The Crow Hill Company Adds Roland CR-78 Based RHYTHM MACHINE to VAULTS

video upload by CROW HILL

"Step back to 1978 and discover the iconic Roland CR-78, the first programmable drum machine that changed the way artists approached rhythm. Before the 808 and modern drum machines, the CR-78 gave musicians the power to create and store their own drum patterns. In the hands of artists like Phil Collins, Peter Gabriel, and Blondie, it became iconic. For this Vault, we’ve preserved the much-loved character of the CR-78 and expanded its sonic potential with some tasteful effects."

https://thecrowhillcompany.com/free/

Press release follows:

The Crow Hill Company creates …RHYTHM MACHINE as latest free VAULTS… VI, preserving vintage classic’s character while expanding its sonic potential

EDINBURGH, UK: The Crow Hill Company is proud to announce availability of VAULTS - RHYTHM MACHINE as its latest VI (Virtual Instrument) release ready for all to download and make music with for free for the rest of their lives — literally preserving Roland’s 1978-vintage CR-78 CompuRhythm’s classic character as the Japanese giant of electronic musical instrument manufacturing’s first programmable drum machine (that changed the way artists approached rhythm and, in doing so, stamped its musical mark on a number of notable hit records that subsequently secured its iconic status in the annals of music technology history for all eternity), effectively expanding its sonic potential with some tasteful effects as a result — as of October 1…

Far from stretching the boundaries of truth, it is fair to say that the introduction of Roland’s CR-78 CompuRhythm changed the course of history as the first computer-controlled programmable drum machine. Most rhythm machines before its late-1978 introduction were preset-only affairs, forcing their users to pick from the likes of ‘Bossa Nova’, ‘Rock’, and ‘Waltz’ — more in keeping with the home organ-orientated terminology of the time. The CR-78, however, offered something new — namely, an ability to program rhythm patterns and store them in memory using the external WS-1 programmer optionally offered by Roland. Indeed, its 14 onboard instruments include bass drum, cymbals, hi-hats, rimshot, snare drum, and tambourine alongside several Latin-type sounds, such as bongos, claves, and cowbell — all generated using analogue circuits, giving it a distinctly warm, punchy character. Thanks to the CR-78’s analogue nature, though, the tempo control is not exactly surgical, but this foible only adds to its charm. And, as history has borne out, when placed in the creative musical hands of Blondie, Phil Collins, Peter Gabriel, and others, it became an iconic instrument in its own right.

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The Buchla Music Easel Aux Card v2

video upload by Stromkult

"The beloved Auxiliary Oscillator Card for the Buchla Music Easel is back — redesigned, more affordable, and more powerful than ever.

This expansion brings a whole new dimension to your Easel by adding a digital oscillator that covers everything from slow modulation rates all the way up to audio frequencies. Alongside it, you’ll find a dedicated noise source with its own filter, giving you instant access to textures ranging from subtle grit to full-spectrum noise.
To shape your sound even further, the card includes CV control over the balance between oscillator and noise, making it easy to create evolving timbres and dynamic modulation. A set of intuitive switches provides quick routing options. On top of that, the redesigned card introduces a CV Multiplier allowing to merge two control voltages. And with full compatibility across all Music Easels and Easel Commands produced after 2012, it integrates seamlessly into both modern and retro systems."

Sinevibes Introduces Cluster v3 multi-filter sequencer plugin

video uploads by Sinevibes

Cluster "v3 is a multi-filter sequencer plugin designed and developed by Sinevibes. Available for Mac, Windows and Linux. Product page: https://www.sinevibes.com/cluster/"

Cluster is a multi-filter sequencer. The core concept is simple at first – a filter with a modulation envelope – but every single parameter is sequenced in a rhythmical fashion, even the filter type itself. At the foundation of the sound engine is a set of six filters which can be selected from many models like multi-mode state variable, comb, phaser and resampler; also, each of those filters can be configured with up to 4 stages in series. Based on this setup, Cluster builds up a sequencer matrix with 7 parameter lanes: three for the filters (type, frequency, resonance), and four for its highly flexible envelope generator with over 50 possible modulation shapes. The sequencer matrix holds up to 8 patterns at once and is driven by an elastic step sequencer algorithm with both polymetric and polyrhythmic abilities, and an extremely wide range of timing settings. All of this is presented via a single-screen, color-coded user interface with dozens of utility functions for pattern manipulation – which makes Cluster an extremely easy-to-use and fun tool for creating pretty much any animated filter effects you can dream of… and way beyond.

