Tuesday, December 30, 2008
"Slaps", E-mu SP 1200
YouTube via twelvebits. "SP vehemence."
Dirty house beats with the E-mu SP 1200
"Live mix. Raw, as I prefer. Sorry about the overcompressed sound."
DSI Evolver + Jomox MBase 01
YouTube via twelvebits
"Got these new toys today. Synths are completely unprocessed (no EQ, efx, compression etc.). The delay effect is from the Evolver itself. Hi-hat noise comes from the Yamaha DX7."
Waldorf Blofeld

"Most important features
Unbeatable price tag
sturdy Metal Enclosure
7 endless stainless steel Dials
Graphic Display 128 x 64 pixels, b/w, white background LED
more than 1000 Sounds
3 Oscillators per voice
Frequency Modulation between the Oscillators
All Q Oscillator Models

2 independent Multi Mode Filters per voice
Filter FM
2 Drive stages per voice with selectable Drive Curves
3 fast LFOs per voice
4 fast Envelopes per voice
powerful Arpeggiator
freely programmable Arpeggiator Pattern with up to 16 Steps per Sound"



DSI End of '08 Update - LinnDrum Update and New MoPho OS
via Dave Smith Instruments:
"December 24 , 2008—Those of you who are paying attention (and we know there are at least a few of you…) may have noticed a relationship between how often the site gets updated and how busy we are. In fact, you might even be able to speculate when we’re getting ready to release a new product by the general lack of activity here. The absence of recent updates can mainly be attributed to the annual distraction of preparation for the NAMM show. We won’t be showing or announcing any new products this year (unless you count Mopho, which continues to fly out the door and is still backordered), but it takes a lot of work to get ready anyway. If you’re coming to the show, please stop by booth 6948 and say hello.
And, since we’re talking about NAMM and new products, you might ask, “What’s happening with the LinnDrum II?” Dave and Roger have been hard at work on the new design of LinnDrum II and now have a better idea of the ship date, which we currently estimate to be during the third quarter of 2009. We wish we could ship sooner but there's still a lot of work to do and it's important to us that we get it right. As a result, we don’t anticipate showing it—in any form—at the NAMM show. Thanks so much for your patience. We think it will be worth the wait.
In Mopho news, there is a new version of the OS that squashes a few annoying bugs. Go to the Current OS page for details. Also, the Mopho Pro editor is now available. Additional features include patch librarian functionality, program genetics, phantom banks, and automation for the sequencer section. We are also pleased to announce that Soundtower is working on VST and AU support with a projected release sometime in Q1 of 2009.
2008 has been action-packed, but fun. The Prophet ’08 received numerous honors and that is extremely gratifying. Mopho has already racked up a couple, as well (though only one we can talk about right now…). And Future Music has had the Prophet as the #1 recommended hardware synth on their gear chart for several months running. (Mopho just appeared in the latest issue at #4!)
Last, but not least, the ranks of DSI employees have swelled by an astonishing 33% in 2008. That’s right: there are four of us now. Chris Hector (AKA “the new guy” and “the young guy”) has joined us as Audio Engineer. Chris has already proved his worth by filling some significant “knowledge gaps” at DSI. Welcome, Chris!
