Published on Jun 6, 2014 Raul's World of Synths·268 videos
"A short video covering basic features and functions of the Doepfer A199 Spring Reverb. Sound demos will begin in the next video in the series.Sound and Video by Raul Pena."
Doepfer A199 Spring Reverb Processing Demo 1-Synthesizer Sound
Published on Jun 12, 2014 Raul's World of Synths·268 videos
"Continuing the Doepfer A199 Spring Reverb series. A short demonstration of processing a synthesizer sound through the Spring. Reverb. Basic examples adjusting level, feedback, emphasis and mix. Sound and Video by Raul Pena."
Doepfer A199 Spring Reverb Processing Demo 2 -Percussive Sounds
Published on Jun 20, 2014 Raul's World of Synths·270 videos
"Continuing the Doepfer A199 Spring Reverb series. A short demonstration of processing a percussion based sound with the A199 Spring Reverb. Basic examples adjusting level, feedback, emphasis and mix. Sound and Video by Raul Pena."
Doepfer A199 Processing Demo 3 External Feedback
Published on Jun 26, 2014 Raul's World of Synths·271 videos
"Conclusion of the Doepfer A199 Spring Reverb series. A third processing example with the A199 Spring Reverb. There is also a short example of using the external feedback in and reverb out jacks in a patch. Basic examples adjusting level, feedback, emphasis and mix. Sound and Video by Raul Pena."
Announced back in March. See the dealers on the right for availability.
"We believe that the Black Stereo Reverb and the Black Stereo Delay 2 will significantly expand the FX palette on any modular system. Instead of a generic multi-FX approach, we decided to develop dedicated modules with extended controls over the most important parameters – FX design powerhouses.
Timeline: 00:02 - Patch 1 / Chord sample through Delay and Reverb 01:35 - Patch 2 / Drum break sample through Delay and Reverb 02:25 - Patch 3 / VCO II fed into the Reverb with feedback set to maximum to create continuous sound 04:08 - Patch 4 / Drum sample sent through Delay and Reverb which are modulated with the synced Octasource 05:16 - Patch 5 / Sample sent through the Delay on which different delay types are selected 06:40 - Patch 6 / Switching between different saved patches on the delay with the Sequencers MOD lane 07:32 - Patch 7 / Randomly selecting samples on the Sample Drum and saved presets on the Delay and Reverb modules 08:29 - Patch 8 / FM radio through the Delay and Reverb 09:51 - Patch 9 / Using the dry signal as a sidechain source on the Compressor with Reverb set to max wet setting 10:28 - Patch 10 / Playing drum breaks through Delay and pad sound through Reverb while modulating the FX settings with Sequencers mod lane 11:52 - Patch 11 / Wavetable VCO sent through VCA which is modulated with the phase shifted LFOs from the Octasource and then fed into the Delay and Reverb
The modules run on new Erica Synths DSP hardware and the effects are developed in collaboration with Dutch company 112.dB who make some of the most beautiful sounding effects."
"Enter Space!" says Sinclair Spectrum ZX through its Currah uSpeech synthesizer. The Atari STE and its Yamaha YM2149F chip in all its square wave glory does exactly that. The tools used to control the STE are NSQ (Near Synthesizer Quality), Chip Synth and MaxYMiser.
The powerful beats are coming from NI Massive except for the Hi-hats and noise bursts which are also Atari STE. As usual external reverb and delay are added. Hope you enjoy it!
Music and Sound Design by Mr Woofer (Konstantinos Kampanis).
Original footage and video editing by Mr Woofer.
Chapters: 00:00 Stylophone 1 00:05 Stylophone 1 Vibrato 00:09 Stylophone 2 00:12 Stylophone 2 Vibrato 00:16 Stylophone 3 00:20 Stylophone 3 Vibrato 00:24 Default 01:02 Dirty StolyPoly 02:01 Piano 02:25 Harp 03:12 Harpsichord 03:40 Clavinet 04:20 Pad 05:58 Strings 07:22 Combo Organ 08:24 Flutes 08:43 Bright 09:13 Space Oboe
"StyloPoly is a free sample library for Decent Sampler featuring the Dubreq Stylophone S-1 with some added features. All the sounds in the video are from a single instance of the plugin.
