HK26 Happy Knobbing 2026 Synthesizer Meeting Fischbach Germany

video upload by downsampling

"Happy Knobbing is a modular synthesizer meeting in Fischbach Germany.
Surrounded by synthesizers.

Here you can find the live Performances from the happyknobbing meeting:"

HK Modular Meeting live Jams Saturday night - Livestream 7pm CET

video upload by bytesatwork

"Music starts 32 minutes in!". The player should be set to start right before then. If not use the controls to move around. P.S. I spy Bernd-Michael Lang of Aliens Project.

"The participants of the 'Happy Knobbing Modular Meeting 2026' from may 22-24 jamming live from Fischbach Saturday night - Livestream."

Introducing MUM M8 DSP - Low Pass Filter Plug-in

video upload by ALM TV

"‘MUM M8 DSP’ is a low pass filter plug-in emulating the filter used in the classic Akai S950 12 bit sampler with the addition of resonance, saturation and bit depth reduction. This in turn emulates our MUM M8 eurorack module which uses a similar filter design.

In this video we take a quick look at the MUM M8 DSP processing multiple sources in Ableton Live.

The low pass filter gives the recognisable super smooth vacuum like tone sucking sound which works magic on complex sources. The addition of clipped overdrive and intentionally aggressive self oscillating resonance compliment the smooth filter core by juxtaposing it into more wasp like territory with acidic squeals and a more gritty sound.

Unique to the plug-in are a clock bleed switch, introducing audible artifacts into the filter path emulating some of the quirks of the original hardware, and a Bit Depth control for downsampling the input for a more character-rich output.

‘MUM M8 DSP’ offers an authentic digital emulation of the original hardware, recreating its distinct sonic character for use for use in your DAW.

More info & download here: https://busycircuits.com/mum-m8-dsp/

Thanks for watching!"

Introducing Roland AIRA Compact P-6 Creative Sampler

video upload by RolandChannel

"The P-6 Creative Sampler joins the AIRA Compact gang, packing legendary Roland sampling technology into a compact, user-friendly gadget. Seamlessly blending classic sampling techniques with granular sound design, the instrument features a built-in mic and advanced sequencer in a lightweight, rechargeable package. With a versatile stash of hands-on FX and intuitive controls, the P-6 delivers unparalleled portable sampling power.

Watch Dustin Good dive into the depth of features and connectivity within this mini roving recorder:
00:00 Intro
01:43 Layout
02:05 Sampling Settings
02:41 Sampling Examples
03:46 Chop
04:05 Step Sampling
04:46 Granular
05:39 Pattern Sequencer
06:47 FX
07:24 Resampling
07:56 Connectivity/AIRA Compact Series"

CLICK FOR MORE »

Body Synths introduces the Metal Fetishist

video upload by Body Synths

"The Body Synths Metal Fetishist is a Percussion Synthesizer featuring a loopable randomness sequencer and a eurorack-compatible control-voltage interface.

The Metal Fetishist is a beat-making platform designed for rythm discovery and percussive sound design. The unapologetically digital sound engine includes a single oscillator, a white noise source, a resonant multi-mode filter and a digital distortion section featuring downsampling and overdrive."

Four Body Synths Metal Fetishist percussion synths playing together

video upload by Body Synths

"Sequencing 4 Metal Fetishist units with an Arturia Beatstep Pro. Spring reverb from Roland VX-55. Analog delay from Roland DC-20."

"The Body Synths Metal Fetishist is a Percussion Synthesizer featuring a loopable randomness sequencer and a eurorack-compatible control-voltage interface.

Explore percussion by synthesizing simple Kicks, harsh Noise, fuzzy Drones, digital Glitches and plucky microtonal Melodies
The Metal Fetishist is a beat-making platform designed for rythm discovery and percussive sound design. The unapologetically digital sound engine includes a single oscillator, a white noise source, a resonant multi-mode filter and a digital distortion section featuring downsampling and overdrive.

