Behringer Grind: 64 Techno, Acid, House Patterns Sound Demo

video upload by Anton Anru

🦠 Behringer Grind "Toxic Flux" is a collection of 64 sequences suitable for different genres like Techno, Minimal, Dark Ambient, IDM, Industrial, House, Breakbeat etc.
🧿 The soundset contains a wide range of patterns: dense, with all steps active, or sparse, having many empty steps and giving space for other instruments. Each pattern is thoroughly set with parameters such as Gate Length, Glide, and Accent.

📦 The download link: https://antonanru.sellfy.store/p/grin...

🎼 There are patterns with an "even" number of steps (16, 32) and patterns with an "uneven" number (15, 21, 30), which create interesting interactions with other parts of the track through polymetry.
🎹 By default, the sequences are in the C2 Minor scale. However, you may transpose them to octaves, or you can adjust the root note in semitones using the onboard keyboard to fit any scale. Additionally, transposition during playback can be used to create progressions.

💡 The soundset doesn't include Grind patches/timbres/front-panel settings. Patterns/sequences/melodies only.
You may find Grind patches on my website as separate products.

🎛 You can use the patterns as ready-to-go material for your tracks or jams. Alternatively, you can go further by taking them as a starting point. Decorate the sequences with the features offered by Grind: play with pattern length (end point), direction, rotation (shifts the starting point back and forward), swing amount and division, tempo division if you use an external clock, momentary actions like hold, accent, ratchet, and others, reset, and, of course, you can change patterns by muting/adding steps or changing notes. Thus, a single sequence can produce many "siblings" in real time.

📝 For loading the sequences onto your Grind, you must use the SynthTribe app. It’s available on the official Behringer website → Grind page → Downloads.
Before loading new sequences, make sure to back up the slots already used in your synth.
The pack consists of 64 sequences. You can send the sequences one by one if you want to load individual sequences.

Instructions:
Connect your Grind via USB.
Run the SynthTribe application.
Choose the Sequencer Page.
Select Pattern Group 1 → Pattern Section A → Pattern 1.
Click Import and select I-1-A.seq from the “Patterns” folder.
Click Store to load it into the Grind I-1-A slot.
This takes several minutes in total.

Alternatively, you can load all 64 sequences from the soundset with a single click.
Click the Merge button in the SynthTribe app and select Toxic Flux Dump File.seq.
I added drums and pads to the demos to create a musical context.
They are not included in the soundset.

SΞQMØDΞ Behringer Sessions

video uploads by SΞQMØDΞ

Playlist:

1. Behringer 2600 Gray Meanie meets Moog Sound Studio (DFAM, Subharmonicon, Labyrinth) | First Jam

Lately I picked up another synth... yeah, GAS hits hard 😅 My first jam with the Gray Meanie! I still remember loading up Arturia's ARP 2600 emulation years ago and thinking, "what is this shit?" I didn't understand anything back then. I gave up on it pretty quickly and forgot all about it. Later, I found out through deadmau5's MasterClass that it was the synth behind R2-D2's voice, which got me interested again... but only for a while.

Fast forward to now, I finally bought one and decided it's time to actually learn it. I think it'll be a great addition to my semi-modular setup. I'm really enjoying it so far! Behringer did a solid job with this one: the leds looks great, feels really well built, and works really well with my korg sequencer.

Anyway... hope you find this little noodling session interesting! 🤘🏻

2. Trying to make the Behringer 2600 work with my Moog Sound Studio | Jam

Just a quick jam exploring this Behringer/Moog setup and seeing if they actually complement each other.

