Syntheus 1001: a double-suitcase full of vintage modular synthesis

video upload by manmade madman

"If you could pack everything you ever wanted into a modular synth, and then put it in a suitcase, chances are it would reference the EMS Synthi AKS/VCS from the 1970's. Recently companies have released hardware editions that sound glorious. There's even a monster ultimate reissue called Analogue Solutions Colossus which I'm sure sounds incredible. The original was notorious not only for its clean look and capabilities but weird sounds even Brian Eno said "...great for bug noises" but he used it for decades as an effects processor as well. We've taken issue with this... it CAN be musical!

Here we have the ultimate version: 6 free range oscillators, dual patch panels, vintage spring reverb, a joystick that lets you record motion and play it back, and a snapshot sequencer that gives you your sound-per-step, or bug noises if you'd rather! Vintage circuitry all along the way, down to the opamp modelling. You'll hear the crunch and occasional bleeding of the original 70's wiring. Thanks to our db-cell technology, you'll hear a vintage drift everywhere, but well under control. It's not static-- in fact its always surprising and always different, just like the originals.

Best of all, its actually FUN to use. Drop a pin and watch the patch cable show you the connection! Modulate where you couldn't before. EZ rolls in different sections, including the patch matrix. Make sounds, snap them to the clocked sequencer, and get going.

Make vintage inspired sounds from the future that surprise you. Make something musical.

Prove Eno wrong!

https://store.denversynth.com/syntheu..."

SYNTHEUS 1001

An unobtainable synth that’s a double-briefcase full of awesome.

Famously used by a ’70s producer who called it “great for bug noises.” Prove him wrong!

Two EMS Synthi-style synths strapped together in one case: six oscillators, two 16×16 pin matrices, two diode-ladder filter/oscillators, two envelope shapers, a random voltage generator, ring mods, a spring reverb and an octave filter bank. There are no menus to patch. Push a pin into a hole, and the sound goes there. Pull it out, and it stops.

CLICK FOR MORE »

This is the weirdest pedal he owns … and He loves it! // The Square from NWS [PEDALS & PATCHES]

video upload by DivKid

"Whether its turning simple mono synths into sounding like music easels, taking a basic polysynth and making it sound like a complex oscillator or just generally continuing to be a weird and wonderful effect for synths ... I'm pretty fascinating with this one. I'd love to hear your thoughts on it.

The Square // https://nicksworldofsynthesizers.co.u...
Check out Nick’s inventions // https://nicksworldofsynthesizers.co.uk"

THE SQUARE

The Square ring modulator pedal, Boutique, Hand Made & Designed By Me.

Intro

The Square pedal is simply a ring modulator that takes the input signal and sends it to both inputs of the ring modulator at the same time.

Despite it's simplicity, The Square is capable of producing a wide variety of sounds depending on what you put into it.

Each pedal is unique and made by hand, from the hand bent metal enclosure to the component choices and tolerances. Imperfections are considered part of the aesthetic appeal both sonically and physically.

To understand what the pedal is and all the magical things it can do for your musical productions, we strongly recommend watching the video from DivKid below.

CLICK FOR MORE »

Professional TOYS

video upload by AudioPilz

"Hey everybody, today we are going to talk about the true underdogs of music technology, the notoriously iconic Portasounds.

This product line of professional toys has been around for over 45 years and Yamaha released so many different models that it is hard to keep track even for terminally online gear freaks like myself.

We are going to take a deep dive into the long history of Yamaha Portasounds, try to find out which ones still offer the most utility for modern music production and - as I just recently fell victim to an impulse buy of what I consider to be one of the more desirable vintage versions - make some music.

00:00 Introduction
00:42 History of Yamaha Portasound
01:30 Yamaha Portasound Concept
01:51 Innovative Features
02:20 Portasounds and the DX7
02:45 PS, PSS, PSR
03:20 Synth Technologies: PASS
03:30 LoFi Squarewaves
03:42 ROM Samples
04:09 VSS Models - Casio-like Sampling
04:16 FM, Differences to other FM Synths
04:38 Which FM Portasound you should buy
04:57 Why the Yamaha Portasound PSS-680 ???
05:12 FM Engine
05:45 Classic Sounds
06:07 FX Section
06:38 PCM Drums
06:51 Sequencer, Midi Control
07:32 Best Portasounds
08:25 Dawless Jam
08:59 Outro"

Perfect Partners: How to hook up your M-Vave FM-1 to Circuit Tracks

video upload by Guinan

You can find part 2 further below.

