Utopia Theme Sequence

video upload by boxoftextures

"When I was a kid growing up in New York City in the early 1970s I would listen to WNEW-FM all the time, but especially from 10pm to 2am when Allison Steele, the Night Bird, was on the air. WNEW was a progressive rock station, not really the same meaning as today's term 'prog rock,' but more that the DJs played what they wanted with no playlists. And one night in 1974 Allison Steele played a song from a new band I'd never heard of before, Todd Rundgren's Utopia. I was 14, and I was instantly hooked. The song was over 14 minutes long, and was from a live show. I was heavily into keyboards and they had three keyboard players, one with a giant modular. The bass and drums were incredibly tight. And on top of that was Todd Rundgren, abandoning his pop stylings and going full on prog. And then, after being entranced through the first half of the tune, they all stopped, and the sequencer started up. That was it for me. Instant favorite, and started me down the path to synthesizers. Where I still am today.

So that sequence has pretty much always been in my head, and in a way influenced my entire life. It was life-changing for me. And so here it is, recreated. A 'simple' six-note sequence, but super fast, and constantly shifting. Six notes, but that section of the song is in 4/4. Except that the main lines are on the ones but the answering lines start on the 3 before the one beat. So you have six against four, and your four is being interrupted by the answering refrain. You're constantly off balance, but then again things are also constantly being resolved. And then they all pause, back at the sequence, and he rips into the most amazing guitar solo I've ever heard. The whole thing is genius. Todd Rundgren, perhaps at his peak.

Featuring Multiphonics CV-1 from Applied Acoustics Systems

Video captured with CleanShot X
Audio recorded with QuickTime Player
Voiceover recorded in Sound Studio using an AudioTechnica BHPS1 Broadcast Headset
Audio routing done with Loopback

Edited in DaVinci Resolve 17 on a MacBook Pro (16-inch, 2019)

Twitter: @selgart
Patreon: https://www.patreon.com/boxoftextures"

The Roland Paraphonic 505 - A Rare Synth Delicacy

video by Alex Ball

"A synth a lot of people have requested that I finally managed to borrow! Thank you to the owner.

The RS-505 or Paraphonic-505 was released in 1978 and was so called because it could make numerous sounds in parallel. The term "paraphonic" has been reappropriated in recent years to refer to instruments (like the 505) that were polyphonic, but that only had one filter and one amp.

0:00​ Intro
0:53​ Bass Sounds
3:02​ What Roland meant by "Paraphonic"
5:06​ Polyphonic Sounds
6:53​ All Sounds Together
7:35​ External Audio
8:02​ Thoughts & Summary
10:36​ Contextual Demonstration

Gear Used:
Roland Paraphonic-505
Roland System 100m
Roland System 500
Ryk 185
Korg SQ-1
Roland SH-2
Roland SH-1000
Musicaid Simmons SDS-3
Oberheim DX (used but not filmed)
Ibanez Jem 7DBK"

New Syntaxis Micromodular Starter Set

Krzychu1995

"!!! Available immediatelly at http://syntaxis.com.pl !!!
Today I have something very special to show. In this video you can see and hear synth made from Syntaxis Micromodular set. Instrument is assembled from basic set of micromodules (uVCO, uVCF, uVCA, uLFO and uADSR), but it sounds quite versatile. User is able to assemble synthesizer on it's own, in modular way, but much cheaper and without necessity of use dedicated multipliers - breadboard does it already! Usually building subassemblies of synths on breadboard makes circuit unreliable in longer term. But with Micromodules it works like it was soldered together - you can assemble you own synth, get plywood, drill holes for potentiometers, screw them in place and carry your own synth around for gigs."

"This is a set of components for building a basic but complete analog synthesizer on a breadboard. Although it might not have professional look, you will be surprised with its professional sound.