Random sequencing with control
The Metal Fetishist features two randomness generators. At every trigger step of the sequence, the Random Step Mod section creates a new modulation value that can modify the Pitch, the amount of Noise or the filter Cut-Off value, while the modulation amount can be selected manually. At every sequence step, the Random Skips control decides if the current step will trigger or not, based on the skipping amount selected. The big STEPS knob won't do anything at its OFF position, leaving the synth in completely random mode! But as you turn it right it will lock the previously generated random step values into repeatable sequences of length 2, 4, 8, 10, 16 or 32. Have fun with it!"

Patch Tuesday | Downsampling with Step 8

video upload by Joranalogue Audio Design

"Welcome back to Patch Tuesday, a video series where we demonstrate the endless possibilities of a Joranalogue system! Today, Frits explores analogue downsampling with Step 8. Making use of this technique produces a vintage, lo-fi sound."

Lilla Audio Sampler

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

See this post for demos and details.

"16 voice polyphonic, multi-timbral desktop sampler.

Plays imported audio files and is also capable of live sampling.

Includes digital filters and fx (delay, downsampling or bit crushing).

Many hands on controls.

Powered by USB"

2023/06 - Norns Dub

video upload by Stereoping

"Summer tunes warmup. The Monome Norns running the beautiful 'RAINDROPS' script is sent through a DIY-PCB Juno-6 Chorus with Stereo-mod. The Norns is intentionally not temposynced and accompanied by a modded Alesis HR-16 which makes funny things when one of the Voice Eproms is removed. The HR-16's audio runs through a Yamaha CS-5 lowpass into a DIY Axoloti-based effects unit with lots of knobs for realtime tweaking Reverb/Delay and a little granulizer. The HR-16's midiclock drives a Volca Drum with Midi-Out-mod. The Volca's sequencer's Midinotes (incl. probablitiy and ratchetings) are converted by a little DIY Midi-box into the suitable notes for the Solin8 (starting at 3:10), a cheap 8bit-glitch teensy-based WAV-Drumsounds-Player with downsampling faders. "

HEX HAUS - digital polyphonic synthesizer & digital sound processing instruments

HEX cor
video uploads by HEX HAUS

"HEX cor is a digital polyphonic synthesizer with a capacitive keyboard, potentiometers for signal modulation and an adaptable looper that through its unusual shape explores new ways of interaction and sound synthesis."

HEX 1.0


"HEX 1.0 is a digital polyphonic synthesizer with a capacitive keyboard, potentiometers for signal modulation and an adaptable looper that through its unusual shape explores new ways of interaction and sound synthesis."

Not sure what the difference is between the HEX cor and HEX 1.0, but they have separate playlists HEX HAUS. Only the HEX cor is featured on their site.

HEX lag


"HEX lag is a digital sound processing instrument with signal modulating potentiometers and an interactive tactile surface for direct sound control. It digitally simulates analogue bucket brigade delay chips (typical of chorus, flanger and karplus-strong), but also enables pitch-shifting, downsampling, etc."

follow-up to this post.

"HEX HAUS institute is a joint project by media artists and fed up `post-alternative’ millenials Anže Sekelj and Staš Vrenko."

https://www.hex.haus

Arturia Introduces Pigments 4 | Polychrome Software Synthesizer

video uploads by Arturia

"Discover your own wavelengths on an infinite spectrum of sound with a refreshed visual workflow, enhancements for every module, and modern sounds for every style. This is Pigments 4, and it's going to change the way you make music."

See WHAT'S NEW further below for details on the update.

User videos:


Arturia Pigments 4: Wavelengths Presets Demo. No talking video upload by Anton Anru

"Arturia has just updated their flagship synth – Pigments. Now it's Version 4. The update includes new filters and effects, new wavetables/samples/noises, engines and workflow improvements, light skin, and new presets.
In this video, I demonstrate Wavelengths banks of presets.

