Waldorf Microwave synth - original version 1 (rev b)

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via this auction

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Unboxing SEM Pro by Tom Oberheim

Published on Feb 19, 2017 martinjazz78

"Unboxing my new semi-modular synth. This time it's SEM Pro by Tom Oberheim. Beautiful piece of gear.

The sequence is SEM Pro CV controlled by Oberkorn sequencer from Analogue Solutions. Low tones are VCO 1, high tones are VCO 2. Sound is further processed through the vintage tape Roland Space echo for delay and Strymon Big Sky for reverb. Audio is stereo output from the Motu interface into Ableton Live.

Camera is Go Pro Hero 4 Black, edited in Final Cut Pro."

And a couple more:

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0-Coast Lead, Polyevolver Sequence - Gallery Jam Excerpts

Published on Sep 5, 2016 martinjazz78

Playlist:

1.0-Coast Lead, Polyevolver Sequence - Gallery Jam Excerpt # 1

"I was fortunate enough to spend an evening in a gallery among sculptures of Olbram Zoubek. Not that I would want to compare my simple synth jam to his masterworks, but indeed it was very inspiring and I wish there were more evenings like this one.

There is a simple sequence running on DSI Polyevolver, it's in fact only one voice of the Polyevolver, although PEK's internal sequencers sequence pitch of each of the four oscillators separately - that's why the polyphony.

Local Control is off on the Polyevolver, its keyboard however controls the Make Noise 0-Coast. First I wanted 0-Coast to be sequenced as well, but then realized 0-Coast as lead was an interesting exercise.

There is the on-board midi delay on Polyevolver, both PEK as well ad 0-Coast are processed through Strymon Big Sky for reverb. It was recorded live, one take only and everything done on the fly and stereo output only from Tascam interface into Ableton."

2. Polyevolver filter, 0 Coast lead, PEK sequence - Gallery Jam Excerpt #2

"4-pole low pass filter of DSI Polyevolver can be very wild animal, very gentle tweaking can result in very expressive sound changes and if you feed the filter with itself via feedback knobs it can get even worse :)"

3. 0 Coast Lead, Polyevolver Sequence (osc sync) - Gallery Jam Excerpt #3

"Another excerpt from my gallery jam. Alone in a gallery in the middle of the night, surrounded by sculptures and paintings on cement desks by Olbram Zoubek. Not that I would want to compare my music with his master pieces, but it was very inspiring session for me indeed."

4. 0 Coast Lead, Polyevolver Sequence (Fly by) - Gallery Jam Excerpt #4

"Another excerpt from my gallery jam. Alone in a gallery in the middle of the night, surrounded by sculptures and paintings on cement desks by Olbram Zoubek. Not that I would want to compare my music with his master pieces, but it was very inspiring session for me indeed."

Minimoog & More - Videos by martinjazz78

Published on Jan 11, 2017 martinjazz78

There are 12 videos in this playlist by martinjazz78. They start with Moog's recently discontinued Minimoog Model D followed by the Voyager. Other gear featured include Analogue Solutions Telemark - K, the Dreadbox Erebus, DSI Polyevolver, Sequentix Cirklon, and a Rhodes. There are a couple of live band performances in there as well.

Playlist:

1. New Minimoog D - Brass Patch Solo - Complete Session
2. New Minimoog D - Brass Patch Solo #2 with Rhodes, Telemark and Erebus

"Published on Jan 11, 2017
This is complete session video of my dawless improvisation on the new Minimoog Model D. I started with sort of brass patch with filter modulation and filter tweaking and little bit more of glide, but it develops and changes to not so brassy lead throughout the video. Sequences on the background are Erebus by Dreadbox and Telemark-K as well as DSI Polyevolver.

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Space Echo vs. Elements Synthesizer On-Board Delay

Published on Aug 29, 2017 martinjazz78

"Not really a rigorous comparison than rather self-oscillation of the vintage Roland Space Echo, then Elements' on-board delay only, then with reverb from Strymon Big Sky and finally also with delay from the Space Echo on the top.

More important and ultimate inspiration during this moment, however, was for me the organic sound of the Elements Synthesizer (by Ken Macbeth) delay. So many colors, nuances and sonic variations during so short time.

This was the very end and rather ambient of my longer and mostly not so ambient dawless synth jam. The whole session can be seen here: https://www.youtube.com/edit?o=U&vide...

There is a noticeable hum, it's from the Strymon. I have it hooked through the Lexicon effect processor and then via spdif into the Ableton interface and something's wrong with it. Apologies for inconvenience.

Have fun :)"

Nyx, 0 Coast, Mother 32, Telemark-K, Erebus - sequencing semi-modular synths

Published on May 27, 2017 martinjazz78

"Gear used:

Erebus Nyx (lead sound)
Make Noise 0 Coast (wooden percussion sounds)
Moog Mother 32 (sequence 2)
Analogue Solutions Telemark-K (sequence 1)
Dreadbox Erebus (low bass pedal)
Sequentix Cirklon
Analogue Solutions Oberkorn
Vintage Tape Roland Space Echo
Strymon Big Sky

Record live, stereo output from my Motu interface into Ableton Live. Camera was GoPro, edited in Final Cut."