A lot of people say Behringer synths just don't belong next to Moogs... so yeah, I'm doing my best to make it work. :D

Hope you enjoy! 🤘🏻

3. Behringer 2600, KORG SQ-64, Moog Sound Studio (DFAM, Subharmonicon, Labyrinth) | Synth Jam

Another quick jam using the Grey Meanie alongside the Moog Sound Studio. Hope you find it interesting! :D

btw, I’ve been struggling with free time lately, so you might’ve noticed I'm behind on comments.. But I'll catch up step by step! And of course, I’ll be checking out your jams too! Cheers, friends! 🤘🏻

4. Behringer 2600 Gray Meanie | Noodling Session

Gray Meanie stuff... I really need to learn this synth, feeling quite lost while jamming, so yeah... This isn't even a jam, it's just a noodling session, trying things out with the Korg SQ-64...

Hope you find it interesting!

5. Paraphonic mode on Behringer 2600 | Noodling Session

First time using the 2600 in duo mode. I used the Arturia MicroBrute strictly as a keyboard controller, there's no sound coming from it here. The whole thing is just a raw jam with a many mistakes, but I was having a blast. I really love how the 2600 sounds as a paraphonic synth and I was completely lost in the zone while noodling...

Hope you find it interesting!

All-New for Behringer JN-80: 222 Ultimate Patches, Plus Free Patch Pack

video upload by ULTIMATE PATCHES

"Ultimate Patches created the popular factory presets that ship in JN-80's Banks A-E as heard in the video above, and now, Ultimate Patches releases the next level JN-80 Ultimate Patches: Volumes 1+2. 222 all-new premium quality sounds from the past, present and future: Classic polys, leads, basses as well as classic non-synth instruments including electric guitars, electric basses, strings, brass, percussion, acoustic pianos, wurlitzer electric piano, classic 60's/70s organs, voices, world & orchestral and more!

The collection spans the genres of 70s, 80s & 90s synth classics as well as modern pop, retrowave, R&B, orchestral, cinematic, hiphop, vintage pop+rock, vaporwave, trance, retrocade, latin, reggae, jazz, chiptune, reggaeton, dubstep, and tech / deep / retro house.

Pricing & Availability:
Available now as an instant digital download at ultimatepatches.com starting at just $19.99 per 100-Patch Volume or $29.99 for all 222 Patches.

In addition, a Free 15-Patch Taster Pack from the collection is now available (no registration required): https://www.ultimatepatches.com/free-synth-presets-patches.html"

Living the Euclidean Dream - A Hands-Off Eurorack Patch

video upload by Scrapcode Modular

"A slow, relaxing musical meditation on Eurorack. No post processing - audio goes straight from the rack's headphone output to the camera input.

Patch notes:

Audio signal flow:

4x Osciallators from @scrapcodemodular QUORD - Chord Sequence Oscillator (prototype)
into
4x inputs of Doepfer A-105-4 Quad Poly VCF (low pass filter)
into
4x inputs of @behringer Four Play VCA
into
4x inputs of @Dreadbox-synths Psychosis (adding panning movement and delay effect)
into
Stereo input on @behringer rack mixer (adding stereo chorus/reverb effect)
into
Stereo input on camera

Envelope modulation:
@scrapcodemodular WONK - Quad Envelope Generator is controlling both the VCF and VCA for each of the four notes individually. This is being triggered by the @scrapcodemodular AXIOM - Euclidean Rhythm Generator, which is set to a 15 step pattern. The trigger for the bass note is multed to the QUORD's 'Play Next' input to progress the chord each time a bass note is played. This gives a slow 12/8 feel due to the 8 chord sequence, but as AXIOM is running over 15 steps, any repetitions in rhythm are spread throughout the pattern rather than being repeated each bar.

LFO modulation:
As well as the Psychosis adding stereo interest, slow LFOs have been patched into various parameters on AXIOM to keep the rhythm changing - not so much as to be jarring or unfamiliar, but enough that the same order of notes almost never repeats. Further cyclical modulation has also been applied to the WONK parameter (changing envelope timings) and the filter's cutoff frequency. LFOs have been attenuated using @scrapcodemodular QUATT - Multenuverter."