The set includes:

μPSU·112·A
μVCO·3340·A
μVCF·3320·LP4·A
μVCA·3360·LIN·A
μADSR·3310·A
μLFO·3340·A

CLICK FOR MORE »

Plugin Alliance Announces Enhanced Emulation of Knifonium Tube-driven Synth

Knif Audio Knifonium - Playthrough


Knif Audio Knifonium - Overview with Matthew Wang

Plugin Alliance


"SANTA CRUZ, CA, USA: Plugin Alliance, supporting all major plugin formats and uniting some of the best-known international audio companies under one virtual roof, is proud to announce availability of Knif Audio Knifonium — solidifying sister company Brainworx Audio’s new plugin partnership with Finnish pro audio equipment extraordinaire Knif Audio as an enhanced emulation of the extraordinary Knifonium, an exceptionally beautiful-sounding monophonic synthesizer that is driven by a whopping 26 vacuum tubes — as of July 7…

As an upscale synth sensation, the Knifonium features two tube-driven oscillators, a 4th order ladder filter, a ring modulator, and a gorgeous ‘steampunk’ aesthetic (worthy of American science fiction author K. W. Jeter — originator of the term — himself). Handcrafted in small batches by high-end audio device designer Jonte Knif, the original hardware unit really reflects his incomparable attention to detail. But beautiful as it is, the Knifonium is not just expensive eye-candy capable of making ‘weird noises’ but rather an exceptionally musical and inspiring instrument that offers countless possibilities for shaping and modulating sounds.

Although a new addition to the Plugin Alliance family, the notable Knif Audio name is revered by hardcore synth freaks and audiophile engineers alike. And although lead designer Jonte Knif has been making vacuum tube-based hardware for mixing, mastering, and sound design for years, his Knifonium synth sensation is carefully crafted to be second to none. No one sums it up better than Jonte himself, however, who simply says: “It sounds like nothing else.”

Engineers at Brainworx Audio have taken a great thing and made it even better. Because not only is the plugin version of the Knifonium even more accessible and easier to use than the original, it also adds features that just aren’t possible in the analog world.

With eight independent voices added to the synthesizer, Knif Audio Knifonium opens up an entirely new universe of possibilities as an enhanced emulation — for instance, imagine an atmospheric-sounding pad produced by a total of 208 vacuum tubes!

The software version also adds M/S (mid-side) and stereo Spread capabilities, a powerful Unison mode, as well as the carefully-curated FX section, including a well-known vintage-style Phaser, plugin partner brand SPL’s EQ Ranger, Wavefolder, and more as a wide range of effects that Knif Audio Knifonium users will actually want to use.

Ultimately, Knif Audio Knifonium sounds uniquely rich and captivating — even at its most basic. But best of all, Jonte Knif confirms that it sounds and behaves just like the real thing. This should come as little surprise since Brainworx Audio meticulously modeled the complete circuits of the original hardware — including all 26 tubes, and applied its patented TMT (Tolerance Modeling Technology) to recreate the natural variations in Envelope parameters, Pitch, LFO (Low Frequency Oscillator) speed, and so many more characteristics to make this digital recreation sound as realistically analog and natural as possible.

Knif Audio Knifonium is available for purchase (as an AAX AudioSuite-, AAX Native-, AU-, VST2-, and VST3-supporting, fully NKS — Native Kontrol Standard — compatible virtual instrument plugin for macOS 10.9 through 10.15 and Windows 7 through 10)
at an attractive introductory price of $199.99 USD until August 10, 2020 — rising thereafter to an MSRP (Manufacturer’s Suggested Retail Price) of $299.00 USD — from here: https://www.plugin-alliance.com/en/products/knif_audio_knifonium.html"

Introducing Polyend Tracker

Published on Mar 17, 2020 Polyend

"Introducing Polyend Tracker - Standalone Audio Workstation.

Sample, sequence, arrange, perform, create!"

Playlist:

Introducing Polyend Tracker
Performing with Polyend Tracker - Performance mode and MIDI sequencing fun by SLG (Łukasz Seliga).
Polyend Tracker Demo One
Polyend Tracker Demo Two



"A retro form factor updated with forward looking functionality and designed as an easy to use compact standalone workstation. Made for the creatives who break patterns on a daily basis. Designed to help artists forge unique avenues of sonic construction. Introducing the first hardware tracker in the music world.

The Polyend Tracker incorporates the quintessential characteristics of a classic tracker. The vertical timeline, the powerful sequencer and the mechanical keyboard combined with a newly designed input interface enables you to make and perform your music in a new and intuitive way. After a quick glance and a few minutes with the Polyend Tracker interface, you’ll soon realize the array of tools that are at your fingertips.

Polyend Tracker is slick, light and portable. It's also easy on the energy consumption so you can use it with any USB power source. Its sturdy and compact form factor makes it a great companion for music creation wherever and whenever you feel like it. No matter if you’re in your studio, on the run, or at the gig.

