The Center for Haptic Audio Interaction Research Introduces Analog Waveguide Eurorack Module

video uploads by The Center for Haptic Audio Interaction Research

'The Center for Haptic Audio Interaction Research presents the Analog Waveguide, a Eurorack module for physical modelling synthesis."

"Analog Waveguide is versatile stereo reverberation effect that feeds the signals into a rotation matrix. The matrix can be set to any angle. Its signal path is fully analog, and the delay lines are implemented with bucket brigade delays. The design was described in a concept by Michael Gerzon from 1971, but was only implemented digitally in 2011 by Miller Puckette. Our interpretation re-implements and extends the original concept as an Eurorack module with an analog signal path. The resulting resonator is an analog waveguide for vivid physical modeling sound synthesis . The integrated display shows the two signals in a Cartesian coordinate system. The resulting image visualizes the complex oscillating signal in the resonator. The wide range of forms and movements is mesmerizing to watch and allows for a synaesthetic experience of the instrument. The visual representation of the signal also assists the experienced user to remember and recreate parameter settings for specific sounds."

PERCUSSA INTRODUCES XMX EURORACK MODULE AT SUPERBOOTH 2024

Press release follows:

Los Angeles, CA, May 14th 2024 - PERCUSSA is set to return to Superbooth and is introducing its new eurorack module to the market, the XMX, at Superbooth 2024 in Berlin, this week.

"The XMX is the smaller brother of our succesful SSP (super signal processor) eurorack DSP module, which has found its way into recording studios and live on stage around the world over the past years, enabling eurorack modular synthesists to build compact and powerful systems, for sound design, synthesis, effects processing, recording and live performance", says Bert Schiettecatte, Founder of PERCUSSA.

With the XMX, PERCUSSA aims to make the synthesis and effects modules and features of the SSP available to a wider audience at an affordable price and smaller form factor.

The XMX is available through PERCUSSA's website at an introductory price of $499, starting on May 16th, the first day of Superbooth 2024. PERCUSSA plans to start shipping the XMX in early July. Eurorack dealers wishing to stock the XMX are welcome to contact PERCUSSA for dealer pricing and ordering.

Similarly to the SSP, the XMX combines a number of functions into one module:
* a digital modular synthesizer engine with built in patching system
* a multichannel direct to disk recorder / sampler / playback engine
* a multichannel audio interface via USB
* MIDI-to-CV conversion for USB MIDI controllers
* preset management system

Hardware wise, the XMX has the following specs:
* 28 HP width, less than 30mm deep
* ~500mA @ 12V, ~100mA @ -12V, no 5V supply needed
* aluminium CNC machined and anodized front panel
* 4 aluminium knobs/encoders with push button feature
* 8 audio/CV/trigger inputs, +/-5V
* 2 audio/CV/trigger outputs, +/-5V
* stereo headphone output with analog volume control
* all I/O 24bit resolution and 48/96kHz sample rate
* 10 function keys with soft touch and silent action
* 2.4inch full colour IPS wide angle/visibility display
* quad core ARM Cortex A35 CPU @ 1.3GHz running Linux (64-bit)
* USB 2.0 Host and Device ports for MIDI (including MPE) controllers and multichannel USB audio
* microSD card slot
* expansion connector w/ I2C port

The XMX ships with nearly all of the SSP's factory modules, including:
* 3D wavetable oscillator
* stereo reverb
* simple and stereo delay
* granular
* 8 channel sample player
* step sequencer
* arpeggiator
* quad virtual analog (SVF) filter with HP/BP/LP/PK/NT outputs
* comb filter
* physical modelling drum/membrane
* signal switcher
* quad VCA
* bit crusher
* macro module
* envelope generator
* quad envelope follower
* bus
* USB midi input w/ MPE support
* LFO and audio rate square/sawtooth/triangle/sine oscillators
* input and output including USB audio channels
* variable frequency noise generator
* microtonal quantizer
* DC voltage generator
* waveshaper

The XMX uses the same preset format as the SSP. Users can build and save patches on the XMX and exchange patches with SSP users.

The XMX comes with a fast microSD card and factory firmware and boots from microSD similarly to the SSP. The XMX allows the user to build patches including multiple instances of the above modules in any combination. The XMX runs the same software as the SSP, with an improved and simplified patching system.

