Groove Synthesis 3rd Wave Firmware 2.0 - Shimmer Reverb & Spectral Wavetables

video upload by Scott's Synth Stuff

Also see Sound Design BEAST! 3rd Wave 8M gets New Firmware

"The Groove Synthesis 3rd Wave just picked up two firmware updates (2.0 and 2.0C) while I was off hiking amongst the Sequoias — so let's install them and dig into what's new.

The headline is the new shimmer reverb, and it is gorgeous. It blooms, it tracks the note you're playing, and the Pitch Amount parameter lets you set the interval it shimmers up in — set it to 12 for octaves, 4 for thirds, whatever fits the key. It's also a Mod Matrix destination, so you can ride it with aftertouch. I'll show you exactly that.

We also look at the rebuilt Make Waves wavetable creation with its new Spectral mode — sampling sounds from a Leviathan and turning them into wavetables, then comparing Spectral against the classic Pitch-On method side by side. The results genuinely surprised me.

In this video:

What's new in 3rd Wave firmware 2.0 and 2.0C
Step-by-step firmware install (USB drive method)
Shimmer reverb walkthrough: pitch amount, bloom speed, HF damping, pre-delay, feedback
Routing shimmer to aftertouch via the Mod Matrix
New Spectral mode in Make Waves vs. classic Pitch-On — real audio comparisons
SysEx support for the upcoming official 3rd Wave editor
Per-part NRPNs, un-smoothed envelope retrigger (hello, clicks), and the WAV header import bug fix
The CPU limits on shimmer: which parts can share it, and why the 3rd Wave 8M doesn't care

The 3rd Wave is still one of the best sounding synths I've ever played — 24 voices, 24 real analog filters, and a UI so well laid out it barely needs an editor. Huge credit to Groove Synthesis for continuing to support it."

0:00 Intro
0:38 Where I've Been
1:22 What's In Firmware 2.0?
5:58 Installing New Firmware
8:00 Shimmer Reverb
9:58 Shimmer Reverb Pitch
11:35 Modulating Reverb Pitch
14:59 Spectral Wavetable Import
17:02 Different Sound Import
18:46 Another Different Sound
22:13 Plucky FM Sound Import
25:15 Pitch vs Spectral

1982 Sequential Circuits Prophet 10 Overview

video upload by Wannit BBBad

"I am the original owner of this 1982 Sequential Circuits Prophet 10. I sold to a friend years ago and am now posting this video for him. The P10 has the original MIDI kit sold by Wine Country installed and includes the two original CV pedals and original momentary pedal for sustain or program increment. There are plenty of videos that do deep dives on the Prophet 5 and Prophet 10, so I primarily just want to quickly hit on all of the functions working and point out some of the things that make this much more than two Prophet 5 synths."

Sequential Circuits Prophet 10 Control Voltage Pedals

video upload by Wannit BBBad

"Here's a short video of some of the flexibility added to the 1982 Sequential Circuits Prophet 10 performance using the factory Control Voltage (CV) pedals. Pedal 1 can be assigned to any combination of Freq A, Freq B, Filter, Amp, and Mono-Mod. Pedal 2 can be assigned to Filter and Amp. Pedal 1 and Pedal 2 simultaneously control both Prophet 5 boards."

Hack 5.0 | Sonicware Liven Ambient Ø + Evoke

video upload by Sonic Cartography

"What would happen if you connected the MIDI out to the MIDI in of the same synth (a Sonicware Liven, in this case)? Or created a MIDI loop between two synths / Livens? That's what I set out to answer in this video with the Sonicware Liven Ambient Ø and Evoke, and I discovered a whole bunch of tricks and possibilities along the way. Over on my Patreon, I have also released an accompanying set of 26 presets (13 for the Ambient, 13 for the Evoke): / sonicware-liven-166832092

Warning: I did experience a couple of freezes while experimenting with this setup. I don't think there's any risk beyond that, but I'm not 1000% sure about that, and a freeze in and of itself can be aggravating if you haven't saved your work, so please bear all that in mind. A couple more notes below, after the table of contents.

A big thank you to my Patreon super supporters, Maria and Tomasz, and all the other supporters of the channel who made this video possible. Like other videos I make, this video started to be released on my Patreon a little while ago, before being made public on here, so if you'd like early-access to future videos, please consider joining!"

