MATRIXSYNTH: Search results for audio.computer

Friday, January 16, 2026

KORG Introduces the KAOSS PAD V


video upload by Korg

Korg KAOSS PAD KPV // In-depth review & tutorial

video upload by loopop

Press release follows:


KORG Introduces KAOSS PAD V: A Touch Evolution for Modern Performance and Production

MELVILLE, NY - Korg announces the new KAOSS PAD V, a reimagined evolution of its expressive touch-based effects platform, designed for the way musicians, producers, performers, and content creators work today. Building on the iconic KAOSS approach, the new unit arrives as a powerful real-time sound manipulation tool for vocalists, instrumentalists, producers, and performers delivering an advanced dual-touch control surface with expanded effects and sampling on stage, in the studio, and in streaming environments today by reacting instantly to gestures, shaping sound through intuitive touch interaction, and integrating seamlessly into contemporary setups.
The KAOSS PAD V centers on a redesigned touch interface capable of responding to two simultaneous gestures, allowing users to control paired parameters at once and create evolving textures, layered movement, and dynamic transitions in real time. Filter and delay, pitch and reverb, modulation and feedback, and many other combinations become fluid, tactile musical expressions rather than static settings, helping performances feel more alive and interactive.
Connectivity and integration play a key role in this new generation. KAOSS PAD V supports MIC, LINE, and USB inputs simultaneously, enabling vocals, instruments, and computer audio to blend into a unified performance system. A balanced microphone preamp ensures clean vocal input, while a dedicated high-impedance input allows electric guitars and basses to connect directly without added hardware. An integrated USB audio interface streamlines recording, processing, and streaming, making it equally suited to DAW workflows, livestream setups, and headphone monitoring. A newly designed power circuit and refined audio path support low-noise, stable operation whether used in performance venues, studios, or creative spaces anywhere music is made.

Vocal creativity takes a significant step forward with the new Voice FX engine, providing harmonies, vocoder-style layers, pitch-morphed tonal shaping, and expressive textures applied in real time. The platform even allows users to control external MIDI equipment with their voice, opening distinctive performance possibilities that extend beyond traditional effects processing.
Guitarists and bassists also gain a powerful new performance partner. With direct connection via the dedicated high-impedance input, KAOSS PAD V offers fingertip-controlled ambient swells, rhythmic modulation, time-based glitch elements, atmospheric reverbs, and other expressive textures, all shaped by movement across the pad rather than menu navigation or fixed parameter adjustment.

Sampling and looping are built directly into the creative workflow. Users can capture up to eight bars depending on tempo, overdub layers as they perform, keep precise loop positioning during playback, and keep performances rhythmically grounded through BPM-synced Step Hold operation. Multiple playback and slicing options support creative rearrangement, making KAOSS PAD V a capable tool for remixing, live improvisation, and evolving pattern creation.
Honoring its lineage while expanding its scope, KAOSS PAD V provides access to a curated range of classic KAOSS effects alongside refreshed modern processing, from filters, delays, reverbs, and modulation to advanced voice shaping and contemporary textures. Users can further refine their sound using onboard editing tools, tailoring parameters, creating customized variations, saving personal presets directly to the device, and even adjusting pad-LED color and program behavior to suit their workflow. With 300 total programs available - 200 factory presets and 100 user location - plus support for external SD or SDHC cards, the platform balances immediacy with depth.

Compact, robust, and designed for real-time expression, KAOSS PAD V measures 210 mm wide by 226 mm deep by 49 mm high and weighs approximately 1.3 kg (excluding power supply). It includes RCA line input and output connections, balanced/unbalanced MIC/GUITAR input, headphone output, MIDI In/Out, USB connectivity, and ships with an AC adapter and Quick Start Guide. Operating stability from 0 to +40°C ensures reliability across environments.
With KAOSS PAD V, Korg advances the KAOSS concept into a new era, keeping the immediacy and visual interaction that made the series a staple while deepening control, expanding sonic capability, and aligning the platform with today’s creative demands.
For more information, please visit NAMM Booth #6802 or online at www.korg.com.

Street Price: $649.99 USD

Thursday, January 15, 2026

Melbourne Instruments announces advanced Logic Pro integration for ROTO-CONTROL


video upload by Melbourne Instruments

Roto-Control (Review): A Logic Pro Controller I Actually Want to Use

video upload by Why Logic Pro Rules

"I was skeptical when ‪@melbourneinstruments‬ sent me Roto-Control for Logic Pro. I've owned plenty of MIDI controllers that ended up collecting dust. But after using this for the past month, I actually reach for it.

What makes it different? Eight fully motorized control knobs with haptic feedback that adapt to whatever you're focused on in Logic Pro. You don't just see parameters change on screen - you FEEL them. End stops on a filter cutoff, notches on discrete values, center indents for faders, pans, and more.

In this review, I walk through the Logic Pro integration, the haptic feedback system, and what it's actually like to use day-to-day. I also cover the real limitations - manual plugin mapping and limited storage - that you need to know before buying."

Press release follows:


Melbourne Instruments announces advanced Logic Pro integration for ROTO-CONTROL motorised software and hardware MIDI controller

MELBOURNE, VIC, AUSTRALIA: Melbourne Instruments is proud to announce availability of advanced Logic Pro integration for its ROTO-CONTROL motorised software and hardware MIDI controller — creatively expanding upon its successful integration with Ableton Live and Bitwig Studio, demand for integration with Apple’s popular professional DAW (Digital Audio Workstation) for Mac having been strong since said controller launched to widespread critical acclaim a year ago — as of January 15, 2026…

ROTO-CONTROL readily packs eight touch-sensitive motorised knobs — brushless drone motors with Melbourne Instruments’ patented ultra-high-resolution contactless optical sensors offering a lifetime rating in excess of 50 million cycles that equates to 500 times more than conventional pots, precisely — alongside nine high-resolution IPS (In-Plane Switching) LCDs (Liquid Crystal Displays) and 16 backlit RGB (Red, Green, Blue) LED (Light-Emitting Diode) buttons into its classy, compact — 341mm/13.4” (W) x 112mm/4.4” (D) x 44mm/1.7” (H) — form factor to duly deliver haptic feedback and instant parameter recall, communicating with the outside world via MIDI (Musical Instrument Digital Interface) over USB (Universal Serial Bus) and 5-pin MIDI DIN (Deutsches Institut für Normung) IN/OUT/THRU connections. Constructed out of ABS (Acrylonitrile Butadiene Styrene) and metal, it robustly weighs in at only 715g/1.58lb, making it the perfect portable production partner for encouraging artists to use sound and music in new and exciting ways — wherever their journey might end up taking them, both creatively and geographically. Get this, though: ROTO-CONTROL now introduces a fully-tactile, motorised workflow to Logic Pro, delivering fast, hands-on control of tracks, plug-ins, Smart Controls, and automation — all thanks to a new firmware update.

MIX mode mirrors Logic Pro’s session track names, colours, and order automatically, while providing high-resolution control of volume, pan, sends, and automation alongside instant access to track selection, paging, mute/solo/arm switching, and dedicated TRACK FOCUS.

Fast, powerful plug-in control comes courtesy of PLUGIN mode, allowing users to browse and select Logic Pro instrument and effect plug-ins instantly from ROTO-CONTROL using simple touch-and-learn mapping for any parameter, with up to eight pages of controls per plug-in stored directly on the device ready for any projects, plus bypass/select controls — all mappings being saved on ROTO-CONTROL and usable across all Logic Pro projects on any computer.

Cutting-edge control continues with Logic Pro’s Smart Controls being automatically mapped to ROTO-CONTROL, controlling up to 16 Smart Control parameters instantly — perfect for working with instruments, macros, and MIDI effects, available in both PLUGIN mode and the dedicated SMART mode itself.

And as if all that was not enough to be getting on with, ROTO-CONTROL can be used to customise labels, colours, haptics, and steps for each control, while integrated transport — play, stop, record, cycle, auto-punch, and playhead — controls are all accessible from any mode.

It is fair to say, then, that Logic Pro users owe it to themselves — and, ultimately, their sound and music — to consider making some space in their creative and physical world for ROTO-CONTROL. After all, motorised and morphing controls, instant recall, and intuitive hardware are only the beginning of their journeying.

ROTO-CONTROL is available to buy at its new North American price of $399.00 USD (excluding tax) in the USA and Canada, while its RRP (Recommended Retail Price) in Australia of $619.00 AU (including GST) and MSRP (Manufacturer’s Suggested Retail Price) in the EU of €372.35 EUR (excluding VAT), MSRP in Japan/Asia of $469.00 USD, and MSRP in the UK of £389.00 GBP remains unchanged — all via Melbourne Instruments’ growing global network of dealers here: https://www.melbourneinstruments.com/dealers [check with dealers on the right here on MATRIXSYNTH]

For more in-depth information, please visit the dedicated ROTO-CONTROL webpage here: https://www.melbourneinstruments.com/rotocontrol

The new (3.0.1) firmware update for ROTO-CONTROL with Logic Pro integration is downloadable for free from here: https://www.melbourneinstruments.com/roto

Tuesday, January 13, 2026

Introducing PlayAUDIO2U: The Ultimate Live Performance AUDIO & MIDI Interface from iConnectivity


video upload by iConnectivity

Check with dealers on the right for availability.



Press releae follows:

CALGARY, Alberta – January 13, 2025 – iConnectivity today announces the highly anticipated follow-up to the industry-standard PlayAUDIO1U, the new PlayAUDIO2U. Building on a reputation of made-to-tour live performance solutions, the PlayAUDIO2U sets a new benchmark for professional touring rigs with a powerful 24 balanced XLR output configuration and four pristine, ultra-low noise microphone preamps. The PlayAUDIO2U interface maintains and improves upon iConnectivity's famous redundancy failover protection for touring musicians, production companies, and any live event where failure is not an option.

The PlayAUDIO2U introduces not only an expanded output count of 24 panel-reinforced XLR outs but also integrates versatile new concepts into iConnectivity's PlayAUDIO range. Four pristine, studio-quality inputs are perfect for injecting vocals, guitars, synths, and other instruments for live processing—all while enjoying iConnectivity's famous redundancy protection.

iConnectivity has always been known for robust MIDI integration. The PlayAUDIO2U is the first of iConnectivity's interfaces to feature built-in MIDI control via integrated control buttons on the front panel of the interface, allowing convenient, hands-on control of your performance.

The physical build of the PlayAUDIO2U might be its most revolutionary innovation, combining extensive inputs, outputs, and extreme MIDI connectivity into one rugged 2U rackable enclosure. All I/O ports are specially reinforced to withstand the rigors of daily touring—designed to be plugged directly into stage boxes and house sound systems every day. You can say goodbye to complex, fragile setups. Now building a reliable touring rig is as simple as installing a single PlayAUDIO2U in a rack.

