Tuesday, August 26, 2025
This Little Box Changed Synths Forever | Tom Oberheim’s SEM Story
video upload by Anthony Marinelli Music
See the full interview here.
"How did the legendary Oberheim SEM (Synthesizer Expander Module) come to life? In this video, Tom Oberheim himself tells the story of how necessity became the mother of invention.
After creating the world’s first digital sequencer, Tom needed a dedicated synthesizer voice to play back the note information generated by the sequencer. His solution was the SEM — a compact, self-contained synth voice that could be sequenced while leaving a musician’s main synthesizer free to perform alongside it. This groundbreaking idea gave players entirely new creative possibilities and laid the foundation for some of the most influential instruments in music history. Join me, along with Rob Rosen (Rosen Sound) and Marcus Ryle (Alesis, Line 6), as we hear directly from Tom about the innovation that started it all.
👉 Discover how the SEM was born and why it changed the future of synthesis."
https://oberheim.com/
https://anthonymarinellimusic.com
The Haunted Arcade of the DecadeBridge Triad (Drones, Noises, Glitches and Rhythms)
video upload by Oscillator Sink
"The DecadeBridge Triad is a unique little Synth module that generates drones, rhythms, noises and glitches - it sounds, to me at least, like a haunted arcade in the 80s - malfunctioning machines, wailing, whirring and bleeping. It's based on a trio of analog oscillators arranged in a fairly unique, raw and unpredictable arrangement. It works great as part of a drone or noise setup, makes for excellent sample fodder, and thanks to the neat "reset" input it can play along with drum machines and sequencers (especially paired with a little low-pass gate).
Check it out here:
https://www.etsy.com/uk/shop/DecadeBr...
Chapters:
00:00 - Intro
02:31 - The Architecture
06:08 - Sound Demo (Solo)
13:17 - Paired with a sequencer to impart rhythm.
14:58 - Adding a Low Pass Gate for more percussive sounds.
19:00 - Paring with the Neutral Labs Scrooge
22:49 - Final Thoughs"
TRIAD - Drone/Noise synth 25 minutes
video upload by DecadeBridge
Timestamps:-
00:00 Dry sound
07:59 Resetting oscillators with an external gate signal
13:58 Running the output through the microcosm


Designed by DecadeBridge
TRIAD is a 3 oscillator square wave drone/noise/glitch synth.
The 3 oscillators drive and reset each other in different ways depending upon the switch/button settings. an external trigger, gate or clock can also be used to reset 2 of the 3 oscillators.
Download the manual here.
Knob style and knob/button colour may vary depending on stock.
A connector for a 9 volt battery is included with Triad. Triad can also run off a 9V !!CENTRE POSITIVE!! WALL ADAPTOR.
Designed and built by hand in Cheshire England
To keep up to date with product demos, prototypes and competitions follow me here:- instagram.com/decadebridge"
Life's Window | Prophet 10 soundscape
video upload by MIDERA
"It was my Dad's birthday today. He didn't make it to this birthday, or the last 14 birthday's either. Time just goes on and takes everything away from us. But I wanted to write something on his Birthday. I miss him. I miss my mom too. I miss them both.
Meanwhile, I'm just barely hanging on. My wife still hasn't found a job and I sometimes think she won't get one before I lose mine due to all the awesome stuff going on in the federal government. We've been worried about what will happen when we're both without jobs. I couldn't get a job if I tried (and I have). I guess no one wants someone who has a really niche background. It's just not a great place to be.
Life goes on anyway.
Prophet 10
NI Raum for reverb"
https://midera.bandcamp.com/
Roland Mood Pan | Everything You Need to Know
video upload by RolandChannel
"Discover the restorative power of music with Mood Pan, an innovative electronic percussion instrument inspired by the soulful resonance of traditional acoustic handpans. Whether you're a seasoned player or a curious beginner, Mood Pan invites you to explore serene sonic textures with ease. Just place it in your lap, tap the expressive pads, and drift away into calm, creativity, and connection.