Thanks to all the faithful for your continued support and to all of you who have more recently taken the DSI plunge. We literally couldn’t do it without you. We hope you have as much fun with our instruments as we have making them. All of us at Dave Smith Instruments wish you a happy, healthy, and peaceful 2009."
"December 24 , 2008—Those of you who are paying attention (and we know there are at least a few of you…) may have noticed a relationship between how often the site gets updated and how busy we are. In fact, you might even be able to speculate when we’re getting ready to release a new product by the general lack of activity here. The absence of recent updates can mainly be attributed to the annual distraction of preparation for the NAMM show. We won’t be showing or announcing any new products this year (unless you count Mopho, which continues to fly out the door and is still backordered), but it takes a lot of work to get ready anyway. If you’re coming to the show, please stop by booth 6948 and say hello.
And, since we’re talking about NAMM and new products, you might ask, “What’s happening with the LinnDrum II?” Dave and Roger have been hard at work on the new design of LinnDrum II and now have a better idea of the ship date, which we currently estimate to be during the third quarter of 2009. We wish we could ship sooner but there's still a lot of work to do and it's important to us that we get it right. As a result, we don’t anticipate showing it—in any form—at the NAMM show. Thanks so much for your patience. We think it will be worth the wait.
In Mopho news, there is a new version of the OS that squashes a few annoying bugs. Go to the Current OS page for details. Also, the Mopho Pro editor is now available. Additional features include patch librarian functionality, program genetics, phantom banks, and automation for the sequencer section. We are also pleased to announce that Soundtower is working on VST and AU support with a projected release sometime in Q1 of 2009.
2008 has been action-packed, but fun. The Prophet ’08 received numerous honors and that is extremely gratifying. Mopho has already racked up a couple, as well (though only one we can talk about right now…). And Future Music has had the Prophet as the #1 recommended hardware synth on their gear chart for several months running. (Mopho just appeared in the latest issue at #4!)
Last, but not least, the ranks of DSI employees have swelled by an astonishing 33% in 2008. That’s right: there are four of us now. Chris Hector (AKA “the new guy” and “the young guy”) has joined us as Audio Engineer. Chris has already proved his worth by filling some significant “knowledge gaps” at DSI. Welcome, Chris!
Thanks to all the faithful for your continued support and to all of you who have more recently taken the DSI plunge. We literally couldn’t do it without you. We hope you have as much fun with our instruments as we have making them. All of us at Dave Smith Instruments wish you a happy, healthy, and peaceful 2009."
circuit bent HOLIDAY keyboard
YouTube via noystoise
"mini toy keyboard with added drum circuit that modulates the keyboard notes. this is one of ten in the series. for more info, go to www.noystoise.com"
synthPond + OSC
synthPond + OSC from zach on Vimeo.
"Thanks to my musical friend Carlos Hernandez.. Just showing off some of the new features coming up in synthPond 2.5. Showing how synthPond can integrate with MAX/MSP (or any OSC device) wirelessly.
I know it sounds a little odd, but what's cool about it is that even though i'm no good with max, you can basically make it sound any way you want!"
You can find synthPond here:
and synthPond lite here:
PS3100-DT
Libcube: New Percussa AudioCubes Library