SOUND ENGINE

Six-track filter sequencer with type and slope selectable per track; independently variable cutoff frequency and resonance per step
9 available filter types: low-pass, high-pass, band-pass, notch, peaking, comb positive and negative, phaser, resampler; up to 4 filter stages with self-calibrating resonance
Multi-envelope generator for filter cutoff modulation with independently variable type, divisions, polarity and modulation level per step
Up to 8 separate sequences per preset
Step sequencer with up to 32 steps, rhythmically correct swing, polymetric and polyrhythmic abilities
Optional RMS limiter per each filter track
Variable per-step pan randomization
Two-pole analog-style lag filter for variable smoothing of all step transitions
One-pole lag filters on all continuous parameters for smooth, click-free adjustment
Supports mono › mono, mono › stereo, and stereo › stereo channel configurations
GRAPHIC INTERFACE

Color-coded graphic elements
Consistent name, mapping, value, and unit implemented for all parameters in both graphic user interface and host control/automation
Sequencer pattern macro editing functions: copy, paste, reset, trim, invert, shift, evolve, randomize, loop region
Built-in preset management functions
Supports window size scaling up to 200%
SUPPORTED FORMATS

Mac: AU/VST3/AAX for macOS 10.13 or newer (64-bit Apple Silicon and Intel)
Windows: VST3/AAX for Windows 8.1 or newer (64-bit Intel and AMD)
Linux: VST3 for Linux 2020 or newer (64-bit Intel and AMD)"

Synth Picnic - A pop-up synth event in Norwich

video upload by Molten Music Technology

"With music shops going out of business could Synth Picnic be a savvy way of bringing synths to the high street without all the baggage of a bricks and mortar store?

Saturday 11th October Synth Picnic will take over the Honesty Library in the Castle Quarter and fill it full of synthesizers and modular where you can come and play for free.

More information - https://synthpicnic.com/"

Zerosum Inertia - Zi61 is Ready to Wreck!

video upload by NOISEBUG

"Zerosum zi61 freshly restocked at Noisebug #synth #modularsynth #eurorack"

https://www.noisebug.net/products/zer...

via Noisebug

"the zi51 is the metasonix r51 circuit, used with permission, redesigned to take 6ak5/5654 tubes (only use 6ak5 or 5654 tubes in this module) and added feedback.

the input knob controls the audio input level. distort controls the bias adjustment of the distortion level.

vca adjusts the amount of cv applied to the vca cv input.

you need to have a cv source applied to the vca cv input jack to get the most results from the vca knob.

feedback controls the amount of signal fed back into the input.

a modulation signal of at least 5v is recommended to insert into the vca cv input.

the module functions best when a modulation source is fed into the vca cv input to fully open the vca level of the module.

the distort and vca knobs interact with each other and the more voltage that is applied to the vca cv input the more effect the distort knob has when turned.

it is recommended to let the module warm up several minutes before operating and to start with settings as described:

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Roland Introduces the Aerophone Brisa

video uploads by RolandChannel

Playlist:

1. Roland Aerophone Brisa | Sound Demos

Watch acclaimed flutist and composer Elena Pinderhughes bring the Aerophone Brisa to life in this expressive sound demo performance. From acoustic emulations to bold synth textures, Elena showcases Brisa’s wide sonic palette with artistry and flair.

Whether you're a wind player, producer, or sound explorer, the Aerophone Brisa offers a fresh take on performance and creativity. Elena’s dynamic playing highlights the instrument’s expressive capabilities and genre-crossing potential.

00:00 SawSqr Reso Lead
00:35 Erhu
00:59 Baritone Sax
01:07 Concert Flute
01:19 Didgeridoo
01:37 Jazz Scat 1
01:44 Dist Saw Lead
01:59 Vibraphone

2. Roland Aerophone Brisa Performance ft. Shabaka Hutchings

The Aerophone Brisa is a next-generation digital wind instrument designed for flutists and wind doublers to inspire bold musical exploration. With intuitive breath control, customizable sounds, and an array of acoustic fingerings, Brisa empowers artists to push sonic boundaries like never before. In this exclusive performance, visionary saxophonist Shabaka Hutchings brings Brisa to life, blending his spiritual jazz roots with futuristic textures and tones. His dynamic improvisation showcases the expressive depth and versatility of Brisa, proving that tradition and innovation can coexist in perfect harmony.