Quick Test/Demo Of The “FINAL” arrangement Of My Battery Powered Eurorack Toolbox? ;-)

video upload by John L Rice

"Never say never but I can’t help but be optimistic that this setup will never change! 🙄🤣

This customized Ace toolbox contains modules from the following companies:
Tiptop Audio
Behringer
Ladik
Happy Nerding
2hp
Intellijel
Doepfer
Bubblesound
Erica Synths
Qu-Bit
MengQi

The battery is a Talentcell LF4100"

ako - Basic Microwaving (4 track tape version) - recording w MT-50, MMT-8, CZ-1000, PSS-480, TR505

video upload by ako

"Here's a video of the recording of the B-side for my new single (links to all formats below). It was recorded on a Yamaha MT-50 four track tape recorder with a Casio CZ-1000 (bass, this is honestly the weirdest synth I own and I think this the only track I’ve released with it on bc it’s just so weird), Yamaha PSS-480 (lead, despite masquerading as toy this thing packs some serious heat) Yamaha DX21 (chord layer) and Roland TR505 (drums – this gets some stick from TR purists, but it has some really usable sounds and the sequencer is super nice). The track was sequenced with the frankly legendary Alesis MMT-8 (the only hardware MIDI sequencer I’ve ever enjoyed using). Synchronisation between tape and MIDI was achieved using a Yamaha YMC10 MIDI clock to tape-synch converter. Dub style delays used on the lead came from a RocLab DD3000 (pretty obscure unit, sounds nice if you tweak it just right); Reverb came from a Behringer DR600 (solid reverb pedal, even more solid price at ~£25) and chorus for the bass via a Boss CH-1 Super Chorus - my favourite chorus, to me it just sounds how chorus should sound (this one is a vintage ‘made in Japan’ model, so fully analogue compared to later digital CH-1 models, and just sounds super warm). It was mixed on MT-50 but also with a Peavey Unity Series 2000-16 (for submixes and sends etc.), this mixer has a flavour all of it’s own, certainly not high fidelity, but kinda gritty and warm… The track is out now for stream and download (links below), hope you folks dig the track 🙂"



Also on Spotify.

Journey West

video upload by davidryle

"Large Format modular synth live studio song.
The new module is a Maneco Labs Sequencer 16 trigger step sequencer. I used it as the main clock source for the rest of the system.
I started with the Maneco Labs Grone dark drone machine module for the opening intro.
The bass line was introduced next using triggers from channel six of the Sequencer 16, with the Corsynth pair of VCO's into the Grove Audio G294A LPF and the Synthetic Sound Labs Tube VCA/Timbral Gate and then on to the STG Soundlabs mixer.
The percussive parts came next. First was a pair of Q206's in Sync mode through a Moon Modular 517S high pass filter. Pitch voltage was from the lower Q960 step sequencer. The pattern pulses were from a pair of Mega Ohm Audio LFO2 modules run through a triple switch module from Lower West Side Studios.
Second part was a single STG Soundlabs Oscillator in drone to the SSL Tube VCA, pulsed by the STG Envelope modified with an LOF to the decay input. Then on through a Behringer Digital Delay. The pattern triggers were from the SSL Geo-Gruvn Euclidean Sequencer.
I used channel 3 from the Seq16 to pulse the SSL VC ADSR with the SSL Woven Spirits module. The SSL Quad LFO was used to fade in and out the pulsing part. The pitch sweeping is done by an LFO to the Harmonic input of the Woven Spirits. The pizzicato string part came next. It was actually the first part I created. The use of channels 1 & 2 from the Seq16 were sent through the SSL Octal Linear VCA with the AD/AR Expander module as envelopes. The sound was from the pair of SSL TZ-VCO's which are pitch controlled by a pair of The Matrix Algorithmic Composer modules. They are sent to a Modcan Dual Delay 73B and on to a Dove Audio D502 Multimode Filter with Hi Pass to Low Pass in 2-pole mode. The reverb is from an UA Golden Reverb in Hall 2 mode.
The final part is the upper Q960 step sequencer with all three rows sending pitch voltages to three oscillators. First row was to the Dove WTF. Second row was to the Mos Lab Moog 901 and 904 array. The third vco is a synthesizers.com Q106. They are mixed and sent to the EHX Grand Canyon in Mod Delay mode. Gate timings from the Moon 563 Trigger Sequencer.
I closed out with the Grone module."

