Exploring Modular Synths - Easy Patch Introduction Videos

Published on Jul 1, 2016 Modular Landing

Playlist:

Exploring Modular Synths Episode 0 - Beginner's Mind - Introduction and First Patch

"This video is for beginners interested in exploring modular synthesis. It explains what a modular synth is, different types of modules, and how to create a first patch. I try to go step by step and use Pressure Points and Brains as a sequencer to run the Dixie ii+ oscillator, Peaks for envelopes, and the Echophon delay."

Exploring Modular Synths - Easy Patch Introduction Video 1
"This video series is an introduction to modular synthesizers, with each video exploring a few modules and showing how to create an easy patch. This first video features the Make Noise Rene, the Intellijel Dixie ii+, the Xaoc Batumi and the Harvestman Polivoks filter. This is on an introductory level so we're just scratching the surface of these wonderful modules!"

Exploring Modular Synths - Easy Patch Introduction Video 2
"The second video in a series exploring modular synthesis a few modules at a time by showing easy patches step-by-step. This patch explores using Make Noise Maths to control a Make Noise Rene sequencer, going to a Wiard Anti-oscillator, further modulated by a Make Noise Pressure Points, and finally into the Mutable Instruments Clouds for some granular effects."

Exploring Modular Synths - Easy Patch Introduction 3 - Batumi and Clouds
"A patch exploring just two modules -- the Xaoc Batumi and Mutable Instruments Clouds. The Batumi is used both as a sound source and to modulate itself and Clouds. Only these two modules are used (the Azimuth is just trimming the output to the monitors to control levels and could be removed from the patch)."

Exploring Modular Synths - Introduction to Patching No. 4
"This is a quick run through of a more complex patch on the modular synthesizer."

Exploring Modular Synths - Patch 5 - Getting Your Synth to Play Along using the 4ms SMR
"This video explores using the 4ms Spectral Multiband Resonator as an evelope/trigger generator based on incoming signal, to turn your modular synth into an accompanyist that can play along with any kind of music. In this case music is played from a Radio Music module. The end result was kind of like a drunk tuba player and a drunk jazz drummer playing along with the music -- more tweaking could no doubt create a better effect!"

Exploring Modular Synths - 6 - Fuller patch with three sequencers and Pressure Points for Chords
"First I explain the patch, which is using Pressure Points for chords, and three sequencers (two Mother 32's and the Rene), plus Dixie ii+, Wiard Anti-oscillators and Braids for sound sources, and Peaks for a bass drum. Then I play the patch a bit."

Exploring Modular Synths 7
"This video explores a patch centered around the 4ms Spectral Multiband Resonator. Explanation is given and then the patch is played."

Exploring Modular Synths 8 - Using the Echophon as an Oscillator
"Almost anything in your modular synth, it seems, can be used as an oscillator or sound source. In this very simple video, the Echophon is used as an oscillator by capturing some inputted audio with the freeze button. It is sped up to audio rate, and then CV comes in via the pitch input to play that frozen audio."

Modular Expedition 22 - Improvised Modular Synthesizer Music
"Live performance on a modular synthesizer. An explanation of the patch is given in the video 'Exploring Modular Synths 9'."

Exploring Modular Synths 9 - Explanation of Patch and Performance of Modular Expeditions 22
"This video explains a somewhat involved patch used in the piece "Modular Expeditions 22" which is available as a separate video without explanation and with better audio quality. If you haven't seen that, you can go watch that first. In this video, after the explanation of the patch, the piece is played through as a shorter version than the other video. This piece is built around a sequence in the Rene that goes out to the Dixie, the Intellijel Shapeshifter, and Braids. Drums from the Ladik Twin Drums module and hi-hats from noise from a Mother 32 accompany. The piece begins and ends with pads from Pressure Points into two Wiard Anti-oscillators and into a 4ms Spectral Multiband Resonator complement the piece, played into Clouds. Echophon is used for some DJ-like wiggling effects at times."

Modular Expedition 23 - Random Orchestral Movements in the Dark
"Live performance on a modular synthesizer. The explanation for this patch can be found in the video 'Exploring Modular Synths 10.' The patch is meant to resemble an experimental sympohony orchestra and is built around a Korg SQ-1 sequencer, Intellijel Shapeshifter and Mutable Instruments Clouds. Thanks for watching!"

Exploring Modular Synths 10 - Clouds and Shapeshifter for Random Orchestral Movements in the Dark
"This patch uses the Korg SQ-1 sequencer, the Intellijel Shapeshifter and Clouds to create the effect of a symphony orchestra playing an experimental piece of music. The Batumi and Dixie ii+ are used for low-frequency oscillation for modulation. A fuller performance of the patch is available as 'Modular Expedition 23.'"

Exploring Modular Synths 11 - Self-patching a Dixie oscillator
"This video tutorial for beginners starts with an exploration of what happens when you start to patch an oscillator back into itself, using the Dixie ii+ as an example. The self-patched Dixie is then sequenced with a Make Noise Rene and Pressure Points going into an Echophon and Mutable Instruments Clouds. Thanks for watching!"

Exploring Modular Synths 12 - Strymon Big Sky
"This video explores a basic patch with the Shapeshifter sequenced by the Rene to show off the Strymon Big Sky and what it can add to a modular synth"

Exploring Modular Synths 13
"A video showing a patch of a groovy synth bass line featuring the Strymon Big Sky reverb pedal."

New I Dream Of Wires 2014 Documentary Trailer - Official

I Dream Of Wires 2014 documentary Trailer - Official from I Dream Of Wires on Vimeo.

"Waveshaper Media presents
a film by Robert Fantinatto and Jason Amm
I DREAM OF WIRES (2014)

I Dream Of Wires is an independent documentary about the history, demise and resurgence of the modular synthesizer, featuring interviews with modular musicians, inventors and enthusiasts, including Trent Reznor (Nine Inch Nails), Gary Numan, Vince Clarke (Erasure), Morton Subotnick, Chris Carter (Throbbing Gristle), Daniel Miller, Carl Craig, Flood, Cevin Key (Skinny Puppy), James Holden, Factory Floor, Legowelt, Clark, John Foxx and Bernie Krause, as well as manufacturers and modular industry leaders Doepfer, Modcan, and Make Noise.

Although April 26 will be the world premiere of  I Dream Of Wires' 90 minute theatrical cut (at Moogfest), a 4-hour Special Edition cut of the film, I Dream Of Wires: Hardcore Edition, was released on DVD and BluRay in late-2013, and has already become an underground, grassroots sensation amongst electronic musicians and fans, with high profile reviews and coverage from the likes of NPR, Arte/Tracks, Pitchfork, The Wire, and FACTmag. Despite it's imposing 4-hour length and ultra-niche target market, the Hardcore Edition ("for the hardcore modular synth and electronic music fanatics") has proven an independent hit. Now, stripped of the Hardcore Edition's techy excesses, I Dream Of Wires' theatrical cut is set to bring the fascinating story of the modular synthesizer, a story driven by passionate and innovative people, to the masses.

I Dream of Wires begins with an historical primer, exploring the early development of modular synthesizers from pioneering companies Moog Music Inc. and Buchla and Associates, right through to the near-extinction of these instruments, brought on by the introduction of portable, digital synthesizers in the ’80s. From there, the rebirth of the modular synthesizer is retraced, leading into the phenomenal resurgence of the modular synthesizer. Along the way is some in-depth exploration of the passions, obsessions and dreams of people who have dedicated part of their lives to this esoteric electronic music machine. What started out as a “vintage-revival scene” in the ’90s has grown into an underground phenomena with a growing market of modular obsessives craving ever more wild and innovative sounds and interfaces. Today, the modular synthesizer is no longer an esoteric curiosity or even a mere music instrument — it is an essential tool for radical new sounds and a bona fide subculture.

Additional credits:
Director: Robert Fantinatto
Producer: Jason Amm
Soundtrack: Solvent (OST via Suction Records)
Trailer: Kevan Byrne

"I Dream Of Wires shows how, in the same way that the instruments themselves are rewiring both performers' and listeners' expectations about electronic music, the community that has evolved around modular synths is changing the relationships between users, sellers, and makers…"
- The Wire magazine (UK)

"As far as documentaries go, this is a slick, polished production. The film looks great, and as one would hope and suspect, the audio is wonderful, with the score by Solvent setting the perfect mood throughout...."
- Film Threat (USA)

"…lingering close-up shots of analog synths aside (and there are a lot of these), perhaps what's most joyous about I Dream of Wires is that it profiles a subculture that has almost nothing to do with the music industry."
- The List Film (UK)

"I would highly recommend Robert Fantinatto's documentary film not only to anyone interested in modular analog synthesizers, but to anybody interested in sound and the electronic reproduction of audio in general. This film is so well made it should appeal to anyone curious about people who are obsessed with minutiae, weird sounds, and music that 97 percent of the planet would find annoying."
- Tape Op magazine (USA)

"With its excellent narration and top-notch interviews with pioneers and popularizers like Morton Subotnick, Gary Numan, and Trent Reznor, I Dream of Wires gives us a glimpse into the mind of electronically-minded musicians and their often revolutionary perspectives on music, technology, and human ingenuity.... If you’re curious about the wide world of synths but intimidated by the steep learning curve, check out this movie...."
- DigBoston weekly (USA)

"A recommended watch for those with any degree of interest in synths and synth music. 10/10 Excellence"
- Music Tech magazine (UK)

"…if synthesizers are your thing this documentary provides a huge amount of insight and should appeal in particular to musicians or engineers."
- HMV (UK)

"…this is as thorough a study of the unique appeal of modular synths as you’ll find."
- Attack Magazine (UK)

I Dream Of Wires
idreamofwires.org
vimeo.com/idreamofwires
twitter.com/IDOWdocumentary
facebook.com/idreamofwiresdocumentary"

Massive Eurorack Setup for Sale

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

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Meet the New KORG volca modular - Details & Demos

Published on Jan 14, 2019 Korg

It's real. Looks like a mini Buchla Music Easel with the red on blue touch panel "keys".

Updates: Reverb video, audio demos, hi-res pics & additional details added below.

"KORG volca modular is a semi-modular analog synthesizer in the KORG volca format that makes modular synthesis more accessible and understandable than ever before. Featuring 50 patch points for using the 20 included patch cables to connect the eight onboard modules in any way imaginable, volca modular was created with 'West Coast Style' synthesis in mind, to offer a unique sound and design that deviates from traditional synthesis norms."

Korg Volca Modular - Demo with Nick Kwas

Published on Jan 14, 2019 Kraft Music

"Find exclusive Korg Volca Modular BUNDLES at Kraft Music.

Nick Kwas Demos and jams out on the Korg Volca Modular at Kraft Music.

The Korg Volca Modular is a semi-modular analog synthesizer with eight independent internally-connected modules, 50 patch points, and digital effects. Although focused on the complex and experimental sounds of the West Coast school of modular synthesis, the Volca Modular is equipped with the familiar 16-step Volca sequencer with parameter automation capabilities, as well as flexible scale and key settings. Sync and CV in jacks allow for connection to other Volca units, select Korg synths and sequencers, and modular systems. Like other Volcas, the Volca Modular features a built-in speaker and battery operation.

Get more for your money with an exclusive Korg Volca Modular bundle from Kraft Music. These package deals include the accessories you'll need to get the most out of your new micro modular synth, all for one low price. If you have any questions, please give us a call. Our knowledgeable sales advisors will be happy to assist in choosing the bundle that's right for you!"

Korg Volca Modular - Clock Divider

Published on Jan 14, 2019 Rishabh Rajan

"Tutorial on creating a multi-voice pattern using the clock divider."

Korg Volca Modular - Step Sequencer

Published on Jan 14, 2019 Rishabh Rajan

"A tutorial on some of the functionality of the step sequencer on the Korg Volca Modular."

Korg Volca Modular Micro Modular Synthesizer | Reverb Demo Video

Published on Jan 14, 2019 Reverb

"The synth masters at Korg just announced the Volca Modular, Minilogue XD, and Volca Drum. Starting with the Volca Modular micro modular synth, check out this video demo (as well as those linked below) to learn more about the features in this trio of new offerings from the dream team that created so many of the top-selling synths on Reverb in the past couple years.
Read More on Reverb"

"An analog synth composed of modules

Eight modules

The volca modular is a semi-modular synthesizer consisting of independent analog synth modules, digital effects, and a sequencer. Each of the modules has been carefully selected for its stand-alone completeness. The modules are internally connected so that sound can be produced even before connecting the included pin cables, and the routing is shown by white lines on the panel. Module connections via a pin cable take priority over the internal connections, bypassing them.

SOURCE：

This consists of a triangle VCO carrier and a modulator. The complex overtones generated by FM modulation are sent through a wave folder circuit to add additional overtones, producing a distinctive sound. This module is important in determining the basic character of the sound of volca modular.

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I Dream of Wires to Add Additional Extended Interview

via I Dream of Wires on Facebook:

"It looks like we'll be producing and releasing one more free I Dream Of Wires: Extended Interview piece in 2014. If you could choose just one person, out of all of the people we interviewed in IDOW, who would you like to see featured in a full Extended Interview? [leave your pick on Facebook here]

If you're not familiar with our Extended Interview series, we've released 9 of them so far. See the list below, and check out our Vimeo channel to watch.

I Dream of Wires - Extended Interview Series:"

9. Chris Carter:

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Interview with Hexfix93 of VAC

The following is an interview I just wrapped up with hexfix93 of Velvet Acid Christ. As you know, this site is about the gear, namely synths, and the gear that helps drive and enhance synths, but ultimately the focus is on synths.

I was chatting a bit with hexfix93 and asked him if he would be interested in a slightly different take on an interview, one focused on synths and their impact to his world. We all have our story regarding how our obsession with synths first started, how we see and approach synths and what they mean to us. I thought it would be interesting to hear his story. The following is the interview.

Before it begins, I want to thank hexfix93 for taking the time out for this. We all have a different approach and a different story when it comes to our synths. This is his. For more of his music check out VAC and don't miss Toxic Coma. Cheers, matrix.


1. What was your first synthesizer, how old were you when you picked it up, and why did you pick it up?

"It was some kind of old yamaha cheap thing. i got it for my atari st, so when i played games like leisure suit larry that the music wouldn't come from the wimpy fm built in sound, but a general midi synth instead. it really didn't sound all that great. i wasn’t really a keyboard player at this point.

The first synth i got as a keyboard player was a roland w30 sampler workstation. And we made like 3 records with that keyboard. i remember gary slaughter an x vac member, spilled orange vodka drink on it. and i had to take it apart and clean every part of it by hand slowly, it took weeks. it was a pure nightmare.

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Synth East 2024 - Synth and Modular festival in Norwich

video upload by Molten Music Technology

"Synth East is a festival of synths and modular in Norwich from Friday the 23rd of February to Sunday the 25th. Brought to you by the Norwich Arts Centre, Electronic Sound Magazine and Molten Modular.

Tickets are available for each event separately. There's a discount if you order the Saturday Expo and evening gig at the same time.

Friday: Subotnick documentary [trailer here], Adam Buxton interviews Steve Davis and music from Luke Sanger.

Saturday daytime: Synth Expo with performances

Saturday evening: Blancmange, Ultramarine and Molten Modular

Sunday: DIY Workshops from Thonk and Befaco.

http://www.syntheast.com"

Update: press release follows:


"Pouring from the heart of Norfolk, hosted by the Norwich Arts Centre, curated by Electronic Sound Magazine and run by Molten Modular, Synth East is back. After a devastatingly successful 2023 show the sold-out Norfolk-based festival of synthesizers returns in 2024 but this time it's been widened into a full weekend experience.

The all new Friday evening Synth East event is curated by Electronic Sound Magazine and kicks off with (possibly) the UK premiere of a documentary on electronic musician Morton Subotnick, who at 90 years old, is known affectionately as the Father of Techno. It’s called Subotnick, Portrait of an Electronic Music Pioneer by Waveshaper Media who brought us the intoxicating 2014 documentary, I Dream of Wires.

Following the film we have writer, broadcaster, comedian and musician Adam Buxton chatting with Synth East alumni Steve Davis about music, life and modular synths. Finishing off the evening we have an ambient set from modular musician Luke Sanger as we relax into some beers in preparation for what’s to come for the rest of the weekend.

Saturday’s Synth East Expo is a carnival of control voltage, a festival of synth sounds and a party of epic performances. Dozens of manufacturers will be filling the Arts Centre with synths and modulars to give you an opportunity check out their marvellous machines and bask in the glow of synthesiser technology. You’ll be able to chat with the makers about the gear and even have a personal demonstration. Simply walking through the auditorium in the company of such exciting gear is completely thrilling.

Throughout the day we’ll be having some performances from local artists Hardwired and Tristan Burfield before we once again embark on the awesome modular experiment of the all-star patch off. This year, joining Robin "Molten Modular" Vincent, Steve Davis and Gaz Williams will be Mylar Melodies, Nina Richards, and Jason Jervis. These are unique, improvised performances that you’ll never see anywhere else.

Saturday night’s synthesiser explosion features the 80s synth legends Blancmange who have kindly agree to fit us in before their extensive Everything is Connected: The Best Of Blancmange tour of the UK. Supporting Blancmange we have eclectic electronic music duo Ultramarine featuring Ian Cooper and Paul Hammond. And in the warm up slot is our own Robin “Molten Modular” Vincent and a special guest.

On Sunday we are hosting some Eurorack DIY workshops presented by Befaco and Thonk. They will be held at Electronic Sound HQ at Capital House over a few hours. The idea is that you buy a ticket for the workshop and then order the kit that you hope to build directly with Befaco or Thonk.

Synth East 2024 runs from the 23rd to the 25th of February. Each event is available as a separate ticket and there's a bundle deal on buying the Saturday Expo and evening performance together.

Our intention is to revel in the world of synthesizers, modular and electronic musical boxes. We want to explore sound through performance, discussion and hands-on interaction. It's a lot of fun and open to anyone with an interest in bleeps, tones and noises."

New Batch of Synthfest UK 23 Videos

video uploads by sonicstate

Playlist: (you can use the player controls to skip around)

1. Synthfest UK 23: Sequential - Trigon 6 Desktop

At SynthFest UK 2023, we had the opportunity to chat with Chris from Sequential, a part of the Focusrite group. Chris introduced us to the Trigon 6 Desktop, the latest addition to Sequential's synthesizer lineup. This compact desktop version of the Trigon 6 packs a powerful punch, offering three oscillators and a distinctive Dave Smith ladder filter. Designed for those seeking a space-saving solution without compromising on sound quality, the Trigon 6 Desktop retains all the features of its larger sibling, including patch recall, a versatile effects section with various modulation possibilities, and the distinctive feedback control that allows you to sculpt sub-harmonic richness.

Trigon 6 Desktop Price: $2,499

https://www.sequential.com/

2. Synthfest UK 2023: Calc And the Prophet X

At Synthfest UK 2023, we caught up with Calc from Sequential, and he gave us the lowdown on the Prophet X. Now, you might be thinking, Prophet X? Haven't we seen that before? Well, you're right, but this hybrid instrument has been quietly making waves in the music world. It combines digital and analog elements, with digital oscillators and a unique twist in the form of multi-sample-based instruments. Yes, you heard that right, it's not just your run-of-the-mill synth; it's a full-on sampler too, boasting an impressive 50 gigabytes of memory for your custom samples. You can treat it like a rompler, a sample player, or even use those samples as oscillators, creating a whole new realm of sonic possibilities.

Plus, it's packed with stereo goodness, allowing you to explore a wide soundstage with ease. It's not your typical synth, and that's what makes its a favourute of Calc's

Looking for some more info on the Prophet X? Check out Sequential's official page: www.sequential.com/prophet-x/

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SoundMiT 2018 Announces First Exhibitors

The following is a list of the first exhibitors coming to SoundMiT - International Sound Summit. The second edition of SoundMiT will be held on Saturday 3 and Sunday 4 November 2018, at the Teatro "Lavanderia a Vapore" - Corso Pastrengo 51 Collegno (Turin).
You can click through the links below for additional details on each.

"For the first time in Italy, Schmidt Synthesizers!

Soundmit exclusive, for the first time in Italy the famous no-compromise analog eight-voice polyphonic Schmidt-Synthesizer!

After selling more than 50 units of this exclusive instrument and just starting the production of the third batch of 25 new ones, german manufacturer e:m:c will show the Schmidt-Synthesizer for the first time at Soundmit - International Sound Summit in Torino, 3-4 November 2018.

"We are very excited to show the Schmidt at Soundmit in Italy" says Product Manager Axel Fischer. "Italy is one of the leading countries in electronic music and has a long history of very successful electronic instruments. We are looking forward in meeting the Italian synthesizer scene on location."

Schmidt, one of the most coveted modern analog synthesizers, comes to Italy with his eight-voice polyphony with unison and true multitimbrality mode.
Full MIDI implementation with a USB port and complete programmability. The signal path is fully analog with precise digital control. Schmidt´s sound generation engine features virtually everything that subtractive synthesis is endowed with – and even more: Schmidt gives you truly unique features that have never been implemented in an analog synthesizer before, not to speak of polyphonic units! Think of Multi-PWM and Multi-Ring Modulation.

Every single parameter – even for the most complex modulation routings you might envisage – can be accessed directly using dedicated front panel controls and switches. No more browsing through mind-boggling and confusing menus.

Thanks to programmable high-quality real-time controls (pitch and modulation wheel, stick controller, and aftertouch, as well as several inputs for footswitches and expression pedals), Schmidt has become a real performance synthesizer that feels as good as it sounds.

Schmidt is made to match the highest production standards – it has entirely been hand-crafted in Germany. The casing, made of metal and carefully selected wood, keeping a close eye on environmental sustainability, is as beautiful as it is sturdy and robust.

And we can admire it in November at the Soundmit 2018!"

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VELOCITY SYNTH MEET Coming to Seattle October 5th

Details here: https://www.velocityseattle.com

Exhibitors

4ms 4mscompany.com

4ms Company offers alternatives to traditional instruments with our poly-rhythmic clock modules that create evolving complex mathematical beat patterns, a resonator that can cast pop music into micro-tonal keys, a multi-channel wavetable oscillator, a routing matrix that's played like an instrument, and many more innovative devices. Rather than replicate concepts from the past, we strive to turn unique ideas into playable musical tools that expand the possibilities of music. We also offer Do-It-Yourself kits, and many of our designs are open-source.

Acid Rain Technology acidraintechnology.com

Acid Rain Technology is a manufacturer of music hardware out of Seattle, WA. We believe hardware instruments enable a unique connection between human and machine, and seek to improve this interaction through interface design for maximum playability.

After Later Audio afterlateraudio.com

After Later Audio is a boutique audio company located in Seattle, Washington. We make high quality Eurorack modules at accessible prices and we pride ourselves on responsive customer service. You can find our products for sale on our website, at various synth shops (Patchwerks, London Modular, Chuck Levin’s, and Modular 8), and on all of the major ecommerce sites.

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Upcoming Sound Labs at Amsterdam Dance Event Oct 14 - 18

Workshops at this years' Amsterdam Dance Event currently include Moog, STEIM, Ginko Synthese, and Falafular Synths. Details follow.

ADE Sound Lab: a modular synth heaven

"The modular synthesizer has always been an integral part of dance music, and ADE Sound Lab will shed a light on its heritage during a three day modular synth bonanza.
If you're planning on visiting ADE Sound Lab make sure to grab the annual ADE Card, which allows you to access MusicTalks and live performances.

Modular synths have been on the rise of late. Their new found popularity boosted the modular market in unforeseen ways. The market has spiked like never before, and there are ever more and more musicians, artists and producers making their own modular set up in search of unique sounds and machinery.

ADE Sound Lab focuses on the history and heritage of synths by inviting sound designers, inventors and even some legends of the modular world to inspire you with talks, workshops, performances and a Modular Market. By exhibiting the latest inventions in (modular) synthesis ADE explores the realm of the development of new electronic instruments, (modules for) modular synthesizer systems and audio installations, as well as innovations in the field of image and visualisations of sound. Amongst other work, ADE Sound Lab introduces the Modular Expo.

Do It Yourself Synth Building Workshops
You can not only play around with existing modules and modular systems, but you can also build your own synthesizer. ADE Sound Lab offers several Do It Yourself workshops, some free of charge, others for a fee. The latter will ensure you can take your brand new, playable synth back to your home studio.

Moog’s Chris Howe will head the workshops on Thursday and Friday. Friday will see a workshop that will be led by STEIM - Hypothetical Instruments, which will focus on the future of electronic music, what instruments will be needed and how we will correspond with those yet-to-be-invented modules. On Saturday, the DIY Workshop will be hosted by Ginko Synthese who will let you build your own synth with their very own DIY kits. They’ll even let you make a case to harness the instruments. Falafular will host on Saturday. If you like to learn more about prices and workshop registration, keep a close eye on our website and the respective event pages.

Workshops
Moog Werkstatt by Chris Howe (Moog Music Inc, US)
Werkstatt Workshop provides a way for synth experts and novices alike to explore subtractive synthesizers. Through hands-on instrument modifications, participants will learn the fundamentals of subtractive analog synthesis and the control voltage paradigm. Analog synthesizers have long had their own maker culture born of curious engineers, physicists and hobbyists who have created and crafted their sounds through electronic experimentation. It is our goal to share our love for learning, music, and electronics by encouraging everyone to create the world they want to hear, one mod at a time.

STEIM - Hypothetical Instruments
In this workshop you can design machines for creative expression. Working with low and no-tech, you’ll build non-functional instruments aimed at inventing the music machine of the future. By taking as a starting point how an individual imagines the experience of playing electronic music, we will spend the afternoon making the perfect machine or instrument for that person. This process is directly informed by the designers and researchers from Native Instruments, Johannes Kepler Universität and STEIM, with the goal of making instruments that are positioned on the bleeding edge of technology.

Ginko Synthese
Ginko Synthese, the braindchild of Jan Willem Hagenbeek, aims to close the gap between the stage and the studio. At ADE Sound Lab they will be presenting easy to build cheap DIY kits. The components are available at a reasonable price. The popularity of these kits is currently spreading across the world fast, meaning that a lot of new user codes are becoming available almost weekly. You can use these modules as granular oscillators, wavetable oscillators, drum synths and even as clock sources just by uploading a different code.

Falafular Synths
Falafular is the SDIY brand that enabled Falafelbiels (Niels Kloet) to build himself a fabulous modular synthesizer. The ’S’ in SDIY stands for soldering, and Niels Kloet will show you the nit and grit of Do It Yourself synth building.

ADE Sound Lab is organised by ADE, in cooperation with Creative Industries Fund NL, the Dutch fund that offers sound pioneers and innovators an opportunity to demonstrate what they are working on, as well as helping them to develop their talents further in a 'hot house' environment.

ADE Sound Lab
Dates: Thursday Oct. 15 - Saturday Oct. 17
Time: program starts at noon
Venue: Compagnietheater
ADE Sound Lab is a free program (except for the ADE MusicTalks series and live performances, free for ADE Card holders, also accessible for 1 & 5 Day conference ticket holders)."

An Interview with Alessandro Cortini

Alessandro Cortini is the man behind SONOIO. He played synths for Nine Inch Nails and brought us the SuONOIO synthesizer produced with Scott Jaeger of The Harvestman.  Alessandro  is known for his use of Buchla systems new and old.  He currently has a new free release featuring remixes from Alan Wilder, Telefon tel aviv, Eric Avery and more. There is also a 7 inch for sale on www.sonoio.org.

The following is my interview with him primarily focused on synths.

1. How did the world of synths start for you?

"I was schooled on guitar, back in italy. I am from a very small town so there weren't a lot of bands to play with... I got asked to "help" and record guitars on a record by a local band, called Autobeat, fronted by Franco Naddei (now francobeat). He was really into synths and electronica, so he basically opened a whole new world to me.... He ended up doing a remix for SONOIO on the upcoming remix record which is very cool, considering he was the one who introduced me to Depeche Mode (Alan Wilder is doing a remix too)."

2. What were your first synths and what did you think about them?

"Besides from my friend's instruments, my first "synth" was a Casio VL series, if I recall correctly, when i was 10 years old. On a more involved level, I personally started with software. The first one was Seer Systems Reality on PC...I moved to mac as soon as i could, and started using Cubase's Neon a lot (a small built in VST). Next were Bitheadz Retro AS-1 for synths and Unity DS-1 for samples, all "synced" to Logic (it definitely wasn't as elegant as it should have been).


Emagic's ES-1 was sort of a "step up" because of its integration with Logic...but didn't sound too good.

Bottom line is that I recall being extremely excited and happy for being able to record and compose on my laptop wherever I was, and didn't see the need for hardware synths.... until I borrowed a minimoog and spent a good 4 hours with headphones, a pencil stuck in a key to keep it going and tweaking knobs: that made it obvious that interface, much more than sound, were the reason why it was worth to commit to a dedicated hardware unit.

My infatuation with the minimoog quickly vanished, and moved onto NordLead, Nord Modular and lastly a small used Analogue Systems modular synthesizer. The AS was the beginning of a long relationship with modulars: for once, there were no rules, no predefined paths and no wrong moves (almost).

I expanded my AS until I sold it in order to buy an old paper faceplate Serge, which was then sold once I got Buchla fever…."

3. I still remember the day you announced you'd be working with Nine Inch Nails. What synths did you use at the time and what was that experience like?

"At the time I was still using my nord modular and AS modular.... The audition was odd: I was basically instructed to play on top of a live recording, which I did. The first two songs I played were Wish (on guitar and synths) and Closer. I remember preparing my little patches on the Nord Modular for the audition... I wish I kept those sounds cause they were pretty funny.


The whole NIN experience was amazing, especially the time in the studio working on Ghosts.
I have to admit the reason I left was touring, which became a bit too strenuous and not enjoyable anymore.

I got very involved in the studio side of things: I feel much more at ease working on music in a studio environment than performing live. Live performance always feels like a test, to different extents, generally with little room for spontaneity (my opinion, of course)."

4. Did you explore any interesting synths or new forms of synthesis at the time? I recall Trent Reznor used the Dewanatron Swarmatron for "The Social Network" He is also known for having a few coveted pieces of gear including one of two Waldorf Shadow XTks.

"Trent has a studio full of toys so I had the chance to play with a myriad of instruments I have never seen or heard before...but in the end I would always gravitate towards the modular."

5. You are known in synth circles for you use of Buchla modulars. How did you get introduced to them and what was it that gravitated you towards them vs. other synths? How do you approach the Buchla and how has it impacted your music?

"When I was teaching synthesis at Musicians Institute I basically had to write the curriculum myself. Part of it included an introduction to the history of these instruments and I remember being completely mesmerized by some of the Buchla photos I was able to track down... the way the instrument looked like a toy, like a self contained instrument that first and foremost called you to play with its looks.

I remember when Don announced the 200e series in 2004: I printed the whole site so i could have in my student role book and read it during breaks... I was obsessed.

Peter Grenader was responsible for introducing me to historical Buchla records such as Subotnick's Sidewinder and Sky of Cloudless Sulfur, and his Plan B modules kept my hunger for Buchla inspired technology in check for a while... until I was able to afford my own 200e system.


I am fortunate enough to own both a 200e and a vintage 200 system."

6. How do the Buchla 200e and 200 compare in your opinion, specifically in regards to sound and interface?

"I would say the interface is very close, unless you start analyzing high density 200e modules such as the 251e, where there's a lot going on in a small space. Soundwise, there are similarities, yes, but I see them as two different instruments, and approach them as such.


I love the 200e's 259e wavetable waveform generators, and the ability to use patch storing in a creative way.The 291e is undoubtedly superior to its 200 version, in my opinion. The 222e/223e input port is the culmination of Don's 40 years tinkering with touch surfaces.

The 200e has its own sound and you'd be disappointed if you wanted it to sound like a 200. It just doesn't do it well, mainly because it wasn't designed to recreate that aspect of the 200 instrument, in my opinion, but mostly its interface, applied to modern technology.

7. Recently you've been using the Teenage Engineering OP-1. What are your thoughts on it? How do you like working with it, specifically the physical design and interface, and of course as an audio processing tool?

"I think the OP-1, with its limitations and quirkiness, is a very creative instrument. I can't deny being a bit disappointed by the electro style demos that started popping up once it was announced, but as soon as I got my beta unit it was undeniable it could be used to do completely different things. It goes wherever I go!!! I enjoy the well laid out interface and its sound engines, which are fairly unique in their incarnation. It's a great sketchpad for ideas and sound design, and I have been using it on tour as a vocal effect also."

8. Aside from the Buchla and OP-1, what other synths and/or forms of synthesis do you find yourself gravitating towards when experimenting with sound and music?

"Definitely the more odd looking/sounding ones, preferably without a keyboard."

9. You recently worked with The Harvestman on the SuONOIO. How did that come about and what was that experience like?

"Once I finished recording the first SONOIO record, Blue, I wanted to come up with an interesting product to accompany its release. Something similar to a Buddha Machine, but playable, and something original like a BugBrand synth, but still linked to the album release.... It became clear that it had to be an analog/digital hybrid. Scott was the first to come to mind, as i believe he is extremely talented in bringing the advantages of digital design to an analog interface. After a few phone calls and 3 weeks later, we had the 1st prototype ready....2 protos later, the instrument was done. It was a very quick back and forth collaboration... almost makes us feel guilty, since we had so much fun making it!"

10. Do you see yourself more as a performer, an explorer of synthesis or a bit of both depending on context?


"I really just like playing with instruments and come up with interesting sounds. I am not too good at describing what I do... I just do it!"

11. Is there anything else you'd like to share with our readers?


"I am working on releasing my first instrumental record...it should be out early next year...i am very excited to release it!"

Photos above by Sarah Sitkin



You can find Alessandro Cortini's work at http://sonoio.org/. He currently has a new free release featuring remixes from Alan Wilder, Telefon tel aviv, Eric Avery and more. There is also a 7 inch available.

XILS-lab Updates XILS 4 Matrix Modular Soft Synth to v1.5

The press release:

XILS-lab updates ultimate matrix modular soft synth with welcomed fanciful features added to XILS 4 v1.5

“My favourite analogue synth is probably the VCS3, so when I heard that a company was releasing a software version I was quite cautious; today, XILS 4 is one of my favourite plug-ins! Working with it gives me the same excitement as the original hardware, plus there are lots of extra features, since it is basically two VCS3s with an interconnected sequencer. The sound is great, and it is one of the best soft synths on the market for experimenting with new ways of creating sounds!”

- Jean-Michel Jarre (award-winning composer, performer, and record producer), April 2015


GRENOBLE, FRANCE: audio software company XILS-lab is proud to announce availability of XILS 4 v1.5 — a major update to its self-styled ultimate matrix modular soft synth, effectively emulating a conceptual ‘blend’ of the legendary VCS4, a ‘dual VCS3’ analogue matrix modular synthesizer prototyped by British trailblazing entity EMS (Electronic Music Studios) back in 1969 but never commercially released, with pioneering British synthesist Tim Blake’s so-called ‘Crystal Machine’ (comprising two EMS Synthi AKS analogue matrix modular synthesizers with hard sync between their oscillators, one connected to the keyboard and the other connected to the sequencer) — with welcomed additional fanciful features including a powerful preset manager in a single window and new effects with semi-modular routing, as of November 30…

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New Roland SYSTEM-500 Overview Videos

Published on May 1, 2018 RolandChannel

"The Roland SYSTEM-500 is a series of fully analog Eurorack modules inspired by vintage Roland modular synthesizers. Each module is made to exacting standards in a collaborative design and production process between Malekko in Portland, USA and Roland in Hamamatsu, Japan."

Playlist:

1. Roland SYSTEM-500 505:VCF Module Overview

Inject the sound of the Roland SH-5’s revered filter section into your modular rig with the SYSTEM-500 555 module. The Roland SH-5 is one of the most sought after monosynths in history with one of the most distinguished filters of any monosynth in history. Combining a multi-mode filter with a band-pass filter, it produced a sound that has propelled it to “favorite filter ever” territory for many. It maintains its bass response with a meaty resonance growl. With switchable outputs, built-in VCAs, and CV control of cutoff, resonance, this dual filter gives you two different vintage filter characters in a flexible and compact 16hp module.

2. Roland SYSTEM-500 555: LAG / S&H Module Overview

Channeling inspiration from the Roland SYSTEM-100m's 150 and 165 modules, the 555 module is a five-in-one powerhouse that brings core utility functions to your modular setup, but with some new and interesting twists. With ring modulation, versatile sample and hold with seven waveforms and internal LPF, pink and white noise modes, LFO with internal ENV and VCA, and two CV controlled portamento circuits, your tonal shaping and modulation options are near infinite.

3. Roland SYSTEM-500 531: MIX Module Overview

Inspired by the SYSTEM-100m’s 131 output module, the SYSTEM-500 531 module brings six high-quality inputs, each with level slider, pan knob, and performance-friendly mute button. It has high-fidelity sound with low noise, ensuring that your modular rig sounds its best. The six pan knobs are CV controlled and there’s even a boutique-quality stereo preamp, so you can bring in mic or line level signals–or get overdriven tones. The headphone section has an easy-to-reach, dedicated volume knob as does the multi-format output section that lets you use both 1/4" and 1/8” cables. There’s even an LED level indicator for visual feedback.

4. Roland SYSTEM-500 510:SYNTH Module Overview

With the SYSTEM-500 510 module, designing your first modular setup or integrating classic Roland sound into your existing modular rig has never been easier. Based on the vintage SYSTEM-100m's 110 VCO, VCF, and VCA module, the SYSTEM-500 510 module brings together the best aspects of the SYSTEM-500 into a single voice module. It contains three pristine oscillator waveforms, classic Roland low pass filter with hi-pass switches, and a VCA with multiple outputs. It has inputs for external signals and modulation, and output jacks for both Eurorack and line-level audio. At 20hp and internally normalled for cableless operation, the SYS-510 is an essential building block, whether you’re an experienced user or just diving into modular synthesis.

Update: and the official announcement:

"Roland Expands SYSTEM-500 Modular Synthesizer Series

CLASSIC SYSTEM. NEW FORMAT.

Inspired by vintage Roland modular synths of the 1970s, these new additions to the SYSTEM-500 family not only expand on the SYSTEM-100m-based modules, but also explore fresh territory. Designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of vintage Roland modular synths, with all the advantages of a modern instrument.

After a recent resurgence, and thanks to the Eurorack format, modular synthesizers continue to grow in popularity. With roots in the dawn of synthesis, modular synthesizers let you design your own electronic instrument, with deep control of each building block. Unparalleled control over how it’s patched lets you craft your own custom sounds and explore the outer bounds of sound design. Roland has a deep history in modular synthesis, having made several modular and semi-modular synthesizers that are now highly sought-after by collectors.

In 2015, Roland partnered with Malekko Heavy Industry to bring back these legendary instruments as a series of fully analog Eurorack modules. The SYSTEM-500 was born, finally making the sound of these rare instruments available to today’s musicians. And for 2018, there are four new additions to the SYSTEM-500 family. These modules expand on the SYSTEM-100m-based modules and explore fresh territory.

The SYSTEM-500 consists of Eurorack modules that you can mix and match in any combination to create the ultimate Roland modular synthesizer. They’re also a perfect way to inject vintage Roland sound into your existing modular setup. Each module is completely analog and made to exacting standards in a collaborative design and production process between Malekko in Portland, USA and Roland in Hamamatsu, Japan. Designed for maximum compatibility with the world of contemporary synthesizer and effects modules, the SYSTEM-500 delivers vintage Roland character and functionality in a modern system. And the possibilities for sound design and musical exploration are vast.

THIS IS ROLAND SOUND

It’s hard to describe what the “Roland Sound” is—but you’ve heard it on countless worldwide hits and underground classics. Something about the character of Roland electronic instruments continues to make them perennial favorites of musicians and producers. For over 40 years, the Roland sound has moved artists to create new genres, moved music forward, and moved feet on dance floors. Often imitated, the SYSTEM-500 brings truly authentic Roland sound to your studio setup or live rig.

THE STUFF OF LEGEND

The history of Roland modular synthesizers goes back to the mid-1970s. The almost-mythical SYSTEM-700 was the first modular synthesizer ever made in Japan and was followed by the more affordable SYSTEM-100m. The 100m is a favorite of electronic music producers to this very day and working units fetch a high price on the used market. The SYSTEM-700 is extremely rare, slipping into the realm of unobtanium. The SYSTEM-500 brings the unmistakable vintage character of these legendary synths to your own studio and for use in your own tracks."

Also see: Roland SYSTEM-500 & Roland Boutique Performance

The Festival of Electronic Sound Returns to Brandon, Manitoba, Canada September 19–20

Press release follows:

The Festival of Electronic Sound Returns to Brandon

“Canada’s only festival focussed on the art and music of the modular synthesizer”

Brandon, Manitoba, Canada, September 8, 2025 — This September 19–20, electronic musicians of all styles—from classical to punk, and everything in between— will gather in Brandon Manitoba to share their art, music and technology over two jam-packed days of innovative performances, informative presentations and interactive activities at six free-to-attend, family friendly concerts and events spread across downtown Brandon and the BU campus.

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The new MPK Mini Plus | Akai Professional

video upload by AkaiProVideo

"Enjoy full creative control with the new MPK Mini Plus. Featuring 37 mini-keys, advanced connectivity for MIDI/CV/Gate/Clock, and an internal 2-track sequencer, make music with the ultimate feel and response."

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Waves of Inspiration: The Legacy of Moog Exibition Updates

"Exhibition features Keith Emerson's Legendary “Monster Moog” Modular Synthesizer through October 18th, 2009

CARSLBAD, CA/ASHEVILLE, NC – The Museum of Making Music (Carlsbad, CA), in partnership with the Bob Moog Foundation, has opened Waves of Inspiration: The Legacy of Moog exhibition, to run through April 30, 2010. The exhibit is the first of its kind, marking the first public display of the artifacts from Bob Moog’s archives and an examination of the impact of his work on the world of music.

MONSTER MOOG INSTALLATION
On August 30th, Keith Emerson's (Emerson, Lake and Palmer, The Nice) mammoth “Monster Moog” modular synthesizer was added to the exhibit after it was featured the previous evening in a musical celebration of the exhibit opening by Emerson and Erik Norlander. Emerson used this remarkable instrument on numerous recordings over the past 40 years, including his solo in “Lucky Man” (1969), possibly the most popular synth solo in history. He also used the synthesizer on countless world tours and is generally credited with pioneering the use of the Moog modular as a touring musician.

The “Monster Moog” began as a modest system, but grew over time as Emerson
requested that Moog create custom additions for his touring instrument, including extra modules, custom sample-and-hold, and several pre-sets, an innovative addition for that time. The synthesizer grew into a massive cabinet of five sections and over 75 modules. It stands more than four feet above its special base – almost 8 feet high. Its sound is noticeably clearer and stronger than any other keyboard Emerson plays – it is an instrument of significance and legend, and arguably the most famous synthesizer of all time.

Bob Moog and Keith Emerson enjoyed a special relationship of toolmaker and musician that grew in to a lifelong friendship. Moog is noted for listening to musician's needs and technical specifications which he then used to improve his instruments: This dynamic is explored throughout the Waves exhibit.

KEITH EMERSON

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Endorphin.es - Shuttle System by Audio_units / Beatworx from Bangalore, India

Published on Jun 25, 2018 TheEndorphines

"In the framework of our interviews within the final of Life is a trip contest, we spoke with our participants are from Bangalore, India: two talented brother duo - Ashwin Baburao and Ashrith Baburao: Audio Units / Beatworx Studio.

- How did you come to use synthesis in your music?
When we first started making music, about 8 years ago we would use more loops than synthesized sounds and were quickly running out of new ideas. We realised for electronic music to sound good and uniquely ours, we needed to use traditional (subtractive synthesis/sampling, etc) and non-conventional methods (additive/FM/granular, etc) alike to generate ideas and sounds.
We also figured that these sounds could be more human-like if we incorporated modulations to add expression like with most physical instruments. Besides, we come from a background that’s more about curiosity and being musically inclined rather than being formally trained so making electronic music seemed like the right choice and a whole lot more fun than learning to play the piano, no regrets!
Out of sheer need to be more creative and to find "our" sound, we started to mess around with VSTs and quickly got into the analog and semi-modular realm and the rest is history.

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Machina Bristronica 2024

video uploads by sonicstate

Playlist:

1. Bristronica 24: MyVolts The Silent Alchemist Nears Shipping

We caught up with Caroline who gave us the latest update to the *Silent Alchemist*, a versatile power hub designed for musicians. Featuring five isolated USB-C outputs and a high-wattage sixth output capable of delivering 100 watts, the device can power a Mac with the remaining outputs providing 20 watts each. Its independent circuits ensure noise-free operation, catering to a variety of devices including the Dreadbox module and Sysmo slope generator.

The Silent Alchemist uses innovative step-up power tips to convert USB-C input to the correct voltage for various devices. There's also new feature: an uninterruptible power supply allowing seamless transition between wall and power bank sources. Also introduced were updated cables, such as silver candy cords and floating ring TRS to TS cables, expanding connection flexibility. The Silent Alchemist is expected to be available in December with a competitive pricing strategy.

More Info:
https://myvolts.com/

2. Bristronica 24: Circuit Happy ML2M Clock Sync module updates

At Bristronica 2024, we caught up with the creator of the *ML2M*, who introduced us to the latest version. The ML2M is a compact Eurorack module with Wi-Fi capabilities, allowing seamless synchronization with Ableton Live, Bitwig Studio, and iOS music apps using Ableton Link without the need for cables. It either connects to an existing network or creates its own, ensuring robust sync even in environments with unreliable Wi-Fi. The module, which retains its 2HP size, now features MIDI integration through TRS jacks. Users can access a web interface to configure each output for different clock divisions and reset triggers, making setup straightforward and flexible.

Alongside the ML2M, there's also the Missing Link Junior. This desktop version offers the same functionality but in a box format, complete with MIDI and CV clock outputs. Both products are now accessible, with a starting price of $250.

3. Bristronica 24: Archaea Exchange Patching Module

At Machina Bristronica 2024, we caught up with Arran from ‪@archaea_modular_synthesis‬ who presented the *Exchange Module*. This programmable patcher, a year in the making, evolved from its early prototype stage to a fully functional module. Arran explained how the Exchange can route synth voices via a beam controller and three exchange modules installed within the skiff, allowing for versatile patching. Operating like a matrix patchbay, it enables users to select inputs and outputs with the push of a button, create presets, and chain multiple modules for synchronized patching.

Communication between the modules occurs over the Eurorack power bus as well as over MIDI via the USB-C connection. The Exchange maintains analog integrity, ensuring there’s no conversion latency. The forthcoming release expected in late November 2024, includes a USB-driven editor for enhanced control capabilities.

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Happy New Year! The Year in Synths 2013

Happy New Year Everyone!

What a busy year it has been in the world of synths.

This is going to be one doozy of a post, so bear with me. This post is a review of the year in synths for 2013. We begin with Tributes to Those We Lost This Year, followed by New Manufacturers & Makers, Older Manufacturers Added to the Site, New Gear Announcements, Top 10 Posts by Traffic,  My Standout Posts for the Year, and finally This Years' Synth Events. I did my best to keep things as short and concise as possible.

Let's begin with the hardest part of the post.

Tributes to Those We Lost This Year

RIP Bernard Parmegiani - Electronic & Acoustic Composer
Lou Reed RIP
RIP Dick Raaymakers aka Kid Baltan
RIP George Duke - DreamWeaver
RIP Ralph Dyck, Sept 28, 1941 – May 20, 2013
RIP Ray Manzarek

All missed and never to be forgotten. Take a moment to remember them.

------

New Manufacturers & Makers

Starting last January, I decided to keep a running list of every new manufacturer and maker introduced to the site during the year.  This is something I haven't done before and I thought it would be interesting to see how many there were in the year.   It's easy to focus on the big synth announcements throughout the year, but what about all the new makers and brands? I shouln't have to go considerably into the significance of new designers on the scene, so I'll just say two things regarding them.  One, the number of new makers is a direct reflection on the interest in our scene, and two, these are the creators of new gear which directly translate into new designs not previously available to us.  Think about that for a moment.  These are makers and designs that did not exist before.  They are part of our synth history.  So what is the total count of new synth designers for the year? A whopping 113. Think about that a bit. One hundred and thirteen new synth designers and brands this year alone.

Here they are (note a handful date back to 2012, but 2013 marked their momentum and availability):

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