3. Roland Aerophone Brisa | Everything You Need to Know (Featuring Elena Pinderhughes)

Discover the Roland Aerophone Brisa, a revolutionary digital wind instrument designed with flute players in mind. In this in-depth video, flutist Elena Pinderhughes guides you through everything you need to know about Brisa, from expressive sound demos to intuitive design features that adapt to your unique playing style.

In this video, you’ll learn about the SuperNATURAL Winds technology that delivers lifelike tone and dynamic expression, dual breath sensors and motion control for nuanced performance, and customizable fingerings including flute, Brisa, trumpet, and more. You'll also learn about Brisa’s built-in speaker, connectivity, DAW integration, and the companion app for tone editing, controller assignment, and access to Roland Cloud.

00:00 Intro
01:52 Sounds
02:43 Intuitive Design
06:41 Connectivity

Whether you're an experienced wind player, a producer, or just starting your musical journey, Brisa opens up a whole new world of creative possibilities.

Press release follows.


The Popular Roland Aerophone Family Expands with an Innovative Flute-Style Instrument

Los Angeles, CA, September 16, 2025 — Roland introduces Aerophone Brisa, the latest member of the company’s Aerophone family of digital wind instruments.

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1988 Elka OMB 3 Synthesizer Drum Bass Rhythm Italo Disco Machine Orchestra Made In Italy

Note: links to listings are affiliate links for which the site may be compensated.
video upload by keyboard resource

Walk thorugh the preset sounds followed by rhythm demos at 3:22.

via this Reverb listing

"According to the manual, the OMB 3 is a sound module version of the ELKA C92 and X35 dual-manual organ/synthesizer/drum machines. You can program four rhythm patterns, four "orchestra (solo)" tones (envelope timbre, envelope level & wave), chord sequences (including tempo and sound registrations). There is a way to set it up to receive different data (chord, treble, bass, transpose, pitch) on separate MIDI channels."

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Jupiter 4 : Ring Modulator : Spring Reverb : Sound Exploration with the Warm Audio Ringer Bringer

video upload by Luke Million

"Ever wondered what a Jupiter-4 sounds like through a Ring Modulator and a Spring Reverb?

Well I did and made some cool, fun sounds ranging from subtle to outrageous.

The Roland Jupiter-4 is connected to a Warm Audio Ringer Bringer, an Echo Fix Spring Reverb and that passes through a Franklin Audio DI-20 before hitting my Universal Audio Apollo Twin.

This video is part of my Sunday Sessions Series where I create improvised Jams that will form the basis for future tracks."

This appears to be the first post to feature the Warm Audio Ringer Bringer. Some info below.

"REVIVING AN AVANT-GARDE PEDAL FOR MUSIC’S TRAILBLAZERS

From light Lo-Fi modulation all the way to the piercing sound of infinity ring-modulation, the Warm Audio RingerBringer accurately recreates the ultimate all-analog ring modulation effect used for experimental tones. Like the original, loved by artists like Jeff Beck, Radiohead, Omar Rodríguez-López, Trent Reznor, and many more, RingerBringer delivers the original distinct set of controls, extensive in/out options, and rich sonic textures to inspire boundless sonic experimentation.

DON’T JUST PLAY, CREATE

The ideal platform for the sonic tinkerer, RingerBringer inspires you to generate layered frequencies and harmonics, explore a wide range of sonic possibilities for guitar, bass, synthesizers & beyond, and design your own sounds from the ground up. Extensive controls including LFO, MOD, FREQ (FREQUENCY) & RATE open up sonic possibilities that range from subtle overdriven textures all the way to wobbling, warped leads soaked in texture and tone. RingerBringer is 100% analog and sports premium components including hand-selected op-amps and transistors. RingerBringer is no emulation or 'patch', instead it delivers true-to-spec performance of the boutique, analog original."

The Finish Line

video upload by davidryle

"Having a little fun with the Q960 sequencers and the Moog Matriarch.

The Q960 pair are set up for index sequencing on the bass line. This is a fun way to mangle the bass line but keep it steady in time with the drum pattern. The gate duty was handed to the Dotcom Q172 quantizer for only sending gates when there is a change of pitch voltage. This helped to avoid the typical pulse rhythm.

The bass voice is a pair of Synthetic Sound Labs TZ-VC Oscillators in FM coupling. There is a third VCO from SSL for a sine wave sub-oscillator. These are mixed through the Corsynth C114 transistor drive mixer to the Oakley Voltage Controlled State Variable Filter in low pass mode. The signal is split and sent through the Modcan 73B stereo echo delay and also a dry signal is driven by a second Corsynth T-Mixer for added saturation.

The drum sounds are from the Delptronics LDB-2E and the TipTop SD808 snare. There is a Mutable Instruments Grids and the Moon Modular 563 trigger sequencer coupled to trigger the modules. The snare is sent through the MakeNoise Echophon delay and produces the raspy pulse voice heard throughout.

A hollow wood/metal block percussive sound is generated by a pair of Dotcom Q106's, a Mega Ohm Audio CdS LPG and an SSL Digital Delay. This is triggered by the STG Trigger Mini Store and reset by the Moon 554 Octal Clock Divider.

The IN-YER-FACE lead line is the Moog Matriarch through a T.C.Electronics D-Two delay unit.

Clock source was from Cubase through the STG Time Divider.

A pair of Dotcom Q962 Sequential Switches were used to route the various step gates from the lower Q960 Sequencer to the upper Q960. Routing and pitch values were pre-determined after hours of rehearsal to set up a particular scale or mode that determined what I should play on the Matriarch.

It should be noted that certain happenstance values of the sequence pattern produced passing tones that lead to the typical blues scale in C. I just had to go with it."

Elektron Officially Introduces Tonverk

video upload by Elektron

You might remember Tonverk mentioned in previous posts here.

"We are delighted to introduce Tonverk. A machine primed for adventure. An instrument to propel you towards extraordinary music-making and boundless sound exploration. It is packed with 16 varied tracks full of polyphony, multisampled instruments, auto sampling, never-ending routing possibilities, a mass of FX options to play with (including plenty of newcomers), deep modulation, an extended 256-step sequencer, and lots more fun features to get stuck into. All in one special box."

Check with dealers on the right for availability.

CLICK FOR MORE »

Roger Linn: The King of Drum Machines

video upload by Jack Pearson

"This is the story of Roger Linn, a guitarist from Los Angeles whose innovative sample based drum machines changed the sound of music forever.

Special thanks to Roger himself for featuring my video in the September Linnstrument newsletter (https://myemail.constantcontact.com/L...) and on his website (https://www.rogerlinndesign.com).

I first learned about Roger a few years ago while making a film called “The History of Sampling in Music” [below]. While I didn’t know anything about Roger at the time, I was astounded to learn that he had created both the LinnDrum and the MPC, which shaped the punchy robotic drums of 80s pop music and the grungy experimental grooves of 90s hip-hop respectively. I did a quick bit of research about him for my video, but didn’t really dig much deeper than that… However, a few months ago I decided to rewatch my old project, which reignited my interest in Roger’s story and gave me the idea for this video.

Like my previous project, I’d initially planned to write a script and do a voice-over, but after discovering the assortment of recorded interviews that Roger has already appeared in, I realised that I could just chop them up and have Roger tell his own story. I thought 'hey that sounds pretty cool, how hard could it be?'

Well, let’s just say I’m probably never going to do something like this again. I did enjoy making this and I am proud of it, but if I had just done a voice-over not only would it have been easier to make, but I also could’ve included a lot information without it feeling incredibly clunky. The initial cut was about 26 minutes, but I cut out loads of stuff for the sake of pacing and trying to stick to narrative beats. Roger is a fascinating guy with a lot of great anecdotes though, so if you enjoyed this video then I highly recommend you seek out some of the podcasts/interviews he’s done over the years.

I planned on making all the music for this film myself, but decided it would be better to use music that relates to Roger in some way (for example, he co-wrote 'Promises' by Eric Clapton and 'Quittin’ Time' by Mary Chapin Carpenter, and first used the LM-1 Drum Computer on the Leon Russell album 'Life & Love' which featured the track 'One More Love Song'.) I salvaged one of these demo tracks for the credits, but you can listen it and a few more scrapped tracks here:

Jack Pearson · RL:TKODM (Credits Music + Demos)

Since you’ve read this far, here’s a few bonus Roger facts that got cut out of the video:

The LM-1 was featured on the best selling album of all time - 'Thriller' by Micheal Jackson, as well as other early 80s hits like 'Maneater' by Hall & Oates, 'Valerie' by Steve Winwood, and for some reason - the original 1983 Thomas the Tank Engine theme song.

Roger hired his friend, a professional session drummer called Art Wood, to record most of the sounds on the LM-1. They set up the kit in Roger’s closet, recording each of the drums one at a time… then called it a day. Given the popularity of the songs featuring these recordings - Art Wood is technically one of most prominently featured drummers of all time.

And here's two bonus facts about this video:

The title 'The King of Drum Machines' is a quote from the father of MIDI - Dave Smith, when he spoke about Roger and the Tempest drum machine (which they built together) on a Sweetwater panel in 2015. [below]

This video was released on Roger’s 70th birthday.

I hope you enjoy it!" The History of Sampling in Music (2022)

video upload by Jack Pearson

The Inventors of Synth (Roger Linn, Dave Smith & Tom Oberheim) - Sweetwater Gearfest 2015

video upload by Sweetwater

"Join Mitch Gallagher as he moderates 'The Inventors of Synth' panel discussion at Gearfest '15. Featuring industry icons Dave Smith, Tom Oberheim, and Roger Linn discussing their thoughts on the past, present, and future of analog synthesizers and controllers.

Legendary synth designer and Grammy-winner Dave Smith was the founder of Sequential Circuits in the mid-'70s. His Prophet-5, the world's first fully programmable polyphonic synth, was the first musical instrument with an embedded microprocessor. Dave is also known as the driving force behind the development of the MIDI specification. He has continued to innovate, and recently unveiled his latest synth creation, the Sequential Prophet-6.

A pioneer of the synth and MIDI world, Tom Oberheim co-designed the Synthesizer Expansion Module (SEM), a device that allowed musicians to simultaneously combine live playing and sequenced playback - a concept that pre-dated the MIDI revolution. In 1981, he, along with Roland's Ikutaro Kakehashi and Sequential's Dave Smith, developed the MIDI spec, which changed the course of modern music. Tom recently re-released his famed Two Voice synth.

Technical Grammy award-winner Roger Linn invented the LM-1 Drum Computer (the first sample-based drum machine) in 1979. He later designed the Akai MPC60, which combined a sampling drum machine with a real-time MIDI sequencer. His guitar effects unit, AdrenaLinn, has been used on hit recordings by John Mayer and Red Hot Chili Peppers. In 2014 he released the LinnStrument, an expressive MIDI performance controller."

Behringer 2-XM Four Voice Poly Action Using CV.OCD [Demo 01]

video upload by gstormelectro

"Audio + Video by G-Storm Electro c. 2025

Today I'm employing a Sixty Four Pixels CV.OCD to distribute CV/gate amongst two Behringer 2-XM synths for proper Four Voice allocation. As of today the 2-XM firmware on its own does not support individual voice allocation this way. And THIS is very much what I signed up for: stereo panning each voice however I want, pulling out notes of a sequence/chord using filter and envelope controls per voice, and slight variations in the voicings giving rise to an analog sound that is very much alive. Even when the sequence is just arpeggiating a single note value, the variations suggest movement as you will hear.

All audio recorded direct to iPhone via Roland GO:MIXER Pro-X. No sound effects are applied, some normalization in post processing. Signals were sub-mixed on a Soundcraft EPM6 mixer, no added EQ. Sequencing by Arturia Keystep Pro.

0:00 Chords and Bass Sequence I
2:32 Chords and Bass Sequence II
4:14 Single Note Arpeggiation"

MUSIC https://gstormelectro.bandcamp.com/
BLOG http://gstormelectronica.blogspot.com/
LISTEN/DOWNLOAD http://soundcloud.com/gstormelectro
REVERB https://reverb.com/shop/gstormelectro

NINA Patterns by Protovolt: Analog Motorized Poly Synth by Melbourne Instruments

video upload by Melbourne Instruments

"Synth lord Protovolt has created a bank of patterns for NINA's Multi-Track Sequencer. Protovolt's Pattern Bank will take you to a cyborg sci-fi thriller in which you are evading a deranged robot, drawing inspiration from the great exploitation movies of the 1980s. With a contemporary twist, each of these patterns has all the sound characteristics of vintage analog synths. Set your coordinates to the future, grab your protective gear and motorcycle helmet, and get ready for a wild ride! All sounds and patterns in this video were created solely using NINA.

Grab the Protovolt NINA Pattern Bank here: https://www.melbourneinstruments.com/...

ABOUT NINA:
Unlock a standalone groovebox for beatmakers, producers, performers and sound designers with NINA's Multi-Track Sequencer. A groovebox for dynamic and expressive performance anywhere - studio or stage. Great for generating quick new ideas or work some amazing complexity into your music. This is all powered by NINA's raw analog oscillators, ladder filter and wavetable oscillator. Not forgetting the revolutionary motorized knobs that snap to life for hands-on, tactile interactive control, now you can feel your sound. Whether you’re crafting beats or complex melodic patterns, this next-gen groovebox workflow unlocks a completely new way to create.

Key Features of the Multi-Track Sequencer:
• 4-Tracks—up to 64 steps with independent length per track, for polyrhythmic sequencing.
• Per-step Automation—front panel parameters can be locked per step.
• Polyphonic Sequencing — up to 12 voices available spread across 4 tracks.
• 64 Noise types — percussive hits, metallic textures, buzzes and digital percussion.
• Motorized Automation— you can see the front panel move, turn automation on/off.
• Time-based features —shuffle, micro-timing, clock multiplication, variable gate lengths, and probability.
• Perform patterns—recall and chain up to 16 patterns.
• Internal Storage for more than 4,000 patterns.
• Save a pattern with all sound and sequencer data in save into a single file.
• Standalone operation— no other gear required. Of course NINA works well with other gear too!
• New features include: timing quantization, clear notes and clear steps.

ABOUT PROTOVOLT:
Protovolt is a sound designer, and composer known for his high-energy videos showcasing his original music, spot-on classic covers, and meticulous sound design. As a child of the ’80s, his work draws heavily from the vibrant entertainment and pop culture of the time. His music and sound design bridges nostalgia and innovation, creating a sonic world that feels both timeless and futuristic."

Behringer Murf Box on synth (no talk)

video upload by Richard DeHove

"Behringer's BM-15M Murf Box - now renamed as the BM-15M Resonant Filter - is a clone of the Moog Moogerfooger MF-105 MuRF. I bought this pedal thinking it might be a more interesting replacement for my Boss SL-2 Slicer. Why did I want to replace the Slicer? Because the Slicer has a few things that slightly irritate me. In hindsight, a pitiful motivation since the Murf Box has an equal number of small irritating things.

First, if you bypass the effect you only get sound out of one channel. That's irritating. It's huge, the knobs are hard to read, I don't love the EQ, the way the envelope works is odd, there's no compression on the drive, and you can't adjust the LFO without an expression pedal. Not that I entirely blame Behringer, I also blame Moog since these are all present on the OG Murf. But of course all the actual blame rests with me for not being satisfied with the Boss Slicer.

Not that the Murf sounds bad. It's a rather interesting, gritty, unusual and reasonably versatile machine. I think rather my expectations were pumped up to the same artificial heights as the OG Moogerfooger reputation and prices.

Here the Murf is receiving a MIDI clock and the expression pedal is connected to the LFO rate. The volume varies a lot depending on the EQ, mix and drive settings - and seems to fade away a bit toward the end of the video - but I thought it best to keep these as-is to show real usage.

Originally I was going to do a comparison between the Murf Box and the Boss Slicer with lots of talk. But knowing that hearing me talk too much annoys some people, and that merely showing a Behringer product will guarantee a percentage of automatic dislikes, I thought it wiser to start with a plain audio demo. I'll do a comparison with the Slicer very soon (unless everyone hates this video) since I think there's a lot of overlap and interesting design contrasts between the pedals.

0:00 Intro ditty
1:00 Twiddlings
3:30 Drone
4:06 EQ fun
4:56 Envelope
5:50 Many tweakings

Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Inside Tom Oberheim’s Garage Workshop

video upload by Anthony Marinelli Music

See the full interview here, and the SEM Story here.

"Step inside the legendary garage workshop of Tom Oberheim—the birthplace of some of the most iconic sounds in music history. In this rare behind-the-scenes tour, Tom shares his latest creation: a custom-built computer he’s designing entirely from scratch—just because he loves the way it sounds.

Along the way, Tom opens up his treasure chest of innovations, showing us priceless prototypes from his storied career, including the original Maestro Phase Shifter prototype and circuit boards that paved the way for his groundbreaking synthesizers.

I’m joined by Rob Rosen (Rosen Sound) and Marcus Ryle (Alesis, Line 6) as we hear directly from Tom himself, walking through this sacred space filled with history, innovation, and pure sonic imagination.
👉 Don’t miss this intimate glimpse into the genius of a true pioneer."

https://oberheim.com/

https://anthonymarinellimusic.com

Rare Vintage Drum Synth: JHS SD-1 Pro-Rhythm

video upload by Perfect Circuit

"The wonderfully weird JHS SD-1 Pro-Rhythm drum synth — a sure way to spice up any band's setup :P

What's YOUR favorite drum synth / drum machine?

Check out our huge selection of used and vintage gear:" Perfect Circuit Listings

SN 010276 via this listing

Additional Perfect Circuit listings

CLICK FOR MORE »

Roland MKS-80 Super Jupiter SN 460648 w/ Retroaktiv MPG-8X Controller

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

CLICK FOR MORE »

Explaining Solar installation quantum cloud

video upload by errorinstruments paul tas



"Solar Installation — A Music Box from the Future

Solar Installation is an experimental synthesizer — a bridge between art, sound, and technology. It reimagines how we interact with music, offering a different and deeply artistic way to explore and create sounds.

At its core lies a patch bay that opens up endless sonic possibilities. By experimenting with its connections, you can discover countless “sweet spots” where unexpected textures and tones emerge. The engine itself is alive with movement, evolving harmonics, and shifting layers of sound.

An integrated effects processor lets you transform these tones even further, adding lo-fi echoes, delays, and atmospheric modulations to shape entirely new sonic landscapes.

What truly sets Solar Installation apart is its dual-mode oscillators. Each of the four oscillators can be controlled in two unique ways:

• Precision Mode – using traditional potentiometers for accurate, tactile manipulation.
• Light Interaction Mode – using highly sensitive light sensors that respond to movement and changes in illumination.

This makes the instrument behave like an interactive installation. By positioning it in different lighting environments or allowing natural shadows to play across its sensors, the machine evolves on its own, creating ever-changing, generative music.

Sometimes, it behaves like a futuristic music box — a self-driven system producing evolving patterns, unexpected harmonies, and “happy accidents.” It invites you to let go of control and embrace the beauty of randomness, where sound becomes an organic, living experience.

Solar Installation exists between instrument and sculpture, science and art, intention and chaos. It’s not just about making music — it’s about exploring possibilities.

Available www.errorinstruments.com #eurorack #electronicinstrument #lifeisbutadream #automobile #affordablegear #diyelectronics #circuitbending #haveitoldyoulatelythatiloveyou #modularsynth #error"

OXI Instruments Introduces Split 2 and Split 2hp

video upload by OXI Instruments

"Today we’re looking at the brand new OXI Split 2 and Split 2hp — two tiny but powerful tools that make it easier than ever to connect your OXI One to all your instruments.

We’ll walk you through what’s new, how they work, and why they might be the missing piece in your setup."

"The OXI Split 2, MIDI breakout box, is an efficient and inexpensive solution for users whose setup relies on MIDI connections. It is the easiest way to connect several MIDI devices, such as synths or drum machines, to the OXI One.

The Split provides:

2x MIDI DIN Out
4x MIDI TRS Outs
Select Between MIDI Out or MIDI Thru
It increases data transfer capacity and the number of MIDI channels up to 96.

To use it, simply connect the Split to the OXI One with the TRS cable included.
OXI Split 2 works for OXI One and OXI One MKII. But it doesn’t work when connected to other MIDI devices."

CLICK FOR MORE »

Roland TR-808 Rhythm Composer with CHD Midi, Synthronics PSU, Original Box, Stardust Cover

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

CLICK FOR MORE »