Summer echos - live Berlin school inspired synthesizer jam

video upload by RandomVoltage

"Summer echoes -
Berlin school inspired live synthesizer jam

Thank you for tuning in - enjoy! :)

Setup

Moog Messenger- main clock/ sequence
Moog subharmonicon- clock distribution/ sequence
Moog mother32 - sec sequence
Moog dfam - percussive sequence

Arturia Minifreak- pad drone

Arp2600 - noise/ efx

Sequential Fourm - chord pads


Effect pedals used

Strymon - bluesky, elcapistan, volante, deco
Vongon ultrasheer
Boss space echo 202
Behringer BM13
Echofix chorus
Walrus audio Meraki

Mixed on soundcraft efx12
Recorded live on zoom l6max


#chilloutmusic #berlinschool #ambientmusic #synthesizer #synthesizermusic #synthjam #hwj #moogsynthesizer #moogmessenger #moogdfam #moogsubharmonicon #moogmother32 #arp2600 #arturiaminifreak #sequential #synthwave #retrosounds #analogsynthesizer #klausschulze #tangerinedream #relaxingmusic #deepsleep #deeplistening"

Oberheim TEO-5 does Tangerine Dream style sequences

video upload by Vykaar Tones

"Oberheim TEO-5 being sequenced from a Behringer 960 sequential controller with ratchets added using a Doepfer A-160-5 and the CV/Gate converted to Midi using Tubbutec uTune module. Eventide Timefactor Delay added in mixer output."

Improvised Tongue-Pan and Electronics at Real Art Tacoma WA USA July 19th 2026

video upload by John L Rice

"Custom Yudin Workshop Pulsar tongue drum with the following notes:
A#2, F3, G#3, A#3, C4, C#4, F4, A#4, C5, C#5
Buy one of the many stock scales or create your own scale here:
https://yudinworkshop.com/

To process the tongue drum the pedal chain was:
Meinl Sonic Energy magnetic pickup
Revival Electric Synapse V2 preamp with effects loop
Strymon Lex rotary speaker emulator
Retro Mechanical Labs Electron Fuzz Custom distortion
Walrus Audio Slö reverb

The small Eurorack modular consists of:
Vermona meloDICER sequencer with MEX3 MIDI expander
2hp Rnd random voltage generator/clock
Tall Dog µBraids SE (Mutable Instruments Braids clone)
Expert Sleepers Disting mk4 multi function module
4ms Pod48x case (modified to mount the MEX3 on the side)

The JMT LD-2 drone box was patched into:
Swiff Audio C-10 tuner
TC Electronic Ditto Looper
Meris Mercury7 reverb

The outputs of the three sections above were patched into:
Behringer Xenyx 502S mixer
Radial Engineering JDI Stereo Passive Direct Box

Additional items used:
RockStock Pedals The Bright Switch charger/gooseneck lamp
Pedaltrain Classic JR and Metreo20 pedalboards
Gibraltar 5706EX tall snare drum stands
NiuNyuNeu Clamp On Mic Stand Tray
Strymon Ojai power supplies for pedals
Furman SS-6B 6-outlet power strip
Tendrils Cables for Eurorack
Various commercial and self made cables

Thank you for watching, rating, and commenting! 💖🤗

Tip jars:
https://buymeacoffee.com/johnlrice
https://ko-fi.com/johnlrice87789

#electronicmusic #noisemusic #tonguedrum"

Session V | Veil of Andromeda | Eurorack, Juno-106

video upload by Things in Motion

"Synthesizer performance using the following gear:
▷ Roland Juno-106
▷ Novation Mininova
▷ Moog Mother 32
▷ Behringer Model D
▷ Eurorack modules

My links:
Bandcamp -- https://thingsinmotion.bandcamp.com/
Soundcloud -- / thingsinmotionnl
Instagram -- / thingsinmotionnl"

'Dance Arp' the initial integral version of 'We are the fire' with Crumar Bit99 synth from the '80

video upload by Davide Micheli

With vocals further below.

"'Dance ARP' is a music song composed in 2024 by Davide Micheli. Some parts were extracted from it and later used to compose the song 'We are the Fire', released in July 2026 with the Sir Donkey band made by me and my friend Piero Pirani.

The song uses mainly vintage Italian electronic synthesizers from the 1980s

The track was strictly recorded with an analog mixer, similar to what was done in the 1980s, except for the digital conversion of the audio using a 24-bit audio interface and Cubase at 96 kHz.

In particular:
--A1985 Crumar Bit99 synthesizer was used for the Bass, Arpeggio, and Pad parts;
--An Elka Rapsody 610 and an Elka Twin 61 synthesizer from the 1980s were used for the string machine parts;
--A Crumar Multiman S from the 1980s were used for the string machine parts;
--A Elka Rapsody 610 synthesizer from the 1980s were adopted for the vintage '80 piano;
--A CRB Diamond 910 Gold vintage electronic organ of '80 was adopted for organ part on the initial part of music track
--A Korg Prologue was used for the synthetic sound effects.
--A Akai S5000 sampler for some for the strings in a central section of the song.

Finally, for the rhythm section, a Behringer RD-9 Drum Machine with a phaser and stereo modulation effects on some parts was used and you can hear drom going from left to right stereo channel. Hope you enjoy the music."

With vocals:

We are the fire (Sir Donkey band by Davide Micheli and Piero Pirani) recorded in Ankon Record studio

video upload by Davide Micheli Piero Pirani Sir Donkey

"This piece was conceived, composed, and then produced using almost exclusively vintage Italian electronic synthesizers from the 1980s at the private recording studio Ankon Records.

We appositely decided to make use of vintage Italian brand synthesizer to reproduce the music dance atmosphere, sonority and resonances of the Italo Disco dance of '80 era.

We are the fire is a dance music brand that harks back to 1980s music revisited with a contemporary twist. The song features my friend Piero Pirani and I who are the components of Sir Donkey band. A friend of ours, singer Maruzio, sang some parts in falsetto on some of the chorus parts.

The choruses and vocals sometimes have slight imperfections that we deliberately left on the recording without correcting."

Introducing Behringer AKS Mini | Classic AKS-Inspired Analog Synth Power

video upload by Behringer

"Meet the Behringer AKS Mini, an analog polyphonic synthesizer inspired by the classic AKS sound and designed for hands-on creativity.

Featuring 3 VCOs, variable waveforms, a resonant AKS-style VCF, spring reverb emulation, a 2-axis X/Y joystick and a 16-step motion sequencer, AKS Mini gives you an expressive analog workflow in a compact format. From evolving sequences to experimental textures, basslines, leads and classic synth tones, this instrument is built to move fast, sound bold and keep creativity in your hands.

Discover the AKS Mini and start shaping your sound."

VIVALDI - Autumn Part 1 on SIX (5) ARP Odysseys

video upload by Richard Payne

"Been having a pop at Autumn Part 1 these last few days and this take I recorded (take 111!) has come out slightly 'dystopian' sounding and synthy. Have pushed the filters a bit more. There’s a bit of overdrive in places and some wobbly 'pitchy' stuff happening. But lots going on and lots of things to remember to do. Or not to do. This take here was only the 4th time I’d made it to the end, and the first and only without completely ballsing it up.

Odyssey #3 was briefly back in the fold last week and was ably handling the sub bass part all on it’s own, but it started going wrong again and has been taken back to the repair shop. So to cover that part here, I’m bringing in and out oscillator 2 on Odyssey #6, which is set to a square wave an octave down. I’d say a good 80 of those earlier takes that I mucked up were ruined by me forgetting to do this, or doing it badly, or at completely the wrong time. There’s a 'high jeopardy' patch change happening on Odyssey #1 too which I liked to get wrong, transitioning from a short filtery harmony part at the beginning to a long square wave lead line for the slow bit towards the end.

As before, I got the Midi parts online and processed them in Ableton Live. I combined and reduced them down from the 24 orchestral parts to the 5 here. Fixed up a few dodgy notes. Probably added a few of my own. Then I tempo matched to an orchestral performance of the piece, which is probably the fiddliest and most time consuming bit. There were a few more evenings messing with note lengths and refining the tempos further. So, I’ve been using Korg’s Odyssey plugins up to this point in the process, slouching on the sofa on my laptop, but the next step is to move into my little music room and to practice on the actual ones. Spent a couple more evenings working things out there and then a couple of days trying to film a good run through.

It’s certainly tricky trying to adjust each part as dynamically as I’d like when they’re all coming at me in one big terrifying lump. I’m not mixing or even EQ’ing afterwards so I’m battling to keep a good audible balance between the synths as I go. If I get too involved or too “two-handy” on a synth for too long, I’m neglecting the other four and I’ve missed 5 other things I wanted to do. So I’m relying quite a lot on the Decay slider in the envelope section, as it seems to offer a one-stop dynamic shop that I can adjust on two synths at the same time. I’ve modded all of the Odysseys to have a free-running LFOs also, so I can introduce a slow LFO to the filters to keep them shifting about on their own whilst I adjust something else elsewhere.

I have started re-recording these pieces 'properly', one Odyssey at a time, with view to putting them up somewhere for streaming or perhaps even pressing them onto vinyl. Would sound good on record I reckon. You reckon? And I have a whole shelf full of peculiar synthesizer albums from the 60’s and 70’s that it would be an honour to mingle with.

But hey, thank you so much, everyone who showed up and watched the last video. For all the views and subscriptions and above all, the kind and encouraging comments. That was nuts. I didn’t know you lot were coming! Absoutely amazing and thank you sincerely again.

Oh, to wrap up, here the Odysseys are going balanced out into a Behringer ADA-8200 Interface, which is optically connected into the Adat In of my UAD Apollo. They get their 5 channels of Midi note on, note off information down USB from Ableton Live which is in turn recording the audio coming back. I added some Hall Reverb from Arturia’s LX-24 but nothing has been EQ’d. It’s all how it comes out of the lovely boxes. I did however have a Limiter on the main channel, to put a bit of a lid on some of the more feisty bits.

Toodles!"

Lost Painting from Castlevania: Symphony of the Night - BARx Cover

video upload by BARxMusic

"Stream/Download: https://ffm.to/lostpainting

My take on the beautifully wistful "Lost Painting" from Symphony of the Night. It's been a while since I made some straight-up Synthwave, thought this theme would be a perfect fit for that dreamy nostalgic vibe.

I used a new camera to shoot this video, really pleased with how it came out!

Hope you enjoy!

Gear used:
Yamaha CK88
Moog Matriarch
Expressive E Osmose
Korg Minilogue
ASM Hydrasynth Explorer
Behringer Model D
Rhodes Mark I
Novation SL MkIII (controller)
Alesis SamplePad Pro (controller)"

Midnight haze - Analog chillout lounge - Berlin school inspired synthesizer jam

video upload by RandomVoltage

"Midnight Haze - Analog chillout synthesizer jam

Thank you for tuning in - enjoy! :)

Setup

Moog Messenger- main clock/ main sequence
Moog subharmonicon- clock distribution/ polyrhythmic - chord sequence
Moog mother32 - polyrhythmic percussion
Moog dfam - bass

Arturia Minifreak- bass drone

Arp2600 - noise efx

Sequential Fourm - chords

CLICK FOR MORE »

Behringer Synth Family - "Inner Desert" (live)

video upload by LFOstore

"Aaaand - not only!

Also Akai,Eventide,Korg and others.

Wishing you great summer with bright colours & comfort studio moments!

Presenting a new jam in our new studio space - Orange Celtic Place.

'Inner Desert' is a cosmic & ethnic journey with vintage flavour & hypnotic patterns.
In the heart of performance - classic sequence made on Behringer Odyssey.

Korg Prophecy used to play ethnic solo woodwind - physical modeling adding a real magic here!

Composition played by Nick Klimenko
Video by Nick Klimenko

Instruments used:

Korg Prophecy (oriental solo)
Eventide H9 (main reverb)
Akai Miniak (drone)
Behringer Odyssey (main sequence)
Behringer Monopoly (layered sequence)
Behringer MS-1 (solo)
Shruthi XT & Ambika

You can find all this sounds on www.lfo.store

Enjoy & please support with your comments & feedbacks!

LFO Team"

Roland GP-16 + Synth Sounds

video upload by General Midi Guy ⚡

"Just running some synth sounds through this guitar fx unit to hear what it sounds like. Dont remember what synths were used as i recorded this a few months ago :p but it might have been a behringer boog module.

What is good about this Roland effects unit is that its 100% old digital (i think) :p it also sounds good with guitar but more fun to use synthesizer etc.."

And the Casio:

Casio Rave Stabs
video upload by General Midi Guy ⚡

"Must be some old classic rave track using these fantastic casio sounds? Do they all have the same sounds or are there casios with other sounds, have tried a bunch but many have the same sounds if they're from the same era anyways :p"

Behringer PHARA-O mini Editor and Soundbank, VST and Standalone Version

video upload by mller30161

"Homepage: https://phrao-mini.jimdofree.com

Here are my Midi Editor for the Behringer PHARA-O mini Synth.
The PHARA-O mini Editor gives you direct access from the DAW to the Behringer PHARA-O mini parameters, allowing you to integrate it into the DAW project.
In the PlugIn VST version you can record the controller movements and so the sound change can be saved.

With the random functions, you can explore the full sound potential of the PHARA-O mini.

Editor Features:
Simple handling of the PHARA-O mini without menu surfing.
Complex sound changes can be made easily and quickly.
Change Behringer PHARA-O mini Sounds directly from Editor.
Many controllers can be automated.
X-Y modulation of all parameters.
You can random the Controllers of the Behringer PHARA-O mini Synth to produce new sounds.
You can use your Behringer PHARA-O mini as a sound module in your DAW.
A Editor sound bank with 40 new sounds is included.


The Editor are available for:
PC: As VST2 and Standalone for 32bit and VST2, VST3 and Standalone for 64bit Windows.
MAC: As VST2, VST3, AU and Standalone, compatible with MAC Intel and Silicon."

BCEditor – Behringer BCR2000 / BCF2000 Online Preset Editor | Feature Demo

video upload by MidiQ

"BCEditor is a web-based preset editor for the Behringer BCR2000 and BCF2000 MIDI controllers.

Features shown in this demo:

00:00 - Open BCEditor, no software installation required
00:10 - One click to connect via WebMIDI
00:20 - Visual preset editing
00:30 - Send to B-Control unit
00:40 - Two-way SysEx communication
00:52 - Enable cloud storage of presets
01:02 - Share and find presets in library
01:19 - Send library presets to B-Control
01:30 - Using the MIDI Monitor and Event log
01:46 - Bulk edit encoders and buttons
01:56 - Drag & Drop to modify layout

The BCR2000 and BCF2000 are class-compliant USB MIDI controllers by Behringer.

BCEditor:
https://midiq.online/bceditor/

MidiQ:
https://midiq.online/"