Dreadbox Abyss Videos by martinjazz78

Published on Jul 6, 2017 martinjazz78

Playlist:

1. Abyss Drone While Nyx and Erebus Randomly Sequencing

"For your maximum enjoyment, please use good headphones or ideally speakers with subwoofer(s).

Dawless synth jam with three extraordinary instruments from Greek synth-maker Dredbox Effects. Four voice analogue synth Abyss asks for most of your attention in this video. This time, however, not as polyphonic gear but in unison mode producing drone and self-oscillation type of sounds.

It starts with with 24 dB LPF cutoff closed and resonance full open. The filter is modulated by both LFOs of the Abyss. First both of them go very slowly as ramp and square waves, later LFO B goes much faster and is switched to ramp wave too. During the shooting I was also playing with the Drive (VCA) knob overdriving the sound and even getting it distorted - absolutely gorgeous and absolutely my type of thing. Towards the end Abyss on-board effects are also added to the mix. It was very interesting and inspiring to achieve self-oscillation of the Delay very similar to the self-oscillation of Roland's vintage tape Space Echo.

On the background of Abyss' drone you hear Nyx and Erebus. Both of them playing simple few notes sequence and are sequenced by Cirklon. Both sequences have also several random parameters, so they seem to never exactly repeat in the same way. Another layer of randomness was achieved by using CV inputs and outputs on both synths. Maths module from 0-Coast controlling LFO on Moog Mother 32 that was controlling VCA of Erebus added even more randomness to the Erebus sequence, and this one is very devilish, I would say.

All three synths are processed through vintage tape Roland Space Echo for delay (this time rather slower) and Strymon Big Sky for the reverb. Recorded live, stereo output from my Motu interface into Ableton Live only. Camera is GoPro, edited in Final Cut.

Will I be stoned, if I say I absolutely love these Dreadbox synths, the sound they produce and the feel they give and I have no doubts they are going to become classic like Moog, Art or Oberheim?"

2. Dreabox Abyss Slow and Heavy 4 Voice Sequence

"Exploring multichannel mode of Abyss 4 voice synth from Dreadbox Effects. Each of Abyss' voices is independently sequenced by Cirklon hardware sequencer. Additionally, I was also exploring possibilities of Abyss' multi-timbrality. Dip switch 5 is on and each voice has slightly different envelope set up.

I have to say I was so nicely surprised how heavy such 4-voice sequence on Abyss can be. Haven't expected that. Also not exaggerating if I say that otherwise I achieve so heavy sequence usually only when I put Taurus III Bass Pedals into work. In this context we should indeed mention suboscillators of Abyss.

Moog's CP-251 controls filter cutoff and phaser of Abyss. Not sure if CP-251 gives the proper voltages for Abyss, but definitely interesting things sonically speaking.

Noise and hissing on the background is Erebus by Dreadbox heavily modulated and controlled with 0-Coast by Make Noise and Moog's Mother 32. Before it goes to delay and reverb effects it is also processed quite drastically through Zvex Fuzz Factory. All these appear at the very end of the video.

Both synths are further processed through vintage tape Roland Space Echo for delay (I think the time for changing the tapes is quickly approaching as you may hear the repeats get bit out of tune) and Strymon Big Sky for mighty lush reverb.

Recorded live, stereo output from my Motu interface to Ableton Live. Camera was GoPro, edited in Final Cut. I like these late night improvised dawless synth jams."

3. Dreadbox Abyss 4 Voice Sequence and some Erebus, Moog's Mother 32 and 0-Coast too

"Each of Dreadbox Abyss' voices is sequenced in C sharp minor independently by the Cirklon hardware sequencer, Abyss is therefore in the multi-channel mode. Additionally, Dip switch 5 is on for bit of multi-timbrality when each of the voices has slightly different envelope set up. Filter cutoff and phaser are modulated and controlled by Moog's CP 251. And some tweaking on the fly (sub-oscillator level, wave form shape, drive VCA, filter modulation etc.)

Noise on the background was intended as I like when there's always something disturbing and distracting. It's Dreadbox Erebus heavily modulated and controlled by Make Noise's 0-Coast - that is also sequenced by Oberkorn sequencer - as well as Moog's Mother 32. Before it goes to delay and reverb effects it is also processed through rather psychedelic Zvex Fuzz Factor stomp-box.

Both Abyss and Erebus are further processed through vintage tape Roland Space Echo for delay and Strymon Big Sky for reverb. It was dawless synth jam, recorded in one take, stereo output from my Motu interface into Ableton Live. Camera was GoPro, video was edited in the Final Cut Pro. "

New Polivoks Pro Videos by martinjazz78

Published on Aug 3, 2017 martinjazz78

Playlist:

1. Polivoks Pro (reissue of legendary Soviet synth) solo sequence - Rusko je stav duše

"For your maximum enjoyment, please use good headphones or good speakers with subwoofer(s).

Polivoks Pro is a reissue of legendary Soviet synth from 1980s that's been approved by the one and only Vladimir Kuzmin designer of the original Polivoks. No matter which century we are currently in, the Russia has always been a state of mind. As much as I hate Putin and everything he represents, I also deeply love and admire Russian arts and culture, Russian modus vivendi and sounds coming from Russia. Please check also the fabulous documentary on Russian synths and synth scene called Electro Moskva by Elena Tikhonova & Dominik Spritzendorfer.

This video is part of my longer dawless synth jam. It's a longer moment when there was no other synth playing except of the Polivoks Pro, although at the very beginning you may also hear a little bit of Sem Pro by Tom Oberheim.

The Polivoks is sequenced by Cirklon hardware sequencer, various parameters are tweaked in real time almost always bringing rather surprising and interesting results. Polivoks is processed through vintage tape Roland Space Echo for delay and Strymon Big Sky for reverb. It was recorded live in one take only, stereo output from my Motu interface into Ableton Live. Camera is GoPro Hero 4 Black, video was edited in Final Cut."

2. Polivoks Pro and Tom Oberheim's Sem Pro sequencing #1

"Excerpt from my dawless synth jam with two modern reissues of two classic synths. Tom Oberheim's Sem Pro playing bass ostinato with random high notes and Polivoks Pro doing its screeching sounds or as my girlfriend says: crying about Russia ;). Both synths are controlled by Cirklon hardware sequencer via midi and processed through vintage tape Roland Space Echo for delay and Strymon Big Sky for delay.

Recorded live, stereo output from my Motu interface into Ableton Live, camera was GoPro Hero in my right hand, video was edited in Final Cut.

I had so much fun during this jam :D"

3. Polivoks Pro and Tom Oberheim's Sem Pro Sequencing #2

"Another and this time shorter excerpt from my dawless synth jam with two modern reissues of two classic synths. Tom Oberheim's Sem Pro playing bass ostinato with random high notes and Polivoks Pro doing its screeching sounds or as my girlfriend says: crying about Russia ;). Negative envelope is applied on Oberheim's filter and you may also see some rather drastic changes to LFO settings and destinations on the Polivoks.

Both synths are controlled by Cirklon hardware sequencer via midi and processed through vintage tape Roland Space Echo for delay and Strymon Big Sky for delay.

Recorded live, stereo output from my Motu interface into Ableton Live, camera was GoPro Hero in my right hand, video was edited in Final Cut.

I had so much fun during this jam :D"

4. Polivoks Pro and Tom Oberheim's Sem Pro Sequencing - Complete Session

"This was my first encounter with Polivoks Pro - reissue of legendary Soviet synth. Just by accident there was another modern reissue of classic synthesizer - Tom Oberheim's Sem Pro - on the table next to the Polivoks, so I started to jam with both them. For the first three and half minutes you here Polivoks only, then Oberheim kicks in and both synths play together for about 8 minutes, last 7 minutes of the video is solo Polivoks again.

Both synths are controlled by analogue hardware sequencer Cirklon via midi. Polivoks' sequence is 100% random until the last one or two minutes, when it gets certain regularities. Low notes on Oberheim is a regular sequence in so called "pendulum" mode, several random parameters are applied to high notes played by Oberheim, though.

Both synths are processed through vintage tape Roland Space Echo for delay and Strymon Big Sky for delay.

Recorded live, stereo output from my Motu interface into Ableton Live aka dawless synth jam, camera was GoPro Hero in my right hand, video was edited in Final Cut.

I had so much fun during this jam :D"

Acid Jam with Avalon, Tempest and Jomox Mbase 11

Published on May 29, 2017 martinjazz78

"Some moments from my weekend dawless synth jam. This time pretty straightforward acid/acid techno - you name it.

Gear used:
Avalon by Abstract Instruments (clocked by Tempest, otherwise internal sequencer)
Tempest by DSI (master clock, internal sequencer)
Jomox Mbase 11 (triggered by Tempest)

The kick sound is from Jomox only, no kick from Tempest.

The effects you hear are from the Behringer mixpult and I have to say in this context I really like how they suck :)

If you really want to hear how low can Avalon as well as Jomox go, you need good headphones, good speakers and ideally subwoofer.

It was recorded and tweaked live on the fly, stereo output from the Behringer into Ableton Live. Camera is GoPro Hero, edited in Final Cut."

0 Coast, Moog Mother 32 and DSI Tempest Groovin

Published on Aug 18, 2016 martinjazz78

"Make Noise 0 Coast, Moog Mother 32 and DSI Tempest in upbeat tempo and positive vibe (aka E flat major). Cirklon sequences 0 Coast and Mother 32, Tempest is enslaved/synced to Cirklon too, but the beat is from Tempest's internal sequencer.

There is not much of other processing. 0 Coast goes through vintage tape Roland Space Echo for little bit of delay and reverb. Moog Mother 32 as well but only a very tiny bit.There is also little bit of compression from my Motu interface on all three gears.

It was recorded live, only stereo output from the Motu interface into Ableton. If you want to hear kick from the Tempest too, you may need better speakers or headphones."

EuroCraic 2017 - Slideshow

Published on Aug 29, 2017 DivKidVideo

"Here's a few pictures from the Trinity College Science Gallery in Dublin, Ireland taken during the EuroCraic 2017 modular event."

New Jupiter-6 VCF Eurorack Filter Clone In-Depth Demo

Published on Aug 29, 2017 gstormelectro

"Audio and Video by G-Storm Electro c.2017

In this video I do a more in-depth demo with my Jupiter-6 VCF multi-mode filter clone eurorack module. It's a very colorful filter that gets more interesting with more complex signals you feed into it. It also has an aggressive nature that comes out when the inputs are overdriven.

Two different oscillators can then be mixed together. A sawtooth oscillator is used, a square/PWM wave is used. Different filter modes can be selected: 4-pole lowpass, 2-pole bandpass, 4-pole highpass. Also, two different control voltage modulations can be mixed together to change the frequency. I run a decay envelope from the Bastl Skis along with a triangle LFO, then I use Sample-and-hold. The oscillators are coming from my Pittsburgh Modular Synthesizer Box. Recorded direct to Tascam DR-05 from my Mackie mixer, no effects, no normalization. Beware some low and high frequencies, so watch your levels while listening to the demo."

You can find additional demos here.

Modular Mayhem: Midsummer Space Session with Colin Benders

Started streaming 24 minutes ago Colin Benders

The Exotic Blue Knife Eyes Solo Sound with monomoog Voyager Fire

Published on Aug 29, 2017 nicolai maruhama

"This is the demo of The Exotic Blue Knife Eyes solo

Please Enjoy thanks!
nicolai maruhama"

Serge Paperface '78 - TKB excursions

Published on Aug 29, 2017 batchas

"Direct outs + added reverb & delay."

Roland SH-101 and TR-606, Korg MS-20 and GR-1 Spring Reverb

Published on Aug 29, 2017 Vintage Synthesizer Museum

And a floating cat.

"Roland SH-101 and TR-606, Korg MS-20 and GR-1 Spring Reverb played live at the Vintage Synthesizer Museum. One take, no overdubs.
Contact us to book your own private appointment at VSM
vintagesynthmuseum@gmail.com
510-859-3558"

Case of Mondays - Live eurorack chill

Published on Aug 29, 2017 SELEKTROw

A New AxeSynth 2017

Published on Aug 29, 2017 Sprocketron

"This is a new custom made AxeSynth for a patron in Wisconsin.

Also known as 'The Atari' as played by the band MuteMath. [see some posts featuring MuteMath here]

It uses the vintage sound generator chip SN76477 made by Texas Instruments in the 1970's, and used in the classic video arcade games such as Space Invaders, Asteroids, and others."

Dave Smith Instruments Unveils Prophet Rev2 Desktop Module - Exclusive Pics

DSI has a new desktop synth! The official press release follows.

"Legendary Designer to Ship Desktop Version of 16-Voice Poly Synth in October

CA—August 29, 2017—Dave Smith Instruments today announced that they will begin shipping a desktop module version of their popular Prophet Rev2 analog synthesizer in October. Like the keyboard version, it features two DCOs per voice, Curtis filters, plus two types of sequencers, digital effects, and other enhancements designed to make it even more powerful that its predecessor, the now-retired Prophet ’08.

As Dave Smith explained: 'In the three months since its release, the Prophet Rev2 keyboard has been embraced by the music community in a very big way; it’s already appearing on a significant number of recordings and major stage tours.' Added Smith: 'With 16 voices to stack and split, it not only sounds huge, but it has an incredible range of sounds available.'

The essence of the Prophet Rev2’s sound comes from two DCOs per voice with four waveshapes (sawtooth, triangle, sawtooth + triangle, and pulse), a sub-octave generator, and a 2/4 pole low-pass, resonant Curtis filter per voice. These are the same filters used not only in the Prophet ’08, but also in many classic instruments of the ’70s and ’80s. A new feature unique to the Prophet Rev2 is waveshape modulation. You can vary the “pulse width” of any of the four waveforms by manually dialing in a desired waveshape width or by using an LFO or other modulation source for continuously shifting timbre.

An effects section provides reverb, delays (standard and BBD), chorus, phase shifter, ring modulation, and distortion. In stacked or split voice mode, you can apply a different effect to each layer. Effects parameters can be modulated through the mod matrix, which is twice as extensive as its predecessor, with 8 individual slots and many more sources/destinations.

The new polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. A different sequence can be created for each layer when working in stacked or split voice mode. The sequencer also functions as a modulation source, allowing you to create up to 4 different 16-step sequences for complex modulation. Sequences allow ties and rests, and can sync to an external MIDI clock. The arpeggiator features note repeats, re-latching, and can be synced to external MIDI clock, as well. Other improvments include a premium-quality, five-octave, semi-weighted keyboard with velocity and channel aftertouch, an integrated power supply, USB support, and a crisp OLED display.

'Apart from its awesome sound, a big part of the Rev2’s appeal is its ease of use, so we made sure that the desktop version retained all of the same front panel controls as the keyboard version. Whether you go for the keyboard or the desktop, the Rev2 is an amazing synth and an incredible musical workhorse,' said Dave Smith.

The Prophet Rev2 desktop module will be available in October of 2017 with a US MAP of $1,799. An 8-voice version will be available for $1,299 US MAP."

Prophet '08 Sawtooth Solo Patch

Published on Aug 28, 2017 Sacred Synthesis

"This improvisation is primarily for comparison purposes. I wanted the put an example of the Prophet '08's sawtooth solo right next to the recordings of the same patch from the Prophet 12. The comparison isn't quite fair, in that the P12 has four oscillators, whereas the P'08 has only two. Regardless, here they are side-by-side for the discriminating musical ear to judge. As usual, the patch uses the two pair of output jacks, and each layer is panned at the mixer for stereo depth.

The Poly Evolver Keyboard provides the string accompaniment throughout the piece.

Instrumentation:
DSI Prophet '08 Keyboard
DSI Poly Evolver Keyboard
DSI Poly Evolver Rack

Bass:
DSI Evolver Desktop
Hammond XPK 200L Pedalboard

External Effects:
Lexicon MX300 for reverb
Alesis Nanoverb 2 for delay

Performed and mixed live and recorded directly to a Tascam CD-RW900 Mk II.

ALL MUSIC PROPERTY OF SACRED SYNTHESIS 2017"

Sequential Circuits - Prophet 5 Rev 3.3 SN 3225

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via this auction

"Comes with a heavy duty Calzone road case.

Rev 3.3 with Midi
Serial Number: 1000 - 3225
Date of Production: 9/9/82

The Servicing which was completed recently provided the following.

Key contacts/buss bar cleaned and adjusted
Keys regulated
PCBs removed
Controls cleaned
Poly mod PW switch removed and repaired
Connectors resoldered, cleaned and resecured
Socketed ICs reseated
Battery check - good
Grounds tightened
Housing resecured
Full calibration to factory spec"

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Time - Inception by Hans Zimmer (John Heath on the Arturia MiniBrute)

Published on Aug 27, 2017 John Heath

"Time from the motion picture INCEPTION.
Composed by Hans Zimmer
Arrangement by John Heath
Produced Entirely on the Arturia MINIBRUTE

Recorded every note/part individually on 132 audio tracks. Submixed down to 18 for final mix. Every note played on the MiniBrute. No other external controllers were used. DAW used for recording and editing/engineering audio was Propellerhead Reason 9.5. Enjoy!!"

New Sismo ARO

sismo-aro from sismo on Vimeo.

"This is the first piece of our new collection of Sismo synthesizers. Inspired by geometric in arquitecture, gather maths circumferences and sound effects.

ARO brings a 8 step sequencer split to 2 sound generator (sawtooth squarewave), envelope, lfo and echo."

A few pics via Sismo.

Check out those side panels!  Likely helps protect the knobs as well as provide an aesthetic element.  Curious if they are meant to be picked up by them as well.

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Roland TB-303 Devilfish Modded With Walrus Arp-87 Delay Pedal

Published on Aug 28, 2017 Perfect Circuit Audio

"This video shows all four modes of the Walrus Arp-87 delay pedal with a Roland TB-303 as the input. The 303 is Devilfish modded for a few extra options.

The ARP-87 is a powerful multi-function delay pedal that creates lush echoes and adds in-depth dimension to all sounds. It sports four algorithms consisting of digital, analog, lo-fi and slapback - all of which offers a virtually endless range for sonic experimentation. The ARP-87 has 6 knobs built in and a bypass and tap switch to manage and keep all delays under control. With the ability to produce anything from light delay runoffs to intense echoes, the ARP-87 Multi-Function Delay is a great addition to any studio.

Available here: https://www.perfectcircuitaudio.com/w..."

MATRIXSYNTH Members get %10 off at Perfect Circuit Audio!

'Turns' Make Noise B&G Shared System

Published on Aug 28, 2017 Caspar Hesselager

"No overdubs or post-processing. Audio-only versions of all patches at
https://soundcloud.com/caspar-hesselager"

Elektron Analog Heat demonstration using drums and synth

Published on Aug 28, 2017 soundseasy

Starts with the Roland TR-09. The new Roland SH-01A comes in at 1:44.

"We thought it would be fun to take the Elektron Analog Heat for a spin using the Roland TR-09 and and SH-01a as our sound sources.

I'll be honest with you and say that the Analog Heat had escaped my attention, I mean you work in an environment surrounded by flashy bits of kit and bells and whistles, and an unassuming black box tends to fade into the background.

Well not any more!

This unassuming black box is a well camouflaged beast!

Not only does it have stunning distortions but also one of the sweetest sounding filter sections I've ever heard. Couple that with a comprehensive LFO and you have yourself a totally unique sonic tool box that will keep you twiddling for hours! (As we did)

We don't cover it in this demo, but the Analog Heat can also operate as a VST/AU through "Overbridge" (We shall do a demo of this soon).

AND I bet most of you (including myself) didn't know that the Analog Heat is a 2 in 2 out soundcard also, pretty nifty stuff!

My first thought about who would get the most from this unit would be the Techno heads. This unit would add so much depth and character to any hard hitting Techno track. The more I used it though, I starting hearing how it could be used on just about on anything.

Guitars (obviously), but things like adding dirt to hi hats, rich thickness to vocals, and a whole plethora of sounds that you might feel need more harmonic content.

This is far more than a distortion unit, and I think for the people who take the plunge and get one, they will definitely have a secret weapon that will have their peers asking 'How did you get that sound?'

Not cheap, but worth every penny and more!"

Analogue Systems RS 200 Sequential Controller / 24 Step for Modular Synthesizers SN 3979

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

"The rs200 Sequencer System contains the rs200 Sequencer, rs150 4-channel sequencer switch and rs280 audio / trigger clock divider. The rs200 System has three channels, A, B and C, with individual controls for each of the eight steps and a stepped range knob for adjusting the overall output voltage of each channel (0V to +10V). Channel C also has a Slew control for smoothing the output voltage, or introducing a portamento effect if used with a VCO. In addition to a step indicator LED, each channel also has two toggle switches. One is a three-way Skip/Off/Reset switch which respectively skips selected events, does nothing, and resets the pattern back to the beginning at a specified step.
The rs150 Sequential Switch allows you to select between multiple inputs and direct the chosen signal to the input of the next module in the patch. Selection may be manual or may be triggered by the application of a suitable clock or trigger pulse.

The rs280 audio and trigger clock divider is a frequency detector and divider that produces a number of squarewave signals derived from the frequency of any cyclic signal presented to its input. It has a single input, five outputs, and five LEDs that give a visual indication of the frequencies of the outputs.
Three rows of 8-step CV generators with individual CV ranges and CV outputs for each row
Independent trigger outputs for each of rows 1, 2 and 3
Internal clock with external CV input and clock output
External clock input and manual step function
Slew generator for portamento and other effects
Skip, Reset, and Stop/Start functions with independent CV inputs
End of sequence pulse output"

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Analogue Systems System 1 Modular Synthesizer w/ 3 oscillators +2 VCA's +filters SN 3960

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

"The System 1 is a self-contained array of modules with everything necessary to create serious electronic music. The quality is superb. The Layout is excellent, but may be simply altered to suit the individual user. Since it's all modular, it is easy to interface System 1 with existing modular equipment using the many available patch-points.

rs15 case containing the following modules:
rs20 Ring Mod/Multiple input
Two rs95 High End Voltage Controlled Oscillators
rs100 S Low Pass Filter
rs110 Multi-mode Filter
Two rs180 Voltage Controlled Amplifiers
Two rs60 Voltage Controlled Envelope Generators
rs80 Voltage Controlled Low Frequency Oscillator
rs40 Sample + Hold w/Noise
rs160 CV Mixer
rs165 Audio Mixer
rs230 CV Buffer / Inverter
rs170 Multiple"

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Analogue Systems French Connection Ondes Martenot Style Modular Synthesizer Controller

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SN 010 via this auction

"The French Connection is on of the greatest Controllers ever built... A truly elegant and beautifully built controller. This one is early serial number 10... In super excellent condone with very minor wear and tear from use inside a climate controlled professional studio..."

"Based upon the legendary Ondes Martenot, the French Connection is a unique controller for virtuoso performance. By placing a finger through the ring suspended below the physical keyboard, the player can glide smoothly between notes by moving the playing hand from left to right, creating a very natural vibrato in the process. Theremin effects are easily obtained by connecting one of the CV outputs to an external VCO with sine wave output.

The French Connection is a 49-note CV/Gate keyboard controller supplying (3) CV outputs, (1) Gate output, and (1) Trigger output. In addition, there is an XY Joystick Controller, selector switches for normal keyboard duties, and the Ondes Martenot Controller via a Wire Traveller and pressure resistant wooden button. The French Connection controller does not have MIDI and does not emit any sound, but by connecting it to a minimum of (1) VCO with sine or saw waveform, plus a VCA, the Martenot effect is easily obtained.

The user can line up the Wire Traveller with a raised and indented reference grid below the Traveller (a wire under tension with a ring that the user puts his finger through) to land accurately on the desired notes, or can use the keyboard as a visual aid.

The user can select between Traveller and Keyboard modes with the 2 selector switches for Button and Conventional Keyboard playing. For example, if the expression is routed from the button to a VCA with LFO routed thru it (for vibrato), the player can achieve effects much like the Arp PPC controller on an Odyssey III / Axxe II.

The French Connection is housed in a gorgeous American Walnut cabinet and each one is hand built. This instrument has received worldwide attention since Jonny Greenwood of Radiohead started using his in their studio sessions and on their live tours."

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ARP Avatar Vintage Guitar Synthesizer with Many Extras

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

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Korg Polysix Polyphonic Analog Synthesizer - Serviced w/ Modypoly MIDI Upgrade

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via this auction

"Korg Polysix synthesizer with a Tubbutec Modypoly upgrade installed. The modypoly adds midi functionality, a note sustain jack and various other features including voice stacking and advanced arpeggiator function. This synthesizer has a new preset battery installed and does not suffer from any cpu board corrosion issues. It's 100% functional and has been completely cleaned, calibrated and tuned. It also has custom Brazilian cherry hardwood side panels and has a custom preset bank loaded in. It's an incredible sounding synth!"

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KORG UNIVOX MINI-KORG K-1 Electronic Synthesizer Vintage SN 2716

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JEN SX1000 Synthetone w/ Original Manual

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FAT FB383 Freebass Bass Synth

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Best Ambient Synth Shootout #37: Korg Prophecy - Song 2

Published on Aug 28, 2017 Christian's Sonic Spaces

"This is the second song with the Korg Prophecy. It's a monophonic synthesizer with algorithms for Virtual Analog, Variable Phase Modulation similar to FM synthesis, and physically modeled brass, reed, and plucked string instruments. This song sounds like a scary zombie game soundtrack, nothing you would expect from a Prophecy synth ;-)

I used for the recording the following FX chain which I sparely used this time:
Prophecy - Alesis Ampliton - Elektron Analog Heat - Boss Tera Echo - TC Electronic Mimiq - Pigtronix Echolution 2 Deluxe - DigiTech Polara. The used fx varied depending on the recorded track but this time most tracks were recorded dry.

The signal goes via a small Behringer mixer straight into the pc.

To create the complete song I recorded consecutively several stereo tracks. The final song was then mastered with just a bit EQ and compression on some tracks and some limiting on the master track.

Well, I decided to go back to the basics, but at the same time make something useful for the synth community and do a kind of competition (I like competitions;-). What's my best synth for ambient music :-)"

Song 1 here.

Controlling the Make Noise Rene with Pressure Points.

Published on Aug 28, 2017 musicalfungus

"Credit goes to Walker Farrell for creating this patch design. This is my rendition and expansion of his tutorial video which can be found with the following link [posted here]

I have expanded on his patch by routing Pressure Points to another channel of Maths. This allows sustain and release to be added to the sequence which is triggered by the Pressure Points."

Novation Peak Polysynth Demo

Published on Aug 28, 2017 mylarmelodies

"Being a sound exploration demo of the rather ace Novation Peak 8 voice hybrid polysynth. All sounds in this video are the direct Peak output (including effects!), sequenced by the totally brillcakes Arturia Keystep."

PPG Infinite - Exploring the Presets - MVM #86

Published on Aug 28, 2017 Midiverse - TV

"Welcome to Midiverse TV, on this episode of Exploring the Presets we're going to check out some of the sounds from the new PPG Infinite iPad Application. Let's have a look and listen.."

iTunes: PPG Infinite - Wolfgang Palm

Moog Subsequent 37 Officially Replaces the Sub 37 Tribute Edition - Comparison Video & Demos

Subsequent 37 | Precision Audio Analysis Published on Aug 28, 2017 Moog Music Inc

You'll find a playlist of Subsequent 37 sound samples featuring Cory Henry further below. First the official announcement from Moog Music:

"Aug. 28, 2017, Asheville, NC -

In the spirit of continuous improvement, the award-winning Sub 37 Tribute Edition has been discontinued from production to make way for a new standard: THE SUBSEQUENT 37. Implementing upgraded sonic modifications and functional improvements, the new SUBSEQUENT 37 will become the standard production model moving forward.

To illuminate the enhanced sonic vocabulary of the new SUBSEQUENT 37, Moog’s Chief Engineer, Cyril Lance, is joined by Snarky Puppy’s Cory Henry in the Moog Sound Lab. Using an Audio Precision analyzer and an oscilloscope, Cyril Lance compares the audio outputs of both the original Sub 37 and SUBSEQUENT 37.

The SUBSEQUENT 37 is a (2-note) paraphonic analog synthesizer with double the mixer headroom of the Sub 37. This provides access to a new range of classic clean tones in both mono and duo performance modes. Leveraging the mixer’s newfound flexibility, the gain-staging of the Ladder filter has been reshaped to boost harmonic saturation and analog compression, resulting in an overall richer low end. Completing the sonic evolution of the SUBSEQUENT 37 is a re-tuned Multidrive circuit that extends well beyond the grit and growl of the original Sub 37.

Each of the enhancements found in the SUBSEQUENT 37 maintains the magic and character of its predecessor while also providing access to new dimensions of sound and improved playability.

In addition to the sound engine augmentation, each SUBSEQUENT 37 comes with an upgraded keybed for improved playability, a high-powered headphone amplifier strong enough to drive the most demanding headphones, and a software plugin/editor for both Windows and Mac platforms.

The Subsequent 37 is already shipping from the Moog Factory and is currently available through Moog Dealers worldwide for $1499."

Note there are two version of the Subsequent 37, the standard black for $1499, and the limited edition CV white for $1799:

Subsequent 37 $1499

Current Production Model
• 2x the headroom of original Sub 37
• Modified Filter section
• Re-tuned MultiDrive circuit
• High-powered headphone amplifier
• Upgraded keybed

Subsequent 37 CV $1799

Limited to 2,000 pieces worldwide
• Custom aluminum aesthetic
• Assignable CV & Gate outputs
• 2x the headroom of original Sub 37
• Modified Filter section
• Re-tuned Multi-Drive circuit
• High-powered headphone amplifier
• Upgraded keybed

Faerie Drop

Published on Aug 28, 2017 Miles Briand

"Qu-Bit Rhythm triggering Basimilus Iteritas, Futureretro Transient, Peaks Kick Drum, Tiptop Audio One. Opened with Some Qu-Bit Mixology amplitude modulation using the "level" modulated by DPO as LFO. Mixology FX send into Clouds. Sequence coming from Make Noise Rene into Mutable Instruments Rings, and pitch on the drums. Tube Saturation from Erica Synths Fusion Mixer. Pamela's NEW Workout, Blue Lantern Simple ADSR, Make Noise Maths on modulation duty. Additional FX with Erica Synths Pico DSP and Mutable Instruments Ripples on the odd Rings voices. Mordax Data oscilliscope on the final output."

Ian Richter - Live at "Gan Hayot"

Published on Aug 27, 2017 Ian Richter

"a stage. in a small club. in a military uniforms factory. in a quaint desert town. this was the setting of a recent live set.

improvised set filmed by nimrod gershoni/TARS video.

special thanks to Idan Koren."

TIPTOP ONE: V HOUSE - Scetch #1

TIPTOP ONE: V HOUSE - Scetch #1 from Station 252 on Vimeo.

"Playing with V House card for Tiptop ONE sample player module.

Main sound: V house sample through Tiptop Z2040 (fm by Z4000)

Hat: ONE playing DOTS sound

Tiptop BD808 bass drum

-------------------------------

FX

Z-DSP - Clocked Delays

Eventide Black Hole reverb

----------------------------------

Sequencing: Circadian Rhythms, Trigger Riot, Z8000

http://tiptopaudio.com/one/"

Minimal House with Roland TB-03, Korg Hawk EX-800 and MFB-522

Published on Aug 28, 2017 Rickinger B.

"Minimal House session with Squarps Pyramid as the master.

All sounds recorded live into 2-Track in Logic Pro X.

Used Equipment:
Squarp Pyramid
Korg EX-800 with the Hawk kit
Roland Boutique TB-03
MFB-522"

Roland System 100 D Set Analog Modular Synthesizer 110 112 140 150 181 keyboard

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"Up for sale is a just about mint shape (nicest system 100 I've come across here) featuring 5 modules, the 191-J enclosure, the 181 keyboard, the 5 cables for connection modules, yellow patch cable set and free voltage converter for your country's power."

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1970s Roland SH-3A Analog Synthesizer SN 301952

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"1970's Roland SH-3A vintage analog synthesizer in exceptional, collector-grade condition and in perfect working order. This synth features two LFOs and is unique for offering five different footings with mixable waveforms. Roland's first synth that wasn't preset based, the single oscillator SH-3A has an incredible range of pure analog sounds used by the likes of Blondie and Vangelis.

All features of this vintage synth work as they should and the keyboard is remarkably clean, complete with the original latching lid and music stand."

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Nord Lead 3 Performance Synthesizer Keyboard

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Phosphor 2 IOS Audio Damage Demo Video by Shazamm The iPad Producer

Published on Aug 26, 2017 Shazamm The iPad Producer

"Phosphor 2 by Audio Damage all the presets demoed by Shazamm the iPad Producer. This app is really dope"

iTunes: Phosphor 2 - Audio Damage, Inc.

Spotted this one on discchord.com.

BeatHawk groovebox for iPad/iPhone: Choir & Vocoder

Published on Aug 28, 2017 Marcus Padrini

"Track made with BeatHawk for iPad/iPhone, a great groovebox for iOS, easy to use and with many high quality samples."

iTunes: BeatHawk - UVItouch

Behringer Model D interfaced with polymoog (by Synthpro)

Published on Aug 28, 2017 synthpro

"Hey Guys,

This was just a fun test for myself but figured I would share for those that may have been interested in doing something like this with the Behringer Model D and their vintage moog synths, you can interface this to any moog that offers CV and S-trigger out but it will require a S-trig to Gate Converter, (same goes for using vintage moogs with new moogs as well).

My polymoog is in need some some contact cleaning so you may hear some notes that are a little strange or out of tune on the Model D, has been 3 years since I have serviced my personal polymoog.

Next vidoe will cover interfacing the Behringer D to my MFB Dominion 1.

Thanks for watching,
Jareth"

Previous posts.

KORG MS-10 + MOOG MF-104M ~ Will They Pair? Ep.27

Published on Aug 28, 2017 once upon a synth

"Pairing the Korg MS-10 with the Moog MF-104M. The MS-10 is a vintage analog monophonic synthesizer by Korg made in the 80s. The MF-104M is a modern analog delay effects pedal made by Moog as part of the Moogerfooger family. The MF-104M is the newest in the 104 series and this one features MIDI. This video includes multiple small clips featuring different patches and melodies."