Friday, December 19, 2025

Novation Mininova Ambient with loop station


video upload by Blossom Bisquits

"The Novation MiniNova is a powerful, compact synthesizer known for its surprisingly deep sound engine—the same one found in the larger UltraNova. It is particularly famous for its vocal processing and "Animate" performance buttons.

Here is a breakdown of its key features in English:

Core Sound Engine
Powerful Synth Engine: A versatile engine capable of up to 18-note polyphony and 5 effects per patch.

Oscillators: Features 3 oscillators per voice, including classic analog waveforms, 36 wavetables, and 20 digital waveforms.

Filters: 14 different filter types, including low-pass, high-pass, and band-pass, with various slope settings.

Modulation: 20 modulation slots to link synth modules together, plus 3 LFOs and 6 envelope generators.

Vocal Processing (VocalTune & Vocoder)
VocalTune: Includes a built-in pitch correction effect to achieve that "auto-tuned" vocal sound.

12-band Vocoder: Comes with a dedicated gooseneck microphone to create classic robotic voice effects.

Voice Processor: You can also run external instruments through its filters and effects via the audio input.

Performance Controls
Animate Buttons: 8 backlit "Animate" buttons that allow you to "warp" and trigger modulation in real-time.

Pitch & Mod Wheels: Tactile wheels for expressive playing.

Large Filter Knob: A dedicated, oversized cutoff knob for instant sonic control.

Arpeggiator: A built-in 33-pattern arpeggiator with real-time editing.

Hardware & Connectivity
Mini-Keys: 37 velocity-sensitive mini-keys for a compact footprint.

Patch Storage: Space for 384 onboard patches (256 factory sounds included) and additional storage via computer software.

I/O Ports: * 1/4" Jack output (Stereo)

1/4" Mono input (to process external gear)

Headphone output

MIDI In/Out

USB port (for MIDI and patch management)

XLR input (for the gooseneck mic)"

Thursday, December 04, 2025

CouchJam with Minichord and audio.computer Beat Friend


video upload by Many Small Functions

"I ordered my Beat Friend at SuperBooth 2025 and it arrived a couple of weeks ago. This is the first chance I've really had to sit down with it. I love it-- it's inspiring and can be pretty good to chill with.

The Minichord is also delightful for chilling. I need to get more into the patch editor.

Played live while recording on my phone for lofi excitement."

See the labels below for additional posts.

Monday, November 24, 2025

DIY Minimoog Inspired Synth | A Teensy Powered Tribute


video upload by Moby Pixel

"In this video, we’re building a Teensy-powered synth inspired by the iconic Minimoog Model D, and exploring what made the original design so legendary. We’ll walk through all-the-things: oscillators, mixer, filter, envelopes, hidden features, presets, the Teensy’s USB audio setup, and how Bob Moog’s Minimoog helped shape modern subtractive synthesis.

This is my biggest project to date, and I couldn’t be happier with how it turned out! The Teensy 4.1’s built-in USB audio is sending power, MIDI, and audio over a single cable. What a time to be alive, haha! All code and build files are available on GitHub if you want to make your own. Cheers!

GitHub: https://github.com/NickCulbertson/Min...

A 6-voice polyphonic virtual analog synthesizer built with the Teensy 4.1 microcontroller, inspired by the classic Minimoog. Features comprehensive synthesis with USB audio/MIDI and intuitive menu control.

Key Features:
6-voice polyphony with 3 oscillators per voice (18 total)
6 waveforms per oscillator
Noise shared white/pink noise
24dB Moog-style ladder filter with ADSR envelopes
Independent LFO with pitch/filter/amp targets
Macro knob system - remap filter knobs to LFO controls
USB Audio + MIDI - single cable to computer
20 hardware encoders + LCD for real-time control
20 Presets - 80s Brass, Saw Keys, Bass sounds, Pads, and more
Multiple play modes - Mono, Poly, Legato with glide

Parts List:
Teensy 4.1 – https://www.sparkfun.com/teensy-4-1-w...
Menu Encoder – https://www.amazon.com/Taiss-KY-040-E...
Other Encoders – https://www.aliexpress.us/item/325680...
LCD 2×16 – https://www.amazon.com/Hosyond-Displa...
Knobs – https://www.amazon.com/Taiss-Silver-R...

Chapters:
0:00 The Minimoog
3:00 MiniTeensy Synth Build
6:32 Minimoog & MiniTeensy Designs Explain ed
9:26 Presets Demo
12:25 SUBSCRIBE! (maybe?)

Thanks for Watching!
Nick
Moby Pixel"

Saturday, November 22, 2025

A.I. Experiments: The Infinite Drum Machine


video upload by Google for Developers

"Check out https://g.co/aiexperiments to learn more.

Sounds are complex and vary widely. This experiment uses machine learning to organize thousands of everyday sounds. The computer wasn’t given any descriptions or tags – only the audio. Using a technique called t-SNE, the computer placed similar sounds closer together. You can use the map to explore neighborhoods of similar sounds and even make beats using the drum sequencer. http://g.co/aiexperiments

Built by Kyle McDonald, Manny Tan, Yotam Mann, and friends at Google Creative Lab. Thanks to the London Philharmonia for contributing some sounds to this project. t-SNE animation featured in video by Gene Kogan.

