An Interview with ERRORINSTRUMENTS' Paul Tas & New Product Announcements

The following is a fascinating look at the man behind ERRORINSTRUMENTS, Paul Tas. Note the questions are not mine, but were sent in with the full interview by inmar lsbtv grtz sleep good.

So how did all start? What was your life before "error instruments"?

- my life before error instruments can be described as a life of an artist in making sculptures and paintings. I was making sculptures from robots, called "the beeb" collection. It is a wooden robot with the concept that in the 50's, we have thought that robots will replace our jobs. However, with the influence of the media, and the medicines we take against emotions, figuratively we can say that we are the robot, and we get programmed by commercials and news. This robot has been a big succes due to the fact that it has been bought by numerous art collectors from different countries such as Japan and the United States. Furthermore, the collections had been sold also at auctions houses Christie's. Later on, I have started to work more in fashion and art and making moveable sculptures with electronics, I made also a traditional Dutch blue sculptures, big horse heads with the intention of giving a controversial thoughts and ideas. Moreover, sculptures about religion, which was a mix between Jesus and the corporate companies in the world with the meaning behind it, that they use the same propaganda to control people's mindset. I was also threatened by religious groups from Germany and Belgium during the time of exposition, not only me, but also the other people in the gallery. This situation has got to a point where i had to go to the court, but in the end I was free to go. Later i have done a project for Damian Hurst and made some installations together with BitMove for the "Love of God" exposition in the "RijksMuseum Amsterdam". As a result, more and more technical and electrical equipments got involved.

When did you have the idea for error instruments and what did the first steps look like?

- First of all, it is important that you know that as a child, i was not able to read, thus it was difficult to go to a normal school, and i have attended a special school, which allowed me to use my creativity, furthermore my writing was always full of mistakes and because in the 80's we used "Commodore 64", and every time i was writing something, a text appeared " Syntax ERROR". Therefore, the kids at my school, gave a nickname to me , called "Error". As a result, i got a fascination about the things that go wrong with machines, such as glitches or accidentally algoritmes and of course the sound of noises. By exploring the art of circuit bending and hardware hacking, i have found out that many people miss this, because the commercial products were created as a mainstream products, with a result for mainstream music. Thus, with the money that i have earned from art, I have started the shop, "ERROR INSTRUMENTS".

Do you have artistic projects beside error instruments?

- Yes, I perform under the name "ERROR EMPIRE", on several festivals. I have also some conceptional sound projects, called "Pink data". The idea of "Pink Data" is that is not controlled by humans, thus all the music is created by accidental algoritmes. I also make sculptures, with acoustic and electronic purposes. Furthermore, I am busy working on the modelar synthesizer and exploring control voltage. design eurorack modules for and special audience

What is the error philosophy?

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Making Techno with Music Robots

Published on Sep 10, 2018 Moritz Simon Geist

Links:
https://moritzsimongeist.bandcamp.com/album/the-material-turn
http://sonicrobots.com

Details:
"After playing Mutek, CTM and Moogfest, and years of fabrications, tweaks, tests – winning also Visual Music Award 2017 and Initiative Music 2017/18 – robotics engineer and media artist Moritz Simon Geist releases world’s first techno album entirely played by real robots!

Produced by Mouse On Mars' Andi Thoma and due out in November, 'Robotic Electronic Music' is Moritz' debut album, to explore and pioneer the sounds of the more than ever robotized society of nowadays.

'Robotic Electronic Music' is pure mechanical music: precise, pneumatic patterns repeat themselves exploring the sound of mechanics, but none of its beats is like the other.

The album is being preceded by an EP due out in October, inaugurating Sonic Robots Records
(distributed by Kompakt), a label all about automations, mechanics and... techno."

Making Techno with Robots - Behind the Scenes!

Published on Sep 10, 2018 Moritz Simon Geist

"New sounds from the future! Here I explain, which robots I used for the Techno robots video. Everything you hear and see comes from robots. No syntheziser, samplers or CGI added! We want to show a futuristic way of creating music - without synthezisers, but with robots in the real world!

All Robots were built by Moritz Simon Geist and the team of SONIC ROBOTS. This production was funded by the Initiative Musik and the Kulturstiftung des Freistaates Sachsen.

Camera and Cut: Robert Arnold / Cuthead"

And the press release:

Moritz Simon Geist, media artist and robotic musician, publishes his first record. It is the world's first techno record played entirely by self-made futuristic robots.

All of the sounds on his records are played by robots: small motors that beat on metal, futuristic 3D-printed robo-kalimbas, salvaged parts from old hard drives that click and cut. It took Geist several years to build, tweak, test and play all his DIY robotic instruments.

His 'Sonic Robots' try to push the boundaries of the imaginable. He did so already in 2012 with his well-known oversized 808 robot – an iconic drum machine gotten real, 4 by 2 meter, filled with robotic parts which play the instruments live and in front of the audience.

Now, Moritz Simon Geist goes even further to discover the unknown and futuristic world of techno robotics. For this quest, he teamed up with the Berliner sound wizards from Mouse On Mars and dug deep in the history of mechanical music and experiments of early electronic music.

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Tymkrs Protosynth Midi Released

Some of you might remember the Tymkrs Protosynth breadboard videos posted back in 2012 here and here. The final version has just been released with MIDI.

via Tindie (via the comments of this post and via @JohnS_AZ):

"This is a powerful MIDI prototyping platform that converts incoming MIDI events into electrical signals that make experimentation easy!

A few years ago we built a synthesizer prototyping tool called Protosynth. The project was such a big hit that people requested the ability to buy their own, so we designed a powerful MIDI controlled version!

Over the last few years, we have refined Protosynth Midi to be powerful, flexible, and easy to use.
Protosynth Midi are built in limited quantities by hand here at the Tymkrs Wrkshp. Every unit is assembled, tested, and given a unique serial number. The beautiful handmade hardwood cases with traditional joinery hold your circuit at an angle so you can tinker in comfort and style!