"The library is written in C and is available for Mac OS X and Windows. The goal is to make a library that is robust, easy to learn, and that covers most the functionalities the cubes are offering. We think that this component makes a good foundation that will help AudioCubes enthusiasts to develop innovative and creative new applications. We even have some new stuff in stores, but I’ll let Bert show you that when it’s time …"
You can find more info including the downloads for Mac and PC on the Percussa AudioCubes blog.
Aliens Project Toy of the Month 70 - EMS Snthie Logik

Kaossilator & KP3_(p002)
YouTube via F8sequence
"Kaossilator & KP3_(p002)
All sound sources are generated in Kaossilator."
KAOSS PAD KP3 (p001)
"KAOSS PAD KP3 (p001)
All sound sources are generated in Kaossilator (Other than drum kits)
Bank-A : drum_mp3 edited
Bank-B,C,D : Kaossilator
Over Dub (synth, SE) : Kaossilator
Recording : GarageBand
mp3 : creativecommons-Attribution
『Electrified camouflage』dj_beast
http://gbuc.net/modules/myalbum/photo..."
KAOSS PAD KP3 (p002)
"KAOSS PAD KP3 (p002)
All sound sources are generated in Kaossilator(Other than drum kits)
Bank-A : Ableton
Bank-B,C,D : Kaossilator
Over Dub (synth, SE) : Kaossilator
Recording : GarageBand "
Korg Preset 900 PS analog monophonic synth
YouTube via abertronic
"up for auction soon ebay... external reverb added @2.30" Link to auction
KORG PS900 preset synthesizer demo
YouTube via chechimusic.
I am "electro boy..." Well, not quite the same but a similar feel.