🔮 More details about the update: https://www.arturia.com/
💎 Presets for Arturia and other hardware synths: https://antonanru.sellfy.store/

Contents:
00:00 Wavelengths Cinematic
14:01 Wavelengths Lo-Fi
26:57 Wavelengths Neuro Bass"

Arturia Pigments 4 //First Look

video upload by Starsky Carr

0:00 What's Pigments
2:06 Interface Enhancements
4:54 What Else is New (Some Sounds)
7:42 Synth Engine Additional Features
10:48 Filters
13:00 Effects
16:42 Wrapping Up

Playing with PIGMENTS 4.0 update

video upload by DATABROTH

Brief summary and review: https://www.databroth.com/blog/pigmen...

check out my wavetables and presets at https://gumroad.com/databroth
join my Patreon https://www.patreon.com/databroth

Arturia Pigments 4 | No Talking |

video upload by DKS SYNTH LAB

WHAT'S NEW:

_New looks for your setup
New graphical interface: Easier to navigate than ever,
Play Mode: Enjoy a simplified overview of your entire sound, with stripped-back modules and hands-on macros.
Light Mode: Opt for a less nocturnal vibe and enjoy a sleek off-white redesign.

_The best sound design workflow yet
Quick modulation editing: you can now simply click and drag your modulation source to its destination, and quickly adjust its depth by hovering over the parameter.
Quicker feature navigation: Flick between options in an instant for any of Pigments’ multimode modules with added left-right buttons.
LFO presets: Pigments’ LFOs now come with 6 familiar waveform presets, from sine to random.
FX & Seq bypass: You can now quickly bypass both the FX and Seq sections from the Synth and Play Mode views.
New sync modes: Create dynamic rhythmic ideas by blurring the lines between straight, triplet, and dotted sync within Pigments’ modulators.
MTS-ESP microtuning compatibility: Pigments is now compatible with ODDSound’s microtuning software MTS-ESP, designed in conjunction with Aphex Twin.

_Enhanced engines
Wavetable engine: Sprinkle some warbling tremolo movement and metallic character by swapping frequency modulation for the new Ring Mod feature, and harness a new Pulse Width mode for the Phase Transformation section
Harmonic engine: Uncover new harmonic territory and pitch alterations
More Unison options: The Unison control is now uniform across all engines, with the addition of a Unison Phase control for Wavetable, Sample, and Harmonic voices.
Modulator Oscillator: Go deeper into the dedicated Mod Osc with Ratio options and an extended hertz range from 0.100 to 20,000.

_New effects & filters
MS-20 Filter: Unleash deeper bass than ever and crank the grit with the notorious screaming response of the classic MS-20 filter, with HP6 and LP12 modes.
Shimmer Reverb: Inject cathedral-in-outer-space ambience and cinematic detail into any sound with the Shimmer Reverb effect, complete with 2 octaves of pitch-shift and built-in modulation.
Super Unison: Mimic ultra-wide ensemble timbres with a single voice using Super Unison, a swaying chorus-like effect that detunes, spreads, and enlivens any sound.
Effects & filter improvements: Pigments’ Bitcrusher has doubled in size with Jitter, Scale, and extra Downsampling options, the Jup-8 V filter now has FM control, and both the Multi Filter & Distortion algorithms feature a Notch Filter mode.

_Fresh sound exploration
New factory presets: A distilled selection of the hardest basses, leads, pads, and percussive sounds for modern production, from ambient to drill to soundtrack composition.
63 new wavetables: Navigate a massive array of crushed filtered sounds, monstrous peaks, resonant vowel-like sweeps, and more.
67 new samples: From rattling 808 bass to hang drum resonance to sustained vocals, enjoy 67 new sounds for the Sample & Granular engine.
36 new noise types: Expanding Pigments’ Utility Engine Noise modules, this fresh selection includes smooth impulses, nature sounds, industrial tools, and more.

_Pigments 4 sound banks
Wavelengths Lo-fi
Wavelengths Neuro Bass
Wavelengths Cinematic (Used in this demo)

BITCRUSHING LO-FI | Mosaic Decimator 1U Eurorack Module

video upload by DANIELE

"Bit depth reduction and downsampling goodness with the Mosaic Decimator 1U eurorack module! A special thanks to XODES for providing the 1U to 3U adapter."

New Mutable Instruments Beads Texture Synthesiser Eurorack Module

Playlist:

1. Mutable Instruments Beads - exploration and tutorial by Tom Leclerc
2. Mutable Instruments Beads (no input) by Robin Rimbaud-Scanner

First play with the Mutable Instruments Beads texture synthesiser. And here's a wonderful surprise - if you leave both audio inputs unpatched, then after 10 seconds it begins to granulise a collection of stored raw waveforms taken from Mutable Instruments Plaits wavetable module. So here's a piece using Beads as the lead voice on this cinematic piece, with no other inputs. I added other instruments afterwards for rhythm and bass, and the singular pulse that holds throughout is from the Make Noise Mysteron. This is just an idea to show Beads in a very musical context

3. Heidi Concrète (featuring Mutable Instruments Beads) by Robin Rimbaud-Scanner

An experimental piece using Mutable Instruments Beads, the texture synthesiser, processing an audio file. No addition effects or processing were used. This is simply a live exploration of a single audio file with Beads. The original voice introduces and closes the piece so you can compare the two sonic worlds before and after Beads. The voice is taken from a scanned phone call in the early 1990s that features on my Delivery (1997) album.

4. A Little Beat with Mutable Instruments Beads (Wavetable Mode) by midcentury modular

This is Beads running in the internal wavetable mode (and a kick drum from plaits). I've got a gate going into freeze that acts as a mute when the kick comes in (sort-of side-chain like), and I'm also manually pressing it to mute and sustain the random sequence.

The pitches are not from an external cv source but generated internally with the peaky random distribution into the time knob. The pitch changes with this parameter seem to be somewhat harmonically related (though I'm not sure what specific scale) to the root set by the pitch parameter.

5. Overdriven Ambient Looping with Mutable Instruments Beads by midcentury modular

This video is some improvised choir sounds (from the Ableton Operator synth, played with a midi keyboard) ran into Mutable Instruments Beads in the delay/looper mode (with "sunny tape quality") Throughout, I add to the buffer by tapping out of freeze mode and back in. When the feedback is up, things stick around, so you can progressively add more and build up the buffer. I'm also experimenting with overdriving the input (by turning up the audio level going into beads from ableton with the top left 1U knob)

6. Mutable Instruments Beads (Scorched Cassette Mode) and Ciat-Lonbarde Plumbutter Deerhorn by midcentury modular

This patch is my attempt at using Beads to add some Cocoquantus-like magic to the Deerhorn. I think the downsampling, lower-bitrate and whatever other DSP tricks are happening in the Scorched Cassette mode are crerating a somewhat similar vibe to the 8-bit dolby loopers in the Coco, and I think this adds some really nice fizzy textures to the warm, raw-oscillator tone of the Deerhorn). Beads is also pitching down the two tones from Deerhorn to add a bit more melodic content.

There is some very subtle modulation coming from the orange out on Deerhorn, but it's not really doing a ton and could probably be left out and you wouldn't be able to tell much of a difference. There is some audio-rate modulation coming out of one of the white deerhorn outputs into the density input, which is modulating some of the AM stuff going on when density is high towards the end of the track.

No idea why the snapping gesture with the density knob caused the "knock on wood" sound, but I think it was a pretty cool accident!

7. Noisy Experimenting with Mutable Instrument Beads, Blades Ripples and Plaits

This patch (at least as much as I remember it...been a while since I made this) is Beads and Blades in a sort-of feedback loop. Blades is over-driven and self-oscillating, and the outs are sent to control seed and freeze on Beads (which is using the internal wavetable generator as audio input). After trying out various ones, I found these two control inputs on Beads the most interesting with audio rate signals. The outs of Beads are going into the audio inputs of blades. Both modules outs are multed out and into veils which is acting as a stereo mixer. Ripples (which is getting some noise into its cutoff modulation input from Plaits) is providing some audio rate modulation to some of the Veils channels.

"Beads is a reinvention of Mutable Instruments’ Clouds.

The concept is the same, live granular processing of an incoming audio signal, and the labels on the panel remain familiar.

The similarities stop here. The hardware and software have been redesigned from the ground up, with several goals in mind: a crisper and broader sound palette, more control, better playability, and direct access to exciting new features.

DOTTING THE I’S AND CROSSING THE T’S

Beads’ vastly improved specifications allow a higher audio quality, a longer buffer, the use of better interpolation and anti-aliasing algorithms, and key DSP blocks to run at a faster rate. Granular processing can now go to new territories, such as formants, wavetables, hard-sync-like sounds, or crispy noise.

The range of parameters, their response to the turn of a knob or a CV modulation have all been refined, for new possibilities such as reverse playback or percussive envelopes.

CONTROL, CHAOS AND CHARACTER

Control. To trigger or schedule grains, Beads provides new features to divide or randomize an external clock or trigger stream, spray bursts of grains in response to a gate, or get the grain rate to track a V/O CV or the frequency of an external oscillator.

Chaos. Each key parameter of a grain comes with its own attenurandomizer, which allows direct CV control, CV control of the randomization (spread) of this parameter, or internal randomization using some of Marbles’ algorithms.

Character. Beads provides four audio quality settings, which go well beyond buffer sample rate and bit-depth: they affect the clock of the converters, the amplitude limiting and saturation of the signal path, the tone of the reverb, and additional media-emulation effects. From a pristine digital device to a dirty cassette, through a mode reproducing some of Clouds’ characteristics.

MODES?

Beads can operate as a delay without the need to switch to a different mode: just ask it to play a never-ending grain. Its DENSITY, TIME and SEED controls are repurposed to allow various features such as tap-tempo, beat slicing, time-stretching, or comb-filtering at rates tracking V/O.

Without any audio input, Beads will granularize 8 internal banks of wavetables.

All parameters have a dedicated knob."

Hello Spice: Unboxing Plankton Electronic's semi-modular saturation unit

Olivier Ozoux

Plankton Spice posts

"So, about 2 years ago, I received this email from Alex at Plankton Electronics:
------------

yes.

We’re designing a new machine. Actually it is almost designed already.

The machine will be a distorting unit. Standalone but eurorack suitable, semimodular, several distorting circuits. Stages are:

- Filter section (LP and HP)
- Digital section (Bit crush and Downsampling)
- Analog (9 disotrtion circuits one of them being a Nu-tube)
- Mixing section (dry and wet).

Then a feedback control with an insert between. From the analog section back into the filter. And also an envelope follower normaled to the filter input but breakable with normal and inverted outs (very good to control the filters before the distortion.

The idea of using HP and LP before the distortion circuit comes from the process of filtering the signal before the clipping stage in all the distortion circuits in the market. Generally is what defines the sound. The different distortion circuits will add more or less harmonics, being a compressed clipped signal, a fuzz, or the even harmonics produced by the tube.

Each section has its own I/O so you can skip the digital section if you want to avoid the 12bit of maximum bit rate or if you want to change the order. Overall it’s a very versatile distortion unit.
--------------

the spice is amazing, and I can't believe it took me this long to make a video about it. Full disclosure, even though I got early access to the design, I purchased my own unit as part of the Kickstarter launch campaign."

Divkid's RND STEP overview and demo at Patchwerks!

Patchwerks Seattle

"RND STEP is a high performance, 3 channel sample and hold module, comprising of 6 unique sample and hold circuits in just 4HP.

Each channel features two internal analogue pink noise generators, and two sample and hold circuits split across unipolar and bipolar outputs.The unipolar output always samples its own noise source for a stepped random voltage between 0-5V. The bipolar output by default samples it’s own noise source (for -5V to +5V stepped random). However, you can override that connection with the sample input. This allows for sampling external audio or CV signals, and it can sample voltages anywhere between -10V and +10V with the sample input.

RND STEP will operate at slow trigger rates with highly extended hold times, ensuring it holds the voltage with minimal droop, but it will also operate up through audio rates for destructive downsampling FX for audio. When triggered at audio rates RND STEP outputs downsampled and clocked noise tones from the internal pink noise generators. These can then be used for modulation, percussion or sound FX.

Trigger input 1 will normalize across all 3 channels, meaning a single trigger can give 6 unique random voltages, of which 3 are bipolar and 3 are unipolar. The combination of both ensures you have the right voltages in the correct ranges for the sources you wish to modulate.

Order here: https://bit.ly/rnd_stp

https://patchwerks.com/

Demo by: Matthew Piecora (aka EZBOT)
https://www.youtube.com/EZBOTMUSIC"

NEW DIVKID MODULE // 'RND STEP' with Steady State Fate // 6 High performance Sample & Holds!

DivKidVideo

"Here we have the new (third) DivKid Eurorack module made in collaboration with Steady State Fate. RND STEP is 6 high performance analogue sample and holds split across 3 channels in 4HP. There's 6 analogue pink noise generators, unipolar and bipolar outputs, high accuracy sampling, long hold time, trigger normalisation for lots of stepped modulation from single triggers, audio rate performance for downsampling and modulated noise tones. I'll leave the video to do the talking and as always I hope the video provides you with lots of ideas to apply to your own systems too.

TIMING INDEX // SECTIONS

00:00 Intro & video previews

01:13 RND STEP, accuracy performance testing & Patreon bonus patch book

02:28 Feature run down

03:53 Quad peak animation

04:38 Generating random gates

05:38 Humanising voices & patches

06:34 Sampling modulation for new patterns and melodies

09:07 Generating downsampled “clocked” noise colours

10:01 Noise percussion

10:23 Creating overlapping chord tones sampling 1v/oct pitch

13:17 Musical pitch tracked downsampling

14:27 Downsampling drum breaks

14:35 Downsampling lo fi voice samples

14:45 Auto chordal composition - using random voltages for polyphonic pitch and levels

15:43 Random Panning & Accents + sampling other noise sources for different random voltage distributions

16:05 A bit of everything for good measure!"

Future Sound Systems OSC2 Recombination Engine // a UNIQUE triple analogue Eurorack oscillator

Published on Apr 10, 2020 DivKidVideo

"Here we have a total unique triple analogue (or analog for our stateside friends) oscillator for the Eurorack format from Future Sound Systems. The OSC2 Recombination Engine has a master ‘Scissor’ oscillator that can audio rate switch, sync and glue waveforms together from separate positive and negative DNA oscillators. The Glue section is a VCA that merges the positive and negative waves at the rate of the Scissor with options for additional level modulation and mixing internal or external sounds with an added input.

It’s a massively varied unit with everything from soft and sweet sines and triangles working independently to a totally mad as a box of frogs noise oscillator and everything in between. Coaxing out digital DX style musical FM has been easy, it’s a total wizard with AM synthesis and the unique wave the waveform level VCAs work. So I look forward to further exploration.

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Grain Relay by Max for Cats

Published on Mar 28, 2020 max forcats

"A multi-dimensional Granular Delay with Pitch Shifting, Modulation, Reverb, Ring Modulation and Downsampling. https://sonicbloom.net/en/products/gr...
Max for Cats crafts Software Instruments, Effects, MIDI devices, Sound Design and Samples for Ableton Live."

Eowave Ribbon 2 CV/ GATE & USB Controller

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

"The Ribbon 2 is a tactile instrument which is sensitive to position and pressure. It is interchangeably a 12 -bit synth, a USB controller and CV/Gate controller, it can be used in many different ways – as a solo instrument, to control virtual instruments and iOS or to control analog/modular systems and other CV/gate devices.

The Ribbon comes with a software editor, which allows you to choose from 9 oscillator sources, LFO and FM modulation and delay and downsampling effects. 16

Presets can be stored and recalled on the fly using the two buttons on the Ribbon"

CLICK FOR MORE »

BEHRINGER K-2 Tutorial & Review, with 18 patch ideas (that also apply to KORG's MS-20)

Published on Dec 26, 2019 loopop

TIMELINE:
0:00 Intro
1:00 Overview
2:40 Filters
4:40 Layout
5:30 Oscillators
8:15 LFO/Mod gen
10:05 Envelopes
14:15 Hz/v, v/oct
15:45 S-trig, v-trig
16:30 Patch bay
18:05 ESP & guitar
20:50 Track & hold
22:20 PATCH IDEAS
22:25 TIP #1: Controlled noise thru ESP
23:30 TIP #2: Controller noise thru VCA
23:55 TIP #3: Using the modwheel to attenuate signals
24:20 TIP #4: How to create a Random LFO
26:35 TIP #5: How to control oscillator pitch with a v/oct signal without a hz/v to v/oct converter
28:15 TIP #6: Using the high pass filter for a bass boost
28:30 TIP #7: Drone mode patch
28:50 TIP #8: Creating distortion using the ESP VCA and a feedback loop
29:40 TIP #9: How to make Filter 2 more aggressive than Filter 1
30:10 TIP #10: The hidden oscillator: Creating and controlling oscillator using ESP feedback
31:20 TIP #11: ESP osc as drone oscillator
31:40 TIP #12: ESP osc as a high-frequency modulator
32:20 TIP #13: Analog bitcrush: Using the new ESP osc and the Sample and Hold to create a downsampling/bitcrush effect.
33:30 TIP #14: Playing K-2/MS-20 duophonically using the Track & Hold (sample and hold) circuit and the trick switch
34:50 TIP #15: Playing K-2/MS-20 duophonically using the keyboard trigger and playing legato
35:50 TIP #16: Using KeyStep for a full duophonic experience
37:15 TIP #17: Applying portamento in duophonic
37:45 TIP #18: Using the filters to give each oscillator its own articulation
38:35 Pros & cons

Qu-Bit Prism // Stereo Eurorack Multidimensional Signal Processor

Published on Apr 24, 2019 DivKidVideo

"Qu-Bit say that Prism "is a multidimensional signal processor that creates a framework for the spectral metamorphosis of any input signal" and "Prism blurs the lines between DSP effect, filter, and looper and transcends into a new realm of uncharted audio processing." At it's core Prism is 3 things (all in stereo) a filter, a delay/comb and a decimator. The filter is multimode and can be place pre/post the other FX, the delay can do long echoes, slap-back and comb filter FX as well as a clocked delay mode, decimate is downsampling and bit crushing and you can freeze/loop the audio buffer too.

TIMING INDEX // SECTIONS

00:00 Welcome + patch previews.
01:20 What is Prism? Feature run down.
03:01 Sound and feature demo with granular looping samples.
05:36 No talking patch break.
05:47 Stereo analogue VCO sound and feature demo.
08:45 No talking patch break.
08:56 Clocked delay patch 1.
11:09 Clocked delay patch 2.
12:18 Clocked delay patch 3.
13:00 No talking patch break.
13:17 Prism as a stereo glitch/percussion voice
16:07 No talking patch break.
16:29 Freeze modes - latching or momentary
17:54 No talking patch break.
18:07 Send FX glitch textures
19:54 No talking patch break.
20:09 Creating analogue feedback paths.
21:42 No talking patch break.
21:59 Two Prisms + 1 Nebulae"

New Qu-Bit Prism - Multidimensional Signal Processor Eurorack Module

Published on Mar 14, 2019 Qu - Bit

"Prism is a multidimensional signal processor that creates a framework for the spectral metamorphosis of any input signal.
This stereo audio buffer can be navigated through on 3 axes, each of which provides a different sonic journey through its array of time based controls.

The X and Z planes are home to a flexible delay line capable of long clocked delays, slapback echo, or comb filtered vocoder-esque timbres. On the Y axis is the decimate control. This sets the audio fidelity of the buffer by manipulating the sample rate and bit depth of the output. A state variable filter with configurable low pass, high pass, and band pass outputs can be enabled at the beginning or end of the signal chain providing yet another dimension of spectral transformation. And thanks to its digital architecture, the current buffer contents can be locked in place with the Freeze control, creating glitch and beat repeat effects which can be synced to an external clock source.

The Prism blurs the lines between DSP effect, filter, and looper and transcends into a new realm of uncharted audio processing."

Qu-Bit Electronix Prism *FIRST PATCH* // Stereo Eurorack FX, filter and more!

Published on Mar 14, 2019 DivKidVideo

"So here's the new Prism from Qu-Bit Electronix and here's my first patch playing around with it before the full in depth demo follows in the near future. It's a stereo input and output multimode filter, freezer, comb filter / delay line and decimator (downsampling). The combination of FX pairs together really well and it's taken to a load of modulation really nicely too."

Pics:

CLICK FOR MORE »