Korg Volca Mix Analogue Performance Mixer | Reverb Demo Video
Published on Jan 17, 2018 Reverb
"Wondering how to flex your Korg muscles? Along with the release of its new Prologue polyphonic synthesizer, the company has announced the release of the Volca Mix, an “analogue performance mixer” that allows musicians to easily combine Volcas and other Korg instruments in live performance.
"volca mix is the long-awaited mixer for the volca series. The volca mix is a four-channel analogue performance mixer that lets you construct a live setup combining multiple volca units.
Volume faders are easy to control, plus crisp-sounding LO/HI CUT filters, and a master chain that radically transforms the sound. In addition to the sync function found on all volcas, there are also DC output connectors that can supply power for up to three volca units. Numerous functions to facilitate your on-stage volca performances have been packed into a high-quality aluminum-paneled body, reminiscent of a high-end DJ mixer.
The volca mix will unlock the maximum potential of the volca series.
An analog mixer for performance.
The volca mix is a four-channel analog mixer with an intuitive interface and plenty of connectivity. It provides two mono inputs and one stereo input, perfect for connecting three volca units. The jacks are mini-jacks, allowing you to make connections with just one stereo mini-cable from the headphone out of each volca unit. The channel volumes use vertical faders that allow precise control. The gain can be boosted to adjust the mix balance, and mute buttons are also provided. Each channel is also equipped with a LO/HI CUT filter that lets you control the low and high frequency ranges with a single knob. The pristine, natural-sounding filters that you expect from analog gear give you complete control over the character of your sound.
Output and monitor capabilities for use on stage, plus stereo speakers for maximum portability.
The output section provides RCA stereo line outputs to ensure stable connection. There’s a master volume with LED VU meter for adjusting the output level, as well as a headphone output that can be used simultaneously with the line output, providing a reliable monitoring environment on stage. Speakers are also built-in for excellent portability. The stereo speakers are placed at both sides of the front, and while compact, deliver SPL levels that are even greater than the built-in speakers on previous volca units.
Powerful effects and control.
Powerful master chain.
The volca mix is equipped with master effects powered by all-analog circuitry. In addition to an expander that broadens a mono source into a stereo sound image, there’s a dynamic range compressor that compresses the high-frequency range according to level changes of the low-frequency region, as well as a side chain effect that’s indispensable for dance music. Use these to dynamically vary the mix, adding a professional feel to live performances with the volca.
Connect an external effect unit for further variety.
The volca mix provides a stereo mini-jack send out and AUX in jack, and send level knobs for each channel. This allows you to use it with an external effect unit in a send/return connection. When used in conjunction with a unit such as the mini kaoss pad 2S, you can also enhance your live performances using standard effects such as reverb, delay, filter, and break. The AUX in jack can also be used as a stereo input channel for a fourth volca unit, an iOS app, or any other gadget, instrument, or device.
As the master of your volca live setup.
The volca mix features an analog sync out jack that can easily be connected to many pieces of KORG gear for tempo sync, and also a play button and tempo knob to control that sync signal. By using the volca mix as the sync master device of your live setup, you can easily enhance your live performance, such as simultaneously playing sequences from multiple synced units, and combining mute and volume control to create performances that use your volca units in even more ingenious ways.
DC out lets you use three volca units simultaneously.
Three VOLCA DC OUT jacks are provided, and by connecting the included DC-DC cables you can supply power for up to three volca units. Even when using multiple volca units on stage, you won’t need to bother with adapters or bring another power strip; just concentrate on your performance with a streamlined setup and breakdown.
A rich variety of included accessories.
The volca mix comes with AC adapter, DC-DC cables, and audio cables included. Right out of the box, you’ll be ready to put together a complete volca live setup."
"The Dark Force is rising again at Arturia with two new Black Editions of BeatStep and MiniLab!!!
With its new design the BeatStep Black Edition comes charged with Oberheim SEM V, Analog Lab and Ableton Live 9 Lite. It also comes with the latest 1.2 firmware update.
MiniLab Black Edition is not left behind, we have packed it with Oberheim SEM V, Analog Lab, Ableton Live 9 Lite, and UVI Grand Piano Model D."
And the press release:
"Arturia announces availability of software-bundled black BeatStep and MiniLab controllers
GRENOBLE, FRANCE: music software and hardware developer Arturia revolutionised the concept of what a priced-to-go compact controller can be with both its award-winning BeatStep Controller & Sequencer and MiniLab Universal MIDI Controller truly turning heads at past NAMM shows; today, within weeks of stealing the show at The NAMM Show 2016, January 21-24 in Anaheim, California, USA with more major product launches, itis proud to announce availability of limited-edition black versions of both the BeatStep and MiniLab that represent better value than before bybundling them with award-winning Arturia and third-party software...
Like its original white namesake sibling launched at The NAMM Show 2014, the BeatStep Black Edition is a chameleon-like controller and sequencer that matches many musical environments effortlessly. Compact and rugged, it is the perfect companion on the road or in the studio, offering a degree of functionality and performance hitherto unheard of in a portable pad controller — certainly at its tempting ‘takeaway’ €99.00 EUR/$129.00 USD asking price!
Speaking of which, the BeatStep Black Edition is bundled with Oberheim SEM V— Arturia’s award-winning authentic software recreation of the original Oberheim Synthesizer Expander Module® (SEM), which was itself conceived back in the Seventies as a way of beefing up weaker-sounding compatible analogue monosynths of the time, thanks to its rich two-oscillator driven sound, soon after forming the muscular musical backbone of several subsequent trailblazing Oberheim polysynths — alongside Arturia’s Analog Lab, a n a b u n d a n t l y -powerful software synthesizer solution with 6,000-plus presets by internationally-renowned sound designers derived from Arturia’s award-winning Analog Classics, a range of authentic-sounding software recreations of classic analogue instruments. Included third-party software comes courtesy of Ableton Live 9 Lite, a customised version of the Ableton Live music-making software, featuring selected instruments and effects plus all the essential workflows to write music, record audio, and songs intuitively in an innovative way — thanks to BeatStep Black Edition, triggering clips in Live 9 Lite areas easy as exercising your trigger finger! — and Grand Piano Model D from fellow French developer UVI, a sample-based virtual instrument delivering the sought-after sound of the superlative Steinway Model D concert grand piano with all the warmth, expressiveness, and detail of the real thing.