Mood Pan blends the feel of a traditional handpan with advanced electronic percussion technology. Featuring nine touch-sensitive pads and a built-in speaker, it's perfect for yoga accompaniment, meditation, or spontaneous solo improvisation with headphones. Choose from handpan, tongue drum, gamelan, singing bowl, and other sounds—plus 12 tuning styles and customizable effects."
Check with dealers on the right on availability.
See the announcment post here.
NOVATION MININOVA / ULTRANOVA ♫ 48 Custom Sounds ► AMBIENT EXPLORATION V1
video upload by Synth Cloud
"▬▬▬ Download Link ▬▬▬▬
🚀 AMBIENT EXPLORATION V1: https://www.synthonia.com/marketplace...
📩 Mail: info@synthonia.com
Ambient Exploration V1 – Patch Collection for Novation Ultranova / Mininova
Ambient Exploration V1 is a complete sound pack of 48 custom-designed patches for the Novation Ultranova / Mininova.
This collection has been carefully programmed to explore the full potential of the synth, offering a wide spectrum of sounds that blend atmosphere, movement and expressiveness.
Inside you’ll find lush pads, textured soundscapes, evolving arpeggios and sequences, dreamlike keys and chords, as well as expressive leads and synth tones. Each patch has been shaped with a focus on musical usability, providing both instant playability and room for personal expression through performance controls.
The sound design is oriented toward creating depth and emotion, making Ambient Exploration V1 a versatile toolset for ambient music, film scoring, downtempo, electronic productions, and experimental projects. Whether you are building vast soundscapes, adding subtle harmonic layers, or searching for inspiring lead sounds, this pack is designed to enrich your creative process."
This might be the best Novation Circuit track yet!
video upload by Guinan
"It started out as a bit of a challenge but in the end turned out better than I hoped.
Everything you hear was programmed on the Tracks synth (and if required, sampled into the Rhythm). Only the drums and vocals are samples from elsewhere and the whole thing is played back on the two machines and recorded (without any extra synths or effects)."
ORIGAMI oscillator, wavefold external sounds
video upload by LARIX ELEKTRO
"As all my modules, each function is accessible independently.
Here, we will use the folding circuitry and replace the internal VCO by some other sources:
Drum loop
The UNDULA OSCILLATOR (with its own folder)
and some FM with the Quad Operators from Humble Audio
Note that this is a prototype, the final version should be better..."
http://www.larix-elektro.com/
The Beauty of Two Vermona Perfourmers - Deluge in Action #13
video upload by Krzysztof Steplowski
"🎹 Listen to the 8-voice Vermona Perfourmer! This time a simple improvisation, not a proper track.
🎹 Check my patches for synths: https://synth-patches.com/
👉 In this video I present an improvisation using two Vermona Performers chained together. Instead of two four-voice synths, I've got a single, eight-voice, polyphonic analogue beast.
👉 Both synthesizers are connected via a @Bome Box – this small device can distribute MIDI messages sent via a single channel to any number of MIDI channels. In this case, the Bome Box distributes each received note to eight additional MIDI channels, which I send to both synthesizers via a Midi Splitter (Banana Split in this case).
👉 All I need is a very simple motif based on a single pattern in Deluge. By playing with individual oscillators, I can introduce additional variations to that motif. Then, all that's left is to play with the effect—in this case, @audiothingies Doctor A."
NICE BEATS
video upload by peter m mahr
"NICE BEATS ✨
A long-held wish continues — merging my photographs with my music.
While the first piece, WHEN SILENCE FELL, embraced darkness and stillness, this second work carries a brighter pulse. Captured one evening in Nice with a Canon EOS 5D, the image glows with color and movement. Its title plays on both the city’s name and the beats of light — vibrant, electrifying, alive.
The soundscape was created with:
AKAI MPC4000
Nord Electro 6D
Modal Electronics COBALT8"
Back at it again- Live looping in the studio 2025 and an Interview with MR TUNA Music
video upload by MR TUNA Music
"My friends I am sorry to leave you hanging all summer with no jams, but its a beautiful sunny world out there and I've got to be out IN IT! So in the meantime I have a few jams backlogged that have **never before been released** and expect some weird b-sides that I was too embarrassed to post when I had content to spare !
