Asking synth manufacturers to say the F word...at London Synth & Pedal Expo

video upload by mylarmelodies

"Being a collection of interviews I shot at the London Synth & Pedal Expo '24, after they hired me to cover the event. The format was up to me. So I put the SAME two questions to industry folks at the show: 1️⃣ What is your favourite thing you sell? 2️⃣ What your favourite thing you DON'T sell?"

CHAPTERS
00:00 The Journey Begins
00:41 Divkid
02:44 Endorphines
03:53 Knobula
06:07 Lord Morts Thoughts
08:29 Nick Batt - Sonic State
11:29 Signal Sounds
14:35 ASM/Arturia
16:52 Scanner & Daniel Troberg
18:12 KMR Audio
19:51 ALM Busycircuits
24:05 RYK Modular
26:14 Enjoy Electronics
27:41 Erica Synths
29:04 PWM Synths
31:08 Journey's End

Good people make for good events and good gear, so lets meet them // London Synth & Pedal Expo 2024

video upload by DivKid

"What an amazing weekend we've just had! Here's a video with some of the people at the London Synth & Pedal Expo 2024. Held over this past weekend (Saturday and Sunday the 16th+17th of March 2024) in Studio 9294 in Hackney Wick, the London Synth & Pedal Expo is a free to attend show with plenty of synths, modular and pedal FX on show for people to come and play with.

As it takes good people to make good events (and the good gear we love) I wanted to focus on the people, asking who they are and what they do, more specifically how would they explain what they do to someone with no idea about synths, pedals and music tech. That led to some funny answers, all spread around various bits of b roll and footage from the event."

♫ Jamming With a Bunch of Synths ♫ ----- (79)

video upload by

"This jam is a little weird. My phone was on low battery which made the video slightly glitchy. I was a bit distracted during this recording so it's maybe a bit more boring than usual. There is also a couple mysterious audio drop outs near the end of the video. I didn't notice these prior to uploading so it's possible something went wrong when combining the audio and video files or something.

5U Modular (Synthesizers.com, STG Soundlabs, Synthetic Sound Labs)
Akai MPC X
Behringer Pro-1 (Sequential Circuits Pro One clone)
Clavia Nord Wave
Cherry Audio Voltage Modular (software modular)
cre8audio East Beast
Elta Music PF-3 Stereo Multimode Filter (Formanta Polivoks chips)
Erica Synths Syntrx II
Landscape Noon
Korg Delta
Korg Mono/Poly (x2)
Make Noise 0-ctrl (analog sequencer/touch keyboard)
Moog Source
Roland TR-55
Simmons SDS-V
Studio Electronics Boomstar 5089 mk11
Yamaha CS-15 (with UAD Bermuda Triangle distortion plugin)"

LondonSXPO-24

video uploads by sonicstate

Playlist:

LondonSXPO-24 Manifold Research Centre : TMINTT

Well this looks pretty interesting - you can patch 'The Map Is Not The Territoire' matrix mixer using magnets

LondonSXPO-24 Knobula: Pianophonic updates

Jason from Knobula had some firmware updates to the rather impressive 'Pianophonic' module, plus a shiny new mirrored faceplate for 'Kickain'

LondonSXPO-24 Enjoy Electronics GODFATHER rides again

Martin from Enjoy Electronics, makers of The GODFATHER demonstrated the latest updates to Nick

LondonSXPO-24 Rides In The Storm: BOC module

Uwe George from Rides In The Storm runs us through the new BOC module

LondonSXPO-24 Gamechanger Plasma Voice Modules

Last time we caught up with Ilya from Gamechanger Audio he was in our studio showing us the MotorSynth - the Plasma Voice Modules were almost ready, but not quite finished.
At the show we were able to see - and hear them for the first time, and get another quick peek at the new pedal too.

