3 Eurorack Modules That Are Complete Synth Voices (No Patching Required)

video upload by Dots

"What if you could get a complete synthesizer voice — oscillator, filter, and VCA — all in a single Eurorack module? In this video I demo three self-contained voice modules that are perfect for small racks, live performance, or anyone just getting started with modular synthesis.

I cover:
🔹 Frequency Central Product – pure analog, East Coast character, pre-patched and ready to play
🔹 Knobula Monumatic – 8-voice polyphonic (!), built-in reverb, huge sound in minimal HP
🔹 Mutable Instruments Plaits – 24 algorithms, incredible sound variety, my go-to for live performance

Whether you're new to Eurorack and don't know where to start, or you're deep in the rabbit hole and protective of your HP, these modules prove you don't need a massive rack to make great sounds.

CONTENT:
00:00 Intro
00:57 What is a synth voice?
01:33 Frequency Central Product
04:25 Knobula Monumatic
07:05 Mutable Instruments Plaits
08:51 Jam

🎹 Modules featured:
• Frequency Central Product – £325 (PCB/panel DIY kit £90)
• Knobula Monumatic – £400
• Mutable Instruments Plaits / After Later Audio Beehive clone – £200"

ELEKTRON OCTATRACK MK2 SEQUENCER & SAMPLER

Note: links to listings are affiliate links for which the site may be compensated.

via this listing

Additional Signal Sounds listings

We say...
A pre-owned Elektron Octatrack MK2 in very good condition. It appears to have been originally sold as a b-stock unit. It has all original packaging and accessories.

Manufacturer's description
With the Octatrack MKII, discovering the perfect sample is only the beginning. Twist it, distort it, and carve it into something that is truly yours. Dynamic in name and nature: this is the ultimate sampler for recording sessions, creative kick-starts, and improvisational performances. A stereo sampler, looper, arranger, mixing and effects hub, workstation, performance instrument: you name it. Its power scales and evolves with you during your musical journey.

The Octatrack MKII redefines how you transform your sounds, as well as how you interact and play with them. It is a stereo sampler, processor, and live looper with a powerful sequencer and workstation workflow on top. Choose between several custom machines – static, flex, thru, neighbor, pickup – to suit your sample recording, manipulation, and effects processing needs for each of the eight tracks.

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Manifold Research Centre - Ubique

video upload by NOISEBUG

https://www.noisebug.net/products/man...

Ubique from Manifold Research Centre sets two distinct micro time modulation cores in a spiral dance, providing a feedback phase network of flanger and phaser for entangled explorations. At the left side, a BBD based flanger explores the timbral manipulation of short delay times, with time spans ranging from 5-250ms. At its opposite is a 10-stage transistor ladder phaser, creating shifting harmonic movements and self-oscillating at high settings. The flanger's output sums into the input of the phaser, which can then be sent back into the flanger using the central feedback slider, inviting an infinite loop of audio processing. When combined and carefully managed alongside the two effect-specific feedback controls, these three opportunities for nonlinear gain management unveil a vast sonic landscape. Here, metallic tones, full spectrum percussive punctuations, and harmonic screams of distorted delight await your inspired patching.

As for patching, Ubique provides plenty to be inspired by. Independent audio inputs and outputs allow for summing diverse signals within the temporal torrent, and create unique stereo effects with output signals tapped from distinct processing positions in the loop. Manual and CV controls on each core for frequency and resonance, with attenuverters for the frequency CV inputs, allow you to shift and mangle the feedback processing with external signals. The BBD's dry/wet control and a phase invert switch for the phaser provide even more ways to manage and manipulate Ubique, with each interaction inviting new avenues of sound design. Whether you're summoning spectral wails in an all-out maelstrom of feedback or deftly dialing-in daring effects with careful control, Manifold Research Centre's Ubique is an otherworldly examination of time scales beyond comprehension, sure to draw out dedicated sonic explorers to diverse musical ends.

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BugBrand Frequency Shifter

via BugBrand

"The Frequency Shifter (red) is a powerful and experimental analogue processor. This standalone design springs from my Quadrature Sine and its Frequency Shifter Expander modular designs – all wrapped up with circuitry & features to allow it to fit snugly into more regular studio processing roles.It will transform your audio streams in otherworldly ways – clangorous, tonal, phased, stereofication and swoosh.

