External MIDI Amiga Synth? Wait, what?!

video upload by Jeremy Parker

"A few years ago I restored my childhood Amiga 500, and only recently found a way to use a soft synth, Aegis Sonix V2, with external MIDI control. I saw ‪@magicalsynthadventure3216‬ video on the topic a while back, and on a whim decided to revisit the idea of using my Amiga as a synth. Thanks to an Amibay.com forum thread, I learned that it's pretty easy to get Aegis Sonix V2 to respond to incoming MIDI, and so I was off to the races. Enjoy!

Magical Synth Adventures video: • Commodore Amiga Music Production: Modern S... [below]
Amibay thread: https://www.amibay.com/threads/aegis-...
Stone OakValley Studios info on Aegis Sonix: https://www.stone-oakvalley-studios.c...
OctaMED info: https://chipmusic.org/forums/topic/10...

00:00 Intro
02:28 The Solution
03:33 Sonix Demo
05:31 Sonix & Reaper
07:33 Amiga Groove

Commodore Amiga Music Production: Modern Sound Design on Retro Hardware

video upload by Magical Synth Adventure

"A delve into obscure software instruments on the Commodore Amiga. Here I look into both realtime & non-realtime varieties, covering a staggering array of synthesis types!

Additional attributions:

I forgot to give a shout out to uncle Brian! Sorry uncle Brian!
Endless Tunnel Animation: KRITRIMVAULT
Syndicate Intro: BullFrog Productions

Links:
SOFTWARE
http://old.exotica.org.uk/websites/dr...
http://ftp2.grandis.nu/turransearch/"

Update: An interesting side note is that Sonix was released in 1987 with a beta in 1986. That's 10 years earlier than Dave Smith's Seer Systems Reality, which was released in 1997. Seer Systems Reality is often credited as the world's first soft synth. Curious if the distinction was between an editor/interface for the existing Amiga sound chip vs. a self contained software synthesizer.  

I asked Google AI just to see what it would say. Here it is:

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Baloran The River in White SN 00026

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

Additional SYNTH CITY Listings

"This show piece is sure to take the cake when it comes to insane! With 8 Moog inspired voices and on board effects, this synth is going to blow your head off."

Specs From Baloran's Website:

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reFX Tutorial Videos & Upcoming Release

video uploads by reFX



"reFX, known for their Nexus and Vanguard virtual instruments, are releasing their new synth, Rippler, on Thursday morning.

Rippler combines physical modeling synthesis with more traditional synthesizer elements: additional synth oscillators, familiar modulation setup, effects and arpeggiation. With the exciter modules running through two resonators, you can create realistic acoustic sounds or hyper-realistic sounds when pushing the modules further.

Features

Dual-Layer physical modeling synthesizer plus traditional synth oscillators and filters.

441 Presets (Factory Bank July 2026).

Exciter with custom impulse, 32 samples, sample import or sidechain input.

Noise generator feeds into resonators, output, or both.

12 Acoustic-style resonator models: String, Beam, Squared, Bell, Membrane, Plate, Drumhead, Djembe, Vibraphone, Marimba, Open Tube, Closed Tube.

Manual resonator type for custom additive synthesis (change partials in frequency, level, and drag to 'paint' your pattern.

Resonators work in series or parallel, with bi-directional energy coupling.

Dual oscillators with Phase, Fold and Asymmetry.

27 Filter types including vintage, ladder and vowel.

Modulation from four LFOs, four envelopes, random generators, MIDI/MPE controllers, macros.

13 Effects in three chains (Layer A, Layer B, Master): EQ, Distortion, Stereoizer, Phaser, Compressor, Chorus, Magnetic, Tremolo, Delay, Bucket Delay, Reverb, Particle, Limiter.

Vibrato with Rate, Delay and Rise.

Arpeggiator with additional modifiers for pitch and velocity.

Modulation Matrix with custom mapping curves, power curve.

Preset Browser with Favorites and Type tags, random selection.

VST/AU/AAX plugin for Windows and Mac

https://refx.com/rippler/

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Kurzweil K2600XS 88-Key Digital Sampling Workstation Synthesizer SN S3999AQS0054

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

Additional SYNTH CITY Listings

"This was the flagship synth way back when, with beautiful pianos, strings, powerful sequencing, sampling and in a very nice blue tint, however it weighs a lot. Used on countless albums thoughout the 90's and early 2000's.

The Kurzweil K2600XS is an 88-key professional music workstation and sampling synthesizer featuring Variable Architecture Synthesis Technology (VAST), built-in sampling hardware, and onboard KDFX digital effects

Key Specifications

Keyboard: 88-note fully weighted action with velocity and aftertouch.

Polyphony: 48 voices, 4 oscillators per voice.

Sound & Sample Memory: 12MB base ROM (expandable to 44MB via four internal slots) plus the SMP-2X advanced sampling option with digital/optical I/O.

Controllers: 8 physical sliders, 2 ribbon controllers, and extensive pedal/breath inputs.

Physical Profile: Weighs approximately 80 pounds, making it a heavy stage and studio instrument."

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Coming Soon: RIPPLER – Preset Showcase

video upload by reFX

"Find out more at https://refx.com/rippler

Our forthcoming physical modeling synthesizer is nearly here! Rippler (VST/AU/AAX) emulates acoustic instruments both real and imagined, and adds a layer of subtractive synthesis to blend, enhance or solidify your sound.

Add expressive modulation, a storehouse of high-quality effects, performance controls and hundreds of presets make Rippler your go-to synth for realistic and hyper-realistic sounds alike!

In this video, you'll hear a few of Rippler's patches, demonstrating the wide variety of sounds that are possible with this synth."

phase8 | Discover Acoustic Synthesis

video upload by KORG

"Discover phase8, an eight-voice acoustic synthesizer built on KORG’s Acoustic Synthesis technology.

Using physically vibrating steel resonators paired with electronic control, phase8 responds to touch, acoustic feedback, and real-time interaction. Designed for exploration, it invites musicians to discover new sounds through physical interaction, performance, and the world around them."

KORG Z1 - 64 Contemporary Presets - The MOSS Sessions (Sound Library)

video upload by RM Studios

"The KORG Z1 remains one of the most ambitious and expressive synthesizers ever created. ​

Powered by Korg’s legendary MOSS (Multi-Oscillator Synthesis System) engine, the Z1 pushed physical modeling and virtual analog synthesis far beyond the standards of its era, delivering an extraordinary range of sounds with unmatched depth, movement, and playability. ​

Yet, despite the instrument’s incredible capabilities, most available sound libraries still rely on programming approaches and sonic aesthetics dating back to the late ’90s.
We felt it was time to give this iconic synth a fresh voice. ​​​

"The MOSS Sessions” is a completely new sound collection designed specifically to showcase the real power of the MOSS engine with a modern production approach. This library delivers 64 contemporary, inspiring, and instantly usable programs for both studio production and live performance. ​

If you are one of the lucky musicians owning this legendary synthesizer, this collection was made for you. ​

The soundset can be purchased through the following link:
https://robertomacri.wixsite.com/home..."

Also for the KORG EXB-MOSS expansion board:

KORG EXB-MOSS - 64 Contemporary Presets - The MOSS Sessions (Sound Library for Korg Triton & Karma)

video upload by RM Studios

https://robertomacri.wixsite.com/home/the-moss-sessions

NF-1K First Look: Modor's New Keyboard Synthesizer | Superbooth 2026

video upload by Milk Audio Store

"See the Modor NF1K in action at Superboot 2026. This video provides a close look at the new keyboard version of the NF1 digital subtractive synthesizer.

Marcel from Modor presents the NF1K, detailing the physical integration of the keyboard with the established NF1 synthesis engine.

By watching this demo, you get a clear view of the Modor NF1K build quality and control layout. We focus specifically on the tactile experience of the new keyboard and how the Modor NF1K maintains the core sound generation capabilities of the original unit while adding a performance-focused form factor."

Modal Electronics ELEMENT One - Nice to meet you!

video upload by Modal Electronics

"It's finally here! Today, we are diving headfirst into the Modal ELEMENT One.

In this session, we will do two things: first, walk you through the physical setup and signal flow to get the ELEMENT One up and running in your studio; and second, conduct a detailed first-look tour of the front-panel controls. Our goal is to move beyond mere "button-pushing" and instead understand the philosophy behind the interface—why we placed certain controls where they are, and how that layout influences your creative workflow."

Element One - Advanced Editing with MODALapp

video upload by Modal Electronics

"Unlock the full potential of your Modal ELEMENT One! In this video, we move beyond the front panel to dive deep into patch editing with Modalapp.

While the ELEMENT One is designed as a hands-on performance synth, the app unlocks advanced parameters, modulation routing, and preset management that take sound design to the next level. The ELEMENT One is fully compatible with Modalapp, giving you a powerful software interface to complement the hardware controls.

Whether you're a beginner looking to understand synthesis or a pro wanting to streamline your workflow, this guide will help you get the most out of your ELEMENT One."

ASM Diosynth In depth Interview Superbooth 2026

video upload by Take the Fear out the Gear

"Hi everybody this time we bring you the ASM Diosynth wind controller synthesizer in depth interview with Randy Lee at Superbooth 2026

Diosynth is an all-new wind synthesizer that combines the familiar tactile feel of a woodwind instrument with an expressive and advanced synthesis engine.

At ASM, we design instruments that create a deep, expressive connection between artist and sound. With Diosynth, we advance this ideal to new levels. Playability comes first and foremost. We feature a familiar keywork that makes the transition from acoustic to electric easier than ever. Add to this a breath sensor that gives life to the sound, a mouthpiece with reed and bite sensor, an X/Y joystick for modulation effects, assignable pressure pads, switches, and a gyroscope for motion control. These physical controls integrate seamlessly with Diosynth’s advanced synthesis and sample engine—delivering the most intuitive and expressive wind instrument available."

DS-8 - An 8 Voice Drum Synth For The PS Vita [ Drumstream ]

video upload by Intermynd Instruments

"DS8 Drumstream is a homebrew drum machine and advanced groovebox for the PlayStation Vita, built around fast step sequencing, real-time drum synthesis, automation, and hands-on performance using the Vita’s physical controls.

DS8 turns the Vita into a compact drum instrument with eight drum tracks, up to 64 steps per pattern, real-time drum voice generation, per-step automation, insert/send/master FX, and pattern tools including Euclidean rhythms and random generation. The sound engine is synthesis-based, with no samples or wavetables.

The project is currently in active development and the first public build is available as v0.1 for homebrew-enabled PS Vita consoles as a free download."

You can find it here: https://intermynd-instruments.itch.io/ds-8



Additional details:

"DS8 Drumstream is a drum synthesizer and groovebox for the PlayStation Vita.

It turns the Vita into a compact drum machine for sketching ideas, building grooves, and performing anywhere. The app is built around eight drum tracks, a step sequencer with up to sixty-four steps, and direct control through the Vita’s physical buttons.

All sounds are generated in real time. No samples, no wavetables. Each drum voice can be shaped directly, with controls for tuning, decay, drive, pitch, noise, level, and more.

The sequencer supports mute, solo, per-step automation, pattern length control, step copy and paste, metronome, and pattern generation. Individual steps can have their own parameter changes, allowing for accents, ghost notes, tuned percussion, glitch fills, and evolving rhythms.

Pattern generation includes Euclidean rhythms, random patterns, alternating steps, every-N triggers, and preset templates.

DS8 Drumstream is currently in active development. This is an early v0.1 release, so bugs, missing features, performance issues, and interface changes should be expected."

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Korg USA Mourns the Passing of Jack Hotop, Legendary Sound Designer and Innovator

Some sad news in via Korg.

You can find posts on MATRIXSYNTH featuring Jack Hotop here for a look back on his influence in the synthesizer community. The first post was a simple pic back in 2006.

Press release from Korg follows:

Over a 40-Year Career, the Influential Synthesist and Accomplished Touring Keyboardist Shaped the Sonic Architecture of More Than 100 Landmark Instruments, Including the Historic M1 Workstation

MELVILLE, N.Y. - Korg USA announces with deep sadness the passing of longtime employee, celebrated sound designer, and musical instrument industry icon Jack Hotop. Joining Korg USA (then Unicord) in 1983, Hotop started as Senior Voicing Manager and spent over four decades driving the development, sound design, programming, voicing, and product demonstrations for more than 100 Korg products. As a pioneering engineer and exceptionally skilled performer, his extensive contributions helped guide the evolution of synthesizers and digital workstations from the early 1980s through the modern era, leaving an indelible imprint on instruments used by musicians around the world and for generations to come.

