“Flux meets Jupiter-4 11 - LFO Modulation” by Friendly Noise

video by Friendly Noise

Friendly Noise Jupiter-4 videos

"This is number 11 of a video series combining the best of vintage sound and the best of the modern sequencer technology in eurorack: Roland Jupiter 4 and IO Labs Flux. There will be a new short video every week.

The Jupiter 4 is always recorded in mono, which makes the internal chorus very subtle. Reverb is added in Cubase to make the sound wider. There is no clipping in the recording chain. If you hear anything close to distortion, it’s all in the sound coming out of the Jupiter 4.

The Roland Jupiter 4 has been rediscovered and established as the most full of character among the Roland polyphonic synths. Although limited in number of voices and straight forward sound architecture, it shines with an unique sonic print which no other synth can emulate. There are lots of great video demos and information on the web, so that no detailed description will be provided here. But it’s important to mention some unique features which will be showed extensively in this video series:

- The Jupiter 4 filter goes into self oscillation. Big guys like Yamaha CS-80, Jupiter 8 or Oberheim OBX-a can’t.
- The LFO is fast enough to get into audio range.
- There is a very noticeable internal saturation when the VCA slider is raised.

Don’t expect nice bass sounds and classic analog leads. The Jupiter 4 is perfect for that, but this has already been done before in many records and internet demos. What you are about to hear is the extreme side of the sound. Be prepared for drones, massive low frequencies, cracking saturation, ultra fast notes and unusual scales. Many sounds will remind you of modular synthesizers, but they were all created by direct recording of the Jupiter 4. :-)

In fact, the VCO is switched off and you will be hearing only the self oscillating filter in almost 80% of the video series. Only in the last videos you will hear the VCO. That means that 80% of the sounds you will hear couldn’t be made with other classic polyphonic synths, unless the filter self oscillates.

Luckily this Jupiter 4 was modded with CV and gate inputs and outputs per voice (and then some). Using this level of control per voice you can use the Jupiter 4 as a vintage monophonic synth, or drive individual voices differently. For example, applying vibrato or slide per voice. In this video series, only three voices were used.

The amazing sound of this Jupiter 4 can break the traditional boundaries specially when driven by the Temporal Modulation Synthesis sequencer Flux, made by IOLabs: https://www.tmsynthesis.com/
Flux is the most advanced tool for rhythm creation ever made. Ever. Trying to explain Flux is few words is not possible. Please look for information on the web. You are also invited to visit my Flux playlist here:"

“Flux meets Jupiter-4 10 - Polyrhythms” by Friendly Noise

video by Friendly Noise

"Video sections: 00:06​ Part 1
01:29​ Part 2

Only self resonating filters on this video!!!!

This is number 10 of a new video series combining the best of vintage sound and the best of the modern sequencer technology in eurorack: Roland Jupiter 4 and IO Labs Flux. There will be a new short video every week.

The Jupiter 4 is always recorded in mono, which makes the internal chorus very subtle. Reverb is added in Cubase to make the sound wider. There is no clipping in the recording chain. If you hear anything close to distortion, it’s all in the sound coming out of the Jupiter 4."

Friendly Noise Jupiter-4 posts

“IOLabs Flux 28 - Ambient” by Friendly Noise

video by Friendly Noise

"IO Labs Flux, Roland System 500, Strymon Magneto, Noise Engineering Basimilus Iteritas Alter, Native Instruments Plaits, SSF Vortices, ALM Akemie’s Taiko, North Coast Synthesis MKS 007 Leapfrog filter, Mutable Instruments Branches, Intellijel Plonk, WMD Crucible."

“Flux meets Jupiter-4 09 Distorted sine waves” by Friendly Noise

video by Friendly Noise

"Only self resonating filters on this video!!!!" - Additional videos below.