Table of Contents
0:00 - Intro
1:30 - The Setup
3:30 - Creating a Multitimbral Synth
6:19 - Creating an Arp Sequencer (the Basic Way)
8:11 - The More Advanced Way

CLICK FOR MORE »

The best groovebox he's ever played | Akai MPC Key 37 G2 live performance

video upload by Jay Hosking

"Please support my work on Patreon: / jayhosking
A live synthesizer performance using only the MPC Key 37 G2.

To be clear: I bought this synth with my own money, thanks to the support of my Patreon community. So while I recognize that the following praise seems effusive, it's the truth.

I got into hardware through grooveboxes. I started with the Novation Circuit and got more complex from there. The groovebox—sequencer, multiple timbres of synth, drums, samples, and effects—is my happy place. And while many devices have been good, I've never found "the one", that one groovebox that does everything you want it to do. Until now, maybe.

I've played with MPCs quite a bit over the last few years, but this newest generation, and this model in particular, is the one. It's a combination of things: a mature platform with fast loading and workflow; every conceivable sound type I want, from synths to samples to piano; a robust collection of effects, with great reverbs, delays, and ways to mess up a sound; more tracks than I'll ever need for a song; a sequencer without the limitations of 64 or 128 steps; clip launching; simple audio recording in; auto-sampling to capture your own sounds; MIDI in and out via 5-pin DIN and USB; MIDI learn with peripheral MIDI controllers that works flawlessly; USB multi-track audio recording that just works without a hitch; so much more.

CLICK FOR MORE »

North American Electronic Sound Expo Set for April 2027 at Rock & Roll Hall of Fame Cleveland

"A three-day expo for hardware synths, modular gear, software, controllers, accessories, and the people who make them. Built community-first, in the heart of Cleveland."

https://naese.co

Press release follows:

North American Electronic Sound Expo to Hold Its Exhibitor Welcome Reception at the Rock & Roll Hall of Fame

The inaugural NAESE opens Year 1 at the Rock & Roll Hall of Fame in Cleveland on Thursday, April 8, 2027, the evening before its public expo floor opens.

CLEVELAND, Ohio, August 26, 2026. The North American Electronic Sound Expo (NAESE), a new three-day expo for electronic-sound instruments and the people who make and play them, will hold its inaugural Exhibitor Welcome Reception at the Rock & Roll Hall of Fame on Thursday, April 8, 2027, the evening before its public expo opens April 9-11 at the Huntington Convention Center of Cleveland.

Built community-first, NAESE is for the makers who build the instruments, the developers who code them, the artists who perform on them, and the people who love them. It spans four pillars: TOUCH (the expo floor), SHARE (sessions, panels, and workshops), HEAR (performances), and PLAY (open jam spaces).

The Exhibitor Welcome Reception gathers the makers, developers, and manufacturers exhibiting at NAESE for a chance to meet and network the evening before the public floor opens, on The Bridge, the museum’s Level 3 event space overlooking the Cleveland skyline. Exhibitors have complimentary access to the museum’s exhibits that evening, before and after the reception.

For NAESE’s founder, who now lives in New York, Cleveland is a homecoming.

“Honestly, I still can’t quite believe we get to do this,” said Greg Kefalas, NAESE’s founder and executive producer. “I’m from Canton, so Cleveland is where my first big live music gigs were, and now Year 1 opens at the Rock & Roll Hall of Fame, the night before the floor does. The people who solder this gear, code it, and play it are doing some of the most exciting work in music right now. Bringing NAESE to Cleveland and opening the weekend by welcoming them to the Hall felt exactly right.”

“Every one of these makers, from the biggest names to the one-person shops, is building something worth celebrating,” said co-founder Mike Weakley. “Kicking NAESE’s first year off with them at the

Rock & Roll Hall of Fame is exactly how it should be. At NAESE the makers come first, and this is us proving it.”

The Exhibitor Welcome Reception is for NAESE exhibitors and is not a public event. All NAESE badge holders receive $5 off adult Rock & Roll Hall of Fame admission from two days before the expo through two days after. The public expo runs April 9-11, 2027 at the Huntington Convention Center of Cleveland, and badges are on sale now at naese.co.