User Interface: The user interface offers precise control over every aspect of the instrument and effects. Explore parameters to refine your sound, including control over the audio mixer, envelope, pitch modulation with LFOs, high pass and low pass filters, velocity/dynamics, speaker simulator, and the immersive effects of echo and reverb.
"LIVEN Texture Lab | Granular Synthesizer/Effector
- Sample, slice, transform and reconstruct audio to synthesize completely
new sounds
- Granular synthesizer with granular effects processor mode
- Shimmer reverb for fantastical and majestic sounding spaces
- 128-step sequencer with parameter locking
- World-famous sound designers have provided presets as results of their
experiments
The presets are
01 FL.BK (Flashback) : Yasutake(elfin)
02 DRMR (Dreamer) : Limbic Bits
03 FEAR (Fear) : Chris Lody
04 US.HP (Use Headphones!) : Takashi Matsuura
05 CHOR (nostalgic space choir) : Dr. Endo"
Introducing my Spring Tank Reverb Driver version 2. Same great sound and features as before. But now in 4HP with added Feedback knob. The Drive setting is now a trimmer on the PCB Set-and-forget. In today's video I will be auditioning the module with a few different spring tanks and various patch scenarios. Like pairing the reverb with Synthrotek DLY. While my driver module is optimized for Medium length tanks, it can easily be modded to handle long and short size tanks well. Which one is your favorite? Special thanks to my friend Seth, for contributing Behringer System 2500 sounds and footage for this episode!
On the 2500 patches, the dry signal was mult-ed such that the wet/dry mix was handled by a mixer off camera. Audio has been recorded direct, no other mastering or posts effects.
Vintage Folded Line, Medium size tank like those in a Roland Space Echo 0:00 Drone I 0:36 Drone II 1:00 Monotone Bass staccato Accutronics 4AB3C1B Long size 16" tank 1:22 Massive Kick 2:09 Sample-n-hold Accutronics BAB3C1B tank like those found in a Fender Sidekick Amp 2:50 Behringer 2500 patch Ruby Tube 2EB2C1B Short size tank 3:33 Behringer 2500 patch
Check my Reverb store for Spring Tank Reverb Driver availability.
"Spring Tank Reverb is an 4HP wide Eurorack driver module for use with a variety of spring tanks. Features a CV control of the wet/dry mix. NEW in version 2: 4HP, Added Feedback pot, Drive is now a set-and-forget trimmer on the PCB.
FEATURES
Pots: Tone, Feedback, CV of wet/dry amount, Initial Wet/Dry amount. Drive trimmer for accommodating various spring tanks. Signal strength LED indicator. RCA jacks on the back of the module for mounting tank internally in the case. Included: 10-to-16 pin ribbon cable. Not included: Reverb tank and RCA cables (sold separately)
CHOOSING A TANK
GROUNDING CONNECTORS (5TH character in tank model #) Type A or C is best. SIZE & NUMBER OF SPRINGS | Short length and Medium Length is best. Long length (approx. 16”) may need resistor R8 decreased to 100-ohms for a boost in power. I am happy to switch the resistor for you based on your needs, just let me know before I ship your order out. 2 or 3 number of springs are known to work well. INPUT IMPEDANCE | (2ND character in tank model #) | any except “F” (1475 ohms, has not been tested). OUTPUT IMPEDANCE | (3RD character in tank model #) |“B” known to work best, all others untested. TANKS THAT WERE TESTED AND KNOWN TO WORK WELL | Vintage Folded Line, Medium size, 3-spring, as those used in a Roland Space Echo | Accutronics BAB3C1B Medium size, as taken from a Fender Sidekick Amp | Accutronics 4AB3C1B Long size 16”, 2-spring (R8 to be changed to 100-ohms for best performance). MOST RECOMMENDED | Ruby Tubes 2EB2C1B short size 9”, 2-spring, has plenty of drip and feedback with a size to fit many different case scenarios.