Korg MS-20 Fireworks Zone
YouTube via Newueel
"This must definitely be the safest fireworks on the planet. Two simple patches mixed up together for creating your own fireworks on a Korg MS-20. A fire arrow patch and a 1000 shot patch. Both patches are triggered with random time intervals using the ESP. Knob settings should be readable when watching in high quality/fullscreen.
Although this is the safest way to play with fireworks, in order to prevent accidents and other problems:
- Use at your own risk only
- Keep children and pets out of range at all times to protect them and their hearing — and to make sure animals don't get scared and bolt.
- Dont try to reignite a firework that doesn't go off. Leave it alone for at least 20 minutes and then soak it in a bucket of water. :$
I wish you all a very happy and synthful new year!"
damn hoss
damn hoss from edison on Vimeo.
"hello all....
introducing "64 fingers"
a new project by edison.......
64 buttons.....
63 sounds....
1 stop button......
no quantize......
no loops.......
there will be 7 videos in this project.....
this is the first.......
you can download this full track for free, right here
drop.io/p05tkko
thank you for your time.......
the yellow box is a monome 40h, hand built and installed in an old kids lunchbox......
the monome is controlling ableton.......
monome.org
myspace.com/bearless"
Circuit Bent Casio SK-1 Green
"1: Circuit Bent CASIO SK-1 sampling keyboard w/fx box !!!
The custom paint job and all bends were done by DIABOLICAL DEVICES.
FEATURES:
20 point patch bay
6 toggle switches (holds, delays, ect.)
5 push buttons (random glitches) additional custom made FX box that features 2 LFO's and a Photocell.
comes with 4 banna jacks for making patches.
The FX box connects to the SK-1 via a 1/4" instrument cable and a banana jack.
The FX box also has 3 cool little green lights to show you what effect(s) are activated. They match the paint job! The SK-1 has a 1/4" output and a AUX output."
christmas toy

(click for more)
"Just build a rack to hold my evenfall minimodular and my new blacet darkstar chaos. woo! Thomas Henry MPS, Voice of Saturn Sequencer and Blacet Darkstar Chaos"
full size
A bit blurry but you don't see the Evenfall Minimodular too often and the shot should give you a perspective on it's size.
The Serge on felix inferious
felix inferious has a post up what makes a Serge modular different from others. It's a fascinating read and useful if you are not familiar with Serge systems. Note that it is written from the perspective of someone researching a system. If you've ever had GAS (gear acquisition syndrom) and have researched a synth ad nauseam, you will appreciate this post. The following is just an excerpt so do check out the full post for more.
"That brings me to my next advantage of the Serge. Functional density. In Serge-land, they call this "patch programmability". Depending on how you patch a particular function block, you can achieve different results. The "Smooth / Stepped Generator" (SSG) for example, can not only be a S+H, but also a VC slew limiter, VC LFO (triangle and square), clock, LPF/LPG, lo-fi VCO, zero-crossing detector, and more with any combinations of these (that's right, most of those functions only require one half of the module!). This module is even one-upped by the "Dual Slope Generator" (DSG) which has an unprecedented number of patch programmable functions, yet on the surface, it's just an AD envelope generator. It's this "patch programmability" that really attracts me to the Serge system. The flexibility and range of sounds possible in even a single panel (or even M-odule) is rather astounding."
"That brings me to my next advantage of the Serge. Functional density. In Serge-land, they call this "patch programmability". Depending on how you patch a particular function block, you can achieve different results. The "Smooth / Stepped Generator" (SSG) for example, can not only be a S+H, but also a VC slew limiter, VC LFO (triangle and square), clock, LPF/LPG, lo-fi VCO, zero-crossing detector, and more with any combinations of these (that's right, most of those functions only require one half of the module!). This module is even one-upped by the "Dual Slope Generator" (DSG) which has an unprecedented number of patch programmable functions, yet on the surface, it's just an AD envelope generator. It's this "patch programmability" that really attracts me to the Serge system. The flexibility and range of sounds possible in even a single panel (or even M-odule) is rather astounding."
Monday, December 29, 2008
Radikal Technologies Spectralis II