Anyways- lots going on here, we got some Hydrasynth deluxe, classic analog pads from the JX-8P... and lots of super pump-jumping with the MX-1 sidechaining and doing some beat effects. Jupiter-80 muted trumpet is the funnest sound in the world.
Stay a while, and listen!"
---
And an interview with MR TUNA Music by Ivan Trajkovic aka dejayiwan editor and journalist (and sometimes producer and DJ):
Q: Have computers and DAWs, in a sense, destroyed creativity – why do we have so many “DAWless” setups today?
A: I think a really big part of it is a desire to get away from 'the screen'. Staring at a computer all day for work, clicking away on a mouse and keyboard can become exhausting after a long day, and to break away from the rigidity and comforts of software simply makes it more fun.... and thats a really big part of why I do what I do. There is some minor advantage to the near-unbeatable quality of analog circuitry you cant quite replicate working purely within a DAW, but that point is being made more and more moot by incredible emulations and virtual analog softsynths.
Q: Today we have apps like BandLab that are complete studios on a phone – have we reached “peak technology”?
A: It staggers me to think about what the future might hold now that music production can be with someone anywhere anytime so long as they have their phones. You can literally be on the bus making a hit track with your thumb. That’s crazy. But I don’t think it’s peak.... Tech is always moving and it doesnt stop for anyone... AI is going to be the next big thing whether we like it or not and we need to find a way to keep in check so we're still doing the creating and imagining and the technology is just an extension of that.
Q: Why are new producers so mesmerized with 80s synths and samplers, even though they’re obsolete tech?
A: Things were built differently. Things were built for professionals. Instruments had a quality of sound and build that is still unmatched today. Some of my gear is 40+ years old and sounds better than the stuff from 2025 thats trying its best to emulate it all today. Why dont we build synths like that anymore? Because its all about money and the manufacturers want to make as much of it as possible while spending the least amount.
Q: With so much new electronic music today, how can anyone “find” an audience?
A: Maybe it's lame to say, but the best path is to be authentic to yourself. When i started finally sharing my music it was more of a personal diary than something i was using to 'get famous' or 'find an audience', but by being true to what I wanted and my own personal vision (and having trust in that over some time), people started to see what I was doing and it all came together. People connect with personality, but it's obvious when you're not being yourself... not just tracks. Its routine to say because its true: be consistent, put your stuff out there. The internet is huge — your crowd is out there, just waiting to stumble onto your page at 3AM.
Q: You have one of the most interesting studios – what was the idea behind its creation?
A: My studio was built with one idea in mind... live looping. When I started dreaming up how I *wanted* to make music there wasnt even the right tools to do it properly.... sequencers were still fairly limited and there wasnt a lot of people in the live-looping jam space. I was really discovering it all and making it work on my own. It all came together with the introduction of the Squarp Pyramid sequencer--- what it allowed me to do, the freedom it allowed me to create with... it was the breakthrough piece of gear I needed to bring everything together and start building and building... and BUILDING. I love the music I get to create, but I am more proud of my studio as a form of art in the beauty of it's function and how it's designed to jam with friends, than I ever have been of the music that I create in it.
Q: What’s the future of electronic music – maybe apps and DAWs in virtual reality?
A: The virtual space is here to stay and it will only get more and more indistinguishable from the real world.... We might be already living in that simulation, but like I said earlier I think the real future is going to be (for better or for worse) in AI production techniques, editing, and complete song production. We're already at the point where AI can create a song for us instantly with our own voices, but how long will it be before AI is doing our chores and boring tasks so that we are free to be creative and put our energy into real art rather than the opposite world we live in now! AI should save us from the hard stuff and let us work on the 'fun stuff', the worthy stuff, the music stuff!
Donner L1 vs SH-101: How close can we make it?? Sound design and comparison
video upload by MR TUNA Music
"In this video, we are putting the new Donner L1 analog synthesizer head-to-head with the original legendary Roland SH-101 to see just how close we can get! From pulsewaves to bass patches, we’ll break down the oscillators, filters, envelopes, and modulation to find out whether the Donner L1 can really capture that classic SH-101 sound. (spoiler: it can)
🔊 Expect A/B sound demos, patch design walkthroughs, and my honest thoughts on where the L1 nails it— and where the SH-101 still reigns supreme.
