"Which live performer doesn't know this situation: You build the tension to immeasurable heights, add another filter here, three more effects there, hands go up in the air, everyone's waiting for the big drop... and then you realize: You can't find your way out of the chaos you've created!
The sweat on your forehead drips onto your equipment, and in a firework of spraying sparks, your devices and your fans say goodbye forever...
"::| WARNING! EXTREME FREQUENCIES AHEAD! USE CAUTION |::
A first encounter with the Audrey II Horrorscape Synthesizer from @SynthuxAcademy
yes, there are many other videos of this extremely basic, yet very epic synth, but I got one for my horror/sci-fi film scoring work, and thought you all might like to hear how it sounds... if you haven't already. My next video with it will try to incorporate other instruments in a more film score style."
"The Metropolix Backpack adds a 10-pin Intellijel Case MIDI connector to the rear of Metropolix, allowing Metropolix to interface directly with the MIDI and USB ports on Intellijel Performance and Palette cases.
When using the Metropolix Backpack, you can connect Metropolix directly to other MIDI hardware or your Computer/DAW via your Intellijel Case Jacks.
This accessory requires:
• Intellijel Metropolix
• Intellijel Performance or Palette Case
Intellijel Case Compatibility:
• Performance Case 7U x 104HP
(Full Size 5-Pin MIDI In/Out/Thru + USB-MIDI)
• Performance Case 7U x 84HP
(Full Size 5-Pin MIDI In/Out/Thru + USB-MIDI)
• Palette Case 4U x 104HP
(TRS MIDI In/Out + USB-MIDI)
• Palette Case 4U x 62HP
(TRS MIDI In + USB-MIDI, Note: no TRS Out)"
"Sequence via MIDI from your Eurorack system
The Metropolix Backpack adds a 10-pin header to the back of Metropolix for connecting to the Intellijel 10-pin header* on all of the Intellijel Cases.
Intellijel 4U Palette Cases — TRS MIDI IN and OUT**, USB MIDI
Intellijel 7U Performance Cases — 5-Pin MIDI In, Out and Thru, USB MIDI
* Please note—the Intellijel case MIDI Jacks can only be connected to a single module: MIDI 1U, Metropolix w/ Backpack, μMIDI 1U (legacy).
** MIDI TRS OUT not available on the 62hp 4U Palette.
Metropolix w/ MIDI
MIDI on Metropolix does not interfere with classic CV/GATE modulate usage, it plays alongside it. Sequence your favourite modules, hardware synths, and software plugins all at the same time.
MIDI Clock In and Out — Integrate an external MIDI Clock Sync from other hardware or your DAW, or sync everything else with the Metropolix Clock and modulate the BPM.
MIDI Output from the iconic Metropolix Sequencer—
Output MIDI Notes and CC Modulation from both Tracks
Output CC Modulation from 8 Mod Lanes.
Deep support for configuring Slide (Glide/Portamento) for any synth.
"Oh yes! Another milestone coming to the NerdSEQ ecosystem: Video Synthesis!!
Again a massive update with the upcoming firmware V3.0!
The well known video expander gets shader functionality with plenty of integrated modulators to make your music and visual sequencing one!
The release date will be at the begin of June. Stay tuned for more info!
Come over to my booth at #superbooth next week and check it out!! Booth Z235
NerdSEQ - Not just a Tracker!
"In this episode of Patch & Play, William Cas explores the Sequential Circuits Prophet-5, a legendary five-voice analog polyphonic synthesizer known for its warm sound and expanded patch memory.
Patch & Play is hosted by William Cas, featuring a new setup each series of episodes. The experience itself unfolds as a meditative dialogue with the environment, exploring its unique alchemy of sounds.
Produced by Nolan Feldpausch
IG: @noliefeldpausch"
"Join us at @superbooth_berlin (May 8-10)! Meet founder Bob Coover, get hands-on with the 3rd Wave keyboard and desktop module, and geek out with the Groove Synthesis team at booth 0246.
We're passionate about building instruments that inspire creativity and push sonic boundaries. Come experience sound that is inspiring and in the “groove”.
Who knows? Maybe you’ll even see something brand new from us in Berlin…"
"A piece created with the @SequentialLLC Prophet-10, @MoogSynthesizers Moog One, Grandmother, and @buchlausa Music Easel—minimal music built around arpeggios.
All parts are driven by MIDI in Ableton Live.
Prophet-10: Plays the main arpeggio, processed with @strymon blueSky for reverb.
Music Easel: Also plays a primary arpeggio, but heavily processed with @ChaseBlissAudio LOSSY.
Grandmother: Handles the bass line.
Moog One: Provides the harmonic layer.
I record while tweaking parameters on each synth."
"I can't imagine using my modular without having a sampler present to capture the unique and one-time sounds you get from your modular synthesizer. My go-to sampler for everything is the Digitakt II, if not that, than the Octatrack or M8 Tracker. Today we will dive into the workflow of writing music and sampling a eurorack system built around 2 voices with lots of effects."
Futureretro Swynx available in super limited quantities ONLY through our online store.