You can find the M-VAVE FM-1 on Amazon. See dealers on the right for Circuit Tracks.

"I bought an M-VAVE FM-1 to add to my Circuit Tracks.

I love Yamaha DX sounds (checkout my previous MiniDEXED build and songs to see how much) and I think they work well with the Circuit Tracks. Building an equivalent MiniDEXED (like this one) now has ballooned to over $100USD* so at around $60 or so this is a much cheaper and interesting option.

Better screen
Bluetooth MIDI
Rubber keyboard
Easier interface
NO DIY

The numerous daily new firmwares adding new features and the very tempting price on the FM-1 was too much to resist so - here we are.

CLICK FOR MORE »

Unusable Plugin Updates - New Modes from the 8th of October release shown briefly

video upload by Unusable Engineering

"This video is a quick showcase of the new modes and functionality added in the 8th of October 2026 update to the full Unusable Engineering range. All plugins (synths and effects) have gotten updates - but some have also gotten new modes, which is what I show in this video.

It is not going in depth on anything, if you wanna know more, I suggest you check the news post on unusable.net or the individual product pages.

So, this video… It is one of the first times I am using the Windows machine in a video. I was basically testing the installers and the plugins for bugs and decided to make this video, which is kind of a different release video to what I usually do on updates.

The main line is a sequence from the Keystep controller controlling the coming ‘Currents & Nostalgia’ synth with a simple keyboard sound.

The plugins with new modes or sound functions are activated and deactivated one by one in the following order:

Entropy Encoder - showing off the buffer repeat effect that is placed before the codec emulator.

Spectral Pressure Chamber - showing off the Resonance mode, basically changing the dynamics processing into tuned delay lines for a comb resonator effect.

Grain Discharge - showing off the new pitch modes - chromatic and pentatonic for more dense grain clouds.

Frequency Guillotine - showing off the new envelope follower connected to dry/wet balance.Harmonic Dissector - showing off the new wave folders in each filter section.

Synaptic Resonance - showing off the new plane length parameters that are available for both stim and read plane.

All plugins are updated to remember resize scaling for the instance and some other fixes and functional updates.

All the Best,
Rasmus"

Antonus On The Run

video upload by Antonus

"Antonus 2600 + 3620. Free jam over 'On the Run'

Jamming around the On the Run patch from Pink Floyd. Done originally with the wonderful EMS SYNTHI AKS, I took the freedom to make a kind of homage to this historic track, using mostly the Antonus 2600 + Antonus 3620 for make in real time what was done in multitracking. This is done as improvisation at the moment with no multitrack and no extra processing, only the 2600 spring reverb processing all, and not looking for replicate exactly or make perfect replication of the original theme. Looking for show the true pure sound of the analog system, the living behaviour of all, and the interaction that can be done with all parts in powerful synergy. While is of course different sound colour than the inimitable EMS synths, the 2600 have his own personality and also capable of make their own raw and raspy sound, different than mellow or sweet sounds used in other previous demos. Step Brother and pair of euro modules at SidecARP adds some animation at the modulations, but basically most is done with just the 2600+3620"

Free Roland D-110 Editor Librarian | Web MIDI Patch Manager

video upload by Ian Dixon

"A hands-on walkthrough of my free Roland D-110 Editor Librarian, a browser-based Web MIDI tool I developed to make the D-110 much easier to manage and edit from a modern computer.
https://thedigitallifestyle.com/w/TDL...

In the video I show how the editor reads the D-110's tones, patches, rhythm setup and system settings, then saves everything into a reusable library. I also go through tone editing, partial mute/solo style workflow, PCM sample selection, synthesis partials, envelopes, filters, patch editing, multi-timbral setups, SysEx import and why the D-110 can be more flexible than a D-50 when you want layered parts and MIDI-channel based arrangements.

The editor runs locally in the browser, uses Web MIDI, and does not send your synth data to the cloud. It is part of my free editor/librarian tools for bringing classic synths back into a modern workflow.

Timestamps
00:00 Why I am building modern editors for vintage synths
00:47 Introducing the free Roland D-110 editor
01:17 Web MIDI setup and reading tones
01:48 Reading patches, rhythm and system settings
02:23 Saving and reopening a master library
02:47 Loading presets and sending sounds to the buffer
03:14 D-110 architecture, partials and PCM/synthesis structures
04:17 Editing PCM samples and synthesis partials
05:09 Filters, envelopes and shaping the sound
06:16 Saving edited tones back to the synth
06:39 Editing multi-timbral patches and MIDI channels
07:39 Layering D-110 sounds in a way the D-50 cannot
08:25 Why editing from the front panel is fiddly
09:21 Importing SysEx and expanding the library
10:06 Managing patches, running locally and wrap-up"

Groove Synthesis 3rd Wave Firmware 2.0 - Shimmer Reverb & Spectral Wavetables

video upload by Scott's Synth Stuff

Also see Sound Design BEAST! 3rd Wave 8M gets New Firmware

"The Groove Synthesis 3rd Wave just picked up two firmware updates (2.0 and 2.0C) while I was off hiking amongst the Sequoias — so let's install them and dig into what's new.

The headline is the new shimmer reverb, and it is gorgeous. It blooms, it tracks the note you're playing, and the Pitch Amount parameter lets you set the interval it shimmers up in — set it to 12 for octaves, 4 for thirds, whatever fits the key. It's also a Mod Matrix destination, so you can ride it with aftertouch. I'll show you exactly that.

We also look at the rebuilt Make Waves wavetable creation with its new Spectral mode — sampling sounds from a Leviathan and turning them into wavetables, then comparing Spectral against the classic Pitch-On method side by side. The results genuinely surprised me.

In this video:

What's new in 3rd Wave firmware 2.0 and 2.0C
Step-by-step firmware install (USB drive method)
Shimmer reverb walkthrough: pitch amount, bloom speed, HF damping, pre-delay, feedback
Routing shimmer to aftertouch via the Mod Matrix
New Spectral mode in Make Waves vs. classic Pitch-On — real audio comparisons
SysEx support for the upcoming official 3rd Wave editor
Per-part NRPNs, un-smoothed envelope retrigger (hello, clicks), and the WAV header import bug fix
The CPU limits on shimmer: which parts can share it, and why the 3rd Wave 8M doesn't care

The 3rd Wave is still one of the best sounding synths I've ever played — 24 voices, 24 real analog filters, and a UI so well laid out it barely needs an editor. Huge credit to Groove Synthesis for continuing to support it."

0:00 Intro
0:38 Where I've Been
1:22 What's In Firmware 2.0?
5:58 Installing New Firmware
8:00 Shimmer Reverb
9:58 Shimmer Reverb Pitch
11:35 Modulating Reverb Pitch
14:59 Spectral Wavetable Import
17:02 Different Sound Import
18:46 Another Different Sound
22:13 Plucky FM Sound Import
25:15 Pitch vs Spectral

1982 Sequential Circuits Prophet 10 Overview

video upload by Wannit BBBad

"I am the original owner of this 1982 Sequential Circuits Prophet 10. I sold to a friend years ago and am now posting this video for him. The P10 has the original MIDI kit sold by Wine Country installed and includes the two original CV pedals and original momentary pedal for sustain or program increment. There are plenty of videos that do deep dives on the Prophet 5 and Prophet 10, so I primarily just want to quickly hit on all of the functions working and point out some of the things that make this much more than two Prophet 5 synths."

Sequential Circuits Prophet 10 Control Voltage Pedals

video upload by Wannit BBBad

"Here's a short video of some of the flexibility added to the 1982 Sequential Circuits Prophet 10 performance using the factory Control Voltage (CV) pedals. Pedal 1 can be assigned to any combination of Freq A, Freq B, Filter, Amp, and Mono-Mod. Pedal 2 can be assigned to Filter and Amp. Pedal 1 and Pedal 2 simultaneously control both Prophet 5 boards."

Hack 5.0 | Sonicware Liven Ambient Ø + Evoke

video upload by Sonic Cartography

"What would happen if you connected the MIDI out to the MIDI in of the same synth (a Sonicware Liven, in this case)? Or created a MIDI loop between two synths / Livens? That's what I set out to answer in this video with the Sonicware Liven Ambient Ø and Evoke, and I discovered a whole bunch of tricks and possibilities along the way. Over on my Patreon, I have also released an accompanying set of 26 presets (13 for the Ambient, 13 for the Evoke): / sonicware-liven-166832092

Warning: I did experience a couple of freezes while experimenting with this setup. I don't think there's any risk beyond that, but I'm not 1000% sure about that, and a freeze in and of itself can be aggravating if you haven't saved your work, so please bear all that in mind. A couple more notes below, after the table of contents.

A big thank you to my Patreon super supporters, Maria and Tomasz, and all the other supporters of the channel who made this video possible. Like other videos I make, this video started to be released on my Patreon a little while ago, before being made public on here, so if you'd like early-access to future videos, please consider joining!"

Table of Contents
0:00 - Intro
1:30 - The Setup
3:30 - Creating a Multitimbral Synth
6:19 - Creating an Arp Sequencer (the Basic Way)
8:11 - The More Advanced Way

CLICK FOR MORE »

The best groovebox he's ever played | Akai MPC Key 37 G2 live performance

video upload by Jay Hosking

"Please support my work on Patreon: / jayhosking
A live synthesizer performance using only the MPC Key 37 G2.

To be clear: I bought this synth with my own money, thanks to the support of my Patreon community. So while I recognize that the following praise seems effusive, it's the truth.

I got into hardware through grooveboxes. I started with the Novation Circuit and got more complex from there. The groovebox—sequencer, multiple timbres of synth, drums, samples, and effects—is my happy place. And while many devices have been good, I've never found "the one", that one groovebox that does everything you want it to do. Until now, maybe.

I've played with MPCs quite a bit over the last few years, but this newest generation, and this model in particular, is the one. It's a combination of things: a mature platform with fast loading and workflow; every conceivable sound type I want, from synths to samples to piano; a robust collection of effects, with great reverbs, delays, and ways to mess up a sound; more tracks than I'll ever need for a song; a sequencer without the limitations of 64 or 128 steps; clip launching; simple audio recording in; auto-sampling to capture your own sounds; MIDI in and out via 5-pin DIN and USB; MIDI learn with peripheral MIDI controllers that works flawlessly; USB multi-track audio recording that just works without a hitch; so much more.

CLICK FOR MORE »

North American Electronic Sound Expo Set for April 2027 at Rock & Roll Hall of Fame Cleveland

"A three-day expo for hardware synths, modular gear, software, controllers, accessories, and the people who make them. Built community-first, in the heart of Cleveland."

https://naese.co

Press release follows:

North American Electronic Sound Expo to Hold Its Exhibitor Welcome Reception at the Rock & Roll Hall of Fame

The inaugural NAESE opens Year 1 at the Rock & Roll Hall of Fame in Cleveland on Thursday, April 8, 2027, the evening before its public expo floor opens.

CLEVELAND, Ohio, August 26, 2026. The North American Electronic Sound Expo (NAESE), a new three-day expo for electronic-sound instruments and the people who make and play them, will hold its inaugural Exhibitor Welcome Reception at the Rock & Roll Hall of Fame on Thursday, April 8, 2027, the evening before its public expo opens April 9-11 at the Huntington Convention Center of Cleveland.

Built community-first, NAESE is for the makers who build the instruments, the developers who code them, the artists who perform on them, and the people who love them. It spans four pillars: TOUCH (the expo floor), SHARE (sessions, panels, and workshops), HEAR (performances), and PLAY (open jam spaces).

The Exhibitor Welcome Reception gathers the makers, developers, and manufacturers exhibiting at NAESE for a chance to meet and network the evening before the public floor opens, on The Bridge, the museum’s Level 3 event space overlooking the Cleveland skyline. Exhibitors have complimentary access to the museum’s exhibits that evening, before and after the reception.

For NAESE’s founder, who now lives in New York, Cleveland is a homecoming.

“Honestly, I still can’t quite believe we get to do this,” said Greg Kefalas, NAESE’s founder and executive producer. “I’m from Canton, so Cleveland is where my first big live music gigs were, and now Year 1 opens at the Rock & Roll Hall of Fame, the night before the floor does. The people who solder this gear, code it, and play it are doing some of the most exciting work in music right now. Bringing NAESE to Cleveland and opening the weekend by welcoming them to the Hall felt exactly right.”

“Every one of these makers, from the biggest names to the one-person shops, is building something worth celebrating,” said co-founder Mike Weakley. “Kicking NAESE’s first year off with them at the

Rock & Roll Hall of Fame is exactly how it should be. At NAESE the makers come first, and this is us proving it.”

The Exhibitor Welcome Reception is for NAESE exhibitors and is not a public event. All NAESE badge holders receive $5 off adult Rock & Roll Hall of Fame admission from two days before the expo through two days after. The public expo runs April 9-11, 2027 at the Huntington Convention Center of Cleveland, and badges are on sale now at naese.co.

About NAESE
The North American Electronic Sound Expo (NAESE) is a three-day expo for hardware synthesizers, modular gear, software, controllers, accessories, and the people who make and play them. Built community-first, NAESE brings makers, performers, educators, and enthusiasts into one building across four pillars: TOUCH (the expo floor), SHARE (sessions, panels, workshops, and demos), HEAR (performances), and PLAY (open jam spaces), with software as a full citizen alongside hardware. Its inaugural edition, Year 1: First Signal, runs April 9-11, 2027 at the Huntington Convention Center of Cleveland, with an exhibitor welcome on Thursday, April 8. NAESE is produced by Million Sides, Inc.

SΞQMØDΞ Behringer Sessions

video uploads by SΞQMØDΞ

Playlist:

1. Behringer 2600 Gray Meanie meets Moog Sound Studio (DFAM, Subharmonicon, Labyrinth) | First Jam

Lately I picked up another synth... yeah, GAS hits hard 😅 My first jam with the Gray Meanie! I still remember loading up Arturia's ARP 2600 emulation years ago and thinking, "what is this shit?" I didn't understand anything back then. I gave up on it pretty quickly and forgot all about it. Later, I found out through deadmau5's MasterClass that it was the synth behind R2-D2's voice, which got me interested again... but only for a while.

Fast forward to now, I finally bought one and decided it's time to actually learn it. I think it'll be a great addition to my semi-modular setup. I'm really enjoying it so far! Behringer did a solid job with this one: the leds looks great, feels really well built, and works really well with my korg sequencer.

Anyway... hope you find this little noodling session interesting! 🤘🏻

2. Trying to make the Behringer 2600 work with my Moog Sound Studio | Jam

Just a quick jam exploring this Behringer/Moog setup and seeing if they actually complement each other.

A lot of people say Behringer synths just don't belong next to Moogs... so yeah, I'm doing my best to make it work. :D

Hope you enjoy! 🤘🏻

3. Behringer 2600, KORG SQ-64, Moog Sound Studio (DFAM, Subharmonicon, Labyrinth) | Synth Jam

Another quick jam using the Grey Meanie alongside the Moog Sound Studio. Hope you find it interesting! :D

btw, I’ve been struggling with free time lately, so you might’ve noticed I'm behind on comments.. But I'll catch up step by step! And of course, I’ll be checking out your jams too! Cheers, friends! 🤘🏻

4. Behringer 2600 Gray Meanie | Noodling Session

Gray Meanie stuff... I really need to learn this synth, feeling quite lost while jamming, so yeah... This isn't even a jam, it's just a noodling session, trying things out with the Korg SQ-64...

Hope you find it interesting!

5. Paraphonic mode on Behringer 2600 | Noodling Session

First time using the 2600 in duo mode. I used the Arturia MicroBrute strictly as a keyboard controller, there's no sound coming from it here. The whole thing is just a raw jam with a many mistakes, but I was having a blast. I really love how the 2600 sounds as a paraphonic synth and I was completely lost in the zone while noodling...

Hope you find it interesting!

Editor (Moog Minitaur // DFAM // Waldorf Protein // Roland JU06A // TR6S // Squarp Hapax)

video upload by 2-Minute Warning

"This time, I'm keeping the same setup as my previous jam... [below] with one new member joining the party: the Moog Minitaur. 🎸

But the real star of this experiment is probably the Squarp Hapax.

I've been pushing its sequencing capabilities a little further this time, using a combination of its MIDI effects, automation and LFO modulation to make the different parts evolve throughout the performance.

I'm using several of the Hapax MIDI effects, including Euclid, Harmony, Random and Swing, as well as LFOs to continuously modulate MIDI parameters (using CC).

And I also wanted to explore the FILL feature a bit further.

For example, I use a Fill to create a drum break, while simultaneously triggering an LFO that sends CC messages to the TR-6S, increasing the level of its internal reverb during the break.

So the Hapax isn't simply telling the synths which notes to play anymore... it's also changing their behaviour while the music is happening. Quite a lot is happening behind the scenes, even if hopefully it doesn't sound like a Hapax having a nervous breakdown. 😄

The performance was recorded in a single take. I mixed and mastered the individual tracks afterwards in Ableton Live, but the actual performance wasn't edited or fixed."