✨ If you’re curious about:
-Donner L1 sound demo
-Roland SH-101 comparison
-Analog synth sound design
-Best affordable SH-101 alternative
…this video is for you!"
Ocean Swift Announces big NKS Update with 50% Off Sale
"Ocean Swift announces a big NKS compatibility update and a 50% Off sale on updated preset packs and preset bundles for Roland JV1080, Roland Juno 60, Plugin Alliance DS Thorn, D16 Lush 2 and more! Discount offer is available until September 10, celebrating their newest NKS update.
The developer quotes:
"We’ve just shipped a major update: every pack below is now fully NKS-compatible - even though these synths aren’t NKS-native, we went through all our packs converting the presets, creating parameter mappings, tagging and inserting audio previews. To mark the occasion, all of them are 50% off right now!"
Offers:
Dreamers Stash (for Roland Cloud JV1080): 12.50€ (reg 25€)
Goa Memoria (for Roland Cloud JUNO-60 and JUNO-106): 13.50€ (reg 27€.)
Mind Benders Collection (for D16 Lush 2): 15€ (reg 30€.)
Thorn Preset Collection (for Plugin Alliance DS Thorn): 48€ (reg 96€.)
Hybrid3 Preset Bundle (for Air Hybrid3): 41€ (reg 82€.)
Triple Cheese Pizza (for U-He Triple Cheese): 5€ (reg 10€.)
LINK: https://oceanswift.net/sales/"
Hyper Arpeggio | Roland JP-8080
video upload by Akihiko Matsumoto



"Roland JP-8000/8080 | A Convergence of Sonic History and Future Innovation
Greetings, fellow sonic architects.
In the relentless pursuit of unparalleled sound, we often find ourselves drawn to the very essence of what makes a waveform resonate with unique character. It is within this spirit of exploration that we wish to share a recent development, an evolution in the very fabric of digital sound design.
Before we delve deeper into the intricacies, allow us to present the coordinates for this journey:
Explore the evolution: JP-8000 - 8080 (Sample Pack) ver.3.5: https://akihikomatsumoto.sellfy.store...
The Genesis of Texture: Reimagining Digital Warmth
For decades, the digital realm has strived to replicate the organic nuances of analog synthesis. Yet, a select few instruments from a pivotal era achieved a distinct warmth, a "softness" that modern software often struggles to emulate. This unique sonic signature, characterized by a rounded edge in its harmonic contours, defines a particular epoch of electronic music. It is a sound that transcends mere emulation, rooted in the very architecture of its digital modeling.
Consider the foundational elements of electronic music: the driving pulse, the atmospheric expanse, the melodic narrative. Each requires a specific textural quality to truly captivate. Our ongoing research and development in this domain have led to a significant refinement of a collection dedicated to these very principles. This material is meticulously curated for beatmakers operating within the intricate landscapes of Neo Trance, Future Garage, Wave, Hardwave, and Witch House, where the precise articulation of sound is paramount.
An Unveiling: Hyper Arpeggio and Beyond"
Our latest iteration, designated as version 3.5, introduces a novel element that pushes the boundaries of rhythmic and atmospheric integration: the Hyper Arpeggio. These are not merely sequences; they are high-velocity, BPM-agnostic drones, meticulously crafted to emphasize the distinct, almost liquid phrasing inherent to the original sound source. This particular characteristic, a unique "rounded edge" in its articulation, is a direct consequence of the original hardware's design, a feature that remains remarkably difficult to replicate with contemporary synthesis methods. It is a testament to the enduring legacy of instruments like the Roland JP-8000 and JP-8080, progenitors of the legendary Super Saw, whose influence continues to shape the sonic landscape.