Using recently found old stock parts, Futureretro has built and is offering the long out of production SWYNX in super limited quantities (less than 10 units available). These use the same chassis, circuit boards, and parts as the original run (knobs are slightly different) and serves as a test for a possible re-introduction of the unit into the Futureretro catalogue in the near future.
The Swynx is a sync box that converts incoming MIDI messages to MIDI clock, DIN sync, CR-78 clock, and Analog clocks. In addition, the Swynx provides the ability to swing the timing of all these clock outputs and select different time signatures in real-time with the front panel controls, and can also act as a CR-78 pattern programmer. After you try it in your setup, you will realize just what you've been missing. For instance, many DIN sync devices do not provide a built-in swing function. And many MIDI sequencers and drum machines suffer from poor implementation of swing, preventing changes to be made live, or only providing swing for 4/4 patterns. Quite a few MIDI sequencers don't offer any swing function, including our own 777 and Mobius products. Now you can apply swing to any MIDI sequencer, and select new time signatures as well Need to sync your analog sequencer or arpeggiator with MIDI gear? No problem! Not only can you do so, but now you can swing the timing of those devices as well. You can even use the analog clock output to Gate the envelopes in a synthesizer. The clock duty cycle is 50% of a note duration. If you are a Roland CR-78 owner, you may have realized finding a WS-1 or TS-1 to program the CR-78 is next to impossible. The Swynx can replicate the programming capabilities of these units, plus provide sync to MIDI, and realtime swing adjustment. The ability to add swing to the CR-78's preset patterns alone will breathe new life into this old friend. The Swing value is accurate to 0.5% providing much more control resolution than is typically found in sequencers and drum machines. The Swynx provides 12 different time signatures to choose from. Some time signatures are duplicate, but provide different shuffle patterns for that time signature. Time signatures include 9/8, 7/8, 6/8, 5/8, 2/4, 4/4, 8/4, 3/4, and 6/4. The Swynx is all about making the gear you have sound better!
Swynx Features Converts MIDI messages to MIDI clock, DIN sync, CR-78 clock, and analog clock Can be used as a CR-78 pattern programmer Control over the swing amount Swing - 50% - 75% (0.5% resolution) Time-signatures include 9/8, 7/8, 6/8, 5/8, 2/4, 4/4, 8/4, 3/4, and 6/4
No more NEW Vectra units will be sent out to stores after this month.
We have a very small order to fill with one US Store that will be filled by the end of May. After that, we will be out of Vectra parts and do not plan on restocking the product. The build time and cost is too excessive for us to continue this unique product. If you are wanting a Vectra and have not yet ordered a unit, the time to get them is now. Please check with your favorite stores for availability.
The 777
Many have asked, many are waiting and wanting to know details. ALL we can say at this point is that this product has been sent back to engineering. The 777 project has been a major undertaking and while close, seemingly minor issues have been exaggerated by parts availability. We continue to work towards this goal but no further information is available.
Furthermore, NO NEW manufacturing can be put in place until tariff issues are worked out.
"Rebuilt of the ultra rare SYNTON SYRINX Dutch keyboard synth.
I cannot compare but the unusual filter setting of
2 bandpass and 1 lowpass VCFs, with 4 different routings
give a lot of modulation freedom and rendition of rather unusual sounds.
Since I am not a fan of black gear. I tried my best in 2023 and contacted
ANALOG FX. And they had been so kind as to manufacture a
custom blue face synth which I have only seen in some
preproductions units and, of course, in the historic
SYRINX which was available also in red.
For the image angle had to use the wide angle and so only a quite low resolution. So there is not much detail. Sorry for that."
"Here we have the 3 new Nekyia Circuits Eurorack modules - Occult, Ouija and Wand. We'll focus on the star of the show here, the TZFM, sub octave generating, Ian Fritz double pulser wave shaping and external crossfading oscillator OCCULT! However we use Wand to crossfade at audio rates into new tones and Ouija for some musical ring mod too.
It's been a pleasure to check out the existing modules and to use those alongside the new ones here. As always the focus is to provide ideas and techniques while demonstrating how things work. So I hope you can take some of the patches to try out.
Info, manuals etc // https://nekyiacircuits.com"
*TIMING INDEX // CHAPTERS*
00:00 Hello & patch previews
01:31 Occult feature run down
04:09 Wand & Ouija feature run down
05:35 Pulser harmonic shaping - big drones ahoy!
08:41 Aggressive Pulser harmonics
11:21 Expand your VCOs with OUIJA
14:48 Stereo PWM sub mega stacks
16:59 Crossfade your way to HUGE waveforms with Wand
20:35 Occult LFOs - sub audio modulated modulation
22:35 Diving into the CLANG! Exploring TZFM
24:56 Animated sub octave feedback TZFM
27:59 Soft sync & TZM - musical alternative tones
31:55 Occult Shaping - harmonics & fade
36:21 Creatively embed ambience in your oscillator
39:15 For the ULTRA SYNTH NERDS - Occult + Ouija F**K YEAH
Occult is an analogue TZFM Triangle-core VCO/LFO with a wide frequency range and unique waveshaping capabilities! It features nine simultaneously available wave outputs: Sine, Triangle, Square and Pulse, a PWM Saw, Sub -1 and Sub -2, plus the outputs of Shaper and an interesting Pulser waveshaper circuit. Pulser is a waveshaper based on the “double pulser” circuit by Ian Fritz, able to produce exotic, rich sounding waveforms. The Shaper section adds a crossfader which can mix between the normalized Sine wave or any other external input and the Pulser or the also includes a TZFM input with an attenuator control, capable of producing more musical and complex FM tones than for every parameter as well as FM options make Occult a very versatile oscillator for sonic exploration!
