"Strings Dream is able to reproduce the infinite array of rich, analogue pads from the most famous strings machines in synthesizer history. Emulate the classic Eminent Solina as well as its sister keyboards from Elka, Crumar and even their Japanese cousins.
"Strings Dream Synthesizer" will be released in May 2009 first as VST plugin and later as AU. Extimated price 89 USD
"'Strings Dream Synthesizer' writings for docs,
2009 Luigi Felici nusofting.com
Edited by Scot Solida and Cj
About Strings Machines.
A remarkable number of musicians recognize the desirable sonic character of “string machines”. String machines were unique to the Seventies and nearly every major manufacturer offered some variation on the theme. ARP’s biggest selling instrument was in fact their Omni, an instrument that combined a string machine with a simple synthesizer. Even Moog got in on the act with their Opus 3.
Just as the Rhodes piano and Hammond organs were intended as portable solutions to musicians who desired the sound of more cumbersome (and expensive) instruments, string machines were seen as the gigging musician’s alternative to the orchestra. Or, at the very least, it was easier to carry around than a Mellotron! Of course, the string machines didn’t sound like an orchestra, but had a character that today’s musicians find quite appealing on its own merits.
Inventor and sound artist Rich Bernett, creator of the original Cassettone synthesizer, is excited to announce the development of the Cassettone Two—an upgraded, feature-packed evolution of the original cassette synth that gained a loyal following of DIY builders and experimental musicians around the globe.
The Cassettone Two is Bernett’s next step in redefining how cassette tapes can be manipulated into unique musical instruments. The original Cassettone, a keyboard that plays cassette loops, sparked excitement in the music-making and DIY communities, receiving widespread attention across YouTube, Instagram, and music blogs.
With its quirky design and DIY appeal, makers all over the world began building their own versions, and workshops and even social media communities sprung up around it. Now, with the introduction of the Cassettone Two, Bernett is ready to push the boundaries further.
A New Chapter for the Cassettone Synth
The Cassettone Two builds upon the foundation of the original with exciting new features designed to give musicians and builders more creative control. The most notable upgrade? Two cassette players, each with independent pitch control, that can be blended for a richer, more versatile sound. This marks a major leap forward from the original single cassette model, allowing users to create complex, layered tones.
“I wanted to address some of the challenges builders faced with the first version. With the Cassettone Two, there’s no need to hack into old cassette players anymore, which should eliminate the parts most prone to failure,” says Bernett.
Tailored for Makers and Musicians Alike
Bernett, who operates online under the name The Sound of Machines, has learned from the overwhelming interest in the first Cassettone and is implementing a rollout strategy that caters to both makers and musicians. For those who enjoy building, there will be DIY kits that include all necessary components (minus the tools). For musicians who prefer to skip the assembly, Rich plans to have a small-batch of pre-built units that will be available for purchase.
Additionally, Bernett plans to offer virtual and in-person workshops and detailed tutorials to guide makers through the building process, ensuring that anyone can successfully bring their own Cassettone Two to life.
More Features on the Horizon
While the base model of the Cassettone Two is set to feature two cassettes with pitch control, Bernett is already planning an XL model with reverse play, stereo outputs, and a brand-new “drone” mode, which he teases will be detailed in future announcements.
“Based on the popularity and community engagement with the first Cassettone, I’m aiming for a much more structured rollout this time. Whether you're a musician who wants a one-of-a-kind sound source or a maker who enjoys the build process, there will be an option for you,” says Bernett.
Limited Availability for Early Runs
Due to the anticipated demand, initial batches of the Cassettone Two will be limited. To ensure you don’t miss out, Rich Bernett encourages fans and makers to join The Sound of Machines Patreon, where he’s offering behind-the-scenes updates, production insights, and priority access to the first run of the Cassettone Two.
Subscribers will not only be the first to know when new units are available, but they'll also gain access to audio samples, exclusive tutorials, and detailed guides on building other experimental instruments from Bernett’s collection.
Join the Journey
Bernett’s journey with the Cassettone has been shaped by the creativity of the community around it, and he’s eager to see where musicians and makers will take the Cassettone Two.
To stay updated on production progress and get priority access to the first batch, join Bernett’s Patreon at Patreon.com/TheSoundofMachines and follow along on Instagram at instagram.com/thesoundofmachines.
About Rich Bernett
Rich Bernett is a sound artist and inventor best known for his boutique experimental musical instruments. Through his “The Sound of Machines” YouTube channel, Bernett shares his deep love of DIY instrument building and recording techniques, with videos that serve as tutorials for creating unique instruments from scratch. His Instagram presence, which continues to grow rapidly, has become a go-to repository for bizarre sound experiments, attracting the attention of both DIY enthusiasts and top-tier professionals in the music industry. With a dedicated community of builders and musicians behind him, Bernett continues to push the boundaries of sound design.
"In the mid-1980s, Roland released the now-famous TR-707 and TR-727 Rhythm Composers. Loved deeply by groove-minded musicians the world over, these machines have been the beating heart of a wide range of styles including synth pop, acid house, techno, industrial, electro and experimental. Now the sound of these classic rhythm machines, with every nuance accounted for, can be injected into your TR-8, taking the whole experience to an entirely new level. Every sound of the TR-707 and TR-727 Rhythm Composers, faithfully reproduced using the original PCM wave data and detailed models of the original circuitry. Analog Circuit Behavior captures the unmistakable sound of the original units – a result of lo-fi sampling and the behavior of the analog envelope and VCA circuitry design. Newly modified TR-909 kick and snare sounds with enhanced attack characteristics. Five new TR-808 sounds including Noise Toms, Noise Clap and Finger Snaps. Unique flam and accent behaviors of the TR-909 and TR-707, with adjustable flam intensity and two levels of accent. Upgrades the TR-8 to have all the sounds and articulations of four iconic TR drum machines, plus all new sounds, in one performance-ready instrument.
Adding the 7X7 Drum Machine Expansion takes the experience of playing a TR-8 to a whole new level. All 30 original TR-707 and TR-727 sounds – each with Tune and Decay controls – open up a whole world of sonic possibilities. Aside from the original TR-707 and TR-727 sounds, the 7X7 expansion includes new, never-before-heard sounds inspired by the original TR engineers. New TR-808 “noise” sounds and finger snaps bring ever more tonal variety and newly modified TR-909 kick and snare sounds take the classic combo into new territory with enhanced attack characteristics.
