1. Generator v1 // Generative Ambient // Sequential Pro 3
"Some say that it is a modular system within itself and well, it is amazing all the modulation options with the Mod matrix. I started with a generative patch and progressively added modulators to the modulators, on an Eurorack kind of way to (hopefully) make a more interesting pattern.
The sequencer is on paraphonic mode with 3 independent lines on random mode, over G minor and D minor chords."
2. Opening // Sequential Pro 3, Elektron Digitakt, Guitar
This track to me sounds like the opening of a horror show or a thriller.
Nearly a year since the last of these videos. Many proyects and a kid after I can sit and play again, make little pieces with no objective in particular.
Pro 3 is mostly holding a chord with its sequencer moving the filter cutoff around as well as other parameters. On the Digitakt I have loaded a bass line and sparse notes from Pro 3, as well as the usual stuff. Small improvisation on a Minilogue xd off camera, and towards the end I activate the Arp Latch to continue playing. The push is controlling the Arturia Pigments on a preset that reminds me pretty much to the Binding of Isaac's soundtrack.
4. Dark Drones for darker times // Sequential Pro 3
We will never learn from the mistakes of the past, there is always a minority who will jeopardize everything we fight for every day...
5. Ambient Glitches // Digitakt + Sequential PRO 3
Love making these glitch beats to build pieces on top. The Sequential Pro 3 is so good for these genre!
Also, shining lights.
6. NEW SYNTH DAY // Sequential Pro 3 + Digitakt + Pigments
"I finally took the plunge and got one of my dream synths, the Sequential Pro 3. A mono/paraphonic beast that makes every other synth I've owned look like a toy. The only complaint is that I didn't go for it much sooner. Of course one of the first things that I had to do was to put it to work in conjunction with the Elektron Digitakt. Of course they get along great. There are several sounds like the pluck and the sub bass that come from Arturia Pigments, the first improvised with the Digitakt chromatic keyboard, and the second sequenced. There is also a choir sound from Ableton Live sequenced from Digitakt. The beat in Digitakt has a "hidden layer" with conditional triggers assigned to the fill button, which triggers a sub kick, as well as several extra percussive sounds. The first of many videos with this keyboard. Enjoy."
While we wait for the 30th though, check out their Ambient Sound & Music Retreats. Yes they know about the acronym, but they don’t like to shout about it, of course...
Set in a lush villa in Mallorca, this is not like other retreats. It’s a holiday for, well... people like us!
With your very own Field Kit of wonderful music devices to play with for the whole week, guest facilitators, sound walks, workshops, performances, an instrument library and full catering… it really is unlike any other retreat we’ve ever seen.
Check the website for more information and all booking details for their next sessions in November ’23 and Spring ’24. You can also sign up to their newsletter on their website to get exclusive previews of PlayFader and special offers on the Ambient Sound & Music Retreats.
"This is the 1st of 2 versions of ARP Sequencer produced - it's got a smaller footprint than the later version, is lighter weight, and is made to match some of the earlier ARPs, though it will still look rather pretty next to later ARPs or synths by other brands. This analog sequencer was designed to be used with the ARP 2600 and Odyssey but will work with many other analog synths with CV and gate inputs. Instead of entering notes from a keyboard, this sequencer gives you knobs to tweak the pitch with your fingers - all you have to do is dial up the sequence you want, with no knowledge of notes necessary. Since this sequencer outputs voltages, as long as you have the right connections on your synth, you can use it to control other voltage controlled parameters - many old and now new analog synths have CV inputs for volume and filter frequency, which can also be controlled from this sequencer. ARP seq's are great for people who like to tweak until they come up with something interesting. It's a much more hands on and experimental approach to making music. This sequencer is the perfect tool for recreating that early electronic music vibe, is great for making new techno loops or experimental music. It's not just limited to these styles but is best suited to them. It's an excellent piece to interface with most modular synthesizers because it has patch points for everything.
-16 faders
-16 step or 8 x 2 (parallel) step mode
-sequential or RANDOM sequence mode switch
-GATE ASSIGN BUS! - each step can output a gate out 1 of 3 gate bus outs - this is great for sending gates to different synths or envelope generators at once.