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Baloran The 3FX

video upload by Laurent Baloran

"Après avoir sculpté le son dans l’espace avec The 3B, The 3FX explore la création d’espaces sonores capables de transcender tous vos instruments.

After sculpting sound in space with The 3B, The 3FX explores the creation of sound spaces capable of transcending all your instruments."

Also see New VST3 Plugin - The 3FX by Baloran In the Works

via Baloran:

"The psychedelic The 3FX

After sculpting sound in space with The 3B, The 3FX explores the creation of sound spaces capable of transcending all your instruments.

ARCHITECTURE

The heart of The 3FX is built around three fully independent effect voices, each based on a coherent 8-module architecture:

Two delays per voice, usable in series or in parallel
An advanced, progressive feedback path up to controlled self-oscillation
An analog 12 dB/octave multimode VCF (BP, LP, HP) to optionally process the audio spectrum, both on the delay lines and on the dry signal
Independent levels for the dry signal and each delay line
A panorama control to position the voice within the stereo field.
The stereo input signal is distributed across the three voices: left / left + right / right. A mono signal is distributed across all three voices.
Each voice can be used alone, stacked or combined with the others to create textures impossible to achieve with a conventional delay.

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Roland TR-1000 and eurorack | Hypnotic dance

video upload by Jay Hosking

"Please support my work on Patreon: / jayhosking
Buy the album here: https://jayhosking.bandcamp.com

This is a set of live, improvised dance music performed on a eurorack skiff with the Roland TR-1000. The TR-1000 provides most of the drums, and the eurorack does everything else.

00:00 - Archaios
07:33 - Elan vital
13:42 - Magnetic sleep
21:58 - Entelechy

I'm really happy with how this set turned out, and will probably try the setup again. I'd also love to give it a shot in a live environment, with actual humans dancing.

Eurorack modules:
Noise Engineering Zularic Repetitor - Gates (rhythms)
Noise Engineering Gamut Repetitor - Pitch (notes)
ALM Busy Circuits Pamela's New Workout - Synchronization, modulation, and LFOs
Forge.TME Vhikk X - Drone
Frequency Central Product - Bass
Mutable Instruments Rings - String synth
Noise Engineering Desmodus Versio - Reverb for Rings
Eowave Domino - Subtractive synth
Happy Nerding FX Aid XL - Delay for Domino
Bastl Citadel Wave Bard - Percussion
Bastl Citadel FX Wizard - Glitchy effects for Wave Bard
Qu-Bit Nautilus - Delay (on a send)
Befaco STMix - Send mixer for Nautilus
Intellijel Mixer 1U - Mixer out for Product and Domino
Intelljel Headphones 1U - Mixer out for Rings"

Waldorf M 1.11 Update Adds Varysaw VA Oscillator, CS80 Based Oscillator, Extensive FM & More

You can find the update here

Details form the release doc follows:

Disclaimer: This is an unofficial add-on to the M user manual, describing some of extra features added from firmware 1.05 up to firmware 1.11. This add-on also covers some complex aspects of the Multi Mode, which remains somewhat unusual.

Author: Vladi Salnikov aka VladiS.

Algorithms of FW version 1.11:

Varysaw: A VA oscillator ranging from SAW through PULSE to TRI.

Wave (red encoder): Mixes from 0 to 31 from SAW to PULSE; 32 is pure PULSE, and 33 to 63 mixesfrom PULSE to TRI.

Meta parameter: Pulse width for PULSE, adjustable from 5% to 95%.

CSAW: A famous Yamaha CS-80 saw oscillator with mutation towards a parabolic oscillator.

Wave : Controls the amplitude of the “step” component of the saw wave.

Meta parameter: Mixes between this saw wave and the parabolic saw wave.

Waveshpr: A SAW to TRI oscillator fed into a mild waveshaper.

Wave : 0 is pure SAW, 1-62 mixes between SAW and TRI, and 63 is pure TRI.

Meta parameter: Depth of the waveshaper.

TriplSaw: A stack of three SAW oscillators; two are detuned slightly higher and lower than the third.

Wave : Controls the amplitude of the “central” SAW oscillator relative to the two “side” SAWs.

Meta parameter: Detuning factor, from 0 to maximum detune.

S/T Fold: A SIN wave folding oscillator that folds the chosen crossmixed wave between SIN and TRI waves.

Wave : 0 is pure SIN, 1-62 mixes between SIN and TRI, and 63 is pure TRI.