Protosynth Midi allows you to quickly prototype whatever you dream up on built-in breadboards, then play your creation from any MIDI controller. Protosynth Midi enables you to experiment at your desk without the epic mess.

Protosynth MIDI is far more than only a MIDI to CV unit. For each of the two MIDI channels (you can pick which channels) it includes a Note Port and a Control Port. The Note Ports allow you to chain modules out to 128 notes worth of outputs. The Control Ports allow you to chain modules out to 128 control change values (each one 0-127 and with Analog Shift modules you can turn all of those control change values into analog voltages). What could you do with 256 digital outputs, 256 analog voltages, 2 control voltages, 2 gates, and 2 triggers? Would you control them from a DAW, from a MIDI controller?

To make getting started easier, we have developed a collection of compatible modules for many common tasks. 555VCO, AND8, MIX8, Analog Shift, Shift Me, Amplify Me, VU Meter, Hear Me, NPN8, TTL8, Under Me, and Over Me. With a selection of these, you can get started with modular synthesis without ever turning on your soldering iron.

And when you are ready to go from the breadboard to something finished, we have the Protosynth Midi Lite. Protosynth Midi Lite packs all of the power of Protosynth Midi into a small PCB perfect for building into your own project.

Protosynth Midi effortlessly handles the complicated aspects of MIDI control, silently monitoring incoming MIDI, translating it into voltages and pulses that simple circuits can understand. It also allows you to route analog signals simply in and out of the back of the unit through four high quality standard TRS ¼” jacks.

Protosynth Midi is not limited to audio, however! You can use it to control all kinds of circuits. Here at Tymkrs we’ve used a Protosynth Midi to control servos, lights, camera shutters, circuit bent electronic toys, electromechanical chimes, even an old NTSC test pattern generator. Protosynth Midi takes care of the boring stuff, and frees you up to focus on being creative.

If you are building a synthesizer, animating robots from your digital audio workstation timeline, hacking an old Casio or Furby, or designing your own MIDI controlled guitar effects pedal … we hope you will find Protosynth Midi as fun and as useful as we do.

Features

Power supply
5 Pin DIN MIDI Input
4 ¼” Audio Input or Output TRS Jacks
Monitors two MIDI Channels
5 standard solderless breadboards
3.3vdc, 5vdc, and Ground connections for breadboard
For each channel:

Control Voltage
Trigger
Gate
Note Port
Control Port
Please check out http://tymkrs.com/products/protosynth-midi.html for more information. Be sure to read the datasheet, all of the more advanced features are covered in detail there.

Kit Parts

Protosynth MIDI in a custom case
7.5V @ 1A wall wart power supply"

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microKORG XL SYNTHESIZER/VOCODER - Available Early 2009

"The microKORG range expands with a new big brother to mega selling microKORG synth

The original microKORG is loved and used daily by musicians around the world – from keyboardists to guitarists – enabling everyone to experience the enjoyment of a great synthesizer. Now an advanced microKORG is available; a synthesizer that lets you generate your own personal sound, packing a cutting-edge sound engine and powerful effects into a compact, vintage-like body. Welcome the microKORG XL

Main features
New vintage design is both fresh and nostalgic.
Korg's renowned MMT Multi Modeling Technology, optimized for the microKORG XL.
Sixteeen band vocoder for voice controlled effects. A gooseneck microphone is included, so you can begin vocoding right away.
128 powerful sounds are built-in and ready for immediate use.
Intuitive sound selection; simply specify the music genre and instrument category.
Seventeen powerful KAOSS derived effects.
Newly developed natural touch mini keyboard is compact, yet easy to play.
Editing software can be downloaded from the Korg website, as well as converted MS2000 and microKORG programs.
Battery powered for on-the-go enjoyment.

The new top of the range microKORG --- XL power in a micro body
The microKORG has continued to be a best-seller since its arrival five years ago, and remains enormously popular today. This latest model boasts Korg’s powerful RADIAS/R3 derived MMT Multi Modeling Technology, as well as a powered-up vocoder. The updated ROM includes PCM data for recreating in-demand vintage keyboards such as piano, electric piano, and clav. Externally, the microKORG XL boasts a completely new vintage design with a textured black body and industrial silver panel. The interface has also been enhanced, making it easier than ever to use. Sound selection is controlled by two large dials; three smaller knobs allow the main parameters to be easily selected. The newly-developed mini-keyboard is firm and responsive for even greater playability. And best of all, it’s battery-powered so you can take it anywhere and still enjoy serious sound. For beginners, advanced musicians, and sound designers, this is a synthesizer that will stimulate your musical creativity.

Korg's MMT Multi Modeling Technology

Korg’s MMT engine provides a compendium of Korg’s various modeling technologies, offering a robust range of sounds – including great analog re-creations. Korg’s famed MMT is the same high-fidelity synthesis that powers our RADIAS, R3, and ElecTribe MX, optimized to provide the microKORG XL with phenomenal performance. The microKORG XL uses two MMT oscillators to generate powerful sounds. Oscillator 1 (OSC1) provides not only the standard waveforms you expect from an analog synthesizer, but a total of seven types of oscillator algorithms, including formant waveforms such as human voice, noise, and PCM/DWGS waveforms such as vintage keyboards and strings. Cross-modulation, unison, and VPM (Variable Phase Modulation) let you create sounds that would be impossible for a conventional PCM synthesizer. Oscillator 2 (OSC2) can be used for modulation (sync or ring) in conjunction with the first oscillator, making it easy to create complex and powerful sounds.

Dynamic synthesis power
Two multi-mode filters, a drive/waveshaping circuit for distinctively distorted sounds, and EG and LFO for creating time-varying tonal change, provide plenty of parameters for serious synthesis. Virtual Patching simulates the patching capability of Korg's classic MS series, and the arpeggiator can run six types of patterns, all adding up to a high degree of creative freedom. There’s also an external audio input jack, so you can process external audio material from a sampler or other source device. In the full-edit mode you have unlimited access to all of the microKORG XL's synthesis parameters.

Versatile Vocoding covers every angle – including those robot voices
Using a microphone, the microKORG XL’s amazing vocoder allows you to add vocal characteristics to any sound, creating everything from “talk-box” filtering, pseudo choirs, talking instruments and vintage Sci-Fi robots. You can also use a nother instrument – such a drum machine – to add rhythmic dexterity to your synth tracks. Our unique Formant Hold allows you to freeze the vocal input for continuous vocoder effects. In addition to simulating the classic vocoder sounds of the past, the microKORG XL also allows you to shift the filter frequencies (Formant Shift function) and adjust the level and pan of each of the sixteen bands, greatly altering the tonal character. This allows you to easily create fascinating textures and sounds that go far beyond traditional vocoding. A gooseneck microphone is included, so you can immediately start using these superb vocoder functions.

128 professional sounds, organized for immediate use

Finding the right sounds is easy. To choose a sound simply rotate the two large dials. The first selects the musical genre, while the second defines the instrument category. From the familiar "ROCK / KEYBOARD," the standard "R&B / LEAD," and the distinctive "HIPHOP / BASS," a wide range of presets are instantly available. For the diehard synthesists and sound designers, you can use the three performance edit knobs for fast, effective editing in performance. You're also free to select and assign your favorite parameters

Advanced dual effect engines
The two master effect processors were perfected on our KAOSS series. These up-to-the-minute effects go far beyond traditional delay and chorus, delivering a total of 17 powerful algorithms, including ring modulation and a grain shifter. In addition, delay effects can be synchronized to MIDI clock for expanded possibilities in a live performance and other “beat-sensitive” situations.

Compact expression and playability
Our new Natural Touch Mini Keyboard is firm and easy to play, inspiring confidence and greatly enhanced expressivity. The proportion of the black keys to white keys has been adjusted to make chording easier, and the improved touch allows rapid-fire phrases. The “waterfall” keys project a feeling of quality, and also make it easier to play glissandos, smears and slides.

FREE! Downloadable sound editing software
You can use a USB cable to connect the microKORG XL to your computer, and use the free sound editing software to organize your sounds and edit all of the parameters from your computer. In addition to the editing software, you can also download and use converted programs from microKORG and the MS2000/MS2000B free of charge.

Please note: Cosmetic and Technical specifications are subject to change without notice

microKORG XL Specifications
Tone Generator System: MMT (Multiple Modeling Technology)

Multi Timbral= maximum 2 (when using Layer, Split, or Multi)
Voices=8 voices
Structure: [Synth] 2 oscillators + noise generator, Oscillator 1: Wave: 8 types (Sawtooth, Pulse, Triangle, Sine, Formant, Noise, DWGS, Audio In), Modulation: Waveform, Cross, Unison, VPM, Oscillator 2: Wave: 4 types (Sawtooth, Pulse, Triangle, Sine), Modulation: Ring, Sync, Ring+Sync, Waveshape: Type: Drive, Decimator, HardClip, OctSaw, MultiTri, MultiSin, SubOSCSaw, SubOSCSqu, SubOSCTri, SubOSCSin, LevelBoost,

Multimode Filters: Filer 1: -24 dB/oct LPF ~ -12 dB/oct LPF ~ -12 dB/oct BPF ~ -12 dB/oct HPF ~ Thru, Filter 2: LPF, HPF, BPF [Vocoder] 16 channel vocoder, adjustable level and pan for each channel, Formant Shift function, Formant Hold function

Keyboard: 37 notes (mini-keyboard, velocity sensitive)
Effects: Timbre: 2 band EQ, Master effect x 2, 17effects
Arpeggiator: Six types: UP, DOWN, ALT1/2, Random, Trigger, Individual step on/off function
Programs: 128 programs (A/Bbanks x 8 genres x 8 category)
Inputs:
[AUDIO INPUT 1] jack (with MIC/LINE switch) – Rear Panel
Connector: 1/4” phone jack (unbalanced)
[AUDIO INPUT 1 (MIC)] jack – Front Panel
Connector: XLR jack (balanced)
Outputs:
[L/MONO, R] jacks
Connectors: 1/4² phone jacks (unbalanced)
[PHONES] jack
Connector: 1/4² phone stereo jack
MIDI: IN, OUT, THRU connectors
USB: Type B connector
Display: Custom LCD
Power Supply: DC 9 V (AC adapter), or six AA alkaline batteries (sold separately)
Battery Life: approx. four hours (with alkaline batteries)
Dimensions: 556(W)x231(D)x73(H)mm/21.89"(W)x9.09"(D)x2.87"(H)
Weight: 2 kg/4.41 lbs. (without batteries and included microphone)
Accessories: AC adapter, Gooseneck Microphone
microKORG XL Sound Editor
Operating requirements
Windows:
• Computer
A computer that satisfies the operating requirements of Windows XP or Windows Vista, and has a USB port
• Operating system
Microsoft Windows XP (SP3 or later), Windows Vista (SP1 or later)
Macintosh:
• Computer
An Apple Macintosh computer that satisfies the operating requirements of Mac OS X and has a USB port
• Operating system
Mac OS X version 10.4 or later
03-Dec-2008"

Musica Automata - Music for Computer Controlled Robots

More acoustic than synth, but you can't help but think of the creation of sound coming full circle. We've come from real world acoustic instruments to synthesis, to the automation of synthesis, and now, the automation of real world instruments. If you'd like to fund this project you can do so on Kickstarter here. This one was sent in via Piero of TipTop Audio and Station 252 on Vimeo.

