Tuesday, October 17, 2023
sktch-214: Sequential Take 5 #6 - Requiem (no talk)
video upload by lemorgue
All Sounds: Sequential Take 5
DAW: Ableton Live 11
sktch-213: Sequential Take 5 #5 (no talk)
video upload by lemorgue
All Sounds: Sequential Take 5
DAW: Ableton Live 11
lemorgue Sequential Take 5 demos
Osmose Expressive E, Dirtywave M8, and Numa X GT, Live at the Lakely
video upload by John C.S. Keston
"This is the last in a series of live audiovisual collaborations with Chris LeBlanc and Shawna Lee. The performance was captured at at the Lakely in the Oxbow Hotel, Eau Claire, Wisconsin (https://www.theoxbowhotel.com/lakely/) on September 30, 2023.
Chris LeBlanc and Shawna Lee produced live visuals using their integrated, modular video synthesis systems as I performed. This piece titled, Dark at the End of the Tunnel, is an electro-acoustic piano composition. In this adaptation I used a a stage piano, but the processing and accompaniment are as they would be if the piece were performed on an acoustic instrument.
Please take a look at Chris’ (@blindprophet) and Shawna’s (@iamadot) Instagram feeds to see more of their work.
Chris LeBlanc (@blindprophet)
https://www.instagram.com/blindprophet/
Shawna Lee (@iamadot)
https://www.instagram.com/iamadot/
Read more on AudioCookbook.org:
https://audiocookbook.org/audiovisual...
Please consider supporting AudioCookbook.org:
https://audiocookbook.org/supporters/
Note: Listening on stereo speakers or headphones is suggested. The audio was recorded direct via a loop back output on the stereo DI to a Zoom H6 at 48kHz 24bit"
Grainy Day - MaxforLive Audio Device for Ableton Live by AVAL
video upload by Isotonik Studios
"Introducing the 'GrainyDay' - an audio effects unit designed to upgrade your sound production!
With its random grain sizes and adjustable delay times, this device offers unmatched creativity.
Choose between random, free sync, or bpm sync settings for delay time, while the user-defined grain envelope lets you seamlessly switch between impulsive and smooth grains.
Dive even deeper into sonic exploration with the four pitchshifters, allowing you to create evolving and distinctive textures by layering different ranges.
And don't forget the incredible reverberation module! With two macros for decay and dry/wet, you can generate expansive clouds of sound that range from gentle ambience to an almost freeze.
The GrainyDay's captivating visual display corresponds to send amount and signal RMS, while its random movement, synced to the tempo, adds an exciting element to your sonic journey.
AVAILABLE HERE: https://isotonikstudios.com/product/g..."
FKMG - KLIMA ATMOSPHERIC LOGIC MODULE
FKMG - Klima (Environmentally Aware Logic/Rhythm Generator) for Eurorack
video upload by NOISEBUG
via NOISEBUG
"KLIMA is the first of many upcoming experiments that welcomes in the surrounding atmosphere as a fundamental building block for your modular patches. Inspired by traditional logic modules and built around an atmospheric sensor, Klima is a 4HP module that derives random gates by comparing your analog signals to the ambient temperature, humidity, atmospheric pressure and relative altitude.
How it works: the module takes an incoming signal up to ±5V and passes it through a comparator whose threshold is set by the density potentiometer. This parameter sets the probability that you’ll get a logic high (+5V) at the first output . In addition to giving a relatively predictable output related to the original input, the comparator signal is then compared to four independent binary signals to produce corresponding gates when a logic-AND occurs – that is, when both signals are high at the same time. The frequencies of these signals are determined by the atmospheric values from the sensor and are reset when a high gate is detected at the reset input, giving you a bit more control over the random gates that Kilma produces.
What all this ultimately means, is that as the surrounding environmental conditions change, so does the frequency of each of these binary signals and, therefore, the probability of a high gate output. In other words, the same patch will take on different characteristics depending on where you find yourself.
Klima is great for producing organically flavored randomness and is especially fruitful when it comes to producing polyrhythms and textures. In addition to offering a useful function standard to modular systems, Klima encourages you to pack up a travel rig and hit the road."
video upload by NOISEBUG
via NOISEBUG
"KLIMA is the first of many upcoming experiments that welcomes in the surrounding atmosphere as a fundamental building block for your modular patches. Inspired by traditional logic modules and built around an atmospheric sensor, Klima is a 4HP module that derives random gates by comparing your analog signals to the ambient temperature, humidity, atmospheric pressure and relative altitude.
How it works: the module takes an incoming signal up to ±5V and passes it through a comparator whose threshold is set by the density potentiometer. This parameter sets the probability that you’ll get a logic high (+5V) at the first output . In addition to giving a relatively predictable output related to the original input, the comparator signal is then compared to four independent binary signals to produce corresponding gates when a logic-AND occurs – that is, when both signals are high at the same time. The frequencies of these signals are determined by the atmospheric values from the sensor and are reset when a high gate is detected at the reset input, giving you a bit more control over the random gates that Kilma produces.
What all this ultimately means, is that as the surrounding environmental conditions change, so does the frequency of each of these binary signals and, therefore, the probability of a high gate output. In other words, the same patch will take on different characteristics depending on where you find yourself.
Klima is great for producing organically flavored randomness and is especially fruitful when it comes to producing polyrhythms and textures. In addition to offering a useful function standard to modular systems, Klima encourages you to pack up a travel rig and hit the road."