Meta parameter: Folding depth.

FM 2 OP: Classic simple two-operator FM synthesis. OP1 (modulator) generates a sine wave that modulates the phase of OP2 (carrier). Both operators generate sinewaves; the algorithm's output is the carrier signal.

Wave: Maps values from 0 to 63 to harmonics ratios of 1 to 8 in stepped increments.

Meta parameter: Amount of phase modulation applied to the carrier.

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Synth Portal Steampunk Modular Powered Synthesizer w/ 8 modules

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

"Hand built,custom Steampunk Modular Synthesizer with power & 3a power brick.

Width: 87 hp
Zlob- dual VCO- 6 outputd & 2 inputs
Frequency Central- Little Melody Sequencer
Cubu clock generator with 3 probability outputs
Zlob-Skew-fade LFO with 3 outputs & cv input
3 ch. passive mixer
Zlob-Diode Chaos with 3 chaos outs & trig.
Hive-passive mult-1x10,2x5
Zlob-2 ch. VCA & Mixer
patch cables,mounting screws, power cables & 3a power brick
Tactile-feel controls giving tweaking a fun dimention"

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SugarBytes Introduces Transfigure - Sonic Manipulator

video uploads by Sugar Bytes

"Transfigure is your creative partner in sound. With just a few clicks, it turns any track into a living, breathing sonic landscape full of depth, motion, and emotion. Its clean, intuitive interface makes complex processes feel effortless. Whether you’re refining details or creating entirely new textures, Transfigure gives you the freedom to shape sound your way. The central XY pad allows for simultaneous parameter control and expressive automation, perfect for performative sound design and evolving texture.

Runs on macOS & Windows (AU, VST2, VST3, AAX, Standalone)"

2nd video timestamps:

00:00:00 Overview
00:09:02 The Modulators
00:32:09 The Sound Processors
01:08:58 The Effects

CLICK FOR MORE »

Eurorack Jam Case… What Could Go Wrong?!

video upload by Dots

"Join me for another Mini Modular Moments episode as I unveil my brand new studio recording and jamming Eurorack case! In this video, I walk you through every module in my compact modular synth build — from the Frequency Central Product to the Squarp Rample drum sampler — and explain why I chose each one. Then, I power it up for the very first time on camera to see what kind of noise (or magic!) it can make.

Featuring voices, drums, filters, modulation, and a Keystep Pro for control, this case is designed for full jams in a portable format. Expect some happy accidents, a little chaos, and plenty of patching fun.

🎛 Modules Featured:

Frequency Central Product
Knobula Monuatic
Nano Modules ONA
Mutable Instruments Veils
Klavis Quadigy
WMD Carbon Filter
Squarp Instruments Rample
Endorphin.es Cockpit
…and more!

Whether you’re into Eurorack modular synths, studio jam setups, or just curious about how a live performance case can evolve into a studio powerhouse, this one’s for you"

Monotrail Starting with Modular
video upload by Monotrail Tech Talk

1. Getting started with modular - 4 eurorack systems explained

There are many ways to get started with modular, and many reason to be interested in it. There is no single solution, modular is a journey and you have to discover and experience your own. This video is part of a series where I share some thoughts and ideas I wish I could find when I started out. Take or leave whatever you like :)

Timetable:

00:00 – Introduction
02:17 – The Monosynth
06:32 – The Sonic exploration lab
10:26 – The Performance system
15:34 – The Dedicated tool

2. What modules should you buy when starting with modular?

Getting started with eurorack can be confusing. The number of modules available grows ever week. And on top of that, what you need depends on what you want to do with your modular. In this episode in a longer series, I look at a 4-module starter voice as an option.

Timetable:
00:00 – Intro
00:20 – Building a mono synth
02:49 – Oscillators
05:08 – Filters
07:47 – VCAs
10:26 – Modulation
14:47 – Patches

Back to Dots:

Watch our whole Mini Modular Moments playlist here:

A Towel For Ms Winters

video upload by davidryle

"Large format modular synthesizer recording live in the studio.
The opening noise burst is the Dove WTF in noise mode along with the Sputnik WCRS to an Oakley SVF in band pass mode to the Modcan 73B dual Delay and Z-DSP with Halls of Valhalla reverb. Modulation to the 73B is from the STG Voltage Mini Stores for delay cv.
Noise cacophony part is a pair of STG Soundlabs Oscillators to the Oakley Sound Systems Ring Modulator to a Grove Audio LPF and a MegaOhm Audio MA20 in highpass mode. The signal is sent to a tape echo then compressor.
The echo drone bass is the dotcom Q169 vco to a Moon 517S LPF. The echo delay is a stereo Lexicon MX200.
The lower bass tone is the Woven Spirits (MI Plaits) from Synthetic Sound Labs. Straight in, no filter or envelope. The chords are a pair of dotcom Q206 vcos and a pair of Q106 vcos for four part harmony. The cv source is the dual Matrix from SSL in dorian modes. A pair of dotcom Q171 and Q172 Quantizers were used with gates from the Geo-Gruvn to time the S&H pitch voltages. Toward the latter half of the piece I was playing the quantizers to change modes from augmented to diminished and back again. The audio signals are sent through a LWSS Yusynth panning mixer then a pair of filters. The Dove D502 in low pass four pole and the Frequency Central System X in 24dB low pass mode. They are sent to the Empress Reverb pedal in blue sparkle mode.
All gate timings were provided by the SSL Hagiwo Geo-Gruvn sequencer and the STG Time Divider. Additional divider s are the Moon 564, Moon 563 and STG Trigger Mini Store.
The theme here was the well known stories of the femme-fatale-gone-awry roles Shelly Winters played in many famous movies. She was drowned a few times and it became an urban legend of sorts. A great actress that rarely was rewarded with much favor but did finally reach a celebrated status."

Covalence

video upload by davidryle

"Large format 5U modular synthesizer with the Groove Synthesis 3rd Wave.
Two passes. The first was the modular synth, and the second was the played lines on the keyboard. All sounds except the melodic part was recorded in real time from the modular.
Two Matrix Algorithmic Composer modules from Synthetic Sound Labs were used for the moving lines throughout. These were fed to a pair of SSL/Ian Fritz Thru-Zero oscillators. The outputs were mixed straight and also split to an Encore Electronics Frequency Shifter, MOTM 440 Filter and heavily modulated 73B Modcan Dual Delay. Further processing with the Empress reverb and the Dove Audio D501 filter.
The bass notes were generated by the STG Soundlabs Voltage Mini Store to a pair of STG Oscillators and a Dove Audio WF. The filters included the MegaOhmAudio MA20 and the Frequency Central System X LPF.
A Q960 sent the arpeggio sweep voltage to an SSL VCO through a Behringer DD400 digital delay.
A Ring Modulator patch on the Q169 Qxcillator ++ from Synthesizers.com was directed through an Oakley Sound Diode Super Ladder filter then through an SSL Digital Delay.
The S&H sounding patch was not a sample & hold at all. It was a combination of a Q960, West Coast Random Source, MosLab 901/904A and a MegaOhmAudio CdS through an Oakley VC State Variable Filter."

Frequency Central feat. Akropoli, Pretzel Logic and Dark Star - Decoding Lightshow!

video upload by Frequency Central

"In this video I'm addressing the four inputs of Pretzel Logic from the four gate outputs of Akropoli - see the LEDs dance in complex rhythmic patterns - and of course each LED also represents a gate output from Pretzel Logic.

Akropoli's CV output is patched into Dark Star to create beautiful moods and arpeggios.

I'm tweaking Akropoli's Presets and Modes, which is represented aurally by Dark Star and visually by Pretzel Logic.

Please comment: '20% off at Frequency Central this weekend with code 20_4_U'"

Ancient Passage

video upload by davidryle

"This basis of this project was between the new Synthetic Sound Labs 1655 Geo-Gruvn euclidean sequencer and a few different Low Pass Filter modules. The new SSL 1015 LPG with the cadmium sulfide CdS element, the Mega Ohm Audio CdS VCF/A module and the Cyndustries Quad Low Pass Gates module. The Cyndustries module was enhanced by Phil from Mega Ohm Audio to be much more responsive. A big change and very useful.

The Geo-Gruvn module from SSL is an adaption of the Hagiwo board and was also enhanced to provide a more efficient response all the way to audio rate clocking.

The main orchestration automation module in this piece was with the synthesizers.com Q170 Midi Gates module. The use of eight channels of midi gate streams from Cubase were the way each section were enabled on and off. My hands-on modulation was simplified to allow me to change timbre, filter settings and delay rates with ease.

The center section featured the Dove Mu-Seq D900 sequencer for a pattern which began by me running the sequencer in reverse and recording the track to Cubase, then reversing it back into the mix. I started with the Woven Spirits (MI Plaits) at a higher octave and drew it down until it matched the timbre for the rest of the midsection.

The last part was the dual Matrix run into a pair of quantizer modules in which I timed the pitch voltage outputs with the Geo-Gruvn gate outs. These voices were the Dotcom Q206 and Q206A modules through the Frequency Central X Series Low Pass Filter and an Empress Reverb pedal.

Other delays included the Modcan 73B dual delay with loads of modulation, and the SSL 1310 Digital Delay.

The opening drone is a feedback from the TipTop Audio Z-DSP VC-Digital Signal Processor with the Halls of Valhalla chipset in Plate Reverb mode. This drone also arose in the center section.

A pair of frequency shifter modules (Encore Electronics and Behringer Bode Clone) were used for the Snare and Hi Hats enhancement. The kit drums were the LDB-2E Analog Drums from Delptronics and the TipTop SD808. They were sequenced from the Mutable Instruments Grids module and a pair of Turing Machines and an MI Marbles module."

Thicken Kicks, Bass, and Synths with OCELOT Octaver

video upload by Fuse Audio Labs

Press release follows:

Fuse Audio Labs offers OCELOT Octaver as octave-down weight- and octave-up presence-delivering plugin with precision and ease

DUESSELDORF, GERMANY: truly analog-sounding plugins developer Fuse Audio Labs is proud to announce availability of OCELOT Octaver — offered up as an octave-down weight- and octave-up presence-delivering plugin with precision and ease, duly designed to add deep punch to kicks, extra growl to bass, or subtle enhancements to synth lines as a streamlined tool that reshapes source material in powerful, specific ways with zero latency and minimal CPU (Central Processing Unit) load — as of June 19…

OCELOT Octaver offers full control over the frequency focus of each octave via dedicated TUNE controls — unlike many traditional octave effects, enabling optimal low-end extension and top-end lift to be dialled in with precision as a result of this being so successfully implemented. Its Listen mode, meanwhile, aids in identifying the exact range being enhanced, enabling highly targeted and musical results.

Anchored around a state-of-the-art algorithm, OCELOT Octaver maintains signal integrity throughout. The plugin delivers consistent, phase-stable performances — even on fast transients or harmonically complex sources, contrasting wildly with the warbly, glitch-prone behaviour common to many octavers out there. The outcome is tight, clean octave content that blends naturally into the mix.

OCELOT Octaver’s detailed visual feedback supports confident decision-making at all times. There are separate level meters for each octave, the output signals providing clear level referencing, while the collapsable FFT (Fast Fourier Transform) view reveals the effect’s spectral footprint. Furthermore, octave solo options, smart key shortcuts, and global level control complete a workflow built for flexibility, precision, and speed.

“Octavers are often either too simplistic or too unpredictable to be truly useful in serious productions,” proffers Fuse Audio Labs CEO Reimund Dratwa. “We set out to change that, offering precision tuning, rock-solid tracking, and deep sound-shaping tools in a plugin that feels as creative as it is reliable,” he continues, concluding: “It’s all about inspiring results, without it getting in the way.”

OCELOT Octaver is available at a significantly discounted introductory promo price of only $29.00 USD until July 19, 2025 — rising thereafter to its regular price of $69.00 USD — directly from its dedicated webpage, which includes more in-depth information, here: https://fuseaudiolabs.com/ocelotoctaver_utmpr.html

14-day trial versions of all Fuse Audio Labs plugins without any limitations are available to download from here: https://fuseaudiolabs.com/plugins.html

Etherized: Modular Signals from a Planet in Crisis

video upload by Electrum Modular

"What do rising sea-levels sound like? How might we listen to the temperature of the oceans? What rhythms can we hear in the increased frequency of intense hurricanes/cylones? Can we imagine mounting CO2 emissions as a crescendo of dissonance?

This piece uses a data sonification module (Loud Numbers) to translate spreadsheets of climate-change data into MIDI cc values. An interface (CV.OCD) then converts the MIDI to voltages to control my modular system. ADDAC’s Swell Physics’ CV inputs for swell size, agitation, offset, etc. are ideal for modelling the complex, unpredictable effect of rising sea levels, sea temperatures, and storm intensity, on ocean waves. Meanwhile, Disting EX’s 'spectral freeze' algorithm is processing ocean-related songs.