Once expanded with the 7X7, your TR-8 can have all the sounds of a TR-707, 727, 808, 909 and more – newly color-coded by kit for easy selection. And the eight stage flam of the TR-909 and versatile accent behavior of the TR-707 dramatically enhance how you can manipulate the feel of a groove. Any step can have a weak or strong hit, a weak or strong accent, an adjustable flam, step based effects and side chain. All the sounds and behaviors of four iconic TR drum machines, plus the TR-8’s own dynamic swing, rolls, playable faders, and across-the-board tune and decay controls make the TR-8 the most advanced Roland drum machine we’ve ever built.
The TR-707’s predecessor, the TR-909, was developed as an analog-digital hybrid rather than a fully digital device. As memory chips and digital-to-analog converters were very expensive at the time, there was concern that an all-digital design would make the product unaffordable for too many musicians. Also, while PCM sound generation could produce more realistic drum sounds, it offered little in the way of tone editing.
After the TR-909’s release however, digital PCM became the trend for synthesizers and drum machines. We embraced this trend with the TR-707 and TR-727, but expensive memory and lack of high-precision D/A converters resulted in a 25kHz, 8-bit (or 6-bit for some tones) sample playback engine that was primitive by today’s standards. Though the TR-707 and TR-727 were developed primarily for rhythm programming and did not give users the ability to edit their sounds, they were ultimately appreciated for their characteristic lo-fi punch and continue to be sought after to this day.
CAPTURING THE ORIGINALS
Even though the TR-707 and TR-727 were primarily digital devices, it would not have been possible to perfectly replicate their sound using samples. Due to the low bit-rates of the original units, quantization noise became a problem, particularly during the sound’s decay. To reduce quantization noise, a clever design was employed where PCM sound was produced using non-decaying waveforms and decay was then introduced in the analog circuitry after being converted. Also, at the time these units were developed, deviations in the clock that triggered the PCM caused differences in pitch, and deviations in the analog circuitry downstream of the D/A converter caused variances in decay characteristics.
To replicate these sounds for the TR-8, we started with the original PCM wave data found on the classic machines. We then used our ACB process to completely model the PCM output stage, carefully including all of its quirks and instabilities. Modeling the analog envelope and amplifier stages that came after the D/A converter allowed us to implement the “Tune” and “Decay” parameters that are available on the TR-8, but not present on the original units.
A SEVEN IN YOUR EIGHT…AND THEN SOME
Adding the 7X7 Drum Machine Expansion takes the experience of playing a TR-8 to a whole new level. All 30 original TR-707 and TR-727 sounds—each with Tune and Decay controls—open up a whole world of sonic possibilities. Aside from the original TR-707 and TR-727 sounds, the 7X7 expansion includes four new, never-before-heard sounds inspired by the original TR engineers. New TR-808 “noise” sounds and finger snaps bring ever more tonal variety and newly modified TR-909 kick and snare sounds take the classic combo into new territory with enhanced attack characteristics.
Once expanded with the 7X7, your TR-8 can have all the sounds of a TR-707, 727, 808, 909 and more—newly color-coded by kit for easy selection. And the eight stage flam of the TR-909 and versatile accent behavior of the TR-707 dramatically enhance how you can manipulate the feel of a groove. Any step can have a weak or strong hit, a weak or strong accent, an adjustable flam, step based effects and side chain. All the sounds and behaviors of four iconic TR drum machines, plus the TR-8’s own dynamic swing, rolls, playable faders, and across-the-board tune and decay controls make the TR-8 the most advanced Roland drum machine we’ve ever built."
via Hispasonic, translated to Googlish from Spanish:
"We have the first data and images of Kronos, the new Korg workstation. The Japanese brand has pulled the house out the window, bringing to market a synth with more than 12 GB SSD hard disk samples, 9 synthesis engines together, 16 units of effects and KARMA technology.
Features in detail
There are 9 synthesis engines on a single workstation, available in 61, 76 and 88 keys. The engines are:
* SGX-1 Premium Piano: German piano with more than 4 GB in samples. 8 layers and the choice of opening angle of the tail of the piano.
* EP-1 MDS Electric Piano, electric pianos (with sound "signature" by George Duke, Herbie Hancock Rodan Rudess or others)
* CX-3 Organ Tonewheel: integrating technology famed CX-3 in the Kronos. Drawbars controllable from its faders. Leslie Posilibidad to adjust the joystick, from speed to the position you just rotate.
* MS20-EX Legacy Analog Collection: emulation of vintage Korg MS20 synth.
-EX * Polysix Legacy Analog Collection: Polysix emulation.
* AL-1 Analog Synthesizer
* NOD-7 Waveshaping VPM Synthesizer
* STR-1 Plucked String Synthesizer: a new generation of modeling. You can choose from the material of the rope, until the tension, the execution (if pick, rub with your finger ...)
* HD-1 High Definition Synthesizer: A portion of all types of samples.
Account with a set of 16 "sets" may be, from Programs, to vans, to sequences. What makes the live performance much easier and full of possibilities. One of the most exciting new features is that you can move from one set to another without interruption of sound (so if you keep notes of the previous set, still playing).
It eliminates the concept appears rompler and integration / provision of more than 12 GB of content hosted on a hard disk SSD.
Has integrated USB connection to your computer, not just save / edit, but also as a USB interface with 2 inputs and 2 outputs.
This one was spotted and sent in via xonox who noticed the following: "No mention is made in the auction but there is AFX scratched on the surface of the machine. According to Ed DMX (DMX Krew), Aphex Twin used one on his early tracks. Interview here. It is not my auction, i have no insider knowledge on anything either. Is it possible it's indeed one of AFX's drum machines or is it some classic AFX prank ?"
The following is the full description from the listing saved for the archives:
"Up for sale a unique extremely rare vintage drum machine. impossible to find it in another place. Many years ago I found this diamond and made the service in a professional workshop. Please note - this is an old gear for the collection and synth enthusiasts, this drum machine is in working condition, but I will not accept any returns and no compensation after the sale - please accept it. These are the first innovative electronic music devices and therefore you can see in the pictures the old technology of plastic coatings and touch buttons have traces of use, but all functions and buttons are well work.- It runs on 220 volt AC.The sound of this beast is very unique, the sound structure and flow are capable of creating incredible emotions and creative potency. The sound is incredibly relevant, I give a detailed description below. The package will be sent internationally, I pack the electronics well — a double strong box and a lot of bubble — look at my seller feedback.
"Here is a walkthrough of all the DinoPark synth engines with some of our favorite patches. In the video we see the DinoPark Mobile EX though these synth engines are common to DinoPark Eurorack, DinoPark Mobile and DinoPark Mobile EX."
Note the synth engines are from the Creamware SCOPE Platform, also found in the Use Audio Plugiator. DinoPark is also available as a eurorack model. You can find additional posts here.