About NAESE
The North American Electronic Sound Expo (NAESE) is a three-day expo for hardware synthesizers, modular gear, software, controllers, accessories, and the people who make and play them. Built community-first, NAESE brings makers, performers, educators, and enthusiasts into one building across four pillars: TOUCH (the expo floor), SHARE (sessions, panels, workshops, and demos), HEAR (performances), and PLAY (open jam spaces), with software as a full citizen alongside hardware. Its inaugural edition, Year 1: First Signal, runs April 9-11, 2027 at the Huntington Convention Center of Cleveland, with an exhibitor welcome on Thursday, April 8. NAESE is produced by Million Sides, Inc.

SΞQMØDΞ Behringer Sessions

video uploads by SΞQMØDΞ

Playlist:

1. Behringer 2600 Gray Meanie meets Moog Sound Studio (DFAM, Subharmonicon, Labyrinth) | First Jam

Lately I picked up another synth... yeah, GAS hits hard 😅 My first jam with the Gray Meanie! I still remember loading up Arturia's ARP 2600 emulation years ago and thinking, "what is this shit?" I didn't understand anything back then. I gave up on it pretty quickly and forgot all about it. Later, I found out through deadmau5's MasterClass that it was the synth behind R2-D2's voice, which got me interested again... but only for a while.

Fast forward to now, I finally bought one and decided it's time to actually learn it. I think it'll be a great addition to my semi-modular setup. I'm really enjoying it so far! Behringer did a solid job with this one: the leds looks great, feels really well built, and works really well with my korg sequencer.

Anyway... hope you find this little noodling session interesting! 🤘🏻

2. Trying to make the Behringer 2600 work with my Moog Sound Studio | Jam

Just a quick jam exploring this Behringer/Moog setup and seeing if they actually complement each other.

A lot of people say Behringer synths just don't belong next to Moogs... so yeah, I'm doing my best to make it work. :D

Hope you enjoy! 🤘🏻

3. Behringer 2600, KORG SQ-64, Moog Sound Studio (DFAM, Subharmonicon, Labyrinth) | Synth Jam

Another quick jam using the Grey Meanie alongside the Moog Sound Studio. Hope you find it interesting! :D

btw, I’ve been struggling with free time lately, so you might’ve noticed I'm behind on comments.. But I'll catch up step by step! And of course, I’ll be checking out your jams too! Cheers, friends! 🤘🏻

4. Behringer 2600 Gray Meanie | Noodling Session

Gray Meanie stuff... I really need to learn this synth, feeling quite lost while jamming, so yeah... This isn't even a jam, it's just a noodling session, trying things out with the Korg SQ-64...

Hope you find it interesting!

5. Paraphonic mode on Behringer 2600 | Noodling Session

First time using the 2600 in duo mode. I used the Arturia MicroBrute strictly as a keyboard controller, there's no sound coming from it here. The whole thing is just a raw jam with a many mistakes, but I was having a blast. I really love how the 2600 sounds as a paraphonic synth and I was completely lost in the zone while noodling...

Hope you find it interesting!

Editor (Moog Minitaur // DFAM // Waldorf Protein // Roland JU06A // TR6S // Squarp Hapax)

video upload by 2-Minute Warning

"This time, I'm keeping the same setup as my previous jam... [below] with one new member joining the party: the Moog Minitaur. 🎸

But the real star of this experiment is probably the Squarp Hapax.

I've been pushing its sequencing capabilities a little further this time, using a combination of its MIDI effects, automation and LFO modulation to make the different parts evolve throughout the performance.

I'm using several of the Hapax MIDI effects, including Euclid, Harmony, Random and Swing, as well as LFOs to continuously modulate MIDI parameters (using CC).

And I also wanted to explore the FILL feature a bit further.

For example, I use a Fill to create a drum break, while simultaneously triggering an LFO that sends CC messages to the TR-6S, increasing the level of its internal reverb during the break.

So the Hapax isn't simply telling the synths which notes to play anymore... it's also changing their behaviour while the music is happening. Quite a lot is happening behind the scenes, even if hopefully it doesn't sound like a Hapax having a nervous breakdown. 😄

The performance was recorded in a single take. I mixed and mastered the individual tracks afterwards in Ableton Live, but the actual performance wasn't edited or fixed."

176▶️ 808 (Waldorf Protein // Roland JU06A // TR 6S // Moog DFAM // Squarp Hapax)
video upload by 2-Minute Warning

Erica Synths and Moritz Klein DIY Compressor module.

video upload by Music with Synths and Modular

"An impression of the Erica Synths and Moritz Klein Compressor module. This is the most fantastic module in My Modular. The compressor works great and the Sidechaining input makes it a very valuable module.