"4/27/25 RYK 185 + Roland System 100m & SPH 323 Phase Shifter + Peavey 1300 + Ace Tone MP-4 + Alesis MIDIVERB II
I was going for Burzum low fidelity with the Peavey 1300 overloading and the Ace Tone MP-4 spring reverb feedbacking. Anyways, ALM Pamela’s New Workout clocks the right RYK Modular 185, which gates one of the Roland 140 envelopes and the left RYK 185, which gates the other envelope. Each 185 modulates the pitch of one Roland 110 VCO and VCF, while the VCFs are also modulated by LFOs from the 140 and 150 modules. The 140 envelopes control the two 110 VCAs, which are mixed on a Roland 132 and sent through the Roland SPH-323 Phase Shifter into the Peavey 1300 delay. The Ace Tone MP-4 is patched into itself for feedback as it further distorts the delayed signal and adds spring reverb."
"A performance on the Elektron Digitone II & Digitakt II.
Digitone II into Digitakt II.
Recorded in one take.
Mastered in post.
As always ... the project files & music on Patreon.
The great support from my patrons makes all of this possible ... thank you so much guys !! / substan
"What's the difference sonically? I've not heard these 2 demo'd side by side in depth. We know the specs - Melbourne Instruments Nina has 12 voices, each containing 2 VCOS plus a digital oscillator, and the Melbourne Instruments Delia uses virtual analog to do the same thing with 6 voices - with some 'Paraphonic PLUS' 12 voice modes.
There are other additions in the Delia, like FM, an extra LFO and envelope plus oyu can have dual effects in parallel or serial.
BUT.. what's the consequence of replacing the VCOs with the VA oscillators?"
0:00 Delia Panning Demo
0:31 An Intro to both synths
3:31 Quick Audio Comparison
5:48 Similarities and Differences
6:57 Lovely FM demo
10:46 Let's Go! Sound demos start with Oscillators
15:44 Comparing a Musical Patch
20:11 Delia's Vintage Mode
24:38 LP Analogue Filters
28:49 Delia's HP Sauce
30:20 OVERDRIVE!!
32:06 Rounding Up
"HiSwing is a dynamic and customizable pattern and groove MIDI generator for Monome Norns.
Create evolving percussions, hi-hats, and basslines with shifting velocity, pattern length, and density.
A tool for planting seeds of rhythm: patterns that rustle, shimmer, drift, and anchor.
CONTENT
00:00 What is the Wave Bard?
00:50 Overview & sound demos
03:28 Sample specs
03:42 Making some rhythms with Wave Bard
06:20 Can you use it to make actual music?!
09:05 How to load samples
09:38 My thoughts about Wave Bard
Check with dealers on the right for availability. Details and pics follow:
KASTLE 2 WAVE BARD
Experimental, patchable stereo sample player
The Kastle 2 Wave Bard is an experimental, patchable stereo sample player that empowers you to discover new rhythms and riffs through modulation and modularity.
"Firmware updates for Play 1.2 and Play+ 1.6 are now officially out of beta, combining crucial bug fixes, the MIDI performance mode and finger drumming.
The sequences you hear are from my modular system which includes VCZIII oscillator, filter from Feedback Modules, Behringer System 100m and 2500 modules. Also some Roland System 500 gear. The sequences are mainly from the Korg SQ64 - but I've also used Behringer 960 to do some things, as well as getting the SQ64 to trigger the 182 sequencer - see if you can spot it :)
Vocoder bit was done on the Roland E4. Other strings and sounds were from Streichfett, Pro 800 and Novation Peak. Effects are MXR Flanger or in the Modular system: Strymon Magneto, Intellijel Sealegs, Feedback Modules 106 Chorus."
"This is without a doubt the nicest Crumar Bit 99 I’ve ever owned or seen. It looks beautiful and shows signs of only very light use. It’s been well cared for in its life.
Everything works as it should — zero issues.
I purchased this in 2023 from a 100% feedback eBay seller. He made the following updates:
- power supply electrolytic capacitors replaced
- voice board electrolytic capacitors replaced
- firmware upgraded with Tauntek one: you can now easily control and program the synth with any midi controller
- keyboard dismantled and contacts and bus bar cleaned
- meticulously calibrated
- panel board and case fully dismantled, cleaned and polished
PLEASE NOTE: This is a 220-volt unit. You will need a step-up transformer to use this in the U.S. or Asia. This auction includes the power cable with the Euro/U.K. plug as shown in the photos, but no step-up transformer is provided."
Stockport, United Kingdom – April 28, 2025 – Resonance Studios, launched on 808 Day (August 8, 2024), is fearlessly challenging the music industry’s practice of abandoning vintage equipment. By committing to the preservation of these iconic instruments, the Stockport-based studio has curated one of the world’s largest collections of new and vintage musical equipment, earning its place among the top six global hubs for synthesizers, drum machines, and samplers. Guided by its principles of inclusivity and sustainability, Resonance Studios employs expert in-house technicians to sustain this legacy, empowering artists with unmatched access to historic gear.
Expansion Plans In late 2024, Resonance Studios expanded its team with Producer Tom Sharkett (Pictured) and invested in the latest, state-of-the-art SSL Origin analogue mixing console, complemented by a premium array of outboard equipment, including Shadow Hills Mastering Compressor, Empirical Labs Distressors, Lexicon 224, and Neve Shelford Channel. In 2025, the studio will double its footprint by adding another floor to its premises which is located less than half a mile from the iconic Strawberry Studios. The expansion includes a dedicated repair workshop, a vocal recording booth, a drum recording area, a live room— Where Jimi Hendrix famously performed in 1967—and a sophisticated relaxation and listening lounge for guests.
Connecting Past And Present The studio’s collection has been further enriched with the incredibly rare Yamaha DX1, Analogue Solutions Colossus, and a Yamaha CP80, previously owned by Strawberry Studios and used by the renowned band 10cc. These acquisitions underscore Resonance Studios’ dedication to merging musical heritage with modern innovation.
'We’ve been delighted with the reaction from the community to our unique studio. It’s a testament to the team how far we have come in less than 12 months,” said John Pilkington, Founder. “Our 2025 expansion, including the iconic Jimi Hendrix live room, an additional technician and enhanced vocal and drum recording reflects our mission to redefine music production and empower artists to create without boundaries.'
Social Responsibility Resonance Studios reinvests 97% of its profits into maintaining and acquiring equipment, ensuring accessibility for artists of all backgrounds. The remaining 3% is donated to Shelter, a charity supporting the homeless, reflecting the studio’s social responsibility. Every three months, the studio also provides an unsigned artist with a complimentary full day of recording, mixing, and mastering to nurture emerging talent. In 2025, the studio will also be taking on an apprentice technician to learn and preserve the skills required to maintain this specialist equipment.
With its historic live room, expanded facilities, and resolute commitment to preserving musical heritage, Resonance Studios is setting a new global benchmark for music production.
🇬🇧 Exquis - Ableton Live 12 Suite Remote Script
video upload by Intuitive Instruments
0:00 - Intro and installation
1:13 - Note Mode
1:36 - Settings (1)
2:13 - Settings (2) and favorite presets
2:34 - Devices and Tracks
3:17 - Session Mode
5:00 - Outro
🇬🇧 Exquis - Tutorials
Press release follows:
Exquis: expressive, MPE, intuitive, affordable, now optimised for Ableton Live
[Superbooth25] Intuitive Instruments, the French company behind the award‑winning Exquis ex‑pressive MPE keyboard, unveils a triple update that turns its flagship instrument into the ultimate, lightweight and compact creative hub for Ableton Live users
Unlike pad‑centric grid controllers optimised for finger‑drumming and loop triggering, Exquis responds like a real acoustic instrument: its 61 soft silicone keys, each with independent five‑dimension MPE control, provide the nuanced touch and emotional depth needed for flowing melodies and harmonically rich chords.
Exquis Remote‑Control Script for Ableton Live
The brand‑new Python‑based Remote Script integrates Exquis seamlessly into Live’s native controller family, delivering Launchpad‑style Session control and an instrument‑grade expressive touch—courtesy of its MPE twist—that makes playing melodies and chords feel effortlessly natural:
• Session view – create, launch and delete clips or scenes without touching the mouse.
• Track mastery – arm, select, mute and solo any track, and get immediate access to volume, pan and aux sends
• Expressive performance – chords, melodies and drum racks flow through all 61 soft silicone keys with independant and polyphonic 5 dimensions controls.
• Hands‑on transport & harmony – set Live’s tempo, root note and scale directly from Exquis.
• Per‑track note layouts – recall any of the keyboard’s eight onboard layouts (or your own customs) automatically when you change tracks — instantly reconfiguring Exquis into a specific instrument for every track, be it a bass, a percussive grid, or a soaring solo lead.
• One‑touch Favourites – call up Live racks or plugin presets in a heartbeat via Exquis’ exclusive favourites system.
• Device & mix control – tweak any parameter on any device and any track with using four push encoders and ten action buttons.
The script installs like any official Ableton controller template and requires Live 12.
In keeping with Intuitive Instruments’ drive for constant refinement, firmware v2.1 delivers two headline additions:
• Poly‑Hold Sustain – let chords ring out indefinitely while the onboard arpeggiator conti‑ nues to evolve.
• Developer Mode – an open MIDI API that exposes every hardware element—keys, en‑ coders, action buttons, RGB LEDs and even onboard memory—so developers can remap behaviours, write custom DAW scripts or integrate Exquis into bespoke performance setups.
The update also packs an array of stability improvements for an even smoother playing expe‑rience.
