ADS-7 is an analog drum synthesizer inspired by the drum machines/synthesizers of the 70s-80s with a built-in 32-step sequencer and MIDI control.
It has 65 controls, 4 switches and 27 buttons with which you can have a wide control over the sound parameters, sequencer and MIDI. It has individual audio outputs and individual trigger inputs for each of the seven sounds. Assembled in Moscow/Russia using discrete components and OTA chips.
Specifications
Fully analog, through-hole components; 7 individual sound channels: BD, Clap, OH/CH (choking on/off function), 3 separate Generators (GEN) with Band-pass and Low-pass filter options; 65 knobs/controls for different sound shaping options: from standard noise to metallic tones; 16/32 step analog sequencer; Ability to clock external gear with the sequencer; Up to 32 steps preset loading/saving slots; MIDI In/MIDI Out; 3.5 mm individual triggers; Stereo/individual 6.3 mm outputs for each sound plus 1 trigger out; Steel casing; Dimensions: L330xW250xH140 mm; Weight: 3.5 kg (without power supply); 15 VAC 220v power supply (included)."
"SonicProjects OP-X PRO-3 virtual Oberheim OB-X Jupiter-8 Prophet-5 clone demonstrating some of the totally 475 built-in famous 80s sounds.
The keyboard top-view lets you learn how to play the sounds.
Setup: E-MU Xboard 61 MIDI keyboard MacBook Pro M1 2020 with macOS Ventura 13.4 Apple Logic Pro OP-X PRO-3 version 1.0.3 with blue skin installed
The stereo output of OP-X PRO-3 is directly recorded to disk. No external treatment of any kind involved.
The video features a selection of 166 of the totally 475 built-in famous 80s sounds. There's a "best of" famous bank on top featuring 128 selected patches. In the bottom area of the banks pane on the left there's a section called "F ---- famous A-Z ----" which offers a total of 475 alphabetically sorted famous 80s patches including alternative versions.
All featured sounds can be checked out with the free demo version. https://www.sonicprojects.ch/opxpro3/"
"GForce Software and Oberheim proudly unveil the DMX, an ode to the legendary drum machine of the past, seamlessly integrated with the speed and versatility of today’s digital realm. The DMX™ is a time machine that bridges decades of sound with the future of rhythm.
Credits
@AlexBallMusic - video production and voice-over.
John D. - Hardware demo audio and video.
Bouddicca’s Bass Service - audio track at 4:03min
Demo Note - The output of the LM-1 and the hardware DMX kits have been enhanced with EMT Reverb, EQ, and Tape Saturation. The GForce DMX is shipped with both clean and processed kits, many of these being used in the demo. Any perceptible sound differences between the hardware and software used in this demo are due to differences in sound levels and the presence of the EMT Reverb."
"The Oberheim DMX by GForce is an ode to the legendary drum machine of the past, seamlessly integrated with the speed and versatility of today’s digital realm. The DMX™ is a time machine that bridges decades of sound with the future of rhythm.
Authentic Sound, Unmatched Clarity – Experience the raw power of vintage drum sounds, meticulously crafted and enhanced for crystal-clear quality without losing their classic soul. Intuitive Design, Infinite Creativity – With its sleek, user-friendly interface, the DMX invites novices and seasoned professionals to explore, experiment, and express without bounds.
The Oberheim DMX drum machine has left an indelible mark on the soundscape of popular music, crafting the rhythmic foundation of timeless tracks across a spectrum of genres.
From the driving beats of New Order‘s “Blue Monday” and Madonna‘s “Holiday” to the foundational rhythms of Run-D.M.C.‘s “It’s Like That,” the infectious Phil Collins’ “Sussudio”, the seminal Hip Hop/Electro jam Davy DMX’s “One For The Treble” or the uplifting grooves of Eurythmics’ 1983 album, its influence is unmistakable. Even Daft Punk‘s “Discovery” album owes a nod to the DMX.
We included all of the original DMX sounds from its launch in 1981, as well as the updated DMX sounds introduced around 1983. We’ve complemented the DMX sound set with the DX and the Sequential Drumtraks ones plus many alternatives.
The DMX by GForce Software is more than a drum machine; it’s a declaration that the beats of the past are the heartbeat of the future. It’s designed for those who revere the rhythm legends of yesteryears but are eager to push the boundaries of what’s rhythmically possible tomorrow.