The Hybrid Synth
The SPECTRALIS II hybrid synth, fueled by the latest DSP- and true analog technology, delivers maximum tonal capabilities and leads you into a radical new world of sounds full of life and animation. The SPECTRALIS’ oscillator section takes sound design to new extremes. The 4 oscillators offer continuously variable waveshapes plus time linearity modulation, FM, PM, oscillator synchronisation, bit reduction and independent pitch and volume envelopes. The self resonating filters, a 4 pole lowpass and a 2 pole multimode filter with LP, HP, BP and notch outputs, use two highly improved true analog circuit designs to overcome the restrictions of modelling based synths. The way players can interact with the destinc-tive user interface makes the SPECTRALIS II hybrid synthesizer a killer live instrument with unbeatable richness and stunning flexibility. The synthesis engine takes advantage of a sophisticated step sequencing system - 32 independent parameter control lines with up to 192 steps let you explore an universe of previously unheard rhythmic effects and atmospheric textures. Punchy high resolution envelopes, are the cutting edge of todays synthesizer technology. They are the perfect weapon for the creation of floor pounding kicks, state of the art sequencer staccatos and numerous percussion effects.
The Filterbank
Rumbling noises, nasal sounding oboes, booming SciFi-drones and vocaloid solo-voices - all these different sounds have one thing in common - the fixed filterbank. Consisting of 8 bandpasses, one lowpass and one highpass filter, the filterbank allows the selective modification of certain frequencies. The spectrum of the sound is divided into separated frequency bands where each resulting spectrum slice has an individual attentuator. Like the instrument corpus forms the frequency response of an acoustic instrument, the fixed filter bank provides a new approach in the creation of realistic instrument timbres and bizarre FX-sounds. In contrast to big modular systems of the past, where the filterbank had fixed filter response curves and simple pots to regulate the levels of the frequency slices, the SPECTRALIS comes with sequencer controlled level modulation and in depth parameter editing like individual frequency band panning, Q and roll off slope control and filter stage spacing. The usage of the fixed filterbank isn’t limited to hybridsynth voices - simply feed any DSP synth part thru the filterbank or even any external signals from the external analog inputs. The SPECTRALIS II step sequencer comes with step envelopes, where normal step-sequencers only offer a fixed value setting per step. In conjunction with the filterbank, these step envelopes allow for instance the creation of a new drum beat by simply feeding noise into the filterbank and programming some decay steps for selected frequency slices.
The sampling section
In contrast to many other groove oriented sampling instruments, the SPECTRALIS II offers real multisampling and a 32 stereo voice polyphonic sound engine with powerful subtractive synthesis capabilities. Lush strings ensembles, dramatic soundscapes or earthshaking drum grooves - simply drag and drop the highlights of your personal soundlibrary from your computer onto the SPECTRALIS II. The highspeed USB2 interface transfers even large sample instruments in a few seconds. An included sample conversion utility allows importing wav- and soundfont2-files. After finalizing your music production, the entire song content with patterns, sounds and samples can be stored back to the computers harddrive. Satisfied with the backup functionality but still wondering about the LIVE situation? Don’t worry about that! The SPECTRALIS II comes with a SD-Card slot and has an onboard 1GB flash memory (expandable up to 2GB) for permanent storage of samples, songs and sounds. Features are only one side of the story - but realizing them with the latest Texas Instruments floating point DSP generation and featuring HiEnd Burr Brown DA converters gives the SPECTRALIS II the no compromise touch of a groundbreaking new star in the sonic wonderland of electronic music instruments.
The sequencing system
As a groove oriented system the SPECTRALIS II features a powerful pattern based sequencer playground with realtime, overdub and step by step recording as well as grid based drum programming. Additionally, the state of the art step sequencer opens a complete new universe of tempo dependent sound manipulations and freaky polyrhythmic sequencer battles. Designed with the live situation in mind, you will enjoy the absolute freedom of realtime manipulations during your session. Mute/unmute tracks, exchange the motifs on the fly, tweak volumes, panning or FX-sends with the built in mixing console or transpose an entire pattern by simply pressing a note on your keyboard. Editing of sequences can be done without stopping the sequencer - one of the most desirable features in todays groove oriented live instruments. Start your session with a simple basic groove and add steps on the fly until the audience is totally freaked out. Are you into more serious music production? Well, the SPECTRALIS also comes with a song section, where you can arrange the patterns to complete songs."
You can find more info including samples on Radikal Technologies. via zamise.
PlanB Model 10 as an audio source
YouTube via dkimcg
"a model 15's morph output controls cycling of a model 10 with envelopes fast enough to generate audio. Basically it's a wave shapeable synced oscillator that's especially neat when you feed it multiple outputs from the same model 15. some powerful wave shaping...with an envelope generator.
I had read the m10 was fast enough to use as an audio source, n the scope shows the proof. :)
add the usual ending for stereo. top scope on left, bottom on right.
pardan the bad camerawork, my arm was stopped abruptly by a taxi door in downtown LA."
Akai MPC 2000XL and S1000