-2 channels of voltage outputs - 1 for the first set of 8 faders and a 2nd for the other set. This way, you can use your first set for pitch and your 2nd for filter cutoff, for example.
-2 quantizers! Unlike most analog sequencers, this one quantizes its outputs so that it will easily play stepped pitches -it's much easier sequencing 12 tone melodic parts when you don't have to fine tune every step but at the same time, the quantized outs on this sequencer have a much narrower pitch range than the other outs. Note: we calibrate our ARP sequencers to output 1 volt per octave. If your synths oscillators are not set to respond to 1 volt per octave, either due to design or due to being out of calibration, the quantized outs might not sound in tune. The main CV outs will work fine in this case, though you should really have your synth serviced if it's supposed to be 1 volt per octave.
-skip/off/reset switch, button, with input for external control
-clock frequency fader and FM fader with CV input - very cool for modulating clock speed!
-pulse width fader with PWM (width modulation) in jack
-clock out with LED
-quantized outs a and b
-cv input
-input a and b
-sequencer outputs (not quantized)
-multiple jacks (4)
This is a really fun piece of equipment that's more inspiring to us than most modern day sequencers. It makes a great addition to any analog synth studio / collection. Remember, you dont have to have an ARP synth to use this piece."
Introduction to Harmonia - Oscillator Basics | Cherry Audio
"Synth designer Mitchell Sigman of Cherry Audio introduces HARMONIA, a new and original virtual instrument designed to effortlessly create rich, evolving polyphonic sounds often associated with vector and wavesequencer synthesizers of the 80s and 90s.
In this tutorial video, Mitchell details the unique oscillators at heart of Harmonia. Using techniques similar to those found in additive synthesis, each Harmonia oscillator can simultaneously produce up to eight pitches, individually tuned to a harmonic series or semitones. Using modulation, producers can effortlessly create unique morphed and sequencer-like tones by varying the combinations of waveform selection and harmonic presets.
Harmonia is available at https://cherryaudio.com and authorized resellers worldwide for $49 (MSRP $69)"
Harmonia is the latest innovation in virtual synthesizers from Cherry Audio, following on from their acclaimed original instruments, Dreamsynth and Sines. We designed Harmonia to create rich, evolving polyphonic sounds like those associated with vector and wave sequencing synthesizers of the 80s and 90s, but through a more effortless and visual technique.
The magic behind Harmonia lies in its two sample-based oscillators. Using techniques similar to those found in additive synthesis, each Harmonia oscillator can simultaneously produce up to eight pitches, individually tuned to a harmonic series or semitones. The volume for each pitch harmonic can be fixed or dynamic, and Harmonia’s unique interpolated harmonic scanning enables dramatic sweeps and melodious sequences through a single modulatable slider.
Harmonia derives its distinctive organic sound from hundreds of sampled waveforms recorded from various synthesizers, traditional instruments and voices, colorful “lo-fi” sounds, and more. User samples can be imported, further expanding Harmonia’s tonal palette. Producers can effortlessly create unique morphed and sequencer-like tones by varying the combinations of waveform selection and harmonic presets.
Harmonia reaches new heights by providing four syncable polyphonic LFOs, an expansive stereo multimode filter, click-and-drag envelopes, and a massive mod matrix with eight slots for dozens of sources and destinations. Harmonia includes support for aftertouch, flexible MIDI mapping, and a collection of over 350 breathtaking, professionally designed presets. Harmonia also has 17 studio-quality effects such as distortion, chorus, phaser, echoes, reverbs, and more - all fully modulatable through the matrix.
Harmonia Preset Pack Preview - Euphonic Sonics by James Dyson
Also available: Euphonic Sonics for Harmonia Preset Pack (sold separately), featuring 100 fabulous presets further showcasing Harmonia's outstanding atmospheric tones, compelling sequences, dreamy pads, basses, poly synths, keys, leads, and more.
'A Moment in the Rain' by James Dyson, performed with presets from the Cherry Audio Preset Pack "Euphonic Sonics for Harmonia." This preset pack for Harmonia is a collection of 100 additional presets by sound designer James Dyson. Available exclusively through Cherry Audio for $9.99, sold separately and requires Harmonia.
• Harmonia is available in AU, VST, VST3, AAX, and standalone formats.
• A free 30-day demo is available. This demo will play white noise periodically, but is otherwise unlimited.
• macOS Requirements: macOS 10.13 or above. 64-bit required. Native Apple M1 processor support, including Apple M1 Ultra. 3.4 GHz Quad-Core or M1 CPU with 8GB of RAM recommended.
• Windows Requirements: Windows 7 or above (including Windows 11), 64-bit required. Quad-core computer with 8GB of RAM recommended.
• Hard disk space: 116 MB
"One of the most powerful hardware-based virtual analog synthesizers. Get one of the last few copies worldwide with 10% discount and a backpack for free!
With its eight independent ‘Parts’ and the ability to play up to 16 voices per Part, KYRA is a true multi-timbral talent. In 2019, Kyra saw the light of day and has since inspired many artists worldwide. We would like to sincerely thank all our customers for their trust in our products.
Only a few copies are still available for the KYRA in white and the KYRA in sea blue. All orders from today on will be delivered incl. a Waldorf Travelbag*.
As long as stock lasts.
We ship KYRA only within the EU.
1.774,80€ instead of 1.972€!"
--
Playlist:
Novation Summit - A playing attempt at Brian Crain's "Imagining"
One of my favorite piano artists Brian Crain, his song 'Imagining' attempting to play it. IIt definitely takes some muscle memory, but I love this song, love to hear it sound on the Summit.
Novation Summit - "Morning Stroll" SM Plucked Keys
Took a walk outside with the family in our new neighborhood... beautiful sunny day. Much to be thankful for. a short inspirational piece from that played here. I hope wherever you are you will find an enjoyable stroll for yourself.
Could pass for a guitar sound, do you think? Credit to Orano's patch again, some reverb from the flashback and hall of fame, subtle reverb and delay on the Summit, I know I know.. why not just use one or the other. Well, it's convenient to alternate, the HoF and FB pedals are primarily not adjusted as it's also sent thru my mixer as an FX channel for other instruments. Enjoy.
Novation Summit - "Aisle" - Multi Mode - 1. SM 5th Sense 2. Sm Who's Afraid (Orano's single patches)
Credit to Orano's Novation Summit single patches, I split them in multi mode, as you'll usually see me do. In this improvisation I'm playing with the delay timing effects on the #2 patch while playing pad on the #1. The onboard delay and reverb effects gives instant breaths for your creative atmospheres.
Novation Summit - "Crystal Falls" Multi Setting (SM Leviathan and SM Popcorn Arp)
Patch creation credit to Orano Music @ https://www.orano.co.uk/shop. Just having fun with blending his patches, very lush and enjoyable, highly recommended!
Novation Summit - SM Leviathan (patch Created by Orano Music)
This patch (along with many others) was created by Orano Music
Novation Summit - "Legendary Keys" - Solo Piano - Multi Mode
I like taking the same single patch and splitting them between both the A and B sections. There are a few minor tweaks between the two sections of course, the A section I'll use for solo piano playing with some slight filter manipulations while the B section is mainly conducting the arp in the play tick on the arp knob, this basically follows the key strokes and does a catch up, so to say, as there is also delay and feedback being added for dynamic effect. I like being able to create an immersivity effect to keep me going in my solo playing. The Summit never fails to conveniently produce this very basic task.
Since OBS has fixed their NDI plugin, it's less work around for me to set up these recordings again. Thanks for listening. appreciate any comments or tips for solo piano playing and any other recommendations to help me along this Summit playing journey.
"All 8 Moogerfooger Effects Are Now Available for Your iPad or iPhone
Experience the powerful sound and extensive feature set of our desktop Moogerfooger Effects Plug-ins from within your mobile production setup!
Compatible with your favorite mobile DAWs, Moogerfooger Effects for iOS bring the audio processing capabilities of classic Moog delay, modulation, filtering, distortion, and more to your device for professional sound design wherever inspiration strikes.