Exquis App v2 — New factory preset list and 1 500 Curated Presets
The companion software for macOS/Windows receives new factory preset list featuring hand‑picked, layout‑optimised patches for Surge XT, Vital and Decent Samplerand a vast sound‑library expansion bringing 1 250 new sounds tuned for Surge XT, Vital, Decent Sampler, Baby Audio Atom, Beatsurfing Random, Dawesome Abyss, Zyklus, Audiomodern Soun‑ dbox and Newfangled Audio Pendulate — now 1 500 presets in total.
Superbooth 2025 and Embodme.
Intuitive Instruments will attend the Superbooth 2025: booth O134, in the mezzanine of the main hall, side to Expressivee and Embodme.
In 1975, Tom Oberheim revolutionised synthesiser design with the original TVS – Two Voice Synthesizer. By combining two SEMs and a keyboard, he introduced true duophony to the world—enabling musicians to play two independent voices simultaneously and explore harmonically rich, evolving soundscapes. It was a bold step forward, embraced by visionaries including Martin Gore, Adrian Utley, Peter Baumann, Lorn, The Prodigy, and Nils Frahm.
Decades later, the TVS Pro modernised that vision, adding a built-in sequencer, extended modulation, and refined controls—all while staying true to its unmistakable sonic DNA.
Now, with the GForce Oberheim TVS Pro plugin, this landmark instrument enters a new era. Developed in collaboration with Oberheim, this recreation captures not only the depth, warmth and character of the original, but also the spirit of innovation that made it extraordinary.
Credits
Alex Ball - audio & video production and narration
Çağatay Çetin - 3D animation"
"GForce pulls the two-voice, duelling SEM, sequence and keyboard-driven TVS Pro into the software realm. It's effortlessly retro, sumptuously old fashioned and plays very differently to regular synths."
Oberheim TVS Pro Synthesizer by GForce Software (No Talking)
"In 1975, Tom Oberheim revolutionised synthesiser design with the original TVS – Two Voice Synthesizer. By combining two SEMs and a keyboard, he introduced true duophony to the world—enabling musicians to play two independent voices simultaneously and explore harmonically rich, evolving soundscapes. It was a bold step forward, embraced by visionaries including Martin Gore, Adrian Utley, Peter Baumann, Lorn, The Prodigy, and Nils Frahm.
Decades later, the TVS Pro modernised that vision, adding a built-in sequencer, extended modulation, and refined controls—all while staying true to its unmistakable sonic DNA.
Now, with the GForce Oberheim TVS Pro plugin, this landmark instrument enters a new era. Developed in collaboration with Oberheim, this recreation captures not only the depth, warmth and character of the original, but also the spirit of innovation that made it extraordinary.
Whether you’re a long-time Oberheim fan or new to SEM-based synthesis, TVS Pro is a tool you’ll return to again and again—for its tone, flexibility, and sheer playability.
Key Features
The most authentic duophonic TVS Pro experience available
The most playable SEM ever – full of character, now with an additional 3rd VCO
Over 635 patches, with 220+ new sounds and 400+ adapted SEM patches
"A demonstration of the iPad version of our Blofeld plugin. We show how to create a multi patch performance. Find out more https://waldorfmusic.com/blofeld-ipad/
0:00 start
4:10 creating a multi patch"
"The Microwave defined hybrid synthesis at its best with its unique interpretation of wavetable synthesis combined with analogue filters. Now Waldorf Music brings this magical instrument back into the hands of musicians with the release of the Microwave 1 app for iPads. It can be used as a standalone app as well as in the iPadOS AUv3 plug-in format."
"Crosstalk Modular combines modular samples with the unique layering and processing options of the Crosstalk engine. It was developed exclusively for NI by 10 Phantom Rooms who captured the sounds by wiring tons of modules from boutique gear builders. These samples were then transformed into an innovative instrument with features you won’t find anywhere else, like real-time morphing and creative sound pumping (aka crosstalking) for all four individual sound layers. Dive into a blend of vintage and modern processing powers and create sounds you’ve never heard before!
"Paul Haslinger (@paulhaslinger) is an Austrian-born composer, producer, and former Tangerine Dream member whose scoring and composition work now underpins a range of hit film, TV and video game titles. From hauling classic analog gear while touring to hybrid-studio efficiency, his career spans the full arc of modern music technology.
We joined Paul in Los Angeles to learn more about his creative philosophy and find out how V Collection 11 fuels his production process."
"dreadbox Artemis – My 2 Cents Artemis is a polyphonic analog synthesizer with six voices and a comprehensive effects section developed by Sinevibes. Housed in a solid desktop chassis, all potentiometers, faders, and buttons feel great, with just the right amount of resistance. On the rear, you'll find a stereo output, a separate headphone output, plus USB and MIDI connections. It doesn't offer a foot pedal input, but it supports MPE (I still need to try that with my Osmose).
Now to the most important part — the sound. It features that great vintage tone I love so much on other dreadbox devices, largely thanks to its creamy-sounding filters. Both filters offer resonance, and the low-pass filter can be switched between 12dB and 24dB slopes.
But it doesn't stop there: thanks to TZFM and filter FM (yes, noise can be a source here too), it can sound very modern as well, making it great for all sorts of electronic music. Although it offers quite a lot of modulation options, I still found myself wishing for features like key tracking for LFO rate, negative envelope amounts, noise as a modulation source in the menu, or meta-modulations. After reaching out to dreadbox about these features, they told me they are already working on them for a future update and/or will look into them. Based on my past experiences with dreadbox, I’m confident we can expect a nice firmware update for Artemis in the future.
The effects section by Sinevibes is also great — it’s just a shame that there are no external inputs like on the Typhon, as those would have made it a fantastic standalone effects unit as well. You get four effect slots (Lo-Fi/overdrive/shaper, modulation, delay, and reverb), each with several options to further tweak the sound. Here, I would love to see a bit more flexible routing, allowing changes to the effect order. But even without that, the effects section is a great addition that melts perfectly into the internal analog sound engine. I'd only recommend not adding too much, as the effects can quickly become dominant.
TL;DR: dreadbox Artemis is a sweet-spot synth that can also show its teeth when desired. Its intuitive interface and great-sounding effects unit make it an excellent companion for live performances. Definitely a highlight!"
"Discover the sonic depth of the Kodamo Mask1 in this ambient, semi-generative synth exploration. In this video, we dive deep into ambient sound design using the Kodamo Mask1, showcasing its unique synthesis capabilities and real-time generative textures. If you're passionate about ambient synth music and soundscapes that evolve organically, this is a must-watch.
Designed for ambient music enthusiasts and synth lovers alike, this video demonstrates how the Kodamo Mask1 excels at crafting immersive atmospheres and evolving pads. Watch as lush tones, delicate modulation, and generative sequences come together to create a meditative, cinematic experience. Whether you're searching for inspiration or researching the Kodamo Mask1, this demo highlights its potential in the world of synth music and ambient production.
Perfect for fans of modular-style workflows, ambient composers, or anyone seeking new tools for sound design on synths. Don’t forget to like, comment, and subscribe for more ambient synth demos, tutorials, and generative synth explorations. Stay tuned for more videos featuring deep dives into gear like the Kodamo Mask1, and discover how to push the boundaries of synth music and ambient creativity."
Doepfer will be showcasing the above new modules at SUPERBOOTH25. Details on each follow. Check with dealers on the right for upcoming availability.
Module A-119-2 is kind of a dual version of module A-119 without envelope follower. Instead two amplifiers are available and the module width is 4 HP only.
The module contains two amplifiers with separately adjustable amplification levels. Each channel is equipped with an overload display. The module can be used also for stereo signals, e.g. the stereo output of a smartphone.
Controls and displays:
Level 1/2: manual control of the amplification in the range 0 - about 45.
Overload 1/2: overload LED, begins to light up for output levels beyond about 10Vpp (+/-5V)
In 1: audio input 1 (monophonic or stereophonic, see technical details)
In 2: audio input 2 (monophonic)
Out 1/2: audio output (monophonic)
Technical details:
for higher amplifications the two amplifiers can be daisy-chained
normalling options: the signal applied to socket In 1 can be normalled to socket In 2 in different ways by means of a jumper on the pc board:
socket In 1 is connected via a mono patch cable (standard patch cable) to a monophonic signal and this signal is normalled to socket In 2 (i.e. the same input signal for both sub-units): jumper on pin header JP2 in upper position
socket In 1 is connected via a 3.5 mm stereo TRS cable to a stereophonic signal and the second channel of the stereo signal is normalled to socket In 2: jumper on pin header JP2 in lower position
no normalling: jumper is removed from pin header JP2
all inputs and outputs are DC coupled. Thus the module can be used also for the amplifications of control voltages.
"A fun and affordable Modular Synth to solder yourself: Ilse. Seen and heard here making Vitalic Style techno squelches and leads.
Sound design and video by @i.am.sunhillow (IG)"
Supported Hardware and Native versions. (Only internal samples used)
By Nick Klimenko aka Chronos, a creator of 'Organica' for Waldorf Blofeld & 'WS Universe' for Korg Wavestation & Anton Sacral Reason author 'Stratosphere' for Wavestate.
The fourth part of the series is devoted to organic & motion sounds ready to go in your action track.
Korg Wavestate is an incredible synthesizer with amazing features and sound.
40 performances are waiting for you and ready to fill your compositions with new colors and inspire creativity.
Cinematic, Electronic, Ambient, create new music worlds with
Korg Wavestate and 'Cinematica' Vol.5
Every patch of our soundset is musical & can be immediately used in your tracks & production.
"Comparing the Juno-6 to the JX-3P. Some of this felt a little unfair because I was using the Juno 6 with sub and both oscillators active, so the 3P sounded a little anemic at times. I also noticed at times the JX-3P appeared quieter. I tried to rectify this, but know that going in it may feel slightly biased. I made this video TWO YEARS AGO and actually forgot until today that I had made it, sitting 'unlisted' in YouTube.
00:00 Pulse wave comparison 00:32 PWM 02:18 All waves on (not great with JX-3P and PWM) 02:56 LFO speed for PWM (Juno way faster) 03:37 Sawtooth wave comparison 04:28 Saw + Pulse waves 04:50 Sub osc (JX3P lower octave) 06:30 Filter cutoff 0% res 07:00 Filter cutoff 50% res 07:15 Filter cutoff 100% res 08:00 Envelope snappiness 09:00 Sequencer / Arp envelope snappiness and speed 10:50 Envelope release time comparison 12:22 Comparison of Chorus 13:00 Sync (JX3P only) 16:30 Random patch creations"
"Here's a sound made with SILHOUETTE Sport using a small movie sequence
(with curtain structure) and the visual sequencer function.
Visit SILHOUETTE at Superbooth 25: Booth H 195."
"Synton Fenix II, III, IId with Scrotum Lab ex0ex.
Kind of vowel sounds = I send a sawtooth from Fenix II oscillator into the ex0ex filter input and I send the ex0ex output into the ring modulator of Fenix IId. I send a sinewave into the other ring mod input.
Direct outs from Fenix(es) sent to mixer. No ext. effect added."
"I realized it would not take that much work to take the Dual Wavebank Synth Overlay for EaganMatrix-based instruments that lets you manipulate Saw, Square and Triangle configured waves and turn it into a Le Caine Synth Overlay (the newer additive Wavebank wave option that lets you manipulate the amplitudes of six Square waves (X, 2X, 3X, 4X, 5X and 8X frequencies). Since the GUI for this is totally different in terms of configuring the bank I created a new Overlay. I expect the new Electra One firmware to be released very soon and hopefully Osmose firmware that will support Overlays very soon as well. I'll release the overlays I have for Beta testing when formal notice of the firmware required to run them is announced."
"This video explains in detail how to use Arpeggio's Arpeggiator Overlay. The Arpeggiator Overlay gives you an insane amount of control over custom arp styles. Start by mixing and matching any two of the base note orders (or just pick one): Up, Down, Sequence, Reverse, and Random. Then apply and combine separate modifiers to each like Inside Out, Skip Forward, Alternating First, Zig Zag, and more. Each arp style can also have an Arpeggiator Rhythm of up to 16-steps."
Sections:
Activating the Overlay 0:43
Navigating the Pages 0:56
Arp Styles Overview 1:31
Base Note Orders 2:28
Mixing Note Orders 3:46
Modifiers Part I 3:59
Modifiers Part II 7:13
Really Long Arp Styles 10:23
Playing Around 11:51
Arpeggiator Rhythms 13:04
Parameter Sorting 14:39
Arp Bank Pages 16:07
Black Buttons 17:17
"Just got turned onto these cool modules from Infinite Machinery which is located here in my little town. Really digging them. Enjoy these brief test drives."
The Infinite Machinery Hexa VCA is a 6 channel VCA with DC coupling and a unique normalization function. All in 12 HP
Signal inputs are DC coupled. CV input response, 0 to +5V
Maximum amplification is unity gain, or 1.
Channels with no CV input will have CV normalized to the CV of the channel above. This cascading of CV values is defined in two groups, channels 1 - 3 and 4 - 6.
For example: If CV is patched to channel 1 and no CV patched into channels 2 & 3 - Channels 2 & 3 will follow the CV of channel 1.
Patch CV into channel 2 and nothing into channel 3 then channel 3 will follow the CV of channel 2. The same hold true for channels 4 - 6, with 4 being the start of the CV cascade.
"This is an edit (by Edgar Lopez - Thanks Edgar) of the composition livestream I did (I try to do them daily) centered around the Synhux Academy Simple Touch 2 synthesizers I was given by the brand at Superbooth 2024. It's the first in this new format where I focus certain livestreams on composing with a particular instrument and then turn that stream into a review or tutorial. Hope you like it!"
"The AS500-SEQ 64-step analogue sequencer is pulling double duty here — clocking the Fusebox X and modulating the filter on a vintage ARP Omni. No notes are being sequenced — the AS500-SEQ is used strictly for modulation and clock duties.
The Omni is played live by hand, and the Fusebox X bass pitch is manually triggered live using the Interval Generator (IG).
Captured live and recorded live — no MIDI.
In this setup: the AS500-SEQ handles clock and filter modulation, the Fusebox X brings the synth tone, and the ARP Omni delivers the vintage textures."
"With Jumbler..., we jumble one or we jumble many."
Jumbler is a six by six channel analog signal combiner and distributor for the New Universal Synthesizer System or any Eurorack modular synthesizer. Jumble is one of the New Universal Synthesizer System concepts where the routings of a patch could be re-configured, or jumbled, instantly via voltage control to produce variations on a theme.
Jumbler gives you powerful two-parameter access to the rearrangement of both origins and destinations for up to six modular signals. One to six inputs are routed to one to six outputs, in an order determined by the Rotate control, and combination determined by the Radiate control. Unlike a simple switch module, Jumbler’s analog VCA-based design is specially geared for smooth transitions and hybrid signals.
Jumbler is a great module for hybrid control voltage mashing, complex waveform mixing, on-the-fly effects re-routing, gate and clock re-combinations and more. Some folks have said it is like patching a stack of 6 RxMx circuits.
Mix and Match up to six signals for up to six destinations Easy to use as a voltage controlled mixer or continuously crossfading switch Dynamically blend waveforms from a single or multiple oscillators Create hybrid rhythms with gate or clock sources Change up effects routings on the fly Create feedback and matrix-mixer patches All analog design featuring 36 VCAs You’ve done some patchin’... now it is time to try some jumblin’...
Width: 10hp Max Depth (incl. power cable): 43 mm Power: 178mA@ +12V 92mA @ -12V MSRP: $259 Availability: Shipping now!
NATURE'S REVENGE
Recorded live into Syntakt delay & reverb. I did 4 takes and this is take 4 (I had to cut it down to fit the requirements) I might publish the other takes later…
"The Sequential Circuits Prophet 2000 is a vintage and iconic sampling synthesizer from the 1980s. It offers a unique blend of analog and digital sound capabilities, featuring 8-bit sampling technology combined with analog filters and envelopes. With a 61-key keyboard and a distinctive retro design, it has been sought after by electronic musicians and producers for its warm, versatile, and character-rich sound. The Prophet 2000 is a vintage gem, prized for its sonic qualities and its place in the history of electronic music."
"Here's something I've been meaning to get round to starting for ages, a practical guide to FM synthesis. In my experience FM tutorials usually over explain all the wrong things and rarely get as far as the important things like the predictable way operator ratios change the waveform and frequency responses. So I've tried to approach things from an entirely practical view point showing you how to make saw, square, noise etc with filter like responses.
Here's chipsynth MD (from which I stole a diagram :)
https://www.plogue.com/products/chips...
Details on different types of FM (its actually phase modulation)
• Comparing Exponential, Linear, and Th... [posted here]
• The difference between FM and Phase M... [here]
0:00 Intro
2:53 How the meters works
3:23 Operators and Algorithms
3:58 Carriers and Modulators
4:29 MEGA Synthesis envelope generator
5:48 Reface DX envelope generator
6:56 Adjusting algorithms and operators
8:35 Making a basic organ sound
9:47 Saw feedback
10:47 Square feedback
11:48 1:1 modulation (saw sounds)
13:03 Low pass like sweeps
14:12 1:2 modulation (square sounds)
15:34 2:1 etc modulation (band pass sounds)
16:37 Ratio chart
17:10 Quick demo bass patch
18:20 Summing up"
Discover an innovative music production multitool, that features genre-specific collections, chord banks, sequencers, and high-quality samples for instant inspiration. Now available with a new Keyboard mode, to play full instruments presets across your keyboard.
Also included in SonicPass ➡️ www.uvi.net/sonicpass
"Livestream to showcase and discuss the latest free Hydrasynth bank from Ken Flux Pierce. Join the Official ASM Hydrasynth Facebook group for more info and check out Ashunsoundmachines.com as well. to grab the free bank head to Shop.Fluxwithit.com .. while there considering grabbing a sample pack to help support the channel!"
"In diesem kurzen Soundbeispiel zeigen wir dir, wie authentisch und druckvoll der UAD Minimoog klingt.
Fette Bässe, warme Leads und klassische Analogsounds – direkt aus deinem Rechner, ganz ohne DSP-Hardware.
Tauche ein in den ikonischen Vintage-Sound in moderner Form!"
Googlish:
"In this short sound sample, we show you how authentic and powerful the UAD Minimoog sounds.
Fat basses, warm leads, and classic analog sounds – straight from your computer, without any DSP hardware.
Immerse yourself in the iconic vintage sound in a modern form!"
"A new project idea to use the synthesizers.com Q170 MIDI GATES module to affect broad changes to the composition within the modular system.
The Q170 has eight output jacks for sending 5V gate or trigger voltages to the modular system. I used my DAW (Cubase) to construct timings for various parts of the modular.
The first four outs were used as pulse gates for the Delptronics and TipTop drum modules. The Kick, Snare and Open and Closed HiHats.
The fifth out is to the Q169 vco's AMP input. That vco is used for the bass line so controlling the on-board vca will mute or enable the voice.
The sixth out was to enable the Dove D900 sequencer to run/stop. The sequencer is feeding pitch voltage to the Synthetic Sound Labs Woven Spirits (MI Plaits). This is the chord pad sound. I used the DAW to pulse the gate info when I wanted the sequencer to reset at certain parts.
The seventh out was to send a continuous gate to the STG Soundlabs Time Buffer. The Time Buffer is receiving a sync-bus 24 ppq clock and run signal. I have a panel access to these with jack inputs so I sent the 5V gate to the RUN input. This allowed me to use this to start and stop all sequencer motion from the DAW.
The eighth out is to a Lower West Side Studios triple switch. This switch is used to add an offset voltage to the Woven Spirits Harmonic control.
The other fun part was playing the LWSS triple attenuator. I had three parts run through the module. The pair of STG VMS sequences were percussive background parts switched in and out as needed. The third part was a pulse version of the pad sound.
The Matrix duet in the mid section was clocked from the STG Time Divider module. Both Matrix were set with very closely aligned slider settings but the "Z" sliders were offset for variety. They sent pitch voltage to the TZ-VCO's from SSL. The duet were sent through the STG Post Lawsuit Filter and an Empress reverb/delay pedal.
Other outboard effects were the Meris Hedra for the bass line and the EMX Grand Canyon for the steady pad sound."