Hotop’s foundational expertise was anchored in a rigorous musical and technical background. Raised in a musical family, he began piano lessons at age seven, inspired by his father, a musician featured on several Broadway cast recordings, and numerous pianists on his mother’s side. By age 14, he was actively performing in local bands on a Gibson 101 organ. He pursued formal training at the Berklee College of Music, majoring in arranging, composition, and accompaniment, before expanding into emerging music technology at the Boston School of Electronic Music under Roger Powell. It was there that Hotop established his core synthesis fundamentals using early hardware including the ARP Odyssey, 2600, 2500, and EMS Synthi, building a deep understanding of waveforms, envelopes, low-frequency oscillators, and modulators.

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Bastl Introduces Kalimba - Physical Modelling & FM Kalimba Synth

video uploads by Bastl

Playlist:
1. Bastl Kalimba: An Expressive Instrument for Intuitive Electronic Music Exploration
2. Bastl Kalimba - Demo Overview
3. Bastl Kalimba is such a fever dream - HAINBACH
4. WTF did they make? Bastl Kalimba! - ANDREW HUANG


Press release follows:

Bastl Instruments are very proud to announce the release of their new instrument - Bastl Kalimba, a unique desktop instrument that combines microphones, touch sensors, and an accelerometer, with a user interface inspired by the traditional kalimba and its main interaction element: the tines.

We believe that this combination of features and physical interface leads to intuitive creativity and easy musical expression.

Just play it, you already know it.

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BefacoxTesseract Coming to Superbooth

via Befaco:

"Superbooth is coming and this year we are coming in full force!! Apart of the goodies we already introduced, we have a bunch of new modules that will be on display, like our new stereo filter, a new member on the ST mix family and a small and mega compact headphones module..... well and 1U Midi thing is closer than ever!

But the big thing is our collaboration with Tesseract modules. A monster Full ON sequencer with synth engines, smaple play and CV generation. We are proud to present you ARK: A collaboration with one of our dearest friends from the eurorack scene!

Aiming to release before christmas seasson, with a target price of 666€ Tax included. Unless some new apocaliptic shit is brought to us by the usual suspects, of course.....

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Melbourne Instruments brings Braids engine to desktop NINA analogue polysynth

NINA Macro Oscillator Mode - BRAIDS Update! Demo and deep dive with THE UNPERSON video upload by Melbourne Instruments

"The powerful new Macro Oscillator Mode firmware update for Melbourne Instruments' motorised polysynth, NINA, has arrived. This new update adds 45 synthesis waveform models using open-source code from Émilie Gillet’s Mutable Instruments Braids, one of the most celebrated Eurorack synth modules.

This new mode massively expands Nina's sonic capabilities, unlocking a new world of synthesis, from classic analog textures to cutting-edge digital experimentation. Powered by Nina’s innovative architecture, the new Macro Oscillator Mode delivers an incredibly versatile hands-on sound design experience unlike any other.

In this video Melbourne Instruments collaborator THE UNPERSON takes a deep dive into Macro Mode, exploring some of the Macro Oscillator models, and demonstrates just some of the 60 new presets created for this update, exploring the sonic possibilities of the new Macro Oscillator.

0:00:11 Intro - about this update
0:02:31 Oscillator Models
0:06:02 Preset previews - Untitled Unperson Patch
0:07:13 Spectral Whips
0:07:37 Trance Lead
0:08:10 Bulk Carrier
0:08:50 VHS Error
0:09:09 Chords
0:09:53 Talkback
0:10:11 Sweeping Horizon
0:10:55 Arp DRM
0:11:23 Toy Crush

To support this update there is a new bank of 60 Macro Presets, designed by Protovolt, Tom Hall and James Terris. Available to download now: https://www.melbourneinstruments.com/..."

2nd video followed by the press release:

NINA Macro Oscillator Mode — 12 polyphonic voices of BRAIDS! Macro Presets audio demo with PROTOVOLT

video upload by Melbourne Instruments

"In this video, Sound Designer PROTOVOLT demonstrates a selection of the 20 new presets he created for this update, exploring the sonic possibilities of the new Macro Oscillator.

0:00:20 Xenomorph
0:01:02 String Theory
0:01:40 Zero Space
0:02:28 Harpsichon
0:02:58 Dark Matter
0:03:41 Supernova
0:03:58 Nucleus
0:04:38 Flux
0:05:09 Datablade
0:05:38 Retsu
0:06:04 Event Horizon


To support this update there is a new bank of 60 Macro Presets, designed by Protovolt, Tom Hall and James Terris. Available to download now: https://www.melbourneinstruments.com/..."

Press release follows:


Melbourne Instruments brings Braids engine to desktop NINA analogue polysynth

“NINA has always been an absolute powerhouse of a synth, but this update is insane; OSC 3 gives you 45 Braids macros across 12 voices, plus its massive mod matrix — the range of sounds and textures you can create now knows no bounds.”

- Musician/sound designer PROTOVOLT, 2026

MELBOURNE, VIC, AUSTRALIA: Melbourne Instruments is proud to bring Mutable Instruments’ Braids engine — Emilie Gillet’s celebrated open-source macro oscillator — to its desktop NINA analogue polysynth, as of April 30…

Available as a free firmware update, all 45 Braids synthesis models run across NINA’s 12 true polyphonic voices, each shaped by a dedicated overdrive-able analogue filter. Ultimately, users can now layer Braids and analogue VCOs (Voltage Controlled Oscillators) across four multitimbral parts, morph between presets, and sequence everything.

Duly described by Mutable Instruments as a macro oscillator, Braids was a mono Eurorack module: one voice, no internal filter, and no modulation routing. It is now something else entirely on NINA, itself described as the world’s first motorised polysynth. Put it this way: when switching layers, the motorised knobs snap to new positions; morph between patches and they sweep in real time. Meanwhile, modulation routings are all visible on the panel from the moment they are selected. Surely Braids has never been this hands-on.

Digging deeper, each waveform model is shaped by two expressive parameters — Timbre and Color — adapted from the original Braids module. More meaningfully, these controls affect multiple tonal dimensions simultaneously, producing complex, evolving, and musically responsive sounds. Spanning analogue VCO emulation, vowel and formant synthesis, 2-operator FM, physical modelling of strings and wind instruments, wavetable synthesis with smooth interpolation, granular synthesis, and electronic drum simulation, the 45 models evidently elevate NINA to a new level, further cementing itself as a premium analogue polysynth powerhouse for experimental, generative, analogue, and digital synthesis.

Says musician/sound designer James Terris, ending on a high note: “I’ve always described NINA as a beautiful beast — analogue oscillators paired with its super-fat and driven analogue filter make it beastly! But while the existing wavetable oscillator adds a crystal sheen that provides a beauty, the new macro oscillator models expand this tremendously. Indeed, it can go from delicate FM, Karplus-Strong, and even vocal formant textures straight into swarming, stacked super-waves. With this update, it feels like an instant NINA ‘MK-2’!”

Excluding taxes applicable to the territory concerned, NINA is presently priced at $3,299.00 USD in North America; €3,165.00 EUR in the EU; £2,835.00 GBP in the UK; and $3,499.00 USD in Japan, while it is presently priced in Australia at $4,995.00 AU, including GST (Goods and Services Tax) — all via Melbourne Instruments’ growing global network of dealers.

For more in-depth information, please visit the dedicated NINA webpage here: https://www.melbourneinstruments.com/nina

The new NINA MACRO OSC UPDATE firmware is downloadable for free from here: https://www.melbourneinstruments.com/support#nina

Coinciding with the new NINA MACRO OSC UPDATE firmware release, owners of the world’s first motorised polysynth can also download 60 new presets for free from here: https://www.melbourneinstruments.com/presets#nina

Morphor ECHON 6 #1 | Winterdagen

video upload by Winterdagen

"I feel like I'm in synth heaven these days. I was lucky enough to get my hands on the new ECHON 6 from Morphor, which is a gorgeous sounding, super unique synth: a 6 voice polyphonic analogue BBD resonator synthesizer. Yep, that's quite the mouth full. In a nutshell it's one part analogue poly synth, one part analogue BBD chip physical modeling synth.

I've been a big fan of physical modeling kind of synths for some time, and Morphor's take on this concept is the most special one I've come across so far. I know this type of synthesis mostly from either quite complex plugins, or Eurorack stuff such as Rings and Surface. Morphor has managed to take this concept into an analogue desktop format and it's super special. In this little sketch I'm exploring quite typical karplus-strong like plucks, but feeding in some sine wave oscillator, having full ADSR control over the the exciter, and having BBD chips as resonators, makes for a super expressive sound.