Yamaha CS-80
Note: Auction links are affiliate links for which the site may be compensated.
via this Reverb listing
via this Reverb listing
Dave Smith Prophet Rev 2 8-Voice Keyboard
Note: Auction links are affiliate links for which the site may be compensated.
via this Reverb listing
Additional CONTROL Listings
via this Reverb listing
Additional CONTROL Listings
Moog Minimoog Voyager XL Analog Keyboard Synthesizer (40th Anniversary Tolex Edition)
Note: Auction links are affiliate links for which the site may be compensated.
via this listing
Additional Perfect Circuit listings
via this listing
Additional Perfect Circuit listings
Sound Charts Minimoog Synthesizer by Tom Rhea
Note: Auction links are affiliate links for which the site may be compensated.
via this eBay listing
via this eBay listing
Macbeth Micromac D
Note: Auction links are affiliate links for which the site may be compensated.
via this Reverb listing
"3 oscillator semi-modular synth, complex modulation capabilities, MIDI & CV control.
Probably no other monophonic analog synth has this amount of sound-bending capabilities at your fingertips on an ultra-compact footprint. Directly prepatched and switchable are:
VCO2 synchable to VCO1
VCO3 can modulate either VCO2 (only) or VCO1 + 2
VCO3 can modulate the filter
VCO3 can be taken out of the audio path completely, becoming an 'invisible' source for modulation only
the filter envelope (VCF) can modulare VCO2 ('sweep VCO')
VCF has two modes of keytracking
both LFOs can control VCOs AND filter cutoff at the same time and with independent settings
LFO1 can do S&H by sampling LFO2 (making them interdependent) or the noise generator
oh, there actually is an "OSC4" which is white noise (with its own level control), in addition to the white noise setting on VCO3 and the white noise setting on LFO2. That's 3 noise generators in just one synth.
glide function
VCA switchable positive / negative
envelope trigger switch
...
In addition, there are the patch points which add PWM modulation, external audio insert points, individual VCO outs, V-gate in on LFO1 +++
Condition:
Fully functional. Great overall cosmetic condition. Very few signs of use. A very few light marks – see photos."
via this Reverb listing

Probably no other monophonic analog synth has this amount of sound-bending capabilities at your fingertips on an ultra-compact footprint. Directly prepatched and switchable are:
VCO2 synchable to VCO1
VCO3 can modulate either VCO2 (only) or VCO1 + 2
VCO3 can modulate the filter
VCO3 can be taken out of the audio path completely, becoming an 'invisible' source for modulation only
the filter envelope (VCF) can modulare VCO2 ('sweep VCO')
VCF has two modes of keytracking
both LFOs can control VCOs AND filter cutoff at the same time and with independent settings
LFO1 can do S&H by sampling LFO2 (making them interdependent) or the noise generator
oh, there actually is an "OSC4" which is white noise (with its own level control), in addition to the white noise setting on VCO3 and the white noise setting on LFO2. That's 3 noise generators in just one synth.
glide function
VCA switchable positive / negative
envelope trigger switch
...
In addition, there are the patch points which add PWM modulation, external audio insert points, individual VCO outs, V-gate in on LFO1 +++
Condition:
Fully functional. Great overall cosmetic condition. Very few signs of use. A very few light marks – see photos."
Roland System 100m module 150 LFO Ring mod noise S&H
Note: Auction links are affiliate links for which the site may be compensated.
via this Reverb listing
"Original vintage Roland System 100m modulation generator Module 150; ring modulator, Sample and Hold, noise, and LFO, with cable, excellent condition."
via this Reverb listing
"Original vintage Roland System 100m modulation generator Module 150; ring modulator, Sample and Hold, noise, and LFO, with cable, excellent condition."
Korg Micro Preset M-500 SN 770606
Note: Auction links are affiliate links for which the site may be compensated.
via this eBay listing
"Korg M-500 Micro Preset circa 1978, famously used by Orchestral Maneuvers In The Dark, Portishead, etc. The controls are a bit limited, but it has a huge variety of sounds, does everything from thick basslines to horns, strings, woodwind, and a theremin-type setting. You can combine any 2 sounds together for some really cool tones.
One issue that is common with this model, is that Korg used a certain type of capacitor that over years, eventually leaks, causing failure of the synth and damage to the traces on the circuit board. Many of these M-500s you see for sale are not working or only partially working, due to the failed caps. When I got this synth, I replaced all the electrolytic capacitors with modern panasonic caps and cleaned the whole circuit board, so it's working perfectly and will do for years to come. Everything works exactly as it should with no issues and it sounds amazing! A very cool and unique monosynth capable of some really great sounds."
via this eBay listing
"Korg M-500 Micro Preset circa 1978, famously used by Orchestral Maneuvers In The Dark, Portishead, etc. The controls are a bit limited, but it has a huge variety of sounds, does everything from thick basslines to horns, strings, woodwind, and a theremin-type setting. You can combine any 2 sounds together for some really cool tones.
