NOYSTOISE PT100

video upload by NOYSTOISE

"Handmade experimental synth built around toy Casio sound chip.
More info at www.noystoise.com

00:00 FLY-BYE
00:36 VOICE SECTION
04:53 SEQUENCER SECTION
09:41 LFO SECTION
11:51 JOYSTICK SECTION"

50 FREE Twisted Electrons twistFM Custom Factory Patches [Bank 1] by synth_nyc

via https://synthnyc.com

"Twisted Electrons commissioned me to create 50 Custom Factory Patches for twistFM v1.1

You can listen to them in high resolution (24bit 96kHz PCM WAV masters, FLAC encoded) on my site (optimized for Chrome on MacOS and Windows).

They are available for FREE Factory Patches as part of the twistFM v1.1 release and can be downloaded here. [zip file]

The DX7 mk1 was my first synth in 1984 and first experience with sound design, then I had owned many other FM synths: DX11, TX81Z, DX100, TX802, TX7, FS1R and today I own DX7V, OpSix native, OPS7 (and had owned FM7 and FM8) and twistFM.

IMHO twistFM is the lo-fi FM synth you want and what Yam should have made instead of the FS1R (those 90s VA filters were far from convincing IMHO). IMHO 4-Op is too few, 8-Op is too much and 6-Op is just the right balance between time to craft a preset and sound complexity.

In twistFM you have a solid 6-Op (multi-wave) FM foundation and then you can built-up on wonderful analog filters and spot on modulation options (LFOs, ENV, MW, AT/PAT, etc…).

I’m also grateful that -upon my suggestion- the creator implemented 3 core FM features: Keyboard Level Scaling, Keyboard Rate Scaling and Keyboard Velocity Sensitivity in v1.1 (which brings even more expressivity to twistFM) and grouped them in a new OPERATOR menu for a fast paced FM editing workflow.

In the 50 custom factory patches above, I’ve tried to highlight what I think is unique about twistFM but also showcase classic FM and analog (well hybrid) tones.
If you are looking for FM grit & dirt and powerful analog filters, search no more… twistFM packs it all and a load more innovation to keep you busy for a while.

I hope you’ll enjoy the FREE patches as much as I’ve enjoyed programming them.

Musically yours,

synth_nyc

PS: The preset track list numbering is different from the preset numbering in the synth.

synthesizer custom patches
https://synthnyc.com/"

Patching with Leibniz - Episode 4

video upload by Xaoc Devices

"Episode 4 and another three patches for the Leibniz Subsystem! This time we're focusing on control signals showing you how to create a delay effect for voltages and an advanced LFO à la Leibniz. On top of that there are more ideas for shaping signals from Berlin."

00:00 - Intro
00:05 - Patch 10
03:56 - Patch 11
06:10 - Patch 12

Introducing LSe - A Light-Controlled Instrument for Live Electronic Music

video uploads by Ctrl Freq



‘LSe’ (short for Light-Sequencer) is an innovative, award-winning instrument and performance system, specifically designed for live electronic music performance and interaction. More than a decade of research and practice has gone into this project, culminating in the recently completed third version.

In essence, ‘LSe’ allows the creation of sequences of light that control, structure, and interact with various sound parameters. One of the main inspirations for this project was addressing the issue of 'liveness' in electronic music performances. How can the audience know if a performance is truly live? How can they relate to the musician’s actions on stage? With ‘LSe’, every sound is created and manipulated live through various light sources, forging a direct connection between the visual and sonic realms and making the experience more tangible for the audience.

A picture may be worth a thousand words, but a moving image is worth a million - especially for new musical instruments and technologies that are difficult to convey through text alone.

LSe was designed with live electronic music performance in mind. It aims to create a unique aura that can only be experienced during the event. The system works best in complete darkness, as it is light-sensitive, making it particularly camera-shy. Despite these challenges, video documentation is essential for showcasing the project.