Grab any individual effect for $9.99 USD or the full bundle of eight for $39.99 USD now in the App Store! This introductory pricing is available for a limited time."
"Don't be scared - The Osmose isn't like other synths... but its nothing to be afraid of! In fact it feels like we're entering a new more enlightened era. One where we can show more emotions... let's not call it a woke synth though, I could get in all sorts of trouble ;) Would it wear a pink cowboy hat if going to watch barbie? who knows - but it does display A LOT of emotion and dynamics.
Just for fun I've swapped the 7 stages of grief to the 7 stages of enlightenment - because you do go through a process as you play with it. I haven't whitewashed over the negatives either as its all part of the journey. The software can be a b*tch at first, and its so frustrating that a few tweaks to the manual would've saved me a day or so of headscratching.
Overall though... phwoar!!
There are free patches and samples and stuff to buy here:
https://starskycarr.com
0:00 1 Shock - overview of the hardware
2:11 2 Realisation - whats MPE and how does it work
12:22 3 Conceptualisation - how to use it & controlling the sensitivity
15:21 4 Understanding - getting to grips with the Haken Editor
24:58 5 Rejection - some minor issues and some bigger ones
32:29 6 Acceptance - integrating into your studio
33:12 7 Enlightenment - Sunny Uplands of Synthershire"
Next-Generation Serial GK Digital Interface and Powerful New Guitar and Bass Synthesizer with the Roland ZEN-Core Sound Engine
Los Angeles, CA, July 20, 2023 — BOSS announces the new Serial GK system and the GM-800 Guitar Synthesizer, a powerful and versatile product that elevates guitar and bass synthesis into a new age of natural playability and boundless creative range. Driven by the newly developed Serial GK digital interface, the advanced ZEN-Core engine in the GM-800 unlocks any sound imaginable—from acoustic instruments to classic and modern synths—while high-performance DSP delivers tracking stability and expressive scope never before possible. Users can also expand the GM-800 experience with a growing selection of ZEN-Core content on Roland Cloud. In addition, BOSS has released a variety of complementary products for the GM-800 and Serial GK system, including GK-5 and GK-5B Divided Pickups for guitar and bass, BGK-15 and BGK-30 connection cables, and GKC-AD and GKC-DA GK Converters for interfacing with classic 13-pin GK products.
GM-800 Guitar Synthesizer BOSS and its parent company Roland have been the worldwide leaders in guitar synthesizer innovation for nearly five decades, beginning with the revolutionary GR-500 system in 1977. Expanding and elevating the concepts behind many historic Roland GR products, the GM-800 provides guitar and bass players with cutting-edge creative tools and access to sounds typically only available with keyboard-based instruments.
The GM-800 is built around the expandable ZEN-Core Synthesis System, the sound source found in professional Roland products like the JUPITER-X and FANTOM keyboards and ZENOLOGY software synthesizer. ZEN-Core combines modern PCM synthesis and advanced modeling to provide an infinite playground for sonic discovery. With over 1200 Tones, GM-800 users can play everything from pianos, organs, and orchestral instruments to classic Roland synth sounds like the JUPITER-8, JUNO-106, and many others.
"summer funk ! in this i took the patch 244/744 from the obie, and play an arrangement with an Arp on the Microfreak, a drum pattern on the Model:Samples and something live in addition on the Yamaha reface CP. Freak and the Yamaha went through my specular tempus, Obie and M:S came out of the box. All mixed in one take on the old Behringer analog Mixer MX802A.
Something that i like on the sequential is the fact that you can switch it into permanent sustain mode while running a sequence or Arp, when the sustain pedal is pressed. I soldered a footswitch thus i can switch it on if needed.
"Showcasing the possibilities of OB-6 doing half-randomly modulated sounds using the second oscillator as LFO. The result is 6 LFO's running in different stages but with the same tempo.
Footage from sweden...last year's holidays."
"Synclavier Digital releases regenerated Synclavier® II trailblazer as timeless Regen desktop synthesizer bolstered by present-day DSP developments
NOVA SCOTIA, CANADA: soft-launched late last year to widespread critical acclaim at the Synthplex® synthesizer expo and electronic music festival hosted at the Marriott Convention Center in Burbank, CA, USA with pre-orders opening for fulfilment in 2023, timeless synthesis product manufacturer Synclavier Digital is proud to announce wider availability of Regen — released as a desktop synthesizer that is, in short, a real regeneration of New England Digital’s seminal Synclavier® II digital synthesizer that took the pro audio industry by storm when introduced in its initial incarnation in 1980 (evolving beyond that to blaze more technological trails with polyphonic sampling and, ultimately, DAW — Digital Audio Workstation — capabilities well before that term was invented, even), extended and enhanced to take advantage of the increased computing power available today to make it as compelling in a modern setting as the prohibitively pricey original did during its time (finding favour with top-tier film composers, record producers, and recording artists), while the considerable cost and size reductions associated with Regen’s present-day design criteria conversely position it well within reach of (almost) anyone — as of June 29…
"For this one we channelled our inner Radiohead and made a beat with a 7/8 rhythm.
Come to @superboothberlin 11-13 May 2023 to chat to us and test our modules - we'll be in a beach tent together with all our friends @thisisnotrocketscience3942 @paultasbeeb @knobula6211 @apolloview9305 @vaskiembedded and Swampflux!! We are going to have a really good time and you are all invited to come and play!
Plus they are all debuting new modules we are really excited about!
In this video we are using #Farbfilter, an analog transistor ladder filter for Eurorack with a wicked overdrive stage and CV controlled resonance. We're still putting the finishing touches on this one, tweaking a resistor value here or there and taming the ranges a bit, but we love how it sounds already. A huge thankyou to @DivKid and @SynthDad for providing feedback on this one!
In this patch, #Stolperbeats is sending a MIDI sequence to the @WeAreElektron Model:Samples, playing Samples from the @GoldbabySamples Silverdrum Machinedrum pack for modelsamples. The bass is a PWM saw wave from Apollo View Modular's Allscillator complex VCO.
Both signals are filtered using the Farbfilter, with Stolperbeats sending a CV ramp to the filter cutoff of one lowpass filter and @Befacosynth Rampage being triggered to modulate the other. Enrica is controlling the offset for cutoff and attenuating the incoming resonance modulation. Kits will become available after Superbooth via our friends at @ThonkSynthDIY and @explodingshed5542.
Join our #superbooth workshop to solder with us:
Saturday 13.05.2023, 11:00 am – 3:00 pm Superbooth DIY Area Berlin
https://www.superbooth.com/en/events/
Or join us on Sunday for the DIY afterparty:
Sunday 14.05.2023, ca 5:00 pm DIY Kit Day Klunkerkranich Berlin
@berlinmodularsociety will be playing modular synthesizer tracks live!"
"Please support my work on Patreon: https://www.patreon.com/jayhosking A live, semi-improvised synth jam performed entirely on hardware.
The Moog One has become my end-of-day synth, where I just sit down and play for comfort. That ends up shaping the music itself, I think, and definitely is where this song emerged. I started with something ambient and melancholy, but I knew I wanted it to get huge.
Using the Moog One's multiple timbres, I made a pad, motif, and bass sound, and sequenced it all internally. For some extra oomph, I added my eurorack drum setup, which is sounding even better now that the Endorphin.es Ghost got a firmware update to improve filter and add sample rate reduction.
I couldn't get the Moog One to send clock out to the eurorack drums, so I had both synth and drums free running at the same tempo. I was happy they didn't drift too much!
And toward the end, I realized I needed another timbre for melody/lead, so I added the Subsequent 37. It's still one of my absolute favourites; it just has "that sound." The Microcosm adding some nice character to the melody, as well.
"Some sounds from the Osmose. An initial impression of what it sounds like straight out of the box. This will no doubt be making an appearance on my next solo album on DiN records."
"This is different. It's a new journey to embark on. and I love it. Please hang out with me on my first proper sit down with the production model Osmose. I love how expressive you can be with every patch."