MPC2000XL: "max memory and 8 outs, even has the EFX Board, internal floppy, external zip drive"
S1000: "S1000 has a maxed 32mb of RAM, 8outs, the scsi option card, AND i'm throwing in an external SCSI 135mb removable media scsi drive, with 3 discs full of samples, and three NOS wrapped in plastic discs. The s1000 is running OS 4.04"




VAKO ORCHESTRON DOUBLE "C"
"Vako double "c" model orchestron!!!!! Exceedingly rare, exceptional, dual manual version of the legendary orchestron, only a handful of these dual manual versions remain in existence, only fifty units, including all models, were ever made!!! I unearthed this beauty in a forgotten, hidden back room, in a basement of an ancient music store and recording studio in butte, montana! Of all places!! It literally sat, in a room, for 28 years in a flight case, forgotten. Can you just believe it???? Well, it's all true, kiddies. So now, you got a shot at owning a piece of progressive rock history, and i don't think it will pass by this way again. You can google up all the info you desire on this unique and wonderful contraption, of course, it's the much more developed big brother, to that upstart snotty optigan, and it's other bratty sibling, the chilton talentmaker. They all read optical light discs, and, i have it on pretty good authority that these optical light discs are all about to return to production, with custom versions available to god's special people. That means expanded beyond the original master tape libraries. So, on the double "c", you get to play two different discs at the same time!!! What more could you ever want? Anyway, it comes with the aforementioned heavy duty flight case, but, and i want to shed a tear here, (sic) the original (8) optical light discs are corrupted from exposure. But, i do have them, and the special custom original partitioned case that they originally came in! So, there it is. What are ya gonna do? Take out 2nd mortgage on the house, or, rob the kid's college fund? I know, beg the folks for an advance on your inheritance!! >>>>>>>>>>>>> vako dual manual double "c" orchestron!!!" via Ivan
Smule: Zephyr [Pass it on...]
YouTube via smuleage
"Zephyr, for iPhone and iPod Touch, by Smule.
http://www.smule.com"
You can get Zephyr here:
Smule are the makers of Ocarina:
Gadget Orchestra with RockStar
YouTube via jetdaisuke
"http://webdog.be/archives/081230_1153...
Nintendo DS Lite(ELECTROPLANKTON), Nintendo DSi(KORG DS-10), iPod touch(Mokugyo 木魚), iPhone(Bloom) and KAOSSILATOR connected to Belkin Rockstar.
ヘッドフォンスプリッターとしても簡易ミキサーとしても。BELKIN「RockSt ar」でつながる楽器ガジェットの音 "
making a "hoover" on the mks 50, slicing it with the SL20 and jamming with it on a C@132 BPM
YouTube via muzik4machines
"I got a few requests for sound tutorials/demo so here's an easy one, the simili-hoover, and as I can't stop just tweaking, a little jam at the end(see comments for links to the time it starts being a jam) and annotation to show some of what I do as my camera sucks to get stereo sound/ widescreen embeds use &fmt=22 at the end of the URL
gear used
Korg ESX1: All Sequences/Drums
Yamaha TX81z: Reverby/Pumpy Sawtooth Bass (chain:TX81z-Akai MFC42-Alesis Nanoverb-DBX266 ch1 (pump)-ch2 (Compression)-Mixer)
Roland MKS50: Hoover/Saw/Lead/Pumpy Synth (Chain MKS50-Boss SL20-DBX266-Zoom RFX2200-Mixer)
Redsound SoundBite Pro: Vocals/looping
Korg Kaoss pad 2: Tempo Delay
Korg Kaoss Pad 3: Loops, Looper(snare rolls), Grainshifter
Korg Kaossilator: Noise Sweeps (path: K01-Mini KP(Delay)-Mixer)
Korg ER1: Beatbox AND sidechain signal (Chain: left out-ProCo Turbo Rat-Boss V-Wha-Mixer)
DX200: Fm E-piano, pads, 303-esque sequences, etc (Chain: Left Out-Boss DD5 delay-Mixer)
Motu Midi Mixer 7s: My mixer, controlled by the BCF2000)
Kawai Midi Patchbay:Guess
DBX MC 6: Output Compressor
NOT used:
a computer, besides recording it; no edition, no mastering, What you hear is what I send out of the main outs"
trippin with my Max 5 synth together with generative music patch and transport bar
YouTube via jamesvla
"this is my last youtube video where I show you me trippin up with my new max 5 synthesizer in its last encarnation, together with a generative music patch and the Max 5 transport bar"
drum and bass hardware demo
YouTube via filtersweeperVCO
"Cubase sequencing various synths: Waldorf, Neptune 2, Juno 106, and MPC running beats. Some filtering done by Sherman filterbank."
Roland SH 1000 phat phunk son
YouTube via filtersweeperVCO
"Playing some electronic funk on the Roland SH 1000"
Analogue Synthesizer ETI Project circa 1979
"This ETI Synthesizer project was built around 1979 by my father, the modules all worked when I powered them up recently (the original keyboard and power supply is not available due to someone connecting the mains to a +/- 12Volt input!) The modules consist of :
4 x VCOs
2 x VCFs
2 x VC Variable state filters
1 x Reverb unit
1 x VCLFO
2 x VC Mixers
1 x Noise/Sample & Hold module
1 x DRF
1 x Ring Modulator
2 x Dual ADSR modules
2 x Dual VCAs
1 x Dual Envelope Generator
1 x VC Envelope Generator
1 x D-A Convertor
1 PA (not tested)"
Roland Juno-106
"Well I thought I would try a Synth but I'll think i'll go back to guitars or try a keyboard with less knobs." Hmm...
MidiDuino - Midi Command + Arduino
"demonstrating the integration of the midi command into the arduino environment"
More info on Ruin & Wesen and CDM.
sonicbrat