The module is a great module to make with the explanation of Moritz. Very nice done.

As Reverb I use also a Spring Reverb from Doepfer.

All is synced from the Arturia Drumbrute to the 960 sequencer. The Sidechain comes from the Rim shot of the Drumbrute which triggers the Sidechain input of the Compressor.

For more information on my Synths see my site: https://synthsmod.rensstam.nl/"

Ambient cascades | Novation Circuit Monostation, Stylophone Gen X-2 and S-1, Vongon pedals, eurorack

video upload by Jay Hosking

"Please support my work on Patreon: / jayhosking
A live synthesizer jam performed entirely on hardware.

I enjoyed having the Vongon Solarfaze and Polyphrase on the table for my last jam and left them there on a whim. That was the starting point. Next, I needed to run a synth through them, so I chose the Novation Circuit Monostation. I borrowed the CMS from a friend and had been looking to make some music with it; my opinion is that it's an extremely underrated synth that can do way more than people recognized at the time. And once I had its sequencer running and a bassline queued up, I could hear more of what was needed.

I also recently got a couple of Stylophones, because they are extremely affordable—the S-1 was something like $60 Canadian—and because I like the sound of them. Using the CMS's CV outputs, I sent a second set of sequences to the Gen X-2, which has CV input. I also took advantage of the Gen X-2's beautiful internal delay for cascading performances. The S-1 ended up my improv melody device for the last third of the song.

At this point, I needed reverb but didn't want to add multiple reverb boxes, so I added the Jellymix to act as stereo send to all the synths. For reverb, I chose the Swells, because I currently have it in a case with the Fieldtone Weaver and Qu-Bit Stardust, which can add a lot to a mix through stereo sample mangling. The Stardust is playing something that came from the CMS into Weaver; the Weaver is playing a snippet of my voice.

By this point, I could hear the full song, and it was just a matter of adding a couple of sequences and performing the whole thing. Pretty fun to see how wanting to explore a bit of hardware can lead to a finished song.

Performed and recorded live to a stereo output from the Jellymix, with EQ, compression, and limiting on the master.

CLICK FOR MORE »

HWJ WC - No FX

video upload by SynthAddict

"OP-Z
I tried to find perc samples that had no obvious FX, but no additional FX were added to any samples or synths in this performance.
Pretty dry, but that was the challenge. :-)

As it was a simple challenge, I finally had time to make something again after being too busy for my usual HWJ output for many weeks."

Teenage Engineering OP-XY & Novation Launch Control 3

video uploads by Dan Chippendale

A playlist of videos by Dan Chippendale featuring the Teenage Engineering OP-XY with Novation Launch Control 3.

Playlist:

1. OP-XY can sound so clean and pristine - Minimal House Live Jam

Kept things intentionally simple for this one and made sure the mix was nice and clean. Love how good the OP-XY can sound for this type of music. Hope you enjoy it

Gear used:

Music:
Teenage Engineering OP-XY
Novation Launch Control 3

Video:
Fujifilm X-E5
Motu M2 Audio interface
Mac Studio with Logic Pro X

2. Music for an old roll of unprocessed colour film – OP-XY electronica live jam
3. Would you like to see the OP-XY GO HARD? Well would you? Watch this. - Hard Dance Live Jam
4. Express your mood through music //// Melancholic beats and synths OP-XY Live Jam
5. I like making live electronic music. I very much hope you enjoy it
6. Bake for 2:45 at 34 degrees Celsius
7. I still maintain the OP-XY is one of the greatest music making devices ever created // IDM Live Jam

CLICK FOR MORE »

Plinky 12 Blocks - Full Walkthrough

video upload by Nathan Plante Synths, Alex Evans (mmalex), Making Sound Machines

"At long last, I have made the Plinky 12 Blocks walkthrough! This panel is so jam-packed with features it was hard to fit it all in to one video (and I did leave out a few things). Blocks can do it all - sequencing, live play, loop recording, chords.... an EVERYTHING machine! I can't wait to see what great music people are going to make with this synth. Enjoy!"