"DINODIALS - ADD MORE KNOBS AND A SNAPSHOT FEATURE! DinoDials are an optional expansion for DinoPark mobile (and mobile EX) devices and can be slided into the rails on the top of the unit. DinoDials come in two sizes - with either 8 or 12 touch-sensitive and freely assignable encoders! The display of the DinoPark will show the name of the parameter already when you slightly touch a knob - that makes “remebering” parameters real easy. Your favourite parameters in direct reach - great for your performance!
Another great performance feature is the Snapshot functionality which the DinoDial makes available! The encoders have a push switch function. A long push will store whatever sound is currently heard for later recall. Then, when playing live, a quick push of an encoder will recall the model/sound combination in a fraction of a second! and DinoPark does it in a fraction of a second. You can save as many different Snapshots as there are knobs - so 8 for the DinoDials 8 and 12 for the larger DinoDials variant!
THE SECRET BEHIND THE SOUND There are specialized synthesizers that give you great results within their limited scope of specialization. Then there are versatile synthesizers that cover a large sonic spectrum using a sample-playback engine. And then there is DinoPark.
Nothing quite compares to its coupling of modular software technology and dedicated uber powerful Analog Devices SHARC DSP processor to do the sonic math. It’s this unprecedented technology pairing that puts DinoPark - and its CreamWare predecessors like Noah and the ASB units - in a class all by itself and how it can emulate such a variety of synthesizers and synthesis forms, in the most minute detail. DinoPark is a multi- specialist that can load - and perform as responsive hardware - very different synthesis specialization, thus being able to cover a very large sonic spectrum while delivering superior sound quality, like only specialized synthesizers can.
This post is developing. Check back for new videos and updates below.
Street price appears to be $999. See dealers on the right for availability. In via Alex Timchak.
"We are delighted to announce the release of Syntakt – the 12 track drum computer and synthesizer that fuses digital and analog synthesis together in one music megabox.
Enter this sonic metropolis and experience epic sounds from the past, while pulling others into existence from the future. Syntakt is a drum specialist, full of percussive possibilities, but its four analog and eight digital tracks can be used for melody, harmony, and bass sounds too, giving you a musical melting pot with dozens of machines at your disposal.
Affect the sound of each machine with the intuitive and playful graphics. Add analog distortion and filtering to your mix or separate tracks, using the FX block. Run wild and free with the four expressive modifiers. Access a variety of different scales via the keyboard mode. And create dynamic soundscapes with its phenomenal sequencer.
The streets of Syntakt are never-ending, the neon lights are never-dimming, its underground is fathomless. Discover worlds within worlds."
"Syntakt is a sonic metropolis of machines, fusing digital and analog synthesis together in one drum and melody megabox. A 12 track drum computer & synthesizer melting pot like Syntakt needs a majestic guide. Let the intrepid Elin Piel show you around the many features at your disposal."
Baseck Plays : Elektron Syntakt : 12 Track Analog & Digital Synthesizer / Drum Computer
"Elektron's newest device is finally here : The Syntakt ! A 12 Track Synthesizer and Drum Computer!
Let's see how far our friend Baseck can push this new machine.
Grab one NOW : https://bit.ly/3EEzgOE
"Our pal Mario from Elektron came down to the Perfect Circuit HQ and walked us through the ins and outs of their newest Synthesizer and Drum Computer : Syntakt
0:00 - Intro & overview
1:30 - Machines & Visual Language
3:27 - Beats To Melt Brains To
3:59 - Modifiers
7:40 - FX Track
11:50 - Outro Jams
"Elektron's new instrument, the Syntakt, is a powerful combination of analog drum sounds, digital synthesis, and new performance features not seen on any other Elektron product. In partnership with Elektron, watch as our host Fess breaks down these features."
"In this video I perform one of my new tracks using the Elektron Syntakt and the Octatrack MK2. All the sounds in this video are from the Syntakt, I am using the Octatrack with my performance template.
"Some patterns I’ve made with Syntakt. No processing.
Things I love: The machines! The flexibility!
It can be so many things.
8 tracks of Model cycles chord machines with deeper control, 2x LFO per track, full envelopes, dual filters, p-lockable FX track. Or half a Rytm , plus new digital drum synth and bass/lead synth machines.
Or a mix between.
All with a tasty chunk of analog Heat drive, filter, and EG, but p-lockable!
There is an inverted envelope shape in the analog fx that I use as a master compressor. The drive is lovely.
I also love using some of the analog kicks with a bandpass filter for textures. Can even get kinda of vinyl pops and clicks out of these.
Can have up to 3 simultaneous analog DVCO machines."
"The brand new Elektron Syntakt is here!
I'm doing a brief overview, followed by a SID emulation rendition of Rob Hubbard's theme music for the C64 game 'The Last V8' from 1985. Then it grows into a live jam, using all the 12 digital and analog tracks of the Syntakt, including the features such as analog distortion.
0:00 Intro
1:50 Song starts
3:57 Live jam!"
Full details:
12 Track Drum Computer & Synthesizer
Enter a sonic metropolis with Syntakt. Analog and Digital synthesis. Drum and melody. In full fusion.
All your sound crafting, sequencing, and performance needs are fulfilled, in an all-round music mega box that fits in your lap. Syntakt is a drum specialist, full of percussive possibilities, but its four analog and eight digital tracks can be used for melody, harmony, and bass sounds too. Experience epic sounds from the past, pulling others into existence from the future.
The streets of Syntakt are never-ending, the neon lights are never-dimming, its underground is fathomless. Discover worlds within worlds. Adore now. Explore forever.
Meet the machines There are 35 sound-generating machines to call on, covering a wide range of drum and melodic sounds. Some machines have been reimagined from Analog Rytm and Model:Cycles, with deeper sound control for the latter, while others are entirely new to the world.
For you to create and personalize your sound, we’ve made sure you’ve got a set of parameter controls tailor-made for each machine. They let you quickly tweak the nature of each type of sound, showing you just the relevant options. Comprehensive without being overwhelming. Let loose with analog or digital overdrive, depending on the tracks you’re playing with.
The graphics more than play their part too, with plenty of animated icons offering visual guidance and extra clarity on how each parameter affects the sound. The joys of tweaking shouldn’t only be for the ears after all.
Special effects Syntakt lets you route any of your synth tracks or external audio sources through the FX block. This gives you analog distortion and filtering, and a couple of LFOs to go to town with. Additionally, you can also call on Delay and Reverb as powerhouse send effects.
And all of the above effects can be sequenced with the FX track. Have them kick in at just the right moment. Add accents and dramatic changes to the selected tracks or external audio. Or use it as a master track for ducking and gating effects.