To sweeten the deal further still, BeatStep Controller & Sequencer and its younger brother, BeatStep Black Edition, both benefit from a firmware update (to Version 1.2) with neat new features such as resetting factory presets — either everything or everything except pad calibration — particularly proving to be well worth the wait.
When launched in dazzling white at The NAMM Show 2013, the diminutive yet feature-rich MiniLab Universal MIDI Controller proved an irresistible draw as one of the most feature-packed, compact control systems on the market, marrying sought-after hands-on control with portability par excellence. Engineered for the musician on the go or the performer with limited space, it offers a comprehensive set of features in a portable package that is as sturdy as it is easy on the eye. Discover new melodies with 25-mini keys plus pitch and modulation touch-strip controls. Drum out incredible rhythms with two banks of velocity-sensitive backlit performance pads, and tweak software to your musical heart’s content with 16 full-size rotary encoders. When combined with the included Analog Lab it becomes a real hybrid synthesizer.
Still one of the most feature-packed, compact control systems on the market today, it too benefits from the triumphant back in black treatment to remerge refreshed and reinvigorated as the MiniLab Black Edition — even better value than before, thanks to also being bundled with additional software from Arturia (Oberheim SEM V), UVI (Grand Piano Model D), and Ableton (Live Lite).
Black or white, then, the choice is out there... but beyond the plain to see colour change there is so much more to the BeatStep Black Edition andthe MiniLab Black Edition than meets the eye. Even though they still respectively represent a compact control powerhouse and the world’s premier mobile keyboard solution, they are all the better for being bundled with that additional software. Now they represent really remarkable bang for the buck. Best be quick, though... they are limited-edition bundles, after all!"
Playlist:
MiniLab 3 | Universal MIDI Controller | ARTURIA
Tutorials | MiniLab 3 - Overview
Tutorials | MiniLab 3 - Using Analog Lab
MiniLab 3 | How To Get Started
MiniLab 3 | How To Control Ableton Live
MiniLab 3 | How To Control Reason
MiniLab 3 | How To Control Bitwig
MiniLab 3 | How To Control FL Studio
MiniLab 3 | How To Use Chord Mode & the Arpeggiator
Arturia Minilab MK3 // with Ableton Live & Analog Lab // vs competition // Review & tutorial
"MiniLAB 3 is a compact MIDI keyboard & pad controller that lets users make music, right out the box. With a creative plug-and-play workflow, versatile assignable controls, 500 curated sounds from Analog Lab"s massive library, and a bundle of world-class creative software, MiniLAB 3 is designed to finally help beginners and professionals to get truly immersed in their music creation flow, whatever their style."
The universal music-making controller MiniLab 3 is a next-generation
plug-and-play MIDI controller that combines a great-feeling keyboard, flexible
pads, faders, and knobs, and a premium software bundle with seamless DAW
integration that lets users get creative right out the box.
Hands-on,
easy to use From the great-feeling keyboard, to the pads & faders directly
integrated with Analog Lab & your DAW, to the real-time mini display, every
aspect of MiniLab 3 is designed to be intuitive, expressive, and a joy to use -
for beginners and pros alike.
Creative features Enjoy a workflow
that aids the creative process, with features like a built-in arpeggiator, Chord
mode, custom DAW presets, and easy transposition. Making music has never been so
accessible.
Portable, compatible design MiniLab 3 is built to
fit seamlessly into any setup, from bedroom to stage, with its compact &
lightweight design, MIDI output, and USB-C connectivity. It even has custom
scripts for DAW integration with Ableton Live, FL Studio, Logic, Bitwig, and
Reason.
Creative software included On top of a world-class MIDI
controller, users get a full package of premium music-making software, from an
industry-standard DAW to well over 500 synth & keyboard presets:
Analog
Lab Intro Ableton Live Lite UVI Model D Native Instruments The
Gentleman Loopcloud sample packs & subscription Melodics
subscription
The world’s first eco designed MIDI keyboard MiniLab
3 is built with longevity and sustainability in mind. A reliable & rugged design
with better components means this controller goes the distance, complete with a
5-year warranty. And with minimum 50% recycled plastic, less waste production,
and 100% recyclable packaging, MiniLab 3 is helping reduce our carbon footprint.
Note the model to the left with all black keys. It was the only pic of it included in the press pics that follow.
Vides are in for the City Music Synth Meet in Singapore announced here.
"City Music Live, presents Khew Sin Sun, with over 30 years of experience playing and building his own synthesizers, for a session sharing his knowledge of sound synthesis and showcasing his collection of rare vintage analogue synthesizers.
This playlist also includes a live analog synth jamming session by guest presenters David McKaige & Jon He who will be performing on their modular synthesizers.
Synth Meet - City Music Live
Time & Date : 2pm, 5th November 2016
Venue: City Music Showroom
About Khew Sin Sun: A graduate of Berklee College of Music, Khew Sin Sun has always been at the forefront of Music Technology. Since winning his first Synthesizer as a prize by winning the Yamaha Electone South East Asia Competition, it started a lifelong passion on 'All Things Electronic'
All of this time, Khew found a knack in teaching his art form and conducted numerous workshops, talks, demonstrations as well as lectures about music technology.
Khew Sin Sun was also a founding tutor of the NUS Electronic Music Lab http://www.eml.org.sg - a performance group based at the NUS Centre for the Arts that composes, produces, performs, records and promotes original electronic music in Singapore."
Playlist:
Synth Meet 1 - Khew introduces Synth Meet and Synthesis
Synth Meet 2 - Khew live improvisation on analog modular synthesizer
Synth Meet 3 - intro to Modular Synthesizers
Synth Meet 4 - David McKaige live on modular synthesizer
Synth Meet 5 - Korg Analog Synths - MS20, Arp Odyssey, Minilogue, Volca
Synth Meet 6 - Jon He live on modular synthesizer
Synth Meet 7 - Live Jam on Analog and Modular Synths
"Vintage Analog Sound — Small Enough to Fit in a Backpack. Poly chain any two Prophet-6's for 12 voice polyphony!"