FKMG - IDEIN OPTIC GATE GENERATOR
video upload by NOISEBUG
via NOISEBUG
"Following in the same spirit as its predecessor Klima, IDEIN invites yet another aspect of the environment into your patching process. It’s bulging eye not only looks back at you but behind you and around you, surveying you and the space you’re in. It knows if you’re patching in the light of day or in the dark of night, how and where your shadows fall and what’s radiating out from your many screens. The eye of IDEIN is sensitive to colors, those you can see and those you cannot. However, IDEIN is not a passive observer. It lets you know what it sees by spitting out gates and triggers that correspond to all the visual information it takes in.
How it works:
IDEIN is an entirely autonomous module that requires no user-input aside from light. With an All-Light Sensor monitoring levels of the RGB and IR spectrums, IDEIN detects changes in light-color and compares this information to the threshold set by the light sensitivity knobs. When a threshold is passed, a gate is opened, and a corresponding trigger is sent. Simply put, IDEIN is a series of comparators that produce quasi-random gates and triggers based on the color light spectrum of the surrounding environment. The big eye translates light to sonic form. Let your movement, the fluctuations in the color spectrum and the presence of infrared light dictate where you go next. Use it to trigger events based on visual information (e.g., video art projected behind you), dance in front of the eye and see how it responds, or simply let the hitherto unthought and seemingly passive movements of your patching become another active trigger source for musical (and not so musical) events.
Like its sibling Kilma, the atmospheric logic module that precedes it, the idea behind IDEIN is to chip away at the boundary between environment and music-making, as well as to lean into what makes modular synthesis so exciting: randomness, spontaneity and (often) the impossibility of reproducibility. The visual and atmospheric information in which IDEIN and Klima are rooted bring the abstractions of thought back down to earth. It senses where you are and reminds you of that location."
Soma Labs - Cosmos (or how I learned to stop worrying and trust the loop)
video upload by NOISEBUG
"Looping, delaying, graining and more looping with the Soma Labs - cosmos
#synth #modularsynth #looperpedal #somalabs #somalabscosmos"
https://www.noisebug.net/
Minilogue xd - Vintage Choir Waveforms 80's and 90's Synth Vox
video upload by Oscelot
"Minilogue XD/Prologue Vintage 80's and 90's Synth Vox User Oscillator Bundle
0:00 Single notes
2:20 Chords
4:54 Chord Mode
https://oscelot.gumroad.com/l/80s-90s...
Breathe new life into your Korg Minilogue XD or Prologue with with this bundle of 26 x User Oscillators for the Korg Minilogue XD and Korg Prologue. Featuring voices from 80's and 90's keyboards and modules, including: Korg M1, M3R, 01W, NS5R, Triton, Yamaha TG500, TG55, SY22, FS1R, Roland JV2080, D10, JD990, U110, Kawai K1, Alesis Proteus, Kurzweil K2000"
Modular Lunchbox Prototyping - Low-Gain Electronics | 4U Modular
video upload by LowGainElectronics
"Setup a small system to do some testing with. Working on a new desktop instrument… to be released sometime this winter."
Modular Lunchbox Prototype II - Low-Gain Electronics | 4U Modular
"More exploration of the lunchbox."
Roland Juno 6 and Solina String Ensemble
video uploads by Jeroen Elfferich
"A short tune with the Juno 6 and Solina String Ensemble ( and Boss DR110 drum computer)"
Circuit Rhythm with Sequential Take 5 - Trovarsi Connects
video upload by Novation
"We've partnered with our sibling brands, @SequentialLLC and @FocusriteTV, to give you the chance to refresh your studio set up. We’ve put together a powerful synth recording bundle, that includes a Circuit Rhythm and the Sequential Take 5 - that'll have you creating unique beats, striking leads and warm pads, in a hassle-free workflow.
Sign up here before Nov 7th for your chance to win! - https://www.sequential.com/win-a-synt...
In this video, @Trovarsi demonstrates how the Circuit Rhythm and the Take 5 can be used together to make a complete musical arrangement and performance. She's sending MIDI from the Circuit Rhythm to the Take 5 to sync their clocks. Trovarsi records a chord progression into the step sequencer, using ties and timed steps to lengthen the progression to 8 bars. The audio from the Take 5 is running into the Circuit Rhythm, allowing end of chain effects to be utilized for all the audio, as well freeing up her hands to perform and experiment with the filters, distortion, and delays on both machines.
Circuit Rhythm's stereo/mono inputs make it easy to sample sounds directly to the groovebox for quick sequencing and sample mangling fun. After sampling, you can quickly get into creative mode and make a sequence out of the samples as well as use some of the Grid Fxs for performance fun!
It's easy to create packs and download your samples from Circuit Rhythm too. Simply connect your Circuit Rhythm to the computer and go to Components. https://components.novationmusic.com/"
SEMSVF Noir Edition - Danse Macabre [Demo 3] Eurorack Filter
video upload by gstormelectro
"Audio + Video by G-Storm Electro c. 2023
SEMSVF Noir Edition is my black panel version adaptation to the Oberheim SEM State Variable Filter. Same exact module as the Tribute edition white panel version. All hand made in limited quantities. Today I am just doing a creepy little darkwave jam in the spirit of the season. Two 101-VCOs feeding in, one of those VCOs getting a very slow vibrato from LFO. No mastering or additional effects. Recorded direct to Mackie mixer to Tascam DR-05.
Check my Reverb store for SEMSVF, 101-VCO availability"
G-Storm Electro:
*BLOG* http://gstormelectronica.blogspot.com/
*LISTEN/DOWNLOAD* http://soundcloud.com/gstormelectro
*REVERB* http://reverb.com/shop/gstormelectro
BRANDNEW JOMOX MOD FM // DIViNG DEEPER // VCA+VCF 100% ANALOG // No Talking
video upload by LESINDES
"Now understand the synth engine a bit more I tweak an own sound pattern based on the MOD FM init program. Sequence is contributed by ARTURIA KEYSTEP 37 via MIDI.
1st taking care of filter and VCA/ envelopes. 2nd reverb and tempo delay. Then FM engine and also external modulation from DOEPFER A-145-4
Quad LFO.
So, listen and enjoy the journey thru the menues like I did!"
Epic Prophet X Sample Bank Out Now
video upload by Espen Kraft
"A new patch bank for the Prophet X. Hundreds of samples from over 20 different classic vintage synths. Multi-samples, Velocity layered samples, one-shots and stretched (for authenticity).
The samples and patches I've created is originally meant for MY Prophet X, for my live needs. A way of having all my vintage synths in one keyboard when doing live gigs doing MY own songs as faithful as possible to my albums.
It means that all of these sounds are "ready to go" production pop synth sounds. If you're looking for experimental synth sounds or spiky industrial sounds etc, you won't find that here. I never set out to do that. Nor will I. Every sample in here has been recorded by me personally and sounds exactly how I want them to sound.
Many of the samples are velocity layered multi samples, some upwards of 30-50 samples per sound, while other sounds are just ONE sample, stretched over the entire keyboard. It all depends on how I want the sound to sound. 80s samplers always stretched the samples which gives it a characteristic sound and sometimes I want THAT sound to come through.
If you want to purchase this bank, please send me an email and I'll give you the download details.
The pack is about 1.5Gb in size.
My CONTACT email address is this: espenkraft69@gmail.com
Price is $35 USD. This price is a steal. PayPal only. * The above email is NOT the one to use for payment. That will be given upon ordering.
Included in the download is an instruction on how to install this bank, but I do assume you already know this if you have a Prophet X.
I will take no responsibility if you've accidentally deleted or erased any user samples on your own PX (that you had on from before) after installing my pack.
I will not engage in any "one to one" tutorial sessions on how to install the pack after purchase.
If you have a PX, you should know how to operate it. If not then this pack is not for you.
The installation, import and patch bank transfer has been tested out, and verified to work, by another PX user and owner.
If you want the pool of samples for another platform, I might be able to convert it for you. Send me an email and we'll see.
Novation Mono Station - "Future Sounds" 63 Presets
video upload by LFOstore
"Future Sounds V1 for Novation Mono Station is a new level soundbank.
https://lfo.sellfy.store/p/novation-m...
It unleashes the deepest possibility of this small analog monster.
You will find here the most experimental sounds ever made for Mono Station
The video demo clearly showing just some of the examples.
You can easily start your new track using these sounds, without learning all the algorithms of synth.
The variety of using includes every Electronic Music style is possible, from Melodic Techno to Trance, Dubstep, Ambient, Progressive, House, Cyberpunk, and even Synthwave.
The sound bank also contains ready-made Sequences (SESSIONS) recorded in the synthesizer itself.
And you can easily apply them to your work.
Soundpack includes:
20 – Leads.
16 – Basses.
8 – SFX.
1 – Pad.
1 – Key.
17 – Drums/FX’s.
Made by Igor Leus, chief of NatLife Sounds.
Enjoy!"
Kiviak Instruments' WoFi Comes to Kickstarter
You might rmember Kiviak Instruments' WoFi from previous posts here.
The have launched a Kickstarter campaign. Price of the WoFi on the Kickstarter Campaign: 599€ / 599$US
Public price of the WoFi post-campaign: 799€ / 799$US.
Press release follows:
"Say hello to WoFi
Kiviak Instruments is pleased to officially announce the release of Wofi, their first instrument ever, on October 17, 2023.
This date will begin a one-month Kickstarter campaign as a pre-order tool to scale the volume of production needed.
The have launched a Kickstarter campaign. Price of the WoFi on the Kickstarter Campaign: 599€ / 599$US
Public price of the WoFi post-campaign: 799€ / 799$US.
Press release follows:
"Say hello to WoFi
Kiviak Instruments is pleased to officially announce the release of Wofi, their first instrument ever, on October 17, 2023.
This date will begin a one-month Kickstarter campaign as a pre-order tool to scale the volume of production needed.
Arturia Introduces Efx Motions | Creative Movement Shaper
video upload by Arturia
"Efx MOTIONS is a software effect that combines musical movement, mix dynamics, and creative audio tools into a powerful effect plugin to give your music the momentum, variety, and pure sonic excitement it deserves."
Tutorials | Efx MOTIONS - Overview
video upload by Arturia
"In this Overview tutorial, Yetundey explains the basic concepts behind Efx MOTIONS, its structure, various modules, and motion editor. She also showcases a few use cases that might inspire you on how to integrate it into your own projects. Learn how to use Efx MOTIONS to create ducking effects, gated rhythms, abstract filtered loops, as well as stuttered drums fueled by spatial and dynamic effects."
_CHAPTERS
00:00 Intro
01:12 Software Overview
01:42 Motion Modules
03:10 Macros & Modulators
04:08 Ducker Use Case
06:06 Abstract Use Case
09:22 Gated Rhythm Use Case
11:11 Drums Use Case
12:40 Transitions
13:33 Outro
Arturia Efx Motions plugin: presets walkthrough. No talking
video upload by Anton Anru
"Arturia has just released a new multi-effect plugin: Efx Motions. It consists of several blocks (filter, distortion, noise, beat repeat, effects) and modulation sources (motion envelopes, sequencers), and together they can change the sound dramatically. I like groove/sync/seq features the most: a pad can be easily transformed into rhythmical chords.
I passed my Minifreak presets, pads and arps, through the plugin and gave them a new life.
📚 Presets for Arturia and other synths: https://antonanru.sellfy.store/"
Arturia Efx Motions Plugin Overview
video upload by MATTHS
"Meet Arturia’s EFX Motions processing tool that turns the simplest idea into music that evolves and captivates; bring boring, static stems to life with moving filters, distortion, beat repeating, and more; making your music more responsive and alive."
/// Connect With MATTHS ///
🕸 WEBSITE w/ links - www.matthsmatthsmatths.com
0:00 Intro
0:56 Overview
2:45 Sound 1
7:45 Apply to the master
10:33 Sound 2
11:20 Repeat FX
13:56 Sound 3
14:27 Mayhem ensures
16:14 Deconstruct
17:24 Tape stop
19:38 FX
23:20 Glitch
24:24 Macro
29:33 Beats
4 patches with Arturia Efx_ Motions
video upload by DATABROTH
"read my full review here: https://www.databroth.com/blog/efx-mo...
check out my wavetables and presets at https://gumroad.com/databroth
join my Patreon https://www.patreon.com/databroth
join my discord as well https://discord.gg/8XVBCYpv8e
00:00 Piano V3
01:31 Augmented Strings
04:24 MiniFreak V
05:21 Emulator II V (drums)"
"Efx MOTIONS empowers musicians to transform their ideas into evolving, captivating music. It breathes life into stagnant tracks with a suite of features, including moving filters, distortion, beat repeating, and more. Your mixes will feel more spacious, responsive, and alive.
Give your music the momentum, variety, and pure sonic excitement it deserves.
5 motion modules
At the center of Efx MOTIONS are its 5 main audio modules, each providing a different type of sound alteration. Toggle them on & off, switch up their order, and dig into unique parameters for each one for a near limitless range of motion-based processing.
Filter
Open and close the frequencies of your incoming audio with 5 types of filtering for bubbly swells, pumping resonant risers, and subtle analog transient emphasis.
Noise
Embellish & texturize any sound with a layer of noise, with dozens of sampled noise types to explore - from analog white noise to computer keyboard mashing to cicadas chirping.
Drive
Saturate, degrade, and destroy incoming sound with 10 varieties of crunch to choose from, including Tape, Softclip, and the fuzzy Germanium.
Volume
Create variations in level for stuttering percussion, tremolo-like movements, and more.
Pan
Make full use of the stereo field by manipulating the movement of panning in sync with your projects.
Beat repeat
Chop, resample, and transform incoming audio into punchy rhythmic ideas, from subtle repeating fills to glitchy Aphex Twin-esque mayhem.
Efx MOTIONS’ Beat Repeater and FX module gives you 5 more ways to get creative with the movement of your tracks, plus 2 FX slots with 14 FX types for a sprinkle of sonic coloration."
You can find addtional details at Arturia here.
ZEN-Core editor-librarians for Roland Fantom 6-7-8/06-07-08, AX-Edge and Jupiter-X/Xm
video upload by Benedetto Schiavone
B67 ZEN-Core Collection
video upload by
via https://www.benis.it
"After 3 years of development, my ZEN-Core editor-librarians for Roland Fantom 6-7-8/06-07-08, AX-Edge and Jupiter-X/Xm are available, accompanied by a bank of 222 ZEN-Core sounds programmed with the editor and compatible with all Roland Synths, Hardware and Virtual, pianos, GrooveBox, Wind Instruments and Guitar Synths compatible with this standard."
SFUK 2023 - From DX7 to MODX+ - 40 Years of FM Synthesis
video upload by Sound On Sound magazine
"From DX7 to MODX+ [40 Years of FM Synthesis]
Filmed at SynthFest UK 2023
To commemorate the 40th anniversary of the launch of the Yamaha DX7, Sound On Sound podcaster and music technology journalist, Rob Puricelli, reflected on the history and legacy of this game-changing instrument.
Rob was also joined on stage by celebrated FM programmer from America, Dr. Manny Fernandez, who demonstrate the impact of FM synthesis and how it has been implemented over the last four decades using a range of classic and modern FM synthesizers on stage.
There was also a demonstration of the Yamaha Computer Assisted Music System (Y-CAMS) which wowed audiences with the power of an FM-based, MIDI connected suite of tools."
Sequencer Therapy - October 17 2023
video upload by John L Rice
"I just felt like playing with a sequence for my peace of mind. Not as good as hugging a dog, but better than nothing! 🤓😁 Klee sequencer built by Megaohm Audio is shown. Off screen the usual modules: Synth Tech MOTM-300 VCOs, MOTM-380 LFO, Moon 517 VCF, Oakley/Krisp1 VCAs, STG Envelopes, Modcan 55B quantizer and 73B delay, Club Of The Knobs C969 clock, Strymon and Lexicon reverb. #modularsynth #sequencer #electronicmusic"
Roland Gaia 2 w/ Original Box
Siel Orchestra 2 Vintage Analog Italian String Synth
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"The Siel Orchestra 2 was released in Italy in 1983. It has 4 preset sounds with many sliders and edit parameters. The Brass section has a great filter with cutoff and resonance sliders. 5-band graphic EQ, LFO, Octave Transposition and "Animator" section with beautiful analog flanger."
via this auction
"The Siel Orchestra 2 was released in Italy in 1983. It has 4 preset sounds with many sliders and edit parameters. The Brass section has a great filter with cutoff and resonance sliders. 5-band graphic EQ, LFO, Octave Transposition and "Animator" section with beautiful analog flanger."
Moog Polymoog Keyboard 280a Vintage Synthesiser
Oberheim DSX SN A34523
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
Pics of the inside below.
"Transport yourself back to the early 1980s, a time when innovation was paramount, and Oberheim was at the forefront. The visionary Oberheim Parallel Buss system emerged as a proprietary masterpiece that paved the way for seamless connectivity and synchronization in the pre-MIDI era. This groundbreaking system interlinked an array of Oberheim marvels, including the resplendent OB-8 eight-voice synthesizer, the rhythmic wizardry of the DMX drum machine, and the ingenious DSX Digital Polyphonic Sequencer.
The DSX, a true marvel of its time, also wove its magic with other Oberheim synthesizers, embracing the likes of the OB-Xa, OB-SX, and OB-X. It could either sway to the DMX's rhythmic beat or take the reins of control over the OB-synths themselves. But the DSX was not content with merely directing these musical maestros; it held the power to command an additional eight analog synthesizers through its 8 CV and Gate outputs, a feat unparalleled at the time.
For analog synth enthusiasts, the DSX was a revelation. It could faithfully capture your live performances, recording notes and patch changes in real-time, with an astonishing capacity to hold up to 6,000 notes. With room for ten distinct sequences or songs, each of these sequences could unleash ten polyphonic tracks, orchestrating a symphony of OB-synths and DMXs. The DSX even remembered the intricate details, such as splits and doubles. To refine your compositions, it offered quantizing, looping, editing, transposing, and the ability to merge sequences.
If you possess any of these cherished pre-MIDI Oberheim analog OB-synths, the DSX presents a timeless solution for direct, classic control without the need for MIDI retrofits or complex interfaces. Despite some cosmetic wear, this pre-owned gem is in impeccable working condition, meticulously serviced with a new internal battery, internal cleaning, and maintenance. To complete the experience, the DSX arrives with a sync cable for effortless integration with your Oberheim companions and a comprehensive manual. It's your chance to rediscover the magic of a bygone era, rekindling the analog spark that fueled musical revolutions."
via this auction
Pics of the inside below.
"Transport yourself back to the early 1980s, a time when innovation was paramount, and Oberheim was at the forefront. The visionary Oberheim Parallel Buss system emerged as a proprietary masterpiece that paved the way for seamless connectivity and synchronization in the pre-MIDI era. This groundbreaking system interlinked an array of Oberheim marvels, including the resplendent OB-8 eight-voice synthesizer, the rhythmic wizardry of the DMX drum machine, and the ingenious DSX Digital Polyphonic Sequencer.The DSX, a true marvel of its time, also wove its magic with other Oberheim synthesizers, embracing the likes of the OB-Xa, OB-SX, and OB-X. It could either sway to the DMX's rhythmic beat or take the reins of control over the OB-synths themselves. But the DSX was not content with merely directing these musical maestros; it held the power to command an additional eight analog synthesizers through its 8 CV and Gate outputs, a feat unparalleled at the time.
For analog synth enthusiasts, the DSX was a revelation. It could faithfully capture your live performances, recording notes and patch changes in real-time, with an astonishing capacity to hold up to 6,000 notes. With room for ten distinct sequences or songs, each of these sequences could unleash ten polyphonic tracks, orchestrating a symphony of OB-synths and DMXs. The DSX even remembered the intricate details, such as splits and doubles. To refine your compositions, it offered quantizing, looping, editing, transposing, and the ability to merge sequences.
If you possess any of these cherished pre-MIDI Oberheim analog OB-synths, the DSX presents a timeless solution for direct, classic control without the need for MIDI retrofits or complex interfaces. Despite some cosmetic wear, this pre-owned gem is in impeccable working condition, meticulously serviced with a new internal battery, internal cleaning, and maintenance. To complete the experience, the DSX arrives with a sync cable for effortless integration with your Oberheim companions and a comprehensive manual. It's your chance to rediscover the magic of a bygone era, rekindling the analog spark that fueled musical revolutions."
Oberheim OB-SX w/ Magic Box MIDI & BCR2000 Controller
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
Pics of the inside below.
"This is an Oberheim OB-SX 6 voice analog synthesizer. It has been upgraded with a New "Magic Box" MIDIcontrol device from MIDI Soft in Germany. The Magic Box includes 56 additional patches to the 56 already in the OB-SX. This includes a Behringer BRC2000 that has been programmed with the MIDIcontrol software included with the Magic Box. I had new custom Oak Wood end cheeks made that were wood stained to come closer to the OB-SX wood end cheeks. The BCR2000 also has a custom Over-Lay to represent all the parameters for the Magic Box. The connections to the OB-SX are simple, just attach the box to the interface connector in the rear center of the OB-SX and plug the box in. The MIDI connections are as follows, MIDI "In" from the box to MIDI "Out A" to the BCR2000 and MIDI "Out" from the box to MIDI "Thru/Out B" on the BCR2000. The BCR2000 is set up for Stand-Alone 3 or S-3 on the unit. You can change anything you want but this is how it is set up presently to use. Once the BCR2000 is hooked up, press the "Auto" button on the OB-SX to Tune all the Voices. Turn on the BCR2000 and plug in the Magic Box (there is no power switch on the box). I will include both USB power cable and AC power adapter with the Magic Box. I will also include the power cable for the BCR2000 and OB-SX. Once everything is on and tuned, select a Patch from the lower Left controller on the BCR2000 and press "Load", lower Right. This needs to be done each time a patch is selected on the BCR2000. You can also select banks and patches on the OB-SX by just pressing them, this will allow you to use the presets and Edit the patches in the OB-SX from the BCR2000. I will send the instructions I printed out, but you can also go to the MIDI Soft website. This is basically a trimmed down version of an OBXa with full control like the OBXa. The voice cards are almost identical, same CEM3340 VCO's, CEM3310 VCAs, but only one CEM3320 VCF 12dB 2 pole filter. The only difference is that the OBXa has 2 CEM3320 chips, one with the 12dB 2 pole Oberheim configuration and one with the 14dB 4 pole Moog style configuration. Other than that, they are basically the same voice cards and now you have the same controls as the OBXa with the programmed BCR2000 and Magic Box. Also, the OBXa has 120 presets. With the Magic Box, you now have a total of 112 presets on the OB-SX and an extra 56 User presets to make your own patches.
The unit itself has been well kept. All the keys, knobs, switches and buttons work. The unit tunes fine when the "Auto" button is pressed. All oscillators work as they should. All of the keys are very quiet and have nice action. The inside is immaculate. The outside case has some scratches and chips on the hood, the underside has longer scratches. Please review all the pictures before purchasing or making an offer. The unit is very deep, about 20", I had to customize my keyboard rack.
· This is a super rare, from the factory 56 patch (switchless), 6 voice late production version – voice cards are the 4 pin variety and are dated: “Nov 04 1981”
· Coming from the factory with 6 voice cards.
· Has had a full power supply rebuild within the last 3 years, modern capacitors & rectifiers with better specs than the OEM 1981 designs.
· Several other internal items were replaced along with the power supply, including: dip switch selector for the voice boards and *ALL* of the potentiometers on *ALL* the voice cards have been upgraded to the multi turn, “box” style as opposed to the original single turn “dial” type potentiometers. Huge difference in calibrating and holding precise values.
Most of the Oberheim classic sounds are factory presets in this fabulous instrument. It will ship with a power cord. The unit should warm up for about 15-30 minutes before use even though it tunes fine at first power up. The units will be double boxed for protection in shipping. The main unit is also very heavy."
via this auction
Pics of the inside below.
"This is an Oberheim OB-SX 6 voice analog synthesizer. It has been upgraded with a New "Magic Box" MIDIcontrol device from MIDI Soft in Germany. The Magic Box includes 56 additional patches to the 56 already in the OB-SX. This includes a Behringer BRC2000 that has been programmed with the MIDIcontrol software included with the Magic Box. I had new custom Oak Wood end cheeks made that were wood stained to come closer to the OB-SX wood end cheeks. The BCR2000 also has a custom Over-Lay to represent all the parameters for the Magic Box. The connections to the OB-SX are simple, just attach the box to the interface connector in the rear center of the OB-SX and plug the box in. The MIDI connections are as follows, MIDI "In" from the box to MIDI "Out A" to the BCR2000 and MIDI "Out" from the box to MIDI "Thru/Out B" on the BCR2000. The BCR2000 is set up for Stand-Alone 3 or S-3 on the unit. You can change anything you want but this is how it is set up presently to use. Once the BCR2000 is hooked up, press the "Auto" button on the OB-SX to Tune all the Voices. Turn on the BCR2000 and plug in the Magic Box (there is no power switch on the box). I will include both USB power cable and AC power adapter with the Magic Box. I will also include the power cable for the BCR2000 and OB-SX. Once everything is on and tuned, select a Patch from the lower Left controller on the BCR2000 and press "Load", lower Right. This needs to be done each time a patch is selected on the BCR2000. You can also select banks and patches on the OB-SX by just pressing them, this will allow you to use the presets and Edit the patches in the OB-SX from the BCR2000. I will send the instructions I printed out, but you can also go to the MIDI Soft website. This is basically a trimmed down version of an OBXa with full control like the OBXa. The voice cards are almost identical, same CEM3340 VCO's, CEM3310 VCAs, but only one CEM3320 VCF 12dB 2 pole filter. The only difference is that the OBXa has 2 CEM3320 chips, one with the 12dB 2 pole Oberheim configuration and one with the 14dB 4 pole Moog style configuration. Other than that, they are basically the same voice cards and now you have the same controls as the OBXa with the programmed BCR2000 and Magic Box. Also, the OBXa has 120 presets. With the Magic Box, you now have a total of 112 presets on the OB-SX and an extra 56 User presets to make your own patches.The unit itself has been well kept. All the keys, knobs, switches and buttons work. The unit tunes fine when the "Auto" button is pressed. All oscillators work as they should. All of the keys are very quiet and have nice action. The inside is immaculate. The outside case has some scratches and chips on the hood, the underside has longer scratches. Please review all the pictures before purchasing or making an offer. The unit is very deep, about 20", I had to customize my keyboard rack.
· This is a super rare, from the factory 56 patch (switchless), 6 voice late production version – voice cards are the 4 pin variety and are dated: “Nov 04 1981”
· Coming from the factory with 6 voice cards.
· Has had a full power supply rebuild within the last 3 years, modern capacitors & rectifiers with better specs than the OEM 1981 designs.
· Several other internal items were replaced along with the power supply, including: dip switch selector for the voice boards and *ALL* of the potentiometers on *ALL* the voice cards have been upgraded to the multi turn, “box” style as opposed to the original single turn “dial” type potentiometers. Huge difference in calibrating and holding precise values.
Most of the Oberheim classic sounds are factory presets in this fabulous instrument. It will ship with a power cord. The unit should warm up for about 15-30 minutes before use even though it tunes fine at first power up. The units will be double boxed for protection in shipping. The main unit is also very heavy."
Simple solid clock sync! The Missing Link & ML:2 (Ableton Link) // Circuit Happy at Knobcon 2023
video upload by DivKid
"Giving the demo without any audio to listen to is a big move. A bold move made possible by rock solid behaviour from the devices from Circuit Happy. We have The Missing Link Junior and ML:2 Eurorack modules that are both Ableton Link enable devices for not just clock sync and reset but bar position aware behaviours for triggering and syncing to the patterns too. Impressive all round."
All parts here. See the post labels below for more.
Better Spring Reverb! (with more filter features than your filter?) // Bubblesound at Knobcon 2023
video upload by DivKid
"It was great to meet David from Bubblesound at Knobcon 2023. I've been a long time user of his modules and he's consistently made quality modules over the years. The upcoming Spring Reverb module looks at Spring Reverb options in existence and aims to make them better, a fully featured SEM style multimode filter is on the module so you can really shape what's going into the physical spring, changing it's behaviour and sound. There's on board feedback which David is leaning into in this video too for more experimental patching."
All parts here. See the post labels below for more.
A Modular Approach to Eurorack Mixing with BARTENDER & BARBACK // After Later Audio at Knobcon
video upload by DivKid
"Here we have several new modules from After Later Audio from Knobcon 2023. Lenny takes us through Bartender, Barback and Cast Iron which make up a new expandable, modular approach to Eurorack format mixing."
All parts here. See the post labels below for more.
Patch Tuesday | Glistening Arps | Route 4, Delay 1, Generate 3
video upload by Joranalogue Audio Design
"This week on Patch Tuesday: Glistening Arpeggios
Our main sound source is a Generate 3, receiving pitch from a MIDI-to-CV keyboard. Mix 3 is used as a VCA, being modulated by one Contour 1. The two other Contour 1s accentuate the sound by opening the VCA even more. Their inverted signal is sent to the control inputs of Route 4, producing arpeggios.
The extra flavour in this patch comes from Delay 1, clocked by filter 8, resulting in beautiful, lo-fi arps."
Bird-like sequences with bizarre clocks thanks to USTA and FALISTRI
video upload by Frap Tools
"Time to explore more quirky interactions between USTA and FALISTRI!"
Check the other video here.
00:00 Introduction and patch overview
01:23 Using gates to switch the clock on and off
04:42 Changing the gate patterns
05:55 Using preprogrammed patterns instead of random events
07:10 Using an envelope to add ornaments
Roland GAIA 2: Every Factory Preset (no talking!)
video upload by Scott's Synth Stuff
"The Roland GAIA 2 has the best set of factory presets I have heard in a long time on a modern synthesizer. Listen to these presets and this synth will sell itself. It did for me."
Full review and comparison posted here.
ISE-NIN by Black Corporation Ambient Performance
video upload by Martin Stürtzer
"The ISE-NIN is a synthesizer 'inspired by' the Roland Jupiter 8. Both sounds in this track are played at the same time using the dual layer mode. The first patch is sequenced by 'Stepic' by Devicemeister. I added effects from Valhalla DSP (Delay & Room).
This machine was kindly borrowed for making this video. No money changed hands and Black Corporation has no say over the content of this video."
Real World Interface by Verbos Electronics - Overview & Demo
video upload by Stazma
"Today I'll be showing you the new Real World Interface by Verbos Electronics.
This is sort of the first contact with the module, trying all the things I thought i could do and listening to different stuff processed throught it.
It's a very interesting and deep module, and there's so many ways to use it that I'll do a second video with a few more patch ideas soon.
Have fun!"
00:00 Intro
01:11 Fast forward unboxing & first patches
02:41 Module Overview
04:23 Patching a compressor
06:04 Pre-amp & saturation test
08:22 Drum machine driven patches
14:17 A.G.C, Fundamental & Locked VCO outputs
17:54 Stereo pre-amplification & enveloppe follower
22:38 End talk
The Real World Interface is a 3 channel external processing module intended for connecting with sound sources outside the system. The channels are oriented as vertical channel strips. The left and right channels have a built-in condenser microphone, preamp, envelope follower with variable decay and gate extractor. In addition to a preamp, envelope follower and gate extractor, the center channel also has an Automatic Gain Control (fixed high ratio compressor), fundamental extractor (tracking lowpass filter), frequency detector and locked oscillator. Internal microphones are useful for introducing electro acoustic room sound into the modular. Envelope followers can be used to have external signal levels effect parameters such as filter cutoff or level for building dynamics processors. Gate extraction allows external sounds such as metronomes, clicks, claps or room sounds to advance sequencers, trigger sounds or initiate other events. The Frequency Detector can extract the pitch of simple monophonic sounds but is also a semi chaotic CV source in the tradition of such modules since their introduction in the 1960’s. The Locked Oscillator plays a sine wave at the same pitch as the input signal.
Additional posts
Cherry Audio PS-3000 Patching Techniques - Hosted by Tim Shoebridge
video upload by Cherry Audio
"In this follow-up to the overwhelmingly popular PS-3300 tutorial. [Introduction video here]
Tim Shoebridge digs deeper into the semi-modular nature of PS-3300, and demonstrates a number of patching techniques to get more out of this monster synthesizer."
Multi Rhythmic Patches with Midicake ARP
video upload by midicake
"Using multiple arpeggios on different meters and sequence lengths can make for very interesting results.
In this video, I go through the parameter settings used to create a lazy but rhythmically complex patch. Its varying rhythms make the focal melody constantly shift between different arpeggios/instruments.
Let me know what you think in the comments."
New member of Oceanic, the FlangerBot in charge.
video upload by sonicLAB
"Flanging, by definition, is an undulating sound effect produced by mixing two identical signals together, with one signal delayed by a small and gradually changing period. This creates a sweeping comb filter effect, with peaks and troughs in the resultant frequency spectrum. The motion of trochoidal waves on the Oceanic, with their natural ebb and flow, perfectly mirrors this undulating characteristic. When applied to modulate flanger parameters, trochoidal waves not only enhance the flanging effect but also make it feel more organic and alive.
The FlangerBot presents 5 distinct oceanic flangers and by modulating the delay rate of each flanger, introducing undulating filtering effects, and triggering tap delay lines with wave heights, the FlangerBot offers a sound processing experience that is both intricate and expansive.
On the video, a simple Jupiter8 pad is being processed and then 2 Fundamental3 presets. No additional effect has been applied."
Also see: Oceanic, a deep dive into the sound of waves.
GOLDEN MASTER PEDAL by ENDORPHIN.ES
video upload by Endorphin.es
"We proudly present the GOLDEN MASTER PEDAL: a 24-bit 96kHz multiband processor effect unit that redefines the art of sound manipulation.
AVAILABLE NOW from ENDORPHIN.ES directly and worldwide retailers: [see the dealers on the right]
Crafted with the discerning needs of both live musicians and studio virtuosos in mind, this pedal stands as a testament to punch and power. At its core, the Golden Master boasts 32-bit internal processing, delivering pristine audio that enriches stereo mixes and imparts life to individual elements.
This pedal brings a plethora of features including an classic 3-band equaliser with selective compression, end-of-chain limiter, multiband sidechain and stereo image widener with dry/wet control. Such a versatile array of tools makes the Golden Master an indispensable instrument for adding energy and clarity to your music - whether you are a guitar or bassists player or just mastering the whole mix directly into venue PA.
Innovating further, the per-band EQ can be controlled externally using an expression pedal or the sidechain envelope follower derived from an external audio source. This ground-breaking technique empowers you to harness granular control over the spectrum sculpting frequencies and dynamics with unparalleled precision.
Compact and lightweight, the GOLDEN MASTER PEDAL seamlessly integrates into live setups, allowing you to achieve commanding, stageready mixes effortlessly.
With the capability to store and recall 3 presets, morphing between soundscapes becomes an intuitive one-handed experience, ensuring your creativity flows unhindered.
Moreover, the Golden Master's high impedance inputs and pseudobalanced outputs transform it into an exceptional DI box for minimising
noise when interfacing with large PA systems."
GHOST PEDAL by ENDORPHIN.ES x ANDREW HUANG
video upload by Endorphin.es
"We're thrilled to unveil the GHOST PEDAL: a collaborative masterpiece born from our ongoing synergy with Andrew Huang.
AVAILABLE NOW from ENDORPHIN.ES directly and worldwide retailers: [see the dealers on the right]
Tailored for audacious sound designers and electrifying live performers, the GHOST PEDAL embarks on an odyssey of multi-dimensional audio effects.
Prepare to be captivated by its arsenal of effects, including distortion, cabinet simulation, bitcrushing, and a trio of reverbs that span from lush halls with infinite freeze and shimmer to reverberating springs and ethereal reverses. A distinctive delay section takes centre stage, featuring a single delay line that can be harnessed for looping, stereo choruses and resonant textures.
The Ghost Pedal's expansive filter suite offers three distinct types – state-variable LP/HP, Band Pass, and a comb filter that morphs into a resonator with high resonance settings. Immerse yourself in sonic exploration as you modulate effects using the built-in multi-shape LFO or external sources such as the envelope follower, expression pedal or MIDI.
But what truly sets the Ghost Pedal apart is its Routing Matrix, providing six versatile routing options that redefine the sonic journey. With a simple button press, you can reshape the order of effects in the audio processing chain, from cataclysmic subharmonics to celestial shimmer reverbs.
The Ghost Pedal is a haven for creative expression, offering 9 presets that can be seamlessly morphed and recalled on the fly. Sharing and evolving your sound is effortless, as presets can be exchanged between users via SysEx messages opening the doors to endless sonic horizons.
The Ghost Pedal redefines convenience with its compact design, offering also an all-in-one solution for both pedal boards and multi-effect processors.
It boasts a carefully chosen selection of intuitive hands-on controls that eliminate the need for cumbersome menu diving, steep learning curve or connectivity overkill."
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