Polyend Tracker is equipped with a variety of powerful sound design tools. Use your existing sample library, record new ones with line or mic inputs, or use the built-in FM radio. Record samples, play them, slice them, mash them, or even make a synth out of them using Wavetable and Granular synthesis with its all necessary parts (filters, ADSRs, etc.)

Polyend Tracker works great with other instruments too. Thanks to the bilateral MIDI implementation, you can use it to sequence and control external gear or it can be used as a sound module controlled by any external MIDI software or hardware devices.

Don't be fooled by the classic tracker look. While maintaining the original quick and straightforward workflow, the Polyend Tracker is armed with an updated arsenal of sonic weapons. Automatic filling, randomizer, probability, selection rendering, effects per step, live recording, batch parameters editing, micro-tuning, micro-timing, rolls and many more give you the tools to be endlessly creative. Compatibility with MOD files allows you to import and finish tracks from back in the days or export and finalize them in the modern software trackers."


via Polyend - 499 GPB which comes out to roughly 600 USD, and 550 Euro. Update: Official price is €499 EUR/$599 USD

Update: and the official press release with a new pic:

"Polyend Tracker reboots retro form factor of software past with forward-looking functionality as world’s first hardware tracker

OLSZTYN, POLAND: famed for bringing new technologies to creative musicians by building innovative and unique musical instruments, Polyend is proud to announce availability of Tracker — effectively extracting the best bits of yesteryear’s tricky tracker software classics and rebooting them with forward-looking functionality as the world’s first hardware tracker, deftly designed as an easy-to-use compact standalone workstation with immediacy and simplicity at its creative core, and aiding artists with forging unique avenues of sonic construction to boot — as of March 18…

For the benefit of the uninitiated, a music tracker — tracker, for short — is a type of sequencing software. Speaking historically, the tracker term itself is derived from the first tracker software, Ultimate Soundtracker, starting life as a game sound development tool released for the Commodore Amiga personal computer back in 1987. The first trackers supported four pitch and volume modulated channels of 8-bit PCM (Pulse Code Modulation) samples, a limitation imposed by the Amiga’s audio chipset. Classic trackers represented music as discrete notes positioned in individual channels at discrete positions on a vertical timeline with a number-based user interface. Indeed, notes, parameter changes, effects, and other commands were entered via computer keyboard into a grid of fixed time slots as codes comprising letters, numbers, and hexadecimal digits — the latter being a positional system representing numbers using 16 distinct symbols. Saying that, those in the know appreciated the immediacy and simplicity of classic tracker software, if not necessarily those hexadecimal digits! One thing’s for sure, though: tracker software has exerted its influence on modern electronic music with influential IDM (Intelligent Dance Music) artists like (Aphex Twin alias) AFX, (Polish-American) Bogdan Raczyński, Brothomstates (a.k.a. Lassi Nikk, Finnish composer), Machinedrum (a.k.a. Travis Stewart, American electronic music producer), and Venetian Snares (a.k.a. Aaron Funk, Canadian electronic musician), to namecheck but several so-called ‘demo scene’ movers and shakers skilfully orbiting around those tricky trackers. That said, some might say that trackers need not be so tricky in this day and age. And it is this thinking that led to Polyend’s trailblazing Tracker.

The timely arrival of the aptly-named Tracker puts Polyend in pole position for blazing a new trail, tooled to take the tracker concept to a new level of innovative, inspirational, and immediate music-making by effectively extracting the best bits of yesteryear’s tricky tracker software classics and rebooting them with forward-looking functionality as the world’s first hardware tracker. Thankfully, Tracker waves goodbye to hexadecimal hysterics — not only did those entering the brave new world of classic trackers not necessarily know what those values actually represented, they could not see what was affected by them. Thinking inside its beautifully-engineered box, Tracker instead implements a simplified system of readable decimals that also shows the effects parameters when those decimals are entered in a frenzied fast track to creativity.