Despite the fixed data on the spreadsheets, this patch generates different sonic results each time it is played – thanks to the chaotic behavior of Swell Physics. I am planning a longer, ~30 minutes version for a public performance, with video visualization/projection of the data.

Data sources

Carbon dioxide (CO2) emissions: Our World in Data (University of Oxford/Global Change Data Lab), https://ourworldindata.org/co2-datase...

Annual sea-surface temperature anomaly – global: Australian Bureau of Metereology, http://www.bom.gov.au/cgi-bin/climate...

Category 3+ storms: Tropical Meteorology Project, Department of Atmospheric Science, Colorado State University (calculated from National Hurricane Center, the Central Pacific Hurricane Center and the Joint Typhoon Warning Center), https://tropical.atmos.colostate.edu/...

Global Average Absolute Sea Level Change, 1880-2023: United States Environmental Protection Agency (data soures: CSIRO, NOAA), https://www.epa.gov/climate-indicator...

Loud Numbers’ VCV Rack module: https://www.loudnumbers.net/tools"

Dream Plant - EDP Wasp Synthesiser, 2 x EDP Gnat Synthesisers, and an EDP Spider Sequencer

video upload by Frequency Central

"I've been out collecting insects and arachnids..."

Frequency Central Düsseldorf Academy is coming along nicely.....

video upload by Frequency Central

Frequency Central Florian Synthesiser - lovechild of Roland and ARP, birthed by a mad Englishman!

video upload by Frequency Central

"Here's your first look at Frequency Central Florian Synthesiser – what if a Roland SH-2 had a modular baby with an ARP Odyssey, but the midwife was a mad English scientist?

Florian is our first dual VCO synthesiser! The name is a tribute to Florian Schneider-Elsleben, who passed the same week that we conceptualised this synthesiser.

Florian features the following sub-modules, all behind a single 42HP panel:

2 x XVCO, our legendary discrete VCO based on the Roland 100M design
Sub oscillator offering -1 octave square, -2 octave square, and -2 ocatve pulse
Digital ring modulator, taking VCO1 and VCO2 as it's X and Y input.
Voltage controlled filter offering lowpass, bandpass, and highpass responses, based on Roland 700 multimode filter
ADSR based around AS3310 chip, offering normal and inverted outputs as well as CV of level
ARP influenced VCA with ADSR/gate/drone options
ARP influenced A/R generator with looping option
LFO1: triangle
LFO2: saw/triangle/ramp with sync option"

Switchback Descent

video upload by davidryle

"The great Vector Sequencer from Five12. I am using it for a pair of simple 16 step sequences to the 5U modular by way of CV and Gate.

The clock is derived from the Moon Modular 553 Midi to Clock module. I used the 1/96th division and a start gate to tap the sync24 feature in the Vector. I do have an STG bus but the sync bus cable wouldn't reach out of the cabinet to the Vector. The other clock pulses are from the STG Time Divider.

The first patch is run to a pair of Q206 VCO's and the Q150 filter and then on to the Echo Fix tape delay. Stereo panning was from the Q158 VCA++ and a Mega Ohm LFO. The Ian Fritz Hypster by Synthetic Sound Labs is a modulation source for the decay stage of the STG Envelop Generator.

The bass line patch is a pair of STG Oscillators to a pair of Mega Ohm MA20's in low and high pass series. The SSL Tube VCA is used to add some drive. The Frequency Central Stasis Leak stereo chorus finishes the patch chain.

The third patch is a drone pad line from the Dove D900 sequencer to the WTF Oscillator and the Oakley SVF in Notch mode. The slow center frequency modulation from a second Mega Ohm LFO does a nice job of combing through the upper mids of the complex waveforms out of the WTF. The last part of the patch is through the Empress Reverb in green ghost mode.

The Vector is the first edition mk1 but still has quite the feature set. I was using a modulation lane for transpose to the pair of pitch sequences. This same transpose sequence was replicated on the Q960 with a second Q960 as a divider. The pitch voltages for the WTF were combined in the unity mixer of the STG Active Multiples module. I did use the Q171 Quantixer Bank for precision stepping from the Q960.

All sounds captured at once in a single take to Cubase 12. Video edited in Final Cut Pro.

Special thanks to Ron Sunsinger for the loan of the Vector and Adam Fritsche for the Stasis Leak module."