176▶️ 808 (Waldorf Protein // Roland JU06A // TR 6S // Moog DFAM // Squarp Hapax)
video upload by 2-Minute Warning

Erica Synths and Moritz Klein DIY Compressor module.

video upload by Music with Synths and Modular

"An impression of the Erica Synths and Moritz Klein Compressor module. This is the most fantastic module in My Modular. The compressor works great and the Sidechaining input makes it a very valuable module.

The module is a great module to make with the explanation of Moritz. Very nice done.

As Reverb I use also a Spring Reverb from Doepfer.

All is synced from the Arturia Drumbrute to the 960 sequencer. The Sidechain comes from the Rim shot of the Drumbrute which triggers the Sidechain input of the Compressor.

For more information on my Synths see my site: https://synthsmod.rensstam.nl/"

Ambient cascades | Novation Circuit Monostation, Stylophone Gen X-2 and S-1, Vongon pedals, eurorack

video upload by Jay Hosking

"Please support my work on Patreon: / jayhosking
A live synthesizer jam performed entirely on hardware.

I enjoyed having the Vongon Solarfaze and Polyphrase on the table for my last jam and left them there on a whim. That was the starting point. Next, I needed to run a synth through them, so I chose the Novation Circuit Monostation. I borrowed the CMS from a friend and had been looking to make some music with it; my opinion is that it's an extremely underrated synth that can do way more than people recognized at the time. And once I had its sequencer running and a bassline queued up, I could hear more of what was needed.

I also recently got a couple of Stylophones, because they are extremely affordable—the S-1 was something like $60 Canadian—and because I like the sound of them. Using the CMS's CV outputs, I sent a second set of sequences to the Gen X-2, which has CV input. I also took advantage of the Gen X-2's beautiful internal delay for cascading performances. The S-1 ended up my improv melody device for the last third of the song.

At this point, I needed reverb but didn't want to add multiple reverb boxes, so I added the Jellymix to act as stereo send to all the synths. For reverb, I chose the Swells, because I currently have it in a case with the Fieldtone Weaver and Qu-Bit Stardust, which can add a lot to a mix through stereo sample mangling. The Stardust is playing something that came from the CMS into Weaver; the Weaver is playing a snippet of my voice.

By this point, I could hear the full song, and it was just a matter of adding a couple of sequences and performing the whole thing. Pretty fun to see how wanting to explore a bit of hardware can lead to a finished song.

Performed and recorded live to a stereo output from the Jellymix, with EQ, compression, and limiting on the master.

CLICK FOR MORE »

HWJ WC - No FX

video upload by SynthAddict

"OP-Z
I tried to find perc samples that had no obvious FX, but no additional FX were added to any samples or synths in this performance.
Pretty dry, but that was the challenge. :-)

As it was a simple challenge, I finally had time to make something again after being too busy for my usual HWJ output for many weeks."

Teenage Engineering OP-XY & Novation Launch Control 3

video uploads by Dan Chippendale

A playlist of videos by Dan Chippendale featuring the Teenage Engineering OP-XY with Novation Launch Control 3.

Playlist:

1. OP-XY can sound so clean and pristine - Minimal House Live Jam

Kept things intentionally simple for this one and made sure the mix was nice and clean. Love how good the OP-XY can sound for this type of music. Hope you enjoy it

Gear used:

Music:
Teenage Engineering OP-XY
Novation Launch Control 3

Video:
Fujifilm X-E5
Motu M2 Audio interface
Mac Studio with Logic Pro X

2. Music for an old roll of unprocessed colour film – OP-XY electronica live jam
3. Would you like to see the OP-XY GO HARD? Well would you? Watch this. - Hard Dance Live Jam
4. Express your mood through music //// Melancholic beats and synths OP-XY Live Jam
5. I like making live electronic music. I very much hope you enjoy it
6. Bake for 2:45 at 34 degrees Celsius
7. I still maintain the OP-XY is one of the greatest music making devices ever created // IDM Live Jam

CLICK FOR MORE »

Plinky 12 Blocks - Full Walkthrough

video upload by Nathan Plante Synths, Alex Evans (mmalex), Making Sound Machines

"At long last, I have made the Plinky 12 Blocks walkthrough! This panel is so jam-packed with features it was hard to fit it all in to one video (and I did leave out a few things). Blocks can do it all - sequencing, live play, loop recording, chords.... an EVERYTHING machine! I can't wait to see what great music people are going to make with this synth. Enjoy!"