SPECs
Module Depth: 50mm | Current Demand: +12V 39mA, -12V 34mA, 5V not used
Note: due to RCA jack placement and chunkiness of some RCA plugs, it may not be feasible to mount this module on the bottom row of your system rack. Please refer photos. A workaround that might work is to try a cable with 90-degree RCA plug ends."
"Watch Leo make a surprisingly good-sounding and "playable" plate reverb using an IKEA shelf and some basic electronics. It's a quick build that costs less than $100 in parts!
NOTE: This is a super-hacky prototype I made quickly as a proof-of-concept. It sounds nice, but there are several things that I will improve as time goes on, so keep an eye out for that (I'll post updates here).
Here are the parts I used. In case anyone is wondering, I am not endorsed or compensated by IKEA (or anyone else).
There is a lot more research I would like to do with the selection of transducer and pickups (and probably a lot of other things). If you build one of these or have made your own plate reverb in the past, please feel free to share your valuable wisdom in the comments!"
DIY "IKEA Hack" Plate Reverb Part 2 (Sounds amazing now!)
Published on Dec 11, 2018 LeoMakes
"Leo makes major improvements the (now famous) IKEA plate reverb in his last video! Total upgrade cost is about $40 and makes the reverb sound 100x better!
Audio Examples at 12:54
Here are the upgrade items and their approximate costs:
- Angle grinder (I rented it for $8/day)
- Cutting and sanding discs for angle grinder ($9)
- Box of springs ($8 and you only use a few of them)
- M4 screws, washersand wingnuts ($5)
- MDF board ($9)
I have made IR (impulse responses) of both the original and upgraded versions of the plate. I'll make a video about that soon and will be sharing the files for free. Please stay tuned for that.
If you build one of these or have made your own plate reverb in the past, please feel free to share your valuable wisdom in the comments!
"Leo makes and gives away IR (Impulse Response) files of the now-famous IKEA Plate Reverb! And it's 100% free!
Viewers have been asking me about posting IR files since the first episode and I thought it would be a good video subject. So in this video, I explain how convolution works, walk you through the process of making an impulse response file and demo some sounds. It sounds just like the real thing!
(You can load these .aif files into most convolution reverb plugins to get the IKEA plate sounds in your own music).
If you use these IR files and create some beautiful, brilliant, amazing music (or other art) please come back and share it in the comments below! I get a huge kick out of seeing my work inspiring the art of other people.
"The amazing noises reverb is available at the App store.
The Amazing Noises Reverb is a Feedback Delay Network (FDN) Reverb Effect, which can create nice reverberated ambiences, from small rooms to huge buildings. It can also simulate alien and unreal spaces, for your experimental fun!"
"The Amazing Noises Reverb is a Feedback Delay Network (FDN) Reverb Effect, which can create nice reverberated ambiences, from small rooms to huge buildings. It can also simulate alien and unreal spaces, for your experimental fun!
Main Features:
- Audiobus and Inter-App Audio support (sender and FX)
- Feedback Delay Network Reverb
- Space Morphing
- Endless Reverberation
- "Twisting Parameters": Reactive Walls, Random LFO, Echoes
- Built In Sampler with varispeed
- Control Manager LFO for Parameters
- Midibus, Virtual Midi and Network: 14 bit NRPN controllers
- File Manager, sharing common audio files via iTunes, Dropbox and AudioCopy
- Snapshots Presets Morphing Pad
- Post Fx Chain: Low-shelf Filter, High-shelf and Compressor
Tech Requirements:
- iOS7 or later
- iPad 2 or later
Credits:
L. van Beethoven: Symphony no. 7, I movement, bars 1-53
https://mediatech.aalto.fi"
A Yamaha L-20D electric harmonium / reed organ with some added features
This sample library includes 2 presets, the regular preset “ElektriskSalmesykkel” (best in most cases) and the looped preset “ElektriskSalmesykkel (Looped)”. For the regular version, each sample are approximately 16 seconds long. For the looped version, to achieve the best possible loop point, some of the loops are short and some are longer. Some of the loops will however have some minor artifacts. For best audio quality, you should always use the regular version. And only if you have notes held for more than 16 seconds, use the the looped version.