"The Jupiter 4 is always recorded in mono, which makes the internal chorus very subtle. Reverb is added in Cubase to make the sound wider. There is no clipping in the recording chain. If you hear anything close to distortion, it’s all in the sound coming out of the Jupiter 4.

The Roland Jupiter 4 has been rediscovered and established as the most full of character among the Roland polyphonic synths. Although limited in number of voices and straight forward sound architecture, it shines with an unique sonic print which no other synth can emulate. There are lots of great video demos and information on the web, so that no detailed description will be provided here. But it’s important to mention some unique features which will be showed extensively in this video series:

- The Jupiter 4 filter goes into self oscillation. Big guys like Yamaha CS-80, Jupiter 8 or Oberheim OBX-a can’t.
- The LFO is fast enough to get into audio range.
- There is a very noticeable internal saturation when the VCA slider is raised.

Don’t expect nice bass sounds and classic analog leads. The Jupiter 4 is perfect for that, but this has already been done before in many records and internet demos. What you are about to hear is the extreme side of the sound. Be prepared for drones, massive low frequencies, cracking saturation, ultra fast notes and unusual scales. Many sounds will remind you of modular synthesizers, but they were all created by direct recording of the Jupiter 4. :-)

In fact, the VCO is switched off and you will be hearing only the self oscillating filter in almost 80% of the video series. Only in the last videos you will hear the VCO. That means that 80% of the sounds you will hear couldn’t be made with other classic polyphonic synths, unless the filter self oscillates.

Luckily this Jupiter 4 was modded with CV and gate inputs and outputs per voice (and then some). Using this level of control per voice you can use the Jupiter 4 as a vintage monophonic synth, or drive individual voices differently. For example, applying vibrato or slide per voice. In this video series, only three voices were used.

The amazing sound of this Jupiter 4 can break the traditional boundaries specially when driven by the Temporal Modulation Synthesis sequencer Flux, made by IOLabs: https://www.tmsynthesis.com/​"
"This is number 9 of a new video series combining the best of vintage sound and the best of the modern sequencer technology in eurorack: Roland Jupiter 4 and IO Labs Flux."



Playlist:
“Jupiter 4 as a 303” by Friendly Noise
“Double sequence with the Jupiter 4” by Friendly Noise
“Jupiter 4 sequences” by Friendly Noise
“Roland Jupiter 4 VCA level” by Friendly Noise
“Flux meets Jupiter-4 01” by Friendly Noise
“Flux meets Jupiter-4 07” by Friendly Noise
“Flux meets Jupiter-4 02” by Friendly Noise
“Flux meets Jupiter-4 03” by Friendly Noise
“Flux meets Jupiter-4 08” by Friendly Noise
“Flux meets Jupiter-4 04 Pulsing Things” by Friendly Noise
Are There Differences in Converters? [Not sure why this is there - skip via the player controls]
“Flux meets Jupiter-4 09 Distorted sine waves” by Friendly Noise

【Preset】Surge シンセ音源 Free & OpenSource Hybrid Synthesizer

video by 最新シンセ音源研究 - Masayuki Funami

Roger Linn demonstrates his Surge sounds
video by

"Roger Linn demonstrates the sounds he created for the upcoming Surge 1.6.4 release and how they work with the Linnstrument."

Surge Videos from the Web

Specs via https://surge-synthesizer.github.io:

Synthesis method: Subtractive hybrid

Each patch contain two scenes which are separate instances of the entire synthesis engine (except effects) that can be used to create layered or split patches.

Quick category-based patch browser

Runs on a variety of operating systems, plugin formats, and architectures

FACTORY SOUNDS
1725 patches
523 wavetables

OSCILLATORS
3 oscillators per scene.

8 versatile oscillator algorithms: Classic, Sine, Wavetable, Window, FM2, FM3, S&H Noise and Audio Input.

Classic oscillator is a morphable pulse/saw/dual saw oscillator with a sub-oscillator and hard sync.