00:00 Intro
01:24 Play Surfaces
03:33 Piano Roll
05:55 Velocity, Gate Length, Ratchets
06:42 Alternate (Sparkly) Notes
09:30 Mute
09:54 Fancy Randomization
11:58 Live Loop Recording
13:00 Clip Launcher (Launch Mode)
16:22 Preset Banks
18:01 Synth Settings (Mutate Mode)
22:58 XY Pad (Modulation)
24:47 Saving Presets
25:11 The LFOs
27:37 The Mix Page
28:57 Arp Settings
30:10 Performance FX
33:40 Changing Root and Scale (Chord Mode)
36:23 Outro & Jam

KORG Introduces NTS-4 Compact Performance Mixer Kit for Hardware Setups

Overview video upload by KORG

"The NTS-4 is a compact performance mixer kit designed for modern hardware setups. With six channels (two mono and four stereo), built-in effects, USB-C connectivity, and support for up to 10 audio signals, the NTS-4 makes it easy to bring together volca units, NTS instruments, modular gear, grooveboxes, and desktop synths into one streamlined setup.

In this overview, Fess Grandiose walks through the NTS-4’s flexible channel architecture, Eurorack-compatible mono inputs, dual stereo effects engines, per-channel CUE and MUTE controls, USB-C audio and MIDI connectivity, and the hands-on Nu:Tekt DIY assembly experience.

Features:
• Compact 6-channel performance mixer
• 2 mono + 4 stereo 3.5 mm channels
• Supports up to 10 audio signals
• Eurorack-compatible mono inputs
• Standard 1/4" main outputs
• Per-channel CUE, MUTE, and FX send
• Dual stereo effects engines
• SEND FX + TOTAL FX processing
• Stereo send/return loop
• USB-C audio + MIDI
• Record directly to computers & mobile devices
• Rugged steel chassis
• Nu:Tekt DIY kit assembly

Learn more about the NTS-4: https://bit.ly/4w0QxLQ"

And a user video from supporting member Knobs & Switches:

KORG NTS-4 Performance Mixer Kit
video upload by Knobs & Switches

"Here is my review about the new Korg NTS-4 Performance Mixer Kit together with loads of other Korg gear: MS20m, Drumlogue, SQ-1, 700Sm, Harmonic Distortion, Opsix, Sigma, Minipops-7, ISE-NIN Single Voice, Ryk M185 Sequencer and of course the NTS-4. The Nu:Tekt Mixer will be released today! Have fun

https://www.korg.com/de/

For Pedal Power i used the MyVolts CrazyChain MkII: https://myvolts.com/CrazyChainMKII/?a...

The fancy Audio Cables are the MyVolts Candycords: https://myvolts.com/CandyCords/?a=kas

CV and Clock Cables are MyVolts Halos: https://myvolts.de/Halo/?a=kas

00:00:00 Intro
00:00:037 Title Track (only the NTS-4’s FX were used)
00:03:04 Epilogue
00:04:41 NTS-4 Run Down
00:08:58 NTS-4 Send FX
00:14:56 NTS-4 Send/Return
00:15:58 NTS-4 Total FX
00:21:19 Conclusion
00:22:47 Outro (only the NTS-4’s FX were used)

Used Equipment: Apple iPhone 14 Pro Max, Apple iPhone 12, Sony ZV-1, Rode Wireless ME, Universal Audio Apollo Twin Solo, Yamaha MG-06, Steinberg Cubase 15 and Final Cut Pro X"



A compact performance mixer for modern hardware setups

Build the perfect bridge for your music. The NTS-4 brings the flexibility of the Nu:Tekt series to a compact performance mixer kit designed for today’s hardware setups. With six channels (two mono and four stereo minijacks), built-in effects, and USB connectivity, the NTS-4 makes it easy to mix and perform with volca units, NTS instruments, modular gear, and other desktop synths in one place, supporting up to 10 audio signals in a single setup.

From the integrated effects to the steel chassis, every part of the NTS-4 is designed to turn your collection of instruments and gadgets into a professional-grade creative hub.

Small Footprint. Massive Control.

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