USER INTERFACE The user interface offers precise control over every aspect of the instrument and effects. Explore parameters to refine your sound, including control over the wind supply, reeds, tremulant, mechanical noise and reverb.
"I currently have both a Virus B (kb) and TI and thought I'd make a comparison video. I'm only going over simple waveforms and some filters, not equivalent patches to test (as I'm not exactly a skilled player, it's hard to demonstrate those differences well). Hope this is of some use to those who are wanting to buy a Virus or wanting to upgrade or downgrade.
0:00 Introduction 2:28 Saw wave 5:55 Pulse wave 7:35 PWM via LFO 8:20 PWM + Sub Osc 11:35 Frequency Modulation (FM) 14:54 Sine wave FM 16:22 Unison (3 voices stacked) 18:00 Filter introduction 19:20 Filter 1 LP cutoff sweep, 0% resonance 19:57 Filter 1 LP cutoff sweep, 50% resonance 20:33 Filter 1 LP cutoff sweep, 100% resonance 22:45 Filter 1 HP cutoff sweep, 0% resonance 23:10 Filter 1 HP cutoff sweep, 100% resonance 23:55 Reverb setup 25:53 Hall Reverb in action 27:05 Reverb color increase 28:09 Large Room reverb 29:22 Small Room reverb 30:52 Practical use patch setup with reverb 32:17 Virus B patch with reverb 33:04 Virus TI patch with reverb 34:25 Virus B patch with reverb and resonance 35:56 Virus TI patch with reverb and resonance 37:18 Internal clipping on the TI? 40:15 Simple delay comparison 42:24 Overview of differences 43:55 Hypersaw (TI only) 45:33 Chorus (no real comparison, sorry) 46:11 Final thoughts"
A music box recorded on to cassette tape and played back at half speed and normal/original speed. Playing back at half speed results in an octave lower pitch.
TECHNICAL SPECIFICATION: Samples: – Sample rate: 48 kHz – Bit depth: 24 bit – Channels: 1 (mono) – Number of files: 52 – File size: 50.40 MB Impulse responses: – Sample rate: 48 kHz – Bit depth: 24 bit – Channels: 2 (stereo) – Number of files: 4 – File size: 3.60 MB
USER INTERFACE: Instrument – Velocity and damping: – Velocity — Determines whether the velocity should affect the volume of the samples – Damping — When damping is off, the sample will continue to play after you release the key (like a music box) — When damping is on, the sample will fade out quickly after you release the key
Mixer – Volume: Mix between the normal speed samples and the half speed samples. They also have independent tremolo controls.
"In this video, Strymon co-founder and senior DSP engineer Pete Celi takes you on an in-depth tour of Strymon's latest Eurorack module: StarLab Time-Warped Reverberator.
=======================
Modular Transformation Machine.
Expand the sound of your modular rack with incredibly lush, ethereal reverbs. Enhance signals with gorgeous chorus, flanging, and modulated delays. Create uniquely expressive synth voices with Karplus-Strong string synthesis. Turn simple mono audio signals into vast stereo soundscapes. StarLab is a single module that will completely transform your modular rack.
Singular Modular Reverb.
From perfectly voiced room ambience to vast, immersive, nearly infinite decays, StarLab offers the pinnacle of premium reverb sounds with unparalleled depth and spaciousness. Add musical intervals to the reverb signal with Shimmer, and enhance the harmonic spectrum with Glimmer, while enjoying real-time control over the size/pitch of the reverb process.
Modulation And Delay Effects.
StarLab has vastly expanded what reverb pre-delay can do by allowing you to bus the pre-delay signal to the output while making the pre-delay time a modulation target. This results in the ability to create rich choruses, sweeping flanger effects, and beautiful modulated delays, while also processing signal through the reverb.
Karplus-Strong String Synthesis.
In addition to input signal processing, StarLab is a powerful Karplus-Strong string synthesis voice module that allows freely alternating bowing and plucking as well as dynamic string damping. This results in an astoundingly expressive and lifelike instrument with a unique voice all its own, which can be enhanced and expanded by the full range of StarLab’s reverb capabilities.