‘LSe’ - Technical Details

‘LSe' has been my primary performance instrument since 2016, undergoing several revisions. Here are the technical details for the most recent version (3.14):

‘LSe’ - Technical Details

‘LSe' has been my primary performance instrument since 2016, undergoing several
revisions. Here are the technical details for the most recent version (3.14):


Core Components:
• Built with Raspberry Pi, Pure Data, and Arduino
• Consists of three parts: Sensor Panel, Light Sequencer, and Control Panel
• Sensor Panel: Contains 32 light-dependent resistors for sound control
• Light Sequencer: Features 8 RGB Smart LEDs that can work together or independently, supporting everything from simple monophonic sequences to complex polyrhythms
• Control Panel: Divided into four sections:
• Mix Control,
• FX Control,
• Sound Control,
• Sequencer Control

Other Features:
• Full Duplex High-Quality Audio (input and output) with an Audio Injector sound card
• Ableton Link integration for WiFi or Ethernet synchronization with external gear
• Six Sequencer Modes with sub-modes (15 in total)
• Polyphony: Mono to 32 simultaneous voices
• Five Sound Generators:
• Two synthesis-based (additive harmonic series, subtractive 3rd-octave filter)
• Two sample-based (granular time-stretch, looper)
• One resonant ping filter with scale selection (classic, experimental, microtuning, etc.)
• External Audio Input Channel
• Five Sound Effects Channels per generator and external audio:
• LCD: Light-Controlled Delay with dedicated LFO
• LCF: Light-Controlled Variable State Filter with dedicated LFO
• LCAM: Light-Controlled Amplitude Modulation/Distortion with

dedicated LFO
• LCFM: Light-Controlled Frequency Modulation with dedicated LFO
• LCGV: Light-Controlled Granular Reverb
• Light-Controlled Gate available for selected audio generators
• ‘No Screen’ approach, encouraging listening and playing by ear rather than relying on visual interfaces

https://ctrlfreq.wordpress.com

Oberheim TEO-5 - Sound Bank '79

video upload by Polydata

"Utilizing the latest Oberheim hardware synthesizer, Sound Bank '79 for the TEO-5 draws it's inspiration from the synth sounds and designs of the late 70's and early 80's. One of the main focuses of this bank was tone - rather than overly complex or flashy patches - to really highlight that classic rich, warm Oberheim sound that this synth is capable of, while extending it's functionality to make it a truly modern synthesizer.

Sound Bank '79 for the TEO-5 comprises 3 banks, totaling 48 patches - Banks 10 (A), 11 (B), and 12 (C).

Store Link:
polydata.bigcartel.com

Sound Bank '79 is a series of vintage tones for different synths and plug-ins, so check out all the past releases.

Recorded completely dry with no external effects or processing."

00:00 1981 Disc Golf Open
00:13 Student Housing
00:24 Oil Painting
00:36 Intermodal
00:49 Four Voice Tolex
01:08 Logic Gate
01:19 Modern Furniture
01:30 State Variable
01:47 OB-X Calibration
02:02 Dirty Tape Deck
02:14 Z80 Instructions
02:25 Mazda Dealership
02:37 Coastal Fog
02:58 AM 1470
03:09 Marathoner
03:23 Mid-Flight Dawn
03:42 Leaf Blower
04:01 Cab-Over Truck
04:12 TVS in Stereo
04:31 Ecosystem
04:50 Cafeteria Lunch
05:05 My First Juno
05:17 Assembly Code
05:29 Tallinna Teletorn
05:42 DX via OB
05:56 Motorola IC
06:09 March 24th, 1984
06:27 Chrome Huffy
06:43 Sequoia Grove
06:56 Runway
07:13 Movie Ticket
07:30 Snow Plow
07:46 TWIN CAM
08:05 Otis Elevator
08:16 SEM Patch Points
08:29 Mr. Rogers Strings
08:40 Tube Amp
08:55 Summer Camp
09:05 WGBH Studios
09:17 Xpander Stack
09:28 Pumpkin Patch
09:49 Gated ROMpler
10:01 INSERT COIN
10:12 Buchla Music Box
10:23 Lead on Stage
10:37 VS Waves
11:00 Audubon Middle
11:13 School Dance

ARP 2600 Grey Meanie Synthesizer with Matching 3604 Keyboard - One of 34 Made!

Note: Auction links are affiliate links for which the site may be compensated.

via this listing, also on eBay

CLICK FOR MORE »

Glitchmachines Skein

video upload by Glitchmachines

"Skein is a FM synthesizer focused on experimental sound design and electronic music production.