00:00 Intro
01:24 Play Surfaces
03:33 Piano Roll
05:55 Velocity, Gate Length, Ratchets
06:42 Alternate (Sparkly) Notes
09:30 Mute
09:54 Fancy Randomization
11:58 Live Loop Recording
13:00 Clip Launcher (Launch Mode)
16:22 Preset Banks
18:01 Synth Settings (Mutate Mode)
22:58 XY Pad (Modulation)
24:47 Saving Presets
25:11 The LFOs
27:37 The Mix Page
28:57 Arp Settings
30:10 Performance FX
33:40 Changing Root and Scale (Chord Mode)
36:23 Outro & Jam

KORG Introduces NTS-4 Compact Performance Mixer Kit for Hardware Setups

Overview video upload by KORG

"The NTS-4 is a compact performance mixer kit designed for modern hardware setups. With six channels (two mono and four stereo), built-in effects, USB-C connectivity, and support for up to 10 audio signals, the NTS-4 makes it easy to bring together volca units, NTS instruments, modular gear, grooveboxes, and desktop synths into one streamlined setup.

In this overview, Fess Grandiose walks through the NTS-4’s flexible channel architecture, Eurorack-compatible mono inputs, dual stereo effects engines, per-channel CUE and MUTE controls, USB-C audio and MIDI connectivity, and the hands-on Nu:Tekt DIY assembly experience.

Features:
• Compact 6-channel performance mixer
• 2 mono + 4 stereo 3.5 mm channels
• Supports up to 10 audio signals
• Eurorack-compatible mono inputs
• Standard 1/4" main outputs
• Per-channel CUE, MUTE, and FX send
• Dual stereo effects engines
• SEND FX + TOTAL FX processing
• Stereo send/return loop
• USB-C audio + MIDI
• Record directly to computers & mobile devices
• Rugged steel chassis
• Nu:Tekt DIY kit assembly

Learn more about the NTS-4: https://bit.ly/4w0QxLQ"

And a user video from supporting member Knobs & Switches:

KORG NTS-4 Performance Mixer Kit
video upload by Knobs & Switches

"Here is my review about the new Korg NTS-4 Performance Mixer Kit together with loads of other Korg gear: MS20m, Drumlogue, SQ-1, 700Sm, Harmonic Distortion, Opsix, Sigma, Minipops-7, ISE-NIN Single Voice, Ryk M185 Sequencer and of course the NTS-4. The Nu:Tekt Mixer will be released today! Have fun

https://www.korg.com/de/

For Pedal Power i used the MyVolts CrazyChain MkII: https://myvolts.com/CrazyChainMKII/?a...

The fancy Audio Cables are the MyVolts Candycords: https://myvolts.com/CandyCords/?a=kas

CV and Clock Cables are MyVolts Halos: https://myvolts.de/Halo/?a=kas

00:00:00 Intro
00:00:037 Title Track (only the NTS-4’s FX were used)
00:03:04 Epilogue
00:04:41 NTS-4 Run Down
00:08:58 NTS-4 Send FX
00:14:56 NTS-4 Send/Return
00:15:58 NTS-4 Total FX
00:21:19 Conclusion
00:22:47 Outro (only the NTS-4’s FX were used)

Used Equipment: Apple iPhone 14 Pro Max, Apple iPhone 12, Sony ZV-1, Rode Wireless ME, Universal Audio Apollo Twin Solo, Yamaha MG-06, Steinberg Cubase 15 and Final Cut Pro X"



A compact performance mixer for modern hardware setups

Build the perfect bridge for your music. The NTS-4 brings the flexibility of the Nu:Tekt series to a compact performance mixer kit designed for today’s hardware setups. With six channels (two mono and four stereo minijacks), built-in effects, and USB connectivity, the NTS-4 makes it easy to mix and perform with volca units, NTS instruments, modular gear, and other desktop synths in one place, supporting up to 10 audio signals in a single setup.

From the integrated effects to the steel chassis, every part of the NTS-4 is designed to turn your collection of instruments and gadgets into a professional-grade creative hub.

Small Footprint. Massive Control.

CLICK FOR MORE »

Why He's Using Presets More On The Digitakt II

video upload by EZBOT

"A standout feature on the Digitakt II is the unique way it handles presets.

In this video, I’m sharing 5 amazing presets that I guarantee will make your experience better on the Digitakt II. Learn how to create reusable synths, elastic loops, wavetable patches, and MIDI instruments while unlocking the full power of the sequencer!"

EZBOT resources: https://www.patreon.com/ezbot, https://ko-fi.com/ezbot/, https://www.modbang.com

Plinky 12 Toadstep – Full Overview and Demo

video upload by Nathan Plante Synths

"I had way too much fun exploring the synth – its so easy to make interesting patterns and just as easy to tweak them and mangle them. The sampler is quite impressive and lets you turn just about any sound into a synth voice. ToadstoolTech and mmalex have packed so many tweakable features into this new instrument, it was hard to fit it all in to one video. Happy plinking!"

00:00 Intro
01:17 Main Sequencer Controls
01:51 Creating a Sequence
03:16 Setting the Scale
04:13 Sequence Length
04:49 Octave Jump Row
05:27 Slide (Glide) Control
05:51 Style Control
07:15 Gate Length
07:50 Time Control
09:38 Quick Octaves
10:03 Ratchets and Repeats
12:02 Velocity and Probability
12:27 Random Inspiration
15:34 Chaining Patterns
17:13 Even Step
18:46 Synth Settings and Sound Banks
22:52 Multi-Sample Drums
23:56 Sample Manging (Break Beats)
27:38 Modulation
29:50 Outro and Jam

Money, power and ... synths? - what synthesizers can tell us about geopolitics

video upload by Floyd Steinberg

Missed in South America: GS Music - Argentina, EMW - Brazil, and AtomoSynth - Peru. AnalogFX in Netherlands. Meng Qi is worth a DIY stand out mention for China as well as Aforack in Uganda, Africa. There's no way to list every manufacturer, but if he missed a country/region feel free to comment (feel free to comment regardless of course). It's an interesting video and a useful reminder of where manufacturers are based.

"If a country can support one or even more synthesizer manufacturers, that tells us a lot about its place in the world. I have some numbers to back this up, look at some of those synthesizer-producing countries and then make some predictions on their future trajectory.

Table of contents:

00:00 introduction
00:50 the idea (explained with the UK)
02:43 the synthesizer world map walkthrough (west to east)
03:01 United States of America
04:21 France
04:56 United Kingdom
06:27 Germany
07:50 Italy
09:08 Scandinavia (i.e. Sweden)
10:07 Eastern Europe
11:18 Ukraine
12:18 Russia
13:19 China
15:11 Australia and New Zealand
16:37 Japan
18:40 The DIY scene
19:34 conclusion - where are the countries headed to?
20:32 my personal thoughts
21:29 bye - please subscribe (and if you like this style of video, please tell me in the comments)

B-Roll footage from pexels.com

HÄLP ZIS CHANNEL
https://www.patreon.com/floyd_steinberg
https://floydsteinberg.gumroad.com/
https://floydsteinberg.bandcamp.com/"

Subtle Expressions: Squarp Instruments Hapax Performance

video upload by MKustomAudio

"With recently obtaining the Squarp Instruments Hapax to act as my main standalone sequencer, I've been diving deep into all the functions it offers. This is the first track I've made putting together a number of items such as automation, assign controls, creative MIDI effects (register, arpoly, etc.), BPM elasticity, and adjustable start/stop loop lengths. I've added notes in the video explaining some key points for the track and additional equipment used, but below is a more detailed list of the sound sources:

Korg Arp 2600 M
Novation Peak
Novation Bass Station II
Korg Opsix
Sequential OB-6 Desktop
Elektron Digitakt II
Befaco Oneiroi
Soma Lyra-8, Erica Synths Black 3109 VCF/VCA, Qu-Bit Mojave
Make Noise STO + Schlappi Engineering Angle Grinder, Make Noise QPAS, Intellijel Sealegs
Moog Mother 32, Ritual Electronics Miasma (Erica Synths Black Polivoks VCF in feedback loop), Erica Synths Blackhole DSP2"

Skrillex - KYOTO // Launchpad Cover

video upload by Kaskobi

"Some stats:

Successful attempt achieved after 7h35m of recording, then saving & deleting 784GB of mostly unusable footage. This is the first ever Launchpad Project to make use of my new plugin, Resonator 4. More info coming soon to kaskobi.com
---------------------------------------------
-- Important note regarding the audio used in this performance video --
All audio displayed in this video is controlled by the Launchpad. Everything you see can be independently verified against the downloadable project file to ensure a legitimate performance. The video shows a rendered version of the MIDI which was played during the recording, MIDI which directly ties to the audio track inside Ableton Live to launch all of the samples you hear.

This project file may contain artificially extracted audio samples such as drums, vocals, synths, and more. All audio was sourced ethically and if stems were provided to me, I can verify that I have permission to share the audio files. Otherwise, the audio has been extracted using publicly available tools out of respect for the privacy of the samples used by the original producer. Some tools used may use artificial intelligence to provide a more accurate result. However, where these tools are used, no generative models are used to create something that did not previously exist. I aim to honour the artist's original work by only using stems extracted using machine learning/artificial intelligence, or produce new samples, never to generate something new using AI.

All credits and rights go to the artists and creators shown in the title, description, and video. The music displayed in this video does not belong to me."

Unsync - 3 Semi-Modular Analog Synths (0-Coast, Taiga & DFAM) sequenced by Hapax

video upload by 2-Minute Warning

"This time I wanted to experiment with a rather unusual setup: 3 semi-modular analog monosynths playing together. My goal wasn't to make the melody complex, but rather the rhythm. I tried to build a piece that sounds fairly simple on the surface, while hiding polymeters and polyrhythms underneath 😎

On paper, it doesn't sound like the most obvious setup: one synth for plucks, one for bass, one for percussion... and somehow convincing them to play nicely together!

The Hapax is sequencing the whole performance. At one point I activate its MIDI Euclid effect on the bass sequence to introduce a bit of rhythmic tension before bringing everything back to the original groove.

The DFAM is also receiving CV from the Hapax to transpose Oscillator 1 so that its pitch follows the bass line. Since the DFAM is usually thought of as a percussion synth, I always enjoy pushing it a little outside of its comfort zone 😉

Another thing I wanted to highlight was the Shape control on the Pittsburgh Modular Taiga. Throughout the jam, I gradually morph the bass timbre simply by playing with the oscillator shapes. It's one of my favourite aspects of the Taiga: even a simple bass line can evolve dramatically without touching the sequence itself. The same approach works beautifully for leads and other melodic parts too.

As always, this was performed in a single take. I do the mixing and mastering afterwards in Ableton Live, but I didn't edit or 'fix' the performance itself. What you hear is what was played."

Voidcontrol MIDI Releases e7 Unofficial Editor: DAW Integration for the GS Music e7

e7 Unofficial Editor - VST3 Demo video upload by Voidcontrol MIDI

"VST3 editor for the GS e7. Real DAW automation, easily build multitimbral patches, patch library, A/B snapshots, morph, and resizable UI. Windows 10/11. Available at voidcontrolmidi.com."

Press release follows:


Voidcontrol MIDI has released the e7 Unofficial Editor, a Windows VST3 plugin that lets you control and automate the GS Music e7 from within a DAW, just like a software instrument.

The e7 is a remarkable analog polysynth with a passionate community and a genuinely unique sound, but editing it properly from a DAW has often meant menu diving on the hardware. This editor was designed to make that seamless. All 88 of the e7's parameters are on screen, laid out to mirror the front panel, with real DAW automation on every control rather than just MIDI learn.

Features include:

Full parameter control: every one of the e7's 88 parameters on one screen, with authentic readouts for oscillator tune, tempo-synced LFO rates, and waveform shapes.

Real DAW automation lanes for every parameter.

A patch librarian: browse, audition, load, rename, import and export single presets, whole banks, or full instrument backups as standard .syx files.

Multi-mode support: edit 4-part multitimbral patches with per-part level, MIDI channel, voice allocation, and key/velocity zones.

A/B snapshots with an automatable morph slider.

Two-way hardware sync: pull the synth's current edit buffer into the editor in one click, with the editor recalling its state on project load.

Init and a musical randomizer for fresh starting points.

A resizable interface with onboard help.

A standalone version is also included for use without a DAW, working as a pure hardware controller that needs no audio interface.

The editor has been tested in Ableton Live, Bitwig, Cubase, Reaper, and Studio One, with USB and 5-pin DIN MIDI, MPE support, and a one-click All Notes Off panic.

"The e7 sounds incredible. I just wanted to see all of it at once, especially the multitimbral side," said Dave of Voidcontrol MIDI.

Voidcontrol MIDI is a small US-based developer making editors for boutique and classic hardware synths. The e7 Unofficial Editor is its third release, after editors for the Roland SE-02 and Oberheim OB-6. A macOS version is under consideration.

The e7 Unofficial Editor is available now at voidcontrolmidi.com for an introductory $30 USD through July 7, 2026, after which it returns to its regular price of $40 USD.

The e7 Unofficial Editor is a third-party tool and is not affiliated with or endorsed by GS Music. "e7" is a trademark of its respective owner.