Tracker takes the quintessential characteristics of a classic tracker — the vertical timeline, powerful sequencer, and mechanical keyboard — and cleverly combines them with a newly-designed input interface, divided into several sections: a (high resolution, crisp, and bright) big screen and associated screen keys — mechanical controls that always correspond to what is displayed on the screen directly above them; the grid — featuring 48 backlit multifunctional silicon pads for quick note and pattern value entry and visual feedback (while also acting as a highly-customisable keyboard controller with editable scales); function keys — for fast and responsive control over all functions and options; plus navigation keys and associated (metal-manufactured) jog-wheel (with haptic feedback for fast scrolling or precise adjustments) — for facilitating transport control alongside arrow keys for navigation control, as well as dedicated Insert, Copy/Paste, Delete/Backspace, and Shift keys. All are at hand, helping to streamline making and performing music in a new and innovative way — without having to leave the world’s first hardware tracker, deftly designed as an easy-to-use compact standalone workstation with immediacy and simplicity at its creative core, and aiding artists with forging unique avenues of sonic construction to boot.

Better still, the classic tracker look of that dominating (default) screen — showing (up to) 48 instruments and 256 patterns with a maximum of 128 steps per pattern per project — belies an infinite source of inspiration. Indeed, Tracker comes complete with a wide variety of onboard sound design tools to enhance creativity still further for those wishing to take it to the limit. Let loose with Instrument — a chain of tools (Volume, Tuning, Panning, Filters, Reverb Send, and ADSRs) to make an instrument from any sample; Sampler — choose from different (1-shot, Forward, Backward, and Ping-Pong) play modes; Slicer — slice samples manually, or let Tracker take care of it ‘automagically’ at any time; Wavetable — full-blown wavetable synthesis with variable table length to make it compatible with the most popular (Ableton Wave and Serum) standards; Granular — single grain yet very powerful granular synthesis to create crazy and futuristic sounds from old and boring samples; Sample Editor — built-in precise offline rendering sample editor with multiple effects; and Sample Recorder — records up to two minutes of 16-bit/44.1kHz samples using built-in Radio, Pattern selection, Mic or Line In inputs, all of which can be saved to the included (16GB) MicroSD card for later use or loaded directly into a project. Put it this way: with Tracker, users can quickly and easily use existing sample libraries, record new ones, or use the built-in FM (Frequency Modulation) radio. Record samples, play them, slice them, mash them, or even make a synth out of them!

Tracker also plays nicely with other instruments. Thanks to its bidirectional MIDI (Musical Instrument Digital Interface) implementation, it can be used to sequence and control external gear or be controlled as a sound module by any external MIDI software or hardware devices. Whatever way anyone chooses to use it, armed as it is with an impressive arsenal of sonic weaponry — including automatic filling, randomiser, probability, selection rendering, effects per step, live recording, batch parameter editing, micro-tuning, micro-timing, rolls, and much more besides — it has what it takes to be a surefire hit, harbouring endless creativity. Compatibility with MOD files — a computer file format primarily used to represent music, made up of a set of instruments (in the form of samples), a number of patterns (indicating how and when the samples are to be played), and a list of what patterns to play in what order — allows users to import and finish tracks from way back when or export and finish their Tracker creations in modern-day software trackers.

The world’s first hardware tracker is slick, light, and portable. It is also energy efficient, so will work with any USB (Universal Serial Bus) power source. Sturdy and compact, the retro form factor of software past with forward-looking functionality makes for a great music creation companion — in the studio, on the run, or on stage. Simply put, Polyend’s Tracker puts everything right on track as a ‘back to the roots’ experience like no other!

Tracker comes complete with a USB-A power adapter, 2m USB-C cable, 3.5mm to 2x 6.3mm adapter, Minijack to MIDI DIN adapter, 16GB MicroSD card, and MicroSD to USB-A adapter, and is available to purchase through Polyend’s growing global network of authorised dealers at an MSRP of €499 EUR/$599 USD. Or order online directly from Polyend itself via the dedicated Tracker webpage, which also includes more in-depth information."

Moog Music Announces the Return of the Moog 16 Channel Vocoder

"The Moog 16 Channel Vocoder Returns

After more than 40 years, the Moog 16 Channel Vocoder is officially back in production.

Originally introduced in 1978 (and heard most famously on the title track of Giorgio Moroder’s E=MC2), the instrument has been used to transmute vocals, transform synthesizers, and electronically encode sound for decades.

The Moog 16 Channel Vocoder’s analog voice circuits, derived from the original schematic, are hand-soldered at the Moog Factory in Asheville, North Carolina to preserve the original instrument’s classic sound."

via Moog Music

"The history of the vocoder is as unique as the sound it produces.

In the 1930s, Bell Labs introduced the technology as a telecommunications device that could deconstruct the most fundamental elements of human speech and then reconstruct a new electronically synthesized voice. During WWII, the US military used this advancement to electronically encode classified audio messages that could be reconstituted on the receiving end.

Over the following decades, music technologies would explore the artistic applications of the vocoder, whose robotic vocal articulations would soon find their way into mainstream music, television, films, and games. The influential sound machine has been used by the likes of Stevie Wonder, Herbie Hancock, Dr. Dre, Kraftwerk, Daft Punk and many more.


The Moog 16 Channel Vocoder, originally introduced in 1978 (and heard most famously on the title track of Giorgio Moroder’s E=MC2), has been used to transmute vocals, transform synthesizers, and electronically encode sound for decades.



With the instrument’s reintroduction, Moog Music has gone to great lengths to ensure that this distinct electronic voice carries on. Derived from the original vintage schematic, the Moog 16 Channel Vocoder’s analog voice circuits are hand-soldered at the Moog Factory in Asheville, North Carolina to preserve the original instrument’s classic sound. Updated mechanical connectors and a modern power supply improve reliability and long-term serviceability while ensuring that the analog soul of this instrument—and its unique character and idiosyncrasies—remains unchanged."



Moses Sumney | Conveyor at the Moog Sound Lab

Published on Feb 4, 2020

'Moses Sumney, accompanied by a full band, recently visited the Moog Sound Lab in Asheville, North Carolina to perform a reimagination of 'Conveyor' from his forthcoming album ‘græ.’

In this rendition of the unreleased track, Sumney processes his vocals through the Moog 16 Channel Vocoder, using the Matriarch synthesizer to serve as the vocoder’s carrier signal in order to transform and resynthesize his voice. Sumney also incorporates a looper pedal to manipulate both the dry and vocoded vocals, creating rhythmic patterns throughout the track. He is accompanied by Zach Cooper on bass, Mike Haldeman on guitar, Darian Thomas on violin, and Ian Chang on drums and sensory percussion.

Moses Sumney’s upcoming release includes collaborations with a diverse array of contributors and is his first work to be written in his new home of Asheville, North Carolina—also the home of Moog Music Inc. Double LP græ will be released via Jagjaguwar Records, with the first part due digitally this month; the second part, as well as the physical album, will be available May 15th."

Roland TR-808 Inducted Into NAMM TECnology Hall of Fame

The press release:

Legendary Drum Machine Recognized for Audio Technology Contributions

Los Angeles, CA, January 30, 2020 — Roland, a leading manufacturer of electronic musical instruments and professional video products, proudly announces that its legendary TR-808 Rhythm Composer drum machine has been inducted into the prestigious NAMM TECnology Hall of Fame, Class of 2020.

The TECnology Hall of Fame, presented by the NAMM Museum of Making Music, honors audio products and innovations that have made a significant contribution to the advancement of audio technology and production. Hosted by audio historian George Petersen, the TECnology Hall of Fame Celebration was held during The NAMM Show on Saturday, January 18, 2020.

Each year, a panel of audio experts, including authors, educators, engineers and other professionals select the inductees. This year’s panel commented, “Roland’s TR-808 programmable drum machine became part of the foundation of music movements in hip-hop, rap and electronica. And although made in 1980 — almost 40 years ago — the once $1,200 TR-808 remains a highly-prized studio tool today, with working units valued in the $4,000 range.”

Widely considered one of the most popular drum machines of all time, the Roland TR-808 has contributed to the sounds of Marvin Gaye, Phil Collins, RUN DMC, Beastie Boys, LL Cool J, and Public Enemy. Routinely celebrated by lovers of culture, music and design, the term “808” has even started appearing in song lyrics and still gets name-checked to this day, as tracks (Timbaland’s 808), albums (Kanye’s 808s & Heartbreak) and even band names (808 State) were all coined under its influence.

TR-808 enthusiasts all over the world can also experience the modern versions of this revered classic—the TR-08 Rhythm Composer and the TR-808 Software Rhythm Composer which is available as a part of Roland Cloud. Born of the most famous and influential drum machine ever made, the both the physical TR-08 hardware and the Roland Cloud software version of the TR-808 provide the most faithful reproductions of the original combined with today’s modern production techniques and professional sound design.

Sequential Circuits Prophet 5 SN 6252

Note: Auction links are affiliate links for which the site may be compensated.

via this auction, also on Reverb

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New STG Soundlabs Wave Slicer/.SLC Audio Demo

Published on Nov 8, 2019 suitandtieguy

"A brief demonstration of the forthcoming STG Soundlabs Wave Slicer/.SLC module. This video focuses on single oscillator applications but there will be future videos about multi-oscillator and other audio applications, control voltage, and even video synthesis applications.

This video was shot in one take at STG Content Labs, using a television-style process including two cameras, an oscilloscope with direct video output, and a vision mixer. I set up the cameras and lighting, and Bubba Ayoub was technical director (the television term for the guy who operates the vision mixer.) This process is pretty exciting to me as I worked at a UHF ABC affiliate (WHOI-19) for two years back before I built synthesisers.

I finally feel like I'm 20 minutes into the future.

Jon Sonnenberg engineered this module, and you can find his Knobcon Number Six talk about wave replacement synthesis here:" [posted here]

Buchla Dual Oscillator Model 258 258c 258r

via this auction

"Excellent condition Buchla Dual Oscillator Model 258c from Roman Filippov kit. Meticulously assembled utilizing uA726s.

Two independent voltage-controlled oscillators, continuously tunable from 5 Hz to 20 kHz. Each has two processing inputs and a frequency modulation input. Waveshapes as well as frequency can be voltage controlled. Model 258 oscillators feature low sine wave harmonic content, negligible settling error, and high short and long-term stability, even with rapidly changing ambient temperatures.

Controls and I/O:

Processing inputs — Two processing control inputs permit multiple control of pitch without need of separate external processor.
Processing controls — Used to set desired range of frequency control. Expansion, compression, and inversion of scales are accomplished here.
Frequency modulation control — For adjusting vibrato depth or creating clangorous or bell-like tones, rich in non-harmonic partials.
Output — Signal amplitude is +4 dB. Output impedance is 600 ohms.
Oscillator frequency control — Spans the audio spectrum of 5 Hz to 20 kHz with no range switching. (Applied control voltages can extend limits to .1 Hz and 30 kHz.)
Waveshape control input — Waveshapes can be varied from sine to saw (osc 1) and sine to square (osc 2). Voltage control of waveshape enables powerful dynamic control of timbre."

Expert Sleepers Coming to Signal Sounds' First Makker Event

via Signal Sounds, starting with a note on Makker:

" 'Makker' is a Scots word that means 'maker' in English. It's spelling and it's meaning developed and it came to be 'Makar', which is now the term for the Scots Poet Laureate.

In this series of events at Signal Sounds we'll host makers, designers, artists and creators at our new home on Parnie Street for live performances and discussion on their creative process.

We're very pleased to be able to bring Expert Sleepers here for our first event!

They very recently launched the ES-9, a eurorack compatible USB audio interface that's capable of binding hardware and software together in a manner that we don't think has ever been done before.

At this edition of Makker, the creator behind Expert Sleepers, Os, will perform live using the ES-9. We'll then have a patch breakdown, so we can see how the performance was built. You'll have the opportunity to get hands on with one of the ES-9s we have here in the flesh and we'll also have a Q&A at the end.

The event is free but space is limited.

While we realise that many of you who get this mail-out might not be close enough to us to visit in person, we'd welcome those of you who are at our new premises on Parnie Street. The banner above links to a facebook event if you would like to indicate your attendance.


Don't worry though! For those who're not able to see us in person our aim is to document these events so that everyone can benefit from them. More on that soon we hope!

Rare Dewanatron Swarmatron FM Modulation Analog Ribbon Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"For your consideration is a very rare Swarmatron 8 Oscillator FM Modulation Analog Ribbon Synthesizer. It is in excellent physical, and 100% operational condition. Please refer to the specs and description below. Payment via paypal to include $ 85.00 shipping in the Continental U.S. within 48 hours of auction end. Overseas or International shipping is set at $ 250.00

This is a synth like no other, eschewing conventional controls, nomenclature and even an ordinary on/off switch. Is it destined to become a cult classic?

CLICK FOR MORE »

XFM FPGA-based FM synthesizer module

Published on Jul 17, 2019 René Ceballos

via future3soundz

"XFM is a polyphonic, 32-voice, 6-operator FM synthesizer stereo module that you can build yourself.

Essentially, the module receives MIDI messages from a controller/sequencer, produces audio and delivers it via digital (SPDIF) and analog outputs.

The sound range XFM can create and its feature set have a very broad intersection with most pure-FM synthesizers of the past (Yamaha DX series, OPL chip series, TX81Z/802/816 modules, etc.).

Complete Feature Set
32-voice polyphonic

Polyphonic or Monophonic Legato modes

6 operators per voice

CLICK FOR MORE »

Aphex Twin UNIQUE SUPER RARE RSF SD-140 VINTAGE Drum Machine ?

Note: Auction links are affiliate links for which the site may be compensated.
video upload by urgobenz

"Original samples and patterns by urgobenz.

Pattern n°1 : RSF SD140 (no effect)
Pattern n°2, 3 and 4 : RSF SD140 (with reverb).
Pattern n°5 : RSF SD140 + Korg 700s
Pattern n°6 : RSF SD140 + Chroma Polaris"

03 DMX Krew - Sppoookey [BREAKIN RECORDS]

video upload by edmx

via this auction

This one was spotted and sent in via xonox who noticed the following: "No mention is made in the auction but there is AFX scratched on the surface of the machine. According to Ed DMX (DMX Krew), Aphex Twin used one on his early tracks. Interview here. It is not my auction, i have no insider knowledge on anything either. Is it possible it's indeed one of AFX's drum machines or is it some classic AFX prank ?"

The SD140 has only been featured on the site twice before this post.

The following is the full description from the listing saved for the archives:

"Up for sale a unique extremely rare vintage drum machine. impossible to find it in another place. Many years ago I found this diamond and made the service in a professional workshop. Please note - this is an old gear for the collection and synth enthusiasts, this drum machine is in working condition, but I will not accept any returns and no compensation after the sale - please accept it. These are the first innovative electronic music devices and therefore you can see in the pictures the old technology of plastic coatings and touch buttons have traces of use, but all functions and buttons are well work.- It runs on 220 volt AC.The sound of this beast is very unique, the sound structure and flow are capable of creating incredible emotions and creative potency. The sound is incredibly relevant, I give a detailed description below. The package will be sent internationally, I pack the electronics well — a double strong box and a lot of bubble — look at my seller feedback.

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AEMIT Presents Innovative Eurorack Modules for the Discerning Synthesist

AEMIT ~ Some Sound Snippets from Aemit modular on Vimeo.
AEMIT - Formant tests with System 7.5

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CV controlled PONG in Eurorack

Published on May 4, 2019 DivKidVideo

"Now we all know that you get into Eurorack to play retro games and try to CV control them right? ... Here's a nice little Easter Egg (see Easter Egg link below if that's a new term for you) in the Waveplane Oscillator from Dove Audio. CV controlled PONG! So here's a ridiculous over the top FX chain processing the beeps, the "secret handshake" AKA how to set the knobs and get into the Easter Egg mode and just a bit of fun. Enjoy, support the module and grab it early on Kickstarter here - http://bit.ly/waveplane - PONG aside, check the links below to hear the oscillator it's very nice."

Create Brian Eno style generative music: 20 ideas and tools for Ableton, Eurorack, DAWless and VCV

Published on Apr 24, 2019 loopop

“Generative Music” is a term coined by Brian Eno to describe music that is always different and changing, generated by a system but led by creative guidelines, rather than typical music which follows a set of predetermined notes intended to be played the same way every time.

This video includes 20 ideas and even more tools for creating generative music inspired by Brian Eno's generative work. It's focused on ideas rather than one platform, and covers eurorack, iOS, VCV and Ableton tools for creating generative and probability based music.

TIMELINE OF IDEAS AND TOOLS:

0:00 Defining Generative

1:05 Simple randomization – Ableton MIDI LFO Max4Live device

2:10 Scaling random pitch – Ableton Random and Scale MIDI effects

2:50 Pitch to modal chords - Harmonaig from Instruo, with arpeggiation by Quaid Megaslope and Boss Bow Tie from ALM playing Rings from Mutable Instruments

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Introducing the KORG volca drum - Welcome to an infinitely expanding world of sound-design

Published on Jan 14, 2019 Korg

Updates: Additional videos, audio demos, hi-res pics & details added below. Check out the SEQUENZ CB-4VOLCA Hard-shell case for up to 4 volts.

"Joining volca kick and beats as the third, and most unique, drum synth in the volca lineup.

The volca series is all about unique sound. Whether it's analog, PCM, or FM, the volca series puts unique sounds into an accessible platform. And now, the series is joined by a new rhythm machine that brings yet another sonic character. It's the volca drum digital percussion synthesizer."

Korg Volca Modular - Demo with Nick Kwas

Published on Jan 14, 2019 Kraft Music

"Find exclusive Korg Volca Drum BUNDLES at Kraft Music.

Nick Kwas Demos the Korg Volca Drum at Kraft Music.

The Korg Volca Drum is a digital percussion synthesizer and rhythm machine with a 6-part x 2-layer structure. Based on DSP-powered analog modeling, Volca Drum generates a wide range of unexpectedly different percussion sounds ranging from realistic to idiosyncratic, with wave folder, overdrive, and waveguide resonator effects. Volca Drum is equipped with the familiar 16-step Volca sequencer with parameter automation capabilities. Sync and MIDI in jacks allow for connection to other volcas, select Korg synths and sequencers, and DAWs. Like other Volcas, the Volca Modular features a built-in speaker and battery operation.

Get more for your money with an exclusive Korg Volca Drum bundle from Kraft Music. These package deals include the accessories you'll need to get the most out of your new percussion synth, all for one low price. If you have any questions, please give us a call. Our knowledgeable sales advisors will be happy to assist in choosing the bundle that's right for you!"

Korg Volca Drum Digital Percussion Synthesizer | Reverb Demo Video

Published on Jan 14, 2019 Reverb

"The synth masters at Korg just announced the Volca Drum, Minilogue XD, and Volca Modular. Starting with the Volca Drum, check out this video demo (as well as those linked below) to learn more about the features in these new offerings from the dream team that created so many of the top-selling synths on Reverb in the past couple years.
Read More on Reverb"

Korg Volca Drum Mega Tutorial

Published on Jan 14, 2019 cuckoomusic

"Korg Volca Drum is a percussive synthesiser from Korg, in the Volca range. I find it quirky and fun, when departing from the drum territory.
Here's a long tutorial, with a lot of flavours of what it sounds like, and how you can work with it."

"Welcome to an infinitely expanding world of sound-design.
Joining volca kick and beats as the third, and most unique, drum synth in the volca lineup.

The volca series is all about unique sound. Whether it's analog, PCM, or FM, the volca series puts unique sounds into an accessible platform. And now, the series is joined by a new rhythm machine that brings yet another sonic character. It's the volca drum digital percussion synthesizer.

Based on a simple trigger waveform, wave folder and overdrive are used to add overtones and distortion, and then a waveguide resonator effect brings the sound to life. The six-part DSP synth engine was designed with a completely different philosophy than conventional drum machines, and generates a wide range of unexpectedly different sounds. And of course, you can play those sounds from the volca-style sequencer.

Adding these distinctive sounds to your rhythms will revolutionarily transform your performances and productions.

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Vintage ARP AXXE Monophonic Analog Synth

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Note this is for sale from peahix of opitgan.com. It's the one featured in this video. You can find audio demos of this exact unit here and here.

"This Axxe was serviced by a qualified tech about a year ago, and at that time it was 100% functional and working well. The keyboard bushings were also replaced. I have not had a chance to use it much since then, so it's likely that it will at least need to be calibrated. Also, since this is an old piece of electronics, the usual caveats apply with respect to its long-term functionality. It will almost certainly need to be maintained by a qualified tech in order to continue working well. Cosmetically it's slightly rough- study pics carefully. The bumper sticker on the back adds an odd bit of charm, so I left it intact, though it should be easy enough for you to remove if you wish..."

3 Modules #73: Dixie 2+, Marbles, Maths

Published on Sep 6, 2018 Comparative Irrelevance

"I call this one 'choking pulse waves'. Who knows, maybe Eurorack Generative Lo-Fi Video Game Boss Music will be the next big thing?

This patch consists of two voices, where both take advantage of pulse width modulation to "choke out" the sound between notes. I don't know if there's a technical term for this ("this" being pulses that are extremely wide or slim to the point of disappearing), but it reminds me of dying batteries. In the world of effect pedals – analog distortions in particular – a dying battery or underpowered PSU can sometimes be used deliberately to achieve a certain sound. This is called a sustained voltage sag, or voltage "starving". So starving or strangling is what comes to my mind when I hear the sound of disappearing pulse waves. Lovely.

Patch notes:

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