Skein features 4 operators with skew controls and noise, as well as a flexible modulation matrix with per-cell modulation, per-operator feedback and eight user-definable algorithm presets. Key parameters can be targeted by numerous modulation sources such as 4 LFOs with 15 wave shapes, 4 modulation sequencers with various utilities and up to 32 steps, and 4 multi-mode envelopes. Easily shape and polish patches via two versatile multi-mode filters, as well as an effects processing chain that features 4 multi-effects with local randomizers and a reconfigurable chain order interface.

Much like our other creative audio plugins, we’ve taken an unconventional approach with Skein. Instead of replicating the classic digital FM synths of the past, we set out to create a new instrument that is primarily focused on sound design and sonic experimentation. With a multitude of powerful modulation sources and a variety of processors such as distortion, bit crusher, chorus, phaser, delay, reverb and buffer effects, Skein is capable of generating an incredibly diverse and expressive range of tones and timbres.

More info: https://glitchmachines.com/products/s..."

Z AXIS FUN | Make Noise

video upload by MAKEN0ISE

"Using René's Z Axis to dynamically change the number of steps in a sequence for a continuous shifting syncopation."

http://www.makenoisemusic.com

4cubed collection - Introduction

video upload by CubuSynth Modular

"The 4 Cubed collection was designed to cover some of the most needed functions for eurorack in a small and easy to DIY format.
It features Clock generation with probability, Decay envelopes, VCAs and Mixing.

• 4hp / 4channels each
• Essential tools for every eurorack system

4TRG - Quad channel Probability Gate Skipper
• Size: 4 HP / 20 mm
• Depth: 24 mm (measured from the front panel)
• Current Draw:
+12V: +40 mA
-12V: -30 mA

4Decay - Quad Analog Decay Envelope Generator
• Size: 4 HP / 20 mm
• Depth: 24 mm (measured from the front panel)
• Current Draw:
+12V: +24 mA
-12V: -0 mA

4VCA - Quad Audio/CV Analog Voltage controlled Amplifier
• Size: 4 HP / 20 mm
• Depth: 24 mm (measured from the front panel)
• Current Draw:
+12V: +20 mA
-12V: -24 mA


4Mix - Four channel Audio/CV Mixer
• Size: 4 HP / 20 mm
• Depth: 24 mm (measured from the front panel)
• Current Draw:
+12V: +3 mA
-12V: -3 mA"

PM Foundations Harmonic Transformer

Harmonic Transformer Initial Fooling Around video upload by Randy Piscione

"PM Foundations Harmonic Transformer - Initial bit of fooling around with the independent characteristics of each harmonic. In this case, some of the harmonics fade in gradually, with various speeds and amounts of pitch modulation. The module can produce some interesting sounds that seem like acoustic instruments, maybe from another planet."

Harmonic Transformer Clarinet Test

video upload by Randy Piscione

"PM Foundations Harmonic Transformer - this video is a very initial test of reproducing the timbre of a real instrument, in this case a clarinet. I didn't spend any time on the envelope, only the timbre, and the playing is certainly rough. A full demo will follow shortly.

This was the video I used as a comparison:"

What does a clarinet sound like? (Ode to Joy)

video upload by Utah Symphony & Utah Opera (USUO)

"Utah Symphony Principal Clarinet Tad Calcara plays the "Ode to Joy" melody to demonstrate the timbre of the clarinet."

Metasonix Penile Amputator vs. X0XB0X

video upload by fishjaco

"An 'uncut' 17 min take of messing around with the new Metasonix box for you to suffer through. Sorry not sorry. XOXO"

via Metasonix

"What is it? It’s a bad thing. Tube distortion pushed too damn far.

It’s the SMALLEST product we have ever made. Shirt pocket size. Inside is a preamp with feedback controls, using two 5702 subminiature pentodes.They are real Raytheon military surplus from the 1980s, not Soviet leftovers. The quality is aces.

ONE knob. The knob controls the feedback and gain. Fully CCW is off. Turn it up about 10% and you get increasingly LOUD signal, sliding into heavy tube distortion. Keep going up and it bursts into VERY LOUD oscillation. That’s the “feature”.