"After a perfect storm of COVID and global parts shortages. The Osmose instrument from Expressive E is now shipping to the backers, next step is full production.
The instrument has an incredibly sensitive playing action with a custom keybed combined with the Eagan Matrix - a highly expressive and complex sound engine offering physical modelling, FM and a lot more besides.
We had a visit from Christopher who's the main product guy for the Osmose to show Gaz Williams where this exicting new instrument has got to.
00:00:00 Start
00:01:59 GPU Sponsor Mac Support
00:02:51 Overview
00:06:15 Eagan Matrix
00:09:01 Sounds
00:11:52 Controller?
00:15:42 Pedals
00:17:56 Control Section
00:22:18 Macros
00:25:59 Sensitivty
00:33:12 Portamento and Arp
00:36:49 Percussive voices
00:41:47 MPE
00:45:09 Case and Wrap"
And the press release with pics:
"Expressive E is proud to announce Osmose, the new universal standard for musical expressivity. Osmose is a polyphonic synthesizer that unlocks new ways to control sound and features a powerful sound engine created in collaboration with the leading-edge audio company, Haken Audio.
The conclusion of an epic adventure
Three years ago, Expressive E embarked on an ambitious adventure by opening the pre-orders for their standalone synthesizer, Osmose.
Osmose elevates a playerΚΌs experience by introducing a new landscape of features for musicians to interact with sound and produce music in new ways. It does this while not only respecting, but also enhancing the playerΚΌs existing keyboard skills. Every note can be articulated independently with unique expressive possibilities, such as those seen in this Osmose gesture compilation video: https://youtu.be/AA5xe7k4OrM
To achieve that goal, the Expressive E engineers set out to industrialize a new generation of expressive keybed which is at the core of OsmoseΚΌs playing experience. The biggest challenge was to implement all expressiveness-related technologies into the familiar keybed form factor of the piano that musicians have been using for centuries. Creating a new kind of keybed generated many industrial production obstacles and ultimately required a total symbiosis between DSP and hardware to connect all players to OmoseΚΌs sound through the use of natural gestures.
Expressive E engineers conducted hundreds of on-field test sessions to fine-tune the complex design of the synthesizer. Artists played a tremendous role in the refinement of Osmose by providing precise feedback about playing sensations and helped shape a new ergonomic tool, relevant for musicians from various music scenes and cultural horizons. Thanks to their support as well as the early adopters and partners, the wait is finally over: Osmose has now started to ship.
First deliveries and re-opening of preorders Expressive E are thrilled to announce the delivery of the first Osmose units to early adopters of the project. The first products had already been delivered in late 2022 and early backersΚΌ shipments will keep flowing continuously.
Expressive E have thus decided to reopen pre-orders on January 5th 2023 for all musicians interested in purchasing Osmose. The pre-order scheme has been reconducted to allow Expressive E to anticipate demand as efficiently as possible and organize their production schedules accordingly. Despite a tense economical environment driven by inflation, component shortages and the resurgence of epidemics, the company will still commit to guaranteeing a $/€1,799 retail price, within the limits of allocated stocks.
Interested musicians can now pre-order their Osmose on Expressive EΚΌs website or through an affiliated dealer. [see the dealers on the right]
A new kind of synthesizer From its inception, Osmose was designed as a solution to connect musicians with electronic instruments more intimately while still retaining the sound-design abilities of modern-day and vintage synthesizers.
Backed by a powerful sound engine made in collaboration with pioneering audio company Haken Audio, Osmose offers more than 500 creativity-boosting presets. Each of them was fine-tuned to offer performance and recording-ready macros. Preset curation covers many musical genres including modern pop, urban, film scoring, electronic music, sound design, and traditional instrumental music. Made to inspire, Osmose offers a playful experience based on familiar features and thus presents a gentle learning curve. It offers the benefits of MPE instruments without the need to relearn the instrument entirely.
From the beginning, Osmose has been a collaborative project with artists from many musical backgrounds. They have been involved in the development of Osmose to make it a musical companion to fit their creative and ergonomic needs. Expressive E celebrates these artist collaborations with the release of a video series recapping the Osmose adventure and the reaction of artists to the new, dynamic, inspiring synthesizer.
During Q1 and Q2 2023 Expressive E will regularly release clips focusing on each individual artist from the main trailer video. The first three episodes of the series are now available on YouTube. They feature musical icon A.R. Rahman (Grammy winner and film scorer for 127 Hours and Slumdog Millionaire), jazz virtuoso J3PO (a prolific solo artist and keyboardist for Marcus Miller), and trap beatmaker veteran Tarik Azzouz (a Grammy winner who has worked with Jay-Z, DJ Khaled, 2 Chainz, and many more)."
The ARP 2600 is arguably the most iconic and recognizable synthesizer of all time. Having been used in countless records, film scores, TV shows and game soundtracks since its appearance from the 70’s through to today, the ARP 2600’s sound remains an essential part of the music world.
The new ARP 2600 M delivers the sound admired around the world , in a more compact and portable format and including added features that make it the ideal incarnation of this historic synth.
A LEGEND, REBORN
When the ARP 2600 FS was announced in January 2020, it quickly became a phenomenal success with musicians all over the world recognizing the faithfulness to the original ARP 2600.
The ARP 2600 M is around 60% the original size, making it lighter, more portable and easier to place and use in a studio. It integrates the same analog circuitry and components as the ARP 2600 FS, thus faithfully reproducing the characteristic ARP sound.
PROUDLY DESIGNED AND MADE IN JAPAN
The ARP 2600 M is built in Japan with the same care and extraordinary quality standard as the ARP 2600 FS, and uses the same analog components to accurately reproduce the sound and feel of the original. The Spring Reverb has been re-engineered and adapted to the new size body with the same lush effect.
With the intense focus on quality and a large amount of hand assembly, the ARP 2600 M is not a typical mass-produced instrument. Due to this boutique nature, manufacturing quantities each month will be inline with our commitment of delivering a truly prized investment.
"I wanted to dive a little deeper in the synth engine of the Nord Drum 3P drum pad! So I used 4 of its 6 tracks (sequenced by the KeystepPro) to play monophonic synth parts and the last 2 tracks, to play live some drum sounds (kick and snare).
I was quite impressed by the versatility of the Nord Drum and how much it can be an expressive instrument! Hope I'll become a good drummer one day π
* Hardware used *
- Clavia Nord Drum 3P : all sounds
- Arturia Keystep Pro : sequencing 4 of the 6 tracks of the Nord Drum 3P"
Celebrate electronic music history on 9/09 day with ER-99, a web-based instrument π️ based on a famous Japanese drum machine from the 1980s. It was built to celebrate 9/09 day 2022 π!
All of the drums are synthesized using the WebAudio API. The hi-hats, crash, and ride cymbals are produced from sampled audio.
You can program patches and sequences on the web interface and save them as presets using the menu below the sequencer. (I have also added MIDI input for sync with external sequences).
The original Japanese drum machine that inspired this project is an analog sound design masterpiece, and you can read circuit analysis about its clever use of noise and bandpass filters over on Network 909. I've tried to use the same techniques in the digital domain but I'm sure I can tweak them to get even closer sounding:
http://www.network-909.de/circuit.htm"
"This is a mix of Techno and DnB tracks. All tracks made by me.
A lot of these tracks are made with Eurorack, other hardware gear and are also LIVE Performances.
Late Night Headphone Ear Candy.
There is also a huge AI Art slideshow.
I used an AI Art software called 'MidJourney' to create the HUNDREDS of art pieces.
It took a few days to generate and curate the artwork, again, I put in the hours on this one...
Thanks for checking it out! I hope you enjoy!
"This is a mix of Dub Techno and Chill tracks.
All tracks made by me.
Late Night Headphone Ear Candy.
There is also a huge AI Art slideshow.
I used an AI Art software called 'MidJourney' to create the HUNDREDS of art pieces.
It took a few days to generate and curate the artwork, I put in the hours on this one...
Thanks for checking it out! I hope you enjoy!
Just press play and go about your day, Friends!"