Jumpstart your creativity with a comprehensive collection of classic MIDI files. These carefully selected rhythms offer a nod to the iconic beats that have shaped music history, ready for you to re-imagine and integrate into your modern productions.
Finally, we’ve incorporated kits that capture the raw, unprocessed sound of a DMX/DX, as well as kits that are professionally produced and ready for immediate use in your productions.
Step into a world where vintage vibes and modern moves converge. With the GForce‘s Oberheim DMX, unleash patterns that pulsate with the lifeblood of classics, refined by the precision of modern technology.
Classic Sound, Modern Control: Dive into the original eight-part sound kit of the Oberheim DMX, now augmented with comprehensive control over pan, solo, mute, pitch, decay, analogue-style delay send, and the lush, spacious reverb send for each channel. Masterful Manipulation: On the master channel, a multi-mode filter, distortion, and compressor offer the ultimate tools for adding depth, warmth, and punch. Sculpt your overall sound with precision, adding that sought-after character only found in vintage gear. Recreate some of the most iconic beats or twist them into something uniquely yours, all while benefiting from the timeless sound that has defined the rhythm for generations.
It’s time to let your beats tell a story as timeless as music itself."
"This is a collection of 12 devices for making rhythmic music in Ableton Live 12. They are some of the first Max for Live MIDI Tools, which is a new class of Live device that generates and transforms MIDI clips.
I’ve always liked to make complex rhythmic music, but in the past I found the piano roll in Live to be clunky and tedious to use. MIDI Tools resolve this problem by allowing us to create simple devices that automate processes that would be tedious or impossible to execute manually. Every device in this collection is designed to help you make exciting, novel rhythmic music quickly and playfully.
The 'quickly and playfully' is really important to me. For me, making electronic music has always been about getting a pattern running, listening to it, then tweaking it with whatever knobs and sliders are available to me. Working this way puts you in a sort of dialog with the machine, where you’re acting, then listening, then acting, then listening, and so forth. This process works best when the cycles are fast, which means that the tools have to be fun and easy to use. They have to deliver results quickly.
I could summarize the practical value of these tools with three statements:
They generate ideas to get my creativity flowing
They all you to create rhythms (such as nested rhythms, rallentandos, and polyrhythms) that are very difficult to create using the piano roll interface
They help you create variations on rhythmic and melodic ideas, to make your music varied and interesting.
I’ve also found that the power of these devices really emerges when you use them in serial workflows. By this I mean that you start with some initial MIDI (maybe from a Generator, or maybe not), then process the MIDI with several different transformers.
You can see an example of a serial process in THIS VIDEO, in which I create some rhythmic containers using the Blocks generator, then used the Divs transformer to subdivide those containers to create a new rhythm, then used Feel to dial in the groove. There’s tons of ways to mix and match the devices, which means lots of space to develop your own favorite approaches.
These devices all work with Ableton 12’s new Scales feature. When a scale is enabled on the MIDI clip, the device will only produce notes that are in key. If you disable the scale, then you can work chromatically. The devices are also aware of Live’s themes, so your devices will always match the look and feel of your Live set."
"This is a demo of Loom controlling the Bleass Megalit virtual instrument.
Loom is a multidimensional MPE MIDI Controller designed for immediate playability and expressiveness.
At Aodyo Instruments, we have drawn on our previous experience with the Sylphyo and the Anyma synthesizers to offer musicians a versatile and powerful device.
Whether you play live, record in the studio or compose music in your bedroom, Loom will become a flexible and original addition to your setup."
"The Wavy Industries Monkey (https://wavyindustries.com/monkey ) is a tiny 2 octave #midikeyboard that comes with a 16 track #sequencer /looper, #arpeggiator with different styles, and a lot of built in MIDI effects (delay, stutter...). This video is a short walkthrough and also a rant on the state of bluetooth midi on Windows and Linux
00:00 demo 1
00:27 hi
00:58 bluetooth MIDI on Windows - oh well
02:32 hardware walkthrough
06:45 call for papers ;-)
07:07 16 track sequencer demo / jam
10:45 verdict
11:26 extra: playing a hardware synth, and bluetooth MIDI on Linux - oh well
13:59 bye-bye
"Monkey is a pocket sized Bluetooth MIDI keyboard. It has several built in unique MIDI effects, a drum machine and a looper. Each of the effects is equiped with 10 different algorithms. Monkey is optimised for low latency and low power consumption, enabling several months of usage without changing the battery. It connects to lots of hosts including macOS, OP-1F, ipadOS, Windows and Android.
We believe Bluetooth has great unutilized potential. But we can not tap into this without making Bluetooth very easy and practical to use, and providing high reliability. Monkey is our first product which taps into this. From our perspective we don't see a bunch of Bluetooth-centric MIDI devices on the market. This is the core idea from where Monkey originates from: lets make a device which only connects via Bluetooth and explore which new form factors and workflows spores out of this idea."
"The MicroFreak iOS Editor is a Surface that can be loaded into the "Surface Builder" and is then a fully-fledged Midi Editor for the MicroFreak Synth.
- Controller automation can be recorded in the AU3 plug-in version, in the DAW.
- With the clear editor surface an intuitive working is possible.
Can be used for iPhone and iPad as Standalone and AU3 plugin.
"Fully functional Korg Delta, fun and easy to use synth that nails many classic sounds. Recently serviced and calibrated. The power transformer has been swapped from 100V (Japan) to a 120VAC unit for normal North America operation. Power supply fully recapped, noise free unit with lots of vibe! Works and sounds like it should. No issues.
Korg's Delta is an analog semi-poly synth/string machine, basically a slimmed down version of the Korg. Though limited in the range of sounds compared with other synths of the same genre, the sheer quality of the sound from this little beastie really does make it something of a marvel. Amazing retro synth strings and fat bass synth tones.
The synth is split into two sections, Strings and Synth, for which there are separate audio outputs along with a combined output for headphones or mixing. Each section has its own controls. The String section has two pitch sliders (16' and 8') along with two tone controls (Bass and Treble) and variable Attack and Release controls to modify the sound. The Synth section has four pitch sliders (16', 8', 4' and 2'). There is also a white noise generator along with a very effective 24dB/oct low pass filter (high pass and band pass options are included too) and full ADSR controls. The synth has no memory storage or MIDI, however it does has voltage control and gate ins and outs.
The string sounds are very basic but with its separate outputs and when mixed together with the polysynth you do get that classic 'layered' sound which is useful enough on this synth; and it's fully polyphonic, so you wont be running out of notes! There is a handy joystick to the left of the 49-note keyboard for pitch bending and modulation capabilities. The construction is solid and heavy partly due to the implementation of a wooden base but also because it was designed for heavy usage on the road. Added bonuses: noise modulation, stereo out (strings/synth split), and the ability to combine synth and strings or turn off oscillators in the mixer section."
"The Rozzbox One V2 is a poly synth created by Kilian Leonhardt (LL Electronics). Released in 2008. Roughly 50-60 were made.
Ahead of its time, between digital and analog, this synth is perfect for making drones and pads.
No FX, only Rozzbox.
Not your typical poly synth : - 5x voices polyphonic synthesizer - 4x digital oscillators with 20 waveforms - Digital and analog filters on each voice + one tube filter. - FM mode with 7 algorithms - Ring modulator - Audio input - 4 completely independent sequencer lines per voice, each with its own running mode and synchronization settings - Complex 4-point modulation matrix with 16 sources and 16 destinations - Complex trigger matrix with unlimited connection count, for interconnection of LFOs, sequencers, envelope triggers, MIDI clock, - The switchable “Hacker” adds artificial analog aliasing (tunable) - Bit reduction / Sample rate reduction - Full MIDI control of every parameter
Includes 3 self-resonant Filter-Types: - Digital high pass/low pass filter with resonance and 24dB/octave (4 filter poles) - Analog low pass ladder filter with resonance and 24dB/octave (4 filter poles) - Completely tube-driven analog low pass filter with resonance and 12B/octave (2 filter poles)"
"Let's try out the new Ableton Live 12 using our Novation Launchkey 25 and explore the latest Live 12 features, tools and instruments. For this we've used our Launchkey MIDI keyboard controller to test and play around with some of the new features in Live 12 in a hands-on approach."
Chapters:
0:00 - Ableton Live 12 and Novation Launchkey, a perfect match!
1:00 - Using Granulator III with the Launchkey
4:50 - Adjusting Meld with Launchkey
5:52 - Controlling Roar parameters with Launchkey
7:17 - Experimenting with new Ableton Packs
8:38 - Diving into Ableton’s MIDI Editing tools
11:04 - Using Launchkey’s Custom Modes in Ableton Live 12
13:59 - How do different Tuning Systems work on the Launchkey?
16:29 - Ableton Live 12 and Novation Launchkey Conclusion
"This is a video I have made for a live music video 'challenge' at the German synth forum sequencer.de. I won with that. But there was nothing to win but experience and honor.
The center of this setup is the MPC One. It plays just midi pattern that I composed beforehand for the GS Music E7, the small Roland and the Novation Peak. The Kurzweil is not controlled, but the E7 runs through the audio ins and is used as a FX processor with delay and reverb for the E7. The PC4 is just played with internal sounds here. Switches and sliders are either set to control internals, the E7 or the fx. I progammed a multi that is able to play the sounds via switch and control the fx as well.
The last pattern is a respectfully stolen melody of Ehsan Gelsi. The whole style of this live sequencing is the technique he shows in his videos."
a limited batch of 100 zeptocores are being pre-released TODAY. to say thanks for being a loyal customer, here’s a special 10% off coupon just for you: use THANKYOU0426 discount code at checkout.
stereo playback · 16-bit audio @ 44.1kHz · 16 banks each with 16 samples (max 32GB) · pre-loaded with breakbeat sample packs · 16 different effects · single-cycle wavetable synthesizer · sequencer with quantization · clock sync out · MIDI (in + out) over USB · built-in 8-ohm speaker · powered by two AAA batteries or USB · open-source · available in noche (black) and aubergine (purple) · handbuilt in Seattle, WA"
"This is a blue limited edition, of which only 50 were manufactured. SFX60 MKII is a 6-track synthesizer with 6-track effects system, 6 MIDI tracks step sequencer, and 18 LFOs.
Five sound engine systems are built in (SUPERWAVE, SID, DIGIPRO, FM+, and VO).
With the MKII, the main unit is slimmer and the number of pattern steps has been enhanced from 32 to 64."
'Welcome to Bad Gear, the show about the world’s most-hated audio tools. There is no lack of compact, costly and multitalented touchscreen devices in our lives and usually we want to get away from them - especially when making music.
Today we are going to talk about 1010music blackbox. This 2019 “thing” not only threw down the gauntlet to its competitors in the crowded field of sampler / sequencer combos with an acute fit of feature-based megalomania, it also wants to take on the big Berlin Excel of DAWs."
Chapters: 00:00 Intro tune 00:50 Overview 1010 music black box 01:17 Concept (Pads, Loops , Slicer , Granular Synth ) 02:04 Sampling , Multisampling , Recording , Looper 02:14 Sample Playback Functionality, Engine 02:41 File Management, Polyphony 02:53 What to do with it? 03:09 Sequencer, Limitations 03:51 Controlling External Instruments 04:00 Is this a Bug??? 04:10 I'll Skip Song Mode 04:14 FX Section 04:24 Mixer, Connectivity, Midi Host , Multiple Outputs 04:44 Eurorack Integration 04:53 What else? (Clock, Midi , Thanks) 05:19 Hate 05:42 Jam 1 ( House ) 06:35 Jam 2 ( Drum'n'Bass ) 07:37 Finale ( Granular Electronica ) 08:08 Verdict 09:15 Patreon Vocoder Shoutout (more of a granular one ;))
"Take a dive into the Disting EX with someone who hates this sort of thing. Can I find something awesome behind the complexity and versatility of the Expert Sleepers ultimate multi-module?"
Index: Intro - 0:00 Sorting out the screen - 10:25 Tiny MIDI Breakout - 15:29 Plugging it all in 17:51 Updating the firmware - 20:47 Enabling the screen - 23:44 Intro to Disting EX menu system - 27:26 SD Multisample - 29:46 SD Card Glitch - 44:40 Taking Chords from the Pianist - 55:44 Presets - 1:1:29 Assigning Modulation - 1:05:40 SD 6 Triggers - 1:08:54 MIDI Input - 1:10:35 Auto Sampling the Taiga - 1:13:14 Conclusions - 1:23:57
Disting EX 1U Screen and Tiny MIDI Breakout DIY Build
"Want to add MIDI and a larger screen to the Expert Sleepers Disting EX? Here's how you do it. This video is a companion to a larger, full review of the Disting EX which you'll find in the channel."
"Analog Classics is a collection of 50 patches: 18 Leads, 16 Basses, 16 Plucks for the semi-modular synthesizer Behringer K-2.
It includes famous sounds that are found in many electronic tracks, from vintage to modern, musical solo timbres; basses that will fit into any track or performance.
💈 The patches will add uniqueness to your music, featuring the characteristic sound introduced by the Behringer K-2.
🖲 Plucks are excellent for use with arpeggiators or sequencers. In most examples of this category, I utilize an arpeggiator. K-2 doesn’t have a built in arp/seq, but you may integrate your preferred arpeggiators or sequencers from your DAW or MIDI controller.
📻 The presets are suitable for a variety of genres, including: ambient, electronica, IDM, deep, techno, house, progressive, trance, lounge, downtempo, pop, chill out, new age, cinematic, breaks, jungle, drum and bass, dub and others.
📚 The soundset is presented in the form of PDF-Document. Each page contains notes that explain how the patch works, what parameters are worth tweaking during playback, and how to develop the timbre during a performance. If you make all the settings consciously and try the things mentioned in the notes, you will learn a lot about the synth and discover its true depth.
🎛 To recreate these patches, you will need up to 2 patch cords. There are audio examples of all patches inside the folder with the soundset.
Drums and pads from the video demo are not included into the soundset."
Roland FANTOM EX Synthesizer | Performance featuring LZARUS
video upload by
"FANTOM EX is the latest chapter of the FANTOM legacy. Watch producer and session keyboardist Laurence Jepson, aka LZARUS, perform with the most advanced creative synthesizer ever. Check out an array of FANTOM EX features in action, including German Grand V-Piano Expansion, JUPITER-8 ACB Expansion, live bass recording with JX-8P Model Expansion, TR-REC step sequencing, vocoder, n/zyme Model Expansion, and Shimmer Reverb.
About FANTOM EX
FANTOM EX provides a complete creative ecosystem for professional sound design, sequencing, and performance.
Explore the most advanced Roland sound engines—ACB, ZEN-Core, V-Piano, SuperNATURAL, Virtual ToneWheel, and other Roland technologies. Plus, SH-101, JUPITER-8, and JX-3P* ACB Model Expansions and six additional pre-loaded ZEN-Core Model Expansions, including n/zyme for advanced wave design, vintage-inspired instruments, premium pianos, essential organs, and more.
Integrate seamlessly with any computer-based setup with dedicated modes for Ableton Live, Logic Pro, MainStage, Cubase, and Studio One. Sample directly into the synth and trigger, loop, program, create new tones from partials, or use multi-track sampling to stack sources into complex sounds. Then, refine your sound with Master FX and preset templates.
Developed in collaboration with renowned synth designer Axel Hartmann, the FANTOM EX hardware and user interface is built to support your creativity with intuitive operation and world-class playability."
"Roland's latest iteration of the Fantom is now the Fantom EX which is essentially the same Fantom you could buy yesterday, but now with the EX software expansion.
David aka @superfrogsavestokyo has a look at the new EX features, but with the regular Fantom hardware. He builds some musical sketches to demonstrate the new ACB models and the n/zyme Wavetable synthesizer."
Roland press announcement follows:
The Acclaimed FANTOM Synthesizer Series, Supercharged with the Latest Roland Sound Technologies and Updated Creative Tools
Los Angeles, CA, April 25, 2024 — Roland announces FANTOM EX, a new flagship synthesizer series for professional musicians and producers. Updating and expanding the popular FANTOM platform with the latest Roland technologies, the next-generation FANTOM EX delivers a complete creative ecosystem for sound design, sequencing, and performance. In addition to the FANTOM 6 EX, FANTOM 7 EX, and FANTOM 8 EX models available to new purchasers, current FANTOM owners can expand their instruments with all EX sounds and features through the FANTOM EX Upgrade for sale on Roland Cloud.
Introduced in 2019, the Roland FANTOM has received worldwide acclaim for its diverse range of high-quality sounds, powerful synthesis tools, premium playability, and free-flowing user interface. FANTOM EX builds on the original’s foundation, supplementing the core feature set with Roland’s Analog Circuit Behavior (ACB) engine and numerous sound expansion titles, including the recently developed JX-3P ACB Expansion. New effects and a host of fresh workflow enhancements are also included.
Each FANTOM EX model provides the most expansive collection of premium sound engines available in a hardware instrument. Roland’s ACB, ZEN-Core, V-Piano, SuperNATURAL, and Virtual ToneWheel technologies spark inspiration at every turn, providing expressive and inspiring sounds for every musical style.
With FANTOM EX, users can compose and perform with over 7000 genre-defining Roland sounds and go further with premium sound content on Roland Cloud. Eleven sound expansion titles come as standard, including JUPITER-8, SH-101, and JX-3P ACB Expansions; n/zyme, JD-800, JUNO-106, JUPITER-8, JX-8P, and SH-101 Model Expansions; the German Concert V-Piano Expansion 01; and the SuperNATURAL Acoustic Piano 3 Expansion.
The powerful custom processors in FANTOM EX provide smooth and precise operation with plenty of overhead, enabling loads of polyphony and full patch remain for seamless transitions. There are dozens of simultaneous effects, including new studio-grade reverbs and updated Master FX for shaping the overall sound. A characterful analog filter is also available, perfect for infusing tones with extra warmth and grit.
FANTOM EX is primed to be the center of any production universe. Users can directly shape sounds and develop musical ideas with a friendly, ergonomic panel filled with buttons, knobs, and sliders. The color touchscreen dynamically changes to support the task at hand, and it’s now possible to personalize the look by importing custom images for the screensaver and startup view.
The deep onboard sampling and composition tools in FANTOM EX support fast sound creation and quick arrangement of song ideas. Multiple workflow options include the classic Roland TR-REC step sequencer, real-time recording with piano roll editing, and 16 RGB pads for triggering sounds, samples, and clips.
FANTOM EX flows effortlessly into any computer-based production setup. There are dedicated modes for popular software platforms, including Ableton Live, Logic Pro, MainStage, Cubase, and Studio One. With the built-in 16x3 audio/MIDI USB interface, users can mix and layer soft synths with hardware sounds, send sequencer parts to computer tracks, route DAW sources through FANTOM EX effects, and more.
The loaded FANTOM EX rear panel supports connections with a wide range of gear. There are XLR combo connectors for mics and instruments and eight 1/4-inch outputs to route sounds to external destinations. MIDI I/O is also available, along with dual CV/Gate outputs for driving modular and analog synths.
Each FANTOM EX model comes equipped with a premium keyboard and aftertouch support. The FANTOM 8 EX offers the ultimate weighted experience with 88 hammer-action keys, while the 61-note FANTOM 6 EX and 76-note FANTOM 7 EX feature semi-weighted synth action. Precision-crafted with decades of Roland development knowledge, these inspiring keyboards deliver the most expressive playability available.
Released in November 2023, the FANTOM EX Upgrade on Roland Cloud allows owners of the original FANTOM 6/7/8 models to outfit their instruments with the newly added EX features, including JUPITER-8, SH-101, and JX-3P ACB Expansions, n/zyme and JD-800 Model Expansions, two new grand pianos, and all other EX enhancements.
Availability & Pricing
The Roland FANTOM 6 EX, FANTOM 7 EX, and FANTOM 8 EX will be available in the U.S. in April for $3,199.99, $3,699.99, and $4,199.99 respectively."
"Elektron's new Digitakt II is here! One of Elektron's most successful drum machine samplers has grown up with a plethora of new features beat makers are going to love. Most notably the Digitakt II is a 16 track, stereo sampler with 16 MIDI tracks, 128 step sequencer, 20GB of storage, 400MB RAM with access to 1024 samples per projects. In this video we unbox the new Digitakt II and have our first play with this sampling powerhouse. All the sounds on this video are purely from the Digitakt II, no additional processing or external sound sources were used.
The Digitakt has gained almost cult like following since its release in 2017. Beat makers across the spectrum of electronic dance music have loved how immediate the original Digitakt was at sampling and performing especially with that legendary parameter locking Elektron sequencer, all in a neat little package. The original Digitakt truly fulfilled its potential to the max.
Elektron have listened and designed the new Digitakt II in a familiar shape, with all the same recognizable playfulness, but now offering so much more than before. Original Digitakt users will salivate over the new Digitakt II features with more machines, more LFOs, more filters, more effects, more everything! The new features on the Digitakt II makes it more of a groovebox; a potent addition to your studio and for performing live with.
Here's what Elektron are saying:
Send yourself to another sampling dimension. With Digitakt II, you can weave splinters of sound in stereo, ripped from the moment and brought to your fingertips for marvelous audio manipulation and beat arraying. Preserve or distort reality as you so desire with 16 tracks ready for stereo or mono samples, or MIDI. Choose from several swappable filters for each track and utilize a wide assortment of effects and modulation, pull on enhanced processing power, and enough memory for a lifetime of samples. Further tasty features like a Euclidean sequence generator, an extended 128 step sequencer, kits, trig modes, an extensive sample library, and a modular workflow to play with ensure your sonic-montage sculpting potential will know no beat-making bounds."
"From AVP:
