The Finish Line

video upload by davidryle

"Having a little fun with the Q960 sequencers and the Moog Matriarch.

The Q960 pair are set up for index sequencing on the bass line. This is a fun way to mangle the bass line but keep it steady in time with the drum pattern. The gate duty was handed to the Dotcom Q172 quantizer for only sending gates when there is a change of pitch voltage. This helped to avoid the typical pulse rhythm.

The bass voice is a pair of Synthetic Sound Labs TZ-VC Oscillators in FM coupling. There is a third VCO from SSL for a sine wave sub-oscillator. These are mixed through the Corsynth C114 transistor drive mixer to the Oakley Voltage Controlled State Variable Filter in low pass mode. The signal is split and sent through the Modcan 73B stereo echo delay and also a dry signal is driven by a second Corsynth T-Mixer for added saturation.

The drum sounds are from the Delptronics LDB-2E and the TipTop SD808 snare. There is a Mutable Instruments Grids and the Moon Modular 563 trigger sequencer coupled to trigger the modules. The snare is sent through the MakeNoise Echophon delay and produces the raspy pulse voice heard throughout.

A hollow wood/metal block percussive sound is generated by a pair of Dotcom Q106's, a Mega Ohm Audio CdS LPG and an SSL Digital Delay. This is triggered by the STG Trigger Mini Store and reset by the Moon 554 Octal Clock Divider.

The IN-YER-FACE lead line is the Moog Matriarch through a T.C.Electronics D-Two delay unit.

Clock source was from Cubase through the STG Time Divider.

A pair of Dotcom Q962 Sequential Switches were used to route the various step gates from the lower Q960 Sequencer to the upper Q960. Routing and pitch values were pre-determined after hours of rehearsal to set up a particular scale or mode that determined what I should play on the Matriarch.

It should be noted that certain happenstance values of the sequence pattern produced passing tones that lead to the typical blues scale in C. I just had to go with it."

Meet You At The Top

video upload by davidryle

"A two part piece. Both are pitch voltage quantization controlled from the ACL Sinfonion. I switch presets through the first part from preset 1 - 4 and in the second half I leave it on preset 5.

The Sinfonion chord section is sending pitch quantization to the Doepfer A-111-4 quad VCO and A-105-4 quad SSI filter. The mixer is the Corsynth T-Mixer. The Empress reverb in Ambient Swell green mode is used.

The opening voice is Channel 2 of the Sinfonion and is sent to the Dotcom Q206 with the Dove D502 in BP mode P1, then an SSL Serge Resonant EQ and finally the Strymon Blue Sky.

A counter voice is the Channel 3 quantizer to a pair of Synthetic Sound Labs TZ-VC Oscillators to the Oakley VC-SVF in BP mode. The audio is routed through a Moon 517S high pass filter to roll of the lower mid tones. I used an instance of Relab Development's LX480 classic Lexicon reverb. This same voice is used for the main melodic part in the second section.

The Channel 1 of the Sinfonion is to the bass voice which is the Dotcom Q169 Oscillator++ and Grove Audio G294A ladder filter.

The Sinfonion arpeggiator part is to the STG oscillator duet and the Dove D501 2069 filter. The signal is sent through the Modcan 73B dual delay. In the first section this voice is solo, but in the second section I added in a duplicated run of the MosLab 901/904A through a different envelope which is timed a bit more sparse and sent through the second section of the 73B delay.

Most of my time was spent mixing levels and changing the timing of the SSL Hagiwo Geo-Gruvn euclidean sequencer. The clock timing was controlled by row 3 of the Moon 563 trigger seq. I used two different memory presets on the Geo-Gruvn for each section. These timings were used for the gate controls to the SSL Octal VCA, CV-8 Breakout and AD/AR Expander. The eight channel vca handled four of the voices. Very cool array of modules.

I also sent and effort to control the timing of the STG Voltage Mini Store's timing with row 2 of the 563. The right VMS is used for the Root control to the Sinfonion. The faster moving left VMS is to the arpeggiator of the Sinfonion.

The Sinfonion is using various cv's from the Q960 step sequencers to affect the chord spread and note selections. Also an LFO is used to affect the pre-transpose of the chord section.

A convoluted patch using the Lower West Side Studios CGS88 triple switch, the Dove D900 sequencer and three voltage sources to send control voltage to the transpose on the Sinfonion. I used the Moon 564 trigger stage 1 to turn this on and off by hand when needed.

The final clangorous opening and ending patch voice was the Mutable Instruments Rings through the Behringer Bode Frequency Shifter clone and the Encore Frequency Shifter, and on through the Tip Top Z-DSP signal processor running Halls of Valhalla reverb (Niflheim preset). It was also the midway noise rush background sound where the sections changed. These were added later in Cubase and triggered by hand.

The sections were performed at once live to Cubase and video edited in Final Cut Pro."

Skirting the Narrows

video upload by davidryle

"Instruo Harmonaig and MI Marbles with Acid Rain Technology Ripsaw and Doepfer A-111-4 and A-105-4. These quad vcos and filter setups were used along with some 5U large format modules from Synthetic Sound Labs, synthesizers.com, Grove Audio, Oakley Sound Systems and Moon Modular to present various sound sketches of the Harmonaig's chord outputs.
The percussive opening part trigger pattern was taken from the 4MS Quad Clock Distributor, RCD, and a switch module. The Modcan dual delay was time shifted using a triple switch module in the 5U.
Additional transpose sequences were mixed from the dotcom Q960 and Marbles to the Harmonaig.
All sounds were recorded in real-time to Cubase and video edited in Final Cut Pro."

“Liar, Liar, 960 Denier!” 😅

video upload by John L Rice

"I’ve been getting a bit burnt out doing endless video editing lately so when my friend David (Kindred Lost) made a nice cover/demo of his Moog 960 style sequencer doing the bass sequence from Tangerine Dream’s 'Rubycon' and said 'nothing but the 960 can do this' so I fired up my trusty Moon 569 sequencer to see if I could do it too! 🤓 David’s demo sound much more 'Moogy' that mine and is closer to the original TD track, I mainly just wanted to see if I could recreate similar patterns. Check out David's video 👌😎: • Franke and Ruby [posted here]

I used the following modules:
Moon Modular: 569 sequencer
Oakley: Slim VCO B (as VC clock)
Marienberg: Envelope Generator A, VC Sine Phase Oscillator
Noise Engineering: Cursus Iteritas Magnus VCO
STG Soundlabs: Post-Lawsuit Lowpass Filter
Synthetic Sound Labs: Tube VCA, Quad LFO
Synthesizers.com: Q125 Signal Processor

Also:
Allen & Heath: MixWizard 20S
Lexicon: MX400
Strymon: BigSky, Timeline"

A Towel For Ms Winters

video upload by davidryle

"Large format modular synthesizer recording live in the studio.
The opening noise burst is the Dove WTF in noise mode along with the Sputnik WCRS to an Oakley SVF in band pass mode to the Modcan 73B dual Delay and Z-DSP with Halls of Valhalla reverb. Modulation to the 73B is from the STG Voltage Mini Stores for delay cv.
Noise cacophony part is a pair of STG Soundlabs Oscillators to the Oakley Sound Systems Ring Modulator to a Grove Audio LPF and a MegaOhm Audio MA20 in highpass mode. The signal is sent to a tape echo then compressor.
The echo drone bass is the dotcom Q169 vco to a Moon 517S LPF. The echo delay is a stereo Lexicon MX200.
The lower bass tone is the Woven Spirits (MI Plaits) from Synthetic Sound Labs. Straight in, no filter or envelope. The chords are a pair of dotcom Q206 vcos and a pair of Q106 vcos for four part harmony. The cv source is the dual Matrix from SSL in dorian modes. A pair of dotcom Q171 and Q172 Quantizers were used with gates from the Geo-Gruvn to time the S&H pitch voltages. Toward the latter half of the piece I was playing the quantizers to change modes from augmented to diminished and back again. The audio signals are sent through a LWSS Yusynth panning mixer then a pair of filters. The Dove D502 in low pass four pole and the Frequency Central System X in 24dB low pass mode. They are sent to the Empress Reverb pedal in blue sparkle mode.
All gate timings were provided by the SSL Hagiwo Geo-Gruvn sequencer and the STG Time Divider. Additional divider s are the Moon 564, Moon 563 and STG Trigger Mini Store.
The theme here was the well known stories of the femme-fatale-gone-awry roles Shelly Winters played in many famous movies. She was drowned a few times and it became an urban legend of sorts. A great actress that rarely was rewarded with much favor but did finally reach a celebrated status."

Covalence

video upload by davidryle

"Large format 5U modular synthesizer with the Groove Synthesis 3rd Wave.
Two passes. The first was the modular synth, and the second was the played lines on the keyboard. All sounds except the melodic part was recorded in real time from the modular.
Two Matrix Algorithmic Composer modules from Synthetic Sound Labs were used for the moving lines throughout. These were fed to a pair of SSL/Ian Fritz Thru-Zero oscillators. The outputs were mixed straight and also split to an Encore Electronics Frequency Shifter, MOTM 440 Filter and heavily modulated 73B Modcan Dual Delay. Further processing with the Empress reverb and the Dove Audio D501 filter.
The bass notes were generated by the STG Soundlabs Voltage Mini Store to a pair of STG Oscillators and a Dove Audio WF. The filters included the MegaOhmAudio MA20 and the Frequency Central System X LPF.
A Q960 sent the arpeggio sweep voltage to an SSL VCO through a Behringer DD400 digital delay.
A Ring Modulator patch on the Q169 Qxcillator ++ from Synthesizers.com was directed through an Oakley Sound Diode Super Ladder filter then through an SSL Digital Delay.
The S&H sounding patch was not a sample & hold at all. It was a combination of a Q960, West Coast Random Source, MosLab 901/904A and a MegaOhmAudio CdS through an Oakley VC State Variable Filter."

6/24-27/25 .com Q173 Gate Math + Metasonix D-2000 + ZI 6550-99 + TR-606 + (more in description)

video upload by Cfpp0

"6/24-27/25 Synthesizers.com Q173 Gate Math + Metasonix D-2000 + Zerosum Inertia 6550-99 + Roland TR-606 + STG muSonics Vanilla Envelope + MFB dual ADSR + Intellijel LPG + Birdkids Unicorn Boom + Peavey 1300 + CorSynth C102 VC LFO + Synthetic Sound Labs 1660 + Alesis MIDIVERB II + Ace Tone MP-4 + Oakley Modular ADSR/VCA + MXR 136 dual limiter

Sort of reminds me of 'Goodbye Horses' by Q Lazzarus. The Synthesizers.com Q173 Gate Math has been very underutilized, so it’s been moved, and this was the first time I used it on the Metasonix D-2000. ALM Pamela’s New Workout is driving the Q173, which is triggering the D-2000. The D-2000 mix output runs through the Intellijel Passive LPG, which is controlled by the MFB dual ADSR, which is driven by Pamela’s. A copy of the Intellijel LPG runs through the Peavey 1300 delay, panned left, with gates reverb from the Alesis MIDIVERB II. The bass drum is from the Birdkids Unicorn Boom, triggered by Pamela’s, and limited by the MXR 136. The high pitched 16th note claves that sound like crickets are from the DSP 808, modulated by the MFB dual ADSR. The snare is from the Roland TR-606, processed by the Ace Tone MP-4 spring reverb. The hi hat is also from the TR-606, processed by a reversed reverb from the MIDIVERB II. The synth line is the Synthetic Sound Labs 1660 audio out through two Zerosum Inertia 6550-99 oscillators through the STG muSonics Vanilla Envelope and the Oakley ADSR/VCA, with additional modulation from the CorSynth C102 VC LFO."

6/24/25 (doubled demo) Zerosum Inertia 6550-99 oscillators (gear in description)

video upload by Cfpp0

"6/24/25 (doubled demo) Zerosum Inertia 6550-99 + SSL 1660 + Oakley ADSR/VCA + muSonics Vanilla Envelope + Corsynth C102 VC LFO + Paia 6740

I recorded a couple takes of a short looping sequence from the Synthetic Sound Labs 1660 The Matrix Algorithmic Composer to demonstrate some of the strange sounds you can glean from the Zerosum Inertia 6550-99 Thyratron Oscillator. In this video, two of them are overlaid. The SSL 1660 pitch is at a different setting in the two takes, but the patch is the same. The SSL 1660 audio output is controlling the pitch of two 6550-99 VCOs. The right 6550-99 is running through the STG muSonics Vanilla Envelope (panned center) and the left 6550-99 is running through the Oakley Modular ADSR/VCA (panned left). The right 6550-99 is also receiving an LFO from the Corsynth C102 VC LFO. This was just to hear the 6550-99 VCOs, so no filter or processor was used on either 6550-99 and very little spring reverb from the Paia 6740 was applied (with the 6740 slightly feeding back on itself via the aux send)."

April 30th 2025 Patch Variation #2

video upload by John L Rice

"Just exploring the patch as one tends to do. Here I’m using a second Moon Modular 569 sequencer to control the first one instead of the sequential switch I used in the previous video [posted here]. The result was simpler but still interesting to me. I also changed up the synth voice a bit, using a MegaOhm LPG instead of the SSL tube VCA and processing its output with an Oakley/Krisp1 Flanger."

MOTM / Synthesis Technology's Paul Schreiber Has Passed Away

Paul Schreiber at CONTROL in 2018


It has come to my attention that Paul Schreiber has passed away.

Pictured: Paul Schreiber at the 2006 NAMM show. Top from this previous post (pic by fr1zz), and bottom from this post (pic by Synthtopia) - this is the first image of Paul on the site. There is one comment in that post: "He's a good guy." Indeed.

Readers of the site should be familiar with his work. He was the man behind MOTM and Synthesis Technology.

To say Paul was one of the greats to influence the synth community would be an understatement. He was pivital to the rebirth of modular synthesizers. He started when modular as we know it today was in its infancy, as one of a very small group of large format DIY modular manufacturers along with Blacet, Modcan, Cynthia, Wiard, Oakley, STG, Catgirl/CGS, Tellun/Lower West Side Studio YuSynth, Jurgen Haible, and of course DIY staples like Thomas Henry/ MFOS, Ray Wilson and PAiA (see this post for some modular formats back in 2007). I focused mainly on those offering DIY. There were other manufacturers including Synthesizers.com, Club of the Knobs, MOS-LAB, Moon Modular, MacBeth, CMS, and more. Feel free to mention others in the comments. This post is about Paul, but I think it's important to reflect on some of the large format modular manufactures he was amongst at the time.

Paul created the MOTM format of 5U modules in 1998. MOTM stood for Module of the Month offering monthly DIY kits. From Wikipedia: "MOTM was created by Paul Schreiber in 1998. The system was created in part due to the renewed interest in large-format analog modular systems that occurred in the late 1990s. Between 1998 and 2021, over 8000 modules were sold. The company, Synthesis Technology, also offered a limited number of modules in Eurorack[2] and Frac[3] format."

He was also helped design the Moog/Realistic MG-1. From Wikipedia: "In 1980, Moog Music was seeking to contract manufacture a mass-marketable synthesizer which could be sold via a large retailer. Moog representatives secured an appointment at the Radio Shack corporate offices for a 5-minute demonstration. Radio Shack approved the concept, and Paul Schreiber (then employed by Tandy Systems Development) worked together with Moog on the synthesizer's design to achieve Radio Shack's price requirements.[2][3]"

He later joined the eurorack scene with Synthesis Technology branded modules. FYI, his site for MOTM was always http://www.synthtech.com/, short for Synthesis Technology. The first post to mention Paul and MOTM was posted just under twenty years ago here on MATRIXSYNTH back on August 26, 2005. If you click through you will see it was a post announcing the MOTM/synthtech.com site was going down for the weekend. He announced he was retiring from the synthesizer business in August of 2023.

I beleive the first synthtech eurorack module was the MOTM E340 Cloud Generator. The first demos were posted on July 14, 2009, followed by a mockup of the front panel on July 20. The first post to mention Synthesis Technology was an Epic Son track by John L Rice in August of 2011. Since then there has been approximately 845 posts to feature MOTM, and at least 398 Synthtech.

You can find a number of interviews with Paul in previous posts here.

It's worth repeating, Paul Schreiber was one of the key figures that brought modular back to the masses. He was both respected and loved by the synth community. It's impossible to overstate his influence. He will be missed.

The following are the first the last video interviews with Paul to be featured on the site:

The SynthSummitShow Episode 2: Paul Schreiber (Synthesis Technology) and A.Dapt (music producer) ...

Streamed live on Oct 2, 2015 Flux302 of Fluxwithit.com. Details previously posted here.

SysEx Dumpster - Episode 44 - a conversation with Paul Schreiber
video upload by Sysex Dumpster on Jul 30, 2023. Details previously posted here.

The first videos to feature Paul presenting a module was back on January 3, 2010, and the first interview on SoundCloud in 2013, and he was of course featured in the modular documentary film I Dream of Wires.

Switchback Descent

video upload by davidryle

"The great Vector Sequencer from Five12. I am using it for a pair of simple 16 step sequences to the 5U modular by way of CV and Gate.

The clock is derived from the Moon Modular 553 Midi to Clock module. I used the 1/96th division and a start gate to tap the sync24 feature in the Vector. I do have an STG bus but the sync bus cable wouldn't reach out of the cabinet to the Vector. The other clock pulses are from the STG Time Divider.

The first patch is run to a pair of Q206 VCO's and the Q150 filter and then on to the Echo Fix tape delay. Stereo panning was from the Q158 VCA++ and a Mega Ohm LFO. The Ian Fritz Hypster by Synthetic Sound Labs is a modulation source for the decay stage of the STG Envelop Generator.

The bass line patch is a pair of STG Oscillators to a pair of Mega Ohm MA20's in low and high pass series. The SSL Tube VCA is used to add some drive. The Frequency Central Stasis Leak stereo chorus finishes the patch chain.

The third patch is a drone pad line from the Dove D900 sequencer to the WTF Oscillator and the Oakley SVF in Notch mode. The slow center frequency modulation from a second Mega Ohm LFO does a nice job of combing through the upper mids of the complex waveforms out of the WTF. The last part of the patch is through the Empress Reverb in green ghost mode.

The Vector is the first edition mk1 but still has quite the feature set. I was using a modulation lane for transpose to the pair of pitch sequences. This same transpose sequence was replicated on the Q960 with a second Q960 as a divider. The pitch voltages for the WTF were combined in the unity mixer of the STG Active Multiples module. I did use the Q171 Quantixer Bank for precision stepping from the Q960.

All sounds captured at once in a single take to Cubase 12. Video edited in Final Cut Pro.

Special thanks to Ron Sunsinger for the loan of the Vector and Adam Fritsche for the Stasis Leak module."

Busy Bezaleel

video upload by davidryle

"5U modular synthesizer song. Using the LinnStrument 128 and synthesizers.com Q174 MIDI Interface to play into the modular. The main voice was a pair of Synthetic Sound Labs TZ-VC Oscillators and a Yusynth ARP 4072 Filter. Bass line was the Q960 step sequencer to DOve D100 and D110 VCO's on to the Drove G294A filter. A kick drum is from the SSL Woven Spirits.The FX fluttering sound is the Dove D900 sequencer to a pair of STG Oscillators. The noise chuff sounds are the WCRS module into a MOTM 440 filter and delay.

The mid-section is the LinnStrument in arpeggiator mode for the bass line (a pair of Q106's through the Q107 filter) and for the upper arpeggiation (the TZ-VC osc pair through an Oakley SVF. The offbeat sequence is the Dove D900 through the STG oscillators and the Dove D502 filter. The pad sound is generated by the STG Voltage Mini Store to a pair of Q206 vco's and the Q150 filter to a Canyon Delay pedal."

The Meat - Firechild

video upload by MrFirechild

"The Meat (March 2025) by Mr Firechild.
The following synthesizers were used:
¤ Minimoog
¤ Moog Model-15 (Reissue)
¤ ARP Solina
¤ Behringer System 55
¤ TTSH
¤ Various Euro rack modules, Oakley 5U
¤ xils lab THE EIGHTY software synth
¤ Behringer VC340

Composed and produced by www.firechild.se"

Sequencer Art

video upload by John L Rice

"I quickly recorded this sequence as a test and didn't like the quality of the video so I slapped a bunch of video effects on it.

Modules used are from:
Moon Modular
Oakley Sound
Synthetic Sound Labs
Modcan
Synthesizers.com"

Meandering On The Eve - A Berlin School Meditation

video upload by John L Rice

"An unplanned and unedited real-time performance on Christmas Eve 2024.

Modules Used:
Moon Modular - sequencer, switch, quantizer, VCFs
Synthesis Technology - VCOs, LFO
Club Of the Knobs - clock, poly ADSR
Oakley Sound - VCAs

Keyboard Synth:
Expressive E - Osmose
Mellotron - M4000D

Effects:
Strymon - BigSky and Timeline pedals
Lexicon - MX400

As always, thank you for watching! 🥳 If you found the content of this video helpful, interesting, or entertaining, please consider showing your support so I can stay stocked up on coffee and cookies. 😋 https://buymeacoffee.com/johnlrice"

Searching For The Guiding Light

video upload by John L Rice

"Another of my typical random sequence patches with a side of noodling that I turned into something more.

Modules Used:
Moon Modular - sequencer and VCFs
Synthesis Technology - VCOs, MIDI control, quad ASR
Club Of the Knobs - clock, poly ADSR
Oakley Sound - VCAs
Krisp1 - LFO

Keyboard Synth:
Expressive E - Osmose
Mellotron - M4000D

Effects:
Strymon - BigSky and Timeline pedals
Lexicon - MX400

Percussion Instruments:
Yudin Workshop - Pulsar
Musser - bells
Ludwig - chimes
Zildjian - crotales
Alan Abel - triangle

Percussion Recording Chain:
Neumann - KM183 mic
Martech - MSS10 mic pre
Focusrite - Red 2 EQ
Audioscape - V-Comp compressor
Lavry - Blue A/D converters

Artwork clips generated at https://www.imagine.art/

As always, thank you for watching, rating, following, subscribing, and commenting! 🥳 If you found the content of this video helpful, interesting, or entertaining, please consider showing your support so I can stay stocked up on coffee and cookies. 😋 https://buymeacoffee.com/johnlrice"

Tau Hydrae, Azure Dragon, Mega MPS, & FloriVoxTron DIY Synths by Amongst Projects

video upload by Amongst Projects

"My subtractive mono synth project based on Thomas Henry's Synthesizer for the 21st Century.

Read more about the construction etc - https://amongstprojects.blogspot.com/...

00:00 Introduction
00:25 LFO
03:17 Sample And Hold
06:24 Sub Oscillator
08:11 VCOs
13:15 Noise
14:59 Mixer
16:15 VCF
18:48 VCA
19:03 Envelopes
21:37 Keyboard and Control Panel

The music of myself, Amongst Myselves, www.amongstmyselves.com"

---

Azure Dragon - Effects Rack

video upload by Amongst Projects

"The Azure Dragon is a collection of patchable effects modules. The designs come from various sources including Oakley Sound Systems and Jürgen Haible.

Read more and the Azure Dragon here which includes links to the various modules - https://amongstprojects.blogspot.com/...

00:00 Introduction
02:59 Valve Overdrive
06:24 Phasor
09:05 Chorus
10:39 BBD
13:35 FV-1
16:14 Spring Reverb
17:33 Feedback"

---

Amongst Projects - Mega MPS - Demo

video upload by Amongst Projects - Mar 28, 2023

"Here's a demo of my 4 channel Mega Percussion Synth with integrated effects units driven by a Beat Step Pro. The MPS is a single board analogue drum module design courtesy of Thomas Henry.

More details here - https://amongstprojects.blogspot.com/...

The music of myself, Amongst Myselves, www.amongstmyselves.com"

---

FloriVoxTron - an introduction

video upload by Amongst Projects

"The FloriVoxTron is a fully stereo sample based synthesizer in a mostly analogue signal path using voltage controls VCFs and VCAs. A comprehensive modulation module makes this quite a unique instrument.

Some in depth details - https://amongstprojects.blogspot.com/...

As used myself as Amongst Myselves - www.amongstmyselves.com"

Lazarus Bubbles

video upload by Lower West Side Studio

"While playing around with a CGS29 Wave Multipliers I came up with a bubbling sound that reminded me of The Lazarus Pit from DC's Batman.

Here is a sample of the sound created by feeding some LFOs into a CGS29 then modulating it and twisting it with an Oakley Overdrive and MFOS 8-Stage Phase Shifter"

East-Coast Modular Eastern Osmosis

video upload by John L Rice

"Something just for fun. All first takes and some minimal editing.

Solo Synth:
Expressive E Osmose

Modular Synth Sequence:
Moon Modular - 569 sequencer, 591 switcher, 517 VCFs
Synth Tech - MOTM-300 VCOs
Oakley - Dual VCAs
Krisp1 - Octo LFO
Club Of the Knobs - C911p poly EG

Modular Synth Drone:
Modcan - 58B VCDO, 66B Control
Club Of the Knobs - C998B Spectral Modulator, C1660 VC Phase Processor
Marienberg Devices - Sine Phase VCO
Synthetic Sound Labs - 1250 Quad LFO
Oakley - Flanger/Chorus

Effects and Mixing For The Modular:
Strymon - BigSky and Timeline pedals
Lexicon - MX400 rack
Allen & Heath - MW3 20s mixer

Hand Percussion:
Generic - small Tabla, small doumbek, goat hooves
Zildjian - finger cymbals
PANArt - Hang Gede

Thank you for watching, rating, and commenting! :-) If you'd like to "tip your server" I would be most grateful and you can do so at the link below:
https://buymeacoffee.com/johnlrice"

A Sunday Morning Modular Synth Patch - May 19th 2014

video upload by John L Rice

"Featuring self transposing Moon Modular 569 sequencer with 569ES and 569EG expanders and two 564 switches to vary the pattern. All clocked by an Oakley Slim VCO through a Synthetic Sound Labs V-Gates divider. The voice is a single Marienberg Sine Phase VCO into two SSL Tube VCAs, one STG Soundlabs Envelope to modular both, and the VCA outputs go to a Modcan Dual Delay 73B. And a few notes played on the Mellotron M4000D Rack. Strymon BigSky and Lexicon MX400 for reverb."