pics in order:
Tenori-on
OLD SOUNDS 2008 @ NMS Photo by Yuan Zhiying
Doepfer A100 Modular System
My studio gears 2006
Be sure to check out sonicbrat's myspace for more
Sonicbrat on MATRIXSYNTH



If-Morebass 20-12-08
YouTube via enclavevision
"If Records 13th birthday compilation launch,20 December 2008,at More Bass,Melbourne."
Beginning features bits of a 4 way korg ds-10 live jam. You can find 28 minutes of the jam here.
Expert Sleepers Minky Starshine
via Seth on AH:
"I'm surprised that in all of this discussion nobody's mentioned additive synthesis (or at least if they have I don't recall it). I have an interesting soft synth called Minky Starshine, from Expert Sleepers, which lets you adjust the harmonics, control any of them with any of three envelope generators and modulate them with LFOs. On top of that, it shows you what the resulting wave will look like. If someone could send the desired levels of the harmonics in decimal format (i.e., fundamental at full volume is 1.0, next harmonic is 0.75, third is 0.5, etc.) for what the various waves are supposed to be I can plug them in and post some screenshots of the resulting waveforms. Maybe I'll even dig out my scope as well.
It's darn cool and it's only $29. You can play with it all you want in demo mode as well.
I'm not usually a fan of soft synths, but this is one of the ones I like, mostly because it's so unique."
Official description:
"Minky Starshine is at heart an additive synthesiser, augmented with possibilities for subtractive synthesis (i.e. filtering) and pulse width modulation.
A waveform is created by summing 16 independently controllable 'partials'. By setting the relative levels of the partials appropriately you can create familiar waveforms such as sawtooth and squarewave, but you can also create an infinite range of timbres in between.
As well as simply setting the levels of the partials, you can flexibly assign them to three 'groups'. Each group has a very flexible envelope generator and an LFO, so you can change the balance of the partials (and therefore the timbre of the sound) over time.
The LFOs have a wide frequency range and can also be used as ring modulators.
The waveform as a whole can have its pulsewidth controlled. An envelope and LFO is provided, as well as control by note velocity.
A resonant filter is available, capable of lowpass, bandpass and highpass and a continuous range in between. Again, control by envelope, LFO and note velocity are possible.
A flexible modulation section is provided, capable of chorus, flange and delay effects.
The factory presets showcase some of the range of sounds that can be produced.
If you'd like to read more about the plug-in before downloading it, the user manual is online here."
Oberheim OB-Mx CEM3374

CEM3374 and empty case
Note the auction is for a 2-voice expansion board only, not the case.
click the images for the full size shots.

etwas Modulargedudel…

"An einem Sonntag findet man auch mal wieder etwas Zeit, um ein völlig sinnloses “Irgendwas” am Modularsystem zu patchen. Viel Spaß beim Anhören:"
Googlish:
"On a Sunday you can find a little time once again to a completely senseless "Something" on the modular system to patch. Have fun listening to:" [Original link / Googlish link]
Synths:
"For my Sunday Modular Gedudel were the dotcom and the PPG-300 modular synthesizer used. The analog strings came from Solina string ensemble and the beats of an old Roland CR-78, including the master clock (trigger) gifts.
As the effects came Jomox T-Resonator for the CR-78 Drums and a Monacor REV-25 for the PPG-300 is used. The strings were stopped by PPG Voltage Controlled modifier and a DC-50 Roland chorus skillfully. "
Raymond Scott Centennial Vinyl Figurine & CD Set

Available at raymondscott.com
via Boing Boing, via Jeff of http://raymondscott.blogspot.com/ in the comments of this post.
Note Press Pop also make the Bob Moog doll.
The small keyboard is Raymond Scott's Clavixox. The larger instrument is Raymond Scott's Electronium, video of it directly below (previously here).
Raymond Scott's Electronium
YouTube via DrRek
"As it remains in non working order in the Basement of Mark Motherbaugh's Mutato Music Offices in Hollywood, CA courtesy of http://absurdity.biz's circuit bending documentary"
Be sure to click on the labels at the bottom of this post for more. There are a lot of nuggets in there.
KORG DS-10 DEMO
YouTube via aqi
"KORG DS-10ウェブサイト用デモソングです。
こちらもあわせてご覧ください。
http://www.aqi.co.jp/produc..."
KORG DS-10 on Ebay
KORG DS-10 on Amazon
Synthesizer Korg 770
YouTube via mouwaap. Audio is not the greatest on this one, but it should give you a feel for it's size, interface, and some of it's tonal character.
Korg Legacy Collection Analog Edition Polysix
YouTube via bulksagara
Korg legacy collection Mono/Poly
Korg Legacy Collection Mono/Poly X-MOD
Korg Legacy Collection Mono/Poly VCO
Korg Poly 800 + Roland TR-707 Demo /// Walking Home
YouTube via nekrobot
"Title: Walking Home
Bass, Strings, Lead = Korg Poly 800
Drums = Roland Tr-707 (Samples)
Demo i made for an auction a while ago."
SCI Prophet VS + Roland Juno-60 + TR-808 "Mystic Island"
YouTube via retrosound72
"vintage synth demo track by RetroSound
'Mystic Island'
-inspired by early John Carpenter soundtracks-
high strings and storm fx: SCI Prophet VS
dark strings: Roland Juno-60
drums: Roland TR-808
direct recorded, no playback"
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH