100 Oberheim Expander/Matrix12 single FX patches by Arthur Springer

video upload by Really Nice Audio

"So whilst on soak test I came across this crazy bank:
Notes from the .txt
ART SPRINGER STRIKES AGAIN (free)
Reviewed by Mike Metlay

All right, gang, I know what you're expecting in this space, so I'll oblige you and get it over with. Ready? Here goes: "WAHOOLAZUMA! Everybody's favorite twisted puppy is back from the audio torture chamber, and he's brewed up the most brain-slashing package of monstrous elektronoyze EVER! This stuff's great for warping your brain patterns, killing your cat, etc..."

Okay. Happy now? Good, now let's get serious. I heard from Art recently that he didn't get a terribly good response to his first mailing, and that few, if any, XUG members looked him up for his second set of patches

He seemed in a pretty good humor about it, but I couldn't help wondering if my presentation of his patch set didn't scare a lot of people away just by the wording. So, with a new patch set from Art (more diverse than the first two) in hand, I'd like to try again.

One of the most unhealthy trends I see in today's patch-editing software is the patch randomizer, that cute but overused utility that generates random patches at the click of a mouse. Literally thousands of these random patches are being sold by unscrupulous hackers as "original sounds," and a whole new generation of MIDI morons is springing up (pardon the pun) whose idea of "good programming chops" is the ability to tweak a randomly generated sound into something that (almost) works. No program of this type exists yet for the xpander, and I'm glad of it: the lack of computer-generated garbage on the market forces the user community to seek one another for new ideas, rather than some electronic I Ching. We come together in this Group to share ideas and learn from one another and I believe that studying another human being's work beats watching a computer coughing up random numbers. Which brings us to the music of Art Springer.

In my opinion, these patches are important. VERY important. I get so enthused about Art's work because I see in him a reflection of my college days, when I puttered about with ARP and Buchla modular monsters creating sounds for the sheer joy of it, putting together tonalities never before heard on Earth rather than trying to make a realistic shakuhachi. This was, and often still is, the meat and potatoes of electronic music to me. And when I hear Art telling me that people- Xpander users!-are returning his work because it's "too weird," I know something's wrong. The Xpander isn't a sampler or a digital piano. It's not an imitative instrument by nature. It's a powerful, multiply interfaceable modular synthesizer with a great deal of flexibility. Art Springer takes a stance on its use that no other Group member has had the courage to try: using its Power as a CV percussion device to enhance the sounds of his more traditionally oriented synths. (By the way, Lionel and I are big fans of his music ... it's not as inaccessible as you might think, and the odd tonalities make his dance pieces a lot of fun.) This is a new idea to a lot of you, and I don't blame you for being frightened. But it's better to learn from someone whose ideas differ from yours than to convince a computer to feed you something safe. I'd like to suggest something simple to start with: get one of Art's sound sets, trigger your Xpander with your drumbox, and try writing music with these sounds as part of the atmosphere rather than conventional drum noises. Or do something completely different. The important thing is to try to expand (hm) your horizons to something new. These sounds of Art's do take getting used to, but I think you'll learn a lot from them. Trust me."

VOID9 MÕNAI

via VOID9

"MÕNAI is a standalone portable multitimbral synthesizer that goes wherever your creativity takes you. The integrated battery eliminates the need for power outlets, while the compact form factor fits comfortably in a backpack. Whether you’re sketching ideas on location or performing on stage, MÕNAI delivers comprehensive synthesis capabilities without compromise.

Planned beta version release: Summer 2026

Every control on MÕNAI is positioned for intuitive access. The 8 endless encoders provide tactile feedback without physical limits, letting you sweep through parameters naturally. Touch-sensitive strips respond to the subtlest gestures – the left strip dedicated to modulation, the right offering multi-touch control across 20cm of expressive surface. The 2-axis joystick adds another dimension of real-time control.

MÕNAI integrates seamlessly into existing setups. USB Host port accepts MIDI controllers, expanding your playing surface. Standard MIDI I/O connects to legacy gear. Four CV outputs – pitch, modulation, velocity, and gate – bridge the gap to modular systems. Line-level audio input lets you process external sources through MÕNAI’s effects. This isn’t an isolated instrument; it’s a hub that enhances your existing workflow.

A Tool for Sonic Exploration
MÕNAI encourages experimentation. The two built-in microphones capture audio for immediate processing or sampling. The pedal input adds hands-free control. The combination of traditional keyboard layout and function keys provides both familiar territory and new possibilities. This is an instrument that rewards curiosity – the more you explore, the more it reveals.

The CNC-machined aluminum enclosure isn’t just aesthetically refined – it’s engineered for durability. Sandblasted and anodized in matte black, the body resists wear while maintaining a professional appearance. The integrated battery means you’re not tethered to power outlets. Whether you’re sketching ideas on a train, performing in a park, or working in a studio without available outlets, MÕNAI adapts to your environment rather than constraining it.

The workflow is immediate. Controls are positioned for intuitive access, with visual feedback from 109 LEDs across the interface. The high-resolution display renders waveforms and parameters clearly. Multiple synthesis engines can run simultaneously, each with dedicated effects and modulation routing. Sequencers maintains precise timing whether you’re working with internal sounds or triggering external gear."

User Interface
52 keys
29 piano keyboard layout keys (2 octaves and 1/3)
23 function keys
8 endless potentiometers
2 touch-sensitive strips
Modulation (left, 8cm)
Multi-function (right, 20cm)
2-axis joystick for expression parameter control
6-axis motion sensor
Volume control knob with audio level indicator strip (stereo)
High-resolution 3.1″ LCD screen
Total of 109 LEDs: 88 RGB and 21 single-color LEDs
2 microphones for audio recording
1 USB port for battery charging and computer connection
1 USB Host port for device connection (e.g., MIDI keyboard)
Line-level audio input
2 x audio outputs
3.5mm TRS MIDI input and output
Pedal input
Sync out / in
CV outputs
CV Pitch
CV Modulation
CV Velocity
CV Gate
Dimensions: 36.5 x 12.3 x 18.7 cm

Roland Future Design Lab and Neutone Introduce Project LYDIA

Press release follows:

A Technology Preview Exploring AI, DIY Culture, and the Future of Music Creation

Los Angeles, November 11, 2025 — Roland Future Design Lab, the advanced technologies research group of Roland Corporation, announces Project LYDIA, an audio processing platform preview created in collaboration with Neutone, developers of next-generation AI tools for musicians and artists. Project LYDIA merges Neutone’s trainable AI software with Roland’s hardware expertise, using a Raspberry Pi 5 single-board computer to deliver a compact, stage-ready prototype that reimagines DIY innovation for a new generation.

Bridging AI and DIY Creativity
Roland’s legacy in DIY music creation began in 1981 with AMDEK (Analog Music Digital Electronic Kits), a line of build-it-yourself kits that encouraged musicians to experiment with technology. Today, Roland Future Design Lab revisits that spirit, asking how modern creators can explore sound through emerging AI tools.

AI for Sound Discovery and Exploration
Powered by Neutone’s Morpho technology, Project LYDIA, named after DIY and AI, uses “neural sampling” to learn the tonal qualities of any sound and apply it to another in real time, with the sonic results ranging from highly musical to exotic and surprising. The current Project LYDIA mockup houses a Raspberry Pi 5 computer running Neutone’s special version of Morpho alongside Roland’s latest ideas for a simple, tactile control panel. Audio I/O is currently managed via a USB-connected Roland Rubix interface, with future iterations aiming to fully integrate I/O for a completely self-contained device.


AI Innovation at Roland
Project LYDIA builds on Roland’s growing exploration of AI as a creative partner for musicians. In 2024, Roland and Universal Music Group (UMG) jointly introduced the Principles for Music Creation with AI, a framework outlining shared commitments to ethical and artist-centered innovation.
“Roland has taken a leadership role globally in practicing responsible development with AI for music creation,” said Paul McCabe, Senior Vice President of Research and Innovation at Roland. “Part of being responsible is getting input from creators on what they find useful, helpful, or inspiring, and what ideas may not be welcome in their workflows. Releasing Project LYDIA as a technology preview allows us to demonstrate possibilities, seek community input, optimize, and improve.”

Shaping the Future Together
Project LYDIA debuted at the Audio Developer Conference taking place November 10 through November 12 in Bristol, UK, inviting feedback from the creative community to guide future research in AI-driven music tools. Musicians and makers can share their thoughts and ideas via a short survey here.

To learn more about the inspiration and technology behind Project LYDIA, visit Roland’s feature story on Roland Future Design Lab.

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Computer Creates 2hrs of Ambience

video upload by Saß

"Enjoy the angelic ambient drones of the Destiny+ Programma900. Use the sounds of this synth to meditate and calm yourself, enjoying hours of relaxation and comfort. Let the reverb wash you away as the harmonics take you deeper into soul-searching; who knew mathematics and experimental audio signaling could sound so good. I hope you enjoy this different style of video, let me know in the comments if you do!"

Deft Audio Luma 1 Drum Computer

Note: links to listings are affiliate links for which the site may be compensated.

via this Vemia listing

Note: listings are ending today with a handful extended through Sunday.

Click the auction link on top when you get there for additional listings.

"Deft Audio Luma 1 Drum Computer. This is from the first run of 100 units from Deft Audio. Serial number 073. An incredible and faithful reproduction of the Linn LM1 brought back to life by Joe Britt. It has the same DACs and filters, but has a few new features to make life easier such as the ability to load your own samples via USB. Absolutely beautifully built and sounds completely authentic as you would expect from Deft Audio. Also comes with a rather huge protective case that will survive anything."

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Oddment ODD-1 Build Update & Demos

video upload by oddment

Demos

video uploads by oddment

Playlist:
1. ODD-1 Overview: Playheads

For a long time now we have tried to live by the words of the great Michael Bolton from the movie Office Space, "why should I change when he's the one who sucks?" But language evolves, and unfortunately, the word “grok” has taken on associations that are problematic. Oddment has evolved too. Starting from one quirky product idea, in 3 years we have grown and are now ready for manufacturing and fulfillment of this product, with ambition to make it the first among many. So with much consternation, we have decided to drop the name groc. When we thought about a new name, we thought that what we have is a little unusual, perhaps a little outside the norm...you might even call it, the ODD-1. This is the first in a series of videos to show all of the ODD-1's functions in more detail. In this one we show off half of the encoders that control the granular synthesis engine - the PLAYHEADS function. Here you can control the level, starting point, tuning (aka pitch adjustment) and playback speed for up to 4 different granular playheads. The auxiliary functions available on the touch screen introduce random variability in different ways.

2. ODD-1 Overview: Grains

This is the second in a series of videos to show all of the ODD-1's functions in more detail. In this one we show off the second half of encoders that control the granular synthesis engine - the GRAINS function. Here you can control the size, spacing, left-right placement, and grain window shape. Each control also has a related function, introducing grain size variability, spacing jitter, binaural scatter, and a front-back bias for the window shape. The auxiliary functions available on the touch screen control a bandpass filter that can be randomized per grain and adjust whether grain size is regulated in the source sample or in the output signal, which can have a big impact on sound characteristics.

3. ODD-1 Overview: 03 Envelopes & Time Path

This is the third in a series of videos to show all of the ODD-1's functions in more detail. In this one we show off the ENVELOPES function. Here you can control the note amplitude envelope and timing, access 3 envelopes that can be used as modulation sources, and use our unique TIME PATH feature to dynamically adapt the playback speed.

4. ODD-1 Overview 04: Sample

This is the fourth in a series of videos to show all of the ODD-1's functions in more detail. In this one we show off the SAMPLE function. Here you can choose a sample from the factory library or user-uploaded samples, control the playback mode and the section available for granulation, play and hold notes, set loop points and interact with pitch, tempo and channel information of the sample. We also show the auto pitch and tempo alignment features.

5. ODD-1 Overview 05: LFOs, Macros, Patching

This is the fifth in a series of videos to show all of the ODD-1's functions in more detail. In this one we show off the LFOs, Macros and how to create modulation connections. There are 4 LFOs, 3 Envelopes, 4 Macros (assignable knobs), 4 Control inputs and MIDI information that can all act as modulation sources. Any parameter on the device is a parameter destination. Unlimited connections are made by holding down a destination parameter and then pressing or twisting a modulation source.

6. ODD-1 Overview 06: Filters, Saturation, Echoes

This is the sixth in a series of videos to show all of the ODD-1's functions in more detail. In this one we show off the Filters, Saturation and Echoes modules. Two filters and two saturation modules per voice, both with multiple types of processing and modulatable parameters, allow for transformation beyond the granular engine. Two echoes sections with filtering and distortion in the feedback loop and fully modulatable parameters make ODD1 worthwhile just as a modular effects rack!

7. ODD-1 Overview: 07 Layers

This is the seventh in a series of videos to show all of the ODD-1's functions in more detail. In this one we show the dual Layer functionality. Essentially the entire system is duplicated so the ODD-1 is like having a dual modular systems, each with a polyphonic granular engine feeding two filters and two non-linear processors per voice, with 3 envelopes, 1 time path, 4 LFOs, 4 Macros and a independent modulation matrix per layer. In these examples we also remind that granular can easily do subtractive-style synthesis when using a basic waveform as the source sample.

8. ODD-1 Overview 08: Reverb & System

The final video in our eight-part series on the ODD-1's functions focuses on the upper-left row where we have global volume, system-level reverb and can work with banks of patches.

The reverb is a classic matrix-style parametric reverb. Think of it like a whole set of interacting delay units with slowly modulating delay times. Ok now that you have that in mind, that's it, that's what it is. It sounds sweet.

If two layers of modulating, granular goodness with a fantastic reverb on top wasn't enough, how do banks of patches to store every twist and connection sound?

And from their newsletter:

What’s in a name?

For a while now we have tried to live by the words of the great Michael Bolton from the movie Office Space, "why should I change when he's the one who sucks?"

But language evolves, and unfortunately, the word “grok” has taken on associations that are problematic.

Oddment has evolved too. Starting from one quirky product idea, we have grown in three years and are now ready for manufacturing and fulfillment of this product, with ambition to make it the first among many. And with much consternation, we have decided to drop the name groc.

When we thought about a new name, we thought that what we have is a little unusual, perhaps a little outside the norm...you might even call it, the ODD-1.

And we plan to keep that off-beat attitude. We hope that brightly-colored friends, ODD-2 and ODD-3, will be along to join ODD-1 after not too long.

Build Updates

We have a lot of exciting progress to report since the last time I wrote. Hop over to our YouTube channel to check out a build update video and some in-depth functionality demos.

We debugged and fixed several problems with the circuit board including the power-up, line input and output, and noise on the control signal inputs.

We got several bids from contract manufacturers in the U.S. and around the world and selected Soldered, based in the E.U. They came highly recommended, and we think their experience will be a huge asset as we go into production.

We worked with Martyna Alexander to tweak the graphic design of the front and back panel. We are thrilled with the updates, including our new company and product logos.

We have first iterations of our custom firmware, enabling full functionality of the device and full USB connectivity to a host computer.

We have completed first versions of the software that include all audio, MIDI and system functionality we intend to support for the release. After many months of playing and testing we re-organized a few functions to expand both the number of concurrent grain “playheads”, and to support banks of patches intended for convenient switching and management in live performance.

What’s Next?

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Bastl Bitranger With Synapse 4x4 Matrix Keypad / A Rare Combo

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

"One Bitranger with Synapse matrix keypad, original manual and 12 DuPont pin patch cables

Excellent condition, does not include battery or PSU

The bitRanger is a patchable analog logic computer that sculpts sonic worlds ranging from data noise to melodic arpeggios. While being a handheld standalone synth, it is also right at home in the music studio. Extensive connectivity makes it so flexible that it can connect to almost anything: CV control its unique sound, sync it with drum machines and sequencers or use it as an algorithmic CV / GATE pattern generator.

Go nuts! Bit nuts!

The patchbay of the bitRanger is a place for exploration where you can simply connect outputs to inputs to see what happens. This can be done methodically or with complete experimental abandon. Go nuts! Battery Power and a built-in speaker make the bitRanger totally portable. Tweak it’s 4 knobs, 8 switches, and more than 100 patch points in the woods, on the beach, on a train, and in the studio.

Features

LFO clock oscillator for rhythmical modulation

VCO oscillator is synced to the HFO oscillator

4 modes of operation selectable by 2 switches

built-in speaker with volume control

On /Off switch

expansion connector

package includes 3 photo resistors – make your oscillators respond to light by plugging these into the Bend socket

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The Florian Schneider Collection to Be Auctioned at JULIEN*S November 19

Note: links to listings are affiliate links for which the site may be compensated.

via JULIEN*S

"THE FLORIAN SCHNEIDER COLLECTION

Auction to be held at Musician's Hall of Fame & Museum, Nashville, on November 19

An incredible collection of more than 450 artifacts from the life and career of Florian Schneider, co-founder of the pioneer electronic band Kraftwerk."

Pics and videos featuring some of the gear below, and his Lederhosen for good measure (thanks greg!).

Update: the post has been fully updated with all the synth related gear. This may just well be the longest post to be featured on the site. I wanted to capture all the pics for all of the details including notes, scuffs, and of course serial numbers. It's an interesting look into what he used, the condition he keped his gear, in some cases, how he actually used his gear. Note the phonetics on the keys of the Casio CZ-101 and DX-100. Note the Midi Switch Box with a built-in speaker? What's that about? Note the camouflage key strap on the Korg RK-100 Remote Keyboard. Did he pick it out himself or did the keytar just come with it? Note the repeat midi controllers and the MIDI saxaphones. Wind was his primary instrument. You'll find a ton of the acoustic gear he used in the other listings. This is a fascinating insight into both what and how he used his gear.

Side note: there is no affiliate compensation for this post. The note at the top automatically shows for all posts with the Auction label.


Rack Mount Sennheiser VSM-201 Vocoder

Starting Bid $5,000

Estimate $20,000 - $40,000 USD

A late 1970s Sennheiser VSM 201 Vocoder with no serial number from the personal studio and collection of Florian Schneider of Kraftwerk (see images). While it’s said that only a few dozen of these Vocoders were produced, a few examples made it into the hands of forward-thinking musical artists including Herbie Hancock, Daft Punk, and of course, Kraftwerk, who used a VSM-201 like this on their albums Man Machine (1978) and Computerworld (1981). The VSM-201 has an intelligible sound that has not yet been bested by modern gear. Includes power cable. This VSM-201 has been removed from its wooden enclosure (which bears the serial number plate) and modified with a metal rack mount casing, presumably for live use. Requires 240v, IEC power cable not included.

Dimensions: 19 x 9 x 9 inches

Category: Kraftwerk, Equipment

Provenance: PROVENANCE From the Estate of Florian Schneider

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Waldorf Wave - Shadow Edition 16 Voice SN 95380000311

Note: links to listings are affiliate links for which the site may be compensated.


via this Reverb listing

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New Binary Synth Allows You to Play Binary Code Within Any Given File

video upload by Max Alyokhin

This should go without saying, but don't drop any sensitive, private, or personal files.

"Demo: https://bs.stranno.su

Source code and application principle: https://github.com/MaxAlyokhin/binary...

A web-synthesizer that generates sound from the binary code of any files. It can synthesize sound directly in the browser, or be a generator of MIDI messages to external devices or DAWs, turning any file into a score. All the application code is written in Javascript and along with everything you need is packed into a single .html file of about 750kb. The synthesizer doesn't need internet, it can be downloaded and run locally on any device with a browser.

0:00 Speed changes
0:57 Noise/IDM (with Ableton processing)
3:16 IDM (with Ableton processing)
4:39 Drone/Ambient (without any processing, 5 instances)
15:49 Drone/Ambient (without any processing, 2 instances)
20:17 Drone (with Ableton processing)
21:10 Drone/Ambient (with Ableton processing)
24:46 Postminimalism/Aleatoric (MIDI to Ableton virtual synthesizer)
25:31 Glitch (MIDI to Ableton virtual sampler)

On 24:46 is "Composition for prepared file of the own source code", you can listen full here:"

Composition for prepared file of the own source code

video upload by Max Alyokhin

0:00 I
9:35 II
11:51 III
18:24 IV
20:13 V
23:06 VI
26:08 VII

All data on any computer or smartphone is in the form of files. The contents of these files are ultimately just zeros and ones. And these zeros and ones are basically all the same, so we need an interpreter to extract meaning from these texts. Basically, the file format (.mp3, .docx, etc.) is just a pointer to which interpreter we need to pass the text in order to extract meaning from it.

But what if the file format and the interpreter don't match? In the case of musical experimentation, there have been earlier attempts, for example, to "play" a file through an audio editor, which expectedly produced mostly glitch and noise; it might be more interesting from a conceptual than a musical point of view.

We could go further and write our own interpreter that would look at the files without regard to format, use its own "manner of reading" the original zeros and ones, and on that basis provide a complete system for controlled synthesis of sounds.

The tool, called Binary synth, is available at: https://bs.stranno.su.

The application is a web synthesizer that runs in the browser and is written in Javascript. All the application code along with everything needed is packed into a single .html file of about 750kb.

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Yamaha Introduces New MODX M Series of Synthesizers

video uploads by Yamaha Synths Official

Playlist:

1. Yamaha | MODX M | Elevate Expression Everywhere - Official Overview
2. Yamaha | MODX M | Sound Demo - Hear the Future of Expression

"Discover the new Yamaha MODX M Series, a next-generation synthesizer that elevates sound, control, and creativity for musicians everywhere.

Building on the DNA of our flagship MONTAGE M, MODX M delivers expressive performance and a professional workflow in a compact, lightweight design. Built for stage, studio, and beyond.

🎹 Key Features:
• Three powerful engines: AN-X (vintage analog), FM-X (modern digital), AWM2 (realistic acoustic instruments)
• Motion Control Synthesis: Shape sound in real time with the Super Knob, Motion Sequences & Envelope Follower
• High-resolution control: Smooth faders, knobs, and key response for ultimate expression
• Expanded Softsynth Plugin (E.S.P.): A virtual version of MODX M for your DAW (available early 2026)
• Compact, portable design: Perfect for working musicians on the move

🎧 Designed to inspire, wherever your music takes you."


Yamaha MODX M Synthesizer w/ KRAFT Music
video uploads by Kraft Music

Playlist:

1. Yamaha MODX M Synthesizer - Advanced Tutorial with Blake Angelos

Great bundle deals on the Yamaha MODX M music synthesizer:
https://kraftmusic.com/collections/ya...

Blake Angelos from Yamaha visits Kraft Music to present the MODX M music synthesizer.

00:00 Into
00:44 The DNA of flagship Montage M
01:29 Display knobs
02:21 Keyboard hold
03:50 Control matrix
04:36 Page jump
06:05 Sound engine
06:28 CFX piano samples
08:06 Keyboard action
10:12 Scenes and orchestral voices
14:19 Super Knob
17:24 Organs and rotary speaker
21:31 Trailer Toys
22:20 Smart Morph
27:17 Motion sequence
32:37 Computer integration
33:54 ESP plug-in synth
38:54 Signing off

2. Yamaha MODX M Synthesizer - All Playing, No Talking with Blake Angelos

loopop Review: Yamaha MODX M vs MODX+: vs Montage M // Everything you need to know M6/M7/M8

video upload by loopop

"Yamaha has taken the brains in its flagship synth Montage M, and put it in a much less expensive package. Here are the details and comparison to MODX+ and Montage M

Get plenty of multi-samples for it, and my In-Complete Book of Electronic Music Ideas, Tips and Tricks ► Patreon: / loopop"

Here's a timeline of the video:

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Synido Tempokey W25 with Hardware Synths – No Computer Needed! 🎹

video upload by Electronisounds Audio

"SYNIDO TempoKEY W25 MIDI Keyboard：https://amzn.to/46OCQ72 10% Off Code: 10W25ESA
Valid until: Oct 22, 2025 | 23:59 PDT

For European viewers:
synido.com: https://bit.ly/46n3wM3
15% Off Code: W2515

0:00 Intro
0:51 Chord mode
3:03 Finger drumming
3:34 Pad settings
5:15 Knob settings
6:23 Arpeggio settings
8:00 Use with Eurorack
9:05 Bluetooth
9:28 Pros, cons and anomalies
---
SUPPORT creativity and good content▼
WEBSTORE ► https://www.electronisounds.com/
PATREON ► https://www.patreon.com/DeanDaughters"

AKAI Introduces the MPC LIVE III

video uploads by Akai Professional

Note here are 24 vidoes in the playlist above. Use the player controls to skip around.

Check with dealers on the right for price and availability.

Review: MPC Live III vs Live II // What's in the Pro Pack? // Using MPCe & Matrix // Live 3 Tutorial

video upload by loopop

TIMELINE:
0:00 Intro
1:20 vs Live II
2:00 MPCe pads
3:20 Articulations
4:10 Touch strip
5:05 Mic test
5:30 More power
7:00 New features
7:45 I/O
9:25 Content
9:55 Using MPCe
13:00 Drum seq
15:05 Note Seq
16:40 Step edit
17:35 Last step
18:00 Automation
18:35 Other modes
19:45 Macro buttons
22:00 Clip matrix
25:20 Rec to arrange
26:15 Live looping
27:10 Snapshots
28:50 Clip settings
30:35 Sequences
31:00 Super stretch
31:50 New stems
32:30 New FX
33:20 Env follower
34:00 CV tools
35:10 MPC Desktop
35:30 Pros & cons




KEY FEATURES

[NEW] Expressive pads

16 MPCe pads with 3D-sensing technology for flexible music production and expressive performance

CLICK FOR MORE »

The Crow Hill Company Adds Roland CR-78 Based RHYTHM MACHINE to VAULTS

video upload by CROW HILL

"Step back to 1978 and discover the iconic Roland CR-78, the first programmable drum machine that changed the way artists approached rhythm. Before the 808 and modern drum machines, the CR-78 gave musicians the power to create and store their own drum patterns. In the hands of artists like Phil Collins, Peter Gabriel, and Blondie, it became iconic. For this Vault, we’ve preserved the much-loved character of the CR-78 and expanded its sonic potential with some tasteful effects."

https://thecrowhillcompany.com/free/

Press release follows:

The Crow Hill Company creates …RHYTHM MACHINE as latest free VAULTS… VI, preserving vintage classic’s character while expanding its sonic potential

EDINBURGH, UK: The Crow Hill Company is proud to announce availability of VAULTS - RHYTHM MACHINE as its latest VI (Virtual Instrument) release ready for all to download and make music with for free for the rest of their lives — literally preserving Roland’s 1978-vintage CR-78 CompuRhythm’s classic character as the Japanese giant of electronic musical instrument manufacturing’s first programmable drum machine (that changed the way artists approached rhythm and, in doing so, stamped its musical mark on a number of notable hit records that subsequently secured its iconic status in the annals of music technology history for all eternity), effectively expanding its sonic potential with some tasteful effects as a result — as of October 1…

Far from stretching the boundaries of truth, it is fair to say that the introduction of Roland’s CR-78 CompuRhythm changed the course of history as the first computer-controlled programmable drum machine. Most rhythm machines before its late-1978 introduction were preset-only affairs, forcing their users to pick from the likes of ‘Bossa Nova’, ‘Rock’, and ‘Waltz’ — more in keeping with the home organ-orientated terminology of the time. The CR-78, however, offered something new — namely, an ability to program rhythm patterns and store them in memory using the external WS-1 programmer optionally offered by Roland. Indeed, its 14 onboard instruments include bass drum, cymbals, hi-hats, rimshot, snare drum, and tambourine alongside several Latin-type sounds, such as bongos, claves, and cowbell — all generated using analogue circuits, giving it a distinctly warm, punchy character. Thanks to the CR-78’s analogue nature, though, the tempo control is not exactly surgical, but this foible only adds to its charm. And, as history has borne out, when placed in the creative musical hands of Blondie, Phil Collins, Peter Gabriel, and others, it became an iconic instrument in its own right.

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Tracker Mini Silver AE / Hip Hop Demo

video upload by Polyend

"Tracker Mini can send multi-track USB Audio to your computer or phone.

Today, Oct 1st, 2025, is the last day to order the 10th Anniversary Tracker Mini, in either Raw Silver or Mat Black anodized aluminum enclosures - https://polyend.com/tracker-mini-10th...

The standard Tracker Mini includes the same software functionality and workflow - https://polyend.com/tracker-mini/"

Additional Details on UDO's DMNO Keyboard Synthesizer Including Black Model

video upload by UDO Audio

Follow-up to this post. Details follow:

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Synapse Dune 3: 50 Rhythmical Presets. No Talk Sound Demo

video upload by Anton Anru

"🌘 Eclipse Rhythms is a bank of 50 dreamy rhythmical presets for Synapse Audio Dune 3. The main goal was to create atmospheric sounds, somewhat pad-like, but with a rhythmic pattern. This bank focuses primarily on the use of MSEGs
and LFOs to create complex rhythms. You only need to hold down a chord on the keys or
program a MIDI part in your DAW to generate a rich rhythmic pattern.

📦 Get these presets: https://antonanru.sellfy.store/p/dune...
👤 The author of the soundset is skendi (Arseniy Pushkov).

☄️The soundset spans a wide range of tones, from warm, deep and atmospheric textures to clean, punchy, bright and airy timbres.
The sounds include different combinations of oscillators in different modes, such as wavetable and FM, as well as different types of reverbs, delays, distortions, filters, and modulations.

🎛 ModWheel adds expressiveness—brightening the sound, introducing vibrato, or adding extra movement for dynamic performance.

💎 The soundset is suitable for many genres: ambient, electronica, cinematic, retrowave, synthwave, darkwave, IDM, downtempo, pop, chill out, new age, progressive, techno, breaks, jungle, drum and bass, and others. Inspired by Clark, Jon Hopkins, and Arca.

The soundset doesn't include patterns/sequences/chord progressions.
💡 Ensure that you are using the latest software version.
To add presets to the collection, open the plugin Browser, click Menu in the upper left corner, then select Import Folder, and specify the folder on your computer."

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U-He Zebralette Free Presets: Rhythmical Bass, Lead, Pad, FX

video upload by Anton Anru

"🌑 Umbra Rhythms is a collection of 25 softly playful, rhythmically dark presets for U-He Zebralette. It was created by pushing MSEG into musical motion: pulses, off-beats, and micro-swells that turn rhythm into tone.
💽 What you get:
Types: 3 Bells, 5 Basses, 2 FXs, 5 Leads, 2 Pads, 4 Rhythms, 4 Strings.
Mood: soft, game-like, dark-tinged, alive and breathing.
Focus: tempo-aware MSEG shapes that add movement even to long notes.
ModWheel does more than brighten the tone. It can reshape MSEG curves, tilt filters, shift wave symmetry, change rhythm density, or morph the contour. Push it and the sound can flip personality while also getting brighter.

📦 Get these patches: https://antonanru.sellfy.store/p/zebr...
🛎 The pack is free, but any donation is appreciated.
👤 The author of the soundset is usefull (Kirill Tsygankov).

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Bad Gear - Why did they do this???

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world’s most-h*ted audio tools. In a time before Volcas, the Clone Wars and Moog becoming just another specimen in InMusic’s butterfly collection the granddaddy of synth brands brought an instrument to the market that can be considered the blueprint for the music tech landscape to come.

Today we are going to talk about Minitaur. This 2012 analog mono synth and domesticated modern take on the iconic Taurus bass foot pedals of 70s prog rock fame not only comes with the pitch range of a Bob Dylan harmonica solo, it will also keep you glued to your computer screen like their CPU-munching Mariana plugin. Why did they do this?

Chapters:
00:00 Intro tune
01:03 Overview Mini Taur
01:40 The Taurus Legacy, Oscillators
02:19 The Dealbreaker, Moog Sirin
02:56 Ladder Filter
03:24 LFO, Envelopes
03:50 Minitaur App / Editor Software
04:10 Preset Management
04:23 What else? (Connectivity, Thanks, Pricing)
04:42 H*te Screen
05:11 Jam 1 ( Electronica )
05:59 Jam 2 ( Chill Electronica )
07:04 Finale ( Techno Electronica )
07:34 Verdict"

Waldorf Kyra 128-Voice Virtual Analog Desktop Synthesizer SN *19390950023*

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

Additional SYNTH CITY Listings

"The Waldorf Kyra is a powerful, FPGA-based virtual analog desktop synthesizer known for its high-resolution sound, 128-voice polyphony, and 8-part multitimbrality. It features high-resolution oscillators with multiple waveforms, dual multi-mode filters, a robust modulation matrix, and studio-quality effects. The Kyra boasts extensive connectivity with USB audio and MIDI for direct computer integration, four stereo analog audio outputs, and a full-metal, roadworthy chassis with a clear OLED display."

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