Roland FANTOM Synthesizer Version 2.0 Update for FANTOM 6, FANTOM 7 & FANTOM 8

RolandChannel

Update: loopop video [and press release] added below.

"FANTOM is a new kind of creative hub, where you can pull together all the sounds and inspiration around you into one music production environment. And it keeps growing and evolving with new sounds, features, and refinements based on customer feedback.

Building on the recent additions of multiple SuperNATURAL sound engines and a stunning 32-band stereo vocoder, FANTOM now takes another giant leap forward with version 2.0. The free update includes major enhancements to FANTOM’s sampling, sequencing, effects, and routing capabilities, and new ways to make FANTOM the center of your creative universe.

In this video, Mark Watson takes you through some of the new features of FANTOM v2.0. Use these links to jump ahead to learn more about the features that interest you most:

00:00 FANTOM Version 2.0 Overview
01:38 New Sampling Features
02:24 Sampling to Keyboard
03:17 Sampling Keyboard and Input
04:04 Sampling the Vocoder
05:13 Multisampling
07:55 New Sequencer Edit Tools
08:52: TFX (Total Effects) Processor
09:42 Pad Sampler Routing, Zoom Edit, More Output Routing
10:05 New Scene Chain Markers
10:20 Zone Advanced Control and Zone Transpose
11:27 Increased Aftertouch Sensitivity and Touchscreen Wallpaper

The sampling engine gets a radical overhaul in version 2.0, with the ability to sample directly to the keyboard or to build detailed multisamples up to 352 samples per tone. Keyboard samples and multisamples can be edited on board and used as the basis of any oscillator/partial in a ZEN-Core tone. With four oscillators per tone and up to 16 tones in a Scene, the sound design potential is mind-bending.

In addition to other audio routing enhancements, FANTOM’s master section now has a TFX (Total Effects) processor. Along with the already-equipped master compressor and EQ, the TFX processor can add any of its 90 effects to FANTOM’s master output. And now you can use effects on input, and even sample the result!

Sequencing continues to take advantage of FANTOM’s high-resolution touchscreen. You can now draw and edit automation using multiple gestures, and the new microscope mode lets you fine-tune each note to perfection.

Each of FANTOM’s 16 zones can already be assigned to an internal sound or an external input or software synthesizer. Now, each zone can be set to both for truly epic sounds! You can even transpose each zone independently and save the settings in a Scene.

And speaking of Scenes, you can now visualize your Scene Chains in a list and easily swap their places. You can even jump around your Scene Chain using handy markers.

Finally, version 2.0 lets you change the touchscreen background to match your mood or creative space.

If you’re a FANTOM owner, be sure to sign up for a free Roland Account. Using the latest version of Roland Cloud Manager software, you can download free SuperNATURAL acoustic and electric piano sound collections for your FANTOM and explore a huge variety of sound expansions for FANTOM and Roland Zen-Core instruments.

In addition, Roland Cloud offers a growing collection of Roland virtual instruments for use in modern workflows. Producer, beatmaker, gigging musician, or just getting started—you'll find something to inspire you. The original TR-808, classic JUNO-106, powerhouse JUPITER-8, and genre-defining TB-303 are all part of the 50-plus instrument collection. And Roland's legacy of innovation evolves yet again with the new ZENOLOGY Software Synthesizer, an advanced plug-in with deep sound design capabilities and seamless compatibility with your FANTOM and all ZEN-Core hardware instruments."

FANTOM Version 2 // Review and multi-sampling tutorial for Roland Fantom 6, 7 and 8

loopop

TIMELINE:
0:00 Intro
0:30 Overview
8:55 Connectivity
10:10 Sampling 2.0
17:45 Multisamples
22:25 Resampling
24:35 Sequencing
26:25 Microscope
26:55 Automation
28:05 Chains 2.0
30:20 Groups, song
32:15 FX: TFX, iMFX
34:30 Zones
35:40 Pad modes
37:15 Drum zoom...
37:40 Arp, chords
39:20 Pros, cons"

Update2: and the official press release:

"Los Angeles, CA, September 18, 2020 — Roland has announced the Version 2.0 update for owners of the FANTOM 6, 7, and 8 synthesizers. Leveraging the deep, expandable power of the ZEN-Core Synthesis System at the heart of the FANTOM series, this free, user-installable update delivers major enhancements to the sampling, sequencing, effects, and routing capabilities, while also providing new customization options for live performance and studio production.

Introduced in 2019, FANTOM is a next-generation creative hub where users can pull together all the sounds and inspiration around them into one music production environment. And the platform keeps growing and evolving, with new sounds, features, and refinements providing continuing value to owners. Building on the recent additions of multiple SuperNATURAL sound engines and a 32-band stereo vocoder, FANTOM takes another giant leap forward with Version 2.0, bringing more user-requested features and inspiring workflow improvements.

The FANTOM sampling engine gets a significant overhaul in Version 2.0. Users now have the ability to sample directly to the keyboard or build detailed multisamples, which can be edited on board and used as the basis of any oscillator/partial in a ZEN-Core tone. With up to 352 samples per tone and 16 tones in a Scene, the sound design potential is vast.

Version 2.0 also brings a TFX (total effects) processor to FANTOM’s master section, complementing the existing master compressor and EQ. The TFX processor introduces deep sound-shaping power with 90 different effects that can be applied to the master output. Numerous audio routing features have also been added, including the ability to apply effects to audio input sources and sample the results.

FANTOM features a color touchscreen interface, and the sequencing enhancements in Version 2.0 take even greater advantage of this powerful tool. Users can now draw and edit automation using multiple gestures, while the new microscope mode lets them fine-tune every note to perfection.

Each of FANTOM’s 16 zones can already be assigned to an internal sound or an external input like a software synthesizer. With Version 2.0, internal and external sources can now be layered or split within a zone to build huge sounds and intricate performance setups. It’s also possible to transpose each zone independently and save settings in Scenes for instant recall. And the Scene Chain function has been enhanced with a list view, where users can easily swap positions and use markers to quickly jump to different sections.

Version 2.0 also brings new ways for users to customize FANTOM, including modifying the touchscreen background to match their creative environment.

Developed from the ground up for modern players, FANTOM models offer exceptional playability and aftertouch support with Roland’s best keyboards ever, including the acclaimed PHA-50 on the 88-key FANTOM 8 and a semi-weighted action on the 76-key FANTOM 7 and 61-key FANTOM 6. In addition to the color touchscreen, there are plenty of knobs and sliders for intuitive and immediate control, plus a dedicated synthesizer section with oscillator, filter, and envelope controls.

Download the Fantom Version 2.0 firmware update here."

Akai Introduces MPC Jupiter Rising Synth Expansion by INHALT

Published on Mar 16, 2020 INHALTVIDEO

"I'm very pleased to announce the release of Jupiter Rising, the first INHALT Sample Library exclusively for the Akai MPC and Force range. This library is available directly through Akai Professional:

https://mpcsoftware.akaipro.com/#cbp=...

When I first got the MPC X I was taken aback by the sheer sound quality of the new audio engine. The filters, in particular, sounded warm and very analog like. After putting the machine through several productions, I quickly realized that the X is essentially a modern day Fairlight. It soon became my go to production center piece and my older MPCs (3000 and the ASQ10 sequencer) were quickly sold. Yes, it's that good. After some more time of working with the machine passed, I wanted to develop a comprehensive set of synthesizer oriented patches that could be quickly recalled for fast production access but with no compromise in sound quality. One of the most useful synths in a production context, to my ears and experience, is the Jupiter 8. While not a particularly showy synth, its tone and range of sounds makes it possible to slot into any production. As such, I thought this would be a great candidate for a deep sampling.

This library is the culmination of many months of work doing exactly that. Some patches are multi-sampled classic JP8 patches, and while those sound absolutely exceptional, the real stars are the short cycle samples. I employed the power of the MPC Engine to play back a different short-cycle sample per key press, per zone, randomly. This creates the feeling of playing the real JP8 as every key press is slightly different than the previous. When combined with the vast set of filters, an incredibly convincing analog-like sound is the end result. There are many patches of various combinations of samples included to cover every possible oscillator combination like on the real synth (i.e. 1 vco saw, 2 vco saw+saw, 2 vco saw+square ...) which leads to the most convincing sample based emulation of the classic synth. These raw patches serve as a starting point for your own sound design, however there are also many characteristic INHALT patches that are ready to go for your own music making.

In short, once the library was done, I was absolutely floored by how accurate and convincing this sample library really is at getting the mood, vibe, feel, and exact sound of the JP8. I think you will find the same. I had a really fantastic time working with all at Akai Professional on this and out of the many projects I've taken on, I'm probably the most pleased with how the end result came out on this one. All of the sounds (including drums) that you hear are 100 percent the Jupiter Rising Library recorded directly from the MPC X stereo output."

"Introducing Jupiter Rising, the latest expansion instrument offering from Akai Professional. Jupiter Rising re-creates the legendary sounds of one of the world's most iconic synthesizer. The highly sought after sonic palette is now available for your MPC X, MPC Live, MPC One and Force."

Bliss Sampler 2.8 released

video upload by discoDSP

https://www.discodsp.com/bliss/



Experience discoDSP Bliss, the ultimate sampler. Record VST and AU instruments as SFZ files without quality loss. Customize your sound with a scalable GUI, wave editor, 7 effects, and versatile modulation. Enjoy up to 64 voices, 4X oversampling, and full MIDI control. Bliss offers exceptional playback and creative possibilities for any production. Elevate your music with the powerful and intuitive Bliss sampler.

Native Apple Silicon compatibility (M1 or higher).
64-bit AAX / VST / VST3 / Audio Units / Standalone compatibility.
32-bit Windows Standalone for legacy plugin sampling.
The integrated VST / VST3 / AU host features a sampling functionality to record from your preferred virtual instrument.1
Built-in wave editor.
Scalable and themeable GUI.
Morphable scheme / automatable zone parameters.
128 Programs with unlimited zones.
32-bit floating point based wavetables.
Full MIDI Input triggering control.
1 Virtual instrument sampling does not encompass all third-party plugins, as some may include offline sampling protection, custom preset management, or other features that could affect compatibility with the Bliss host. It is recommended to test the trial version first to ensure compatibility. The trial version allows exporting SFZ files in 16-bit WAV format, while the registered version supports saving and sampling instruments in 24-bit.

CLICK FOR MORE »

ALESIS INTRODUCES NEW DM10 ELECTRONIC DRUM SET

"DM10 Pro Kit Features New Sound Module, New Pads, New Rack and New Pedal

Cumberland, R.I. (Jul. 17, 2009) – Alesis, the world’s leading manufacturer of professional audio equipment and studio electronics, announces its new flagship drum set, the DM10 Pro Kit. The drum set will make its debut at Alesis's booth, number 400, at the Summer NAMM Show held at the Nashville Convention Center, July 17 – 19.

The DM10 Pro Kit is the product of extensive research and development efforts. Based around the completely new DM10 sound module, the DM10 Pro Kit features Alesis’ RealHead drum pads, SURGE Cymbals made of real cymbal alloy and an ErgoRack mounting system.

Drummers will immediately notice the DM10 module’s outstanding sound quality. This new drum sound module contains true drum, cymbal and percussion sounds built from real samples of classic studio drums and prized cymbals. Drummers will find some of the most in-demand acoustic drum sounds from legendary drum brands, a huge arsenal of top producers' go-to snare drums, real American, Canadian, Chinese, and Turkish cymbals, and electronic beat-machine sounds that have fueled the biggest hit records.

Discerning drummers will notice that each sound is actually a series of different samples: multiple dynamic-level samples and articulations are all built in so as the drummer plays harder and softer, the drum or cymbal changes its timbre, not just its dynamics. This engineered realism is known as Dynamic Articulation™, an Alesis exclusive. Drummers can play with or without reverb for different room sounds and enjoy a wide variety of rimshots, rim clicks and different stick-placement sounds on the cymbals. For example, a hi-hat’s sound depends on a number of factors: how open or closed the pedal is, how hard it is struck, and other variables resulting in 40 different sounds – plus foot chick and heel splash.

The DM10 module not only has a breathtaking collection of sounds on board, it is also the world's first drum-sound module that enables players to load new sound sets via USB connection to their computer. This means that owners’ sounds will always stay fresh, current and cutting edge. Drummers can also use the DM10 as a trigger-to-MIDI interface for performing and tracking with software drum modules such as BFD, Toontrack and Reason. Drummers can play along with the tracks in the DM10’s internal sequencer, mix in an iPod or other MP3 player and play along.

The DM10 module has 12 TRS inputs, enabling drummers to create custom configurations with up to 24 different pads. Its top-panel mixer gives drummers easy access to creating custom mixes.

The DM10 Pro Kit has acoustic-feeling RealHead pads in eight-inch and 10-inch sizes. The dual-zone pads feature real mylar drumheads and real triple-flanged counterhoops for the feel professional drummers demand. The snare and tom pads are dual zone, enabling players to perform rimshots, rim clicks or assign other sounds such as wind chimes, cymbals, gongs and cowbells on the tom rims.

The DM10 Pro Kit comes with premium SURGE Cymbals, the only serious choice in electronic cymbals. The kit comes with a 12” SURGE Hi-Hat Cymbal, a 13” SURGE Crash Cymbal with choke and a 16” SURGE triple-zone Ride Cymbal with choke. Based around a genuine alloy cymbal and coated with a clear sound-dampening layer, SURGE Cymbals feel like acoustic cymbals because they begin life as just that. The Crash and Ride cymbals feature large choke strips on the undersides for even more attention to accurate cymbal control. The SURGE Ride also features multiple-zone triggering on the bell, face and edge. The SURGE Hi-Hat Cymbal is continuously controllable using the included pedal.

Drummers will appreciate the DM10 Pro Kit’s ergonomically curved, chrome-plated ErgoRack. It is heavy gauge, heavy duty, and supremely adjustable. The ErgoRack is large enough to enable drummers to add on additional drum pads and SURGE Cymbals. They can even mount acoustic drums, cymbals, and percussion instruments on this roadworthy system. It employs standard one and one-half-inch tubing for compatibility with virtually all drum manufacturers’ rack hardware. The rack features quick-release, metal clamps for fast setup and tear down. The Crash and Ride cymbals mount on large, knurled boom cymbal arms that are height adjustable right in the rack down tubes. The DM10 Pro Kit comes with tom mounts that enable freely adjustable mounting. Drummer-friendly wing-screws are present on all important rack clamps and pads for ease of adjustment without reaching for a drum key. The drum pads mount on standard 10.5mm L-rods with low-slip, knurled mounting surfaces.

“The DM10 Pro Kit is a giant leap forward for us,” said Jim Norman, Product Manager, Alesis. “We’ve taken everything we’ve learned about electronic percussion, and built the DM10 Pro Kit from the ground up to deliver an incredible playing experience at a breakthrough price point.”

The DM10 Pro Kit will be available from musical instrument and professional audio retailers in Q3 2009.

BFD is a trademark of FXpansion Audio UK Ltd.

Toontrack is a registered trademark of Toontrack.

Reason is a trademark of Propellerhead Software AB.

iPod is a trademark of Apple Inc., registered in the U.S. and other countries.

# # #

About Alesis

Alesis manufactures a full line of professional audio and musical instrument products capitalizing on its strengths in digital, analog, semiconductor, and transducer technologies. Alesis delivers revolutionary product solutions to the music and audio production industries. For more information, visit www.alesis.com; images are available at http://www.alesis.com/media."


Update:
"ALESIS ANNOUNCES DM10 SOUND SET FROM FXPANSION

Partnership Established With BFD Developer

Cumberland, R.I. (July 17, 2009) – Alesis, the world’s leading manufacturer of professional audio equipment and studio electronics, announces a partnership to develop custom sound sets for the new DM10 Pro Kit. The drum set will make its debut at Alesis's booth, number 400, at the Summer NAMM Show held at the Nashville Convention Center, July 17 – 19.

The kit’s DM10 module contains a breathtaking collection of sounds on board, and is also the world's first drum-sound module that enables players to load new sound sets via USB connection from their computer. This means that owners’ sounds will always stay fresh, current and cutting edge. To that end, Alesis has established a partnership with FXpansion. FXpansion pushes the boundaries of audio software technology, with software such as the award-winning BFD series of software drum modules.

“We are proud and honored to partner with a first-class name in drum sampling,” said Adam Cohen, Director of Business Development, Alesis. “Drummers and producers alike will truly be impressed by these sounds.”

Alesis plans to announce additional development partnerships in the near future; visit www.alesis.com for the latest news.

The DM10 Pro Kit will be available from musical instrument and professional audio retailers in Q3, 2009. Sound sets from FXpansion will also be available in Q3, 2009."

Remember you can click on the NAMM label directly below to filter just NAMM announcements. Be sure to check the dates so you don't mix the old with the new.

Sounds From the Future in 1930

video upload by Production Zone

"At 1930 it Sounds from the Future | The Father of Synths nobody talks about 🎛️⚡

Meet the Trautonium, one of the first electronic instruments ever made — way before synthesizers became mainstream. 🎛️
⚡
Invented in 1930, this futuristic machine uses a resistor wire and metal plate to create wild sounds, with techniques like vibrato, glissando, and even quarter tones. Absolute music history right here. 🕰️🎶

The Trautonium, an early synthesizer that alongside the theremin and the ondes martenot is considered the pioneer of electronic instruments."

See the Trautonium label below for additional posts.

Native Instruments Announces New MASCHINE & KOMPLETE KONTROL Hardware

"MASCHINE Mk3 and KOMPLETE KONTROL Mk2 S49 / S61 now available to pre-order

September 7, 2017 – Native Instruments today announces the next generation of MASCHINE and KOMPLETE KONTROL hardware. Unified by an all-new industrial design, both units have been re-engineered to inspire and enable nonstop creativity, boasting more intuitive workflows, optimized layouts, vivid visual feedback, and deeper studio integration.

MASCHINE Mk3 delivers the best ever workflow for quickly sketching and capturing ideas. It adds two high-resolution color screens for easier sound browsing, editing, sample-slicing, and more. The new hardware also features more dedicated function buttons and larger, more responsive pads that retain the same ergonomic layout users know and love. For enhanced convenience and portability, MASCHINE now features a built-in 96kHz / 24-bit audio interface.

KOMPLETE KONTROL Mk2 extends the original keyboard’s workflow with 17 additional function buttons and two high-resolution color screens for browsing, previewing sounds, and more. And now – thanks to enhanced DAW and MASCHINE integration – it’s possible to mix, navigate, and edit projects directly from the hardware. The professional-grade Fatar keybeds and unique Light Guide are joined by new pitch and mod wheels, plus a horizontal touch strip for additional expression.

“We’ve learned from artists and our users that the biggest challenge in creative work isn’t one of getting started, but of keeping going,” explains MASCHINE Product Owner Chris La Pietra. “We developed these new products in tandem to address this problem: Beyond sparking inspiration, they fuel the whole creative process – they help users get in the zone and stay there. They feel great, they integrate with existing setups, and they make music production as fun, intuitive, and hands-on as possible.”
“We set the benchmark for integrated music production software and hardware some years ago, and these latest products signify a major new milestone in our journey,” explains Mate Galic, CTO and President of Native Instruments.
“Holistic, tactile experiences and optimized layouts showcase the most powerful features in a completely intuitive way and support a sustained creative workflow. Sophisticated integration, with an ever-expanding software ecosystem of KOMPLETE, MASCHINE, and NKS plug-ins, make these the most advanced music production hardware units available today.”
Pricing and availability
The new MASCHINE, KOMPLETE KONTROL S49, and KOMPLETE KONTROL S61 will be available at the NI Online Shop and retailers from October 5, 2017. All three units will be available to pre-order from September 7 at the NI Online Shop. Pricing remains the same as the previous versions in all markets.

MASCHINE EUR 599, USD 599, JPY 72800, GBP 479, AUD 899
KOMPLETE KONTROL S49 EUR 599, USD 599, JPY 69800, GBP 479, AUD 899
KOMPLETE KONTROL S61 EUR 699, USD 699, JPY 79800, GBP 559, AUD 1049"

About MASCHINE Mk3
The next generation of MASCHINE hardware lets you effortlessly produce beats, melodies, and harmonies with powerful drum synths, premium sounds, an integrated sampler, and more – cutting-edge software meets intuitive hardware for an ultra-smooth workflow.

Key features
• Integrated hardware/software system includes sampler, arranger, mixer, FX, and more


• 8 GB MASCHINE library with samples, one-shots, sliced loops, sampled instruments, presets, patterns, drum kits, and songs

• Includes 25 GB KOMPLETE 11 SELECT library

• 25 pro-quality studio and creative FX including filter, EQ, delay, reverb, and compressor

• 2 high-resolution RGB color displays for precision sample slicing, sound tweaking, note editing, mixing, browsing, and more

• 16 large, ultra-sensitive pads make two-handed drumming easy

• Pro-grade, 96kHz / 24-bit audio interface with 2 x ¼” TRS line outputs, 2 x ¼” TRS line inputs, ¼” dynamic mic input, stereo headphone output, 1 x MIDI In, 1 x MIDI out, and 1 x Footswitch

• Touch sensitive knobs for parameter tweaking

• Smart Strip for strumming notes, pitch bending sounds, performing with FX, and more

• Four-directional push encoder for browsing, navigating, and adjusting levels and balance

• Powered via USB 2.0 or with the included power supply unit

• Seamless integration with KOMPLETE
• Classic groovebox features including 16 velocity levels, swing, pad link, note repeat, step sequencer, and vintage MPC 60/SP-1200 sampling emulation

• Compatible with all major DAWs (including Ableton Live, Logic Pro, and FL Studio) as a VST or Audio Units plug-in, with full multi-core support


About KOMPLETE KONTROL Mk2
With the latest generation of KOMPLETE KONTROL hardware, music-making becomes a more intuitive, hands-on experience. Perform expressively, browse and preview sounds, tweak parameters, sketch your ideas, and navigate and mix your project – all from one fully integrated centerpiece for studio and stage.

Key features
• Smart keyboard controller for all your virtual instruments

• Pro-grade Fatar keybeds with aftertouch – 49 or 61 semi-weighted keys

• Ergonomic pitch and mod wheels, plus touch strip for expression control

• Pre-mapped control of KOMPLETE instruments and hundreds of Native Kontrol Standard (NKS) instruments from leading manufacturers

• Full VSTi support

• Tag-based preset browsing: Find sounds quickly and hear instant previews

• Two high-res color screens for browsing, tweaking, mixing, and more

• Light Guide: RGB lights above each key highlight drum cells, key switches, chords, scales, and more

• Smart Play: See scales and modes on the Light Guide, play chord progressions and arpeggios with single keys, or map any scale to white keys only

• Deep integration with MASCHINE software / hardware

• Intuitive control over Logic Pro X, Ableton Live, and GarageBand. Cubase and Nuendo integration coming soon after initial release

• 4-directional push encoder for one-handed sound browsing and project navigation

• Two assignable pedal inputs

• MIDI in / out

• USB 2.0 bus powered

• Includes KOMPLETE 11 SELECT
"

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Introducing the Tom Oberheim & Dave Smith OB-6 Polyphonic Analog Synthesizer

Uploaded on Jan 20, 2016 Dave Smith Instruments - "Tom Oberheim & Dave Smith Introduce the OB-6"

Update: new demo video from INHALT in via Soviet Space Child below!
Update2: DSI / Tom Oberheim - OB6 - live looping demonstration by Daniel Davis added below.

Awesome video! You'll find an audio demo at the bottom of this post. So, if you weren't sure NAMM had any big surprises coming, well here you go. A brand new six voice polyphonic Oberheim synth based on the original SEM's discrete VCOs and filters, complete with trademark blue pin strips, and a few extras. This is not a CEM based Oberheim. This is discrete analog with some modern capabilities. Think closer to the original Oberheim FVS and classic OB-X (CEM VCOs & VCFs came with the OB-Xa). A new Tom Oberheim six voice polysynth has arrived!

The following is the official press release:

"Tom Oberheim and Dave Smith Unveil OB-6 Analog Synthesizer

Legendary Poly Synth Creators Team Up on New Instrument with Discrete VCOs and Filters

Anaheim, CA—January 21, 2016—Dave Smith Instruments today announced the OB-6, a new 6-voice synthesizer with an all-analog signal path and discrete VCOs and filters developed in collaboration with Tom Oberheim. Boasting a sound engine inspired by Oberheim’s original SEM (the core of his acclaimed 4-voice and 8-voice synthesizers), the new instrument is designed to provide true, vintage SEM tone with the stability and exibility of modern technology.

Said Smith: 'Tom and I have been friends and friendly competitors since the late 1970’s. Back in the day, people were typically in either the Prophet or the Oberheim camp. Now, with the Prophet-6 out and doing so well, we thought it would be fun to combine our strengths and bring back Tom’s classic polyphonic sound, too — in a modern format.' Added Oberheim: 'A lot of people, myself included, have always felt that the SEMs had a certain uniquely big, organic sound unlike anything else. Working with Dave to make that sound widely available again with some modern touches and full programmability has been real a pleasure.'

The OB-6 features two discrete voltage-controlled oscillators (plus sub-oscillator) per voice, with continuously variable waveshapes (sawtooth and variable-width pulse, with triangle on oscillator 2). There is a classic SEM- inspired state-variable lter (low-pass, high-pass, band-pass, and notch) per voice. Voltage-controlled ampli ers complete the all-analog signal path. 'The classic, bold SEM sound is all there,' said Oberheim.

Present also is X-Mod, with lter envelope and oscillator 2 as modulation sources (with bi-polar control). Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, lter cutoff, and lter mode. The knob-per-function front panel puts virtually all parameters at a user’s ngertips. Toggling on the Manual switch enables live panel mode, in which the OB-6 switches to the current settings of its knobs and switches.

A dual effects section provides studio-quality reverbs, delays (including standard and BBD), chorus, and faithful recreations of Tom Oberheim’s acclaimed phase shifter and ring modulator. The effects are digital, with 24-bit, 48 kHz resolution, but a true bypass maintains a full analog signal path. Additionally, the OB-6 features a multimode arpeggiator and a polyphonic step sequencer with up to 64 steps (and up to 6 notes per step) plus rests. It allows polyphonic keyboard input and can sync to external MIDI clock.

The full-size, four-octave, semi-weighted keyboard is velocity and aftertouch sensitive. Said Dave Smith, 'As with the Prophet-6, we made size a primary concern on the OB-6. It’s the right mix of power and portability and it ts right in on-stage or in the studio.' Added Oberheim, 'And of course, it’s got that unmistakable SEM sound that’s going to turn a lot of heads. '

The OB-6 is manufactured and sold by Dave Smith Instruments. It will be available in March, with a projected MAP of $2,999."



Update: new demo from INHALT in via Soviet Space Child.

Oberheim Dave Smith OB 6 Demo by INHALT

Published on Jan 21, 2016 INHALTVIDEO

This sounds like an Oberheim.

"As long time users of the Oberheim OB8 and 2 Voice (take a listen to our "Occupations" EP as both are on it all over the place) we were pleasantly surprised when Dave Smith Instruments showed us their new analog workhorse and collaboration with the inimitable Tom Oberheim— the OB6. The allure for the Oberheim polyphonic sound, for us, has always been it's unique melancholic tone colour. No matter what kind of sounds are programmed, Oberheim's tend to have this wonderful midnight music vibe, like driving in a car late at night circa 1983. We're pleased to report that the OB6 captures this sound quality effortlessly and in spades.

Our approach to the design of the factory bank patches we submitted (most of which you hear in the demo) was rather simple: we made the same kinds of sounds we would program on our Oberheims, and barring a couple, largely ones we would find useful in a production context. Though we don't typically record synthesizers with FX printed on the same track, the FX engine is so wonderful sounding on the OB6, and highly controllable, that it made us reconsider. In short, the FX engine is no slouch, and for the many decades spent dismissing the on board FX of most 'modern' synths, this is the first time that we've heard an FX engine exude the same quality as the top end hardware units from Lexicon, Eventide, or AMS that we tend to use in the production process.

Everything you hear on the demo was done entirely on the OB6. Absolutely NO additional FX or sequencers were used. We simply ran the stereo output from the OB6 into a DI and a stereo mic pre amp directly into Pro Tools HD and tracked it in."

DSI / Tom Oberheim - OB6 - live looping demonstration

Published on Jan 21, 2016 Daniel Davis

"DSI / Tom Oberheim - OB6 - live looping demonstration

Live looping demonstration of the new OB6 analog synthesizer. Only used the OB6 and Pigtronix Infinity looper."

I own an OB-Xa and the two videos above nail the sound and then some.

Update2:

NAMM2016 Introducing the New Dave Smith OB 6 Desktop Synth

Published on Jan 21, 2016 Analogue Zone Showroom / Synths and Studio

"Introducing the New Dave Smith OB 6 Desktop Synth
@dsiSequential

Available soon from
http://www.analoguezone.com/"

NAMM2016: Dave Smith Instruments OB6

Published on Jan 21, 2016 sonicstate

"NAMM2016: Dave Smith Instruments OB6 Dave Smith shows us the new OB6"

DSI / Tom Oberheim - OB6 - Patch Demonstration

Published on Jan 21, 2016 Daniel Davis

"DSI / Tom Oberheim - OB6 - Patch Demonstration

Some patches I made on the new OB-6.

All effects are from the OB-6. No post processing or production."

[NAMM] Dave Smith Instruments OB-6 NAMM Floor Video with Dave Smith & Tom Oberheim

Published on Jan 21, 2016 Audiofanzine in English

"Here's a presentation of Dave Smith Instruments and Tom Oberheim's OB-6 at the NAMM Show 2016."

NAMM 2016 Dave Smith Instruments OB-6

Published on Jan 22, 2016 Kraft Music

"Great deals on Dave Smith Instruments at Kraft Music:
http://www.kraftmusic.com/brands/dave...

Mark from Dave Smith Instruments presents the OB-6 at the 2016 Winter NAMM Show."

Dave Smith OB 6

Published on Jan 21, 2016 musicianews

"Dave Smith and Tom Oberheim team up to create a fantastic sounding new instrument. OB-6 has arrived. Check out the video."

Tom Oberheim OB 6 SEM

Published on Jan 21, 2016 musicianews

"Wow great to see Tom Oberheim and his take on the OB-6, Eurorack SEM and the world of Analog design in the 21st Century!"

KORG Groove by Sinevibes - multitimbral bass & drum machine

Sinevibes

KORG Groove on NTS-1


"Groove is a multitimbral bass and drum machine for KORG prologue, minilogue xd and NTS-1. It’s the most complex and sophisticated multi engine plugin ever developed, employing a network of 14 DSP blocks that reconfigure themselves in real time. Using such immense power, Groove maps bass, drum and percussion instruments onto 7 separate keyboard zones, turning your synthesizer into a self-contained, groovebox-style sound module. Each zone provides a vast library of carefully crafted sound presets with expressive control, and includes a switch for variable trigger probability – an advanced function which can dramatically liven up bass riffs and drum patterns. Groove also has a specially designed output stage with unusually punchy dynamics – making this plugin fully production- and performance-ready.

HIGHLIGHTS

Multitimbral sound engine with 7 keyboard zones generating bass, drum and percussion instruments.
Advanced network of 14 DSP blocks that reconfigures itself in real time, capable of multiple different synthesis methods: three-operator FM, subtractive, lo-fi, and beyond.
Internal library of over 70 carefully crafted, production-ready sounds with individual expression control assignments.
Trigger probability feature that can be enabled individually per each zone.
Specially configured amplifier stage delivering punchy, high-RMS output – as if the sounds were compressed."

Available at: https://www.sinevibes.com/korggroove/.

NAMM: Kurzweil PC361

"PC361 Overview
The Ultimate Performance Controller Keyboard

With a sleek new look on the outside, and an arsenal of Kurzweil's latest cutting edge chip technology under its hood, the 61-note PC361 delivers 128 voices of incredible sound quality along with a host of powerful, easy to use features. The PC361 is Kurzweil's ultimate performance controller keyboard, with an enormous collection of stunning sounds combined with comprehensive real-time controller functions.

In addition to our renowned Triple Strike Grand Piano, the PC361 features hundreds of new sounds; basses, drums, guitars, and synths suited for every style and taste, along with a collection of flawless vintage keyboard emulations, KB3 Mode and over 250 orchestral and string section programs.

The PC361's new Dynamic V.A.S.T. architecture is a huge step forward in synthesis, the fruit of several major strides we've made in improving processing power, flexibility and user-friendliness. Good news for synth enthusiasts - we've seamlessly integrated our legendary VA-1 Virtual Analog Synthesizer into the new system!

For good measure we include an unlimited-track sequencer with 960 PPQ resolution and more effects processing power than our acclaimed KSP8 processor, making the PC361 a full blown music production workstation. Add in USB, flash xD card port, a newly designed keyboard action, and a new intuitive user interface, and you've got the next generation of Kurzweil instruments.

It's a performance controller. It's a synthesizer. It's a workstation.
What's Inside...

One thing which clearly sets Kurzweil apart from the competition is the fact that we design our own chips (called ASICs) for all Kurzweil products. Simply put, our chips are customized for optimum audio performance. What does this mean for the end user? It means that all of the processing power in a Kurzweil chip is devoted exclusively to sound. It means no noticeable latency - the performance is always lightning fast. And most importantly, it translates into that rich, full, glitch-free sound for which Kurzweil has become famous. Yes developing our own chips is more expensive and more time consuming. We think it's well worth it. Once you've heard the PC361, we think you'll agree.
The Kurzweil Sound...

The PC361 offers an enormous sound set of over 850 programs, raising the bar once again for both audio quality and variety. With the best samples in the industry, and a powerful, responsive synth engine breathing life into them, you'll feel like you're playing an actual instrument, not just playing samples. Of course there's the famous Kurzweil Triple Strike Piano, with dozens of variations to accommodate every kind of player. All of the basic sounds - basses, guitars, drums, horns and synths - have been painstakingly programmed to reflect the needs of today's professional players, representing a broad selection of styles and flavors from the '60s, '70s, '80s, '90s and today.

Also included is our Classic Keys ROM, which puts an impossibly large vintage keyboard rig at your fingertips. These are vintage emulations which actually sound like vintage instruments and classic recordings. The recognizable sounds of those classic electromechanical instruments, with all of their characteristic imperfections, have been faithfully re-created, along with pedals, amps and speakers. Lush Mellotrons, growling electric pianos, and punchy Clavinets are all there at the touch of a button, programmed to sound just like those classic albums.

For more vintage firepower, the PC361 is equipped with the most advanced version of Kurzweil's widely lauded KB3 Mode tonewheel organ simulator, which screams, sputters and sizzles just like the original. In addition to newly developed Leslie effects, and a new bank of B3 programs, we've also included sounds from the classic Vox and Farfisa combo organs. The PC361's 9 sliders provide real-time drawbar control.

The PC361 offers a full range of world class orchestral sounds, including our new String Section ROM bank, making it ideal for film-scoring and soundtrack projects. Every type of articulation, every nuance has been captured, with samples of full and divisi sections of violins, violas, cellos, and double bass. The details, the warm swells, animated pizzicatos and the sound of scraping rosin all add to the breathtaking effect of these string sections. You can plug and play with sounds worthy of a finished production - instant gratification with uncompromising sound quality.
Dynamic V.A.S.T...

Under the hood of the PC361 is simply the most powerful synthesis engine ever created by Kurzweil. Dynamic V.A.S.T. picks up where the K series left off. Having up to 32 layers per program means that emulations of real instruments can be extremely detailed and accurate, while the synthesized sounds can be extraordinarily large and complex.

Expanding upon our V.A.S.T. architecture, the PC361's new architecture delivers more power and flexibility combined with unprecedented ease of use. Users can now create and store their own DSP algorithms, with nearly limitless possibilities for routing.

In another huge development, we've resurrected the VA-1 Virtual Analog Synthesizer, having built it's synthesis engine right into the new system. Hear the VA-1's power-shaped, anti-aliasing oscillators (including supersaw, triplesaw, and hard sync oscillators) combined with a newer, larger set of V.A.S.T. filters (like the classic-style 4pole low pass w/ resonance) and non-linear processors and you'll understand why the internet is buzzing about this feature.
Cascade Mode...

Every layer in a program can be routed through the DSP of any other layer, in series or blended together, with up to 32 layers. It's the same concept as Triple Mode on our K26 series, without the 3 layer limit. You can run your sound through literally dozens of filters (which can all move independently in real-time) in addition to Kurzweil's signature DSP processors like Shaper, Wrap and Distortion, allowing for some truly dazzling results. This is one more feature which makes the PC361's synth engine so powerful and so different than anything else on the market.
User Interface...

While the PC361's user interface may look familiar to veteran Kurzweil users, major improvements have been made, allowing for a much more user friendly experience. The PC361's backlit 240 x 64 display conveys all the information you'll need, when you need it, in an elegant, easy to navigate environment.

Programs are categorized and can be selected by scrolling or by using bank and program select buttons. Further, user favorites can be organized into convenient "Quick Access" banks for easy one touch recall.

In addition to fast navigation, each preset sound is accompanied by an "Info" screen which can be accessed at the touch of a button. As every sound can have its own customized set of real-time, physical controllers (sliders, modwheel, switches, CC Pedals, mono pressure, etc.) , the Info button makes viewing the current assignments effortless.

Complimenting the PC361's killer soundset is the the Easy Audition feature, where every one of the PC361's presets is linked to a bank of "riffs", recorded sequences which demonstrate each sound in an appropriate context. Just hit the "play" button on the front panel and get a quick musical preview of the current selection. Program selection and navigation, fast and easy.

Helping to tap the system's full potential, the PC3 also sports a feature-laden software-based Desktop Editor with comprehensive, easy to use features. (free download- both Mac & PC platforms available)
Effects...

With up to 16 insert effects, two available auxiliary sends, PLUS a global Master FX section, the PC361 offers more than twice the processing power of our acclaimed KDFX engine. Effects can be chained together in series, or distributed among the PC361's 16 multitimbral channels. And these are simply the best effects in the business - burning distortions, transparent compressors, warm phaser and chorus effects, perfect reverbs - everything from flawless vintage emulations to concert halls which decay into complete silence. All parameters are assignable to any of the PC361's real time controllers - sliders, pedals, wheels, etc.
Sequencer...

The PC361 features a newly designed sequencer, with unlimited tracks and 960 PPQ resolution. Combining a set of powerful song editing functions like event editing, swing, and controller scaling with a new friendlier interface, the PC361 truly excels as a song writing/arranging workstation, ideal for music production on the fly. Chasing controls, input quantizing and a global "set song length" function are just a couple of the features we've incorporated.
Arpeggiators & Riffs...

The PC361 sports sixteen (yes, 16!) independent, fully programmable arpeggiators featuring 48-step programmable, pattern generators with both pitch and velocity controls - per zone (allowing for up to 16 patterns to playback simultaneously). These are accompanied by a thorough collection of modes, scales and pre-programmed patterns to get your juices flowing.

If that wasn't enough, the PC3 offers sixteen unique "Riff" generators, which permit the triggering of MIDI sequenced phrases, beats, or even complete multi-track arrangments from notes on the keyboard and/or any on-board physical controller.

Suggested Retail Price: $2395
Estimated Release Date: March 2009 (N. America)

All specifications subject to change without notice."

More details here.

Silent Night on mobile devices - by DigiEnsemble Berlin

Published on Dec 10, 2012 by DigiEnsemble

"Final-Version! This song was composed, produced an performed on mobile devices only. But, is it possible to play a Christmas carol on smartphones -- while not sounding plastic but conveying a warm Christmas mood?
More: http://digiensemble.com/silentnight // http://digiensemble.de/silentnight

The DigiEnsemble Berlin consists of trained musicians who seek a way of making music by only utilizing digital devices such as smartphones and tablet PC (of any kind). There are neither stylistic nor instrumental borders for the ensemble. The professional musicians can reach out of their trained comfort zone and stake out new musical land.

Since Christmas time is near, the DigiEnsemble provides a special surpise for you: a magic musical interpretation and a fantastic video production of "Silent Night."

----Credits----:
DigiEnsemble Berlin [music apps]
Marc Godau (voc, arr.) [Samplodica]
Viola Bornmann (voc., pad) [NodeBeat, SoundPrism Pro]
Willi Struzyk (bass) [iFretless, Beatmaker2]
Puya Shoary (drums) [Drums XD]
Tim Neuser (git.) [Geo Synth, iShred]
Matthias Krebs (pad, backings) [SoundPrism Pro, ImproVox]
Matti Klein (keys) [MusikStudio] [couldn't find this one on iTunes]

music produktion
Klas Yngborn (SoundTank Studios)

camera
Markenfilm Crossing

video production
Matthias Krebs (Idee, Regie, Projektleitung, punos)
Liesa Rademacher (cutter, feinefim)
Susanne Hassepaß (cutter, feinefilm)
Mathias Geck (color grading)
Lukasz Fabijanczyk (logo animation)
Bastian Schick (logo sounds)
Nastasia Mohren (ass., punos)

Many THX to Gesa Meynen and GRIMM GALLUN HOLTAPPELS.

Die Filmaufnahme fand am 20. September 2012 auf der alten Theaterbühne des Heimathafen Neuköln in Berlin statt. Release war am 6.12.2012.

Keep track on our
website http://digiensemble.com/
German website http://digiensemble.de
http://facebook.com/DigiEnsemble
http://twitter.com/digiensemble"

iOS Devices on eBay - Don't miss the Daily Tech Deals

AKAI MPC-5000 Sampler

YouTube via 7sick0Productions
"Powerful and versatile
The MPC5000 is the first MPC ever to include 8-track streaming hard disk recording, a 20-voice, 3-oscillator analog synthesizer with arpeggiator, a new sequencing engine with 960 ppq resolution, pad and track muting and mixing, 64 continuous sample tracks. There's even a new effects engine with four effects buses and two effects per bus.

Drum/phrase sampler, large display
You get a 64-voice drum/phrase sampler with 64MB memory ? expandable up to 192MB. The display is twice the size of the MPC2500 and MPC1000 so waveforms appear crystal-clear. Integrated Chop Shop 2.0 now supports stereo chops and Patched Phrases. The MPC5000 is the first MPC to include Random and Cycle sample playback in addition to velocity Zone Play. A turntable preamp is also included.

In-the-box production
The MPC5000's virtual analog synth eliminates need for external analog synth modules or buggy software based synthesizers. Its 8-track direct to disk recorder lets you produce your whole song in the MPC and then mix it down with the internal sequenced programs and any input thru material. Add the optional CD/DVD drive and you can then burn an audio or data CD or your mix. Over 650MB of premium-quality sounds from Loopmasters are included to get you up and running with pro-quality production in seconds"

BLACET DIGITAL PATTERN GENERATOR

via this auction
"unique, one of a kind Blacet Digital Pattern Generator for a modular synthesizer system. A real piece of synthesizer history.

It was planned for production, but never made it: instead, John Blacet wrote an article about how to make the module as a kit in the then popular magazine Synapse. See
dpg1.jpg
dpg2.jpg

The DPG is basically the predecessor of the Blacet Binary zone BZ2300 Complex Control Voltage Generator. See http://www.blacet.com/BZ.html

This particular module was built as a prototype by John Blacet himself in the 1970’s, and served as the original for the article in Synapse. I know John built it, as I bought it directly from him years ago. This is not a production model, it's a hand made module on stripboard with a hand made front panel. Some functions are etched in the metal (see pics). This would be a truly unique addition to any modular system. It interfaces with mini jacks, though conversion to something like banana plugs wouldn't be difficult as they will fit on the same holes."

Large Frac Modular System

Note this one is for sale on Muff Wiggler.

Some pricing for the archives:
"every single Blacet module ever produced, with the exception of the Hex Zone, Window Comparator, and Mini Wave, all still in production and easily available.

I/O $140
Scanner $75
Splitter $45
Mixer $45
VCO $215
Stonz $150
EG1 x3 $170/each
Bar Graph $75
Klang Werk $190
Binary Zone $160
Dual Filter $140
Final Filtre $175
Filthy Filtre $190
Micro LFO x2 $110/each
Multi/Atten x3 $25/each
QuadMix VCA x2 $140/each
Frequency Divider $200
Sequential Switch $75
Improbability Drive $170
Time Machine Rev.B $500
Mixer Processor x2 $110/each
Dark Star Chaos Rev.B $250
Blacet Frac Rack x2 $65/each
Blacet PS500+PSCONN $85
-----------
Total: $4315
20% Off: $3452
Please note that the original price of $4175 is still WAY WAY lower than new retail pricing. This is based on used module pricing for each one."

WOPR

Published on Nov 23, 2012 by Apps4idevicesMusic
http://apps4idevices.com/read/wopr

iTunes:
WOPR - Tim Kemp
iOS Devices on eBay

"The Synthesiser comes with 2 interesting features. The first one is called Wribbon. "Wribbon" creates per-note pitch bend when your fingers move off keys, "Glissando" provides traditional, piano-style Glissandi. The second one is the Modulation module which links a synth component to a zone on the grid, then the number of living cell controls the parameters. There is no possibility to record your performance for the moment, but it is announced for the 1.2 version. WOPR is unique and its sound quality is really great. A Killer App!
WOPR is a mighty, 6-note polyphonic, stereophonic, twin oscillator, hairy-chested, medallion-wearing sonic pimp. Four waveforms plus noise; twin 24dB/oct low pass filters so fruity they're practically fermented; three assignable envelopes and a pair of delays form the ventricles of WOPR's throbbing heart. Unique modulation gives it a powerful brain, then the awesome full-width Wribbon keyboard provides the voice: pitch-perfect accuracy, with note-by-note free bending when your soul just has to soar. Modulation
A retro blast of classic 1970s computer science, Conway's Game of Life drives WOPR's modulation grid. Link a synth component to a zone on the grid, then the number of living cells controls the parameter. The progress of the game is linked to the tempo clock, one generation per beat. On WOPR's wrapped 16x16 grid, the Game of Life produces an uncountable myriad of regular, repeating patterns: perfect for rhythmic modulation.

Future releases
1.2 Audio copy
A mechanism to record, save and share audio clips created in WOPR. This is essential for using WOPR as part of a production made entirely on the iPad. Early January.
1.3 MIDI
Extended MIDI support, including clock sync, assigning custom controllers to any parameter and configuration options for more complex MIDI setups. March.
1.4 Presets
Community presets and a larger library.

Check Out our Contest Page...
A lot of App to win!
Easy to win
Every Sunday
6 pm gmt+1"

Nord Rack 2X Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"The warm analog sound of this synth coupled with cutting-edge digital technology moved the Nord Lead into a “leading” position in the synthesizer community. Musicians from all over the world loved its simplicity, intuitive design, and its musicality and expression offered with the virtual analog concept.

The Nord Lead 2X has the same characteristic sound and functions as the Nord Lead 2, except for some very nice improvements:

X-tra polyphony:
The Nord Lead 2X comes with 20 voices polyphony - very useful when creating layered sounds, "power pads", awesome leads and booming basses. 20 voices are also very beneficial in sequencing situations when you use more than one sound at a time.

X-tra memory:
The Nord Lead 2X comes with a large internal memory holding 4 x 99 user Programs, 100 user Performances and 4 x 10 user Percussion Kits plus 6 x 99 factory Programs and 3 x 100 factory Performances! The Nord Lead 2X is 100% patch compatible with the Nord Lead 2 which means that you can transfer sounds directly between the models via MIDI.

CLICK FOR MORE »

Roland Museum Germany Massive Synthesizer Selloff - Most Gear for Sale in a Single Auction

Note: Auction links are affiliate links for which the site may be compensated.

This one in via Marko of Retrosound.de.

26.000,00 Euro gets it all.

via this auction

Someone needs to contact the Guiness Book of World Records. Longest list of gear for sale ever:

CLICK FOR MORE »

Yamaha announces KARMA Motif Software for PC and Mac

"Yamaha and Karma-Lab announces the development and release of KARMA Motif Software for PC and Mac. This new entry in the renowned developer’s line of software applications brings the award-winning and patented KARMA algorithmic music technology to the Yamaha Motif XS and Yamaha Motif XF platforms.

“This exciting new collaboration brings the power of KARMA to a completely new user base using the great sounds and features of the Yamaha Motif series,” said KARMA developer Stephen Kay, who will demonstrate the software at NAMM.

“This will add a whole new dimension to the Motif experience.” KARMA Motif debuts the new KARMA 3.0 technology with a host of new features including eight-track design (six KARMA Modules and two Keyboard Layers) per Performance, per-track Volume and Mute stored in each of the 32 Scenes and the ability to individually adjust the mix of all parts in each Scene.

Users are also able to control Velocity Response Curves by individually tailoring the velocity response for the left hand keyboard, the right hand keyboard, the input to KARMA from the keyboard, and the 16 Chord Triggers (pads), without editing the Motif's programs or songs. A Fill/Stop Feature allows for the use of one or more modules as a melodic or drum fill with the ability to stop and start other modules automatically.

The Advanced Stutter Feature lets users retrigger the entire groove at different rhythmic resolutions, from machine-gun stutters to slow triplet hits. It also features a real-time Master Transpose function, Chord Triggers that can activate pre-programmed chords, hits, sound effects and even the Motif's arps. And, with the new KARMA software, all of the buttons and sliders on the Motif's interface (in Remote Mode) can be used to trigger the Chord Triggers and Fills, the Stutter feature, Scene changes, Scene mixes and real-time algorithmic variations.

KARMA Motif's Performances use the Motif's Song/Mixing mode, where each of the 64 songs is a complete KARMA algorithmic music groove with a left hand and right hand zone for controlling KARMA and soloing on top of it. The Motif's arps are also integrated in many performances as additional elements that can be added via the 16 Chord Triggers. While in Song Mode, players are just one step away from recording their KARMA-created musical performances into the Motif's sequencer, or the output can be routed to any DAW for external sequencing.

Furthermore, a KARMA Performance can call up any Motif Voice, Performance, Song, Pattern, or Master slot when loading, so that KARMA can be used in any of the Motif's modes.

“KARMA is one of the most innovative and interactive music software programs ever developed,” said Athan Billias, Director of Marketing at Yamaha’s Pro Audio & Combo division. “Combined with the incredible variety of Motif arps and unique features, like real-time Loop remix, KARMA and Motif combine to create one of the most powerful music production platforms available today.”

KARMA Motif Software for PC and Mac ($199) is scheduled to be available directly from Karma-Lab in April 2011"

via Gearjunkies

SONiVOX Big Bang - Cinematic Percussion Virtual Instrument Trailer

YouTube Uploaded by SONiVOXmi on Jan 11, 2011

"Debut trailer for SONiVOX's BIg Bang - Cinematic Percussion Instrument."

"SONiVOX Releases Big Bang - Cinematic Percussion Virtual Instrument
Ground-shaking percussion and new rhythmic performance technology makes a Big Bang.

SONiVOX, Boston MA, based award-winning music software company today announced the immediate availability of their latest virtual instrument release Big Bang – Cinematic Percussion.

Big Bang - Cinematic Percussion is a virtual instrument for MAC and PC. It features over 12 Gigabytes of more than 200 instrument presets all designed by SONiVOX’s award winning sound designers to deliver explosive sounding drums and percussion, for use in a cinematic context.

An integral part of Big Bang - Cinematic Percussion is a new technology called Intelligent Rhythm Control™, or IRC.™ Intelligent Rhythm Control Technology is a new concept in music production that offers real-time rhythm correction for maximizing in-time musical performance.

I.R.C., intercepts and adjusts MIDI events as they occur, seamlessly integrating each note into the host timeline and enabling users to create propulsive drum & percussion tracks with fluidity and ease. With I.R.C. enabled it is impossible to play out of time.


Big Bang - Universal Drums Features At A Glance:

• Over 200 earth-quaking percussion patches.

• All programs are multi-velocity, and multi-take round robin for the utmost in realism.

• SONiVOX’s Intelligent Rhythm Control (I.R.C.) technology

• MIDI Learn & Save Function – Big Bang - Cinematic Percussion is instantly compatible with any MIDI controller.

• Independent Zone (per-drum) Tempo-Synched Variable Resolution Roll/Retrigger Mode.

• 8 User-assignable stereo outputs and 8 User-assignable effects busses complete with onboard EQ, and tempo-sync delay.

• MAC Standalone, RTAS, VST, and AU compatible.

• PC Standalone, RTAS, and VST compatible.


Big Bang – Cinematic Percussion is available now with a price of $299.99

For purchasing information, audio, and video demos please visit www.sonivoxmi.com"

Akai Professional Announces Advance Keyboard Series

Published on Jan 12, 2015 AkaiProVideo

Update: Intro & Behind the Scenes video below added.

Akai Professional Advance Keyboards - Behind the Scenes


"Check out behind the scenes with PJ Morton (Maroon 5), Morgan Kibby (M83/White Sea), and Illan Rubin (Angels & Airwaves, Nine Inch Nails and The New Regime)."

"Artists can now load, play and control all their virtual instrument plugins directly from their keyboard. New keyboards deliver optimum hands-on performance features with seamless software integration for playing and controlling today’s hottest VST instruments and DAWs.

Cumberland, RI (January 12, 2015)—Akai Professional (akaipro.com), a leading manufacturer of keyboards for performers and recording artists, today announced the introduction of their Advance Keyboard series. Available in 25-, 49-, and 61-key sizes, the Advance 25, Advance 49, and Advance 61 provide unprecedented playability and advanced manipulation of any virtual instrument via an interactive, full-color display complemented by performance friendly hardware controls.

Designed to fuse the power of software instruments with the live playability of a keyboard workstation, the Advance Keyboard series transforms computer-based plugins into an entirely hands-on playing experience. The keyboard surface features an integrated high-resolution full-color 4.3-inch display, providing real-time control and feedback of any and all virtual instrument parameters. The screen instantly adapts itself to the selected plugin’s controls, delivering immediate 1:1 access to the instrument and various editable functions. Better yet, the Advance Keyboard series works with any VSTi virtual instrument. Using the Advance keyboard’s custom designed Virtual Instrument Player (VIP) software application, your entire VSTi library can be controlled in one application. VIP operates as a plugin inside any major digital audio workstation (DAW) or as a stand-alone application on both Mac and Windows operating systems.

Dedicated physical controls are thoughtfully included, with Akai Professional’s hallmark RGB backlit, velocity- and pressure-sensitive pads integrated into each keyboard surface. Rubberized pitch and modulation wheels deliver player-preferred note manipulation with highly musical action. Large, continuously-variable endless knobs invite frequent use, letting the user make parameter adjustments with granular or dramatic effect. A custom semi-weighted, velocity-sensitive keybed—another Akai Professional specialty—supports aftertouch, making it an elite keyboard for seasoned live performers and studio producers alike.


“The Advance Keyboard series represents a giant leap forward for keyboard players,” said Dan Gill, Product Manager for Akai Professional. “Until now, software-based instruments leaned heavily on computer interaction, which caused creative and logistical bottlenecks, especially during live performances. We’re combining the processing power of your computer, the flexibility of your virtual instrument collection, and the hands-on immediacy of a traditional keyboard workstation. The result is a powerful and inspiring user experience.”

Included with each Advance Keyboard is the Virtual Instrument Player (VIP) application. VIP gives Advance Keyboard users access to any virtual instrument in their collection with or without a DAW—a powerful way to play virtual instruments live or integrate them into a recording session. VIP software users can also create setlists that provide on-demand access to user-curated instruments for stage performance and studio work. With a single button press on an Advance Keyboard, the player can adapt to song changes as the live performance progresses—without ever reaching for the computer. Performers of all types will welcome VIP’s facilities for hyper-fast instrument and patch browsing, key zone splitting, layering of up to 8 instruments per VIP instance, expansive custom mapping capabilities, and support for any VSTi plugin. Advance Keyboard users may run as many instances of the Virtual Instrument Player as their computer allows. VIP runs as a VSTi, AU, RTAS or AAX plugin, allowing you access to VSTi's in virtually any DAW, such as Pro Tools, Logic Pro X and Ableton Live.

Gill continues, “Keyboard players have been straddling two worlds for the better part of the decade. A standalone keyboard workstation was only as current as the sounds inside of it, and similarly, virtual instruments were only as good as the best controllers. The Advance Keyboard series delivers uninhibited access to any virtual instrument in your library without losing focus of the instrument in front of you.”

Each Advance Keyboard ships with a 16GB download of over 10,000 sounds from industry-leading developers at AIR Music Technology, SONiVOX, and Prime Loops. Purchased separately, this comprehensive collection of nine plugins is valued at over $1,000.00 USD and provides Advance Keyboard owners with an instant palette of contemporary and coveted sounds for live performance and studio production.

Advance Keyboard Series Highlights:
• Keyboardsforadvancedvirtualinstrumentperformance
• Integrated4.3-inchhigh-resolutionfull-colorscreenwithdedicatedinterfacebuttons • Screenprovides1:1,real-timefeedbackofpluginparameters
• Availablein25-,49-,and61-keysizes
• IncludesVirtualInstrumentPlayersoftwareforunprecedentedvirtualinstrument
preset management, control mapping and multi patch creation
• Premium,semi-weightedvelocity-sensitivekeybedwithaftertouch
• 8large,endlessandcontinuouslyvariablecontrolknobs
• 8velocity-andpressure-sensitiveMPCpadswithRGBillumination
• Dedicatedpadbank,transportcontrol,octave,andperformancebuttons
• Noterepeat,time-division,patternarpeggiator,andtap-tempobuttons
• RubberizedPitchandModulationwheels
• Expressionpedalandfootswitchinputs
• USBand5-pinMIDIInput/OutputforusewithanyMIDIcapablesoftwareorhardware
• Alsofunctionsasastandalonecontroller
• Includesa16GBdownloadwithmorethan10,000soundsfromleadingvirtualinstrumentsfromAIR
Music Technology, SONiVOX and Prime Loops.
Virtual Instrument Player Software Highlights:
• PlaysvirtuallyeveryVSTi-compatibleplugin
• Operatesasastandalonevirtualinstrumentplayerforyourcomputer
• AlsooperatesasapluginwithinanyAU,VST,orAAXcompatibleDAW
• Organizesyourplugincollectionwithintuitivebrowsingbyplugin,artistcollection,instrumenttype,
timbre, and more
• Access,edit,andmixupto8virtualinstrumentsatonetime
• Setlistfeatureletsliveperformersswitchbetweenpatchesfromanyplugininstantlyfromthe
keyboard
• Extensivekeyzonesplitting,custommapping,andinstrumentmixingoptions • Pre-mappedtohundredsofindustry-leadingvirtualinstruments
• UnlimitedinstancesofVIPmayberuninaDAW
Advance 25, Advance 49, and Advance 61 will be available in early 2015 at retail pricing of $399.99, $499.99, and $599.99, respectively.

Visit us at NAMM Booth 6700.

For more information, visit akaipro.com/advance."

Fairlight's New Xynergi Controller

"Originating from the Greek word sunergia, meaning "cooperation," and also sunergos, meaning "working together") It is the combined working together of two or more parts of a system so that the combined effect is greater than the sum of the efforts of the parts.

We are introducing the Xynergi Controller, the first truly ‘application aware’ controller. In essence, Xynergi harnesses the power of the CC-1 card to deliver one of the world’s most powerful desktop media production centre.

The Xynergi controller features a unique implementation of self-labelling key switches which are able to display full colour images, animated icons or text to provide intelligent control over the entire recording, editing and mixing process. In addition, the controller can support any type of language or icon driven menu structure with an ‘on-demand’ QWERTY keyboard for routine naming tasks and immediate access to Windows applications.The controller also features eight touch sensitive rotary controllers and multiple soft keys arranged around a high–res color control zone known as the 'pad'."

Click here for the product page with video. via gearslutz, via Robert.