One issue that is common with this model, is that Korg used a certain type of capacitor that over years, eventually leaks, causing failure of the synth and damage to the traces on the circuit board. Many of these M-500s you see for sale are not working or only partially working, due to the failed caps. When I got this synth, I replaced all the electrolytic capacitors with modern panasonic caps and cleaned the whole circuit board, so it's working perfectly and will do for years to come. Everything works exactly as it should with no issues and it sounds amazing! A very cool and unique monosynth capable of some really great sounds."
Yamaha PLG150-PC Latin Groove Factory
Note: Auction links are affiliate links for which the site may be compensated.
video upload by juan manuel
via this eBay listing
video upload by juan manuel
via this eBay listing
Cross-spectral transfering
video upload by Frap Tools
"FUMANA has a special array of 16 bandpass filters exclusively built for spectral analysis. It can thus transfer the energy of the modulator signal to the exact portion of the carrier’s spectrum.
However, many traditional filter banks used just half of their bands to transfer the energy over the other half, like the odd over the even ones, or vice versa.
If you want to replicate this behavior with FUMANA, fear not: you just need a handful of patch cables, like in this video!"
/// Every trance journey needs a voice.
video upload by Steve Allen Music
/// Every trance journey needs a voice.
This is where the melody takes flight —
forged on the Novation Peak.
You know this sound.
You’ve felt it before. 🔊💫
/// classic trance. future energy.
Follow Me: https://linktr.ee/steveallenmusic
What world does this warp you to? 🌍
video upload by Moog Music
"Created this sequence and suddenly we’re on a quest to awaken a hidden temple and save the princess. 🌙🗡️🧝♀️✨
What world does this warp you to?"
Kastle 2 with MIDI is crazy! | Firmware update Video Manual
video upload by Bastl Instruments
"The Kastle 2 series is getting a major firmware update that now allows you to control the unit with USB MIDI or you can send MIDI to your DAW and use Kastle 2 as a unique MIDI controller that has retained its quirks. Thanks @soffter for amazing video manual as always!
Chapters:
00:00 Intro
00:41 MIDI Settings and Overview
05:43 Controlling Kastle 2 with MIDI
12:17 MIDI & Patch Pitch
14:52 Kastle 2 as a MIDI Controller"
Check with dealers on the right on availability.
Bastl Kastle 2 FX WIZARD #6 / "Wizard goes into oscillation!"
video upload by alloutofsync
"The FX Wizard goes into oscillation. I’m using the ARP just for converting patch cables to stereo and for grounding. It’s not powered. In post, I added a touch of reverb and delay.
0:12 Patch note
Anyway, I hope you enjoy. Thanks."
any sub - self-powered sub oscillator module
video upload by Maffez Synthmods
"Here are a shoddy "proof this exists" video of a dual suboscillator (-1 octave, -2octaves times two) that can be used as a hand held device or a 8HP Eurorack module (where you get a total of four sub oscs) for use with modular synths or semi-modular synths with a patch bay. These sub oscillator modules are only powered by the waveform you send into them, so they do not require a conventional power supply.
I call this an EDI module because it's intended to be free but linked to a donation to the Women's Audio Mission and/or The Trevor Project, i.e. if you make one of these for yourself, I expect you to donate a little bit to either or both of these institutions, and if you want to make commercial use of it, you have to donate in proportion to how many modules you sell.