Modify the moment Wield a little extra trig craft using the four modifiers, offering four varied levels of expression. Configure the first two modifiers to give you the retrig or velocity behavior you desire, and use the other two to access custom intensities of other parameters. They’re ready for action regardless of which synth track you’re using.
And the best bit is that they don’t just give you that extra playability fun in the here and now, you can also capture the moment by recording to the sequencer.
The keys to the city Syntakt’s keyboard mode gives you a whole bunch of different scales to play with.
There are some familiar faces and some maybe a little less familiar for you to try out, helping you discover new places and taking things to another level.
Play across a single octave like on a piano keyboard. Or use fold, and have several octaves laid out in front of you.
Deep sound-shaping Syntakt comes full of filter and envelope goodness. All tracks have a Multimode filter to put to use allowing you to emphasize different parts of your sound, with the digital tracks also able to call on Parametric EQ and a Base-width filter – an additional filter giving you even more sonic control.
Choose from two amplitude envelope types to define the ideal contour of your sound. Try out the ADSR envelope – for your wicked synth lines – or the simpler AHD envelope – perfect for transient percussive sounds.
The TR-6S Rhythm Performer features a six-track sequencer and a battery-powered box that will fit in just about any space. The device recreates the legendary sounds of Roland drum machines like the 808, 909, 707, 606, and more, and allows users to mix and match them with preset and custom samples and futuristic FM tones.
The TR-06 Drumatix is the modernized update to the Roland TR-606 Drumatix that allows users to control tuning, decay, and pan, and includes advanced features like sub-steps for ratcheted parts, step-loop for instant pattern slicing, and more. This new drum machine incorporates a USB audio interface, and features battery operation and a built-in speaker for easy on-the-go production.
The TR-606 Software Rhythm Composer is the new plug-in version of the original ‘80s classic made for DAW music production. This software introduces powerful features, like the ability to overdrive the internal circuitry, an expanded step sequencer with lanes for each sound, and pairing with the TR-8S and TR-06.
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And the full Press Release:
Roland Adds Three New Models to the TR Drum Machine Series
The Famous TR Lineup Expands with the TR-6S Rhythm Performer, TR-06 Drumatix, and TR-606 Software Rhythm Composer
Los Angeles, CA, October 1, 2020 — Roland welcomes three new instruments to the famous TR drum machine family. Based on the flagship TR-8S, the TR-6S Rhythm Performer delivers next-generation TR performance in a compact and affordable package. The TR-06 Drumatix is the latest addition to the Roland Boutique series, blending the sounds and workflow of the ‘80s-era TR-606 hardware with modern enhancements. Also based on the TR-606, the TR-606 Software Rhythm Composer expands Roland Cloud’s Legendary series with another renowned TR instrument.
TR drum machines have driven music culture for decades, forming the backbone of hip-hop, pop, and electronic styles and defining the sound of multiple genres and sub genres. Roland continues to honor the historic legacy of the TR series and expand the product family, offering both modern recreations and innovative new instruments that bring fresh creative possibilities to today’s musicians, producers, and DJs.
TR-6S Rhythm Performer
The TR-6S delivers the same speaker-pummeling, window-rattling, body-moving sound of its bigger sibling. It features a six-track sequencer and the most iconic rhythm sounds in music history—all in a battery-powered box that fits just about anywhere. Authentic recreations of legendary Roland drum machines like the 808, 909, 707, 606, and more are included, and users can mix and match them with preset and custom samples and futuristic FM tones to create exotic hybrid kits.
The sound of modern music owes a lot to the classic step sequencer—and the “TR-REC” variety found in early Roland drum machines in particular. The TR-6S employs the same tried-and-true approach, elevated with real-time recording and modern enhancements. And with an array of expressive effects, users can take their rhythm tracks to new levels. The TR-6S is a high-quality USB audio/MIDI interface too, perfect for mobile or minimal production setups.
TR-06 Drumatix
The TR-06 is a detailed replica of the Roland TR-606 Drumatix from the 1980s—with some major modern upgrades. This new Roland Boutique version captures the distinctive tone and iconic look of the original while reimagining it with bold new sound-crafting potential. Users can control tuning, decay, and pan for each instrument, or crank up the internal gain for each circuit model and push it into warm overdrive or aggressive distortion. An onboard compressor adds fullness and punch, while the tempo delay creates depth and space.
Like the original, the TR-06 has a familiar and straightforward step sequencer. But now it’s been updated with advanced features like sub-steps for ratcheted parts, step-loop for instant pattern slicing, and more. With five trigger outputs and a trigger input, the TR-06 integrates nicely with modular setups. It's a high-quality USB audio interface too, and features battery operation and a built-in speaker for production on the go.
TR-606 Software Rhythm Composer
With the TR-606 Software Rhythm Composer, the underground ‘80s classic is now available as a plug-in for DAW music production. The software version has the same sound and behavior of the original, plus powerful new features that virtually modify the circuitry for more sound choices and faster, more fluid programming.
Like the TR-06 hardware, the TR-606 plug-in offers tuning, decay, and pan on each instrument and the ability to overdrive the internal circuitry. The step sequencer has been expanded with lanes for each sound, and each pattern has eight variations plus adjustable flams, sub-steps, and soft hits.
Users can pair the TR-8S or TR-06 with the TR-606 and enjoy the benefits of easy hardware and software integration. Patterns can be shared between the TR-8S and TR-606, and the TR-06's knobs are pre-mapped to the plug-in for intuitive, hands-on workflow.
The TR-606 Software Rhythm Composer, along with all instruments in the Legendary series, is included with the Ultimate membership level of Roland Cloud. All paid levels—including Core and Pro—start with a free 30-day trial of Ultimate. In addition, any Roland Account holder can purchase Lifetime Keys for individual Legendary series titles.
Availability & Pricing
The TR-6S will be available for $399.99 in November 2020 and the TR-06 will be available for $399.99 in late October 2020.
The TR-606 Software Rhythm Composer is available now via Roland Cloud.
To learn more about the TR-6S, TR-06, TR-606, and Roland Cloud, visit Roland.com. "
"RHYTHM MACHINES - The Rise And Fall Of the Presets - by Alex Graham
Rhythm machines – the precursor to what we in the modern age refer to as a drum machine. This book documents the emergence of the preset pattern electronic rhythm instruments that (for a time) were used as a viable alternative to the drummer. Contained within are the Rhythmates, Rhythm Aces, Rhythm Boxes, Rhythmers, Rhythm Kings, Rhythm Masters, Donca Matics, Mini Pops and many more. Nearly three hundred rhythm instruments are documented here, with over two hundred pictures and information provided on their country of origin, instrument sounds, patterns and features. The book is a ‘must have’ for collectors, vintage instrument enthusiasts and recording artists.