More resources:
https://github.com/lvdmaaten/bhtsne
http://www.philharmonia.co.uk/explore...
http://ml4a.github.io"

This one is in via Ivan Trajkovic aka dejayiwan.

A couple of screenshots for the archives:

Friday, November 21, 2025

Bad Gear - This Time it's PERSONAL


video upload by AudioPilz

"Welcome to Bad Gear, the show about the world’s most-hated audio tools. There is no shortage of synth manufacturers offering costly top-shelf instruments: PolyBrutes, UDOs, all the old stuff but new and even Roland started channeling their inner Teenage Engineering.

Today, however, we are going to talk about Nord Modular. This range of digital high-end modular synths was introduced in 1998 and not only is there no modern successor in sight, they also made it incredibly hard to use the originals properly. This time it’s personal!

Chapters:
00:00 Intro tune
00:56 Overview Nord Modular G1
01:12 The Nord Modular Range
01:17 The Concept, UI, Computer Integration
01:43 The Software Editor Situation
02:00 Freeware Editor ( Byte Order )
02:16 The Modules ( Oscillators, Drums, FM )
02:54 Generative Patches vs. Normal Synth Duties
03:04 Filters
03:40 Modulators
04:08 Using it as a Groovebox ( Clock Generator, Sequencers )
04:43 Effects (or lack thereof)
05:09 Features for Keyboardists
05:26 Even more weird Features
05:44 What else??? (Connectivity, Pricing,...)
06:10 H*te Screen
06:35 Jam 1 ( Techno Groovebox Patch )
07:29 Jam 2 ( Many, Many Patches Jam )
08:34 Finale ( 90s Psytrance )
08:46 VERDICT"

Thursday, November 13, 2025

100 Oberheim Expander/Matrix12 single FX patches by Arthur Springer


video upload by Really Nice Audio

"So whilst on soak test I came across this crazy bank:
Notes from the .txt
ART SPRINGER STRIKES AGAIN (free)
Reviewed by Mike Metlay

All right, gang, I know what you're expecting in this space, so I'll oblige you and get it over with. Ready? Here goes: "WAHOOLAZUMA! Everybody's favorite twisted puppy is back from the audio torture chamber, and he's brewed up the most brain-slashing package of monstrous elektronoyze EVER! This stuff's great for warping your brain patterns, killing your cat, etc..."

Okay. Happy now? Good, now let's get serious. I heard from Art recently that he didn't get a terribly good response to his first mailing, and that few, if any, XUG members looked him up for his second set of patches

He seemed in a pretty good humor about it, but I couldn't help wondering if my presentation of his patch set didn't scare a lot of people away just by the wording. So, with a new patch set from Art (more diverse than the first two) in hand, I'd like to try again.

One of the most unhealthy trends I see in today's patch-editing software is the patch randomizer, that cute but overused utility that generates random patches at the click of a mouse. Literally thousands of these random patches are being sold by unscrupulous hackers as "original sounds," and a whole new generation of MIDI morons is springing up (pardon the pun) whose idea of "good programming chops" is the ability to tweak a randomly generated sound into something that (almost) works. No program of this type exists yet for the xpander, and I'm glad of it: the lack of computer-generated garbage on the market forces the user community to seek one another for new ideas, rather than some electronic I Ching. We come together in this Group to share ideas and learn from one another and I believe that studying another human being's work beats watching a computer coughing up random numbers. Which brings us to the music of Art Springer.

In my opinion, these patches are important. VERY important. I get so enthused about Art's work because I see in him a reflection of my college days, when I puttered about with ARP and Buchla modular monsters creating sounds for the sheer joy of it, putting together tonalities never before heard on Earth rather than trying to make a realistic shakuhachi. This was, and often still is, the meat and potatoes of electronic music to me. And when I hear Art telling me that people- Xpander users!-are returning his work because it's "too weird," I know something's wrong. The Xpander isn't a sampler or a digital piano. It's not an imitative instrument by nature. It's a powerful, multiply interfaceable modular synthesizer with a great deal of flexibility. Art Springer takes a stance on its use that no other Group member has had the courage to try: using its Power as a CV percussion device to enhance the sounds of his more traditionally oriented synths. (By the way, Lionel and I are big fans of his music ... it's not as inaccessible as you might think, and the odd tonalities make his dance pieces a lot of fun.) This is a new idea to a lot of you, and I don't blame you for being frightened. But it's better to learn from someone whose ideas differ from yours than to convince a computer to feed you something safe. I'd like to suggest something simple to start with: get one of Art's sound sets, trigger your Xpander with your drumbox, and try writing music with these sounds as part of the atmosphere rather than conventional drum noises. Or do something completely different. The important thing is to try to expand (hm) your horizons to something new. These sounds of Art's do take getting used to, but I think you'll learn a lot from them. Trust me."

VOID9 MÕNAI



via VOID9

"MÕNAI is a standalone portable multitimbral synthesizer that goes wherever your creativity takes you. The integrated battery eliminates the need for power outlets, while the compact form factor fits comfortably in a backpack. Whether you’re sketching ideas on location or performing on stage, MÕNAI delivers comprehensive synthesis capabilities without compromise.

Planned beta version release: Summer 2026

Every control on MÕNAI is positioned for intuitive access. The 8 endless encoders provide tactile feedback without physical limits, letting you sweep through parameters naturally. Touch-sensitive strips respond to the subtlest gestures – the left strip dedicated to modulation, the right offering multi-touch control across 20cm of expressive surface. The 2-axis joystick adds another dimension of real-time control.

MÕNAI integrates seamlessly into existing setups. USB Host port accepts MIDI controllers, expanding your playing surface. Standard MIDI I/O connects to legacy gear. Four CV outputs – pitch, modulation, velocity, and gate – bridge the gap to modular systems. Line-level audio input lets you process external sources through MÕNAI’s effects. This isn’t an isolated instrument; it’s a hub that enhances your existing workflow.

A Tool for Sonic Exploration
MÕNAI encourages experimentation. The two built-in microphones capture audio for immediate processing or sampling. The pedal input adds hands-free control. The combination of traditional keyboard layout and function keys provides both familiar territory and new possibilities. This is an instrument that rewards curiosity – the more you explore, the more it reveals.

The CNC-machined aluminum enclosure isn’t just aesthetically refined – it’s engineered for durability. Sandblasted and anodized in matte black, the body resists wear while maintaining a professional appearance. The integrated battery means you’re not tethered to power outlets. Whether you’re sketching ideas on a train, performing in a park, or working in a studio without available outlets, MÕNAI adapts to your environment rather than constraining it.

The workflow is immediate. Controls are positioned for intuitive access, with visual feedback from 109 LEDs across the interface. The high-resolution display renders waveforms and parameters clearly. Multiple synthesis engines can run simultaneously, each with dedicated effects and modulation routing. Sequencers maintains precise timing whether you’re working with internal sounds or triggering external gear."

User Interface
52 keys
29 piano keyboard layout keys (2 octaves and 1/3)
23 function keys
8 endless potentiometers
2 touch-sensitive strips
Modulation (left, 8cm)
Multi-function (right, 20cm)
2-axis joystick for expression parameter control
6-axis motion sensor
Volume control knob with audio level indicator strip (stereo)
High-resolution 3.1″ LCD screen
Total of 109 LEDs: 88 RGB and 21 single-color LEDs
2 microphones for audio recording
1 USB port for battery charging and computer connection
1 USB Host port for device connection (e.g., MIDI keyboard)
Line-level audio input
2 x audio outputs
3.5mm TRS MIDI input and output
Pedal input
Sync out / in
CV outputs
CV Pitch
CV Modulation
CV Velocity
CV Gate
Dimensions: 36.5 x 12.3 x 18.7 cm

Tuesday, November 11, 2025

Roland Future Design Lab and Neutone Introduce Project LYDIA



Press release follows:

A Technology Preview Exploring AI, DIY Culture, and the Future of Music Creation

Los Angeles, November 11, 2025 — Roland Future Design Lab, the advanced technologies research group of Roland Corporation, announces Project LYDIA, an audio processing platform preview created in collaboration with Neutone, developers of next-generation AI tools for musicians and artists. Project LYDIA merges Neutone’s trainable AI software with Roland’s hardware expertise, using a Raspberry Pi 5 single-board computer to deliver a compact, stage-ready prototype that reimagines DIY innovation for a new generation.

Bridging AI and DIY Creativity
Roland’s legacy in DIY music creation began in 1981 with AMDEK (Analog Music Digital Electronic Kits), a line of build-it-yourself kits that encouraged musicians to experiment with technology. Today, Roland Future Design Lab revisits that spirit, asking how modern creators can explore sound through emerging AI tools.

AI for Sound Discovery and Exploration
Powered by Neutone’s Morpho technology, Project LYDIA, named after DIY and AI, uses “neural sampling” to learn the tonal qualities of any sound and apply it to another in real time, with the sonic results ranging from highly musical to exotic and surprising. The current Project LYDIA mockup houses a Raspberry Pi 5 computer running Neutone’s special version of Morpho alongside Roland’s latest ideas for a simple, tactile control panel. Audio I/O is currently managed via a USB-connected Roland Rubix interface, with future iterations aiming to fully integrate I/O for a completely self-contained device.


AI Innovation at Roland
Project LYDIA builds on Roland’s growing exploration of AI as a creative partner for musicians. In 2024, Roland and Universal Music Group (UMG) jointly introduced the Principles for Music Creation with AI, a framework outlining shared commitments to ethical and artist-centered innovation.
“Roland has taken a leadership role globally in practicing responsible development with AI for music creation,” said Paul McCabe, Senior Vice President of Research and Innovation at Roland. “Part of being responsible is getting input from creators on what they find useful, helpful, or inspiring, and what ideas may not be welcome in their workflows. Releasing Project LYDIA as a technology preview allows us to demonstrate possibilities, seek community input, optimize, and improve.”

Shaping the Future Together
Project LYDIA debuted at the Audio Developer Conference taking place November 10 through November 12 in Bristol, UK, inviting feedback from the creative community to guide future research in AI-driven music tools. Musicians and makers can share their thoughts and ideas via a short survey here.

To learn more about the inspiration and technology behind Project LYDIA, visit Roland’s feature story on Roland Future Design Lab.

Computer Creates 2hrs of Ambience


video upload by Saß

"Enjoy the angelic ambient drones of the Destiny+ Programma900. Use the sounds of this synth to meditate and calm yourself, enjoying hours of relaxation and comfort. Let the reverb wash you away as the harmonics take you deeper into soul-searching; who knew mathematics and experimental audio signaling could sound so good. I hope you enjoy this different style of video, let me know in the comments if you do!"

Saturday, November 08, 2025

Deft Audio Luma 1 Drum Computer

Note: links to listings are affiliate links for which the site may be compensated.


via this Vemia listing

Note: listings are ending today with a handful extended through Sunday.

Click the auction link on top when you get there for additional listings.

"Deft Audio Luma 1 Drum Computer. This is from the first run of 100 units from Deft Audio. Serial number 073. An incredible and faithful reproduction of the Linn LM1 brought back to life by Joe Britt. It has the same DACs and filters, but has a few new features to make life easier such as the ability to load your own samples via USB. Absolutely beautifully built and sounds completely authentic as you would expect from Deft Audio. Also comes with a rather huge protective case that will survive anything."

Oddment ODD-1 Build Update & Demos


video upload by oddment

Demos

video uploads by oddment

Playlist:
1. ODD-1 Overview: Playheads
For a long time now we have tried to live by the words of the great Michael Bolton from the movie Office Space, "why should I change when he's the one who sucks?" But language evolves, and unfortunately, the word “grok” has taken on associations that are problematic. Oddment has evolved too. Starting from one quirky product idea, in 3 years we have grown and are now ready for manufacturing and fulfillment of this product, with ambition to make it the first among many. So with much consternation, we have decided to drop the name groc. When we thought about a new name, we thought that what we have is a little unusual, perhaps a little outside the norm...you might even call it, the ODD-1. This is the first in a series of videos to show all of the ODD-1's functions in more detail. In this one we show off half of the encoders that control the granular synthesis engine - the PLAYHEADS function. Here you can control the level, starting point, tuning (aka pitch adjustment) and playback speed for up to 4 different granular playheads. The auxiliary functions available on the touch screen introduce random variability in different ways.
2. ODD-1 Overview: Grains
This is the second in a series of videos to show all of the ODD-1's functions in more detail. In this one we show off the second half of encoders that control the granular synthesis engine - the GRAINS function. Here you can control the size, spacing, left-right placement, and grain window shape. Each control also has a related function, introducing grain size variability, spacing jitter, binaural scatter, and a front-back bias for the window shape. The auxiliary functions available on the touch screen control a bandpass filter that can be randomized per grain and adjust whether grain size is regulated in the source sample or in the output signal, which can have a big impact on sound characteristics.
3. ODD-1 Overview: 03 Envelopes & Time Path
This is the third in a series of videos to show all of the ODD-1's functions in more detail. In this one we show off the ENVELOPES function. Here you can control the note amplitude envelope and timing, access 3 envelopes that can be used as modulation sources, and use our unique TIME PATH feature to dynamically adapt the playback speed.
4. ODD-1 Overview 04: Sample
This is the fourth in a series of videos to show all of the ODD-1's functions in more detail. In this one we show off the SAMPLE function. Here you can choose a sample from the factory library or user-uploaded samples, control the playback mode and the section available for granulation, play and hold notes, set loop points and interact with pitch, tempo and channel information of the sample. We also show the auto pitch and tempo alignment features.
5. ODD-1 Overview 05: LFOs, Macros, Patching
This is the fifth in a series of videos to show all of the ODD-1's functions in more detail. In this one we show off the LFOs, Macros and how to create modulation connections. There are 4 LFOs, 3 Envelopes, 4 Macros (assignable knobs), 4 Control inputs and MIDI information that can all act as modulation sources. Any parameter on the device is a parameter destination. Unlimited connections are made by holding down a destination parameter and then pressing or twisting a modulation source.
6. ODD-1 Overview 06: Filters, Saturation, Echoes
This is the sixth in a series of videos to show all of the ODD-1's functions in more detail. In this one we show off the Filters, Saturation and Echoes modules. Two filters and two saturation modules per voice, both with multiple types of processing and modulatable parameters, allow for transformation beyond the granular engine. Two echoes sections with filtering and distortion in the feedback loop and fully modulatable parameters make ODD1 worthwhile just as a modular effects rack!
7. ODD-1 Overview: 07 Layers
This is the seventh in a series of videos to show all of the ODD-1's functions in more detail. In this one we show the dual Layer functionality. Essentially the entire system is duplicated so the ODD-1 is like having a dual modular systems, each with a polyphonic granular engine feeding two filters and two non-linear processors per voice, with 3 envelopes, 1 time path, 4 LFOs, 4 Macros and a independent modulation matrix per layer. In these examples we also remind that granular can easily do subtractive-style synthesis when using a basic waveform as the source sample.
8. ODD-1 Overview 08: Reverb & System
The final video in our eight-part series on the ODD-1's functions focuses on the upper-left row where we have global volume, system-level reverb and can work with banks of patches.

The reverb is a classic matrix-style parametric reverb. Think of it like a whole set of interacting delay units with slowly modulating delay times. Ok now that you have that in mind, that's it, that's what it is. It sounds sweet.

If two layers of modulating, granular goodness with a fantastic reverb on top wasn't enough, how do banks of patches to store every twist and connection sound?
And from their newsletter:


What’s in a name?

For a while now we have tried to live by the words of the great Michael Bolton from the movie Office Space, "why should I change when he's the one who sucks?"

But language evolves, and unfortunately, the word “grok” has taken on associations that are problematic.

Oddment has evolved too. Starting from one quirky product idea, we have grown in three years and are now ready for manufacturing and fulfillment of this product, with ambition to make it the first among many. And with much consternation, we have decided to drop the name groc.

When we thought about a new name, we thought that what we have is a little unusual, perhaps a little outside the norm...you might even call it, the ODD-1.

And we plan to keep that off-beat attitude. We hope that brightly-colored friends, ODD-2 and ODD-3, will be along to join ODD-1 after not too long.

Build Updates

We have a lot of exciting progress to report since the last time I wrote. Hop over to our YouTube channel to check out a build update video and some in-depth functionality demos.

We debugged and fixed several problems with the circuit board including the power-up, line input and output, and noise on the control signal inputs.

We got several bids from contract manufacturers in the U.S. and around the world and selected Soldered, based in the E.U. They came highly recommended, and we think their experience will be a huge asset as we go into production.

We worked with Martyna Alexander to tweak the graphic design of the front and back panel. We are thrilled with the updates, including our new company and product logos.

We have first iterations of our custom firmware, enabling full functionality of the device and full USB connectivity to a host computer.

We have completed first versions of the software that include all audio, MIDI and system functionality we intend to support for the release. After many months of playing and testing we re-organized a few functions to expand both the number of concurrent grain “playheads”, and to support banks of patches intended for convenient switching and management in live performance.

What’s Next?

Tuesday, November 04, 2025

Bastl Bitranger With Synapse 4x4 Matrix Keypad / A Rare Combo

Note: links to listings are affiliate links for which the site may be compensated.


via this eBay listing

"One Bitranger with Synapse matrix keypad, original manual and 12 DuPont pin patch cables

Excellent condition, does not include battery or PSU

The bitRanger is a patchable analog logic computer that sculpts sonic worlds ranging from data noise to melodic arpeggios. While being a handheld standalone synth, it is also right at home in the music studio. Extensive connectivity makes it so flexible that it can connect to almost anything: CV control its unique sound, sync it with drum machines and sequencers or use it as an algorithmic CV / GATE pattern generator.

Go nuts! Bit nuts!

The patchbay of the bitRanger is a place for exploration where you can simply connect outputs to inputs to see what happens. This can be done methodically or with complete experimental abandon. Go nuts! Battery Power and a built-in speaker make the bitRanger totally portable. Tweak it’s 4 knobs, 8 switches, and more than 100 patch points in the woods, on the beach, on a train, and in the studio.

Features

LFO clock oscillator for rhythmical modulation

VCO oscillator is synced to the HFO oscillator

4 modes of operation selectable by 2 switches

built-in speaker with volume control

On /Off switch

expansion connector

package includes 3 photo resistors – make your oscillators respond to light by plugging these into the Bend socket

Wednesday, October 22, 2025

The Florian Schneider Collection to Be Auctioned at JULIEN*S November 19

Note: links to listings are affiliate links for which the site may be compensated.


via JULIEN*S

"THE FLORIAN SCHNEIDER COLLECTION

Auction to be held at Musician's Hall of Fame & Museum, Nashville, on November 19

An incredible collection of more than 450 artifacts from the life and career of Florian Schneider, co-founder of the pioneer electronic band Kraftwerk."

Pics and videos featuring some of the gear below, and his Lederhosen for good measure (thanks greg!).

Update: the post has been fully updated with all the synth related gear. This may just well be the longest post to be featured on the site. I wanted to capture all the pics for all of the details including notes, scuffs, and of course serial numbers. It's an interesting look into what he used, the condition he keped his gear, in some cases, how he actually used his gear. Note the phonetics on the keys of the Casio CZ-101 and DX-100. Note the Midi Switch Box with a built-in speaker? What's that about? Note the camouflage key strap on the Korg RK-100 Remote Keyboard. Did he pick it out himself or did the keytar just come with it? Note the repeat midi controllers and the MIDI saxaphones. Wind was his primary instrument. You'll find a ton of the acoustic gear he used in the other listings. This is a fascinating insight into both what and how he used his gear.

Side note: there is no affiliate compensation for this post. The note at the top automatically shows for all posts with the Auction label.


Rack Mount Sennheiser VSM-201 Vocoder

Starting Bid $5,000

Estimate $20,000 - $40,000 USD

A late 1970s Sennheiser VSM 201 Vocoder with no serial number from the personal studio and collection of Florian Schneider of Kraftwerk (see images). While it’s said that only a few dozen of these Vocoders were produced, a few examples made it into the hands of forward-thinking musical artists including Herbie Hancock, Daft Punk, and of course, Kraftwerk, who used a VSM-201 like this on their albums Man Machine (1978) and Computerworld (1981). The VSM-201 has an intelligible sound that has not yet been bested by modern gear. Includes power cable. This VSM-201 has been removed from its wooden enclosure (which bears the serial number plate) and modified with a metal rack mount casing, presumably for live use. Requires 240v, IEC power cable not included.

Dimensions: 19 x 9 x 9 inches

Category: Kraftwerk, Equipment

Provenance: PROVENANCE From the Estate of Florian Schneider

Monday, October 20, 2025

Waldorf Wave - Shadow Edition 16 Voice SN 95380000311

Note: links to listings are affiliate links for which the site may be compensated.


via this Reverb listing

Wednesday, October 15, 2025

New Binary Synth Allows You to Play Binary Code Within Any Given File


video upload by Max Alyokhin

This should go without saying, but don't drop any sensitive, private, or personal files.

"Demo: https://bs.stranno.su

Source code and application principle: https://github.com/MaxAlyokhin/binary...

A web-synthesizer that generates sound from the binary code of any files. It can synthesize sound directly in the browser, or be a generator of MIDI messages to external devices or DAWs, turning any file into a score. All the application code is written in Javascript and along with everything you need is packed into a single .html file of about 750kb. The synthesizer doesn't need internet, it can be downloaded and run locally on any device with a browser.

0:00 Speed changes
0:57 Noise/IDM (with Ableton processing)
3:16 IDM (with Ableton processing)
4:39 Drone/Ambient (without any processing, 5 instances)
15:49 Drone/Ambient (without any processing, 2 instances)
20:17 Drone (with Ableton processing)
21:10 Drone/Ambient (with Ableton processing)
24:46 Postminimalism/Aleatoric (MIDI to Ableton virtual synthesizer)
25:31 Glitch (MIDI to Ableton virtual sampler)

On 24:46 is "Composition for prepared file of the own source code", you can listen full here:"

Composition for prepared file of the own source code

video upload by Max Alyokhin

0:00 I
9:35 II
11:51 III
18:24 IV
20:13 V
23:06 VI
26:08 VII

All data on any computer or smartphone is in the form of files. The contents of these files are ultimately just zeros and ones. And these zeros and ones are basically all the same, so we need an interpreter to extract meaning from these texts. Basically, the file format (.mp3, .docx, etc.) is just a pointer to which interpreter we need to pass the text in order to extract meaning from it.

But what if the file format and the interpreter don't match? In the case of musical experimentation, there have been earlier attempts, for example, to "play" a file through an audio editor, which expectedly produced mostly glitch and noise; it might be more interesting from a conceptual than a musical point of view.

We could go further and write our own interpreter that would look at the files without regard to format, use its own "manner of reading" the original zeros and ones, and on that basis provide a complete system for controlled synthesis of sounds.

The tool, called Binary synth, is available at: https://bs.stranno.su.

The application is a web synthesizer that runs in the browser and is written in Javascript. All the application code along with everything needed is packed into a single .html file of about 750kb.

Tuesday, October 14, 2025

Yamaha Introduces New MODX M Series of Synthesizers


video uploads by Yamaha Synths Official

Playlist:

1. Yamaha | MODX M | Elevate Expression Everywhere - Official Overview
2. Yamaha | MODX M | Sound Demo - Hear the Future of Expression




"Discover the new Yamaha MODX M Series, a next-generation synthesizer that elevates sound, control, and creativity for musicians everywhere.

Building on the DNA of our flagship MONTAGE M, MODX M delivers expressive performance and a professional workflow in a compact, lightweight design. Built for stage, studio, and beyond.

🎹 Key Features:
• Three powerful engines: AN-X (vintage analog), FM-X (modern digital), AWM2 (realistic acoustic instruments)
• Motion Control Synthesis: Shape sound in real time with the Super Knob, Motion Sequences & Envelope Follower
• High-resolution control: Smooth faders, knobs, and key response for ultimate expression
• Expanded Softsynth Plugin (E.S.P.): A virtual version of MODX M for your DAW (available early 2026)
• Compact, portable design: Perfect for working musicians on the move

🎧 Designed to inspire, wherever your music takes you."


Yamaha MODX M Synthesizer w/ KRAFT Music
video uploads by Kraft Music

Playlist:

1. Yamaha MODX M Synthesizer - Advanced Tutorial with Blake Angelos
Great bundle deals on the Yamaha MODX M music synthesizer:
https://kraftmusic.com/collections/ya...

Blake Angelos from Yamaha visits Kraft Music to present the MODX M music synthesizer.

00:00 Into
00:44 The DNA of flagship Montage M
01:29 Display knobs
02:21 Keyboard hold
03:50 Control matrix
04:36 Page jump
06:05 Sound engine
06:28 CFX piano samples
08:06 Keyboard action
10:12 Scenes and orchestral voices
14:19 Super Knob
17:24 Organs and rotary speaker
21:31 Trailer Toys
22:20 Smart Morph
27:17 Motion sequence
32:37 Computer integration
33:54 ESP plug-in synth
38:54 Signing off
2. Yamaha MODX M Synthesizer - All Playing, No Talking with Blake Angelos

loopop Review: Yamaha MODX M vs MODX+: vs Montage M // Everything you need to know M6/M7/M8

video upload by loopop

"Yamaha has taken the brains in its flagship synth Montage M, and put it in a much less expensive package. Here are the details and comparison to MODX+ and Montage M

Get plenty of multi-samples for it, and my In-Complete Book of Electronic Music Ideas, Tips and Tricks ► Patreon: / loopop"

Here's a timeline of the video:

Wednesday, October 08, 2025

Synido Tempokey W25 with Hardware Synths – No Computer Needed! 🎹


video upload by Electronisounds Audio

"SYNIDO TempoKEY W25 MIDI Keyboard:https://amzn.to/46OCQ72 10% Off Code: 10W25ESA
Valid until: Oct 22, 2025 | 23:59 PDT

For European viewers:
synido.com: https://bit.ly/46n3wM3
15% Off Code: W2515

0:00 Intro
0:51 Chord mode
3:03 Finger drumming
3:34 Pad settings
5:15 Knob settings
6:23 Arpeggio settings
8:00 Use with Eurorack
9:05 Bluetooth
9:28 Pros, cons and anomalies
---
SUPPORT creativity and good content▼
WEBSTORE ► https://www.electronisounds.com/
PATREON ► https://www.patreon.com/DeanDaughters"
NEXT PAGE HOME



Switched On Make Synthesizer Evolution Vintage Synthesizers Creating Sound Fundlementals of Synthesizer Programming Kraftwerk

© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH