Superbooth 2018: BEHRINGER PRO ONE Synthesizer (Prototype) First Look

Published on May 3, 2018 SYNTH ANATOMY

"BEHRINGER presented at Superbooth 2018 the PRO-One Synthesizer, an analog recreation of the Sequential Circuits Pro-One Synthesizer."

Update:

Behringer Pro-One Clone @ Superbooth 2018

Published on May 3, 2018 Bedroom Producers Blog

"Checking out the Behringer Pro-One analog synthesizer at Superbooth 2018. Behringer Pro-One is a clone of the legendary Sequential Circuits Pro-One instrument."

Superbooth 2018 - Behringer Clones Pro-One, 808, ARP Odyssey & More

Published on May 7, 2018 Synthtopia

"At Superbooth 2018, Behringer was displaying a wide range of engineering prototypes of clones of classic electronic music gear.

We talked with Rob Belcham, Senior Principal Systems Engineer at Music Group, and got a quick overview of what Behringer had on display.

Many of the synths displayed are being developed by a team in China and are prototypes, so the UK-based engineers that we talked to were seeing them for the first time at Superbooth.

Belcham, however, is supervising the development of the RD-808, a clone of the classic Roland TR-808 drum machine, so he was able to give us a lot more insight into its design and development."

Superbooth 2018 - Behringer Pro-One Synthesizer

Published on May 7, 2018 Synthtopia

"At Superbooth 2018, Behringer was displaying a wide range of engineering prototypes of clones of classic electronic music gear.

We talked with Erik Steckmann - Music Tribe Engineer, Product Management - and he gave us an overview of the Behringer Pro-One, and some insight into its development.

Note: Steckmann said that the Pro-One, along with most of the other new gear on display, was an engineering prototype and that the device's sound, functionality, etc. could change.

An official introduction - with specs, release date, etc - is expected to come later this year."

Introducing the PRO-1 by BEHRINGER

Published on Oct 28, 2019 BEHRINGER

CLICK FOR MORE »

Superbooth 2018: Hear the Behringer Pro-One in action

Published on May 4, 2018 Future Music Magazine

"Behringer aren't messing about with their synth emulations, with multiple revivals on show at this year's Superbooth. We've had Minimoog and Roland VP-330 clones, and now Sequential Circuits' Pro-One is being recreated. We've been taking a look at a prototype version on the Superbooth show floor."

More Behringer Pro-One posts.

Crazy Vincent SELLS 100 synths & keeps 26! EP1 = intro, synth list, and new studio space.

video upload by Vincent Presley

"After 2 years of crazy synth buying, Vincent has the new Secret Records studio down to a mere 26 synthesizers that he claims are better than the rest.....
Before you watch, maybe you can make your own list of what you would have kept or make some guesses about what Crazy Vincent kept. Remember..... he's not like other people.

Support the label, the studio, and us at secretrecords.bandcamp.com

Chapters:
00:00 Opening Music
00:14 Introduction
01:32 Overview
03:04 Stack One
04:49 Stack Two
05:48 Stack Three
07:23 Stack Four
08:43 Stack Five
09:23 Stack Six
09:55 Stack Seven
11:12 Stack Eight
13:19 Outro
14:50 Some Music

CLICK FOR MORE »

Superbooth 2018: Behringer Pro One Prototype

Published on May 4, 2018 sonicstate

"Another piece of hardware from the past, coming in the future. The Behringer Pro-One is a little futher off - they say later iun the year, but it does exist in prototype form as you can see here."

Behringer Pro-1 *prototype* // Sound demo + modulation & melody exploration

Published on Apr 4, 2019 DivKidVideo

"Last year I was testing the Behringer Pro-1 / Pro One prototype and decided to (with permission of course) film some of the process and make a demo of the synth / sound elements and make some melodic sounds to sit the thing in context as well. This is a prototype, some things may change, they may have already changed, but sonically I understand this is finished (or very close to). So here it is, a demo with the prototype Pro-1. Comment away."

Behringer Pro-One Enters Product with $299 Price Tag

And update from Behringer. Note the patch points on top from the prototype video here. The Pro-One logo has been moved to the left.

"We just approved the final pre-production sample of the PRO-1 and are now gearing up for mass production. As you will notice, we have added quite a few more patch points as well as other cool features.

We are quite excited about this synth as it turned out really well 🙂

We’re targeting a MAP price of US$ 299."

CLICK FOR MORE »

Behringer Winter Of Love 2019 TD-3 Announcement Video - TB-303 in Blue, Red, or Silver

Premiere in progress. Started 4 minutes ago - Behringer

Enjoy that intro. Wait for it...

Update2: new user videos coming in below. Bookmark this post and be sure to check back.

CLICK FOR MORE »

Latest News from Behringer & A Response From The Curtis Family

The next chapter in Behringer synth development is in. We already know Uli Behringer announced plans to re-create classic synths. Behringer will be making new innovative synths as well, and we now have some numbers:

“We have 4 synthesizer development teams simultaneously working on 20 synths, drum machines etc..

We’ll be creating both innovative new synths as well as reviving classics.

We’re all in and the teams are on fire.'"

On reproducing vintage chips for the classics:

"We just received the first batch of our 3340 VCO chip.

It is a 100% exact replica of the Curtis CEM3340 which even includes the 40 year old, 8 micron manufacturing process. It was a difficult and expensive undertaking but we are very pleased with the result as this VCO is considered one of the best sounding oscillators.

We are continuing to invest in reviving other legacy Curtis and SSM semiconductors which will allow us to bring back classic synths - all in the most authentic way. We have also reissued the 3320 filter chip which should be arriving in a few months.

Uli"

It's worth noting the Curtis CEM 3340 has already been re-introduced by OnChip Systems, formerly Curtis Electromusic, and is currently available for makers. Behringer's 3340 appears to bypass Curtis Electromusic and is being manufactured by Behringer (via Coolaudio) directly. SSM chips and the CEM 3320, however, are not yet available. Although the chips will obviously be re-issued for use in Behringer synths, it does appear that some if not all may become available to the Synth DIY community as well. More info on that further below, but first a response on the re-creation of Curtis chips from the Curtis family:

"Many of you who are active on synth forums have recently contacted us regarding another company's claim of producing VCO chips that are the equivalent to the CEM3340 that was used in many legendary synthesizers.

To avoid any confusion, please know that there is only one manufacturer of the authentic CEM3340 designed by my late husband, Doug Curtis. Any claims, use of this product designation, and use of the name Curtis Electromusic by other companies are made without permission from OnChip Systems (our current company name) or the Curtis Family.

As much as Doug would be humbled and so very happy about the legacy his products enjoy, we can assure you that as a person of the highest integrity he would be deeply saddened by the attempt of others to trade on his name and to make unsubstantiated claims of equivalency to his original inventions.

In his loving memory and gratitude for the community of musicians and synthesizer enthusiasts, Doug's family is committed to making his authentic designs available as demand presents itself. Thank you for your continued support of Doug's analog synthesizer legacy.

Mary Curtis and our daughters, Ashley and Julia"

It's worth noting that many Dave Smith Instruments synths use Curtis chips and do so with permission from the Curtis family. Dave Smith was friends with Doug Curtis and has been buying parts from OnChip for over 15 years. OnChip was Doug Curtis' company and is now his wife Mary Curtis's company. These chips were used in the Evolver line, the Prophet '08, MoPho line, and the Prophet 12. The Pro 2, Prophet-6, and OB-6 use discrete designs.

The following is from another thread from Uli in German, translated into Googlish:

"Something clearer. Patent rights are generally 20 years, whereby the technology is freely available for everyone. This allows the inventor, on the one hand, to harvest the fruits of his invention, but also to ensure that no monopoly arises and, after the expiry of the protection, everyone has free access to the technology - without a bad conscience.

In the case of the Curtis or SSM chips, the patent rights of these 40-year-old components have run out for a long time and everyone can reproduce them today. Why this no longer companies do is simply because the mask costs are very high (6-digit USD range per chip) and on the other hand the minimum edition is about 300,000 - 500,000 pieces.

Curtis has registered the name rights for Curtis and CEM, but on the number 3340 etc. there is no protection. Therefore, there are other vendors who have revived these old chips:

Http://ericasynths.lv/en/shop/diy/diy-a ... er-as3320 /

Or look at how many manufacturers. The 074 Opamp.

Why are these 40 year old chips being rebuilt? Anyone who once belonged to an old Oberheim OB-Xa or a Prophet 5 will agree with me that the sounds of these Curtis and SSM chips are absolutely unsurpassed in their sound qualities. This specific sound is not easy to replicate with discrete technology and since we have an immense passion for analog synthesizers and believe that customers will appreciate these components, we are taking the financial risk of reviving these chips. Coolaudio has just produced the 3340 VCO successfully and the 3320 filter chip is now also under development - further building blocks will follow.

For more than ten years, the company http://www.coolaudio.com, which is affiliated with us, has specialized in restoring expired components. On the one hand the company produces the coveted BBD chips from the Panasonic times, but also VCA's, OTA's, Optocoupler, etc.

Our intention is to focus on the old Curtis and SSM chips, as we want to use them in our future synthesizers. At the same time, Coolaudio will also offer them for sale, which allows other competitors to build analog instruments as well as help people repair old synths. Many of the Coolaudio chips are already used today by our competitors and we are happy if we can make a contribution to the fact that these analogue components are made of music.

I personally consider VA for eyewash because this is ultimately digital technology. No digital synthesizer will ever be able to reproduce the 'unpredictability' and 'inaccuracy' of an analog synthesizer - no matter how much marketing is operated. Anyone who listens to analogue and digital synthesizers in comparison can easily find out. That is exactly why we will be specializing in analogue synths.

Perhaps our desire for analogue technology is simply that we humans are knitted by themselves analogously and the emotions associated with it determine our existence.

Greeting

Uli"

This one spotted and sent in via Soviet Space Child.

Update: And another update just in via Soviet Space Child:

Originally Posted by Uli Behringer:

"Allow me to share a thought.

Dave Smith Instruments (DSI) is using our SSM clones (V2164).
homemade polysynth — A quick tour of the Prophet 6 voice card

Elektron are using Coolaudio parts as well.
https://www.flickr.com/photos/psychl...7632621387322/

Many other leading manufacturers are using Coolaudio chips and by using these parts obviously have no concerns with cloning in general and with using our chips in their products.

If our competitors are not concerned then why should customers be?

Uli'"

The difference of course is currently available vs. not currently available.  The CEM3340 is currently available from Curtis Electromusic, and the Minimoog Model D is currently available from Moog Music.   You be the judge for yourself.

UVI Introduces Synth Anthology 4

video uploads by UVI

Note the above is a playlist featuring 4 videos. You can use the player controls to skip through them or just watch them all in order.

Details on Synth Anthology 4 follow:

The authentic sound of 200 synthesizers, from vintage to modern
4,000+ presets and layers deliver incredible sound with hardware soul
Feature-packed dual-layer engine with fx, arpeggiator and more

Synth Anthology 4 - A Synthesizer Tour de Force
https://www.uvi.net/synth-anthology-4

Rebuilt from the ground-up, Synth Anthology 4 now features the authentic hardware sound of 200 vintage and modern synthesizers, a fully redesigned engine with powerful features, fx, arpeggiator, smart sound suggestion engine, native MPE support, and more.
A dreamlike collection!

Also included in SonicPass ➡️ https://www.uvi.net/sonicpass

Video credits: Anthony Hak
Music Credits: Théo & Thomas

"The Best Keeps Getting Better

What's new in version 4?

Almost everything!
We've rebuilt the engine from the ground-up, added more synths, more presets, more effects, more filters, more modulation, a dedicated browser, a second fully-customizable layer for creating hybrid and blended timbres, an all-new smart suggestion engine that helps you quickly find similar sounds, a more powerful arpeggiator/phraser, bus effects, native MPE support, and more!

Real Hardware Sounds There is something unmistakable about the sound of a real hardware synth, from subtle differences between voice circuits and drift to the varied way filters bite into the sound; there's a distinct character and energy. Synth Anthology 4 delivers the authentic and uncompromising hardware sound with all the conveniences of a modern software instrument.

Every piece of hardware represents a unique creative vision, sonic character, innovations, and strengths. Whatever you're looking for, from analog to digital, vintage classic to future classic, you will find it here. Synth Anthology 4 delivers an incredible collection of hardware, every major manufacturer, every type of synthesis, every era, 200 synthesizers in all.

You won't find a more complete collection anywhere else."

The list:

CLICK FOR MORE »

Behringer Pro-800: 50 Arp Presets. Sound Demo. No Talking

video upload by Anton Anru

"'Arps Collection' is a soundset of 50 presets for Behringer Pro-800.
The patches cover a variety of Arp tones: mild and aggressive, deep and bright, soft and punchy, clean and noisy, modern and vintage.

Modwheel adds vibrato. You may use the arps with internal or external MIDI/USB clock. Play with division and swing parameters to change the arps' behavior.

The soundset is universal, the Arpeggios are suitable for all genres of electronic music, including Techno, House, Trance, Lounge, Downtempo, Funk, Disco, Pop, Acid, Hardcore, IDM, Drum'n'Bass, Breaks, Breakbeat, Trap, Electro, Ambient, Dubstep, EDM, Synth-Pop and others.

🎞 Get the soundset: https://antonanru.sellfy.store/p/pro-...

Here is some technical information:

To load presets onto the device, please use the Synthtribe app, which is available on the official Behringer website.

The bank consists of 50 presets (00-49 slots are active, 50-99 are empty/init). You have the option to upload them all at once as a bank or load each preset individually, one by one.
Before loading new presets, I recommend backing up any slots on your synth that you are currently using.

Individual uploading is recommended if you already have presets stored in different banks (A, B, C, D). Uploading the entire bank will overwrite all existing presets in the selected bank. On the other hand, uploading presets individually offers more flexibility. You can save new presets without erasing the previous ones, and you can arrange them to suit your preferences.

Contents:
00:00 Fountain
00:34 Harbor
01:09 Twist
01:44 Tumble
02:19 Axis
02:50 Heat
03:22 Narrow
03:53 Draft
04:24 Snap
04:58 Toss
05:31 Faint
06:05 Romance
06:39 Fuzz
07:16 Minotaur
07:53 Fuel
08:30 Snob
09:06 Quill
09:39 Native
10:12 Camp
10:44 Mars
11:17 Sprey
11:55 Strain
12:33 Myth
13:12 Maze"

Sequential Circuits Pro One SN 9207

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Sequential Circuits Pro-One. Unit is in great condition with a few minor scratches in the photographs."

Prices appear to be coming down with Behringer's Pro-1 release.

CLICK FOR MORE »

♫ Jamming With a Bunch of Synths ♫ ----- (19)

video upload by

5U Modular (Synthesizers.com/STG Soundlabs/Synthetic Sound Labs)
Akai MPC X
Behringer 2600 (ARP 2600 clone)
Behringer Pro-1 (Sequential Circuits Pro One clone)
Behringer TD-3-MO (Devilfish modded Roland TB-303 clone)
Boss HC-2 Hand Clapper
Clavia Nord Wave
cre8audio East Beast
cre8audio West Pest
Frostwave Fat Controller (Sequencer)
Ladyada Xoxbox (Roland TB-303 clone)
Korg Delta
Korg Mono/Poly
Korg SQ-1 (Sequencer)
Moog Source
Simmons SDS-V
Studio Electronics Boomstar 5089 mk1
Yamaha CS-15
Yamaha TX-802 (rackmount DX-7ii)

Behringer PRO VS Mini - How Does It Sound? 1st Demo of the New Pro VS Soul Hybrid Vector Synthesizer

video upload by Behringer

"Having announced the PRO VS Mini as one of the many synthesizers we have been working on recently, we have been inundated with requests for you to hear and see it in action.

PRO VS Mini is a Polyphonic 4-Voice Hybrid Vector Synthesizer with Presets and full Midi implementation modeled after the Prophet VS from 1986 but with many extra functions.

This little monster has 127 wave tables, 32 presets plus sequencer, arpeggiator, and display with oscilloscope.

Prepare your headphones as Clemens Wenners demonstrates the incredible sound of the PRO VS Mini.

Development is complete and once we receive chips it’ll go straight into production.

Estimated price US $99"

♫ Jamming With a Bunch of Synths ♫ ----- (9)

video upload by Bata

5U Modular (Synthesizers.com , STG Soundlabs , Synthetic Sound Labs)
Akai MPC X
Behringer 2600 (ARP 2600 clone)
Behringer Pro-1 (Sequential Circuits Pro One clone)
Behringer TD-3-MO (Devilfish modded Roland TB-303 clone)
Boss HC-2 Handclapper
Clavia Nord Wave
cre8audio West Pest
Ladyada Xoxbox (Roland TB-303 clone)
Korg Delta
Korg Mono/Poly
Moog Source
Studio Electronics Boomstar 5089 mk1
Yamaha CS-15

Chinese Detectives [Cover] Behringer PRO-1 / Roland MC-101 / Roland JU-06A

Published on Nov 17, 2019 Micro Banshee

"A Behringer Pro-1 & Roland MC -101 Version of Yazoo's 'Chinese Detectives'

I can't find a lot of information about this little known Yazoo track other than I remember it being played when I went to see Yazoo live in 1982 [Newcastle City Hall] During the track being played Vince was playing around with a video camera filming audience members and displaying the footage on a large screen above the stage.

I did find the following reference from an online Yazoo fan site:

'This song was only refered to as China and it eventually became I Before E Except After C, stripped back to the drumtrack...'

As far as I know this track was never officially released.

As always, the track is played 'live' in one take - with no DAW, editing or post production.

Recorded live 16/11/2019.

Also Used:
Arturia keystep [PRO-1]
Roland Boutique JU-06A
Roland Aira TR-8
Zoom MS-70CDR"

A Zen-Bro romance told in resonant screams

video upload by Richard DeHove

"I have a bad habit of cranking the resonance on any machine I touch. It's so ingrained I did it at a friend's studio a little while back on an unfamiliar synth - and after a brief shriek decaying to an air-moving whomp I thanked the gods that the volume was set so low. I've used so many Polivoks-style filters in recent times I'm used to cranking the resonance with impunity.

Which brings me to the delicate love story between the Erica Synths Zen delay and the Behringer Pro-800. My trusty Rev2 is for sale and in its place I bought the Pro-800. Why trade down you may ask? Truth is I'm not a big poly player. The more polyphony you use the more simple the sound needs to be, in which case I wanted a simple yet knobby poly, and that's the Pro-800. Added bonus: no onboard effects. So when the Pro-800 arrived this week I teamed it with the Zen delay immediately.

So the romance is revealed: A brand new Pro-800 teamed with the Zen delay. The 800 is switched on for the first time, the resonance is cranked, the Zen's input drive and overdrive is engaged and almost immediately this gloriously jagged, gritty, and unpredictable darkness pours out.

Five minutes of first-time noodlings is a bit much I admit. And I was going to say all this over the top of the video but that felt wrong, like ads in a funeral service. So instead here it is. It is literally the first time I ever powered it on, to the point where I didn't even know how to save the sound or know whether I'm in tune, on the upside I pretty sure moved every knob and switch so if you want to replicate the sound, there it is.

Even so the 800's resonance is not fully cranked, I had to back off a little just to retain the ability to hold an actual melody.

Whether the 800 is good for anything else, who knows - I haven't got past this sound yet and I must look up how to save it. What's clear though is that the 800's filter teams beautifully with some heavy drive. I can feel more teamings in the air - perhaps another stereo 'Roger That' outing?

One final thing worth mentioning: the Zen delay cost significantly more than the Pro-800. Makes you wonder where your synth dollar is best spent.

Lots of downloads for supporters on Patreon: / richarddehove
Many thanks to my kind patrons who keep this channel ad-free My website: https://richarddehove.com/"

Kraftwerk - Spacelab (1978) [Cover by Synthfluencer]

video upload by Synthfluencer

""Spacelab" was published by Kraftwerk in 1978 on their 7th studio album 'Die Mensch-Maschine' (The Man Machine). The album is one of Kraftwerk's best-known and most successful releases and is considered a milestone in pop history. Alongside the top hits 'Die Roboter' and 'Das Model', 'Spacelab' is also one of Kraftwerk's most iconic songs. The song received special attention when Kraftwerk performed it during their 2018 tour in Stuttgart together with German astronaut Alexander Gerst, who was live from the International Space Station (ISS).

With the cover, I stick to the original version as far as possible. I only added the radio announcements at the beginning and in the middle of the song. The musical structure is not very complicated: I play the lead voice with the Kawai S-100F synthesizer, which is about as old as the song. The prominent pad is played by the Behringer Pro-800. The strings I played with the Waldorf Streichfett. The bass arpeggio is a layered sound I created with the Behringer Model-D, the deep filter bass with the Behringer Neutron. The vocoder voices are self-recorded with the help of the Yamaha MODX. At the beginning you can hear the Behringer PRO-1.

In addition to my own recordings, I use audio, video and picture material from the NASA archive (https://images.nasa.gov/)."

Oberheim OB-X vs. SonicProjects OP-X PRO and V-Machine

YouTube via virtualoberheim. via UniQueWerkx.

"Do not miss the individual voice filter tuning at 1:33 on.

I wish they'd come out with a Creamware ASB type box for this. I think I'd buy one in a heartbeat.
click on this search for OP-X for more posts including video. Don't miss the V-Machine videos below."

"http://www.sonicprojects.ch/

SonicProjects OP-X PRO software synth featuring the Separate Voice Design (SVD) modeling technology compared to an Oberheim OB-X

To verify the showed comparison demos you can download the used patches in fxb bank format here:

Bank for the demo version:
http://www.sonicprojects.ch/opxpro/ba...

Bank for the full version:
http://www.sonicprojects.ch/opxpro/ba...

Demo version of OP-X PRO:
http://www.sonicprojects.ch/opxpro/de...

You will notice that the sound of course is much better without the youtube compression. If you want to exactly recreate the examples you also need to play the same voices, which can be recognized by their panorama setting

To keep everything uncolored and clean for a real 1:1 comparison the stereo outputs of OB-X were recorded directly to daw using an apogee converter. OP-X PRO was rendered directly to harddisk as well.

Furthermore all voices of OP-X PRO before were calibrated to the exact same settings (pan, filter cutoff) as the corresponding voices (6 as well) in the hardware device. With a few exeptions always the same voices were compared by always starting at the same voice position in the circular allocation, which might sometimes give the impression that the same audio file was used. But if you listen very carefully there still can be noticed tiny differences. OB-X generally is a tad bit slimmer and brighter sounding with more weight in the heights and less in the mids while OP-X PRO is a bit darker and has more weight in the mids.

Separate Voice Design (SVD):
http://www.sonicprojects.ch/obx/separ...

This modeling technology used by OP-X PRO is based on completely independent voices with separate signal path and slightly differend sound, as it is the case too in voltage controlled polyphonic analog synths which in fact are based on separate monosynths that are globally controlled. Other than real synths OP-X PRO allows to globally activate and deactivate the detunings of individual parameter groups on demand as well as fine tuning them for each voice separatly with virtual trimpots. This allows for a wide palette of colors between completely "pissed off" and tight and precise. This allows to recreate the character of different synths or to copy the voice settings and character of one specific device in its current state, as it has been done in this video.

The detunings of the following parameter groups can be independently activated and deactivated as well as tuned in detail per voice:

- oscillator pitch
- filter cutoffs
- filter envelope times
- portamento times

All settings of course can be saved with the preset. Have a look at the video to learn what impact those fine tunings can have on the general character of the sound."

Oberheim OB-X vs. V-Machine (OP-X)


Oberheim Digital: OP-X and V-Machine


"SonicProjects VM Bundle hosted by the SM Pro Audio V-Machine. Playing some presets of OP-X while tweaking parameters with an external controller device.

The masterkeyboard is an EMU X-Board 61 and the controller device a Behringer BCR2000. Both are connected by USB cable to the V-Machine.

Combined with the pre-mapped banks and the custom sysex preset of the included BCR2000 toolkit BCR2000 allows to remotely control every single parameter of OP-X (83 in total).

With MIDI feedback activated in the V-Machine the controls on the BCR automatically update to the settings of the new preset on preset change which allows for value jump free parameter control.

This setup can serve as a complete replacement of a real analog hardware synth offering digital reliability and great transportability without missing the beloved fat and organic sound.

The used presets are:
01 - Jump!
02 - OB-Xa SyncSolo
03 - Shine On Solo
59 - SEM Upsweep
55 - OB Sustained Strings

To know which parameter is mapped to which control the included BCR2000 Toolkit contains handy printable mapping templates."

V-Machine: SonicProjects VM Bundle


"The VM Bundle was exclusively made for the SM Pro Audio V-Machine, the V-Rack and VFX Mac and PC, with a lot of adaptations and optimizations... The Korg DW-8000 is only used as a midi master keyboard. All sounds you can hear is what comes out of the stereo line outputs of the V-Machine, with no further processing. Presets are either switched manually directly on the V-Machine or by midi remote program change from the master keyboard's preset changer."