From the Kicstarter campaign:

"Musica Automata is a name of an upcoming album by Leonardo Barbadoro, an Italian electronic music producer and electroacoustic music composer from Florence known also under the alias Koolmorf Widesen. The album will include music for robots controlled from a laptop computer.

These robots are more than 50 acoustic instruments (piano, organs, wind instruments, percussions etc) which are part of the Logos Foundation in Gent (Belgium). They receive digital MIDI messages that contain precise informations for their performance.

Musica Automata is a multi-sensorial experience where the listener can hear and view where the sounds come from; one can observe the robots and find a precise correlation between the movement of the instrumenst and the sound perceived.

The robot music performance, due to its extreme precision, can often surpass the ability of a human performer and, therefore, introduce completely new expressive possibilities. However next to the precise digital controls, the real performance and acoustic sound of instruments playing in a real acoustic space is preserved. Despite this particular instrumentation in fact, it’s the music that leads the instruments and not the opposite; the emotional impact of the music is still there due to the versatility of the robots, which are not limited to mere artificial reproduction.

It’s a performance that comes from a human idea, however devoid of direct human contact with the instrument. This means that the conceived musical idea, once processed and translated into MIDI language, is executed by robots without losing its artistic value in any way."

Introducing Elektron Model:Cycles - Six track FM based groovebox

Claymation by https://www.instagram.com/avvikandebe...

Playlist:
Introducing Model:Cycles - Elektron
Model:Cycles — At A Glance - Elektron
Elektron Model:Cycles FM (Frequency Modulation) Groovebox - Perfect Circuit
ELEKTRON MODEL:CYCLES IN-DEPTH REVIEW - BoBeats
Elektron Model Cycles Review, full tutorial and 7 tips and tricks - loopop
Elektron Model:Cycles - Walkthrough and Demo - Red Means Recording
Model:Cycles - First Try - True Cuckoo
Elektron Model:Cycles First Look - Future Music Magazine
Elektron Model:Cycles is here! (all preset patterns) - Patchwerks Seattle
Elektron Model:Cycles live performance! - Patchwerks Seattle
Model:Cycles Experience - MrDataline
Soft — Model:Samples study #1 - Vague Robots
Hard—Model:Samples study #2 (ARP 2600 sample pack) - Vague Robots
Model:Cycles sound design introduction (no talking!) - Vague Robots
Model:Cycles—Kick only - Vague Robots
Model:Cycles—Snare only - Vague Robots
16 patterns for Model:Cycles - Vague Robots
Model:Cycles—Chord only - Vague Robots

"Model:Cycles
Six track FM based groovebox
Scale angles dense and jagged, glide over plains vast and fluid, or sink into mists of dissonance. To model is to shape the formless. Model:Cycles is a six track FM based groovebox that brings exploring into the heart of sound sculpting.

With six unique Machines in one lightweight unit you can effortlessly mold rhythm and melody across the digital spectrum using instant, tactile controls. Exploration made attainable.

Define the formless
The six Machines of the digital FM engine are unique to Model:Cycles, and cover both percussive and melodic synths, allowing you to make full, varied compositions. The four core Synth Controls put the tools of sound sculpting right in front of you, altering the behavior of each Machine differently and letting you push them to the limit. Every sound has a start, where will you take it?
Dedicated × 12
Dedicated knobs let you twist each Machine far and wide with wild, unexpected results waiting to be discovered. Use Control All to heave a parameter to the extreme and back again across every track. Elektron’s powerful sequencer gives you the freedom to record every move live or program the sounds and parameters of your composition one step at a time.
Light weight, heavy sound
Whether you use it as a versatile live instrument or groovebox on the go to pick up and craft full-blown compositions away from your studio, exploration has rarely felt so convenient and unimpeded.

Quasimidi Rave-O-Lution Resources via Loscha

Some tips and resources in via Loscha:

"www.quasimidi.eu are the service technicians, and they have spare parts and upgrades, and have manuals for download. It is in German, however, if you view it in Google Chrome, it will automagically translate the pages for you. ROM upgrades, Drum & Synth expansions are available.

The display connector has one more hole than there are pins. If you have it on wrong, the unit won't boot. Check before you screw it up, otherwise it takes four and a half minutes to get your heart out of your throat, because you think you've zapped your expensive synth. If you don't set the

The factory reset (power on whilst holding down Write/Dump) doesn't completely clear the memory, it returns it to the factory preset patterns and patches (including "The Robots" and "Voodoo People")
http://www.loscha.com/Raveolution-309/Quasimidi-famous-tunes.mp3

Yes, it has tablas in the percussion sets. You can rest easy.

I have not mirrored the manuals on my site, as they are available from www.quasimidi.eu freely and easily

Please Enjoy [tons of close-up pics of the inside]:
http://www.loscha.com/Raveolution-309/

Any sensible questions, please ask via raveolution@loscha.com and I'll see if I can help you out!"

DEVOBOTS DEVO Synthesizer on Kickstarter

On Kickstarter.
This one in via Lorne Hammond aka kidtronic.

Snip for the archives:

"MECHANICAL MAN IS YOUR FREEDOM OF CHOICE :

This is the first ever DEVO App utilizing one of the most influential bands of the last 40 years. The App includes never-before-heard music and sounds remastered from the DEVO archives that you can use to create new music plus thousands of artistic assets that you can utilize to create your very own DEVOBOT Robot, digital or Vinyl. This is the DEVO App that fans have been waiting for.

KIT ROBOT in collaboration with DEVO:

DEVO Modular Synthesizer featuring unreleased Devo music & sounds from their archives, coupled with a Devo Robot Maker: A TWO in ONE App Available for your device...

The Story:

CLICK FOR MORE »

Blue Lantern Lucky 7 - 24db SH01 Low Pass VCF/VCA // Full Walkthrough and Demo

video upload by Robots Are Red

Introducing Lucky 7 by Blue Lantern Modules. This is a 16hp 24db Low Pass filter based on the famous Roland SH01 filter from 1978. Along with the two input filter, this module includes a built in OTA based VCA with two CV inputs, authentic headphone feedback circuit, two subharmonics generators, built in noise, and a good handful of CV inputs.
Just patch a VCO and an Envelope and you are ready to go!

In the video we take a deep dive into each knob and CV input, listen to the filter in various settings, and even look at some feedback self-patching with excellent results.

The Video:

01:06 - Overview
03:00 - Deep Overview
04:15 - Subs
04:34 - Noise
05:03 - VCA
06:24 - Audio In 2
07:30 - Feedback
09:28 - Expo CV Input
11:13 - Rez CV Input
11:53 - FM CV Input
13:07 - Linear CV Input
14:19 - VCA Input 2
15:49 - The Filter
20:05 - Dirty Sine VCO
21:48 - Feedback Patching

via this auction

Model: BLM Lucky 7
Width 16hp
Current: +69mA -68mA
PCB Stack: 1 Level, Skiff compatible.

Module type: analog filter, sub harmonic generator, internal vca, white noise generator, (self) oscillator

What does this do?

This particular product is my take on the vintage analog filter found on the Roland SH1 Keyboard. Some key differences from the original
are low end correction on the resonance path (audio level would drop), with voltage control, and I used a modern exponential converter.

The bass frequency will retain nicely on this modern version. No more audio level drop. The 'RCV' can be used to simulate Band Pass sounding tones when used with audio rate external sources..

I also included the famous feedback patch that lucky users of the vintage keyboard would do. Users would patch from the headphone output back into the filter external input.
I duplicated the original discrete headphone circuity and internally patched it for you. All you have to do is turn it up with the 'FBK' knob. Small settings go a long way with this.
It can get strange with too much feedback, in a good way.

24db Low Pass Filter.

Features:

(2) Possible External Audio inputs.
(1) White Noise Generator, Switch Jack internally patched to AIN2 input jack.
(2) Sub Hamronic Generators taken from the SH101 circuitry. Both are accessible by level knobs.
(1) Voltage Controlled Rez, with auto low end level correction.
(1) 1V per octave 'Expo' input.
(1) Linear FM input. Best used during Filter Self Oscilation duties.
(1) Bi-polar FM Attenuinverter. Best used with an external envelope generator.
(1) Internal VCA with 2 possible CV inputs. VCA knob is a manual offset to 'open' the VCA.

What you get:
Mixer +WhiteNoiseGen +Subharmonics +VCF +VCA

All you need is a vco, and envelope generator to complete a compact analog mono voice.


If this was literally your first and only module, it is possible to make sound and noise for entertainment.

Price $225.00

Radio From a Tree! Ether Adventures

Published on May 24, 2020 DECIMA1

"This video is not endorsed or sponsored by SOMA Laboratory.

From the SOMA Website about the ETHER V2:

ETHER is a kind of anti-radio. Instead of being tuned to a specific radio station, it receives all the interference and radiation that a traditional radio tries to eliminate in order to create a clean signal. It captures the radio waves “as is” from hertz to gigahertz because it doesn’t contain the tuned input circuit that filters out all frequencies except the narrow band of a specific station. This allows ETHER to perceive the invisible electromagnetic landscape that humans created unintentionally, making possible live electromagnetic field listening and recording.

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Drum Robot MR-808 Interactive - Massive Acoustic Roland TR-808 Art Installation

Published on Aug 18, 2016

"The Drum Robot MR-808 Interactive at the Krake Festival Berlin."

Some of you might remember the Sonic Robots MR-808 from this post back in 2012.  It looks like it was shown at a number of festivals.  You can find the list of events on the right of the Sonic Robots website here.  The following are some details and pics via Sonic Robots:

"MR-808 interactive is a drum robot installation featuring an oversized robotic drum machine which is programmed live by the spectators!

The audience can program the drum robot in a collaborative process and listen to the emerging of the sound. At the exhibition site, the crowd can stand in front of the robot, composing the music in realtime.

The drum robot installation MR-808 Interactive (2015) is intended for a collaborative music creation process which turn the listener from a passive spectator to an active player, visualizing the ongoing bond of mobile digital interfaces and physical actions.

The original installation MR-808 was developed in 2012 by the collective Sonic Robots under the direction of Moritz Simon Geist. It got an upgrade with the interactive part in 2015 / 2016. The drum robot has so far been presented on various events, from techno club nights to media and hacking congresses. The robot installation is a replica of the famous 1980s electronic drum machine TR-808 with robots playing the drum sounds. For the installation eleven sounds of the 80s drum computer TR-808 are replaced by mechanical actuators and physical tone-makers. You can read more about the technique and background here."

via Ask.Audio

DevoBots

You might remember DevoBots from the Kickstarter campaign featured here. It is now available on iTunes: DevoBots - Whitewall Studios

"MAKE MUSIC & ART WITH DEVO! Special release price for a short time only!

Top 10 music App in 28 countries on its first week of release.

Authorized DEVO loop Synthesizer and Robot Avatar Maker App, DEVOBOTS is HERE!!

DEVO Synthesizer featuring unreleased DEVO sounds coupled with a powerful Devo Robot Maker & Photo booth:

Kit Robot has been working in collaboration with pop icons DEVO for the last year to bring you this exclusive App featuring unreleased Sound Loops from the 1980s Devo Archives, allowing you to play and mix your own music using our unique DevoBots loop synthesizer. Inspired by analogue synths and toy organs from the 1970s, we bring you a sound device reminiscent of DEVOs own synths utilizing their very own sound.

“This App will capture your imagination and bring out the child in you!” You can use it to create your own music and art, bomb photographs or as a learning tool for your children".

DevoBots also includes our Kit Robot Avatar engine combined with unique DEVO color form assets, enabling you to create your very own DevoBot Army or any character or decorate your photos with unique Devo assets.

This is the first ever App utilizing one of the most influential bands of the last 40 years, making this the must have No 1 DEVO App.

A 2 in 1 App.

DevoBots is a digital robot assembly kit, like a digital Lego, paper dolls or Mr Potato Head. The user can create millions of robots out of the box using assets to build your very own Robot, mimicking the bands outfits and personas from the past 40 years. You can also take photos of your friends to turn into DevoBots. DevoBots is also a music loop synthesizer for use as a unique sound generator for your recordings, or live in a professional setting, by manipulating the sound in realtime to achieve unique, layered music.

New Assets and Sound packs will become available through In App Downloads making the app ever evolving and modular.

Features:

• Play with DEVO competition. Create a track to be featured by DEVO in an up coming release or promo.

• 2 in 1 app, DEVO Synthesizer and DEVO Robot assembly Kit

• Original DEVO music loops from the 1980's

• Create and manipulate layered music in realtime using our unique effects pad

• Sample your own sounds through the mic with the onboard sampler

• Expand the synthesizer by collecting new DEVO sound banks as they become available

• Including over 10,000, Free, professionally designed assets inspired by the evolution of DEVO - Devolution

• Use the DevoBot camera to decorate your friends and family

• Collect new DevoBot asset packs as they become available

• using the art tools, Output over 1 million robotic designs and output to Facebook, Twitter etc,

• create desktop images, posters, Tee shirts using Hi Res Retina output.

• Use your own background to display your artwork

• Hi Resolution Retina screen interface

• Share your designs easily with friends online

Kit Robot are proud to be working with DEVO to bring you this unique music and art creation tool.


MECHANICAL MAN is your FREEDOM OF CHOICE!!! - Who will you be?

JOIN THE DEVOBOT ARMY TODAY!"

iTunes:
DevoBots - Whitewall Studios
iOS Devices on eBay - Daily Tech Deals

Creamware Prodyssey, rare 12-voice ARP/Moog-inspired synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

CLICK FOR MORE »

70s Gen Dream - Novation Circuit Tracks Pack by Yves Big City

video upload by Isotonik Studios

Demo TWO - 70s Gen Dream - Novation Circuit Tracks Pack by Yves Big City


AVAILABLE HERE: https://isotonikstudios.com/product/7..

"A Journey Back to the Dawn of Electronic Music with 70s Gen Dream

The year is 1978. Young Yves, captivated by the sounds of Kraftwerk's "We Are the Robots," is transported to a sonic frontier. The robotic vocals, the pulsating rhythms, the sheer audacity of it all – it's unlike anything he's ever heard, yet it somehow feels like a glimpse into the future.

But amidst the revolutionary sounds, there's also a touch of romanticism, a characteristic melody of the 70s era, where exploration was boundless and imagination fueled creation. As a Frenchman, he can't help but be drawn to the ethereal beauty of Jean-Michel Jarre's "Oxygène," a track that defies explanation, existing in a realm beyond the ordinary.

Inspired by these sonic pioneers, he embarks on a months-long odyssey. His mission: to capture the essence of these vintage sounds and translate them into the modern language of the Novation Circuit Tracks. His vision? To grant every music maker the opportunity to touch the spirit of the 70s, to channel the unbridled creativity of that golden age.

But "70s Gen Dream" goes beyond simply providing the sounds. To spark your creative flame, the pack also features Generative & Experimental Patches.

This innovative feature introduces a unique twist

Ever-evolving soundscapes:These special patches are designed to generate new melodies every time you play them, transforming a basic pattern into a fresh and dynamic soundscape each time it's triggered. It's like rolling the dice for sonic inspiration, keeping your music constantly evolving and surprising.

Imagine crafting a simple bassline that morphs and twists with each key press, adding a layer of organic unpredictability and delightful sonic surprises to your tracks. ✨

Don't just replicate the past. Reimagine it.

CLICK FOR MORE »

70s Gen Dream - Novation Circuit Tracks Pack by Yves Big City

video upload by Isotonik Studios

Demo TWO - 70s Gen Dream - Novation Circuit Tracks Pack by Yves Big City


AVAILABLE HERE: https://isotonikstudios.com/product/7...

"A Journey Back to the Dawn of Electronic Music with 70s Gen Dream

The year is 1978. Young Yves, captivated by the sounds of Kraftwerk's "We Are the Robots," is transported to a sonic frontier. The robotic vocals, the pulsating rhythms, the sheer audacity of it all – it's unlike anything he's ever heard, yet it somehow feels like a glimpse into the future.

But amidst the revolutionary sounds, there's also a touch of romanticism, a characteristic melody of the 70s era, where exploration was boundless and imagination fueled creation. As a Frenchman, he can't help but be drawn to the ethereal beauty of Jean-Michel Jarre's "Oxygène," a track that defies explanation, existing in a realm beyond the ordinary.

Inspired by these sonic pioneers, he embarks on a months-long odyssey. His mission: to capture the essence of these vintage sounds and translate them into the modern language of the Novation Circuit Tracks. His vision? To grant every music maker the opportunity to touch the spirit of the 70s, to channel the unbridled creativity of that golden age.

But '70s Gen Dream' goes beyond simply providing the sounds. To spark your creative flame, the pack also features Generative & Experimental Patches.

This innovative feature introduces a unique twist

Ever-evolving soundscapes:These special patches are designed to generate new melodies every time you play them, transforming a basic pattern into a fresh and dynamic soundscape each time it's triggered. It's like rolling the dice for sonic inspiration, keeping your music constantly evolving and surprising.

Imagine crafting a simple bassline that morphs and twists with each key press, adding a layer of organic unpredictability and delightful sonic surprises to your tracks. ✨

Don't just replicate the past. Reimagine it.

At a glance:

128 Premium presets including cutting-edge generative technology with dedicated macro control, adding a layer of organic magic to your tracks.
For quick access and organized workflow, all Generative Patches are conveniently located on the last synth page of the Circuit Tracks.
32 Demo Songs
Dissect them, reimagine them, and incorporate them into your unique creations. Let these demos serve as the launchpad for your own retro-fueled musical odyssey.
64 Samples including vintage drum and classic vocoder effects voices.
Bonus: More than 200 Samples from Texas Instruments 'Speak & Spell' to add a unique 70s twist to your creations. All Big City Sound Packs are fully compatible with OG Circuit including sessions.

Don't be confined by genre, while deeply rooted in Ambient and Berlin School, 70s Gen Dream seamlessly bridges the gap to classic techno and other electronic music, offering a boundless sonic canvas for your artistic expression.

AVAILABLE HERE: https://isotonikstudios.com/product/7..."

Holiday Music by Jonathan Hughes

via Jonathan Hughes:
"I'm a long-time reader of and occasional poster to matrixsynth. For the past few years around this time, my friends and I have done a Holiday CD. It's usually all original stuff, and nothing like normal holiday music. There are several songs that might be of particular interest to you and the readers of matrixsynth (especially if you can't stand listening to normal holiday music). They're completely electronic, and feature singing robots (well, not really -- it's the VocalWriter software). The songs are all supposed to be at least mildly amusing, and they seem to go over well with kids. But anyone who likes synth pop should appreciate them.

Featured synths include: Roland SH101 (all the solos are on the SH101), Dave Smith MEK, Waldorf Micro Q and Microwave XT, and Roland JP8000, plus Native Instruments' Battery loaded with vintage drum machine samples. I'd that the analog stuff (including analog drum machine samples) makes up about 75% of the songs.

You can find the songs here:
http://www.jonathanhughes.com/holiday.html

These are the electronics songs:
"The Only Present I Want"
"Robot and Snowman in 3D"
"Robot Holiday" (this is in the 2006 section)

I hope you like them
Jonathan Hughes"

Gimme Some (Kick) Drum by Blue Lantern Modules || Full Walkthrough and Sound Demo

video upload by Robots Are Red

"GSDrum, or Gimme Some Drum, or Gimme Some Kick Drum is a 10 hp drum synthesizer module. It really shines as a kick module, but can do other drum sounds such as toms or something out of the syncussion, or act as a bass synth tracking it 1v/oct. This is not a typical kick oscillator using the 'Twin T' approach, GSDrum uses a v/oct tracking triangle core VCO with an OTA based VCA. There is CV control for the trigger of course, along with v/oct tracking, Linear FM, and VCA accent inputs. The Timbre knob shapes the oscillator starting at a sine wave, to a triangle wave, all the way to an overdriven square wave. Influenced by the Korg ER-1 drum synthesizer. The accent input can simulate midi velocity or drive your sound even more. You can jump to any section of the video here: 00:00 Opening 01:03 Introduction 01:42 Walkthrough Begins 01:50 Pop 02:07 VCA Envelope 02:58 Pitch Envelope 04:05 Tune Knob 04:15 VCA Knob 05:07 Timbre Knob (Waveform morphing) 06:16 Accent Input 06:57 v/Oct Input 07:10 Linear FM Input 07:40 Feedback Patching 08:43 Kick and Drum Sounds (Minimal Talking) 10:11 v/Oct Bass Line Demo (Minimal Talking) 11:17 Accenting with Sequenced Gates (Minimal Talking) 14:25 Frequency Modulation with Sequenced Gates (Minimal Talking) Special thanks to Blue Lantern Modules for providing the modules for this video."

via Blue Lantern Reverb

"Part of the 'Gimme Some' series. Gimme Some Drum....

What does this module do?

This module is a complete mini synthesizer that specializes in making analog kick drum sounds.

This product does not use a "Twin T" approach to make it's drum kick sound. This is using an actual 1v/octave

triangle core vco, and ota based vca. The shaper circuit that converts a triangle wave into a sine wave was brought to the front panel. The shaper knob was calibrated to start its shaping at the beginning of a sine wave, and end with an overdriven square wave.

This parameter is called 'Timbre'.

This product can produce a wide variety of ultra generic analog kick drum sounds.

Influenced by the Korg ER-1 drum synthesiszer, but laid out in an analog fashion.

-toggle switches are connected to 'timing' capacitors. You can select decay legnths on the fly.

-Depth Knobs let you precisely dial in how much punch, and loudness you want.

-Accent input lets you simulate 'Midi' velocity but with a positive CV input signal. This makes the Amplifier go louder in volume.

This is basically a CV input for the VCA circuit.

-POP parameter creates a clicky sounding, short audible pulse.

All the internal circuitry was optimized for drum kick. You really can't goof up and not make a percussive sound.

All you need is a triggering signal.

Internally Pre-Patch Products: OTA Triangle Core VCO + Sine Wave Shaper + Assist Percussion Utility

Big time savings!"

The Synth Pistols on YouTube

Ultravox was one of my favorite bands growing up in the 80s. They are actually one of the bands that inspired me into getting a synth. Why is the title of the post The Synth Pistols? Well, Malcolm McLaren originally asked lead singer Midge Ure (Ultravox) to front The Sex Pistols, but he turned it down. John Lydon stepped in and the rest is history. Makes you wonder how things could have turned out. It's also fascinating to think Malcom McLaren was responsible for Buffalo Gals. Back then these genres of music never seemed to mix.

Here's a video of Rich Kids, Midge Ure's band prior to Ultravox featuring Glen Matlock of the Sex Pistols. No synths, just some context.

Now for some "live" synth goodness:

Sleepwalk (some dry humping synth action by Billy Currie)
Vienna (I think Midge might have been the only straight man to dress like that)

And of course some Electroclash before Electroclash - Fade to Grey by Visage. Move over Fischerspooner, Visage "taught the killing game first." Visage was another side project of Midge's along with Steve Strange on vocals (he's the guy in the video). Midge didn't sing much in Visage although you can hear him in the background on some tracks, particularly at the end of "In the Year 2525." Another bit of trivia: Billy Currie of Ultravox (THE synth player of Ultravox) actually played with Gary Numan during the transition from John Foxx to Midge Ure fronting Ultravox. Billy is actually in the video for Numan's Cars. You can find more history on Ultravox here.

Title link takes you to an Ultravox search on YouTube.

Udpate via Fred in the comments:

"Never mind the Midge Ure Ultravox, go for the real thing - the John Foxx Ultravox. 'Ha Ha Ha' (their 2nd album, 1977) is very 70's London punk with lots of wild ARP Odessy and great guitar playing by Sevie Shears who afterwards disappeared from history. 'Systems of Romance' (3rd album, 1978) is one of those records that not very many people bought but everyone who did started a band - very influential to later cyber punk and electro-industrial artists. Recorded by Conny Plank at his studio. This is rock music by killer robots - cold, hard and relentless. The first three songs are like the shock wave from an atomic bomb. One of my favorite records ever. The harsh futuristic vibe coming off this record is unsurpassed to this day (I'm still searching) and seems more prophetic than ever. John Foxxs' first album 'Metamatic' (1980) is also great and highly recomended to Kraftwerk Fans. I used to wander around Vancouver with these albums blasting out of my Toshiba ghetto blaster back in the day."

I never got around to fully checking out John Foxx's Ultravox. I just check Yahoo! Unlimited but they don't have it yet. However the do have John Foxx's Dislocated released just last year in 2005. I'm listening to it as I type this and... it's really friggin good. Hope he does more like this soon.

BTW, title link takes you to all Ultravox on YouTube including John Foxx.

CLOVERLEAF - Intellijel Case Interface and Headphone Module by After Later Audio

video upload by Robots Are Red

"In this video we take a look at the new 1u Intellijel case interface module, Cloverleaf. This module can act as a line-in/line-out module, a pedal interface, and/or a headphone output utilizing the 1/4" jacks built into your intellijel case.

Jump to any section of the video here:
00:00 - Introduction
01:53 - Installation
04:21 - Module Rundown
09:05 - Microphone
09:29 - Pedal Interface
12:00 - Stereo Synth
13:48 - Guitar
15:00 - Some music"

An interface for the case 1/4" jacks in Intelljel cases. The jacks are marked as if they are part of the case, so the jacks marked out, require an input. I know it's confusing, but my brain just may be a little backwards.

The module sports both input and output for either a consumer line level (0.447Vpk) or a professional line level (1.095Vpk). These levels are controllable via jumper on the back of the module. It can also have a single input and output channel switched to pedal level. The case output is fed to the headphone amp that has a corresponding level control. The module otherwise does not have any level control and relies on using a VCA or other module to perform any level controls.

The module can essentially be run in one of three modes:

1) Stereo line level in and out

2) Stereo line level in and out via the left side and mono pedal in and out on the right side. In this mode the stereo line levels leverage TRS on the 1/4" jacks. You can use the included 3.5mm couplers to get TRS on the 3.5mm side.

3) Mono line level in and out via the left side and mono pedal in and out on the right side.

For Palette 64hp users only have two 1/4" jacks. You can choose if you want to use the case jacks as either inputs, outputs, or one input and one output.
Width: 14hp
12V:
-12V:

Vintage Drum Synth Demos by You Are The Robots

video uploads by You Are The Robots

Arturia Keystep Pro was used to sequence those w/o built in rhythm sections. Use the player controls to skip around.

Playlist:
Sears Rhythm-Matic vintage analog drum machine with built-in speaker
SYNSONICS ELECTRONIC DRUM MODEL 5300 - A Very Rare Vintage Analog Drum Synthesizer | DEMO
POLLARD SYNDRUM 178 Vintage Analog Drum Synth Triggered By Arturia Beatstep Pro | DEMO
BOSS DR. PAD DRP-1 - Vintage Digital Drum Pad | DEMO
ROLAND CR-68 COMPURHYTHM - Vintage Analog Drum Machine | DEMO
ACE TONE RHYTHM ACE FR-1 - Vintage Analog Drum Machine | DEMO
NOMAD RHYTM MAKER 12 - Vintage Analog Drum Machine | DEMO
Vintage Analog WHIPPANY ELECTRONICS RHYTHM MASTER RM -10 Drum Machine W/ DIY Mods | DEMO
KEIO DONCA MATIC KORG MINI POPS 5 - Vintage Analog Drum Machine | DEMO
WURLITZER SWINGIN’ RHYTHM 5020 Vintage Analog Drum Machine | DEMO
WELSON SUPER-MATIC S12 Vintage Analog Italian Drum Machine 1971 | Demo
Mattel Synsonics Drums - Vintage Drum Machine
Univox SR-95 Vintage Drum Machine
Nomad Rhythm 12 - Vintage drum machine
Realistic Concertmate - Vintage Drum Machine / Metronome
Oberheim DXa (DX w/ factory midi) - Vintage drum machine
Roland CR 5000 - vintage analog drum machine
Modified Roland TR 606 - Vintage analog drum machine
Tama Techstar TAM500 - Analog Drum Synth
Rhythm Ace FR-2L With Issues - Vintage Drum Machine
Univox SR 55 - Vintage Analog Drum Machine
Whippany Rhythm Master - Vintage Analog Drum Machine
Sears Rhythm Matic R1000 - Vintage Analog Drum Machine
Simmons Digital Clap Trap - Vintage Clap Machine
Mattel Synsonics Pro - Analog Drum Machine
Univox MR8 Micro Rhythmer - Vintage Analog Drum Machine
MTI Auto-Orchestra Analog Drum Machine Bass & Strings Machine
Wurlitzer Swingin' Rhythm Analog Drum Machine
Ace Tone Rhythm Ace FR-3 - Vintage Analog Drum Machine For Sale On Ebay