Apart from its amazing sound, ECHON 6 is also beautifully built. One of the most sturdy, smooth and well built synths I have ever come across. One of its superpowers is that it also has an absolutely amazing and intuitive modulation section, which I'll tell you more about in some following videos (I've been making a lot!). Thanks so much for letting me explore this beauty, Morphor!

Find out more about ECHON 6 at: https://echon6.com/"

Introducing Osmose CE

video uploads by Expressive E

Playlist:

1. Introducing Osmose CE — Trailer
2. Osmose CE - The New Generation Of MIDI Controllers
3. Osmose CE — Overview
4. Osmose CE — DAW Control with Ableton Live
5. Osmose CE — DAW Control with Cubase
6. Osmose CE — DAW Control with Logic Pro

Osmose CE // A MIDI Keyboard That Feels Alive // Review & Tutorial

video upload by loopop

Press release follows:

CLICK FOR MORE »

Tempest ：アナログの咆哮とリズムの肉体性(2022.03.20) from X

video upload by Suzuki Ryo

"なるリズムマシンを超えた「楽器」としてのTempestの記録です。

OSの不安定さや、アナログ回路ゆえの気難しさはありますが、それすらもねじ伏せて音を紡ぐ瞬間の緊張感がこのアーカイブには宿っています。 特に、フィルターを絞り込んだ時の低域の粘りや、スライダー操作による有機的な音色の変化は、デジタルでは決して再現できない「肉体的な響き」そのものです。

最近、過去のアーカイブをじっくりと聴いてくださる方が増えており、驚きとともに大きな励みになっています。この動画も、そうした音の質感に耳を澄ませてくれる方々へ届くことを願っています。

【人気のアーカイブ動画はこちら】
• 断片的な記憶とProphet X：雨音のデュレイ・グルーヴ

*Beyond a drum machine: A record of the Tempest as a true 'instrument.'*

Despite its notorious OS instability and the inherent temperamental nature of its analog circuitry, there is a distinct tension in this archive—the feeling of wrestling with the machine to weave a sonic narrative.

The visceral 'stickiness' of the low-end when the filters are tightened, and the organic tonal shifts driven by the sliders, produce a raw, physical resonance that digital synthesis can never truly replicate.

I’m surprised and deeply encouraged to see so many people taking the time to explore my past archives recently. I hope this video reaches those who appreciate the subtle, living textures of sound."

Almost Acoustic? PHYSIX for Digitone II by CO5MA

video upload by CO5MA

"PHYSIX — 32 organic pad presets for Elektron Digitone II by CO5MA.
Explore evolving textures inspired by physical modeling synthesis and deep Comb Filter sound design.

👉 Get PHYSIX:
https://co5ma.sellfy.store/p/elektron...

These presets are designed to create rich, expressive, and organic soundscapes. Many sounds feature resonances and subtle friction-like textures, sometimes reminiscent of vibrating strings or acoustic materials.

Perfect for:
• Ambient music
• Film scoring
• Sound design
• Atmospheric compositions

⚠️ No random generation — every preset has been carefully handcrafted with love by CO5MA"

Kurzweil K2061/K2088 Tutorial: Juno-60 Analog Expansion (part 1)

video upload by Kurzweil Music Systems

"In this video, we take a deep dive into the Kurzweil K2061/K2088 and explore creative V.A.S.T. programming inspired by the legendary Juno-60 sound.

This is Part 1 of a two-part series. We’ll build the patch you heard at the beginning completely from scratch, using only a single saw wave as our starting point.

Rather than recreating a vintage synth directly, this patch expands on the Juno’s classic single-oscillator architecture — demonstrating how Kurzweil’s powerful V.A.S.T. synthesis engine can transform a simple waveform into something far deeper and more expressive.

In this episode, you’ll see how to:
• Design a full synth patch from a single oscillator
• Shape tone using VAST DSP architecture
• Create movement and depth with Kurzweil FX
• Use physical controllers to add expression and performance dynamics
• Push beyond traditional analog limitations while preserving classic character

The goal is simple: show just how much is possible with one waveform, thoughtful programming, and the immense flexibility of VAST.

Featuring Kurzweil Artist Kash Iyengar.
https://kurzweil.com/2019/11/19/kashy...

Select your preferred language in the subtitles to follow along!

Download the FREE program featured in the video here (Under 'SoundBanks'):
https://kurzweil.com/k2061/#downloads"

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