LondonSXPO-24 Erica Synths: BullFrog Accessories

It's always a pleasure to see Ģirts at a show, and here he was showing some updates and accessories for the education oriented Bull Frog synth

LondonSXPO-24 PWM: Latest on MANTIS Quad Mode

Always interesing hearing what Paul has been up to with his Malevolent and Mantis models - news is that Mantis is about to ship, and has some interesting new updates to the 'Quad' mode

LondonSXPO-24 Z-RAY: Wireless Lights in a briefcase

This is right up our street - cool portable battery powered wireless stage lights - oh yeah! Dominik had a briefcase full of prototypes for his latest project - to find out more, head to his website at thinkrad.io

LondonSXPO-24 Joranalogue Dim 2 is quite bright actually

In a slightly confusing naming incident, Joranalogue decided to call the latest module 'Dim 2'' - and it is definitely not dim at all. Quite the opposite ;-]

LondonSXPO-24 Apollo View: Rabbit Hole +more

Can't recall coming across Apollo View before, but Jon-Mark was showing some lovely looking modules including the Rabbit Hole - we took a look

LondonSXPO-24 Bastl Intruments channel The Matrix with Neo-Trinity?

Okay, tell me someone hasn't been watching re-runs of The Matrix
... Neo...Trinity..
come on, surely? ;-]

LondonSXPO-24 Vertice Analogue Filterbank from Euterpe

Stefano reckons you should spend a month with his rather splendid 'Vertice' filterbank - a beautiful if brutal instrument. And if his smiles are anything to go by, it should be a fun time :-]

Critter & Guitari New Kaleidoloop

via Critter & Guitari

"Our recorder/looper with mic input, 3W output speaker, and battery power for portability is back with the following newness:

Now has six playback modes. It ships with three speed manipulation modes and three effects. Playback / effect modes are customizable! Modes are coded in Pure Data. Users can create their own modes or upload modes shared with the community.

Looping continues during recording so you can build up layers of sound with just one Kaleidoloop. Smaller form factor: just as fun, just as loud - but more portable.

USB-C Power
The new Kaleidoloop is perfect for all kinds of recording situations, exploration, and experimentation. Use it in the studio or on the go with battery power!

This animation from the original Kaleidoloop doesn’t show the new features such as different playback modes, additional controls, or the ability to re-record the playback, but the spirit is the same!"

Critter & Guitari - Kaleidoloop

video upload by Critter & Guitari

Mike Dean Building a Track Is Analog Synth Mayhem | The Process

video upload by Reverb

"Even if you don't know his name, you know Mike Dean's sound. The super-producer and "Synth God" solo artist is a pillar of modern music production. The Weeknd, Beyoncé, Kanye West, Travis Scott, Madonna, Jay-Z, Christine and the Queens—these artists and more have made classics with Dean, and that's just his recent work.

Before that, he helped craft a whole era of Southern hip-hop with the likes of Scarface, Geto Boys, UGK, and Devin the Dude, after getting his start as Selena's keyboardist and musical director.

Ahead of an upcoming solo performance at Los Angeles' Wiltern Theatre on March 1, we got the chance to see the genius at work, learning first-hand exactly why so many artists seek him out.

Get tickets to the Wiltern show: https://bit.ly/3whQRMa

Shop Synths Like Mike's on Reverb

Mike Dean's YouTube Channel: https://shorturl.at/cfsI0
Mike Dean's Website: https://shorturl.at/bhBLX
Mike Dean on Instagram: https://shorturl.at/crT06

0:00-10:42 - Part One: The Studio
10:43 - Part Two: Building A Track"

Mike Dean - Making of "Challenger" (Live via Stream)

video upload by MIKE DEAN

"Mike Dean in the studio creating the track "Challenger" from the album 4:22 live via Twitch stream on Day 11 of the 422 jams.

4:22 now available on all platforms.

