electronic synthesizers and string machines from the 1980s, such as the Crumar Bit99, Crumar Multiman-S, and Solton Programmer 24. The vocal part also features a barely audible Hammond organ background. This part is played along with the String Machine connected to an analog phaser. Other synthesizers I used include the Prophet 6 and the Korg Prologue 16 for some solo parts. For the vocal part, I used the full analog GRP V22 vocoder, which is truly fantastic.
For the drum machine, I used a vintage Dynacord P20-8 bit from the 1980s.
I also used an Oberheim OB-X8 to create an adaptation break before the vocoder part.
This song truly evokes 1980s Italo Disco music, and the sound is typical of that genre.
I'll post a later video detailing the recording process for this song, track by track.
The song is scheduled for release on major streaming platforms on December 3, 2025."
"Bill Youngman takes us inside the world of the Elektron Machinedrum SPS-1 UW+. From glitchy soundscapes to driving techno rhythms, he shows why this legendary drum machine continues to inspire producers worldwide.
Discover the magic of the Elektron Machinedrum SPS-1 UW+ with Bill Youngman – producer, sound designer, and beat wizard renowned for his experimental soundscapes and productions on labels like Tresor, Scandinavia, Serotonin, and others since the mid-90s.
In this exclusive video with Electronic Beats TV, Bill takes a deep dive into one of his all-time favorite drum machines and reveals why its unique limitations still ignite endless creativity today.
From glitch-driven textures to hard-hitting techno rhythms, the Elektron Machinedrum remains a cult classic that continues to inspire new generations of electronic musicians. Bill Youngman shares his workflow, creative tricks, and why the Machinedrum’s quirks make it such a timeless and essential instrument."
"Weevil mini-system is delivering a full range of noise, percussion, blips and fun! Amazing the amount of sound such a small collection of modules is capable of producing.. These Bugbrand machines are really top tier. Get yourself a mini Bugbrand System at Noisebug today. Head to Noisebug.net to learn more. #synth #fracrack #bugbrand #modularsynth #sounddesign"
"Diosynth - a powerful new wind synthesizer that combines the award winning Hydrasynth synthesis engine with new sample playback engine as well in an instantly familiar form factor utilizing mouthpiece with reed sensor for bite, breath sensor, gyroscope for positional sensing, true key action and a host of tactile controls . for more info please visit Ashunsoundmachines.com
Video by: @exploredinary
Starring/Original Music by: @joemarcelberry
Creative Direction: @danieltroberg
Product Specialist: @flux302
Product Design and Management: @glendarceyaudio
Animation by: @driensky_drawings
Styling and Movement Direction by: @toogiesaurus"
"Today at Ashun Sound Machines, we are proud to announce the Diosynth wind synthesizer.
The Diosynth is a new wind synthesizer designed for great playability and sound creation. With a real key action that is familier to most woodwind players it is easy to pick up and play. The Hydrasynth® based sound engine + the addition of a sample playback oscillator allows for deep synthesizer sounds as well as acoustic sound playing and processing.
In this video, CEO of Ashun Sound Machines, Glen Darcey, introduces you to the features of this amazing new electronic wind synthesizer instrument."
"The ASM Manager is a software librarian designed to ease organization of your Hydrasynth patches as well as updating your Hydrasynth firmware.
For more information please head to Ashunsoundmachines.com
Download the new Firmware and manager here https://www.ashunsoundmachines.com/do...
The new ASM Manager is a dedicated desktop application designed to simplify how users interact with their Hydrasynth. It replaces the original Hydrasynth Manager with a refreshed interface and smoother workflow, making sound management more efficient and intuitive.
Features include:
• A redesigned, user-friendly UI
• List View for streamlined patch browsing
• Patch Sorting by name, category, and color
• Search by patch name
• Color tagging directly within the browser
• Organize Favorites
• Integrated Hydrasynth Updater for simplified firmware installation
• Export of patch banks as Microsoft Excel® list files for easy referencing
Whether organizing sound libraries, performing updates, or customizing Favorites, ASM Manager enhances everyday interaction with Hydrasynth."
"The Diosynth from ASM brings powerful digital synthesis and sampling to a new generation of electronic wind performers, offering a deeply expressive wind synthesizer with a vast timbral range. Combining ASM's expansive synthesis engine design with sample playback, Diosynth is an electronic wind instrument that provides nuanced control over both acoustic and electronic sounds. Mechanical keys offer a premium playing experience that feels familiar for experienced wind players, with versatile fingering modes and quantization options to welcome players of any background. Over eight octaves of notes are provided for uncompromising range, with comprehensive expressive controls including breath and bite sensors, internal gyrometer, X/Y joystick, two pressure pads, and three programmable switches.
In your first moments with Diosynth, you can immediately immerse yourself in 384 patches including everything from traditional wind instruments, rare and unique sounds from around the world, and the vastly expansive internal synthesis engine based on ASM's acclaimed Hydrasynth. Wavescan oscillators and Diosynth's sample playback oscillator can be processed through the ultra-flexible 16-mode filter, providing vast sonic terrain to empower your creativity. Cultivate your own sound with up to 768 storable patch locations on hand, including the ability to create layered sounds that fuse acoustic and electric tones, multiple synth patches, and more. Diving deep into sound design is easy thanks to the Diosynth editor app, allowing for endless exploration into nuanced patch design.
An integrated speaker is available for easy, on-the-go performance, with optional battery power via two 18650 batteries that enables portable playing anywhere the music takes you. The 1/4" stereo output enables easy connectivity into a local amplifier or front of house mix, while the onboard headphone output with dedicated volume control is perfect for those long nights in the woodshed honking to your heart's content. The Diosynth also includes MIDI via 5-Pin DIN and USB connectivity, as well as Bluetooth MIDI input and audio input for wireless practice and performance. Built for a professional performance experience, Diosynth comes with a hardshell case and all necessary cables and accessories, providing a perfect foundation to craft your bespoke performance practice. Whether you're a wind player looking for new sounds or an electronic musician looking to bring nuanced expression to your productions, Diosynth from ASM is a breath of fresh air.
DIOSYNTH FEATURES
Electronic wind synthesizer Combines both sampling engine and deep synthesizer engine based on ASM's Hydrasynth for both acoustic and electronic sounds 384 factory patches including traditional wind instruments, rare and exotic instruments, and expressive synth patches 128 meticulously sampled instrumental sounds Use single patches or layer multiple sounds in a single patch 8+ octave range Mechanical keys for premium and familiar feel Multiple fingering modes Scale / chord quantization locking modes Breath and bite sensors, gyrometer, X/Y joystick, 2x pressure pads, and 3x programmable switches for expressive control Up to 768 total patch locations for storing user creations Mac/PC editor and iOS/Android app for simple patch editing and live performance control MIDI via 5-PIN DIN and USB Bluetooth MIDI input and audio input for wireless control and backing tracks Built-in speaker, stereo 1/4" output, and headphone output with dedicated volume control Powered via USB-C or 2x 18650 batteries (batteries not included) Includes hard-shell case and all required cables / accessories Included accessories: Hard-shell travel case folding stand 2x mouthpieces neck strap power supply with universal power adapters USB A–C cable USB C–C cable USB power Y cord spit scrunchy cleaning cloth printed User guide"