The XMX supports the same open source plugin SDK as available for the SSP, which 3rd party developers can use to develop their own plugins. The XMX is a linux platform and just like the SSP, also supports development of standalone software which can replace the factory firmware.

Additionally, The Technobear, one of PERCUSSA's active community members and SSP users, has developed an alternative firmware for the XMX called Trax, which he plans to release over the coming months. He has also adapted his popular plugins for the SSP, to run on the XMX, and will be presenting his work in a video to be released during Superbooth.

With the XMX, PERCUSSA brings the power of the SSP to a wider audience, in a smaller form factor and an affordable price point. Come by the PERCUSSA booth at Superbooth 2024 for a personal explanation and demo from Bert Schiettecatte, Founder of Percussa.

***

KORG Advances Development of Acoustic Synthesis_phase8

You can find demos of KORG's Acoustic Synthesis_phase8 from last year's SUPERBOOTH in previous posts here.

via KORG:

"Acoustic Synthesis_phase8 is KORG Berlin’s latest development prototype that showcases the new Acoustic Synthesis technology.

What is Acoustic Synthesis_phase8

- It’s an acoustic instrument that is part melodic synthesizer, part drum machine
- 8 independent electromechanical voices
- Sequencer with polyrhythmic shifting
- Waveshaping, Tremolo and EG control
- Replaceable and tunable resonators
- Mechanical sound shaping possibilities

What is Acoustic Synthesis?

Acoustic Synthesis unites the sonic richness of real physically vibrating bodies with electronic control.

Why is it special?

Think the strings of a guitar, keys of a xylophone or the air in a flute; embedded into electronic synthesis. Our efforts merge the physical world with electronics to make instruments that act and feel alive.

Displayed at: Superbooth 2024 KORG Berlin Booth (Z440)"

The Lab Report Episode 3: Hands-On Sound

video upload by Pittsburgh Modular Synthesizers

"This Lab Report explores the touch controller of the Voltage Lab 2.

The Pittsburgh Modular Voltage Lab 2 is a cutting edge synthesis laboratory that offers a new palette of analog textures and waveforms to sonic researchers. Newly developed wave shaping capabilities paired with powerful synthesis tools, and a deep, performance oriented controller join together to create a complete sound design laboratory. This instrument has a very physical sound. The tones it creates feel natural and alive, with traditional waveforms becoming the seeds of unique new shapes and sounds that shift between analog physical modeling and more unfamiliar, abstract timbres."

The Lab Report Episode 2: New Waves

video upload by Pittsburgh Modular Synthesizers

"This Lab Report explores the waveshapers of the Voltage Lab 2.

The Pittsburgh Modular Voltage Lab 2 is a cutting edge synthesis laboratory that offers a new palette of analog textures and waveforms to sonic researchers. Newly developed wave shaping capabilities paired with powerful synthesis tools, and a deep, performance oriented controller join together to create a complete sound design laboratory. This instrument has a very physical sound. The tones it creates feel natural and alive, with traditional waveforms becoming the seeds of unique new shapes and sounds that shift between analog physical modeling and more unfamiliar, abstract timbres."

The Lab Report Episode 1: Building on the Past

video upload by Pittsburgh Modular Synthesizers

"This Lab Report explores the original Voltage Research Laboratory along with the upcoming Voltage Lab 2.

The Pittsburgh Modular Voltage Lab 2 is a cutting edge synthesis laboratory that offers a new palette of analog textures and waveforms to sonic researchers. Newly developed wave shaping capabilities paired with powerful synthesis tools, and a deep, performance oriented controller join together to create a complete sound design laboratory. This instrument has a very physical sound. The tones it creates feel natural and alive, with traditional waveforms becoming the seeds of unique new shapes and sounds that shift between analog physical modeling and more unfamiliar, abstract timbres."

Tela – Modal Synthesizer

video upload by Fors

Tela – Walkthrough

video upload by Fors

https://fors.fm/tela

"Tela orchestrates a vast array of resonant peaks, intertwined to form a critical mass of sound. It models nothing – it's a synthesizer for the here and now, to discover and create anew.

In a careful balance of depth and immediacy, Tela explores the inherent character and capabilities of modal synthesis. Like a practical joke, Tela bends a myriad of partials into perfect symmetrical waveforms only for them to dissolve into otherworldly timbres and textures mere seconds later. There are no rules.

Modal synthesis
Imagine hitting a thin piece of metal, a piece of glass or the membrane of a drum– the material vibrates and rings out with its inherent timbre, affected by the motion of the impact and the strength of the hit. This is the basis of what modal synthesis recreates.

CLICK FOR MORE »

Kaivo: Gate Module Overview

video upload by Madrona Labs

"Kaivo is a software instrument combining two powerful synthesis techniques (physical modeling and granular synthesis) in an easy-to-use semi-modular package. It’s laid out a bit like an acoustic instrument; the GRANULATOR module acts like the player’s touch, exciting one or more tuned objects (here, the RESONATOR module, based on physical models of resonant objects) that come together in a central resonating body (the BODY module, also physics-based)."

4/4/24 (swarm) Gieskes Klok & No Drum + Zerosum Inertia PLXNA2 + OAM Uncertainty + Lexicon PCM 70

video upload by Cfpp0

"Butterflies, bats, 16mm swarm: Gieskes Klok modulates itself and No Drum and Olivia Artz Modular Uncertainty, which modulates No Drum, while Klok gates No Drum."

You cand find additional Gieskes Kok module posts here.

This appears to be the first post to feature Olivia Artz Modular. Details on their modules follow via Perfect Circuit and Noisebug.

"Uncertainty from Olivia Artz Modular is a 2hp coin toss module; it is open source, with new, user-swappable firmware being developed. So, it will continue to grow and offer new functionality!

In the standard firmware, the top input accepts gates, triggers, or any signal between -5V and +5V. Based on whether the input is positive or negative, it uses two different types of logic to produce gates at the corresponding eight outputs. If the input is above +1V, then the module does eight differently-weighted "coin tosses"—one for each output. If the outcome of the toss is "heads," a +5V signal is output for as long as the input stays above 1V. If the input signal is -1V or lower, a slightly different coin toss algorithm is used, where the outputs are paired—if the result of the toss is "heads," the upper output of the pair in question sends out a signal, and if it's "tails," the lower outputs sends out a signal.

Alternate firmwares are available for free, and loading them is as easy as plugging in your module via the rear PCB USB connection, dragging on a file, and you're done. The first new official firmware is a VU meter—with the panel LEDs displaying the current voltage level, and each LED getting a dedicated gate output—somewhat like a multi-window comparator! Olivia Artz's Uncertainty module is a great way to add chance operations to your rack without sacrificing space.

UNCERTAINTY FEATURES

2HP chance module with alternate firmwares available
Default firmware uses two distinct coin toss algorithms to convert incoming bipolar signals into eight streams of outgoing gates
Open source
One CV input with 10-bit resolution
Eight gate outputs"

CLICK FOR MORE »

Introducing Vongon: Replay // Polyphonic Synth & Muti-Mode Arpeggiator

video upload by MAS Distro

Update: new demos added below.

"Join us as we embark on a sonic journey with Replay, a new polyphonic synthesizer and multi-mode arpeggiator from Vongon. First up we test its prowess in the realm of synthwave - spoiler alert: it excels! In the latter half, we delve into the interface and its versatile capabilities complete with an immersive sound exploration, unleashing the arpeggiator and tweaking various parameters for a mesmerizing experience. Video and music production crafted by DeadMidi.

Gear Used:
Vongon Replay Polyphonic Synth/Arpeggiator
Vongon Polyphrase Stereo Echo
Vongon Ultrasheer Stereo Pitch Vibrato & Reverb"

Vongon Replay!

video upload by Fireghosting

"Replay is a six-voice polyphonic synthesiser and a little window into synth heaven. Lush pads, tiny plinks, snappy arpeggios, warbling melodies, resonant filters with midi connectivity and a sleek web interface!"

Vongon Replay Virtual Analog Synth | Overview + Exploration

video upload by Sarah Belle Reid

"A demo and walkthrough of the new polysynth Replay, by Vongon. Replay is a 6-voice polyphonic synthesizer with a compact form factor that takes inspiration from classic poly synths from the 1980s, like the Roland Juno series + the Korg Polysix.

This video includes an overview of what Replay is and how it works, along with a number of sound examples demonstrating Replay on its own and in combination with FX pedals, to create a wide range of sounds from classic synth leads, pads, and arpeggios to more experimental textures and noisy sound worlds."

TIMESTAMPS:
00:00 Intro
02:45 Replay Overview & Tour
17:03 Musical Demo
19:09 Filter Experiments on Replay
23:50 Exploring the Arpeggiator
28:00 Combining Replay with FX

Vongon Replay: This synth rules!

video upload by Matt Lowery

"Today we take the beautiful Replay by Vongon out for a spin and also have a conversation about synthesis basics in honor of my five year synth-a-versary. Vongon really hit it out of the park with this instrument and--whether it's your first synth or your 10th-- there's a lot here to love."

VONGON REPLAY Polyphonic Synth & Arpeggiator | Can I write a synth-pop track with it?!

video upload by Ambient Endeavors

"Man, I just love gear that makes you approach writing differently. That reminds you how fun it can be to find new sounds and feels, explore new ways of composing. And today, the new Vongon Electronics REPLAY is doing that for me - a super fun, approachable, compact polyphonic synth and arpeggiator."

via Perfect Circuit

"The Replay is the first synthesizer offering from boutique pedal designers Vongon, offering a six-voice virtual analog sound engine with multi-mode arpeggiator. Inspired by beloved keyboard synths of the early 80s like the Roland Juno and Korg Polysix, the Replay faithfully delivers warm and lush vintage timbres in a compact package that drips with modern aesthetics and utility. In Replay, Vongon has struck an impressive balance between scope of features, user experience, and overall sound quality. The result is an instrument that sounds wonderfully rich and nostalgia-laden, with an interface that is easy to understand - perfectly approachable for a beginning synthesist, yet deep enough to inspire veteran wigglers to explore the edges of its capabilities.

Replay's front panel is incredibly straightforward, with simple controls for its primary functions conveniently accessible. Additional options are selected via the "secret menu" alt functions. At the heart of Replay's sound engine are multiple selectable waveforms for its primary oscillator, with ramp, square, triangle, and sine modes. Noise amount, pulse width modulation, and LFO pitch modulation offer further timbral manipulations before passing to the four-pole, low-pass filter. Highly resonant and warm, the filter includes modulation depth controls from the primary envelope, keyboard tracking, and the LFO. The VCA features options for maximum amplitude and modulation source. An organic and responsive ADSR envelope and the on-board LFO round out this straightforward voice, with flexible modulation routing options between the main controls and alt functions.

The multimode arpeggiator on the Replay opens up a variety of fun and engaging options for controlling the synthesizer voice. Latch and keyed modes, in addition to the three poly modes available on the alt functions, offer a variety of ways for creating snappy and spiraling arpeggios and fuzzy, morphing pads. Up/Down, order, and random modes provide further ways to organize pitch material. The alt functions allow the LFO to be clocked by the ARP speed, creating rhythmically modulated phrases that are a joy to get lost in.

All in all, the Vongon Replay delivers a premium virtual analog experience that feels streamlined and purpose-built for getting beautiful analog sounds quickly. With plenty of depth in sound color and just the right amount of tricks up its sleeve to keep you immersed in music making rather than menu diving, the Replay is sure to become a go-to instrument for lush pads and other classic synth timbres. Its physical design is beautifully simple, and the responsive feel of its Cherry MX keys invite playful interaction that is hard to put down. Of course, the Replay is a lovely source for running through Vongon pedals, creating an instant synthwave or soundtrack machine paired with an Ultrasheer or Polyphrase. If you're needing a straightforward synth with limitless sonic charm, the Vongon Replay is a wonderful choice.

CLICK FOR MORE »

Kaivo: Granulator Module Overview

video upload by Madrona Labs

"Kaivo is a software instrument combining two powerful synthesis techniques (physical modeling and granular synthesis) in an easy-to-use semi-modular package. It’s laid out a bit like an acoustic instrument; the GRANULATOR module acts like the player’s touch, exciting one or more tuned objects (here, the RESONATOR module, based on physical models of resonant objects) that come together in a central resonating body (the BODY module, also physics-based).

https://madronalabs.com/

Chapters:
00:00 Intro
00:24 Granulator Overview
02:53 Waveform Display Window
03:33 X & Y Sliders
04:59 Source Menu
05:16 Importing into Granulator
06:23 Pitch Control
07:03 Linear and Exponential Inputs
07:21: +/- Input
07:43 Patch Demonstration 1
09:21 Continuity Error Acknowledgment
09:31: Trigger Input
10:14 Follow Button
11:04 Overlap Control
11:49 Sync Button
13:01 Wrap Button
14:14 Patch Demonstration 2
15:40 Noise Button
16:17 Pan Control
16:40 Patch Demonstration 3
16:51 Outro"

Kurzweil Reveals K2061 and K2088 V.A.S.T. Synthesizers

via Kurzweil

"We asked ourselves, what if we could rebuild the legendary K2000 V.A.S.T. synthesizer, but using today’s technology?

Enter the new K20 Series…

Dynamic Variable Architecture Synthesis Technology (V.A.S.T.)
61- note synth action or 88-key fully-weighted hammer action w/ aftertouch
New industrial design with an aluminum+steel enclosure
Resculpted K2000 synth library
Compatible with K2 era libraries
32 layers per program
Customizable algorithms
Flash sample playback, VA, FM and KB3 engines
2 GB of factory sounds
2 GB user sample memory
Versatile FX chains and master FX section
256 voice polyphony
480×272 color screen
16-zone MIDI controller
Over 30 physical controllers per zone including an integrated ribbon
16 Arpeggiators
16 MIDI CC sequencers
16 RIFF generators
More info coming soon!"

And a few pics from NAMM:

CLICK FOR MORE »

Baby Audio ATOMS -Unusual Physical Modelling Synth - Sonic LAB Review

video upload by sonicstate

"We take a look at the brand new Baby Audio ATOMS - a physical modeling synth based on the Mass-Spring concept.
At a basic level: The specific physical model has been turned into an instrument by Silvin Willemsen and Baby Audio. There are masses (usually balls) connected by springs (virtually of course). These are excited by a bowing action and so the masses move and the springs react.

In its simplest form these are sine waves, but with additional parameters thrown in the algorithm they become more complex.

Weird, yes and sonically pretty pleasing when process by the rest of the ATOMS voice architecture - namely, a filter and a reverberator.

What you'll find are atmospheric, organic and certainly unusual sounds that share a common ground. Its an early release, with a couple of missing things - MIDI mapping for instance, but these we suspect will soon be added.

Available now priced at $59 intro offer from https://babyaud.io/atoms"

Sound Examples - Atoms - Baby Audio

video upload by Baby Audio

"Atoms is a physical modeling synthesizer plugin by Baby Audio. In this video you'll hear sound examples of some of the plugin's 250 factory presets.

Get Atoms – Free Trial available: https://babyaud.io/atoms

00:00 Plucks
01:34 Keys
03:37 Pads
06:34 Pulsing
08:13 Leads
09:31 Bass
10:53 Atmospheres"



"Synthesis from the other side
Atoms is a new kind of synth plugin that uses cutting edge physical modeling to generate an endless variety of organic and otherworldly sounds. Use it to build rich and alive textures the world hasn’t heard before.

COMPLEX PHYSICS IN A SIMPLE PACKAGE
Physical modeling simulates the behavior of real life instruments. But Atoms takes you beyond what’s possible in the natural world. Its features are deep enough to explore the outer bounds of sound design, yet so simple that you can easily mangle, shape and create.

Atoms is powered by a simulation of interconnected masses and springs with tweakable properties and dimensions. The model is triggered by a virtual bowing action that excites the system and makes it vibrate to generate sound.

A LIVING ORGANISM
Nothing in the natural world is ever truly static. Physical modeling mimics this by generating sounds with the same organic fluctuations as acoustic instruments.

Atoms takes it even further. Its six main parameters can be automated with a selection of powerful motion options to add extra life. This lets you create soundscapes that are constantly shifting and re-generating, like a natural organism.

If you’re used to working with sample libraries, Atoms will bring a new level of otherworldly realism into your tracks.

PROGRAM NEW PATCHES WITH A CLICK
Atoms comes equipped with a powerful randomization engine. It’s a musically calibrated algorithm that selectively adjusts each parameter based on its relationship to the others, giving you usable patches with every roll of the dice.

You can narrow the algorithm further by limiting the random ranges for any knob or locking parameters from changing.

Finally, the Recycle button is a second randomizer that will create new patches similar to the current patch. Once you have a sound you like, click recycle to explore related options.

PHYSICALLY MODELED EFFECTS
The bottom panel gives you a range of creative effects to further sculpt your sound. You can also choose between four sonic profiles, each offering a different structure of the mass-spring network simulation.

With the exception of Space (reverb), all effects in the bottom panel are created inside the physical model itself. This gives you a range of unique modulation effects that are an inherent part of the physical model and sound more natural than any separate FX chain ever would."

Bll instruments Elyra w/ KODAMO Based Synth Engine

video uploads by Bll instruments

From the makers of the BLL SHORT - Controller Box for Novation Circuit

"Elyra is a new instrument, a crossover between a Synth and a Guitar or a Bass."

via Bll instruments

"A MODERN SYNTH PLAYED LIKE A GUITAR OR A BASS

Elyra is played with the typical gestures of playing guitar and bass and all the energy that comes from it. You play with your whole body.

There are two strumming aera for strings, one dedicated to back and forth and another dedicated to bass and arpeggios.

Elyra is designed to be played by both righ-handed and left-handed people.

You can also play it placed on a table or on your knees like a groove box.

A POWERFUL AND UNIQUE COMPOSITION TOOL

With up to 16 voices polyphony, spread across 16 instruments/layers and with is powerful sequencer , Elyra is more than a groovebox, it is a composition tool.

You can have one instrument with 16 voices or 16 instruments with one voice and everything in between.

Because Elyra is battery powered, you can carry it anywhere with you and play for several hours.

You can play and sequence all your other instruments via MIDI port.

A SOUND ENGINE MADE FOR US BY KODAMO

At the core of Elyra there is a powerful and beautiful sound engine created for us by Kodamo.

It is a virtual analog engine based on substractive synthesis with just enough FM synthesis to offer a vast sound territory.

It has many parameters to sculpt and create a unique sound.




RAISED TOUCH BUTTONS

All Elyra buttons are touch sensitive pads made up of a slightly raised area allowing the user to feel physical feedback.

This is capacitive sensor technology which offers an extremely fast response time of 2 ms.

There are 5 distinct areas on the main panel:

the fretboard composed of 4 * 12 pads

the strumming area separated into two type, A and B

two assignable slider

an OLED screen with its wheel and its 8 contextual buttons"

Note Elyra supports both Guitar and Key modes. See https://bllinstruments.com for additional info.

CLICK FOR MORE »

New Groc Granular Hardware Synth from Oddment Audio

video uploads by oddment audio

Playlist: 1. Groc granular synth - modulating fun

Here we have simple note sustain while modulating grain bandwidth, overlap, placement (in stereo field), distortion drive and filter cutoff frequency. Oh, and our first reveal of the delay unit!

2. Violin and ambience with Groc granular synth

Here we are editing sample loop points, ADSR envelope and Groc's unique "time path" to create lush sustains from a short violin clip.

3. cool fall day + warm groc tones

walking on a cool fall day, accompanied by warm tones produced by groc granular synth

4. Groc - LED sequence with spatial sound

This video shows the first testing of the groc interface board, and includes the first audio demonstrations of spatial sound overlaid. Headphones recommended!

5. Groc Demo - Grain parameters

First demo of groc's grain parameters with a guitar loop as audio sample.

"Sculpt sound. Modulate everything. Do you groc?

Stunning, yes.

Slim, yes.

Powerhouse, also yes.
quad core 64-bit ARM processor
1GB RAM, 4GB of user storage
vivid DSI touch screen
cutting edge signal processing
fits in a bread box

Not like the others.

Groc demonstrates that a compact form can deliver unparalleled functionality. Access dozens of parameters in the custom granular synthesis engine with 4 grains encoders. Achieve one-of-a-kind manipulations of playback speed, shape multiple envelopes, edit audio sample crop and loop points, adjust 4 LFOs, 3 macros and morph between patches with just 8 more encoders. Add in an entire world of effects, accessed with just 4 more.
The large and vivid touch screen provides rich information and beautiful visualizations of your sounds, and enables deep functionality within just a touch or two. Is this where we mention the placard at Oddment HQ that reads, “Down with menu diving!”?

Patch without limits.

Every parameter on groc is a modulation destination, and connecting modulation sources is as easy as plugging in a patch cable (w/o the need to search in your closet).

To go with its myriad destinations, groc has a bounty of modulation sources: 4 LFOs, 4 envelopes, MIDI velocity, key tracking, polyphonic after touch and all the rest.
In the event you were hoping to use a physical patch cable, yes, you can use groc’s modulation sources to wiggle analog voltages via the 4 control outputs. Or configure them as inputs to control any of groc’s parameters with CV from your other gear, a sustain pedal or you name it.

Did you want to sequence a parameter, or draw a custom modulation curve on the touch screen? That seems reasonable and groc will support you. Do you want to connect a dozen or more modulation sources to the same parameter? That is far less reasonable, but that’s just, like, our opinion."

Learn more about Groc and Oddment Audio: www.oddmentaudio.com

KORG Introduces Nu:Tekt NTS-1 mkII digital kit

video upload by Korg

"Experience hands-on, fun music-making with this DIY, easy-to-assemble synthesizer and effects generator. The compact and incredibly powerful NTS-1 mkII now offers an array of new features: refreshed interface, more customization options, new keyboard, built-in sequencer, fresh sounds, expanded MIDI capabilities all in the palm of your hand. (Tool included, no soldering needed)."

CLICK FOR MORE »

KORG Introduces The New microKORG - A New Origin

video upload by Korg

The microKORG 2, 8 voice synth and vocoder engine. 4 voice in dual/layered mode.

"The microKORG, one of the most iconic and recognizable synths in the history of music, revolutionized the music world with its unique form factor and unmistakable sounds, making it an industry standard for musicians everywhere. Renowned and loved by musicians, sound engineers, producers and gadget buffs everywhere, the microKORG has now evolved to a more powerful, more flexible and richer level - the new microKORG.

While retaining some of the iconic aspects of the original , including the convenient portable size, easy to play mini keybed, the large dial for selecting program genres or the vocoder with dedicated mic, the new microKORG offers a completely new, powerful sound engine, many more useable programs, a visually astounding user interface, and so much more."

CLICK FOR MORE »

SONICWARE Introduces LIVEN "MEGA SYNTHESIS"

video upload by SONICWARE

Yuzo Koshiro Preset Patterns on LIVEN "MEGA SYNTHESIS"

video upload by SONICWARE



via SONICWARE

Fully Recreate the Legendary Sound of the World's First 16-bit Video Game Console from the Late '80s

You too must have fallen under the spell of the extraordinary visuals and sounds of the groundbreaking 16-bit video game console that once dominated the world! It was powered by the iconic YM2612 sound chip, a legacy that endures even today.

The MEGA SYNTHESIS has resurrected the sound engine of this chip. We've faithfully recreated the 4-operator & 8-algorithm FM sound module, the 8-bit PCM sound module, and the "SN76489" PSG (Programmable Sound Generator) sound module used by the original console.

CLICK FOR MORE »

Kaivo: Envelope Modules Overview

video upload by Madrona Labs

"Overview of Kaivo's Envelope Modules

Kaivo is a software instrument combining two powerful synthesis techniques (physical modeling and granular synthesis) in an easy-to-use semi-modular package. It’s laid out a bit like an acoustic instrument; the GRANULATOR module acts like the player’s touch, exciting one or more tuned objects (here, the RESONATOR module, based on physical models of resonant objects) that come together in a central resonating body (the BODY module, also physics-based).

https://madronalabs.com/

Chapters
00:00 Intro
00:20 Kaivo's Envelopes Explained
00:50 Envelope 1 Overview
01:10 Envelope 2 Overview
02:11 X Velocity
04:05 Envelope Graphs
04:46 Envelope 2 Hold
05:42 Envelope 2 Repeat
07:24 Envelope 2 X Env 1
08:27 Envelope 2 Delay
09:55 Patch Demonstration
10:57 Outro"

Kaivo Noise Module Overview

video upload by Madrona Labs

"Overview of Kaivo's Noise Module

Kaivo is a software instrument combining two powerful synthesis techniques (physical modeling and granular synthesis) in an easy-to-use semi-modular package. It’s laid out a bit like an acoustic instrument; the GRANULATOR module acts like the player’s touch, exciting one or more tuned objects (here, the RESONATOR module, based on physical models of resonant objects) that come together in a central resonating body (the BODY module, also physics-based).

https://madronalabs.com/

Chapters
00:00 Intro
00:13 Module Overview
01:39 Output Distribution & Width Control
02:58 Peaks Control
03:58 Falloff Control
04:23 Ramp Function
05:33 Output Control
06:00 Auto Switch
06:30 Modulation Inputs"