More details and more musical demos: https://maffez.com/?page_id=5247"


"This is a dual suboscillator (-1 octave, -2octaves times two) that can be used as a hand held device or a 8HP Eurorack module (where you get a total of four sub oscs) for use with modular synths or semi-modular synths with a patch bay. These sub oscillator modules are only powered by the waveform you send into them, so they do not require a conventional power supply. CMOS magic from maffez’ cauldron! 🙂"
Why you do or don’t need 3 oscillators
video upload by Monotrail Tech Talk
"A three-oscillator setup seems to be the high-end standard in the land of synths. That benchmark has a lot to do with some of the first synths available to a wide public, like the Minimoog model D, EMS VCS 3, and ARP 2600. All 3 oscillator synths. But modern classics like the Pro 3, or even poly synths like the Hydrasynth, or Peak also have a 3-oscillator setup. So… should you have a triple oscillator bank in you modular?"
Timetable:
00:00 – Intro
01:11 – The misleading standard
03:00 – 3 Oscillator tuning
06:08 – Audio rate modulation
10:48 – Sub oscillator
13:02 – Unique VCLFO
Patreon: / monotrail
Drone | The Schlappy Minute
video upload by SCHLAPPI ENGINEERING
"This is the Schlappy Minute.
Today I quickly show you how to use the Three Body and 100 Grit together to create some big sounding drone."
L-1 Sallen Key Filters. Mutant Cure VCF vs. DS VCF.
video upload by Aleksei Laman
"L-1 Synthesizer makes two Sallen-Key filters.
Mutant Cure VCF is optical, based on vactrols.
DS VCF is solid-state, based on original L-1 discrete gain cells.
In this video I split input waves and modulations between these filters.
I play them by one and both together.
Mutant Cure VCF has correct Sallen-Key LP mode. HP mode is mutant-ish, it has not so nice timbre as it must be and no selfocillation.
So I play this filter only in LP mode.
DS VCF has correct Sallen-Key LP, BP, HP modes. It switches between LP, BP, HP topologies using sophisticated switching system with 12 electronic switches.
Also it has voltage control on resonance and Drive knob which adds gain to the input.
Mutant Cure VCF sounds more blurry. It's not a flaw, it's a feature of vactrols, for that we love them.
DS VCF sounds cleaner and faster, especially on trebles. Also it has more convex resonance.
L-1 Synthesizer website: http://L-1.su/
00:00 Intro
00:25 Sample 1
04:55 Sample 2
09:34 Sample 3
14:45 Sample 4
19:14 Sample 5"
Theremon+ Feature Overview [Final Hardware]
video upload by MoShang
"Here's an updated look at the features of the Theremon+ - this time with the final enclosure."
See the MoShang label below for more.
Osmose MPE Presets for Diva, Hive2, ACE and Bazille
video upload by u-he
"Something special for owners of the wonderful Expressive-E Osmose synthesizer: A free collection of ACE, Bazille, Diva and Hive 2 presets that respond to Osmose playing techniques.
Download the free presets here: https://dl.u-he.com/extras/common/osm...
Instructions on how to set up communications between your Osmose and the plugins are included in the zip file.
Music by Seb (Hyboid)
00:00 - Intro
00:10 - Diva MPE Presets for Osmose
04:43 - Hive MPE Presets for Osmose
11:13 - ACE MPE Presets for Osmose
14:56 - Bazille MPE Presets for Osmose"
WMD Skorpion Sound Demos
video uploads by WMDevices
"Skorpion is an 8-stage vector based wavefolder module that boasts a huge range of sounds via it's deep, yet intuitive set of controls. In this video, we cut about an hour of jamming and experimentation together into about 8 minutes of sound examples. No talking in this one, just pure sonic exploration and a demonstration of what this module can do with a simple input.
In the intro, we're running a sine wave through Skorpion and add some CV from an envelope into slope to create some rhythm. We add some drums to hear this in context with a drum beat. We then transition into a sine wave as the input signal, then some Saw (with windows) and Swarm Waveforms, experiment with a filter before the Skorpion, and end up back with some drums in different configurations.
WMD designs electronic hardware for musicians longing for a balance of precision and exploration. Our quality control is the absolute finest, with service to match."
Check with dealers on the right on availability.
Arturia Astrolab 88 Review - Arturia's Flagship Stage Keyboard
video upload by Bonedo Synthesizers
"In this video, we dive into the Arturia AstroLab 88—a flagship stage keyboard that blends a premium hammer-action keybed with the vast sonic universe of Arturia’s software instruments. Equipped with a Fatar TP-40L weighted keybed with aftertouch, it offers a tactile piano-like feel perfect for expressive playing.