Official Site
https://mwamusic.com"

Cherry Audio Introduces Virtual CR-78 Drum Machine

video upload by Cherry Audio

Introduction to Cherry Audio's CR-78 Drum Machine

video upload by Cherry Audio

"'I’ve had absolutely tons and tons of fun with this particular plug-in. I didn’t think I was going to enjoy it as much as I have. I’m not making it up. This is the most fun I’ve had with any plug-in I’ve ever played.'

Cherry Audio and Tim Shoebridge have again teamed up to create an extensive and entertaining video that introduces users to the classic CR-78 sounds and the new features of this tremendous virtual drum machine.

Get CR-78 today at https://cherryaudio.com/products/cr-78 for only $49!

Cherry Audio's CR-78 accurately recreates the punchy analog sounds and 34 onboard preset rhythms of the first true classic drum machine and takes it much further. We've done away with the complex beat programming, replaced it with a familiar X0X-style button-per-step interface, and added an easy-to-use song mode for pattern chaining. Unlike sample-based emulations, Cherry Audio's CR-78 uses modeled synthesis to recreate the classic tones of the original and makes a quantum leap forward by making these sounds fully editable. Four studio-quality effects are provided, with a uniquely fast and fun "send button" for each individual tone in the effects and mixer section, which also includes a complete mixer, compressor, and a six-band graphic EQ.

For more details on how to get the most out of CR-78, try the free demo and check out the User Guide at https://docs.cherryaudio.com/cherry-a...

00:00 - Introduction
01:14 - Overview - The Panels
02:50 - The Main Panel: Factory Preset Buttons and Variations
05:10 - Other Variation Options
09:55 - "Pop Quiz 1!"
12:34 - Programming Patterns
16:58 - Programming Songs
18:59 - "Pop Quiz 2!"
21:46 - Voice Edit Panel
26:26 - "Pop Quiz 3!"
27:15 - DAW Tools and Drag-Export
29:08 - Multi-Outs DAW Option
31:08 - Mixer/Effects Panel
33:18 - Melodic Tones
35:28 - "Pop Quiz Final!"
37:41 - Final Thoughts
40:20 - Outro Track"

Cherry Audio CR 78: A demo and tutorial of a class rhythm machine
video upload by CatSynth TV

"We take a detailed look at the new CR-78 from Cherry Audio, a recreation of the legendary Roland CR-78 "CompuRhythm". With its distinctive analog drum sounds and ability to program one's own rhythms in addition to the 34 presets, the CR-78 made the jump from the top shelf of home electric organs to mainstream pop music in the late 1970s and early 1980s, and set the stage for Roland's later drum machine line. Cherry Audio's version faithfully reproduces the sounds and rhythms of the original, along with some new features to expand it's possibilities an integrate into modern digital studios.


00:00 Introduction
00:23 History of the CR-78
00:57 Overview and preset rhythms
05:11 Additional rhythm controls (fade, cancel, variation, swing)
10:52 Mixer panel
12:35 Voice Edit panel (modify drum sounds)
15:19 Creating user patterns
19:54 Song mode
22:00 Effects
26:17 Factory Presets
30:20 Conclusion"

Please consider supporting this channel to help us bring you more synthesizer tutorials and other content.
Merch: https://shop.catsynth.com
Patreon: https://www.patreon.com/catsynth
Ko-Fi: https://ko-fi.com/catsynth



via Cherry Audio

CR-78 -- Cherry Audio's first virtual drum machine -- accurately recreates the punchy analog sounds and 34 onboard preset rhythms of the first true classic drum machine and takes it much further. We've done away with the complex beat programming, replaced it with a familiar X0X-style button-per-step interface, and added an easy-to-use song mode for pattern chaining. Unlike sample-based emulations, Cherry Audio's CR-78 uses modeled synthesis to recreate the classic tones of the original and makes a quantum leap forward by making these sounds fully editable. Four studio-quality effects are provided, with a uniquely fast and fun "send button" for each individual tone in the effects and mixer section, which also includes a complete mixer, compressor, and a six-band graphic EQ.

In 1978, following the success of their AceTone electronic rhythm products, Roland introduced a not-so-little box that made a massive impact. Coming from a legacy of preset-based devices intended to sit atop an organ, the CompuRhythm CR-78 was entirely new: the first programmable, microprocessor-controlled, analog beatbox.

With its colorful buttons for pattern presets, distinctive analog tones, and basic pattern programming, the CR-78 was the first drum machine as we know it. Pro musicians such as Blondie, Ultravox, Phil Collins and Genesis, Orchestral Manoeuvres in the Dark, Roxy Music, The Cars, Hall and Oates, and many others immediately embraced and immortalized this revolutionary gear.

Waiting for this Moment

For years, musicians have requested a virtual drum machine such as this, and in Cherry Audio fashion, we've delivered it with so much more.

Cherry Audio's CR-78 is a visionary virtual drum machine that re-envisions the original by meticulously recreating and extending its distinctive sounds and beats with new programmability features, and adds over 250 additional presets that take it from mild to wild.

Pattern creation has been simplified with X0X-style 16- or 24-step sequencing, copy-and-paste, and real-time entry using trigger, keyboard, or MIDI device. CR-78 also includes an expansive song mode for chaining up to 99 patterns. All of the original variations for fills, accents, voice cancel, and fades are present, along with new swing and velocity options.

Cherry Audio's CR-78 can be played standalone and includes versatile plug-in options loaded with such DAW-friendly features as auto-sync, drag-and-drop MIDI export, individual outs, and complete automation.

Unlike sample-based instruments, Cherry Audio has emulated the original's tones through modeled synthesis, and a Voice Edit panel allows extensive instrument parameter editing, enabling a range of sonic and melodic possibilities far surpassing the original.

The innovative Effects/Mixer panel delivers discrete level, pan, mute/solo; studio-quality effects, including overdrive, flanger, delay, gated reverb with effects send buttons; and a master compressor and a six-band graphic EQ.

In short, Cherry Audio's CR-78 goes deep inside the box to provide the ultimate outside-of-the-box experience.

Cherry Audio and Tim Shoebridge have again teamed up to create an extensive and entertaining video that introduces users to the classic CR-78 sounds and the features of this tremendous virtual drum machine."

02 12 24 2500

video uploads by

I believe these are the MOS-LAB ARP 2500 modules.

"This is the second patch on the system.
A pity I didn't take care while recording, cause the recorded sound, its middle and bass frequencies components, is far to be true compared to the sound in the studio. I'm always too spontaneous when starting a session or a patch. I'll take better care for the next session, cause it's a shame when not accurate."

Doctor Mix & Anthony Check Out the PWM Mantis Synth | NAMM 2024

video upload by Anthony Marinelli Music

"Join me and my good buddy Doctor Mix as we explore one of the most talked about synthesizers at NAMM 2024. It won't be difficult to discover how much fun we're having checking it out for the first time. I can see that there is still a lot to unpack about this synth and I'm looking forward to doing just that. Please stay on the lookout and tune in to AMM for a much more in-depth look at this super fun and great sounding instrument. It's part of a special family of synthesizers that were all designed with much love. PWM Mantis is a collaboration between the late Chris Huggett (EDP Gnat, EDP Wasp, OSCar) and PWM (Paul Whittington). A hybrid-analog synthesizer, Mantis utilizes mathematically-generated oscillators with a pure analog signal path and a modernized design architecture based on the EDP Wasp with an OSCar-style filter. It is also duophonic, with two fully independent voices, and features dual multi-mode filters that can be combined in series or parallel. Fully featured, Mantis is equipped with an arpeggiator, 37-note full-size semi-weighted keyboard with aftertouch, multi-function joystick, and MIDI/USB control for easy integration with any studio or live environment.

00:00 Doctor Mix and Anthony Sweeping Filters (Cold Open )
00:30 Walk up (music)
00:49 Meeting Mantis Co-Designer Paul Whittington
01:24 Trying out the PWM Mantis
02:22 Sweeping Multi-Mode Filters
03:33 Wave Shape Panning
04:57 Add Glide and Filter Sweeps
05:14 Paraphonic
05:40 Doctor Mix and Anthony Summary
06:18 Logo (music)"

Exploring the 1st Buchla 100 Modular Synthesizer

video upload by Sarah Belle Reid

"This video is a historical, technical, and musical deep dive into the Buchla 100 Series Modular System at the Mills College Center for Contemporary Music. This instrument was the first voltage controllable modular synthesizer built by Don Buchla—it was delivered to the San Francisco Tape Music Center in the mid-1960s.

In this video we’ll start with a brief historical overview of the Buchla 100 Series Modular System and the San Francisco Tape Music Center. Then, we’ll unpack everything that’s inside the instrument module by module. Finally, I’ll share some of the quirks of this particular instrument, and lots of patch examples to illustrate its unique voice and character.

As I was getting to know this instrument, I tried to keep in mind the circumstances surrounding its development—the people who contributed to it, the time in which it emerged, and the state of electronic music at the time of its invention. These thoughts greatly inspired my approach to working with the instrument and are present throughout this video.

It’s a rare opportunity to be able to work with a historical instrument like this one. I have always been super inspired by Buchla’s work in general, but like many people have had few opportunities to work with his original instruments. Instead, much of my experience has been through newer instruments inspired by his designs. Being able to work closely with this instrument was an incredibly inspiring and clarifying experience that allowed me to gain a deeper understanding of Buchla’s own creative and technical development, as well as the multitude of music, modern modules, and instruments that have been inspired by his work.

Special thank you to Mills College for letting us spend a week in the electronic music studio working with the Buchla 100; to The Buchla Archives and Ryan Gaston for helping to put this video together; and also to all of the amazing folks in my Patreon community for your support in helping to bring educational projects like this one to life!

Learn more / join the waitlist for Learning Sound and Synthesis, my online modular synthesis and sound design class: https://www.soundandsynthesis.com

Join my Patreon community for behind-the-scenes content, unreleased music, and extended tutorials: sarahbellereid

Thank you to:
Mills College Center for Contemporary Music https://www.performingarts.mills.edu
The Buchla Archives https://www.buchlaarchives.com
Ryan Gaston (co-producing + filming) https://gastonsounds.com
Hainbach (tape slicing footage)

TIMESTAMPS:
00:00 Historical Overview: Buchla 100 + the San Francisco Tape Music Center
7:38 Mills Buchla 100 System Overview
14:27 Timbre in the Mills Buchla 100
18:29 Chaos in the Mills Buchla 100
21:52 Voltage Control Quirks
25:00 Sequencing Tactics: Triggered Segments
30:40 Sequencing Tactics: Extended Sequences
32:06 More Patches + Sounds
32:36 Ring Modulated Reverb Patch
34:40 Keyboard Chaos Patch
36:55 Gated Voice Patch
38:29 Wonky Drum Machine Patch
38:57 Triggered Gestures Patch
39:14 Transposed FM Sequence Patch
39:48 Bell Tones Patch
40:27 Touch Controlled Ratchet Patch
41:00 Sequenced Melodic Patch

Sarah Belle Reid is a performer-composer, active in the fields of electroacoustic trumpet performance, intermedia arts, music technology, and improvisation.

www.sarahbellereid.com"



"In the Spring of 2024, Reid spent a week at the Center for Contemporary Music at Mills College, where she worked closely with their original Buchla 100 modular synthesizer system. This specific instrument’s historical significance can’t be overstated. It was the very first voltage controllable modular synthesizer that the now-famous artist, inventor, and electronic musical instrument designer Donald Buchla built in the mid 1960s—indeed, one of the very first modular synthesizers altogether. In its time, this specific system has been used by countless inspiring and influential musicians, such as Pauline Oliveros, Morton Subotnick, Suzanne Ciani, Warner Jepson, and others.

The video begins with a brief historical overview of the Buchla 100 Series Modular System and the San Francisco Tape Music Center. Then, Reid unpacks everything that’s inside the instrument module by module, with sound demos and examples. Finally, she shares some of the unique quirks of the Mills Buchla 100 instrument, and patch examples of how the instrument can be used to create a wide range of music and sounds."

Korg PS-3300 + Antonus 2600 Original Size live jam demo improvisation "Pompidou in Tokyo"

video upload by wutierson

"Korg PS-3300 + Antonus 2600 Original Size live jam demo improvisation 'Pompidou in Tokyo' by Toni Gutierrez

Here is the third video of a series with the wonderfully enormous (in all aspects) Korg PS-3300 playing with Antonus instruments. This Korg PS-3300 was in Antonus studio and workshop during some months for study, works and of course for enjoy it playing.

This third video is an improvisation using Korg PS-3300 with the Antonus 2600 Original Size model. Connected both instruments with so many patching points for make this abstract and experimental track, looking also for the west coast essence that can be found in the 2600 design. The 2600 is a wonderful design were we can find good examples of the east and west coast schools.

Is very interesting to play with the polyphonic concept of the PS-3300 and at the same time work with structural part and auto generative patterns. I will to continue to make more experiments in that way, is a very unique instrument!

Also the wonderful design of the 2600 allows to make a very fast performance, so faster than the 3300 due to the slider design and how are placed... offering the the feeling of hand moulding sense, like sculpturing with hand, that allows to the performer to feel that is one more element of the system interacting with all parts.

The demo is recorded in one take, no multitrack was used in this recording. Only Korg PS-3300 + Antonus Step Brother + Korg SDD1200 dual delay unit.

Unlike the other two previous tracks this is very abstract. For people that doesn't like this kind of music I recommend to check the other PS-3300 videos with more melodic content.

Thanks to Ernesto Romeo from La Siesta del Fauno studio laboratory in Buenos Aires for bring us for a time this awesome piece of electronic music history."

"We’ll Never Be The Same" - Halftime Bass Music

video upload by Electronisounds Audio

"This track came about from the 'Hardware Jams' Facebook group's weekly challenge which was:

This week we're all going to all do sets at an EMOM, usually 15 mins sets, but we only want your first 5 minutes of a set! However.....the man who was going to take you and your entire studio just called to say the van has broken down! Therefore you are only allowed to use what you can physically carry!

So I figure I could put these few items into a duffle bag and still make it! Hahaha :)

Whatever kind of music you are making - KEEP IT UP, Friends!
Don't stop making *YOUR MUSIC*!!"

---

▼CONNECT with me / SUPPORT creativity and good content▼
WEBSTORE ► https://www.electronisounds.com/
PATREON ► https://www.patreon.com/DeanDaughters"

Electronic Music Laboratories EML 500 Electrocomp Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"What we have today is an EML 500 Synthesizer. In the late seventies, there were a few different US based synthesizers. You all know about Moogs, Arps, EMS, Oberheims and all of the Japanese models, but EML made unique and idiosyncratic designs.

This is their 500 model, designed as a competitor for the Minimoog/Micromoog and the Arp Odyssey. In its case, it didn’t make much a ripple in the pond, but some guys from Akron liked it. Devo had a EML500 in their studio, and that should tell you all you need to know about this guy.

These are extremely rare. It is probably a Good instrument, but for this model, there aren’t a lot of choices."

CLICK FOR MORE »

KORG Introduces Nu:Tekt NTS-1 mkII digital kit

video upload by Korg

"Experience hands-on, fun music-making with this DIY, easy-to-assemble synthesizer and effects generator. The compact and incredibly powerful NTS-1 mkII now offers an array of new features: refreshed interface, more customization options, new keyboard, built-in sequencer, fresh sounds, expanded MIDI capabilities all in the palm of your hand. (Tool included, no soldering needed)."

CLICK FOR MORE »

VOLTAGE CONTROLLED JOY // SILVERBOX MUSIC

video upload by synthesizersdotcom

"We can't get enough of Nathan's incredible live performance recorded entirely on his Studio-66 modular synth! Sound features include drums, bass, lead-synth with vibrato and pitch bend, polyphonic major/minor chords, arpeggiator, dual sequences, ratcheting, panning, and reverb 🎹🎶"

KORG Introduces The New microKORG - A New Origin

video upload by Korg

The microKORG 2, 8 voice synth and vocoder engine. 4 voice in dual/layered mode.

"The microKORG, one of the most iconic and recognizable synths in the history of music, revolutionized the music world with its unique form factor and unmistakable sounds, making it an industry standard for musicians everywhere. Renowned and loved by musicians, sound engineers, producers and gadget buffs everywhere, the microKORG has now evolved to a more powerful, more flexible and richer level - the new microKORG.

While retaining some of the iconic aspects of the original , including the convenient portable size, easy to play mini keybed, the large dial for selecting program genres or the vocoder with dedicated mic, the new microKORG offers a completely new, powerful sound engine, many more useable programs, a visually astounding user interface, and so much more."

CLICK FOR MORE »

KORG Introduces the KingKORG NEO!

video uploads by Korg

"KingKORG NEO packs the power from the legendary virtual analog synth KingKORG into a compact 37-full size key synth, with new sounds, a 16-band vocoder, effects, and virtual patching.

At your fingertips is deep sonic exploration with the intuitive front panel equipped with dedicated knobs and screens, 3 oscillators with 138 different oscillators types to choose from, and 18 classic synth filters, including iconic models such as MS-20, TB303, SEM, Minimoog, and Prophet 5, faithfully recreated through KORG's advanced XMT engine."

CLICK FOR MORE »

Oberheim OB-8

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Thought it was interesting seeing the Sequential Circuits Inc. perfectly aligned in the shot as Sequential now makes the OB-X8 with Oberheim.

"This is a one owner Oberheim OB-8 with factory MIDI and Road Case (circa 1985/6) in good used condition. Purchased new from Swing City Music (St. Louis area). Road case needs new foam interior.

This OB-8 has not seen much playing since the early-90s and has lived in a climate controlled home studio environment since. Sounds Bad-Ass and Amazingly HUGE!!!

This belonged to my Uncle who is no longer with us. To the best of my knowledge it is all original. So, having it serviced is recommended due to the age of the capacitors, and components. Everything does seem to work and the only things worth mentioning are a couple red led lights on switches don't illuminate (switch does work), and one or two potentiometers should probably be replaced or rebuilt."

CLICK FOR MORE »

Roland Jupiter 6 lamentations

video upload by MIDERA

"Exploring the bandpass filter. I actually wrote this immediately prior to 'ambient arpeggiations' but didn't like this as much, so I posted it afterwards (now, that is).

I don't have much else to say. I'm still working through the junkyard that is my 'studio', wondering 'do I even need this piece of junk?' (not in reference to the Jupiter 6. I just have so much stuff that I got back in 2014 when I thought I would be some great big photographer or musician, hahahaha. I laugh - because it was silly. I don't really care about any of those things, I'd have had to sacrifice being with my kids, and they just mean more to me than the success I could have had. But that's just what I like to tell my unmotivated self.

Also - somehow my JP6 got out of tune while I was playing. I pressed the TUNE button and it all went back to good, but sorry about that. Whoops.

Strymon Volante and Eventide Blackhole VST used for FX."

Introducing the new Stylophone CPM DS-2 Analog Drone Synthesizer

video upload by Stylophone

Press release follows:


"Introducing the Stylophone DS-2 Analog Drone Synthesizer, the first release in Stylophones new pro-audio Compact Portable Modular (CPM) range.

With two analog drone voices, filter cutoff and volume knobs for evolving and fading drones in and out. The Ultra LFO provides internal rhythmic modulation that enables dynamic waveform blending of the two analog oscillators and cadenced movement of the multimode filters.

Keep things musical by linking the pitch of the two analog oscillators to ensure everything stays harmoniously in tune, or hard sync them for even wilder sounds. Sonic vibes are further enhanced with the in-built vintage modulated delay as well as the option to add one of the eight vintage-inspired reverb algorithms.

This portable, stand-alone drone synth, doesn’t require any external connections to other equipment in order to make endless soundscapes, pulsating rhythms, and cosmic exploration.

Integration with studio and Eurorack equipment is possible through the twelve patch points as well as the ability to route signals to multiple places simultaneously for extra processing with the built-in speaker and headphone connection. Run sound sources from anything into the Aux input to take advantage of the built-in effects, creating a single hub for your music creations.

Use either mains, AA battery operation or mount it within a Eurorack case to play it anywhere. The Stylophone CPM DS-2 Analog Drone Synthesizer is an ideal companion for those seeking innovation in sound creation in the studio, on stage or on the go.

Features list:

· 2 analog 3340 oscillators
· 2 analog sub oscillators
· 2 analog 3320 filters with drive
· 14 analog LFO waveforms
· 2 LFO wave selectors
· 7 LFO routing switches
· 5 LFO depth attenuverters
· 12 modular patch points
· 8 vintage AL3201 reverb algorithms
· 1 vintage PT2399 delay with modulation
· 1 effects mixer with aux input
· 2 stereo outputs
· 1 built-in speaker
· 6 AA battery compartment
· Eurorack compatible

Availability

The Stylophone CPM DS-2 Analog Drone Synthesizer is available for pre-order now at www.Stylophone.com.

Approx $259, €239, £209.

No up-front payment required."

CLICK FOR MORE »

Roland Jupiter 6 ambient arpeggiations

video upload by MIDERA

"I went to my studio to lament over how messy it is. I haven't wanted to be in here at all. I just want to sit and do nothing. 2023 was awful. 2024 feels like more of the same. Health worries come and stay. Maybe I'm just getting old and my body gave up fighting for me.

Well, my studio IS a disaster. I sit here WANTING to sell my Jupiter 6, but I feel I'd regret it. I don't know how to clean this place up to make it worth keeping these things. Worse, the things I do have listed don't even get people interested. Nothing like "Hey, I want this but would you knock this much off?" No, just no interest. Can't tell if the gear is crap, if the money's gone, or what - but all my gear sits. Useless in its current spot, hardly any interest in it, but I guess I had more interest in playing my Jupiter than cleaning my room, so there's that, right?

If you're curious how I've been holding up - every day I want to talk to my mom. I want to tell her about what's going on in my life. Sometimes instead I just write a note to her on my phone with what I wanted to tell her. It's not the same, but I guess it's something. I did get the desk that she used her whole marriage. That was nice, I like that desk. Turns out it was my Great Grandma's on my dad's side (We got a lot of stuff from his side, but nothing from my mom's side, weird). I like having all these antique heirlooms. They're probably not worth anything, but they're worth something to me. I am documenting them for my kids so they know where these things came from. We also got my parent's vintage Sears Silvertone Radio Phonograph. I think it was made in 1966. We've been listening to old vinyls and it's been great. I did buy a new needle. I doubt the old one was ever changed. And I'm pretty sure I have to fix a speaker, the right side doesn't play. I'd have thought these would go for some money, but I guess they weren't great. I dunno. I love how it sounds. I love how it looks. Reminds me of my parents. It's all I have left of them."