Update: video added above, and the official press release added further below.
Follow-up to this post. The site is now live. Details and pics captured here for the archives. Note the image to the left is in via VINCENT ASCOLI and not on the DSI page from what I can see.
"Vintage Analog Sound — Small Enough to Fit in a Backpack
The Prophet-6 desktop module is every bit as powerful and easy to use as its counterpart, the Prophet-6 Keyboard. The module has all of the same controls as the keyboard version and provides the same immediacy and easy of use — with absolutely no menu diving. As with the Prophet-6 Keyboard, all parameters are at your fingertips, with full-sized knobs and switches and a comfortable, intuitive layout.
How does it sound? Awesome — just like the keyboard, because on the inside, it’s exactly the same. The same analog signal path with discrete VCOs and VCFs. The same high-quality digital effects. The same classic sound that has been earning raves from customers and reviewers alike.
We’ve also added a poly chain feature so that any two Prophet-6s can be paired for twelve-voice polyphony!
Vintage with a Modern Twist
Both the Prophet-6 desktop module and keyboard are Dave Smith’s tribute to the poly synth that started it all—the Sequential Prophet-5. But it’s not simply a reissue of a classic. Rather, as Dave puts it, “It’s the result of our effort to build the most awesome-sounding, modern analog poly synth possible.” The Prophet-6 takes the best qualities of the original Prophet-5—true voltage-controlled oscillators, filters, and amplifiers—and adds enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. The result is pure, unadulterated analog tone with the stability and reliability of a state-of-the-art modern synth.
Classic Tone, Classic Vibe
Central to the warm, punchy sound of the Prophet-6 are its two newly-designed, discrete voltage-controlled oscillators (plus sub-oscillator) per voice. Continuously variable waveshapes provide the tonal palette with triangle, sawtooth, and variable-width pulse waves. There are two discrete filters per voice—a four-pole, resonant, low-pass inspired by the original Prophet-5 filter, and a two-pole, resonant, high-pass filter. Voltage-controlled amplifiers complete the all-analog signal path.
Dual Effects
The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus and phase shifter. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path. There’s also an independent stereo distortion effect, which is 100% analog.
Poly Mod and Poly Step Sequencing
Also present from its classic predecessor is a Poly Mod section, with enhancements. True to the original, modulation sources are filter envelope and oscillator 2 (both with bi-polar control). Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, low-pass filter cutoff, and high-pass filter cutoff. Another welcome reprise is Unison mode, which features configurable voice count (1-6 voices) and key modes. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well.
Easy to Program
The knob-per-function front panel offers instant access to virtually all Prophet-6 functions. Included are 500 permanent factory programs in 10 banks of 100 programs. In addition to these, you can create and save up to 500 user programs of your own. Toggling off the Preset button enables live panel mode, in which the sound of the Prophet-6 switches to the current settings of its knobs and switches. In this state, what you see is what you hear.
Easy to Play
All of this awe-inspiring sound is packed into a desktop module that’s small enough to fit in a backpack. It’s an ideal combination of portability and power for the project studio or the gigging musician."
And the press release:
"Legendary Designer to Ship Desktop Version of Acclaimed Analog Poly Synth in November
San Francisco, CA—October 22, 2015—Dave Smith Instruments today announced that they will begin shipping a desktop module version of their acclaimed Sequential Prophet-6 six-voice analog synthesizer at the end of November. Like the keyboard version, it features an all-analog signal path and discrete VCOs, VCAs, and filters. The knob-per-function front panel is free of menu-diving and offers immediate access to virtually all parameters.
As Dave Smith explained: “The Prophet-6 has been our most successful product launch ever. In the four months since its release, a huge number of artists have already added it to their setups.” Added Smith: “Apart from its awesome sound, we feel that a big part of its appeal is the immediacy of its user interface, so we made sure that the desktop version retained all of the same controls as the keyboard version.”
Smith continued:
'As a bonus, we’ve added a poly chain feature so that any two Prophet-6s can be paired for 12-voice polyphony. The biggest sound in modern analog poly synths just got bigger.'
Key to the vintage sound of the Prophet-6 is its two newly-designed, discrete voltage-controlled oscillators (plus sub-oscillator) and two discrete filters: a four-pole, resonant, low-pass inspired by the original Prophet-5 filter, and a two-pole, resonant, high-pass filter. Voltage-controlled amplifiers complete the all-analog signal path. Said Smith: 'The desktop module sounds every bit as good as the keyboard because, on the inside, it’s exactly the same — the same VCOs, VCFs, and VCAs and the same classic, punchy, analog poly sound that’s been earning raves from customers and reviewers.'
The module weighs approximately 13 lbs (5.9 kg) and measures 21.25” L x 7.43” W x 4.4” H (54.0 cm x 18.9 cm x 11.2 cm). 'It’s an ideal mix of portability and power,' Smith said.
The Prophet-6 desktop module will be available at the end of November with a projected MAP of $2,199.
Download high resolution photos of the Prophet-6 desktop module at http://www.davesmithinstruments.com/product-photos/
View a video of Dave Smith introducing the Prophet-6 desktop module at: https://youtu.be/2bBXcJOKxC8
"MELVILLE, NY, May 1, 2013 - Korg USA announces the availability of the King Korg analog modeling synth. Focused on live performance, it features Korg's new XMT (Xpanded Modeling Technology) engine, with a wide array of oscillators and filters that can accurately model sought-after vintage analog synths. With its controls laid out in easily identifiable sections, King Korg delivers the unique characteristics of a dedicated synthesizer, while remaining approachable to players who are new to synthesizers
A 3-oscillator, 2-timbre design allows players to generate thick and rich sounds. In addition to essential waveform choices such as sawtooth, square, sine, triangle, and noise, King Korg provides pre-set algorithms that contain various combinations of oscillator numbers and types, for easily and quickly sculpting stage-ready sounds. The oscillator algorithms also include numerous PCM/DWGS algorithms for creating highly personal sounds.
The filter section is crucial to a synthesizer's character, and King Korg's filters add unparalleled flexibility. In addition to a variety of essential analog modeling filter types, there are faithful filter models from analog monophonic synths that were used for lead and bass sounds in the '70s, as well as the polyphonic synths used in new wave music of the '80s, plus the filters of Korg's classic MS-20 analog synth. These filters can also be made to self-oscillate by raising the resonance setting- a unique capability of analog synthesizers.
A selection of 200 stage-ready preset programs includes many familiar and authentic sounds for playing classic and modern songs, plus fresh, inspiring sounds for new musical creations. An assortment of live performance staple sounds includes PCM-based piano, electric piano, organ, and clavinet. Users can store their own creations in 100 onboard user sound locations.
Each of three master effect sections offers a choice of six effect types: PRE FX such as distortion and amp simulator; MOD FX, including phaser, chorus, and tremolo; and REV/DELAY such as hall reverb and modulation delay. A full-analog vacuum tube driver circuit is also included as a mastering effect. It can be used to add warm fullness, a powerful overdrive, or anything in between. In addition, a built-in, full-featured vocoder uses audio from the onboard mic input to create a talking effect.
Many classic synthesizers used patch cables to physically reconfigure the signal flow. King Korg's intuitive Virtual Patch system reproduces this function. With six Virtual Patch assignments per timbre, control signals such as EG, LFO, or joystick movement can be virtually connected to sound parameters such as pitch or cutoff, allowing users to modulate a parameter for even greater sound-shaping possibilities.
King Korg's design makes it easy to create and modify sounds. The oscillator section has its own dedicated display, and the control knobs are assigned to the most important parameters for each oscillator. There are also dedicated dials for each of the three master effects, making it easy to audition different effects to hear how they modify the sound. Self-luminous organic EL displays are used for excellent visibility, even on a dimly lit stage.
King Korg features five octaves of velocity-sensitive keys, with adjustable response (Normal, Shallow, or Deep) to mimic that of classic instruments. Below the dedicated octave shift buttons, a backlit X/Y joystick is ready to control important live performance tweaks.
A CV/GATE OUT jack enables players to use an analog signal to control a KORG monotribe or MS-20. A dedicated cable is included to use the keyboard of King Korg to play the monotribe.
The King Korg is available for a U.S. Street price of $1299. Additional product information and sound demos are available at Korg.com."
Thanks to its rich set of outputs, it can control external MIDI instruments and effects, analog synthesizers and virtual instruments in a DAW such as Ableton Live, Cubase or Logic. It also has an on-board lo-fi oscillator that can drive headphones (for live tracking) or be used as an audio source.
LAZER is completely standalone and does not require a computer. It is ideal for live jams!
The sensor measures the distance from the hand and transforms it into MIDI, analog and audio signals, according to user settings. Its 1mm (circa) resolution and the configurable range up to 50cm allow for precise control of sensitive parameters such as pitch and filter frequency.
LAZER does not require wearing any wearables and can be used in most light conditions with bare hands. It should however be avoided to point strong light sources directly to the sensor. Multiple LAZERs can be used simultaneously without interfering with each other.
Details on IK Multimedia's new synth, first teased here, are in, and it is not only hardware, but it's analog. Rumored price is 199 Euro which currently comes out to roughly $238 USD.
via IK Multimedia:
"You don’t have to go big to sound huge
True analog synthesizer. Easily programmable. Ultra-portable.
The ultimate real analog synth for everyone
UNO Synth is the ultimate portable, monophonic, true analog synthesizer and IK Multimedia’s entry in the hardware synthesizer world.
We combined our two decades of experience in software and hardware development with the expertise of Italian boutique synth-maker Soundmachines and IK’s synth guru, Erik Norlander (one of the brains behind acclaimed synths like the Alesis Andromeda). The result is a no-compromise instrument with massive analog sound that’s also easy to use with hands-on programmability and advanced features at an unbeatable price.
The days of compromise are over. Now everyone can own a real analog synth with professional sound.
And UNO Synth is proudly made in IK’s own Italian manufacturing facility to ensure the highest quality standards. Like the majority of IK hardware products, UNO Synth is built using a combination of IK’s state-of-the-art, automated mounting machines and test systems and fine, renowned Italian craftsmanship.
Seasoned synth professionals and beginners alike will love UNO Synth’s high-quality, pure analog audio path and its ultra-compact form factor. With both classic and modern synth sounds instantly at hand, UNO will put a smile on the face of synth fans of every musical genre. All this in a synth module that can be easily carried anywhere.
Electronic music lovers or first-time synth users will get instant satisfaction from this affordable, easy-to-use instrument even if they are new to analog synths or synth programming. Thanks to its onboard presets and easy-to-play keyboard with selectable scales and arpeggiator, UNO Synth is the perfect gateway into the synthesizer world.
Great sounding true-analog audio path
Beneath its miniature exterior, UNO Synth packs a powerful, fat and rich-sounding synthesis engine with a full analog audio path on par with professional synthesizers costing much more.
All-analog audio path with 2 VCOs, noise generator, resonant multimode VCF and VCA
2 independent VCOs with Saw, Triangle, Pulse waveforms with continuously variable shape including PWM of the square wave plus a separate white noise generator
A 2-pole OTA-based analog resonant sweepable multimode filter with LPF, HPF and BPF
Custom-designed, dual-stage overdrive that provides filter input overdrive for classic synth saturation tone, from subtle warming to aggressive distortion
LFO with Sine, Triangle, Square, Up Saw, Down Saw, Random and Sample-and-Hold to modulate Pitch, Filter, Amp and continuous oscillator wave shapes including PWM
This highly flexible synthesis engine not only excels in producing the rich, warm, punchy, deep bass sounds that are the core of a high-quality monophonic synth, it’s also perfectly designed to bring a wide sonic palette of leads, drones, arps, sequences, sweeps and effects.
"Dave Smith Instruments is just a week away from introducing DSI's new Mopho x4 synthesizer keyboard to the world. This new synth is polyphonic Mopho keyboard! The Mopho x4 is the newest addition to DSI's revered line of analog subtractive synthesizers. Building upon the same award winning voice architecture of the Mopho and Mopho Keyboard, the Mopho x4 boasts huge sound and 4 voice polyphony in an ideally sized, portable, and elegantly designed package. Use it to create huge unison basses, creamy leads, maniacal sequences, and ethereal pads. The Mopho x4 is sure to satisfy all your polyphonic analog synthesis needs.
4 times the voice 4 your pleasure
Each of Mopho x4's four voices is composed of two analog oscillators, two sub octave generators, selectable 2- or 4-pole famed Curtis low-pass filter, three 5-stage envelope generators, four LFOs, a re-latchable arpeggiator, and a 16 x 4 step sequencer. Its voice also comes packed with 20 modulation sources and almost 50 destinations!
You can FM the filter to create metallic bell-like sounds and use the feedback path to add subtle or destructive harmonic content to your sound. Mopho x4's 100% analog signal path is powerful, monstrous, and sonically dynamic!
Work less, play more
Mopho x4 is intuitive and inviting. Every parameter is fully programmable and editable from the front panel. The controls are logically laid out, lending themselves to quick access so you can tweak knobs without missing a beat.
The x4's full sized 44-note semi-weighted keyboard has aftertouch and velocity sensitivity. The sturdy full sized pitch and mod wheels are freely assignable and sport smooth reliable action.
It grows with you
Expand Mopho x4's polyphony using its Poly Chain port. Mopho, Tetra, and Prophet '08 can all be connected to the x4 to increase its voice count. You can Poly Chain up to three Tetras with Mopho x4 to create a 16 voice analog super synth!
The Mopho x4!
Dave Smith Instruments is the only company pioneering and producing fully programmable polyphonic analog synthesizers. In fact Dave's been at it for 35 years!
Designed and manufactured in San Francisco, Mopho x4 has the high quality sound and build for which DSI is renowned. From its feature packed analog voices and unmatched sonic versatility to its refined design and engaging interface, you won't find a polyphonic analog synthesizer like this anywhere else.
"It's a polyphonic Mopho keyboard! Mopho x4 is the newest addition to DSI's revered line of analog subtractive synthesizers. Building upon the same award winning voice architecture of the Mopho and Mopho Keyboard, the Mopho x4 boasts huge sound and 4 voice polyphony in an ideally sized, portable, and elegantly designed package. Use it to create huge unison basses, creamy leads, maniacal sequences, and ethereal pads. 4 times the voice 4 your pleasure Each of Mopho x4's four voices is composed of two analog oscillators, two sub octave generators, selectable 2- or 4-pole famed Curtis low-pass filter, three 5-stage envelope generators, four LFOs, a re-latchable arpeggiator, and a 16 x 4 step sequencer. Its voice also comes packed with 20 modulation sources and almost 50 destinations! FM the filter to create metallic bell-like sounds and use the feedback path to add subtle or destructive harmonic content to your sound. Mopho x4's 100% analog signal path is powerful, monstrous, and sonically dynamic! Work less, play more Mopho x4 is intuitive and inviting. Every parameter is fully programmable and editable from the front panel. The controls are logically laid out, lending themselves to quick access so you can tweak knobs without missing a beat. The x4's full sized 44-note semi-weighted keyboard has aftertouch and velocity sensitivity. The sturdy full sized pitch and mod wheels are freely assignable and sport smooth reliable action. It grows with you Expand Mopho x4's polyphony using it's Poly Chain port. Mopho, Tetra, and Prophet '08 can all be connected to the x4 to increase its voice count. You can Poly Chain up to three Tetras with Mopho x4 to create a 16 voice analog super synth! The Mopho x4! Dave Smith Instruments is the only company pioneering and producing fully programmable polyphonic analog synthesizers. In fact Dave's been at it for 35 years! Designed and manufactured in San Francisco, Mopho x4 has the high quality sound and build for which DSI is renowned. From its feature packed analog voices and unmatched sonic versatility to its refined design and engaging interface, you won't find a polyphonic analog synthesizer like this anywhere else." http://www.davesmithinstruments.com/
"The Roland JD-XA Analog/Digital Crossover Synthesizer is an advanced new keyboard that offers a unique and powerful approach to synthesis, putting the best elements of analog and digital synth technology at your fingertips!
First, there’s a four-part, all-analog monster with true analog filters and a direct dry output. Next up is a four-part digital engine powered by Roland’s SuperNATURAL synth technology, plus an impressive selection of potent effects. The JD-XA’s engines can be used independently or interactively, providing an incredibly flexible platform for sound design, studio work, and live performance."
Playlist:
Roland JD-XA Analog Digital Synthesizer - Overview
Roland JD-XA Analog Digital Synthesizer - Tone Architecture
Roland JD-XA Analog Digital Synthesizer - Crossover Concept
Roland JD-XA Analog Digital Synthesizer - Arpeggiator and Effects
Roland JD-XA Analog Digital Synthesizer - Sequencer
Roland JD-XA Analog Digital Synthesizer - Sequencer
Roland JD-XA Analog Digital Synthesizer - website sounds & sequences
Roland JD-XA Analog Digital Synthesizer - LED Configuration
Roland JD-XA Analog Digital Synthesizer - Vocoder
"LEPLOOP was designed to be a minimalist electronic music live-performance groove-box, which can be used to create a variety of electronic musical styles. Small in nature but aggressive in sound, the user will be able to create a variety of analog timbres and beats. We are happy to present the third series after ten years of production, with some update:
Panel and Box design with Italian design studio IOSAGHINI
General PCB Redesign
New Metal Shaft Potentiometer
New 15v Dc Power Supply
On\Off Power Switch
Envelope 1\2 Gate in\out Connectors
Envelope 1 release CV controllable with LFO or Sequencer
VCA 1\2 Linear \ Exponential Switch
LFO rate CV In
The LEPLOOP can be synched via MIDI to another LEPLOOP for tempo-synched operation or to another MIDI device or sequencer to receive sequence stop & start instructions.
Published on Jan 14, 2014 RolandChannel·828 videos
"Roland Engineers discuss the initial concept of the TR-808 which was conceived and built in 1980. Although it was designed to create 'backing tracks', creative musicians started to use the Rhythm Machine as an instrument and music changed forever. Now the evolution begins again."
Playlist:
Introducing the Next Generation of MPC: X and Live
Standalone Challenge: Bryan Michael-Cox
MPC Lounge: Clip Launch
MPC Lounge: Audio Tracks
Standalone Challenge: Zaytoven
Sound on Sound Akai Pro — MPC X Overview & Demo
Sound on Sound Akai Pro — MPC Live Overview & Demo
"The next generation of MPC is here. Introducing the MPC X and MPC Live, brand new standalone Music Production Centers powered by MPC 2.0 software. Separate from the Pack. Standalone.
MPC X Features:
• Standalone MPC – no computer required
• 10.1” full-color multi-touch display
• Also acts as a control surface for MPC 2.0 software
• 16 Touch-capacitive Q-Link controls with OLED displays
• Turntable (RCA) inputs with ground peg
• 16GB of on-board storage (over 10GB of sound content included)
• User-expandable 2.5” SATA drive connector (SSD or HDD)
• 2 MIDI inputs, 4 MIDI Outputs
• 8 configurable CV/Gate outputs for the analog control of modular gear, such as classic synths
• 2 USB-A 3.0 slots for thumb drives or MIDI controllers
• Ableton Link and WiFi will be supported in future updates
MPC Live Features:
• Standalone MPC – no computer required
• 7-inch full-color multi-touch display
• Also acts as a control surface for MPC 2.0 software
• Internal, rechargeable lithium-ion battery
• Turntable (RCA) inputs with ground peg
• 16GB of on-board storage (over 10GB of sound content included)
• User-expandable 2.5” SATA drive connector (SSD or HDD)
• 2 pairs of MIDI inputs and outputs
• 2GB of RAM
• SD Card slot
• 2 USB-A 3.0 slots for thumb drives or MIDI controllers
• Ableton Link and WiFi will be supported in future updates
MPC 2.0 Software Features
• New graphical interface
• Audio track recording
• Real-time time-stretching and pitch-shifting
• Clip Program mode for clip launching workflow
• Reimagined mixer layout – resizable faders, an adaptive channel strip, a dedicated audio track
editing window, resizable waveform view
• Advanced signal routing capability - submixes, FX returns, multi-output plugin support
• More efficient and streamlined MPC workflow
• Audio and MIDI drag and drop
• Enhanced QLink Control"
And the press releases:
"AKAI® PROFESSIONAL REIGNS SUPREME WITH NEW MPC® XTM, THE ULTIMATE STANDALONE BEAT PRODUCTION EXPERIENCE
Standalone Music Production Center goes back to the future to deliver the most powerful beat production machine to date
Cumberland, RI USA (January 9, 2017) — Akai Professional, a leading manufacturer of music equipment for performers and producers, today announced the newest addition to the iconic MPC line, the MPC X. In creating the X, Akai Professional has taken the lessons from every MPC that preceded it to engineer a production centerpiece truly fit to be the flagship Music Production Center of the future.
The new MPC X is a standalone MPC featuring a beautiful, full-color 10.1” multi-touch screen and 16 amazingly responsive, velocity- and pressure-sensitive RGB pads. Rounding out the controls are dedicated menu buttons, a large master encoder knob and 16 touch-sensitive 360o assignable pots (Q- Links) with OLED displays, perfect for precisely automating individual parameters and delivering expressively nuanced recordings.
Powering the mighty X is MPC 2.0TM, Akai Professional’s new update to the MPC software. Capable of running natively on the MPC X in standalone mode, MPC 2.0 can also be run from a Mac or PC with the X tethered to a computer. Among the new features added to 2.0 are: audio track recording, an improved time warp algorithm, enhanced Q-Link control, drag and drop audio/MIDI – all appearing on a new graphical interface.
Features
• Also acts as a control surface for MPC 2.0 software
• 16 Touch-capacitive Q-Link controls with OLED displays
• Turntable (RCA) inputs with ground peg
• 16GB of on-board storage (over 10GB of sound content included)
• User-expandable 2.5” SATA drive connector (SSD or HDD)
• 2 full-size MIDI inputs, 4 full-size MIDI Outputs
• 8 configurable CV/Gate outputs for the analog control of modular gear, such as classic synths
“In creating the concept for the MPC X we wanted to preserve the classic MPC feel and workflow that people love,” said Dan Gill, Product Manager for Akai Professional. “But we turned the idea on its head and incorporated the best of what a modern touch-screen interface can offer. What we have now is the most powerful MPC production experience ever.”
MPC Live will ship with an MSRP of $2999/$2199 MAP and will be available Q1 2017."
"AKAI® PROFESSIONAL ELECTRIFIES BOTH STUDIO AND STAGE WITH GAME-CHANGING MPC® LIVETM
Standalone Music Production Center combines power and portability to deliver pound-for-pound the best MPC to date
Cumberland, RI USA (January 9, 2017) — Akai Professional, a leading manufacturer of music equipment for performers and producers, today announced the newest addition to the iconic MPC line, the MPC Live. Starting with the immersive production workflow and game-altering performance breakthroughs introduced by the MPC Touch, Akai Professional ratchets up the stakes with MPC Live by adding standalone functionality.
At the heart of the new MPC Live is a beautiful, full-color 7-inch multi-touch screen and 16 amazingly responsive, velocity- and pressure-sensitive RGB pads, and a large, clickable master encoder knob. Featuring 2GB of RAM and 16GB of on-board storage, Live is as powerful as any MPC that has preceded it. But weighing in at just 5.5 lbs., MPC Live is compact enough to easily transport from studio to stage. The portability is taken even further with this MPC’s ability to run battery-powered via the internal, rechargeable lithium-ion battery.
Powering Live is MPC 2.0TM, Akai Professional’s new update to the MPC software. Capable of running natively on MPC Live in standalone mode, MPC 2.0 can also be run from a Mac or PC with the Live tethered to a computer. Among the new features added to 2.0 are: audio track recording, an improved time warp algorithm, enhanced Q-Link control, drag and drop audio/MIDI – all appearing on a new graphical interface.
Features
• Also acts as a control surface for MPC 2.0 software
• Internal, rechargeable lithium-ion battery
• Turntable (RCA) inputs with ground peg
• 16GB of on-board storage (over 10GB of sound content included)
• User-expandable 2.5” SATA drive connector (SSD or HDD)
• 2 pairs of MIDI inputs and outputs
• 2GB of RAM
• SD Card slot
'The MPC Live is an absolute beast. It truly represents a huge step forward in the product category,” said Dan Gill, Product Manager for Akai Professional. “MPC Live is the most powerful MPC we’ve made to date and yet it’s portable enough to take anywhere.'
MPC Live will ship with an MSRP of $1999/$1199 MAP and will be available Q1 2017."
---
"AKAI® PROFESSIONAL DRIVES CREATIVITY TO NEW HEIGHTS WITH MPC® 2.0 MUSIC PRODUCTION SOFTWARE
Latest version of acclaimed composition software features audio track recording, clip launching, real- time audio warping, Audio and MIDI drag-and-drop, along with enhanced QLinkTM control.
Cumberland, RI USA (January 9, 2017) — Akai Professional, a leading manufacturer of music equipment for performers and producers, is showing their MPC 2.0 at Winter NAMM, the latest version of their acclaimed music production software. Compatible with Mac and PC, MPC 2.0 works either alone as your main DAW or integrates seamlessly with your current DAW as a VST or AU plug-in. It’s available with Akai Professional’s MPC X, MPC Live, MPC Touch and MPC Studio Black.
Reimagined GUI:
MPC Software 2.0’s redesigned GUI offers a vastly improved creative experience that enhances MPC’s revered workflow. Combining a reimagined mixer layout outfitted with resizable faders, an adaptive channel strip, a dedicated audio track editing window, resizable waveform view and much more, MPC Software 2.0 presents the ultimate platform for unrestricted creative versatility alongside must-have tools that deliver unprecedented surgical control.
Audio Tracks:
Capture, edit and mix up to 8 studio-grade resolution audio tracks in standalone mode (MPC X and MPC Live), or expand your track limit to an immense 128 tracks in controller mode. Furnished with critical audio recording functionality - including multi-track capture, selectable monitoring options (Off, On & Auto), monitoring via effects, Punch In/Out Recording and Record Start options – MPC Software 2.0 empowers producers, musicians and performers with core audio-capture and the convenience of full-featured standalone operation.
Edit, Mix, Create:
Used in conjunction with an Akai Professional MPC unit, performers and producers will find that MPC 2.0 will Edit, Mix and Create in a manner unmatched by any other production software. There is a comprehensive suite of audio editing tools: Pointer, Eraser, Audition, Scissors, Fade In, Fade Out, Reverse, Mute, Pitch Adjust and BPM Adjust. For mixing, users can automate any effect, instrument or mixer parameter. With its advanced signal routing capability—submixes, FX returns, multi-output plugin support (up to 16 stereo outputs) and more—there is virtually no limit to the versatility on tap for the artist.
Manipulate Tempo or Pitch:
With MPC Software 2.0, total-command of user’s audio is possible courtesy of a new real-time time- stretching and pitch shifting algorithm. Change the duration of any audio region, drum/keygroup sample or clip to match the tempo of your project with MPC Software’s real-time time-stretching or, use real- time high-quality pitch shifting to change the pitch of any audio region, drum/keygroup sample or clip for creative manipulation or to change the key of the source material. MPC 2.0 makes it easy to manipulate the time and pitch of any source material: a chopped vocal in an audio track, a drum loop in a clip program or an orchestral phrase loaded into a chromatic sampler program.
Perform:
For performers, MPC 2.0 brings their presentation to the next level. MPC Software’s XYFX and a Phrase Looper now combines with an all-new Clip Program mode powered by MPC’s real-time warping algorithm, providing users with an intuitive clip launch workflow and the ultimate platform for creative versatility. Features like Enhanced Q-Link functionality for precision control mapping of MPCs editable functions and selectable hardware outputs providing seamless assimilation into multiple usage scenarios make MPC 2.0 a powerful creative tool.
Versatility:
MPC 2.0 is versatile and adaptable as well. It supports WAV, MP3, AIFF, REX and SND, as well as supporting samples and sequences from any MPC ever made. There is full 64-bit support in all versions: standalone, VST, AAX and AU.
MPC Software v2.0
• Completely new graphical interface
• Audio track recording
• Real-time time-stretching and pitch-shifting
• Clip Program mode for clip launching workflow
• Reimagined mixer layout – resizable faders, an adaptive channel strip, a dedicated audio track
editing window, resizable waveform view and more
• Advanced signal routing capability - submixes, FX returns, multi-output plugin support (up to 16
stereo outputs) and more
• More efficient and streamlined MPC workflow
• Audio and MIDI drag and drop
• Enhanced QLink Control
“MPC 2.0 is the next generation of Akai Professional music production software, perfected by over a year of intense R & D,” said Dan Gill, Product Manager for Akai Professional. “This software suite really energizes the creative process for performers and producers alike, and is an indispensable part of our MPC’s amazing capability.”
MPC 2.0 is bundled with Akai Professional MPC hardware, and is available in Q1 2017. It will be available separately as an update for existing MPC customers at a later date, price TBD.
For more information, visit akaipro.com."
Here's a first single from my new album called 'Out Of Nowhere'. Embark on a cosmic journey with 'Dark Star' jam, where psychedelic synths, groovy guitar riffs, and analog tape recording come together to create an otherworldly soundscape. This track is a deep dive into space rock, blending the rich textures of Moog One, Moog Matriarch, and Prophet-10 synthesizers with live guitar and finger drumming on the Maschine.
Everything you hear was recorded live to an 8-track 1/2" reel-to-reel TEAC 80-8, passed through the warm, analog sound of the TEAC Model 5A console. This session is pure, unfiltered analog magic—capturing the raw energy of live performance in its truest form.
Every listen, share, and purchase helps keep the music alive. Your support means the world to me!
Thank you for being a part of this journey.
With cosmic gratitude,
Caught In Joy"
"Gravity Waves" | Groovy Guitars, Moog Synths on Analog Tape | Space-Themed Jam
"Join me on a cosmic drum & bass journey with "Connecting With the Stars," a high-energy jam from my new album "Out Of Nowhere." This track features an electrifying blend of deep basslines and rhythmic breaks, brought to life through the lush tones of the Moog One, Moog Matriarch, Moog Mavis, Prophet-10, and Maschine.
As I jam with all my favorite instruments, you'll experience the full power of analog sound, with each synth adding its own unique flavor to the mix. Recorded live, this performance captures the raw energy and spontaneity of the moment, making it a truly immersive experience.
Thank you for being part of this journey through sound and rhythm. Your support means the world to me.
"We live and breathe synthesizer, and there's not enough nice synthesizer related art to hang onyour wall. That's what we thought, and we were delighted and proud that Japanese artist HR-FM wanted to do not only one, but TWO original pieces for Analog Sweden! Together with the art we release a free track that goes with the theme.
Introductionary offer: Buy both posters for 19 EUR
use discount code at checkout: "HR-FM" Valid for one week only!
AS001 DX FUTURISM - by HR-FM
Limited print, 250 copies
Size 42x56 cm, 250 gr printed on semi matte paper
The Yamaha DX7 killed the whole analog synthesizer market when it was introduced. The analog companies tried to fight the digital Godzilla, but failed like doomed dinosaurs. World dominance was inevitable with its low price and supreme stability and over 160.000 machines sold. But, itfelt like something was lost - the soul had vanished and was replaced
by digital perfection.
AS002 Analog Waveforms Strikes Back - by HR-FM
Limited print, 250 copies
Size 42x56 cm
Analog fights back. The Soul in the machine returns.
If you're a skilled artist having ideas for synthesizer related art - don't hesitate to contact us!
Introductionary offer: Buy both posters for 19 EUR
use discount code at checkout: "HR-FM" Valid for one week only!
About HR-FM
From Yokohama,Japan residing illustrator/Artist HR-FM working with the games and Manga industryhas established the unique future fossil art-style, "By pairing incompatible time bases to create scenes I call "the future past", I express both surprise and recollection." says HR-FM.
The client list is long, including Dropbox and Rayne Longboards, and the features in magazinesand art books are numerous, most recently in the book "Illustration 2013". Read more: http://www.hr-fm.com/
Free track: DX Futurism - Adagio for Memorymoog
One of the victims of the DX7's success was the Moog Memorymoog - which was the last product Moog released before going bankrupt. Luckily for us all Moog Inc is now a resurrected company.
We found it fitting to use the Memorymoog to perform one of the saddest pieces written; Samuel Barber's "Adagio for strings" op.11, but with a twist. You might recognize the music which has been used in many movies, with Platoon by Oliver Stone probably being the most famous.
The end sample is from Tokyo the 11th of march 2011, the day of the horrible tsunami hitting Japan. The public speaker system is trying to calm the worried city.
Download https://soundcloud.com/analogsweden/dx-futurism-hr-fm
Analog Sweden live gig 29th June
We're going to play live at the opening of artist Mary Segerfalk's exhibition "Black and Beauty". Experimental sound installation with loads of analog treatment. In Helsingborg, Sweden at Yoshio Nakajima Art Center http://www.yoshionakajima.net
We recently celebrated the 63rd birthday of one of the most ingenious and influential artists of the late 20th century. Mr. Stevland, Hardaway Judkins a.k.a Stevie Wonder. Defining multi-talent in music field, with a vibrant career that has spanned over fifty years. Stevie’s achievements will without a doubt remain an inspiration for many generations to come.
Superstition (DJ Devastate & Segerfalk Remix)
Devastate & Segerfalk reworks the classic track "Superstition" into a more modern, rhythm based, bass-heavy anthem topped with some smooth Rhodes piano. The remix is a tribute to Stevie, reworked with respect, to honour the timeless original. Cover design by artist Jonas Hilmersson.
Artwork: Jonas Hilmersson
Production: DJ Devastate & Segerfalk
We're on instagram!
Follow us at www.instagram.com/analogsweden"
"MS-20 is a free multi-sample Live Pack reproducing the sound of the vintage Korg MS-20 MKII, the second generation of the super-star analog synthesizer released in 1978.
Released in the late í70s by Korg, the MS-20 is a stunning and very popular analog monophonic synth. Thanks to its semi-modular design the MS-20 can generate fat round basses, sinuous-worm leads and any type of analog sound FX. A great sounding machine, a milestone in the history of analog synths.
MS-20 is a free Live Pack based on 28 multi-sample recordings obtained by sampling several VCO, VCF and Ring Modulator settings. The included perfectly looped samples (each note of 4 transposed octaves) have been packed into 46 Instrument Racks with dedicated controls and 48 Sampler Devices for easy customization.
Specifictions :
ï Size : 520 Mb
ï 24 Bits / 44.1 Khz
ï 28 Multi-Sample recordings
ï 48 Live Instrument Racks
ï 48 Live Sampler Devices
ï One sample per note (4 scaled octaves)
ï Perfectly looped samples
ï Host : Ableton Live 9
Volume faders are easy to control, plus crisp-sounding LO/HI CUT filters, and a master chain that radically transforms the sound. In addition to the sync function found on all volcas, there are also DC output connectors that can supply power for up to three volca units. Numerous functions to facilitate your on-stage volca performances have been packed into a high-quality aluminum-paneled body, reminiscent of a high-end DJ mixer. 