For information on purchasing this unique book, follow the links here:
This is one massive playlist of 68 videos. You can use the player controls to skip around.
The Godwin DM32 gets my vote for best looking rhythm machine.
The following is a fascinating look at the man behind ERRORINSTRUMENTS, Paul Tas. Note the questions are not mine, but were sent in with the full interview by inmar lsbtv grtz sleep good.
So how did all start? What was your life before "error instruments"?
- my life before error instruments can be described as a life of an artist in making sculptures and paintings. I was making sculptures from robots, called "the beeb" collection. It is a wooden robot with the concept that in the 50's, we have thought that robots will replace our jobs. However, with the influence of the media, and the medicines we take against emotions, figuratively we can say that we are the robot, and we get programmed by commercials and news. This robot has been a big succes due to the fact that it has been bought by numerous art collectors from different countries such as Japan and the United States. Furthermore, the collections had been sold also at auctions houses Christie's. Later on, I have started to work more in fashion and art and making moveable sculptures with electronics, I made also a traditional Dutch blue sculptures, big horse heads with the intention of giving a controversial thoughts and ideas. Moreover, sculptures about religion, which was a mix between Jesus and the corporate companies in the world with the meaning behind it, that they use the same propaganda to control people's mindset. I was also threatened by religious groups from Germany and Belgium during the time of exposition, not only me, but also the other people in the gallery. This situation has got to a point where i had to go to the court, but in the end I was free to go. Later i have done a project for Damian Hurst and made some installations together with BitMove for the "Love of God" exposition in the "RijksMuseum Amsterdam". As a result, more and more technical and electrical equipments got involved.
When did you have the idea for error instruments and what did the first steps look like?
- First of all, it is important that you know that as a child, i was not able to read, thus it was difficult to go to a normal school, and i have attended a special school, which allowed me to use my creativity, furthermore my writing was always full of mistakes and because in the 80's we used "Commodore 64", and every time i was writing something, a text appeared " Syntax ERROR". Therefore, the kids at my school, gave a nickname to me , called "Error". As a result, i got a fascination about the things that go wrong with machines, such as glitches or accidentally algoritmes and of course the sound of noises. By exploring the art of circuit bending and hardware hacking, i have found out that many people miss this, because the commercial products were created as a mainstream products, with a result for mainstream music. Thus, with the money that i have earned from art, I have started the shop, "ERROR INSTRUMENTS".
Do you have artistic projects beside error instruments?
- Yes, I perform under the name "ERROR EMPIRE", on several festivals. I have also some conceptional sound projects, called "Pink data". The idea of "Pink Data" is that is not controlled by humans, thus all the music is created by accidental algoritmes. I also make sculptures, with acoustic and electronic purposes. Furthermore, I am busy working on the modelar synthesizer and exploring control voltage. design eurorack modules for and special audience
"Up for sale is a Synth that Toto had during the "Rossana/Africa" days. Apparently I was not clear in my earlier listing that THIS ACTUALLY BELONGED TO TOTO. I can provide evidence of this; call my customer service if you doubt that. There were only 100 of these built- they cost $25,000 and are pretty heavy. This was the immediate predecessor to the Yamaha DX-7 which was also based upon the new FM Synthesis theories developed by Professor John Chowning at Stanford University. (Baldwin & Hammond are STILL kicking themselves for NOT jumping at Prof Channing's formulations).
For the history of this unit, Sound on Sound dot com has a lengthy overview of not only this instrument, but the battle that was waging between the different companies of the time...
The controls are deceptively simple and studio musicians LOVE these machines because of the sounds, and textures that can be coaxed out of them when in the right hands. To the left it has Pitch Control (there is a master pitch conroller underneath to Tune the unit (see last photo)). Next there are TREMELO & VIBRATO- each is Variable and controlled by the left two foot pedals. The Right Foot Pedal is a damper. Next is an ENSEMBLE button to the left of the TOUCH CONTROL button. These two buttons woking together might be called "PSYCHEDELIA", because the combination of the two is Startling. Sometimes Ensemble sounds like a Chorus Effect. When you Really slam a key the effect is HEAVY Distortion. (i.e. THIS is a PLAYER'S EXPRESSION MACHINE).
Three band EQ.
There are 16 SOUND BUTTONS that light up when One is selected. The sounds are loaded from the SOUND STRIPS which are like little tiny plastic bookmarks with magnetic backing. As the photos show, I have both the SOUND LIBRARY & VOLUME ll of the SOUND LIBRARY.
AS MENTIONED ABOVE, THE FIRST SOUND STRIP (A-1) IS MISSING !!!
You place the "A" End of the SOUND STRIP in the mouth of the reader to the right of the keyboard. When you press the designated sound button (1-16) the mechanism pulls the SOUND STRIP inside much like a credit card machine. When it has read the "A" end, the SOUND STRIP is returned to you. You have Now loaded sound onto ONE of the TWO onboard computers in the GS-1. You can now load the "B" end of the sound strip onto the SECOND Computer. UNLESS you want to experiment and load another "A" or "B" end into the second computer (Yamaha actually encouraged "mixing it up".). If you like the new sound you have created, you can record it and store it on a BLANK SOUND STRIP. (there are 8 blank strips provided). Again, THIS is a PLAYER'S EXPRESSION MACHINE!
The Yamaha engineers REALLY "knocked themselves out" on the design of this- the way the sounds can be loaded into the TWO computers, giving the option of 16 sounds YOU HAVE CREATED coupled with the interplay of the Touch-Sensitivity and the Expression functions, coupled (again) with the real-time pedal control of both the Vibrato and Tremelo functions - it's like "The Space Shuttle for Keyboard Players".
If you look at the video of Toto's AFRICA, you will see this machine on stage. Perhaps you are not much of a keyboard player, but a HUGE Toto fan, and turned your dope dealing money into a fortune on Wall Street. Wouldn't it be nice to have this in your living room so your kids could learn the "bum bum bum ba bum bum bum" intro to "Africa"? Or perhaps you are a PLAYER, and want the challenge of the predecessor the the famed DX-7 (which "kicked butt and took names"). Or you have a studio and need THIS to complete your keyboard stable- your clients might feel a tad humbled to be able to sit at Toto's Keyboard. ('let's see shall I up my rates 20, 30, or 40 per cent?')."
Not specifically a synth event, but some of you might be interested in this. If you are unfamiliar with 4DSOUND, see this previous post featuring a couple of videos from Ableton. Also filing this one in the Art Installations channel. The following is the official press release on the event. You'll find the event site here.