JMJ Supermarkets – reverb bank 14 grey skies
DT About to Crash Reprise – reverb bank 11 phase rev
JMJ Oxygene V – reverb bank 10 four days
Rick Wakeman Catherine of Aragon – reverb bank 14 stardust
JMJ Oxygene 1 – reverb bank 2 stratus
impro – reverb bank 9 whirlpool
impro – reverb bank 11 6 marblet
impro – reverb bank 31 cerberus"
"As great as it sounds overall, the #reverb effects built into the Yamaha #EX5 are clearly showing their age. But with some routing and tweaking, you can improve the reverb situation, for example for #ambient music. These simple steps will work on any synth that can use more than one insert effect at once. Table of contents:
00:00 intro / demo
01:51 creating a patch to go along with the reverb
03:34 editing the effects: default reverb, effects bypass
04:10 effects routing
05:33 setting up a L/R delay
07:16 setting up a hall reverb
08:20 adjusting reverb return
08:49 comparison: dry signal
09:02 ... wet signal
09:09 ... external reverb effects (strymon volante & nightsky)
09:39 ... and my reverb again
09:52 conclusion
10:09 demo 2 (EX5 only)
11:34 bye-bye"
"Synthesizer / Sampler Demo by Rik Marston **100% No Talking!!**
**Watch in HD!!** **Turn it UP!!**
All samples demoed here are available NOW at: https://reverb.com/software/samples-a...
Here is the budget-friendly Reverb Sequential Circuits Six-Trak
Synth Collection Sample Pack AUDIO DEMO IN ACTION!
Over 20 Minutes!!!
These all are BASS, STRINGS, PADS, LEADS & FX. So fun & SO THICK sounding!!
Remember these sample .WAV's can be LOADED INTO ANY DEVICE that can READ .WAV files!!
(DAWs, Samplers, Grooveboxes, Synths, Drum Machines, Music Workstations, Apps...)
And it's CHEAP!!!!! UNDER $20!!! Save money & SOUND GREAT!!!!
All Samples demoed here are STEREO. Roland JUNO-DS was used to demo these samples.
After converting these samples into a PATCH, only CHORUS & Reverb Hall were used.
BTW I designed these collections with 30+ years experience.
You will dig these .WAV collections for sure!!! :)
Thank you for watching!!!
PLEASE SUBSCRIBE!!
More Synthesizer Demos
Ambient Music
Electronic Dance Music
COMING SOON!!!!!!!!!!
Rik Marston
SynthgodXXX
Earth Empire
Ahnyxian Sound Design
Reverb Sequential Circuits Six-Trak Synth Collection Sample Pack
A collection of sounds from the synthesizers that changed the musical landscape forever.
Multi-sampled synth sounds ready to drop right in your sampler.
Produced by Rik Marston from Ahnyxian Sound Design, exclusively for Reverb SYNC.
Summary:
Myriad Six-Trak sounds for your sampler.
What it is:
533 Sequential Circuits Six-Trak synth samples.
How we use it:
Tweak basses, bells, leads, FX, and more to leverage the essence of the Six-Trak.
Why it's cool:
Samples are recorded across octaves to make them very flexible in your sampler.
Classic Sequential Sound.
This exclusive Reverb offering brings the essence of Sequential Circuits to your sampler or DAW.
From eerie analog cellos to whirling FX, the Sequential Circuits Six-Trak Synth Collection Sample Pack
is a great way to bring characterful, analog synthesis to, say, a sterile digital track.
Samples are recorded across various time thresholds to allow maximum control over the release.
All samples are high quality WAV files.
Includes: 3 Shot 47 Bass 5 Bells 42 Brass 66 FX 114 Lead 184 Pads 72 Strings
"Warning: The recordings in this video have a LOT of bass, even with a 30Hz EQ low cut. Maybe some of that will get trimmed off in YouTube compression.
Contents: 0:00 OB-X8 with TAL chorus I 1:34 Nord Lead 2 with TAL chorus I 3:04 OB-6 with built-in chorus 4:36 Juno-6 with built-in chorus II 6:06 JX-3P with built-in chorus 7:35 JP-8000 with built-in slow chorus 9:06 Reface CS with built-in chorus 10:43 Polyphonic Eurorack with Mimeophon 12:14 OB-X8 with reverb 13:53 Nord Lead 2 with reverb 15:28 OB-6 with reverb 17:04 Juno-6 with reverb 18:41 JX-3P with reverb 20:15 JP-8000 with reverb 21:52 Reface CS with reverb 23:29 Polyphonic Eurorack with reverb
I had to reupload this due to being a Davinci Resolve noob. There were all sorts of weird artifacts in the audio with the original upload. Hopefully it's fixed now.
I'm not sure if there's a point to this video at all. I love soft pad sounds. They're warm and comforting. I decided to make a pad sound on the Roland JX-3P and one thing led to another and of course I had to make a similar sound on ALL of my analog and virtual analog polysynths, including Eurorack, as I now have all the components to make a 2-VCO 4-voice polysynth. All of these pads are based on a simple 2-oscillator sawtooth, with a little detuning and pitch mod to one of the oscillators, if possible. On the Juno I there's only 1 oscillator, so there's maybe a little more LFO to pitch than on the other synths.
In the beginning, you see me play the notes on the Oberheim OB-X8 (Yes, it's an X8 and not something vintage, I have a pinstripe overlay, mostly for the Page 2 labels). I used that "performance" to capture the MIDI, which is then routed to all the other synths that are featured here, including the Eurorack setup. Before tracking the modular stuff, I removed some notes from the recorded MIDI so that there wouldn't be all sorts of crazy unpredictable voice stealing.
I used the built-in chorus on the JX-3P, so I figured it's only fair to use chorus on everything. I used the TAL Juno Chorus plugin on the OB-X8 and Nord Lead 2, setting 1. I used the built-in Chorus II on the Juno-6, and the "slow chorus" on the JP-8000. For the Sequential OB-6 and Yamaha Reface CS, I went for a similar type of slow chorus. The chorus on the OB-6 is very usable if you keep the rate low. There are sweet spots to be found. For Eurorack, I used the Mimeophon with a short delay time. It doesn't really do the chorus thing so much, but it does sort of act as a stereo widener. So if it sounds a little clangy, that's probably why.
Eurorack 4-voice poly is assembled like so: Voice 1: 2 VCOs from the System-500 512, System-500 521 VCF, System-500 VCA, System-500 envelope Voice 2: 2 Eowave Titan VCOs, System-500 521 VCF, System-500 VCA, System-500 envelope Voice 3: 2 VCOs from the Wavefonix Dual CEM 3340, G-Storm SH5-VCF, Doepfer VCA, Doepfer Envelope Voice 4: Dreadbox Erebus all internal VCOs, VCF, VCA, and envelope All voices are mixed together and then fed into the Mimeophon There is some additional filter modulation applied to all filters via the Erebus LFO
After the first round, all recordings are played again with the wonderfully lush Audiothingies DoctorA modulated plate reverb, approx 50/50 wet/dry mix."
Mobile POD - Line 6 "IMPORTANT: To use this free app with a guitar, you'll need a Mobile In [not seeing any on eBay yet at the time of this post], the premium digital audio interface accessory made by Line 6. If you don't have a Mobile In yet, you can still explore the app and learn about the available guitar amp and effect device models, and the many other app features. For more information about Mobile In, please visit http://line6.com/mobilein.
64 MODELS OF CLASSIC GUITAR AMPS AND EFFECTS
The free Mobile POD® app puts the tones of legendary guitar amps and effects into your Apple® iPhone® and iPad®. Connect your guitar with the Mobile In digital audio interface and play 64 models of celebrated guitar amps, classic stompbox effects, sought-after speaker cabinets and more. Each model is fully tweakable so you can dial in the tones you need.
32 Guitar Amplifiers based on* • 1964 Fender® Deluxe Reverb® • 1959 Fender® Bassman® • 1960 Tweed Fender® Champ® • 1965 Blackface Fender® Twin Reverb® • 1968 Marshall® Plexi (100 watt) • Marshall® JTM-45 meets Budda® Twinmaster • Budda® Twinmaster head • 1960 Vox® AC15 • 1960 Vox® AC30 (non-Top Boost) • 1985 Mesa/Boogie® Mark IIc+ (Clean Channel) • 1985 Mesa/Boogie® Mark IIc+ (Drive Channel) • 1995 Mesa/Boogie® Dual Rectifier® Head • Dumble® Overdrive Special (Clean Channel) • Dumble® Overdrive Special (Drive Channel) • 1989 Soldano SLO Super Lead Overdrive • 1987 Roland® JC-120 Jazz Chorus • Line 6 Insane …and more!
0:12 Preview
1:23 Demo with Rings
1:50 Demo with Manis Iteritas
2:23 Demo with Basimilus Iteritas Alter (BIA)
2:48 The seven parameters
5:28 Two mode switches and FSU (Fuck Shit Up)
7:22 The CV controls
7:50 DSP Platform and firmware info
8:03 What with the bats?
8:25 JAM
And the press release:
"Price/Availability: MSRP: US$345, In stock, shipping August 7, 2020
Los Angeles, California: Noise Engineering announces the release of Desmodus Versio, a 10hp stereo in/stereo out synthetic-tail generator reverb with a generous helping of attitude. Seven CV-controlled parameters and three reverb modes make creating wild reverberant spaces a joy. Pre-orders open July 31. Desmodus Versio ships August 7, 2020.
Desmodus Versio is Noise Engineering’s take on reverb. It features true stereo in and out, seven CV-controlled parameters, and three reverb modes. The parameters are designed with performance and immediacy in mind. Morph between almost infinite reverby sounds with the twist of a few knobs; three reverb modes offer more texture and space options with clean, distorted, and pitch-shifting shimmer settings. Desmodus Versio’s feedback control creates regenerations that never die. Turn up the control and the reverb ducks when it receives signals at its input, useful for creating sidechain ducking and atmospheres for percussion. Hit the FSU button to “freeze stuff” up. No input? No problem. Hit FSU to inject a tiny bit of noise to stimulate the tank and engage the reverb. Whether you make hard-hitting techno, ambient, industrial, sound design, or something else completely, Desmodus Versio has a place in your rack.
Desmodus Versio isn’t just a reverb, though: it’s a DSP platform. Its firmware can be changed via USB, so it can be transformed into a completely different effect with new firmwares coming late 2020. Are you programming savvy? Open-source support will be released later this year.
And what’s better than buying a new module? Supporting a great cause at the same time! A portion of proceeds from every Desmodus Versio sold goes to Bat Conservation International. Find out why bats are not only cool but also an important part of our ecosystem at Bat Conservation International’s website, batcon.org."
"Spring reverb module for Eurorack modular synths. Audio is slightly out of sync with video, sorry. Full details below...
Controls:
Top knob is reverb level.
Right hand smaller knob is Tilt, a simple hifi-style tone control that changes the colour of the reverb.
Left hand smaller knob is Control, an attenuverter control for the incoming CV. 12 o'clock = no CV, clockwise = increasing CV, anticlockwise = inverted CV.
Patch: DPO sine waves sequenced by Turing Machine and Wogglebug. Gated through QMMG, envelopes from Maths. The CV input makes 80s-style gated reverb and pseudo-reverse reverb possible.
For this demo, using a 9EB2C1B full sized reverb tank.
Information, schematics, PCB files available at http://musicthing.co.uk/modular/
The design and all documentation are Creative Commons Licensed."
Music Thing Modular Spring Reverb Crossfade Mode
Published on Oct 20, 2013
"The MTM Spring Reverb contains a vactrol crossfader that you can also use independently. Here, it is crossfading between the DPO Final and Square outputs.
The module can be built with either a Silonex or a VTL5C3 vactrol. The VTL5C3 sounds smoother for this use, with a slower response that can be 'pinged'.
Video and audio are slightly out of sync, sorry.
Information, schematics, PCB files available at http://musicthing.co.uk/modular/
The design and all documentation are Creative Commons Licensed."