FM2/FM3 oscillators consist of a carrier and 2 or 3 modulators and various options.

Most algorithms (except FM2, FM3 and Audio input) offer up to 16-voice unison at the oscillator level.

Oscillator FM and ring modulation between oscillators 1-2 and 2-3.

Most oscillator algorithms (except FM2, FM3 and Sine) are strictly band-limited, yet still cover the entire audible spectrum, delivering a clear, punchy and clean sound.

CLICK FOR MORE »

QasarBeach CMI IIz 1.26 Released - Complete Recreation of the Fairlight CMI IIx

Note the playlist above are demos of QasarBeach CMI IIz as a whole. Details on the update with screenshots follow. QasarBeach CMI IIz was first announced in January.

via QasarBeach

Fairlight IIx inport for original .rs, .in, .co and .vc has been greatly extended with almost perfect import.

Page R has got lots of new additions and fixes including section referencing section in song mode

CLICK FOR MORE »

Three New Modules

juanito moore

"Last week's hardware challenge was to use new hardware, so JUST IN TIME for last weekend, here's my three newest modules.

The 'clouds' sound and some of the chord sounds are coming from my new Mutable Instruments Braids (very DIY) modules. The blinking lights create that weird chirping noise, and of course there's goofy reverb goodness going on too.

Here's the Razmasynth Super Warp Generator that inspired my seven-LED chirper module: https://www.razmasynth.com/io/SuperWa..."

Quick Jam: IO Instruments Eurorack Modules

Perfect Circuit

"IO Instruments has some interesting eurorack modules out and some more on the way. We put together this small system with a few of their modules including the Himalia which is a sound source with 5 generators including filtered analog noise, digital noise, a square wave oscillator, sampler with lots of built in drum sounds and a chord generator. IO also has basic modules like the Themisto VCO, Euporie VCF, Pashiphae ring mod, Sinope VCA and Sponde mixer that add clever and useful extra features. All of the IO modules also have colorful knobs and a halftone paint job that makes them look great together.

We added in a Noise Engineering BIA for the kick, Intellijel Quadrax for envelopes and a Malekko Quad VCA for mixing and extra VCAs. Everything is sequenced with the Arturia Keystep Pro.

#PerfectCircuit #Eurorack #Synthesizer"

Yamaha CS 30 vintage analog synthesizer SN 3107

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"The Yamaha CS-30 is a 44 key, monophonic analog synthesizer, featuring dual signal paths (oscillator/filter/amp), an LFO (external, saw:down|up, sine, square, S/H, waveforms), ring mod, 3 envelopes (IAADR, dual ADSR), external filter input, an 8 note single track step sequencer, and CV/gate IO. Each signal path features an oscillator (saw and pulse waveforms) with FM and portamento, noise, and resonant low|high|band pass filter."

CLICK FOR MORE »

The Day of the Dead Vult Giveaway

Published on Oct 18, 2019 Omri Cohen

"Vultari and Boomstick are 2 new modules from Vult, an oscillator, and a filter. Celebrating their release and the upcoming Day of the Dead, Vult and I are doing another giveaway :) Here are all of the details:

- Build a patch in VCV Rack using Vultari as the only sound source and Boomstick as the only filter. Both are from Vult and both are available for free here - https://vcvrack.com/plugins.html#vult...
- You can use any module you like, free or commercial, virtual or hardware, as long as it's not used as a sound source (no noise, no samples, no other oscillators), and as long as it's not used as a filter (no EQ modules also). If you're not sure if a module is a filter or a sound source, feel free to write to me and ask.
- Record a video of the patch, for example with the VCV recorder module, and upload the video to YouTube.
- Send the link to dotdvult19@gmail.com
- Today is Friday, the 18th of October, and the deadline for submissions is Thursday, October 31st.
- Only one submission per person.
- The winner will get all of the Vult commercial collections. Here's more about Vult - https://modlfo.github.io/VultModules/
- Feel free to build a patch in any genre/style you want.
- If you're not sure about something, please ask.
- Good luck and have fun!

If you like what I do and want to support my work, consider joining my crew on Patreon - https://www.patreon.com/omricohen"

New ELTA Music Polivoks PM-02 Semi-Modular Analog Synth

Based on the ELTA POLIVOKS Mini synth. Note the extra IO on the right and the mounting holes on the corners. This will be both eurorack and desktop.


Features

1 VCO with triangle, saw, and square
pulse width of square wave VCO or pulse width modulation via LFO, depending on the PW/PWM switch. PW/PWM – Pulse width modulation mode. Manual «PW» or by LFO «PWM
Sub-VCO octave/waveform switch: -1 octave square / -2 octaves square / -2 octaves pulse
Mixer: Oscillator, Sub-oscillator, noise, and audio input
Filter: BP/LP with cutoff and resonance, controllable with an envelope and LFO
Envelope: ADSR envelope with a normal and autogeneration mode
VCA: ADSR envelope with modulation or gate mode
LFO: triangle in the center and tilt waveform left and right & LFO speed amount
Inputs: v/oct, gate, pwm, pitch cv with amount control, VCA CV, cutoff CV with amount control, and external audio
Outputs: LFO waveforms, envelope, noise, VCO (triangle, saw, and square individual outs), sub-oscillator and audio output.
glide, tune, and modulation
Eurorack compatibility

BiZMUTH WoNky DRuMs

Published on Feb 20, 2019 Helmut

"The faster you turn the knob the faster it sends gates."

Not this is the first BiZMUTH post on the site, although Helmut has been featured before. We have a new maker on the site!

via BiZMUTH Modular

"Bizmuth is a gesture based chaotic signal router and gate generator. You can route switch or combine up to six signals, or generate up to six gates by turning three endless knobs with one hand.Small tweaks can have large effects on routing or gates, giving the module a very tactile and chaotic feel.

If you are into noise, glitch, sound design, or chaos, Bizmuth is a great tool for you on stage and in the studio.

The module has three identical switches with three IO Jacks each: A, B and C. All operate according to the same four step connection sequence: A B C, A-B C, A-B-C, A B-C, and so on. A dash (-) indicates a connection

As you turn a knob, the connection sequence of the corresponding switch advances and new connections appear between the three IO jacks. The connection sequence repeats 24 times in one full 360 revolution. That means you have a different patch every 3.75 degrees. Tight! In the graphic on the right you can see the connection sequence in quarter resolution for clarity.

All jacks are bi-directional, which means you can use them as inputs and outputs as well. For example, you can route a signal from the B IO jack to A, A and C, or just C, just like you can route two signals from A and/or C to B. Here you can see a simplified graphic from the switch sequence. In the actual sequence there are four times as many switch positions.

Bizmuth has three preexisting connections also known as normalisations, which help you to realize more complex routing and to generate gates. All B IO jacks are normalised from top to bottom, and if a 16 pin power connector is plugged in, 5V is normalised to the top switches B IO jack. The actual gate out voltage is 4.8V

That means, that as long as you don’t plug a cable in a B IO jack, it will be connected to the B IO jack abowe, or 5V if it’s the top one. Try leaving all B IOs empty and patch any A or C IO to a gate or trigger input! Turn the knob of the switch and notice the gates! A total of 6 gates can be generated if you use all A andC IOs."

4ms Listen Modules & Battery Powered Pod Setup

Published on Feb 19, 2019 4mspedals

"Create a small but ultra flexible system for music production using Pods and Listen modules from 4ms Company.
The Listen IO module is your interface between Eurorack and external gear. Here we use the Listen IO to connect a KORG Volca Beats and Teenage Engineering Pocket Operator into our Eurorack system made of two Pod32's and a Pod20. Two headphone jacks on the Listen IO let you and a friend listen along in stereo.
At the end of the signal chain is a Listen Four, which mixes up to four signals in stereo and outputs to headphones and line level. A bigger version of the Listen Four is the Listen Four Quarters, which has 1/4" (6.35mm) balanced TRS outputs.

The entire setup is being powered directly from a Krisdonia laptop battery using our standard DC barrel cables, and offers hours of continuous low-noise use."

Listen Four

The Listen Four is a four channel stereo mixer with line, modular, and headphone outputs. Two mono channels with Pan knobs and two stereo channels with dual inputs provide optimal compatibility with both stereo and mono signals. The Listen Four can be daisy-chained to other Listen modules to create a larger mixer with sub-mix outputs.

CLICK FOR MORE »

The Ohminator Synthesizer + 8-Step Sequencer

Published on Jan 23, 2019 Gabriel Ferraté

"This is the 8-step sequencer in combination with the Ohminator synthesizer"

via hackster.io

"This project is a fully analog electronic keyboard synthesizer similar to the type that were very popular in the 1970s. Our synthesizer has a VCO, ADSR, and equalizer just like a commercially available keyboard. The VCO synthesizes our audio waveform and can be switched between generating a square or triangle wave. The keyboard that controls our VCO has two octaves of keys, and we have an octave switch that shifts the signal up an octave giving us a total range of three octaves. The ADSR generates an envelope that then gets applied to the VCO output. This signal then goes through the equalizer which modifies the frequency response of our system. The output of the equalizer feeds an integrated amplifier that drives a speaker and makes the sweet analog tones of our synthesizer audible.

CLICK FOR MORE »

XOR Electronics NerdSeq Tutorials by SonicVoltage

Published on Sep 30, 2018 SonicVoltage

"XOR Electronics NerdSEQ Review-1. Eurorack Modular Synth CV-Gate Sequencer & Sample Playback. NerdSEQ Features, Sequencer Screen (Index Below) - Multi Voices Patch Description in the Video.

The XOR Electronics NerdSeq is a Eurorack Modular Synth 'Tracker' Sequencer which also offers sample playback and future Output Expansion modules, Synth Cartridges modules, MIDI expander (available) ."

Playlist (descriptions for each below):

1. XOR Electronics Nerdseq Review-1: Features, Sequencer Screen Use/Edits
2. XOR NerdSeq DAY 1 Modular Synth Jam Live Recording
3. XOR Electronics Nerdseq Eurorack Sequencer Review
4. XOR Electronics Nerdseq Eurorack Sequencer Review Demo Tutorial Part 4: Mod & FXs 1/2

CLICK FOR MORE »

Yamaha CS40m

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"The Classic Vintage Yamaha CS-40M is a 44 key, duophonic analog synthesizer, featuring dual oscillators (pulse, sine, saw and triangle waveforms) with dedicated (AR) envelope, noise, resonant low|high|band pass filter, dedicated (ADSR) filter and amp envelopes, LFO (saw:down|up, sine, square, S/H waveforms), ring modulation, CV/gate IO, tape interface..."

CLICK FOR MORE »

Introducing the X-Bay Ultimate Synthesizer & Patchbay by Anatal Electronics

The X-Bay Ultimate Synthesizer by Anatal Electronics is currently seeking funding on Kickstarter. Note you can find a banner link to the X-Bay campaign in the top right banner section here on MATRIXSYNTH, so you can get back to the campaign anytime.

In short the X-Bay is an analog modular synthesizer and patchbay in a 4U rack mount enclosure. It will host analog modules featuring designs from classic vintage synths, for example Roland oscillators and Oberheim filters. You can freely patch and route the modules as you would on a classic modular system, however you do so in a software editor. One way to think of it is as a true analog version of Clavia's Nord Modular, or a software modular with an analog synth engine. What is the main advantage? Size, flexibility, true analog synth engine, and of course, the ability to save patches, all at a lower cost; and it will be expandable. Interestingly, the system can also be used as a cable free patchbay for full integration with your other gear, including other modular hardware and software. The X-Bay offers a cost effective and space saving way to expand your current system or to explore the world of modular from scratch.

The following is the description from the Kickstarter campaign. Be sure to check out the campaign for additional demos and images.

Imagine that you can capture all the patch capabilities of your analog modular in one magic box. Maintaining the full analog signal path, configuration and recall via software. Imagine that you can put together an analog synth like a car in a computer game. A Jupiter oscillator, an Oberheim filter, a Korg envelope ... assembled in a few clicks and with endless routing options.

Nothing virtual, genuine vintage analog sound with famous synth chips from the 70's and 80's.

Completely modular with cable-less analog patch matrix.

Patch cable-less with analog switching chips and software, full digital control.

Without AD/DA conversions between matrix input and output for 100% analog signal path and true zero latency.

Option to function partly or fully as cable-less patchbay for all external devices too.

Option to cable-less patch and control other 3th party modular synths too.

Total analog recall, switch between cable-less wiring configurations instantly. Option to work with downloadable presets too.

Extendable cable-less patch matrix with switching cards, can grow to your needs and desires.

Extendable sound with vintage module cards.

Compact and robust 19" enclosure with optional custom front plate for enclosure pledges that fill up our goal.

Xtreme price break, affordable automated analog audio matrix (search ebay on "64 audio matrix" and see for yourself).

Hard gold plated pcb's assembled in Europe, build to last a lifetime.

We from Anatal Electronics worked for many years on an extendable analog patching matrix that works with chips and software. Upon that patch matrix we build a modular synthesizer with real analog sound that can be controlled with chips and software instead of cables. All analog settings and patch configurations can be saved and restored. For your reference it can be seen as a real analog Nord Modular, an extendable polyphonic Arturia Matrix Brute or a modular Omega infinity with up to 256x256 modulation matrix size.

X-Bay works with cards for extending the matrix and also for adding more of our our vintage modules. The matrix can be extended from 32x32 to 256x256 IO.

Affordable quality

Because every aspect can be controlled digitally there is no need perse for physical buttons or sliders, they are optional not mandatory. This saves a lot of development time and production costs and is the reason why we don't need to compromise on quality for an affordable price. We use ddr pc memory connectors for all extension cards because they are around for decades and many are familiar with their ease of use. Another benefit of not having physical knobs or sliders is that they cannot wear out and cause noise.

The price of components and connectors often depends on how many are sold. Because the connectors we use are in every pc they are affordable and reliable.

Our offer is so generous compared to comparable products that one might wonder if it can be any good. Our pricing is partly business strategy but for the greater part the result of having the right group of people get together at the right point in history. Over a century of combined experience in electronics, software development and vintage synthesizer technology, ignited with passion and the desire to make a difference, can cause a true genuine revolution in a significant industry. We did it because we can and now we need you to make it happen. Be part of something majestic!

Proven technology and components

The underlying concepts for the switching modulation matrix is like other networking technologies, complex but around for many decades. The audio signal switching chips we use are in production for more than 25 years. Our effort made it possible to have such a matrix in a small enclosure so that it will fit in a 19" rack.

The synthesizer modules are implemented with reissued, cloned or original chips from Curtis Electronics and SSM. By many considered as the best choice and many well known vintage synthesizer from the 70's and early 80's are implemented with these chips.

How to play

Connect a midi keyboard or midi software like cubase and control it like any other midi device. Modular connections and analog settings can be applied with our software that runs on devices with internet browsers. Also over WIFI for phones and tablets. Separate mouse and touch interface is provided. It does not mean that X-Bay cannot be controlled by knobs or sliders. It is even remarkably easy to make a true analog controller with direct contact pots. Mind you many, if not most, synthesizer have encoding controllers which is basically digital control and differs not much from a midi controller that you can already use since X-Bay is midi controllable. For sure in the near future an analog controller will be provided by either us or 3th parties."

https://www.kickstarter.com/projects/anatal

Parallels (Eurorack + Guitar Ambient)

Published on Mar 3, 2017 S. B. Arweiler

"Guitar looped with Boss RC-1 Loop Station and processed through EHX Memory Boy, Mutable Instruments Clouds and Make Noise Erbe-Verb. Additional sounds from MusicThing RadioMusic and Harvestman Piston Honda Mk II. Reverb via EHX Cathedral added in Mixer.

Gear used:
- 3U/104HP Eurorack modular
- Fender Squier Jazzmaster
- iPad w/ Samplr
- Pedals: Boss RC-1 Loop Station, Electro-Harmonix Cathedral, Electro-Harmonix Deluxe Memory Boy

http://sba.io
https://soundcloud.com/sbaio"

$17,500 Analog Modular System - Symphonic Distortion System II

via this auction

CLICK FOR MORE »

Strum - Modular Patch

Published on Aug 16, 2016 Richard Devine

This was a patch experiment using the new Mutable Instruments Rings/Clouds Modules, and trying to create strumming/plucking guitar like sounds within a patch. The inspiration came from playing around with the Clouds Parasites 1.3 alternate firmware running in the Resonator mode highlighting the 'scatter' (or strum) function. The master clock was the Tiptop Circadian Rhythms module, taking the first 4 outputs into my Nord Drum 2 for the Kick, snare, closed and open hi-hats. From there the clock output from the CR was multiplied and then sent to the Modcan Touch Sequencer. First row output from the TS was sent to the intellijel Shapeshifter creating a two note baseline sequence that comes in at 1:58. The second sequence Row2 output from the TS was sent to the "ALM Akemie's Castle" module OSC A output using the chord function, that comes in at 25 seconds. The gates from the modcan where set to a 16th's pulse sequence. Modulation from the synthesis technology E102 Quad Temporal Shifter output 1 modulating the Multiplier input on Operator 1. The 2, 3 and 4 outputs from the E102 where also modulating the Operator 2, 3, and 4 inputs on the Akemie's Castle. This was creating the harmonic timbre changing as the sequence was playing.
The slowly evolving sweeping noise textures that come in at 1:09 is from the Music Thing Radio Music module. The sample was a white noise sampled lightly filtered and then sent to the intellijel HexVCA with the amplitude CV control via a Intellijel Dixie modulating from slow to high rates (free running). The Make Noise Rene was being externally clocked from the Circadian Rhythm, and was sending out a quantized output to the Mutable Instruments Clouds pitch input creating the chord guitar sequence. The strum sounds on Clouds was played by the 4ms QCD running in 32th division output into the Trigger input. The freeze input was also triggered by a Ladik R-110 Random clock module. The combination of the two created the trill chord like strums.

The bass guitar tone sound that comes in at 1:24 are from the MakeNoise Mysteron, that is being sequenced by the Modcan Touch Sequencer, Row Output 3 was programmed in the same key but a lower octave. The "Rings" module was creating slow attack soft high pitched chords in reverb that come around 2:50. There was additional processing of the Clouds output that was sent into the Tiptop ZDSP module running the "Halls of Vahalla" card program 8 "Ginnungagap" creating the high pitch octave deep reverb shimmer effects. The harmonic slow swells that come in at 3:30 where created using another intellijel Dixie oscillator sine output running into an Strymon "Big Sky" pedal being harmonically controlled by an intellijel µScale V1. The output was being played slowly then processed using the "Choral" mode, creating the slow shimmer swells. The entire mix was sent into the Eventide Space pedal using the "Corridors" patch.

Download the free track here: bit.ly/1QZqXQR
Mutable Instruments Rings : mutable-instruments.net/modules/rings
Clouds Parasites firmware: mqtthiqs.github.io/parasites/clouds.html"