"4DSOUND: CIRCADIAN
PREMIERE AT TODAYSART FESTIVAL IN THE HAGUE, NL 24-27th SEPTEMBER 2015
AT THE ELECTRICITEITSFABRIEK
4DSOUND unveils a new 24-hour programme of interactive spatial sound performances featuring Lisa Park, Marco Donnarumma, Kazuya Nagaya, Oscar Mulero, the overnight A/V meditation proj- ect Noqturnl by John Connell and Florence To, and more to be announced...
• 4DSOUND: Circadian investigates how spatial listening influences conscious states through- out the day and night
• Performances explore how to physically connect the listener with the surrounding space through movement, bio-physical media and psycho-acoustic stimulation
• Program features sound and movement workshops, immersive sonic meditation, participa- tive spatial performances, overnight collective dreamstate and an opening conference
4DSOUND is a laboratory and cultural collective exploring Spatial Sound as a medium. Since 2008, it has developed an innovative Spatial Sound technology that has significantly improved and ex- panded the possibilities to create, perform and experience sound spatially. 4DSOUND is a fully omnidirectional sound environment, where the listener can appreciate Spatial Sound images in a virtually unlimited spatial continuum. Sound can move infinitely distant or intimately close to the listener: it moves around, as well as above, beneath, in between or right through them.
A 4DSOUND environment allows for a natural reproduction of sound sources in a spatial environ- ment. The loudspeakers are completely transparent: instead of listening to speakers, one is listening to space.
Over the last two years 4DSOUND has developed a following through its acclaimed Artist Residency series and showcases at festivals such as Berlin Atonal and ADE, developing work with artists such as Vladislav Delay, Dasha Rush, Pantha du Prince, Murcof, Biosphere and the experimental imprint Raster-Noton. 4DSOUND has also given lectures and talks on the applications and implications of Spatial Sound at interdisciplinary festivals and symposiums such as CTM Berlin, IX Symposium Montreal and Gaudeamus Music Festival.
4DSOUND is at the forefront of researching and demonstrating how Spatial Sound is becoming intertwined with a broader cultural movement that propagates self-awareness, social cohesion and sustainability. Spatial Sound is at the heart of a development leading to an Ecology of Listening – influencing the quality of the listening environment to enhance our mental and physical state.
Inspired by the circadian rhythms that govern our wake-sleep cycle, the 4DSOUND: Circadian programme will investigate how spatial sound influences our states of consciousness over a 24- hour period, by exploring new ways to physically connect the listener with the surrounding space. Through a series of interactive spatial sound performances, workshops and talks, 4DSOUND seeks to embody the range of conscious states of the listener throughout the day, encouraging height- ened awareness of environment, mind-body connection, personal insight, creative expression, empathic sensitivity and social interaction.
Premiering at TodaysArt 2015, the festival for contemporary art and music in The Hague, Nether- lands, 4DSOUND: Circadian presents interdisciplinary work from a diverse set of artists - all created exclusively with and for 4DSOUND.
New York-based artist Lisa Park has developed a series of performances using biosensors (brain- wave and heart-rate devices) as a vehicle for manifesting her inner states. Lisa’s recent works “Eunoia” and “Eunoia II” involved using a commercial brainwave (EEG) headset as a self-moni- toring tool to measure her physical and psychological states. These performances obtained re- al-time feedback of her emotional reactions- an investigation into a new form of expression and trans-sensory experience by visually and audibly reflecting her inner states into tangible forms.
For 4DSOUND: Circadian, Lisa will engage with participants in a new interactive performance that works with spatialised sound derived from neurofeedback, participant interaction and manipulation of physical space to explore boundaries of intimacy, fear and social connection.
Marco Donnarumma is a performance artist, sound artist, musician and writer whose work in the last six years has focused on how to configure human bodies and machines through sound. He uses biotechnologies, software algorithms and body sensors to create intensely physical perfor- mances, concerts and live installations. For 4DSOUND: Circadian, he will invite visitors to take part in a communal, visceral experience of sound and light. Using the Xth Sense, his biowearable musi- cal instrument, vibrations from the visitors' bodies will be turned into physical sonic constructions that will grow and fall apart through time, space and frequency: a total space of networked bodies.
Robert Jan Liethoff is a Berlin-based actor, dramaturgist and voice movement teacher. His work draws on aspects of voice physiology as a departure point for the development of sound-oriented bodywork. He is fascinated by the body’s own intelligence: his compositions often begin from the concept of a raw, or formless space-state, from where they begin to move towards clearer specif- ic forms and structures. Robert will host a sound and movement class and lecture for 4DSOUND: Circadian inviting participants to explore a ‘physical’ listening practice, investigating how we per- ceive sound composition: what the body considers a ‘healthy’ sound texture, our ability to perceive sound internally as well as externally, and the influence this has on our spatial awareness- of space both internal and external, and the sense of physical self that emerges from this understanding.
Kazuya Nagaya is a Japanese artist who creates immersive, ritualised compositions through the use of bronze bells, gongs and singing bowls. Since releasing his first album ‘Utsuho’ in 1999, he has composed music for a range of projects, ranging from collaborations with Tibetan Buddhist monks to a remix for Plastikman. His performance for 4DSOUND will be a sonic immersion working with gong and beat tones tuned to specific frequencies, to induce deep meditative state.
Techno Is Space is an experimental project exploring the spatial forms and energetic movements within techno. 4DSOUND will showcase succesful performances from our recent Artist Residency series in Amsterdam that integrate wearable tactile bass technology from SubPac with 4DSOUND’s spatial system. Veteran Spanish DJ and producer Oscar Mulero will perform a highly charged spa- tial reworking of his acclaimed album ‘Muscle and Mind’ on Pole Group, while Berlin-based duo Cassegrain delve further into the spatially sensitive psycho-techno of their powerful recent LP ‘Centres of Distraction’ on Prologue.
Visual artist and art director Florence To creates light installations using the identity of first space, then sound, exploring the emotional depth of the audience’s perception. Her work with visual space translates how organized elements in architecture can create either tension or harmony in consideration of motion and adaption through live performance. Florence will collaborate with sound designer and 4DSOUND’s Creative Director, John Connell to present Noqturnl, an overnight audiovisual meditation exploring collective dreamstate. Noqturnl will take listeners through a series of ‘rooms’ as they drift between waking and dreaming states. Conveyed through shifting sound- scapes, these rooms contain individual dream scenarios with distinct environments and moods, encounters and interactions. Beginning with a short meditation, Noqturnl offers participants the chance for self-reflection, processing of memories and perceived mental and physical blockages and, ultimately, a dialogue with non-ordinary states of self-awareness at a deeper level."
"Mike Hosker presents to you a tutorial video of the iMini, Arturia's first application for Ipad.
iMini is an application recreating the classic Minimoog™ synthesizer that is based on the TAE™ technology found in Arturia award winning Mini V software.
iMini is designed to allow users the classic sound, look and feel of this iconic synthesizer.
iMini endorsers include Stephan Bodzin, Richard Devine, Banco de Gaia"
"COMPATIBILITY
iMini is compatible with iPAD 2, iPAD 3 and IPAD Mini
DESCRIPTION
iMini is a recreation of the classic 1971 Minimoog™ synthesizer, one of most iconic synthesizers of all time.
Based on the TAE® technology found in our award winning Mini V software, iMini offers a level of sound quality never before found on the iPAD as well as over 500 sounds by leading sound designers.
We have also partnered with the Bob Moog Foundation so that a portion of each sale goes to support their work in music education via the Dr. Bob Sound school program, making available the archives of Dr. Bob Moog and funding the dream to build the Moogseum.
The Minimoog™ synthesizer was made famous by artists and bands such as Stevie Wonder, Depeche Mode, Kraftwerk, Keith Emerson, Devo, Jean Michel Jarre and more. We now bring the features and sound of this classic to the iOS platform.
The iMini not only recreates the look and feel of the most legendary synthesizer, it does it with unparalleled sound quality. iMini is based on the award winning Arturia Mini V software that was created in partnership with Dr. Robert Moog himself, back in 2003. Thanks to this heritage, continuous research and refinements over the years, iMini comes with amazing sound quality and a large collection of preset sounds created by top sound designers such as Klaus Schulze (Tangerine Dream) and Geoff Downes (Asia).
What will you do with it?
First you can play the iMini’s numerous sounds from the iPad keyboard. You can create your own sounds and start building your personal sound palette.
If you are an owner of the Arturia Mini V software on your Mac or PC, you can import and export sounds between your laptop or desktop Mini V and iMini.
You can also control iMini from a MIDI keyboard via CoreMIDI and integrate it into your studio or live performances.
But this is not all; iMini is ‘Tabletop Ready’. Tabletop is a free iPad application that allows you to integrate iMini into a full studio of devices. With Tabletop you can build an entire song, with drum machines, FX's, sequencers... and of course the inimitable Minimoog™ sound.
Tabletop Ready™
The connect page is also your avenue to open up a whole new world of possibilities with iMini via Retronyms Tabletop application.
Tabletop™ is a free app for your iPAD that allows you to integrate iMini into a complete studio environment. In Tabletop you can use multiple instances of iMini; record your performance into a real-time sequencer; automate any of the parameters; add effects; process other modules through the iMini filters, etc. Tabletop also features number of in app purchase options to add more effects and instruments from other 3rd party companies.
Features include
Classic Minimoog™ sound.
3 Oscillators
24db per octave filter.
Simulated headphone jack/external input feedback.
2 Assignable XY pads
Chromatic or tuned scale keyboard modes
Polyphonic mode
Full featured arpeggiator
Repeat
HOLD and MEMORY latch modes
Octave span
5 note order modes
Speed and sync controls
Virtual Analog Chorus
Virtual Analog Delay
Owners of both the iMini and Mini V software apps can transfer sounds from one platform to the other via iTunes.
Full user MIDI mapping of panel controls.
Supports WIST sync with other iOS devices.
‘Tabletop Ready’
Soundcloud seeder (via Tabletop)
Render to .wav file (via Tabletop)
‘Audiocopy’ to paste your audio into another iPAD application. (via Tabletop)
The Minimoog™ name used here is a trademark of the respective owners, which are in no way associated or affiliated with Arturia. These trademarks are used solely to identify the products whose sound and features were modeled during the development process."
"Arturia advances history-making Minimoog to iPad musical masses!
"The iMini turned my iPad into an ‘old skool’ analogue bass monster! Its sound is irresistibly ‘phat’ and very close to the original. If you want that typical dirty Moog sound then the iMini is all you’ll ever need. It’s by far the most powerful and hypnotising synth app on the market.”
- Stefan Bodzin, 2013 (DJ/producer, remixer of Depeche Mode, Booka Shade, and more)
GRENOBLE, FRANCE: music software and hardware company Arturia is proud to announce availability of iMini, an authentic recreation of the all-time classic Minimoog monosynth for Apple’s all-conquering iPad, as of February 27...
iMini is based on the TAE® (True Analog Emulation) synthesis technology found in Arturia’s award-winning Mini V soft synth, meticulously modelling the distinctive tones and analogue nuances of the legendary Seventies-vintage Minimoog Model D monosynth. Moog changed the musical world with the Minimoog and Arturia helped change the music software world with the Mini V.
Arturia now brings the still-sought-after classic Minimoog sound to the musical masses, transforming any iPad mini, iPad 2, or iPad with Retina display into the ultimate analogue synth emulation! Those timeless three oscillators and that 24dB per octave fabled filter are all present and accounted for in iMini. It also successfully sports the look and feel of Dr Bob Moog’s namesake iconic synthesizer for all to see (and hear). But being a game-changing iPad app for 2013 and not an analogue synth design dating back to 1970 means there’s a whole lot more to iMini than first meets the eye...
Any serious synthesizer connoisseur will instantly recognise the MAIN mode screen as an eye-catching rendering of the Minimoog Model D front panel, albeit with welcome additional ‘analogue’ CHORUS AMT. and DELAY AMT. level controls, as well as a POLY switch for playing polyphonically — impossible in 1970, obviously! Other subtle supplements include a gearwheel icon above the keyboard — press to reveal GLIDE, DECAY, LEGATO, and SCROLL switches for performance keyboard control, plus a SCALE function to choose from no fewer than 26 different scales and modes. Meanwhile, iMini comes complete with hundreds of superb sounds showcasing its supreme sonic versatility; press LOAD from the menu bar and choose from sound designer or category — couldn’t be simpler!
But ‘behind’ that familiar-looking MAIN screen lies a wealth of truly 21st Century audio action: the PERFORMANCE page accesses an arpeggiator with two latch modes and two assignable XY pads for creating all kinds of patterns and real-time morphing sounds; the FX page provides iMini with the same wide-ranging CHORUS and accurate ANALOG DELAY models found in the above-mentioned Mini V software — subtle sound thickening to wildly modulated effects (chorus) and sync to external tempo (stereo delay) possibilities abound here! Handily, all onscreen knobs and switches in each iMini page can easily be assigned to MIDI CC allowing automation from any external MIDI source. The default MIDI map will automatically work with Arturia MiniLab or Analog Player 25 Universal MIDI Controller keyboards!
And that’s not all: the CONNECT page is the gateway to making iMini talk to the outside world (using the Apple iPad Camera Connection Kit) — use WIST (Wireless Sync Start Technology) to sync the arpeggiator and delay to other iPad or iPhone apps, and integrate iMini into a complete studio environment via Retronyms Tabletop. This free iPad app allows multiple iMini instances to be simultaneously run; real-time performance recording into a sequencer; parameter automation; processing of third-party, Tabletop-ready apps through the iMini filter, and more. “iMini is an ideal Tabletop-ready app,” says Retronyms Co-Founder John-Paul Walton. “It’s a fresh take on a legendary synth, and comes packed with a ton of amazing presets — everything from retro space sounds to contemporary bass noise.”
Thanks to iMini, today there’s really no excuse for not taking that history-making Minimoog sound anywhere anytime. And in recognition of the groundbreaking instrument to which it owes its very existence, for every iMini sold, Arturia will make a donation to The Bob Moog Foundation, whose Executive Director, Michelle Moog-Koussa, kindly adds: “We are grateful to Arturia and Retronyms for donating part of the proceeds from the iMini in support of our mission to ignite creativity at the intersection of music, science, history, and innovation. A portion of this funding will go to support our educational initiative, Dr Bob’s SoundSchool, which teaches children the science of sound through the magic of music.”
So let’s make music and help history come alive with iMini in more ways than one, and also support the dream of building the Moogseum (Bob Moog Museum), the convergence of The Bob Moog Foundation’s goals of inspiring and educating people through electronic music.
Appropriate iPad owners can purchase iMini directly from Apple’s App Store during a three-week introductory launch pricing period for €8.99 EURO/$9.99 USD (rising to €19.99 EURO/$21.99 USD thereafter)."
"We all love Eurorack for all the infinite possibilities it presents to create new sound machines. However, when you aspire for more voices and more timbres within Eurorack, that usually requires a significant amount of space and budget outlay. That leaves you no viable options, other than to leave your Eurorack and attempt to connect with outboard gear that does not easily integrate. Now – with Dino Park – you gain access to a world of infinite sonic possibilities, while staying within your Eurorack!
Dino Park is not fixed synthesis architecture – it is as flexible as your Eurorack. It can load different “synth models” which feature radically different forms of synthesis – including vintage subtractive, additive, wavetable and FM – providing infinitely expandable and exciting sonic capabilities in every Eurorack.
Now increasing the sonic potential of your Eurorack has never been easier, or more affordable! . For newbies, Dino Park offers an easy, cost effective and gratifying way to start off their rack journey with a big sound foundation. For Eurorack veterans, Dino Park can close a lot of gaps and enrich any Eurorack performance. True “ best of” utility in big analog sound with the recall-reliability of digital.
the ellitone groov-e firmware v1.0 is a fun and mysterious interactive drum-machine and polyphonic-synthesizer engine that automatically generates musical “grooves”
A “groove” consists of 3 individual sound layers: a drum-machine layer, an ambience-sample layer, and a synthesizer sequence layer. Each of these 3 sound layers can be individually tweaked and swapped to find the right mixture of sounds to make you say “WHOAH, that’s funky!”
The magic behind the groov-e firmware lies within the sequencing and rhythm creation engines. Rhythms and note sequences are NOT simply selected from a list of premade patterns, groov-e generates one-of-a-kind rhythms and note patterns using a series of decision-trees and probabilities. A NEARLY INFINITE number of possible note patterns and rhythm combinations are possible. To make things even more mysterious, these one-of-a-kind note patterns and rhythms are all temporary. Once you make the decision to generate a new drum pattern or synth sequence, the old pattern is gone FOREVER! The temporary nature of the grooves you discover makes them precious. You will NEVER hear the same combination of sounds twice while using this device. Cherish your grooves!
"KingKORG NEO packs the power from the legendary virtual analog synth KingKORG into a compact 37-full size key synth, with new sounds, a 16-band vocoder, effects, and virtual patching.
At your fingertips is deep sonic exploration with the intuitive front panel equipped with dedicated knobs and screens, 3 oscillators with 138 different oscillators types to choose from, and 18 classic synth filters, including iconic models such as MS-20, TB303, SEM, Minimoog, and Prophet 5, faithfully recreated through KORG's advanced XMT engine."
"After a year of development, testing and prototyping, KOMA Elektronik is proud to present the latest addition to the KOMA family: the KOMA Elektronik Field Kit! On Kickstarter now! The new KOMA Elektronik Field Kit is the perfect tool for everyone who would like to experiment with electroacoustic sound. Use everyday objects, amplify them and use them to make sound, like our heroes John Cage and David Tudor used to do!
The Field Kit is optimized to process signals from microphones, contact microphones, electromagnetic pickups and able to run DC motors and solenoids. On top of that it can receive radio signals and convert signals from switches and sensors into control voltage. The Field Kit boasts 7 separate functional blocks all focussed on receiving or generating all types of signals. They are designed to operate together as a coherent electroacoustic workstation or alternatively together with other pieces of music electronics with the ability to use control voltage signals:
Four Channel Mixer
Envelope Follower
DC Interface
Analog Switch Interface
Analog Sensor Interface
AM/FM/SW Radio
Low Frequency Oscillator
You can easily interface the Field Kit with a Eurorack modular system. At the backside of the PCB you will find a power connector you can use to power the unit from your system. The total panel width is 36HP. You can buy the Field Kit as a finished unit or build one yourself with the DIY Version."
"All audio has been recorded straight from the Field Kit, using a DC Motor, Solenoid Motor, a DC powered fan, Roland TR-8 and Berlin's local radio station Antenne Brandenburg as audio sources."
The new KOMA Elektronik Field Kit is the perfect tool for everyone who would like to experiment with electroacoustic sound. Use everyday objects, amplify them and use them to make sound, like our heroes John Cage and David Tudor used to do!
The Field Kit is optimized to process signals from microphones, contact microphones, electromagnetic pickups and able to run DC motors and solenoids. On top of that it can receive radio signals and convert signals from switches and sensors into control voltage!
We have finished development of the Field Kit, are ready for production and we need your support to make it happen!
[Pictured:] The final Field Kit prototype, ready for production!
It's all about the things you connect to the The Field Kit! To get you started we decided to offer an Expansion Pack with a bunch of different sources that you can use and connect to create your own signature sounds.
You might remember NUSofting from the Broken Drum Machine, daHornet, Groove Analogizer, Harp Time, Peti and more.