The switch is the other “feature”. It applies feedback to the suppressor grid of the second tube. What does that mean? We don’t know, we’ve never done this before and neither has anyone else. It is “unique” but you get to decide if it is useful or not.

There is a CV input on the front, it basically turns the Amputator into a really awful voltage-controlled amplifier (VCA). Ideally you shouod put at least 0-10 volts into this input. Can’t damage anything because it’s an all-tube circuit and there are no transistors or chips. The output is NOT able to drive “any load” so only feed it into a HIGH impedance unbalanced input.

It’s in a transparent polycarbonate enclosure because we STILL get stupid attacks from fools claiming that there are either no tubes in our products, or else the tubes do nothing and it’s all done with a “ten cent chip”. Fuck you, buttboys.

Here’s the damn photo. No, it does not have a 'bypass switch'. It’s on all the time because you deserve it.

Power required is 12 volts dc, 2.1mm barrel plug, center positive. 700 milliamps on startup and 250 milliamps in normal operation. NOTE: the standard version includes an AC power adapter for 100v-120v countries ONLY. If you are in a 220v-240v country, a “universal” power adapter is available for $20 more. Sorry kids: inflation and supply problems.

Everything sucks. That’s why each Amputator has different offensive stickers on it.

Video demos with drum machines: one, two.

I would put insults of guitar players here, but it’s pointless, they won’t read it. Some of them can’t read at all. Did I ever tell you about my ongoing battle with the IRS over my 2023 estimated tax payments? It’s an ugly little story and most people don’t believe the IRS is that incompetent. Well, they are.

Size: no idea. Small. Weight: a few ounces.

Any more stupid questions?"

X1L3 - YM 300 - Sanxion 🕹📺 - YM2149F - eurorack module

video upload by X1L3

"Brave attempt at the Sanxion loader music from the C64 by Rob Hubbard.

Chip used - YM2149F.....

Lots of modulator abuse and tracking to get it where it is. I even almost managed to nail the DJ record scratch just before the chill melodic part kicks in 🤣

YM 300, a 4XVCF and a 4XVCA set up for amplitude control, additional filtering and mixing of the three sound channels. The filters give the AY/YM an almost SID character. Especially when you sweep them on a channel with the on chip modulator active.

Very tricky one to cover on the YM due to the limited sound palette of the chip. It's incredibly hard to do anything with a long melodic structure without it sounding square wave basic, as is the vanilla nature of the chip. With the filters and some creative use of the modulator tracking things you can work around this. Without the additional filters this would have been impossible to do without it sounding too cute or like a dogs dinner.

The set up with filters is basically how an Atari ST or ZX spectrum might have sounded back in the day if their sound chips had filters.

Not a bad attempt. Not as neat as the C64 original. As close as i could get for a bit of fun with what i'm using. If only the AY and YM could do PWM 🙂"

X1L3 - YM 300 - Sanxion - oscilloscope view

Hexaphonic Witchcraft Synth by Ekkoflok Electronik

video uploads by ekkoflok

The Hexaphonic:
Six fully tunable oscillators
Touch controlled
Stereo panning
Amplitude
100% weird starve control for chaotic sounds



via Ekkoflok Electronik

"Introducing the Hexaphonic

A synthesizer, a choir of six oscillators joyfully singing along or against each other, producing an output spanning from harmony to cacophony, all by the touch of your skin.

'Hex' is the greek word for "six" and close to the Danish word "heks", which means "witch". It is about time we throw some witchcraft in our electronics and honour the wise women of the past and the present.

Electronic engineering is in many ways rather conservative, but fortunately there are cracks in the surface - like sticking your fingers inside a circuit or "starving" a circuit to intentionally prevent it from operating predictably. HEX is such a circuit - you play it by extending the circuit with your fingertips (or other conductive matter), and force it into chaos by cranking the "starve-control". Let the circuits starve and spare the abundance for the Humans in need.

Like human beings HEX is a mood swinger of sorts; it's mood changes rapidly from harmony to chaos - blindly obeying the orders of the starve control. If the electrodes are the limbs of HEX, the starve-control is the brain - or maybe rather a parasite of sorts, taking control of an otherwise well-behaving instrument. Luckily it seems that HEX is perfectly happy with returning back to a normal state again after a trip into chaotic territory; thereby reducing the starve-control to a humble way of controlling the timbre - it's not a filter, nor a wave-folder, but it surely does alter the timbre in a non-linear and most importantly pleasing manner.

Starving circuits is not a new thing; it has been exploited in fields of circuit bending for ages, and interestingly it is also a well-known trick among guitarists to emulate the sound of a fuzz pedal with a dying battery - by limiting the current flowing from the battery. However it is not something you see on the front panel on the average Behringer synthesizer (yet?!).

Please note that 'PCB only' means that you are buying a bare circuit board and have to source the components for yourself."

CLICK FOR MORE »

Oscitrode Synthesizer by Ekkoflok Electronik

The Oscitrode says hi from National Center of Contemporary Art in Moscow

video upload by ekkoflok

From Oscitrode workshop in the National Center of Contemporary Art in Moscow (NCCA).
Second of March 2019"




via Ekkoflok Electronik

"Introducing the Oscitrode
A synthesizer controlled by your skin and breath.
You extend the circuit by letting the current flow through you and the circuit extends you by turning the physical contact into sounds yielding from simple oscillations to complex and chaotic patterns.

Six analog oscillators controlled by and interacted with through twelve electrodes.
A "starve" control known from the world of circuit bending serves the mean of varying timbre and modulation in a nonlinear and chaotic way.

The electrodes are made of bare non-tinned copper and will probably change colour (and conductivity) over time adding a final time dependant layer of complexity to the circuit."

CLICK FOR MORE »

#Jamuary 8th 2025 - "Lips"

video upload by Captain Credible

"Supersaws filter sweeps and long ass kicks. Nice. #jamuary2025 #jam #dawless #polyendtracker #jt4000"

JAMUARY 2025 #8 - APERTURE TO DEPTH part 2

video upload by FL3SHB4CK

"Happy new modular year!

Pamela's new workout
Battering ram
RYO Aperture
2OPFM
Bean jelly
AHH, diff-rect, Noise, Quadratt, Line out

4U 50hp recorded live into Syntakt reverb and delay

#jamuary2025 #jamuary #jam #modularjam
@ShakmatModular @alizondevices @supersynthesis4943 @xodesnet"

Befaco - Midi Thing 2 version 1.2 : it does eveything!

video upload by Audiorial

Click CC in the bottom player controls for subtitles.

https://payhip.com/Audiorial

Five12 Vector sequencer and Tip Top Circadian Rhythms

video upload by Steve Turner

http://www.five12.com

Build and review : CV-12 kit from MIDIMUSO

video upload by MIDI IN

"Last night I built this kit and made a stop-motion. I've tried it with some of my instruments and it does a great job."

July 7, 2020 Scrotum Lab - Mini-case

video upload by batchas

"Orgone Accumulator MK2 running with Scrotum Lab's alternative firmware."

Roland D2 Groovebox

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

Additional SYNTH CITY Listings

"If nostalgia for the 2000's is starting to get to you, look no further than this flashy orange groove box! It's tested and working great with its demo tunes taking you back to a time where low rise jeans were a hot new thing."

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1993 Roland Super JD-990 Sound Module SN ZF03271

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

Additional SYNTH CITY Listings



"An excellent example of an excellent synth from Roland, this synth is one the first of its kind being from 1993. We've thoroughly tested this synth and it's working great. The LCD's backlight is going strong, and there's very minimal burn in. As well as the synth, this bundle includes an expansion card, power cable and owners manual making this a wonderful item for Roland collectors and enthusiasts alike."

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Creamware Minimax, 12-voice Minimoog Emulation Polysynth

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

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Modal Electronics Cobalt 8M Desktop Virtual Analog Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

Additional Perfect Circuit listings

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Korg MS2000B Virtual Analog Keyboard Synthesizer SN 000043

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

Additional Perfect Circuit listings

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Moog Sound Studio - DFAM & Subharmonicon Semi-Modular Synthesizer Bundle

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

Additional Perfect Circuit listings

"SOUND STUDIO - DFAM & SUBHARMONICON SEMI-MODULAR SYNTHESIZER BUNDLE FEATURES

Includes power supply
Includes patch cables
Includes cable hanger
Includes mixer"

CLICK FOR MORE »

Tom Oberheim SEM Patch Panel SN 0973

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

Additional Three Wave Music Listings

Tomoberheim.com SEM Patch Panel reissue in excellent condition. Unit tested and confirmed to function. Includes Oberheim sticker and powersupply.

Tom reissued the synth that started it all, the Synthesizer Expander Module, in 2009, the first official synthesizer to carry Tom Oberheim's name in over a decade. The new SEM used nearly the same circuitry as the original, retaining the original sound and the internal modular patch-point capabilities. It used the same multimode VCF and voice architecture that fans knew and loved from 35 years prior. New to this generation of SEM was the addition of 33 connection points on a patch panel for interfacing with Eurorack modular synths."

CLICK FOR MORE »

Oberheim OB-1 SN 0274 w/ Dust Cover

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

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Roland SH-2

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

"Released in 1979, the SH-2 is one of Roland's early monophonic analogue synthesizers. It sounds much like the SH-101 synth, including the typical SH-style sub-oscillator. But the SH-2 employed 2 oscillators for a much fatter sound. Features ADSR envelope, with envelope follower on the external audio input, 37-note keyboard, auto bend, PWM, and portamento. Made in Japan."

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The Rise of the Multipoly (ResoAA 25) with Vermona '14

video upload by Mark Pigott

"Using preset ResoAA 25 with "Super Resonant" 01WT Waveshaper
on layer A and B (stereo)
and a pitched noise on layer C.

Backed up by the 2 VCO Vermona '14."

Buchla Easel Slonimsky 12-Tone Synth Line + Touché Controller

video upload by 1024bpm

"'Hardstyle' Buchla Synth Line + 12-Tone Row | Live Improvisation with Touché Controller

In this live improv I take a 12-tone row from Nicolas Slonimsky’s Thesaurus of Scales and Melodic Patterns and control it with the Expressive E Touché SE controller.

This is part of my current exploration of touch-sensitive /tactile input devices and other gear to find out, which devices I can use to expand the possibilites of the Easel.

🔊 Gear used:
• Buchla EaselSynthesizer
• Expressive E Touché SE Controller
• Nicolas Slonimsky’s Thesaurus of Scales and Melodic Patterns"

www.stefanschultze.com
https://stefanschultze.bandcamp.com/

Synthesizer✅Cat✅

video upload by Lowpass Park

Getting the Most Out of Coral : The Configurator App

video upload by OXI Instruments

stacks singing bowl dungeon ambience

video upload by Cong Burn

"Using the new Audio In module to process and loop my voice/bowl/white noise generator (shhhhh)

Screen recorded on bluetooth headphones/mic running at 22khz for that 11khz nyquist crunch.

My iPad is a 1st gen iPad Pro (10 years old!).

TIP! Turn down the main output to avoid clipping like I did

Mac & Windows (VST3/AU) : https://www.congburn.co.uk/stacks
iOS: https://apps.apple.com/gb/developer/j..."

You can find additional demos in previous posts here.

MonoPolyphony | Modular Composing | Episode 10 | Feat. Endless Processor

video upload by Cinematic Laboratory

"Polyphony in eurorack isn't always easy. It can be, if you'd use midi capable modules like Poly Cinematic or BitBox (just to name two I own). A modular purist would pick multiple VCOs, VCA's, envelopes and VCFs, and wise modular purists would use Quad designs. I don't consider myself a purist, I can't handle rules very well and I won't deny myself the easy way of midi and working with the DAW. I can also confirm it's amazing to patch a 'quad full voice' setup every once in a while and explore multi-timbral polyphony. However, most of the time I'd use a single full voice and experiment with freezes and sustain FX. Great modules for this are Clouds, Endless Processor, the Mimeophon, Morphagene, StarDust, Arbhar, etc. Anything that can freeze, remember, loop and repitch.

In this episode, I'll use Blukac Endless Processor and its expander to turn a mono voice into a polyphonic experience. I called it 'monopolyphony' and I think it's an excellent compromise.

This is one of the first videos where I'l start using patch notes and diagrams. I never realized my patches aren't obvious, easy and straigtforward at all. If my goal is to teach you something, I'll need to make diagrams too. I also know I love to make powerpoints."