Loaded with over 1,600 onboard presets drawn from 40 iconic instrument engines—and expandable to 10,000 via V Collection and Pigments—the AstroLab 88 turns studio-grade sounds into a stage-ready rig.
Onboard you'll find performance essentials: arpeggiator, looper, chord/scale modes, splittable parts, four macro and four effects knobs, plus a colorful circular display and navigation wheel that streamline live sound control.
It also benefits from a beefed-up CPU—delivering smoother polyphony and faster load times for sample-heavy patches. The unit integrates seamlessly with Analog Lab Pro and AstroLab Connect for effortless playlist and sound management.
Gigging keyboardists note its tour-level build and intuitive layout make it ideal for set-and-go live workflows—anyone relying on the Arturia ecosystem will feel right at home."
RSF Kobol with Roland TR-909 and CR-8000
video upload by analogia pl
"I just don’t remember how they all were triggered. I believe it was trigger to Kobol and DIN SYNC or MIDI to the Rolands (8000 has Tubbutec MIDI)."
Exploring the Moog Messenger – Massive Analog Tone, Creative Sequencing & Hands-On Sound Design
video upload by Noisegate
"We went deep on the Moog Messenger, the latest affordable monophonic analog synth from Moog Music. Lachy takes it for a spin—exploring the huge sounds, flexible CV/midi options, lush filters, and the sequencer/arpeggiator that takes inspiration from the Moog Muse. Whether you're making basslines, modular jams or experimental sequences, this thing delivers.
🌀 Chapters:
00:00 - Intro
00:28 - First Impressions
01:02 - Build & Keybed
01:48 - Connectivity & CV
03:01 - Layout Walkthrough
04:41 - Oscillators & Sub
05:43 - Filter & Feedback
06:55 - Filter Modes
08:00 - Envelope Section
09:02 - Arpeggiator Setup
10:38 - Hands-on Arp Jam
12:35 - Arp Settings Deep Dive
16:06 - Swing, Expression & MIDI
17:06 - Sequencer Overview
18:10 - Step Recording & Parameter Lanes
21:10 - Note Pool & Probability
25:37 - Final Thoughts"
Harvey Sutherland x Moog Messenger – Analog Sound, Motion Sequencing & Modular Control in Action
video upload by Noisegate
00:17: Harvey Sutherland at the Aviary Studio
01:31: Harvey Sutherland at the SynthTemple
"In this artist spotlight, @HarveySutherland puts the new Moog Messenger to work, first in his studio, then inside the iconic SynthTemple.
From classic filter sweeps to real-time modulation, motion sequencing, and CV/gate control over iconic modular gear, the Messenger proves itself as an intuitive, expressive synth built for modern musicians.
🎛️ Features explored:
• New take on Moog's classic ladder filter & analog tone
• Creative sequencer with parameter locks
• CV/gate out to modular system
• Compact, portable design with full-size keys and after-touch
Shot across two sessions, this video captures the musicality, immediacy, and performance potential of the Messenger."
Korg PS-3300 Re-Release | Brett Little
video upload by Noisegate
"All music written and produced by Brett Little AKA Mu-Gen / Wizard on the Korg PS3300
📷instagram.com/mubakka/
🎥 / @brettlittle
Songs:
Blue bells for Wahlie
Tension
Release
It Begins... Again
These are all from Brett Little's upcoming album.
The Korg PS-3300 synthesiser, one of the rarest and most sought-after in music history, is back as a reimagined powerful analog instrument.
Here, Producer, Performer, Composer and Educator Brett Little from Collarts Australian College of the Arts takes us through why the PS-3300 has been on his wish list since its first release back in 1977.
PS-3300 owners can download Brett’s patches here: https://bit.ly/4oSDrgo"
08.25.2025 Mos-lab 2500
video upload by batchas
"For this video, I did cut a few minutes out of today’s session, the hour I spend as daily pain therapy in the studio.
I am going to do another take in the next days, because I noticed after exporting the video that I'd prefer to change the shorter sequence from 6 to 5 notes, as it does not sound as nice as I had the feeling it was while doing it in the studio."
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH